Mrs. Malcolm agreed. "Yes," she said. "Magnificent and insulting."
Sir John smiled. "My dear lady," he asked, "doesn't life consist largely of insults from the strong to the weak?"
"And were all these people so weak, then?"
"No, in their own way they were fairly important, I suppose, but compared to Morton they were weak—very weak—Ah, yes! I like this custom of smoking attable. Thanks!" He selected a cigarette deliberately, and stooped toward the proffered match. The flame illumined the swarthy curve of his beard and the heavy lines of his dark face. "You see," he began, straightening up in his chair, "the whole thing—that part of it, and the part I'm to tell—is really, if you choose, an allegory of strength, of strength and weakness. On the one side Morton—there's strength, sheer, undiluted power, the thing that runs the world; and on the other Bewsher, the ordinary man, with all his mixed-up ideas of right and wrong and the impossible, confused thing he calls a 'code'—Bewsher, and later on the girl. She too is part of the allegory. She represents—what shall I say? A composite portrait of the ordinary young woman? Religion, I suppose. Worldly religion. The religion of most of my good friends in England. A vague but none the less passionate belief in a heaven populated by ladies and gentlemen who dine out with a God who resembles royalty. And coupled with this religion the girl had, of course, as have most of her class, a very distinct sense of her own importance in the world; not that exactly—personally she was over-modest; a sense rather of her importance as a unit of an important family, and a deep-rooted conviction of the fundamental necessity of unimportant things: parties, and class-worship, and the whole jumbled-up order as it is. The usual young woman, that is, if you lay aside her unusual beauty. And, you see, people like Bewsher and the girl haven't much chance against a man like Morton, have they? Do you remember the girl, my dear?" he asked, turning to his wife.
"Yes," murmured Lady Masters.
"Well, then," continued Sir John, "you must imagine this Morton, an ugly little boy of twelve, going up on a scholarship to a great public school—a rather bitter little boy, without any particular prospects ahead of him except those his scholarship held out; and back of him a poor, stunted life, with a mother in it—a saddehumanized creature, I gathered, who subsisted on the bounty of a niggardly brother. And this, you can understand, was the first thing that made Morton hate virtue devoid of strength. His mother, he told me, was the best woman he had ever known. The world had beaten her unmercifully. His earliest recollection was hearing her cry at night.... And there, at the school, he had his first glimpse of the great world that up to then he had only dimly suspected. Dramatic enough in itself, isn't it?—if you can visualize the little dark chap. A common enough drama, too, the Lord knows. We people on top are bequeathing misery to our posterity when we let the Mortons of the world hate the rich. And head and shoulders above the other boys of his age at the school was Bewsher; not that materially, of course, there weren't others more important; Bewsher's family was old and rich as such families go, but he was very much a younger son, and his people lived mostly in the country; yet even then there was something about him—a manner, an adeptness in sports, an unsought popularity, that picked him out; the beginnings of that Norman nose that Mr. Burnaby has mentioned. And here"—Sir John paused and puffed thoughtfully at his cigarette—"is the first high light.
"To begin with, of course, Morton hated Bewsher and all he represented, hated him in a way that only a boy of his nature can; and then, one day—I don't know exactly when it could have been, probably a year or two after he had gone up to school—he began to see quite clearly what this hate meant; began to see that for such as he to hate the Bewshers of the world was the sheerest folly—a luxury far beyond his means. Quaint, wasn't it? In a boy of his age! You can imagine him working it out at night, in his narrow dormitory bed, when the other boys were asleep. You see, he realized, dimly at first, clearly at last, that through Bewsher and his kind lay the hope of Morton and his kind. Nice little boys think the same thing, only they are trained not to admitit. That was the first big moment of Morton's life, and with the determination characteristic of him he set out to accomplish what he had decided. In England we make our future through our friends, in this country you make it through your enemies. But it wasn't easy for Morton; such tasks never are. He had a good many insults to swallow. In the end, however, from being tolerated he came to be indispensable, and from being indispensable eventually to be liked. He had planned his campaign with care. Carefulness, recklessly carried out, has been, I think, the guiding rule of his life. He had modelled himself on Bewsher; he walked like Bewsher; tried to think like Bewsher—that is, in the less important things of life—and, with the divination that marks his type of man, the little money he had, the little money that as a schoolboy he could borrow, he had spent with precision on clothes and other things that brought him personal distinction; in what people call necessities he starved himself. By the time he was ready to leave school you could hardly have told him from the man he had set out to follow: he was equally well-mannered; equally at his ease; if anything, more conscious of prerogative than Bewsher. He had come to spend most of his holidays at Bewsher's great old house in Gloucestershire. That, too, was an illumination. It showed him what money was made for—the sunny quiet of the place, the wheels of a spacious living that ran so smoothly, the long gardens, the inevitableness of it all. Some day, he told himself, he would have just such a house. He has. It is his mistress. The world has not allowed him much of the poetry that, as you must already see, the man has in him; he takes it out on his place.
"It was in Morton's last year at Oxford, just before his graduation, that the second great moment of his life occurred. He had done well at his college, not a poor college either; and all the while, you must remember, he was borrowing money and running up bills. But this didn't bother him. He was perfectly assured in his ownmind concerning his future. He had counted costs. In that May, Bewsher, who from school had gone to Sandhurst, came up on a visit with two or three other fledgling officers, and they had a dinner in Morton's rooms. It turned into rather a 'rag,' as those things do, and it was there, across a flower-strewn, wine-stained table, that Morton had his second revelation. He wasn't drunk—he never got drunk; the others were. The thing came in upon him slowly, warmingly, like the breeze that stirred the curtains. He felt himself, as never before, a man. You can see him sitting back in his chair, in the smoke and the noise and the foolish singing, cool, his eyes a little closed. He knew now that he had passed the level of these men; yes, even the shining mark Bewsher had set. He had gone on, while they had stood still. To him, he suddenly realized, and to such as he, belonged the heritage of the years, not to these men who thought they held it. These old gray buildings stretching away into the May dusk, the history of a thousand years, were his. These sprawled young aristocrats before him—they, whether they eventually came to know it or not, they, and Bewsher with them—would one day do his bidding: come when he beckoned, go when he sent. It was a big thought, wasn't it, for a man of twenty-two?" Sir John paused and puffed at his cigarette.
"That was the second high light," he continued, "and the third did not come until fifteen years later. Bewsher went into the Indian army—his family had ideas of service—and Morton into a banking-house in London. And there, as deliberately as he had taken them up, he laid aside for the time being all the social perquisites which he had with so much pains acquired. Do you know—he told me that for fifteen years not once had he dined out, except when he thought his ambitions would be furthered by so doing, and then, as one turns on a tap, he turned on the charm he now knew himself to possess. It is not astonishing, is it, when you come to think of it, that eventually he became rich and famous?Most people are unwilling to sacrifice their youth to their future. He wasn't. But it wasn't a happy time. He hated it. He paid off his debts, however, and at the end of the fifteen years found himself a big man in a small way, with every prospect of becoming a big man in a big way. Then, of course—such men do—he began to look about him. He wanted wider horizons, he wanted luxury, he wanted a wife; and he wanted them as a starved man wants food. He experienced comparatively little difficulty in getting started. Some of his school and university friends remembered him, and there was a whisper about that he was a man that bore watching. But afterward he stuck. The inner citadel of London is by no means as assailable as the outer fortifications lead one to suppose.
"They say a man never has a desire but there's an angel or a devil to write it down. Morton had hardly made his discovery when Bewsher turned up from India, transferred to a crack cavalry regiment; a sunburnt, cordial Bewsher, devilishly determined to enjoy the fulness of his prime. On his skirts, as he had done once before, Morton penetrated farther and farther into the esoteric heart of society. I'm not sure just how Bewsher felt toward Morton at the time; he liked him, I think; at all events, he had the habit of him. As for Morton, he liked Bewsher as much as he dared; he never permitted himself to like any one too much.
"I don't know how it is with you, but I have noticed again and again that intimate friends are prone to fall in love with the same woman: perhaps it is because they have so many tastes in common; perhaps it is jealousy—I don't know. Anyhow, that is what happened to these two, Morton first, then Bewsher; and it is characteristic that the former mentioned it to no one, while the latter was confidential and expansive. Such men do not deserve women, and yet they are often the very men women fall most in love with. At first the girl had been attracted to Morton, it seems; he intrigued her—no doubtthe sense of power about him; but the handsomer man, when he entered the running, speedily drew ahead. You can imagine the effect of this upon her earlier suitor. It was the first rebuff that for a long time had occurred to him in his ordered plan of life. He resented it and turned it over in his mind, and eventually, as it always does to men of his kind, his opportunity came. You see, unlike Bewsher and his class, all his days had been an exercise in the recognition and appreciation of chances. He isolated the inevitable fly in the ointment, and in this particular ointment the fly happened to be Bewsher's lack of money and the education the girl had received. She was poor in the way that only the daughter of a great house can be. To Morton, once he was aware of the fly, and once he had combined the knowledge of it with what these two people most lacked, it was a simple thing. They lacked, as you have already guessed, courage and directness. On Morton's side was all the dunder-headism of an aristocracy, all its romanticism, all its gross materialism, all its confusion of ideals. But you mustn't think that he, Morton, was cold or objective in all this: far from it; he was desperately in love with the girl himself, and he was playing his game like a man in a corner—all his wits about him, but fever in his heart.
"There was the situation, an old one—a girl who dare not marry a poor man, and a poor man cracking his brains to know where to get money from. I dare say Bewsher never questioned the rightness of it all—he was too much in love with the girl, his own training had been too similar. And Morton, hovering on the outskirts, talked—to weak people the most fatal doctrine in the world—the doctrine of power, the doctrine that each man and woman can have just what they want if they will only get out and seek it. That's true for the big people; for the small it usually spells death. They falter on methods. They are too afraid of unimportant details. His insistence had its results even more speedily than hehad hoped. Before long the girl, too, was urging Bewsher on to effort. It isn't the first time goodness has sent weakness to the devil. Meanwhile the instigator dropped from his one-time position of tentative lover to that of adviser in particular. It was just the position that at the time he most desired.
"Things came to a head on a warm night in April. Bewsher dropped in upon Morton in his chambers. Very handsome he looked, too, I dare say, in his evening clothes, with an opera-coat thrown back from his shoulders. I remember well myself his grand air, with a touch of cavalry swagger about it. I've no doubt he leaned against the chimney-piece and tapped his leg with his stick. And the upshot of it was that he wanted money.
"Oh, no! not a loan. It wasn't as bad as that. He had enough to screw along with himself; although he was frightfully in debt. He wanted a big sum. An income. To make money, that was. He didn't want to go into business if he could help it; hadn't any ability that way; hated it. But perhaps Morton could put him in the way of something? He didn't mind chances."
"Do you see?" Sir John leaned forward. "And he never realized the vulgarity of it—that product of five centuries, that English gentleman. Never realized the vulgarity of demanding of life something for nothing; of asking from a man as a free gift what that man had sweated for and starved for all his life; yes, literally, all his life. It was an illumination, as Morton said, upon that pitiful thing we call 'class.' He demanded all this as his right, too; demanded power, the one precious possession. Well, the other man had his code as well, and the first paragraph in it was that a man shall get only what he works for. Can you imagine him, the little ugly man, sitting at his table and thinking all this? And suddenly he got to his feet. 'Yes,' he said, 'I'll make you a rich man.' But he didn't say he would keep him one. That was the third high light—the little man standing where all through the ages had stood men like him, thesecret movers of the world, while before them, supplicating, had passed the beauty and the pride of their times. In the end they all beg at the feet of power—the kings and the fighting men. And yet, although this was the great, hidden triumph of his life, and, moreover, beyond his hopes a realization of the game he had been playing—for it put Bewsher, you see, utterly in his power—Morton said at the moment it made him a little sick. It was too crude; Bewsher's request too unashamed; it made suddenly too cheap, since men could ask for it so lightly, all the stakes for which he, Morton, had sacrificed the slow minutes and hours of his life. And then, of course, there was this as well: Bewsher had been to Morton an ideal, and ideals can't die, even the memory of them, without some pain."
Mrs. Malcolm, watching with lips a little parted, said to herself: "He has uncoiled too much."
"Yes"—Sir John reached out his hand and, picking up a long-stemmed rose from the table, began idly to twist it in his fingers. "And that was the end. From then on the matter was simple. It was like a duel between a trained swordsman and a novice; only it wasn't really a duel at all, for one of the antagonists was unaware that he was fighting. I suppose that most people would call it unfair. I have wondered. And yet Bewsher, in a polo game, or in the game of social life, would not have hesitated to use all the skill and craft he knew. But, you say, he would not have played against beginners. Well, he had asked himself into this game; he had not been invited. And so, all through that spring and into the summer and autumn the three-cornered contest went on, and into the winter and on to the spring beyond. Unwittingly, the girl was playing more surely than ever into Morton's hand. The increasing number of Bewsher's platitudes about wealth, about keeping up tradition, about religion, showed that. He even talked vaguely about giving up the army and going into business. 'It must have its fascinations, you know,' he remarkedlightly. In the eyes of both of them Morton had become sort of fairy godfather—a mysterious, wonderful gnome at whose beck gold leaped from the mountainside. It was just the illusion he wished to create. In the final analysis the figure of the gnome is the most beloved figure in the rotten class to which we belong.
"And then, just as spontaneously as it had come, Bewsher's money began to melt away—slowly at first; faster afterward until, finally, he was back again to his original income. This was a time of stress, of hurried consultations, of sympathy on the part of Morton, of some rather ugly funk on the part of Bewsher; and Morton realized that in the eyes of the girl he was rapidly becoming once more the dominant figure. It didn't do him much good"—Sir John broke the stem of the rose between his fingers.
"Soon there was an end to it all. There came, finally, a very unpleasant evening. This too was in April; April a year after Bewsher's visit to Morton's chambers, only this time the scene was laid in an office. Bewsher had put a check on the desk. 'Here,' he said, 'that will tide me over until I can get on my feet,' and his voice was curiously thick; and Morton, looking down, had seen that the signature wasn't genuine—a clumsy business done by a clumsy man—and, despite all his training, from what he said, a little cold shiver had run up and down his back. This had gone farther than he had planned. But he made no remark, simply pocketed the check, and the next day settled out of his own pockets Bewsher's sorry affairs; put him back, that is, where he had started, with a small income mortgaged beyond hope. Then he sent a note to the girl requesting an interview on urgent business. She saw him that night in her drawing-room. She was very lovely. Morton was all friendly sympathy. It wasn't altogether unreal, either. I think, from what he told me, he was genuinely touched. But he felt, you know—the urge, the goad, of his own career. His kind do. Ultimately they are not their own masters. He showed the girl the check—not at first, you understand,but delicately, after preliminary discussion; reluctantly upon repeated urging. 'What was he to do? What would she advise? Bewsher was safe, of course; he had seen to that; but the whole unintelligible, shocking aspect of the thing!' He tore the check up and threw it in the fire. He was not unaware that the girl's eyes admired him. It was a warm night. He said good-by and walked home along the deserted street. He remembered, he told me, how sweet the trees smelled. He was not happy. You see, Bewsher had been the nearest approach to a friend he had ever had.
"That practically finished the sordid business. What the girl said to Bewsher Morton never knew; he trusted to her conventionalized religion and her family pride to break Bewsher's heart, and to Bewsher's sentimentality to eliminate him forever from the scene. In both surmises he was correct; he was only not aware that at the same time the girl had broken her own heart. He found that out afterward. And Bewsher eliminated himself more thoroughly than necessary. I suppose the shame of the thing was to him like a blow to a thoroughbred, instead of an incentive, as it would have been to a man of coarser fibre. He went from bad to worse, resigned from his regiment, finally disappeared. Personally, I had hoped that he had begun again somewhere on the outskirts of the world. But he isn't that sort. There's not much of the Norman king to him except his nose. The girl married Morton. He gave her no time to recover from her gratitude. He felt very happy, he told me, the day of his wedding, very elated. It was one of those rare occasions when he felt that the world was a good place. Another high light, you see. And it was no mean thing, if you consider it, for a man such as he to marry the daughter of a peer, and at the same time to love her. He was not a gentleman, you understand, he could never be that—it was the one secret thing that always hurt him—no amount of brains, no amount of courage couldmake him what he wasn't; he never lied to himself as most men do; so he had acquired a habit of secretly triumphing over those who possessed the gift. The other thing that hurt him was when, a few months later, he discovered that his wife still loved Bewsher and always would. And that"—Sir John picked up the broken rose again—"is, I suppose, the end of the story."
There was a moment's silence and then Burnaby lifted his pointed chin. "By George!" he said, "itisinteresting to know how things really happen, isn't it? But I think—you have, haven't you, left out the real point. Do you—would you mind telling just why you imagine Morton did this thing? Told his secret before all those people? It wasn't like him, was it?"
Sir John slowly lighted another cigarette, and then he turned to Burnaby and smiled. "Yes," he said, "it was extremely like him. Still, it's very clever of you, very clever. Can't you guess? It isn't so very difficult."
"No," said Burnaby, "I can't guess at all."
"Well, then, listen." And to Mrs. Malcolm it seemed as if Sir John had grown larger, had merged in the shadows about him; at least he gave that impression, for he sat up very straight and threw back his shoulders. For a moment he hesitated, then he began, "You must go back to the dinner I was describing," he said—"the dinner in London. I too was intrigued as you are, and when it was over I followed Morton out and walked with him toward his club. And, like you, I asked the question. I think that he had known all along that I suspected; at all events, it is characteristic of the man that he did not try to bluff me. He walked on for a little while in silence, and then he laughed abruptly. 'Yes,' he said, 'I'll tell you. Yes. Just this. What there is to be got, I've got; what work can win I've won; but back of it all there's something else, and back even of that there's a careless god who gives his gifts where they are least deserved. That's one reason why I talked as I didto-night. To all of us—the men like me—there comes in the end a time when we realize that what a man can do we can do, but that love, the touch of other people's minds, these two things are the gifts of the careless god. And it irritates us, I suppose, irritates us! We want them in a way that the ordinary man who has them cannot understand. We want them as damned souls in hell want water. And sometimes the strain's too much. It was to-night. To touch other minds, even for a moment, even if they hate you while you are doing it, that's the thing! To lay yourself, just once, bare to the gaze of ordinary people! With the hope, perhaps, that even then they may still find in you something to admire or love. Self-revelation! Every man confesses sometime. It happened that I chose a dinner party. Do you understand?'" It was almost as if Sir John himself had asked the question.
"And then"—he was speaking in his usual calm tones again—"there happened a curious thing, a very curious thing, for Morton stopped and turned toward me and began to laugh. I thought he would never stop. It was rather uncanny, under the street lamp there, this usually rather quiet man. 'And that,' he said at length, 'that's only half the story. The cream of it is this: the way I myself felt, sitting there among all those soft, easily lived people. That's the cream of it. To flout them, to sting them, to laugh at them, to know you had more courage than all of them put together, you who were once so afraid of them! To feel that—even if they knew it was about yourself you were talking—that even then they were afraid of you, and would to-morrow ask you back again to their houses. That's power! That's worth doing! After all, you can keep your love and your sympathy and your gentlemen; it's only to men like me, men who've sweated and come up, that moments arise such as I've had to-night.' And then, 'It's rather a pity,' he said, after a pause, 'that of them all you alone knew of whom I was talking. Rather a pity, isn'tit?'" Sir John hesitated and looked about the table. "It was unusual, wasn't it?" he said at length gently. "Have I been too dramatic?"
In the little silence that followed, Mrs. Malcolm leaned forward, her eyes starry. "I would rather," she said, "talk to Bewsher in his teepee than talk to Morton with all his money."
Sir John looked at her and smiled—his charming smile. "Oh, no, you wouldn't," he said. "Oh, no! We say those things, but we don't mean them. If you sat next to Morton at dinner you'd like him; but as for Bewsher you'd despise him, as all right-minded women despise a failure. Oh, no; you'd prefer Morton."
"Perhaps you're right," sighed Mrs. Malcolm; "pirates are fascinating, I suppose." She arose to her feet. Out of the shadows Lady Masters advanced to meet her. "Sheislike a mist," thought Mrs. Malcolm. "Exactly like a rather faint mist."
Burnaby leaned over and lit a cigarette at one of the candles. "And, of course," he said quietly, without raising his head, "the curious thing is that this fellow Morton, despite all his talk of power, in the end is merely a ghost of Bewsher, after all, isn't he?"
Sir John turned and looked at the bowed sleek head with a puzzled expression. "A ghost!" he murmured. "I don't think I quite understand."
"It's very simple," said Burnaby, and raised his head. "Despite all Morton has done, in the things worth while, in the things he wants the most, he can at best be only a shadow of the shadow Bewsher has left—a shadow of a man to the woman who loves Bewsher, a shadow of a friend to the men who liked Bewsher, a shadow of a gentleman to the gentlemen about him. A ghost, in other words. It's the inevitable end of all selfishness. I think Bewsher has rather the best of it, don't you?"
"I—I had never thought of it in quite that light," said Sir John, and followed Mrs. Malcolm.
They went into the drawing-room beyond—across ahallway, and up a half-flight of stairs, and through glass doors. "Play for us!" said Mrs. Malcolm, and Burnaby, that remarkable young man, sat down to the piano and for perhaps an hour made the chords sob to a strange music, mostly his own.
"That's Bewsher!" he said when he was through, and had sat back on his stool, and was sipping a long-neglected cordial.
"Br-r-r-!" shivered Mrs. Selden from her place by the fire. "How unpleasant you are!"
Sir John looked troubled. "I hope," he said, "my story hasn't depressed you too much. Burnaby's was really worse, you know. Well, I must be going." He turned to Mrs. Malcolm. "You are one of the few women who can make me sit up late."
He bade each in turn good-night in his suave, charming, slightly Hebraic manner. To Burnaby he said: "Thank you for the music. Improvisation is perhaps the happiest of gifts."
But Burnaby for once was awkward. He was watching Sir John's face with the curious, intent look of a forest animal that so often possessed his long, dark eyes. Suddenly he remembered himself. "Oh, yes," he said hastily, "I beg your pardon. Thanks, very much."
"Good-night!" Sir John and Lady Masters passed through the glass doors.
Burnaby paused a moment where he had shaken hands, and then, with the long stride characteristic of him, went to the window and, drawing aside the curtain, peered into the darkness beyond. He stood listening until the purr of a great motor rose and died on the snow-muffled air. "He's gone!" he said, and turned back into the room. He spread his arms out and dropped them to his sides. "Swastika!" he said. "And God keep us from the evil eye!"
"What do you mean?" asked Mrs. Malcolm.
"Sir John," said Burnaby. "He has 'a bad heart.'"
"Stop talking your Indian talk and tell us what you mean."
Burnaby balanced himself on the hearth. "Am I to understand you don't know?" he asked. "Well, Morton's Masters, and 'the girl's' Lady Masters, and Bewsher—well, he's just a squaw-man."
"I don't believe it!" said Mrs. Malcolm. "He wouldn't dare."
"Wouldn't dare?" Burnaby laughed shortly. "My dear Minna, he'd dare anything if it gave him a sense of power."
"But why—why did he choose us? We're not so important as all that?"
"Because—well, Bewsher's name came up. Because, well, you heard what he said—self-revelation—men who had sweated. Because—" suddenly Burnaby took a step forward and his jaw shot out—"because that shadow of his, that wife of his, broke a champagne-glass when I said Geoffrey Boisselier Bewsher; broke her champagne-glass and, I've no doubt, cried out loud in her heart. Power can't buy love—no; but power can stamp to death anything that won't love it. That's Masters. I can tell a timber-wolf far off. Can you see him now in his motor? He'll have turned the lights out, and she—his wife—will be looking out of the window at the snow. All you can see of him would be his nose and his beard and the glow of his cigar—except his smile. You could see that when the car passed a corner lamp, couldn't you?"
"I don't believe it yet," said Mrs. Malcolm. "It's too preposterous."
ByFRANCIS BUZZELL
FromThe Pictorial Review
She was not quite forty years old, but so aged was she in appearance that another twenty-five years would not find her perceptibly older. And to the people of Almont she was still Abbie Snover, or "that Snover girl." Age in Almont is not reckoned in years, but by marriage, and by children, and grandchildren.
Nearly all the young men of Abbie's generation had gone to the City, returning only in after years, with the intention of staying a week or two weeks, and leaving at the end of a day, or two days. So Abbie never married.
It had never occurred to Abbie to leave Almont because all the young men had gone away. She had been born in the big house at the foot of Tillson Street; she had never lived anywhere else; she had never slept anywhere but in the black walnut bed in the South bedroom.
At the age of twenty-five, Abbie inherited the big house, and with it hired-man Chris. He was part of her inheritance. Her memory of him, like her memory of the big house, went back as far as her memory of herself.
Every Winter evening, between seven and eight o'clock, Abbie lighted the glass-handled lamp, placed it on the marble-topped table in the parlor window, and sat down beside it. The faint light of this lamp, gleaming through the snow-hung, shelving evergreens, was the only sign that the big house was there, and occupied. When the wind blew from the West she couldoccasionally hear a burst of laughter from the boys and girls sliding down Giddings's Hill; the song of some young farmer driving home. She thought of the Spring, when the snow would disappear, and the honeysuckle would flower, and the wrens would again occupy the old teapots hung in the vines of the dining-room porch.
The things that made the people of Almont interesting to each other and drew them together meant nothing to Abbie Snover. When she had become too old to be asked in marriage by any one, she had stopped going to dances and to sleigh-rides, and no one had asked her why. Then she had left the choir.
Except when she went to do her marketing, Abbie was never seen on the streets.
For fifteen years after Amos Snover died, Abbie and Old Chris lived alone in the big house. Every Saturday morning, as her mother had done before her, Abbie went to the grocery store, to the butcher shop, and to "Newberry's." She always walked along the East side of Main Street, Old Chris, with the market-basket, following about three feet behind her. And every Saturday night Old Chris went down-town to sit in the back of Pot Lippincott's store and visit with Owen Frazer, who drove in from the sixty acres he farmed as a "renter" at Mile Corners. Once every week Abbie made a batch of cookies, cutting the thin-rolled dough into the shape of leaves with an old tin cutter that had been her mother's. She stored the cookies in the shiny tin pail that stood on the shelf in the clothes-press of the downstairs bedroom, because that was where her mother had always kept them, to be handy and yet out of reach of the hired help. And when Jennie Sanders's children came to her door on their way home from school she gave them two cookies each, because her mother had always given her two.
Once every three months "the Jersey girls," dressed in black broadcloth, with black, fluted ruffles around their necks, and black-flowered bonnets covering their scantyhair, turned the corner at Chase's Lane, walked three blocks to the foot of Tilson Street, and rang Abbie Snover's door-bell.
As Old Chris grew older and less able, Abbie was compelled to close off first one room and then another; but Old Chris still occupied the back chamber near the upstairs woodroom, and Abbie still slept in the South bedroom.
Early one October afternoon, Jim East, Almont's express agent and keeper of the general store, drove his hooded delivery cart up to the front steps of the big house. He trembled with excitement as he climbed down from the seat.
"Abbie Snover! Ab—bie!" he called. "I got somethin' for you! A package all the way from China! Just you come an' look!"
Jim East lifted the package out of the delivery cart, carried it up the steps, and set it down at Abbie's feet.
"Just you look, Abbie! That there crate's made of little fishin' poles, an' what's inside's all wrapped up in Chinee mats!"
Old Chris came around from the back of the house. Jim East grabbed his arm and pointed at the bamboo crate:
"Just you put your nose down, Chris, an' smell. Ain't that foreign?"
Abbie brought her scissors. Carefully she removed the red and yellow labels.
"There's American writin' on 'em, too," Jim East hastened to explain, "'cause otherwise how'd I know who it wasfor, hey?"
Abbie carried the labels into the parlor and looked for a safe place for them. She saw the picture-album and put them in it. Then she hurried back to the porch. Old Chris opened one end of the crate.
"It's a plant," Jim East whispered; "a Chinee plant."
"It's a dwarf orange-tree," Old Chris announced. "See, it says so on that there card."
Abbie carried the little orange-tree into the parlor. Who could have sent it to her? There was no one she knew, away off there in China!
"You be careful of that bamboo and the wrappings," she warned Old Chris. "I'll make something decorative-like out of them."
Abbie waited until Jim East drove away in his delivery cart. Then she sat down at the table in the parlor and opened the album. She found her name on one of the labels—Abbie Snover, Almont, Michigan, U. S. A. It seemed queer to her that her name had come all the way from China. On the card that said that the plant was a dwarf orange-tree she found the name—Thomas J. Thorington. Thomas? Tom? Tom Thorington! Why, the last she had heard of Tom had been fifteen years back. He had gone out West. She had received a picture of him in a uniform, with a gun on his shoulder. She dimly recollected that he had been a guard at some penitentiary. How long ago it seemed! He must have become a missionary or something, to be away off in China. And he had remembered her! She sat for a long time looking at the labels. She wondered if the queer Chinese letters spelledAbbie Snover, Almont, Michigan. She opened the album again and hunted until she found the picture of Tom Thorington in his guard's uniform. Then she placed the labels next to the picture, closed the album, and carefully fastened the adjustable clasp.
Under Abbie's constant attention, the little orange-tree thrived. A tiny green orange appeared. Day by day she watched it grow, looking forward to the time when it would become large and yellow. The days grew shorter and colder, but she did not mind; every week the orange grew larger. After the first snow, she moved the tree into the down-stairs bedroom. She placed it on a little stand in the South window. The inside blinds, which she had always kept as her mother liked them best—thelower blinds closed, the top blinds opened a little to let in the morning light—she now threw wide open so that the tree would get all of the sun. And she kept a fire in the small sheet-iron stove, for fear that the old, drafty wood furnace might not send up a steady enough heat through the register. When the nights became severe, she crept down the narrow, winding stairs, and through the cold, bare halls, to put an extra chunk of hardwood into the stove. Every morning she swept and dusted the room; the ashes and wood dirt around the stove gave her something extra to do near the orange-tree. She removed the red and white coverlet from the bed, and put in its place the fancy patch-quilt with the green birds and the yellow flowers, to make the room look brighter.
"Abbie Snover loves that orange-tree more'n anything in the world," Old Chris cautioned the children when they came after cookies, "an' don't you dare touch it, even with your little finger."
The growing orange was as wonderful to the children as it was to Abbie. Instead of taking the cookies and hurrying home, they stood in front of the tree, their eyes round and big. And one day, when Abbie went to the clothes-press to get the cookie-pail, Bruce Sanders snipped the orange from the tree.
The children were unnaturally still when Abbie came out of the clothes-press. They did not rush forward to get the cookies. Abbie looked quickly at the tree; the pail of cookies dropped from her hands. She grabbed the two children nearest and shook them until their heads bumped together. Then she drove them all in front of her to the door and down the path to the gate, which she slammed shut behind them.
Once outside the gate the children ran, yelling: "Ab-bie Sno-ver, na—aa—ah! Ab-bie Sno-ver, na—aa—ah!"
Abbie, her hands trembling, her eyes hot, went back into the house. That was what came of letting themtake fruit from the trees and vines in the yard; of giving them cookies every time they rang her door-bell. Well, there would be no more cookies, and Old Chris should be told never to let them come into the yard again.
That evening, when the metallic hiccough of the well pump on the kitchen porch told her that Old Chris was drawing up fresh water for the night, Abbie went out into the kitchen to make sure that he placed one end of the prop under the knob of the kitchen door and the other end against the leg of the kitchen table.
"It'll freeze afore mornin'," said Old Chris.
"Yes," Abbie answered.
But she did not get up in the night to put an extra chunk of wood in the stove of the down-stairs bedroom.
"Ab-bie Sno-ver, na—aa—ah! Ab-bie Sno-ver, na—aa—ah!"
Old Chris stopped shoveling snow to shake his fist at the yelling children.
"Your Mas'll fix you, if you don't stop that screechin'!"
And they answered: "Ab-bie Sno-ver, an' old Chris! Ab-bie Sno-ver, an' old Chris!"
Every day they yelled the two names as they passed the big house. They yelled them on their way to and from school, and on their way to Giddings's Hill to slide. The older boys took it up, and yelled it when they saw Abbie and Old Chris on Main Street Saturday mornings. And finally they rimed it into a couplet,
"Ab-bie Sno-ver, an' Old Chris—We saw Chris an' Ab-bie kiss!"
"Ab-bie Sno-ver, an' Old Chris—We saw Chris an' Ab-bie kiss!"
It was too much. Abbie went to Hugh Perry's mother.
Mrs. Perry defended her young son. "He couldn't have done it," she told Abbie. "He ain't that kind of a boy, and you can just tell that Old Chris I said so. Iguess it must be true, the way you're fussin' round!"
Mrs. Perry slammed the door in Abbie's face. Then she whipped her young son, and hated Abbie and Old Chris because they were responsible for it.
"That Abbie Snover came to my house," Mrs. Perry told Mrs. Rowles, "an' said my Hugh had been a-couplin' her name with Old Chris's in a nasty way. An' I told her—"
"The idea! the idea!" Mrs. Rowles interrupted.
"An' I told her it must be so, an' I guess it is," Mrs. Perry concluded.
Mrs. Rowles called upon Pastor Lucus's wife.
"Abbie Snover an' Old Chris was seen kissin'."
"It's scandalous," Mrs. Lucas told the pastor. "The town shouldn't put up with it a minute longer. That's what comes of Abbie Snover not coming to church since her Ma died."
On Saturday mornings when Abbie went down-town followed by Old Chris, the women eyed her coldly, and the faces of the men took on quizzical, humorous expressions. Abbie could not help but notice it; she was disturbed. The time for "the Jersey girls" to call came around. Every afternoon Abbie sat in the window and watched for them to turn the corner at Chase's Lane. She brought out the polished apples which she kept in the clothes-press all ready for some one, but "the Jersey girls" did not come.
"You haven't heard of anybody being sick at the Jersey house, have you, Chris?"
"Um? Nope!"
"Haven't seen Josie or Em Jersey anywhere lately?"
"Seen 'em at the post-office night afore last."
"H'mp!"
Abbie pushed the kettle to the front of the kitchen stove, poked up the fire, and put in fresh sticks of wood. When the water boiled she poured it into a blue-lacquered pail with yellow bands around the rim, carried it up the steep back stairs, and got out fresh stockings.
An hour later Old Chris saw her climbing up Tillson street. He scratched his head and frowned.
Abbie turned the corner at Chase's Lane. The snow, driven by the wind, blinded her. She almost bumped into Viny Freeman.
"My, Viny! What you doing out on such a day?"
Viny Freeman passed her without answering.
"Seems she didn't see me," Abbie muttered. "What can she be doing away down here on such a day? Must be something special to bring her out of her lonely old house with her lame side. My! I almost bumped that hand she's always holding up her pain with. My!"
Abbie turned into the Jersey gate and climbed the icy steps, hanging onto the railing with both hands. She saw Em Jersey rise from her chair in the parlor and go into the back sitting-room. Abbie pulled the bell-knob and waited. No one answered. She pulled it again. No answer. She rapped on the door with her knuckles. Big Mary, the Jersey hired girl, opened the door part way.
"They ain't to home."
"Ain't to home?" exclaimed Abbie. "My land! Didn't I just see Em Jersey through the parlor window?"
"No'm, you never did. They ain't to home."
"Well, I never! And their Ma and mine was cousins! They ain't sick or nothing? Well!"
The snow melted; the streets ran with water and then froze. Old Chris no longer came into the parlor in the evening to sit, his hands clasped over his thin stomach, his bald head bent until his chin rested upon the starched neckband of his shirt.
They ate in silence the meals which Abbie prepared: Old Chris at one end of the long table, and Abbie at the other end.
In silence they went about their accustomed tasks.
Abbie, tired with a new weariness, sat in her chairbeside the marble-topped table. The village was talking about her; she knew it; she felt it all around her. Well, let them talk!
But one day Almont sent a committee to her. It was composed of one man and three women. Abbie saw them when they turned in at her gate—Pastor Lucus Lorina Inman, Antha Ewell, and Aunt Alphie Newberry.
Abbie walked to the center of the parlor and stood there, her hands clenched, her face set. The door-bell rang; for a moment her body swayed. Then she went into the bay window and drew the blinds aside. Antha Ewell saw her and jerked Pastor Lucus's arm. Pastor Lucus turned and caught sight of Abbie; he thought that she had not heard the bell, so he tapped the door panel with his fingers and nodded his head at her invitingly, as if to say:
"See, we're waiting for you to let us in." Abbie's expression did not change. Pastor Lucus tapped at the door again, this time hesitantly, and still she looked at them with unseeing eyes. He tapped a third time, then turned and looked at the three women. Aunt Alphie Newberry tugged, at his arm, and the committee of four turned about without looking at Abbie, and walked down the steps.
A few minutes later Abbie heard the door between the parlor and dining-room open. Old Chris came in. For a moment or two neither spoke. Old Chris fingered his cap.
"Abbie, I lived here forty-two years. I was here when you was born. I carried you around in my arms a little bit of thing an' made you laugh."
Abbie did not turn away from the window.
"I know what they came for," Old Chris continued. "Your Ma—your Ma, she'd never thought I'd have to go away from here."
Abbie could not answer him.
"I don't know who'll keep the furnace a-goin' when I'm gone, nor fill the up-stairs woodroom."
Still no answer.
"I'm old now—I'll go to Owen Frazer's farm—down to Mile Corners. He'll have some work I can do."
Old Chris stroked his baggy cheeks with trembling hands. Abbie still looked out of the window.
"I'm a-goin' down to the post-office now," said Old Chris, as he turned and went to the door. "Be there anything you want?"
Abbie shook her head; she could not find words. As Old Chris went down the hall she heard him mumble, "I don't know what she'll do when I'm gone."
That night Abbie sat in the parlor window longer than usual. It was a white night; wet snow had been falling heavily all day. Some time between eight and nine o'clock she arose from her chair and went into the long, narrow dining-room. The pat-pat of her slippered feet aroused Old Chris from his nodding over theFarm Herald. Finding that the hot air was not coming up strong through the register over which he sat, the old man slowly pushed his wool-socked feet into felt-lined overshoes and tramped down into the cellar, picking up the kitchen lamp as he went. Abbie followed as far as the kitchen. The pungent dry-wood smell that came up the stairs when Old Chris swung open the door of the wood cellar made her sniff. She heard the sounds as he loaded the wheelbarrow with the sticks of quartered hardwood; the noise of the wheel bumping over the loose boards as he pushed his load into the furnace-room. She went back into the parlor and stood over the register. Hollow sounds came up through the pipe as Old Chris leveled the ashes in the fire-box and threw in the fresh sticks.
When Old Chris came up from the cellar and went out onto the porch to draw up fresh water for the night, Abbie went back into the kitchen.
"It's snowin' hard out," said Old Chris.
"Yes," Abbie answered.
She led the way back into the dining-room. Old Chris placed the kitchen lamp on the stand under the fruit picture and waited. For a few moments they stood in the blast of hot air rising from the register. Then Abbie took up the larger of the two lamps. Through the bare, high-ceilinged rooms she went, opening and closing the heavy doors; on through the cold, empty hall, up the stairs, into the South bedroom. While she was closing the blinds she heard Old Chris stumble up the back stairs and into the chamber he had occupied ever since she could remember.
The night after Old Chris had gone, Abbie took the brass dinner-bell from the pantry shelf and set it on the chair beside her bed. Over the back of the chair she placed her heavy, rabbit-lined coat; it would be handy if any one disturbed her. Once or twice when she heard sounds, she put out her hand and touched the bell; but the sounds did not recur. The next night she tried sleeping in the down-stairs bedroom. The blue-and-gray carpet, the blue fixings on the bureau and commode, the blue bands around the wash-bowl and pitcher—all faded and old-looking—reminded her of her mother and father, and would not let her sleep. On the wall in front of her was a picture in a black frame of a rowboat filled with people. It was called "From Shore to Shore." Trying not to see it, her eyes were caught by a black-and-white print in a gilt frame, called "The First Steps." How she had loved the picture when she was a little girl; her mother had explained it to her many times—the bird teaching its little ones to fly; the big, shaggy dog encouraging its waddling puppies; the mother coaxing her baby to walk alone.
At midnight Abbie got out of bed, picked up the dinner-bell by the clapper, and went back up-stairs to the South bedroom.
The tall, bare walls of the big house, the high ceilings with their centerpieces of plaster fruits and flowers, the cold whiteness, closed her in. Having no one to talkto, she talked to herself: "It's snowin' hard out——why! that was what Old Chris said the night before he went away." She began to be troubled by a queer, detached feeling; she knew that she had mislaid something, but just what she could not remember. Forebodings came to her, distressing, disquieting. There would never be any one for her to speak to—never! The big house grew terrible; the rooms echoed her steps. She would have given everything for a little house of two or three small, low-ceilinged rooms close to the sidewalk on a street where people passed up and down.
A night came when Abbie forgot that Old Chris had gone away. She had been sitting in her chair beside the marble-topped table, staring out into the night. All day the wind had blown; snow was piled high around the porch. Her thoughts had got back to her childhood. Somehow they had centered around the old grandfather who, years before, had sat in the same window. She saw him in his chair; heard his raspy old voice, "I married Jane sixty-eight an' a half years ago, an' a half year in a man's life is something, I'll bet you. An' I buried her thirty years ago, an' that's a long time, too. We never tore each other's shirts. Jane wanted to live a quiet life. She wanted one child, an' she was tenacious 'bout that. She never wanted any more, an' she had three, an' one of 'em was your Ma. She never wanted to be seen out with a baby in her arms, Jane didn't. I made her get bundled up once or twice, an' I hitched up the horse an' took her ridin' in my phaeton that cost two hundred dollars.—You'll be in your dotage some day, Abbie. I've been in my dotage for years now.—Oh, I altered my life to fit Jane's. I expected I had a wife to go out and see the neighbors with. By gosh! we never went across the street—I'll take on goodness some day, Abbie. By goll! that's all I'm good for to take on now.—Oh, it beat all what a boy I was. I and Mother broke our first team of oxen. When you get children, Abbie, let them raise themselves up. They'll do betterat it than a poor father or mother can. I had the finest horses and the best phaeton for miles around, but you never saw a girl a-ridin' by the side of me.—Some men can't work alone, Abbie. They got to have the women around or they quit. Don't you get that kind of a man, Abbie.—Oh, she was renowned was my old mare, Kit. You never got to the end of her. She lived to be more'n thirty year, an' she raised fourteen colts. She was a darned good little thing she was. I got her for a big black mare that weighed fourteen hundred pound, an' I made 'em give me ten dollars, too, an' I got her colt with her—"
Abbie suddenly realized that she was shivering; that her feet were cold; that it was long after nine o'clock. Old Chris must have fallen asleep in his chair. She went to the dining-room door and opened it; the dining-room was dark. Why?—why, of course! Old Chris had been gone for more than three weeks. She took hold of the door to steady herself; her hands shook. How could she have forgotten? Was she going crazy? Would the loneliness come to that?
Abbie went to bed. All night she lay awake, thinking. The thoughts came of themselves. What the town had to say didn't matter after all; the town had paid her no attention for years; it was paying her no attention now. Why, then, should she live without any one to speak to? "I'll go and get Old Chris, that's what I'll do. I won't live here alone any longer." And with this decision she went to sleep.
In the morning when Abbie opened the kitchen door and stepped out onto the porch, frost lay thick upon the well pump.
She drew her shawl close around her and took hold of the pump-handle with her mittened hands. When she had filled the pail she went back into the kitchen. The sound of the wind made her shiver. To walk all the way to Mile Corners on such a day required green tea, so Abbie drank three cupfuls. Then, as on the daywhen she went out to call upon "the Jersey girls," she carried hot water up-stairs and got out fresh stockings.
About nine o'clock three women of Pastor Lucus's church, standing on the front steps of Aunt Alphie Newberry's house, saw Abbie struggling through a drift.
"Why, there's Abbie Snover," said Jennie Chipman.
"She's turnin' down the road to Mile Corners," added Judie Wing.
Aunt Alphie Newberry opened the door to the three women:
"Whatever's the matter to be bringin' you callin' so early?"
"Ain't you heard yet?"
"We come to tell you."
"My! my! my! What can have happened?" Aunt Alphie exclaimed.
"Old Chris died last night—"
"Just after bein' middlin' sick for a day an'—"
"An' they say," Judie Wing interrupted, "that it was 'cause Abbie Snover turned him out."
Abbie reached the end of the town sidewalk. Lifting her skirts high, she waded through the deep snow to the rough-rutted track left by the farmers' sleighs. Every little while she had to step off the road into the deep snow to let a bob-sled loaded high with hay or straw pass on its way into town. Some of the farmers recognized her; they spoke to her with kindly voices, but she made no answer. Walking was hard; Owen Frazer's farm was over the hill; there was a steep climb ahead of her. And besides, Owen Frazer's house was no place for Old Chris. No one knew anything about Owen Frazer and that woman of his; they hadn't been born in Almont. How could she have let Old Chris go down there, anyway?
"Whoa up! Hey! Better climb in, Abbie, an' ride with me. This ain't no day for walkin'. Get up here on the seat. I'll come down an' help you."
Abbie looked up at Undertaker Hopkins. In the box of his funeral wagon was a black coffin with a sprinkling of snow on its top. Abbie shook her head, but did not speak.
"Guess I shouldn't have asked you," Undertaker Hopkins apologized. "Sorry! Get along as fast as you can, Abbie. It's gettin' mighty, all-fired cold. It'll be a little sheltered when you get over the hill."
Undertaker Hopkins drove on. Abbie tried to keep her feet in the fresh track made by the runners. She reached the top of the hill. Owen Frazer's red barn stood up above the snow. Undertaker Hopkins and his funeral wagon had disappeared.
"He must have turned down the Mill Road," Abbie muttered.
She reached the gate in front of the low, one-story farmhouse. A shepherd dog barked as she went up the path. She rapped at the front door. A woman appeared at the window and pointed to the side of the house. Abbie's face expressed surprise and resentment. She backed down the steps and made her way to the back door. The woman, Owen Frazer's wife, let her into the kitchen.
"Owen! Here be Abbie Snover!"
Owen Frazer came in from the front of the house.
"Good day! Didn't expect you here. Pretty cold out, ain't it? Have a chair."
Abbie did not realize how numb the cold had made her body until she tried to sit down.
"Maggie, give her a cup of that hot tea," Owen Frazer continued. "She's been almost froze, an' I guess she'll have a cup of tea. Hey! Miss Snover?"
"I want to talk to Old Chris."
"Talk to Old Chris! Talk to Old Chris, you want to?"
Owen Frazer looked at his wife. Abbie Snover didn't know, yet she had walked all the way to Mile Corners in the cold. He couldn't understand it.
"What'd you come for, anyhow, Abbie Snover?"
"Now, Owen, you wait!" Owen Frazer's wife turned to Abbie:
"Got lonesome, did you, all by yourself in that big barn of a house?"
"I want to talk to Old Chris," Abbie repeated.
"Was you so fond of him, then?"
Abbie made no answer. Owen Frazer went over to the sink and looked out of the window at the bed-tick smoldering on the rubbish heap. Owen Frazer's wife pushed open the door of the sitting-room, then stood back and turned to Abbie:
"You may be fine old family, Abbie Snover, but we're better. You turned Old Chris out, an' now you want to talk to him. All right, talk to him if you want to. He's in the parlor. Go on in now. Talk to him if you want to—go on in!"
The animosity in Mrs. Frazer's voice shook Abbie; she was disturbed; doubt came to her for the first time. As she went through the sitting-room, fear slowed her steps. Perhaps they had turned Old Chris away from her and she would have to go back alone, to live alone, for all the remaining years of her life, in that big house.
ByIRVIN S. COBB
FromThe Saturday Evening Post
When Judge Priest, on this particular morning, came puffing into his chambers at the courthouse, looking, with his broad beam and in his costume of flappy, loose white ducks, a good deal like an old-fashioned full-rigger with all sails set, his black shadow, Jeff Poindexter, had already finished the job of putting the quarters to rights for the day. The cedar water bucket had been properly replenished; the jagged flange of a fifteen-cent chunk of ice protruded above the rim of the bucket; and alongside, on the appointed nail, hung the gourd dipper that the master always used. The floor had been swept, except, of course, in the corners and underneath things; there were evidences, in streaky scrolls of fine grit particles upon various flat surfaces, that a dusting brush had been more or less sparingly employed. A spray of trumpet flowers, plucked from the vine that grew outside the window, had been draped over the framed steel engraving of President Davis and his Cabinet upon the wall; and on the top of the big square desk in the middle of the room, where a small section of cleared green-blotter space formed an oasis in a dry and arid desert of cluttered law journals and dusty documents, the morning's mail rested in a little heap.
Having placed his old cotton umbrella in a corner, having removed his coat and hung it upon a peg behind the hall door, and having seen to it that a palm-leaf fan wasin arm's reach should he require it, the Judge, in his billowy white shirt, sat down at his desk and gave his attention to his letters. There was an invitation from the Hylan B. Gracey Camp of Confederate Veterans of Eddyburg, asking him to deliver the chief oration at the annual reunion, to be held at Mineral Springs on the twelfth day of the following month; an official notice from the clerk of the Court of Appeals concerning the affirmation of a judgment that had been handed down by Judge Priest at the preceding term of his own court; a bill for five pounds of a special brand of smoking tobacco; a notice of a lodge meeting—altogether quite a sizable batch of mail.
At the bottom of the pile he came upon a long envelope addressed to him by his title, instead of by his name, and bearing on its upper right-hand corner several foreign-looking stamps; they were British stamps, he saw, on closer examination.
To the best of his recollection it had been a good long time since Judge Priest had had a communication by post from overseas. He adjusted his steel-bowed spectacles, ripped the wrapper with care and shook out the contents. There appeared to be several inclosures; in fact, there were several—a sheaf of printed forms, a document with seals attached, and a letter that covered two sheets of paper with typewritten lines. To the letter the recipient gave consideration first. Before he reached the end of the opening paragraph he uttered a profound grunt of surprise; his reading of the rest was frequently punctuated by small exclamations, his face meantime puckering up in interested lines. At the conclusion, when he came to the signature, he indulged himself in a soft low whistle. He read the letter all through again, and after that he examined the forms and the document which had accompanied it.
Chuckling under his breath, he wriggled himself free from the snug embrace of his chair arms and waddled out of his own office and down the long bare empty hall to theoffice of Sheriff Giles Birdsong. Within, that competent functionary, Deputy Sheriff Breck Quarles, sat at ease in his shirt sleeves, engaged, with the smaller blade of his pocketknife, in performing upon his finger nails an operation that combined the fine deftness of the manicure with the less delicate art of the farrier. At the sight of the Judge in the open doorway he hastily withdrew from a tabletop, where they rested, a pair of long thin legs, and rose.
"Mornin', Breck," said Judge Priest to the other's salutation. "No, thank you, son. I won't come in; but I've got a little job for you. I wisht, ef you ain't too busy, that you'd step down the street and see ef you can't find Peep O'Day fur me and fetch him back here with you. It won't take you long, will it?"
"No, suh—not very." Mr. Quarles reached for his hat and snuggled his shoulder holster back inside his unbuttoned waistcoat. "He'll most likely be down round Gafford's stable. Whut's Old Peep been doin', Judge—gettin' himself in contempt of court or somethin'?" He grinned, asking the question with the air of one making a little joke.
"No," vouchsafed the Judge; "he ain't done nothin'. But he's about to have somethin' of a highly onusual nature done to him. You jest tell him I'm wishful to see him right away—that'll be sufficient, I reckin."
Without making further explanation, Judge Priest returned to his chambers and for the third time read the letter from foreign parts. Court was not in session, and the hour was early and the weather was hot; nobody interrupted him. Perhaps fifteen minutes passed. Mr. Quarles poked his head in at the door.
"I found him, suh," the deputy stated. "He's outside here in the hall."
"Much obliged to you, son," said Judge Priest. "Send him on in, will you, please?"
The head was withdrawn; its owner lingered out of sight of His Honor, but within earshot. It was hard tofigure the presiding judge of the First Judicial District of the State of Kentucky as having business with Peep O'Day; and, though Mr. Quarles was no eavesdropper, still he felt a pardonable curiosity in whatsoever might transpire. As he feigned an absorbed interest in a tax notice, which was pasted on a blackboard just outside the office door, there entered the presence of the Judge a man who seemingly was but a few years younger than the Judge himself—a man who looked to be somewhere between sixty-five and seventy. There is a look that you may have seen in the eyes of ownerless but well-intentioned dogs—dogs that, expecting kicks as their daily portion, are humbly grateful for kind words and stray bones; dogs that are fairly yearning to be adopted by somebody—by anybody—being prepared to give to such a benefactor a most faithful doglike devotion in return.
This look, which is fairly common among masterless and homeless dogs, is rare among humans; still, once in a while you do find it there too. The man who now timidly shuffled himself across the threshold of Judge Priest's office had such a look out of his eyes. He had a long simple face, partly inclosed in gray whiskers. Four dollars would have been a sufficient price to pay for the garments he stood in, including the wrecked hat he held in his hands and the broken, misshaped shoes on his feet. A purchaser who gave more than four dollars for the whole in its present state of decrepitude would have been but a poor hand at bargaining.
The man who wore this outfit coughed in an embarrassed fashion and halted, fumbling his ruinous hat in his hands.
"Howdy do?" said Judge Priest heartily. "Come in!"
The other diffidently advanced himself a yard or two.
"Excuse me, suh," he said apologetically; "but this here Breck Quarles he come after me and he said ez how you wanted to see me. 'Twas him ez brung me here, suh."
Faintly underlying the drawl of the speaker was just a suspicion—a mere trace, as you might say—of a labial softness that belongs solely and exclusively to the children, and in a diminishing degree to the grandchildren, of native-born sons and daughters of a certain small green isle in the sea. It was not so much a suggestion of a brogue as it was the suggestion of the ghost of a brogue; a brogue almost extinguished, almost obliterated, and yet persisting through the generations—South of Ireland struggling beneath south of Mason and Dixon's Line.
"Yes," said the Judge; "that's right. I do want to see you." The tone was one that he might employ in addressing a bashful child. "Set down there and make yourself at home."
The newcomer obeyed to the extent of perching himself on the extreme forward edge of a chair. His feet shuffled uneasily where they were drawn up against the cross rung of the chair.
The Judge reared well back, studying his visitor over the tops of his glasses with rather a quizzical look. In one hand he balanced the large envelope which had come to him that morning.
"Seems to me I heared somewheres, years back, that your regular Christian name was Paul—is that right?" he asked.
"Shorely is, suh," assented the ragged man, surprised and plainly grateful that one holding a supremely high position in the community should vouchsafe to remember a fact relating to so inconsequent an atom as himself. "But I ain't heared it fur so long I come mighty nigh furgittin' it sometimes, myself. You see, Judge Priest, when I wasn't nothin' but jest a shaver folks started in to callin' me Peep—on account of my last name bein O'Day, I reckin. They been callin' me so ever since. Fust off, 'twas Little Peep, and then jest plain Peep; and now it's got to be Old Peep. But my real entitled name is Paul, jest like you said, Judge—Paul Felix O'Day."
"Uh-huh! And wasn't your father's name Philip and your mother's name Katherine Dwyer O'Day?"
"To the best of my recollection that's partly so, too, suh. They both of 'em up and died when I was a baby, long before I could remember anything a-tall. But they always told me my paw's name was Phil, or Philip. Only my maw's name wasn't Kath—Kath—wasn't whut you jest now called it, Judge. It was plain Kate."
"Kate or Katherine—it makes no great difference," explained Judge Priest. "I reckin the record is straight this fur. And now think hard and see ef you kin ever remember hearin' of an uncle named Daniel O'Day—your father's brother."
The answer was a shake of the tousled head.
"I don't know nothin' about my people. I only jest know they come over frum some place with a funny name in the Old Country before I was born. The onliest kin I ever had over here was that there no-'count triflin' nephew of mine—Perce Dwyer—him that uster hang round this town. I reckin you call him to mind, Judge?"