One insignificant detail struck his eye—a weighty cane of Mr. Meeker's stood in an angle of the half-opened door to the hall, across the floor from where Jannie and he were sitting.
III
After a little, with nothing apparently following, the girl's expectancy faded; her expression grew petulant once more, and she drew sharply away from McGeorge, exactly as if he had forced a kiss on her and she was insulted by the indignity. Lord! he thought, with an inward sinking, what she'll do to me now will be enough!
He rose uneasily and walked to the mantel, where he stood with his back to Jannie, looking down absently at the fringed gray asbestos of a gas hearth. An overwhelming oppression crept over him when there was a sudden cold sensation at the base of his neck, and a terrific blow fell across his shoulders.
McGeorge wheeled instinctively, with an arm up, when he was smothered in a rain of stinging, vindictive battering. The blows came from all about him, a furious attack against which he was powerless to do anything but endeavor to protect his head. No visible person, he said solemnly, was near him. Jannie was at the other side of the room.
"Did you see her clearly while this was going on?" I asked.
Oh, yes, he assured me sarcastically; he had as well glanced at his diary to make sure of the date. He then had the effrontery to inform me that he had been beaten by Mr. Meeker's cane without human agency. He had seen it whirling about him in the air. McGeorge made up his mind that the hour of his death had arrived. A fog of pain settled on him, and he gave up all effort of resistance, sinking to his knees, aware of the salt taste of blood. But just at the edge of unconsciousness the assault stopped.
After a few moments he rose giddily, with his ears humming and his ribs a solid ache. The cane lay in the middle of the room, and Jannie stood, still across the parlor, with her hands pressed to scarlet cheeks, her eyes shining, and her breast heaving in gasps.
"Why not after such a violent exercise?"
McGeorge ignored my practical comment.
"She was delighted," he said; "she ran over to me and, throwing her arms about my neck, kissed me hard. She exclaimed that I had helped Jannie when everything else had failed, and she wouldn't forget it. Then she rushed away, and I heard her falling up-stairs in her high-heeled slippers."
Naturally he had half collapsed into a chair, and fought to supply his laboring lungs with enough oxygen. It's an unpleasant experience to be thoroughly beaten with a heavy cane under any condition, and this, he was convinced, was special.
I asked if he was familiar with Havelock Ellis on hysterical impulses, and he replied impatiently that he wasn't.
"There are two explanations," I admitted impartially, "although we each think there is but one. I will agree that yours is more entertaining. Jannie was jealous again. The Roman orgies, the young person from thegrands boulevards, were more than she could accept; and she tried, in the vocabulary lately so prevalent, a reprisal. But I must acknowledge that I am surprised at the persistent masculine flexibility of Stepan."
"It was at the next sitting," McGeorge concluded,"that Stepan announced the wedding of Ena and me. The spirits awaited it. There was a row in the Meeker circle; but he dissolved, and refused to materialize in any form until it was accomplished."
"To the music of the spheres," I added, with some attempt at ordinary decency.
ByWILL E. INGERSOLL
FromHarper's Magazine
There were few who knew—and, frankly, there were few who seemed to care to know—what Old Dalton meant when he mumbled, in his aspirate and toothless quest for expression of the thoughts that doddered through his misty old brain, "Thay wur-rld luks diff'rent now—all diff'rent now, yagh!" Sometimes he would go on, after a pause, in a kind of laborious elucidation: "Na, na! Ma there, now, she's gone. I—egh, egh—I went to school 'long of her; an' et didn't matter so much, mun, about th' rest going, 's long as she wer' here. But now—she's gone, ey. Agh-m! Ey, now she's gone-like, an' th' ain't nobody to help me keep—keep a-hold o' things. I'm a hundred years old, mun. Agh-m! You wouldn't—you wouldn't know what I was meanin', now, when I tell you this here world has growed all yellow-like, this month back. Ey, that's it, mun—all queer-like. Egh, it's time I was movin' on—movin' on."
Part of this monologue—a very small part—was Old Dalton's own, repeated over and over, and so kept in mind ever since the more initiative years a decade ago when he first began to think about his age. Another part of the utterance—more particularly that about "movin' on"—consisted of scraps of remarks that had been addressed to him, which he had hoarded up as an ape lays away odds and ends, and which he repeated, parrotlike, when the sun and his pipe warmed Old Dalton into speech. But that idea that the earth was growingyellow—that was a recent uncanny turn of his fancy, his own entirely.
He was pretty well past having any very definite inclination, but there seemed no special reason why the old man should wish to "move on." He appeared comfortable enough, pulling away at his blackened old pipe on the bench by the door. No man above fifty, and few below that age, enjoyed better health than he had; and many of fifty there are wholooknearer death than Old Dalton did.
"Crack me a stick 'r two o' wood, grampa," his married great-granddaughter, with whom he lived, would sometimes say; and up and at it the old man would get—swinging his ax handily and hitting his notch cleanly at every clip.
Assuredly, his body was a wonderful old machine—a grandfather's clock with every wheel, bearing, and spring in perfect order and alignment. Work had made it so, and work kept it so, for every day after his smoke Old Dalton would fuss about at his "chores" (which, partly to please him, were designedly left for him to do)—the changing of the bull's tether-picket, watering the old horse, splitting the evening's wood, keeping the fence about the house in repair, and driving the cows o' nights into the milking-pen.
To every man in this world is assigned his duty. To every man is given just the mental and physical equipment he needs for that duty. Some men obtusely face away from their appointed work; some are carried afield by exigency; some are drawn by avarice or ambition into alien paths; but a minor proportion of happy ones follow out their destiny. There do not occur many exceptions to the rule that the men who find their work and do it, all other conditions being equal, not only live to old age, but to an extreme, a desirable, a comfortable, and a natural old age.
Old Dalton had been built and outfitted to be a simple, colloquial home-maker, family-raiser, and husbandman. His annals were never intended to be anything more than plain and short. His was the function of the tree—to grow healthily and vigorously; to propagate; to giveduring his life, as the tree gives of its fruit and shade, such pleasant dole and hospitable emanation as he naturally might; and in the fullness of time to return again to the sod.
He had found and done thoroughly this appointed work of his. He was doing it still, or at least that part of it which, at the age of one hundred years, fittingly remained for him to do. He was tapering off, building the crown of his good stack. When Death, the great Nimrod, should come to Old Dalton, he would not find him ready caught in the trap of decrepitude. He would find him with his boots on, up and about—or, if in bed, not there except as in the regular rest intervals of his diurnal round.
And the fact that he, a polyp in the great atoll of life, had found his exact place and due work was the reason that, at one hundred years, life was yet an orange upon the palate of Old Dalton.
Nanny Craig—who later became Mother Dalton—had, in remote eighteen hundred and twenty, been a squalling, crabbed baby, and had apparently started life determined to be crotchety. If she had adhered to this schedule she would have been buried before she was sixty and would have been glad to go. But Old Dalton—then young Dave Dalton—married her out of hand at seventeen, and so remade and conserved her in the equable, serene, and work-filled atmosphere of the home he founded that Nanny far outdid all her family age records, recent or ancestral, and lived to ninety-three. She was seven years younger than Dave, and now three months dead.
Dave had missed her sorely. People had said the Message would not be long coming to him after she went. Perhaps if he had been in the usual case of those who have passed the seventh decade—weary and halt and without employment or the ability or wish for it—he would have brooded and worried himself into the grave very soon after the passing of his old "mate" and one living contemporary. But he was a born, inured, and inveterate worker, and as long as there were "chores" for him to do he felt ample excuse for continuing to exist. Old Dalton still had the obsession, too, that while and where he lived he was "boss" and manager; and onesolid, sustaining thought that helped to keep him living was that if he died the Dalton farm (it was the original old homestead that these young descendants of his occupied) would be without its essential head and squire.
So sturdy, so busy, and so well had he been always that all the deaths he had seen in his journey down a hundred years of mortality had failed to bring home to him the grave and puissant image of death as a personal visitant.
"Ey, I'm always out wur-rkin' when they send fur me, I guess," was the joke he had made at eighty and repeated so often since that now he said it quite naively and seriously, as a fact and a credible explanation.
But, although it took time to show its effect, Nanny's going hit him a little harder than any of the other deaths he had witnessed. She had traveled with him so long and so doughtily that he had never been able to form any anticipative picture of himself without her. Indeed, even now it felt as if she had merely "gone off visitin'," and would be back in time to knit him a pair of mitts before the cold weather came.
It was the odd idea about the world growing "yellow-lookin'"—sometimes he said "red-lookin'" and at other times seemed not quite certain which description conveyed the vague hue of his fancy—that appeared to be pulling him to pieces, undermining him, more than any other influence. Most people, however, were accustomed to consider the hallucination an effect of Mother Dalton's removal and a presage of Old Dalton's own passing.
This odd yellowness (or redness), as of grass over which chaff from the threshing-mill has blown, lay across the old pasture on this afternoon of his second century, as Old Dalton went to water the superannuated black horse that whinnied at his approach.
"Ey, Charley," he said, reflectively, as he took the old beast by the forelock to lead it up to the pump—"ey, Charley-boy"; then, as the horse, diminishing the space between its forefoot and his heel with a strange ease, almost trod on him—"ey, boy—steady there, now. Es yur spavin not throublin' ye th' day, then? Ye walk that free. S-steady, boy—ey!"
But Grace, the granddaughter, glancing across thepasture as she came to the kitchen door to empty potato peelings, put it differently.
"See how hard it be's gettin' for grampa to get along, Jim," she said to her husband, who sat mending a binder-canvas at the granary door. "I never noticed it before, but that old lame Charley horse can keep right up to him now."
Jim Nixon stuck his jack-knife into the step beside him, pushed a rivet through canvas and fastening-strap, and remarked, casually: "He ought to lay off now—too old to be chorin' around. Young Bill could do all the work he's doin', after he comes home from school, evenings."
"He's not bin the same sence gramma died," Gracie Nixon observed, turning indoors again. "It ain't likely we'll have him with us long now, Jim."
The old man, coming into the house a little haltingly that evening, stopped sharply as his granddaughter, with a discomposingly intent look, asked, "Tired to-night, grampa?"
"Ey?" His mouth worked, and his eyes, the pupils standing aggressively and stonily in the center of the whites, abetted the protest of the indomitable old pioneer. "Tired nothin'. You young ones wants t'l maind yur own business, an' that'll—egh—kape yous busy. Where's me pipe, d'ye hear, ey? An' the 'bacca? Yagh, that's it." The old man's fingers crooked eagerly around the musty bowl. He lit, sucked, and puffed noisily, lowering himself on a bench and feeling for the window-sill with his elbow. "In my taime," he continued, presently, in an aggrieved tone, "young ones was whopped fur talkin' up t'l thur elders like that. Lave me be, now, an' go 'n' milk thame cows I just fetched. Poor beasts, their bags es that full—ey, that full. They're blattin' to be eased."
With indulgent haste, the young couple, smiling sheepishly at each other like big children rebuked, picked up their strainer-pails and went away to the corral. The old man, his pipe-bowl glowing and blackening in time to his pulling at it, smoked on alone in the dusk. In the nibbling, iterative way of the old, he started a kind of reflection; but it was as if a harmattan had blown along the usual courses of his thought, drying up his little brookletof recollection and withering the old aquatic star-flowers that grew along its banks. His mind, in its meandering among old images, groped, paused, fell pensive. His head sank lower between his shoulders, and the shoulders eased back against the wall behind his bench. When Jim Nixon and his wife, chasing each other merrily back and forth across the dewy path like the frolicsome young married couple they were, reached the door-yard, they found the old man fallen "mopy" in a way uncommon for him, and quite given over to a thoughtless, expressionless torpor and staring.
"You'll be tired-like, grampa, eh?" Jim Nixon said, as he came over to the veteran and put a strong hand under Old Dalton's armpit. "Come on, then. I'll help you off to your bed."
But the old man flamed up again, spiritedly, although perhaps this time his protest was a little more forced. "Ye'll not, then, boy," he mumbled. "Ye'll just lave me be, then. I'm—egh, egh"—he eased gruntingly into a standing position—"I'm going to bed annyway, though." He moved off, his coattail bobbing oddly about his hips and his back bowed. The two heard him stump slowly up the stairs.
Jim Nixon drew the boot-jack toward him and set the heel of his boot thoughtfully into the notch. "They go quick, Gracie," he observed, "when they get as old as him. They go all at onct, like. Hand me thon cleaver, an' I'll be makin' a little kindlin' for th' mornin'."
The alcove where the old man's bed stood was only separated by a thin partition from the room where the young couple slept; and the sounds of their frolic, as they chased, slapped, and cast pillows at each other, came to him companionably enough as he drew the blankets up about his big, shrunken chest and turned the broad of his back to the comfortable hay-stuffed bed-tick.
But all the merry noise and sociable proximity of the young people staved not off the great joust with loneliness this mighty knight of years had before he slept—a loneliness more than that of empty house and echoing stair; more than that, even, of Crusoe's manless island; utterly beyond even that of an alien planet; of spaces not evencoldly sown with God-aloof stars—the excellent, the superlative loneliness of one soul for another. It is a strange, misty, Columbus-voyage upon which that hardy soul goes who dares to be the last of his generation.
There was in that bed a space between him and the wall—a space kept habitually yet for the Nanny who never came to fill it, who never again would come to fill it. (There would have been no great demonstration on the old man's part even if she had miraculously come. Merely a grunt of satisfaction; perhaps a brief, "Ey, ma—back?" and then a contented lapsing into slumber.) His want of her was scarcely emotional; at least it did not show itself to him that way. It took more the form of a kind of aching wish to see things "as they was" again. But that ache, that uneasiness, had upon Old Dalton all the effect of strong emotion—for it rode him relentlessly through all these days of his December, its weight and presence putting upon the tired old heart an added task. The ordinary strain of life he might have endured for another decade, with his perfect old physique and natural habits of life. But this extra pressure—he was not equipped for that!
"They go quick, at that age," his granddaughter's man had said. But, although even he himself did not know it, Old Dalton had been "going" for weeks—ever since the first confident feeling that "ma" would come back again had given place to the ache of her coming long delayed.
To-night it was cold in bed for August. Old Dalton wished "they" would fetch him another quilt.
But it should not have been cold that August evening. Beyond the wooden bed a small, rectangular window with sash removed showed a square of warm sky and a few stars twinkling dully in the autumnal haze. An occasional impatient tinkle of the cow-bell down in the corral indicated midges, only present on bland days and nights when there is in the air no hint of frost to stiffen the thin swift mite-wings.
High summer, and he was cold! Bedlam in the next room, and he was lonely! His sensations were getting out of hand, beyond the remedial influences and friendly fraternal sounds of this world he had so long tenanted.By a score of years he had exceeded his due claim upon earth's good offices to man. He was a trespasser and an alien in this strange present—he with his ancient interests, fogy ways of speech and thought, obsolete images and ideals, and mind that could only regard without attempt at comprehension the little and great innovations of the new age.
"We c'u'd make shift well enough with the things we had whin I was a lad," Old Dalton had often said to those who talked to him of the fine things men were inventing—the time-savers, space-savers, work-savers; "we c'u'd make shift well enough. We got along as well as they do now, too, we did; and, sir, we done better work, too. All men thinks of, these days, is gettin' through quick. Yagh, that's it, that's it—gettin' through quick-like, an' leavin' things half done."
So is a man born and implanted in his own generation. And if by strength he invades the next generation beyond, he does not go far before he finds he is a stranger utterly. In the current talk of men there are new smartnesses of speech built upon the old maternal tongue. There are new vogues of dress, new schools of thought, new modes even of play. Perhaps, again, new vices that the older simpler life kept dormant give the faces of this fresh generation a look and a difference strange and sinister.
A hundred years old! There are to be found, notably in steadily moving rural communities, not a few who endure to ninety hardily enough; but rare and singular are the cases where a man is to be found, except as dust in a coffin, a century after his birth. Old Dalton had inherited from his mother the qualities that are the basis of longevity—a nature simple and serene, a physique perfect in all involuntary functions and with the impulse of sane and regular usages to guide voluntary ones, an appetite and zest for work. She had married at eighteen and had lived to see her son reach his eightieth year, herself missing the century mark by only a few months.
But Old Dalton had breasted the tape, the first of his race to do it. And if it had not been for this wave of loneliness; this parching, astringent wind of sorrow that seemed to dry up the oil of his joints, evaporate the simpleliquor of his thought, put out the vital sparkle in his eye; and now, latest act of dispossession, to milk his old veins of their warmth—if it had not been for this influence and prescience, Old Dalton might have run hardily quite a good little way into his second century.
But somewhere, afar and apart, the finger was about to descend upon the chronometer that timed his race. The dust atoms that a hundred years ago had been exalted to make a man now clamored for their humble rehabilitation. Man shall never, in this mortal body we use, exemplify perpetual motion.
Old Dave Dalton turned in his bed. Something beyond the chilliness was wrong with him, and he did not know what it was. There is no condition so vexatious as an unexplainable lack of ease; and Old Dalton twisted, gathered up his knees, straightened them again, tensed, relaxed, shifted the bedclothes, and busily but vainly cast about for the source of his disquiet.
Ah!—the thought slipped into his mind like a late guest.
"Et's thame sticks I forgot, ey," the old man muttered as he forthwith and arduously rose into a sitting position and pushed the blankets off him. "Ey, ey, that's it—the sticks for the mornin'!"
The chopping of the wood for the morning fire, in order that the sower, haymaker, or harvester, as the seasonal case might be, should have as little delay as possible in getting to his field or meadow; this had been a regular chore of Old Dalton's, a function never omitted before in all the scope of his methodical and assiduous days.
"Ey, but I never thought now that I'd ever lave that job not done," he muttered as he shuffled slowly and sheepishly down the stairs. "Ey, ey ... ma!"
There she was, at the foot of the stairs! Old Dalton saw her, as plainly as if it had been daylight. Gray apron with its horseshoe pattern almost obliterated by many washings, waist bulging halely, shoulders bowed forward, old wool hood tied over her head. There she was, with her visage, that in all their years together had not changed for him, squeezed and parched into the wrinkles of her thirty-four thousand days. (The only difference OldDalton could see, as he stopped, his elbows bent a little, and regarded her in his quelling masculine way, resided in the eyes. Instead of being held downcast in the old attitude of deference, they now looked across at him, straight level, and—summoning!)
Immobile age and Old Dalton's habit kept him from any visible expression of the welcome that lay warm (though tempered by an odd feeling of strangeness due to that look she carried in her eyes) in his soul.
"Ey, ma—back?" he murmured, as he looked her up and down a moment, to get used to the sight of her, and then edged on in a vague, indifferent way toward the outside door and the chip-pile.
Mother Dalton followed, without comment or change of expression, but a tear seemed to flit and zigzag its way down the dried courses of her thousand wrinkles. She stood in the doorway, facing the moon as it rose above the roof of the granary. If she was a little translucent for so solid-shaped an old presence, Old Dalton did not notice it, as he picked up his ax and went handily to his wood-chopping.
She maintained her position on the step quietly, her hands folded across her waistband, her feet bluish and bare upon the pine sill. But, though she did not interrupt by word or movement, Old Dalton (who had used to be no more conscious of her than of the wind or the daylight) felt to-night as embarrassed by her proximity as though she were a stranger and a hostile presence. He was sweating and irritable when he finished his sticks; and, as he stood his ax against the end of a log, twisted his head around sharply, with the intent of asking the old woman why she was "gappin' there, place o' goin' and gettin' thon bed warmed up."
But the old pioneer himself fell agape as he encountered the look on her face. There is a vast respect in the country for that many-phased quality called "second sight"; and, if Old Dalton had ever seen signs of the possession of it on a human face, he saw them on his old woman's now. It struck him, too, for the first time definitely, as he groped about in the fog of his old mind for the reason she looked so queer, so like a stranger to him, thatMother Dalton had brought some odd quality back from this "visit" she had been making.
There grew upon Old Dalton something of fear. He stood fumbling and tetering, his hands wandering nervously up and down the edge of his coat.
Mother Dalton stood upon that step, facing the half-moon that looked down from above the grove. Her glance was not directed toward him, but up and away. In the pupils of her eyes was a shine which seemed a refraction of the silver-gray beams of the moon. There was about her gaze a something heavy, mournful, and boding which old Dave could not understand, but which made him think of the expression she had lifted in the old homesteading days toward the hail-cloud that swept from eastward to beat down their little, hard-sown crop.
"They 's trouble a-comin'." The voice was hers—at least it came from her direction—yet it seemed to Old Dalton that the words came not from her, butthroughher. "Ey, Davie ... there 's trouble a-comin' ... trouble a-comin'. Ess time you was movin' ... movin' on...."
Old Dave Dalton had never, in the long, long course of his years, had a sensation like that which took him, as the queer voice melted away, blending imperceptibly with the homely rustlings and lowings of the farm night. The ache he had carried in his heart for those last weeks seemed suddenly to bulge and burst, like a bubble. The old moon, the hills and trees and trail of his long travel; the night, the world, and the odd old figure over against him, were bundled up with a sudden vast infolding in a blanket of black, a corner of which seemed thrust against his mouth, gagging him and cutting off his breath. He was lifted, lifted as in a great wind—lifted by shoulders, crown, and knees, and whirled around—around ... then set again on his feet very softly, with the blackness gone and the clear country night above him as before.
He should have been giddy after that cataclysm, but he stood upright and steady. He should have been tired and shaken, but he was fresh and calm. He should have been heavy and stiff and held to the earth by the ball and chain of a hundred years; yet he seemed scarcely more solid, scarcely less light, than an embodied wind. He shouldhave been (for the atmosphere of the home in which you have dwelt for a century is not so easily dissipated) a doddering old corporeality, yet he felt he was now all thought and glorious essence of life. He should have seen on the step that old wife who had stood so uncannily by while he sweat over his wood-splitting; yet the presence that moved toward him from the pine sill, though wholly familiar and intimate and full of kind emanations, had neither wrinkles nor grayness nor any of the attributes and qualities of mortality. He should have bespoken that kindred presence in halting colloquialities, yet the greeting he gave flowed from him in the form of a thought untranslated into any sluggish medium of language. He should have been filled with a vague curiosity about that trouble she had just presaged, yet now he knew wholly....
"Let us thank God that our sojourn ended within the bourne of His peace!" was the thought exchanged as these two dutiful ones, cleared and lightened for swift voyaging, turned their faces toward the Gates of the Day.
On the earth they had left midnight was wearing toward morning—the morning of August the First, Nineteen Hundred and Fourteen!
FromThe Saturday Evening Post
ByCALVIN JOHNSTON
The group before the fire at the Engineers' Club were listening, every one—though nothing was being said; nor was it the crackle of apple logs or fluttering sails and drowning cries of the northeaster in the chimney that preoccupied them. Rather some still, distant undertone in their own breasts, arresting their conversation, gestures, thoughts—they glanced at one another surreptitiously, uneasily.
"But listen—I am telling you," said old Con O'Connel, the railroad builder, his voice rolling and sweet as the bells of Shandon: "To-night I hear a footfall in the rain—that of Tim Cannon, the messenger."
So that was the undertone which had arrested their thoughts; the rush of footfalls symbolizing to the group, every one, the pursuit of himself by a belated messenger. They settled themselves, relieved and smiling; after all the thing had been naturally suggested to them by the echo of rain on the broad plate windows. And they nodded their heads to Con, still listening.
The footfall of Tim Cannon, a name of ancient days on the P. D. Railroad; but as the story does not concern him except as Molly Regan's messenger I will leave him come into it in his own time and take up with the Regans themselves.
Two of them there were to begin with—young Michael, swinging a lusty pick in a construction gang of the Great Southwest Railway; and Molly, a pretty bride withsolemn wondering gaze and air of listening to things which no one else could hear.
Often Mike would smile at her queer fancies that there are things to learn and do beyond the day's work, and after the Great Southwest has been builded and he has laid aside pick and shovel to become track boss at Turntable Station this queerness of Molly's leads her into playing a great joke on her husband.
For she saves her odd pennies against his birthday and presents him with a book. "A book of higher knowledge, it is," she says, while Mike scratches his head in awe; and she must kiss him for the kind interest he takes and that evening read to him a page in a voice like the song of soldiers marching. Mike toils after in mind with his big fists gripping and forehead glistening in the struggle to remember the journey, but at the end a darkness comes down on him, and the two gaze at each other uneasily and the page is read over again.
But devil a bit can Mike remember of it, so that he sits despairing with his head between his hands. "Do not mind, Molly," he says then; "you shall study on alone at the higher knowledge, having a joy of it which is not for me." He says this, looking up to smile, and yet the big hands hold on to hers as if fearing she was being stolen away.
But Molly answers him back so clear and strong that the song of soldiers marching is nothing to it. "'T is only the joke I am playing. Am I the wife to bother you with learning when you know already so much," she says, "and have the care of the section on your mind, with ties to lay straight and rails to spike fast so that the great railroad may run?" And when he speaks once more of the study she should make of knowledge Molly closes the big book and sets it on the mantel along with the clock.
"'T is for ornament, and now you know why I bought it from the peddler," she explains; "for every household of pretension must have a book."
So they admire the shiny binding and gold letters, and after five years when their new cottage is built it is given a shelf of its own.
Danny is born, the same who in Molly's lifetime shall bean official of the great railroad; and when in the course of time he is turned a sturdy boy of seven, with coal-black eyes and a round cropped head, she would place the book in his hands for purposes of learning. But detecting the fear of Michael as he smokes in the evening with eyes on the shelf, that the mysterious volume may contain matter treasonable to their state and condition, she ignores the higher knowledge completely and is content to send Danny only to the Turntable school.
A cruel one he is to the old master there, inking the pages of his reader and carving a locomotive on his desk; and when he is twelve he has decided against all books and school and is interested only in things of the Turntable yard.
So that one evening he comes home, and when Molly kisses him because he brought all his books as if to study Danny explains, "Mother, I am now a man and have a job calling crews, so study is of no more use."
He stacks his reader and arithmetic on the shelf by the old book, and Michael hearing the news that evening laughs with pleasure that the boy has completed his education so soon and promises to put half Danny's salary in bank in his own name. Time passes and the books fade in their bindings, and are forgotten even by Molly; but the eyes of her shine more clearly than ever as if studying in pages which no one else could see. When Danny is about eighteen years old, and already operator at Turntable, she notices that a habit has come over him of pausing in the doorway at dusk, and there he will stand gazing out into the yards with folded arms till at last his mother asks the reason with timid eagerness.
"'T is the lanterns," says Dan. "Beckon they do to things beyond Turntable."
"To things beyond," repeats Molly with hand on her heart. "Turn to me," she says; and Dan does so, grinning at his fancy; but as she studies the black-browed face a fierce frown like the fluff and smoke of powder passes over it, with the white teeth gleaming out.
"Beckon they do, mother," he says steadily, "to the job of trainmaster and superintendent, and even beyond to places high and powerful. And there I must trample my way whoever has to be pulled down to make room."
In that instant she sees him as he is, the Regan of them all; and after a bit she smiles and nods, but never again does she ask about the beckoning of the lanterns.
So time passes again, and Dan goes up to division headquarters at Barlow to dispatch trains, and Michael gives a last order as assistant roadmaster and comes home to his long sickness. And now Molly is alone in the little house, settled down to keep blooming the memories of it along with the hollyhocks of the garden beyond the lattice with the morning-glory vines trailing over. Time fades her face, but 't is still uplifted and lighted, and later she is seen among the flowers till they die in the fall, and winter coming down she sits at her window knitting a shawl as the snow is knitted without.
But deep is her grieving over Dan, who is by this time superintendent, with his policy of pull-down and trample-under, dreaded by all round him. Two or three times a year he will stop his special at Turntable, and seated in the little parlor he seems a glowing metal mass of a man to Molly, standing apart in awe of him. But the time is at hand when she must appeal to him or never at all in this world, so the saints inspire her to speak a message to the man of power and she smiles with shy pride of their confidence in her.
"Faith, I will talk to him as a boy again," she plans; "'Danny,' I will say, 'when the lanterns of the yard do beckon to your ambition is there not one light above and beyond, brighter than all the others, which beckons the spirit?' Then he will be guided by it," reasons old Molly with her solemn gaze fixed on the future of Dan.
But it chances that Dan's visit is delayed and Molly feels that the saints are impatient of her worldly lingering.
"I must put the message into writing lest it be lost entirely," she says then. "Anyhow Danny will read it over and over in memory of me, having that tender a heart toward his mother, for all his hardness to others."
So that the message of the farthest lantern is at last about to be written, on an evening when the little cottage with crusted eaves and hoary glimmering windows seems but the bivouac of winter elves in folk story. And as old Molly by the cleared table, with pen in hand and bottle ofink and the paper she bought when Michael died—to write his second cousin in Kildare a letter of sympathy, y' understand—as old Molly makes ready for the writing, after a stick laid on the fire and hearth brushed, the snow drifts solidly to the window but is swept clean of the doorstep, leaving a scratch of firelight under the door on the path beyond.
"The Farthest Lantern," she writes, as a headline, for 't is certain that Danny before reading will wish to know what it is about; and then pleased with the successful beginning she holds it up to the shaded lamp to read over, then because of the wrinkled hands shaking lays it down on the table, surely as steady as rock.
Divil a thing can she make out except blots and scratches, so that the headline is done over with more care. And only then it becomes plain that what with the rheumatism and palsy Molly has written her last, except scratches, which the most credulous could not accept at all as a message of interest, y' understand.
Now well would it be for old Mistress Regan's memory if she had put aside the message with resignation and thought no more about it. But there is no doubt that the look of solemn wonder flitted suddenly from her face, leaving it haggard and fierce, and that like a stab with a dagger she drove the splintering pen into the desk as into the breast of an enemy. So much is known, for there is little done that can be screened from mortal ken.
As for her thoughts—here no man can tell, for she held her words behind grim set lips. But the guess cannot be far amiss that when old Molly discovered she was destined to die with never a word of warning or counsel to Dan she broke into bitter revolt. Not a word of all the wisdom she had stored with this one purpose could be written or spoken to him—and it never was. Far be it from me to blackguard an old lady fallen in with disappointment but it is a fact proved by witness that her trembling hands upraised and her lips, always so faintly smiling, curled as with a curse—and whether it was launched at the fiend or heaven itself is not for me to say who have no proof that her voice was heard above the howling of the blizzard.
But this I know, that on the instant she hears a summonsthat breaks the spell of anger as no threat of purgatory would have done. A moment she hesitates, the old hands sink unclenching, the fierceness fades from her eyes, and once again with wondering uplifted look Molly Regan turns to the things beyond, which no one else may see.
At the wide-open welcoming door she stands, peering amid the squall of snow; and there in the center of the blur of light stands Tim the messenger, in aftertime the ruin of Dan Regan's fortunes.
The boy's hands are clasped as those of a frozen corpse, the wind whistles in his rags, but he glowers at her with narrowed brows and a gleam of teeth. Here he is, come to demand retribution for her rebellion against the will of God, and since Molly cannot live to pay it is ordained that she shall give instead into Tim Cannon's hands the means of trampling under Dan Regan and his fortune. 'T is little we know.
"Come," says Molly, "come in to the fire, and the hot coffee; you are frozen with the wind and snow. Glory be, that I am still here to make comfortable for the waif on my doorstep."
The wisp of old woman in mourning dress, with blown white hair and out-stretched hand; the crackling hearth, and coziness of the room beyond—these are hostess and haven enough to any waif of winter tempest; and Molly knowing it to be so steps aside for him, laughing with eagerness to see him at the fireside, dry and warm in Danny's old clothes, sniffing the steam of his coffee cup.
But this is no ordinary outcast, y' understand, submissive to charity, but an agent of retribution, who stands with frozen folded hands, and wind whistling in his rags, looking on with a threatening manner. And when the moment has come for him to enter, and not until then, he stalks stiffly past the outheld hand to the center of the room and turns slowly in his tracks to study the features of the place, as an agent of destiny should always do. His pinched little face is dirty, his black hair tousled by the storm, which has blown away his cap; and now the lamp-light touching his temple reveals the deep scar there. A wild and awesome waif is this, and Molly studying with startled interest his behavior feels at last that she isentertaining some veteran campaigner of regions beyond Turntable to whom the mischances of earthly wandering in cold and snow are nothing.
Not a word does he say but spreads his stiffened fingers before the blaze, and Molly with the strangest of hopes dawning so soon after her rebellion bustles briskly about the coffee making. And presently it is brewed and Tim Cannon stands by the table drinking and munching toast and cold meat.
"Ye must be seated in the chair," urges Molly, "and be comfortable, and it will seem like home to you."
At this Tim Cannon rubs his scar with remembrance of his drunken grandfather and their home in the city slums. Then he eats the faster till he is done, studying her with peculiar interest.
"You should have seen the money before I began the eats," he says by way of advice on the entertainment of wayfarers.
"Do you mean you can't pay?" asks Molly after a moment's reflection. "Now what am I to do?"
"Throw me out," instructs Tim, with contempt of her ignorance.
"Into the storm? Oh, no!"
"Why not?" he asks with suspicion.
"Faith, I wouldn't treat a dog so," replied Molly.
"Sure, not a dog," agrees Tim; and waiting to be driven out stands arrow-straight in Danny's old clothes, which are too big for him, wondering what the dog has to do with the matter.
"But you can pay," says Molly after a moment. Faintly and eagerly she speaks, her hand pressing her heart to steady it in against the impulse of hope. "You can pay for that and much more—food and drink and warmth all the days of my life—and without money." Tim shrewdly glances his question, but Molly shakes her head for answer.
"To-night I will keep secret and plan how to arrange it—and you may sleep here on the sofa before the fire and dream of good things for to-morrow; and only then"—she nods with mystery in her smile—"I will say what ye are to do."
And Tim gives her a glance of his level eyes, reflecting in the wisdom of experience that here is crooked business to be done for his keep.
"Sure," he answers in a way to inspire confidence, and the bargain being struck Molly says good night, and the guest is soon stretched in sleep on the couch.
After a time the shadows move up closer to him, the fire flickering on the blackened log as the spirit clings to a body dying; the wind falls till only the deep breathing of the sleeper is heard, and the loud ticking of the clock—it strikes two with a crash, and Tim rouses.
As an old campaigner he rises from sleep without recoil or startled look at the cloaked figure standing with ink and paper at the table in the center of the room.
"Whist!" she says, and for a moment marvels at the nature of a boy who rises to the alarm in the middle of the night, awake and ready; the indifference with which he buttons his coat whilst hearing the snow he has just escaped snarl threateningly against the window. "Whist!" says Molly, hesitating to tell the reason for her coming at that hour, lest it shock or frighten him. But the bearing of the meager boy and the level glance of the untamable blue eyes once more assure her that he has not been sent here from beyond Turntable to fail her at extremity.
"Y' understand, Timothy, that I am an old lady who may die any time—perhaps to-night, having such warning in the unsteady beating of my heart—and so I am come at once to explain matters and have you settle my affairs for me on earth. Do not be afraid——"
"What of?" asks Tim.
"First," resumes Molly eagerly, "I have planned to explain to you a moment—that 't is a duty I promised myself to do and have long neglected."
"What is that?" asks Tim.
"A duty? Why, the same as made me take you in this night."
"How did it make you?" asks Tim, and listens with skepticism to her explanation.
"'T will be the same with you, settling my affairs on earth," says Molly in conclusion; "if you promise to do it 't is then a duty, and of course you would not fail—through storm and hardship and fear, you would go——"
"A duty," says Tim with reflection; "if you die you'll never know whether I 'tend to it."
"Why, that would make no difference. You would 'tend to it because you promised. You would follow the Farthest Lantern, as I will explain presently."
Queerly he looks round, studying the flicker of fire, the cozy room, even the clothes he is wearing; then the uplifted old face under the white hair with its expression of listening to things he cannot hear.
"I promise," he says, and laughs in a fierce puzzled way—the only laugh ever heard from him. And he has forgotten and Molly has forgotten to name the price to be paid for his trouble.
"Here is a pen you may fit in the broken holder," she says; "write what I cannot for the palsy in my hand. Now, as I tell you—'t is the letter of the Farthest Lantern—the lantern which beckons to duty."
But Tim fumbles the pen. "I never learned how," he explains, "to write the letters"; and on the instant feels the hand at his shoulder tremble and clutch, looks up a moment to see two great tears roll down her cheeks—and curses with a mighty smother in the breast of him.
"You need not curse," says Molly faintly; "'t is the will of the saints after all."
She nods, listening, and then the boy watches her glide from the room, and for a long time sits on the hearth before the fire, his chin locked in his hands.
So after all it has come about that the message of the Farthest Lantern is never written at all. And neither is it spoken, for Tim scratching on the door of Molly's room at daybreak receives no cheery word of greeting; and after a moment's reflection entering with the lamp he finds her silent forever.
Without reverence he stares at the face on the pillow, having no knowledge of death's ghostly significance; and scowling he brushes away the cold beads which gather on his forehead. 'T is certain that an outcast in a strange house with a dead person will be marked for suspicion by the neighbors; and Tim Cannon has had cause enough to avoid the police. Yet queerly enough he sets the lamp, shining brightly, by the bedside, and sometimes seated andsometimes moving about, but never leaving the chill room for the warm fireplace next door, he keeps her company.
One neighbor hears of Molly's death from a vagabond at her door in the morning and runs to call to others "Come, Aunt Molly is dead." On their way to the Regan cottage they agree that the vagabond is a suspicious character and look about for him. But Tim has disappeared; nor do they see him again until entering the room where Molly lies, with lamp burning brightly and grim little sentry returned to await them.
Later when questioned he explains his presence in a few words. "I'll be on the way," he says then.
No one offers him shelter or money or food, being a suspicious character. Indeed all the company approve when a man stops him to examine the package in his pocket. But as it is found to consist of only an ink bottle and some paper with a broken pen he is permitted to go.
"It is suspicious," they agree. "What can the likes of him want with letter writing?"
But they are broad-minded people of Turntable, and let him go on condition that he stay away.
And 't is on this same day Dan Regan catches the stride that shall make destiny for railroads, and lands his great job with the P. D. System.
All of two months after Molly's funeral—in fact the very morning of Dan Regan's departure from Barlow and the Great Southwest Railroad to take his position as general manager of the P. D.—a ragged gossoon with a scar over his temple peeps from the box car of a through train halted for a change of engines near the depot platform. It is Tim Cannon, surprised every morning at waking to find himself out of the den of the city slums, where morning, noon and night his grandfather—being in liquor at the time—would drive him out to steal some trifle good for a drink at the pawnbroker's saloon. And having no knowledge that a living is to be gained by a more honorable profession than crime he peeps out with suspicion on the open streets and yards, where it is impossible to hide from a patrolman.
But hunger drives him out into the open, snarling underhis breath; and presently toward the depot lunch stand, groaning under the weight of sinkers and pies, Timothy is making his way by fits and starts and glancing suspicion in every direction. So that he is overcome with chagrin when in spite of all his caution a young man steps from behind the car unnoticed and taps him smartly on the shoulder.
Quite an elegant young gentleman, in pink shirt and gay suspenders, who says: "See Dan Regan, yonder, up the platform, who is now off from his old job as superintendent here to become general manager of the P. D. All the luck he has, and myself with a headpiece of solid gold knocking at Opportunity, who has on her door 'Nobody Home,'" says the young man in gloom.
To the switch engine signaling down the yard he gives the high sign in answer that he will be there in the course of time, and as Tim prowls round the corner of the station he follows after to see what is meant by it.
"What, are you not going out again in the box car, young hobo?" he asks.
"It is a fine home if you have but the bread," says Tim.
"A home?" repeats the other. "Mr. James Craney, I am," he informs with dignity; "chief clerk to the general yardmaster, who has no other but me. Is it reasonable, young hobo, as man to man, that you can jolly me along?"
He peers round the corner, and for the first time Regan, a towering figure of a man, turns so that Tim can see his face. The bell of the special rings faintly as the sweep of his glance takes in Mr. Craney and the vagabond boy; then he steps on board and in a moment the glittering brass spark of the car amid the flying dust cloud flings Regan's last signal to the G. S. Railroad.
But the towering black-browed man lingers in the mind's eyes of Timothy; a giant who has stepped out of the unknown and swept him with slow smoldering glance and then stepped back again.
Thus they meet and part, and the great man holds no more memory of the vagabond than if he had never been; but in the bony little breast under the rags the heart leaps high, and on the instant Tim takes up the trail which Destiny, a far-sighted old creature, has long since blazed out for him.
"He is the big boss," says the boy with awe, gazing after the spangle of the flying train.
"I would not envy Regan if I were you," advises Craney. "See how he has gone—with no friend to bid him godspeed because of the way he has kept us all under."
But the boy still gazes after the spangle in the dust. "Divil a bit will Regan care whether he be godspeeded or not," he says, so boldly that Craney considers him with respect.
"I see that yourself has ambition along of the rags," he says with meditation. "Then I know a job where you may use the ambition freely and never a chance to part with the rags," he says. "A job which is the equal of Regan's in every way, only on a smaller scale, you understand; where you will be general manager of a railroad and all the other officials to boot, including your own pay-master. Do I interest you?"
Tim nods in respect to the big words and Mr. Craney instructs him: "Whist! Arrange your running time to meet me passing the yard-limit post yonder at six onep.m."
And to make it official he scribbles a train order in his note-book for Tim to sign with his mark, as his drunken grandfather has educated him to do.
Then Mr. Craney strolls away to answer the signals of the engine that there are cars to be weighed, and Tim prowling professionally past the lunch counter in the waiting room, steals a banana and a sandwich, which he has for breakfast in the shade of a pile of ties. There he watches the making up of trains, the flying switches, the flatheads scuttling along packing the journal boxes; and far beyond he can see the machine shops with the forked tongues of blacksmiths' forges and the blink of brasses in the roundhouse.
A great groan of iron and steam and toil swells in the smoky light, and the bells call to him so that he begins prowling everywhere from end to end of the yards. The noon comes with blowing of whistles; and hungry again he goes back to the lunch counter while the waiter is busy and sandwiches are easy prey. But instead of stealing them he comes out on the platform with empty hands andstares back, not understanding why it is so, till the groan of the work hour swelling again calls up the memory of black-browed Regan who has been big boss of it all.
"'T is sure he would never run and hide from a policeman," says Tim, and ponders how Regan would act in his place. "He would go hungry if he was not strong enough to take what he wanted to their faces—that is what Regan would do," he says; and despising sandwiches and sinkers which have to be stolen in secret he struts proudly about with his rags and hunger till the six o'clock whistle blows and Mr. Craney meets him at the yard limit.
Now be it explained that just below this spot the Great Southwest had built its first freight house, abandoned as the village of Barlow grew away from it into a big town. Long ago the foundations have been wiped out, but in Regan's time it still stands, a ramshackle ruin on the edge of the right of way, which some official with economy has leased out instead of tearing down.
"This is the Terminal Building," explains Mr. Craney as they come up, "of the Barlow Suburban Railway." And he points out the sagging track of rust-eaten rails which wanders away across the town's outskirts. "In here," he explains, escorting Tim up the incline of the platform and through the sliding door of the wareroom, "we have a stall for the motive power, which is a horse, and in the corner a cot for the general manager, who drives him. 'T is only three runs must be made daily across pleasant hills and fields and then a hearty supper when you collect fares enough to pay for it, and an infant's sleep here rocked by the trains as they pass. Then up in the morning in jolly good time to get the limekiln workers on the job by seven. Observe, young hobo," he says, "that I keep nothing up my sleeve. The job is here for you to take or leave, for better or worse; and I throw in this cap with the gold braid," he says, unwrapping one of the bundles he carries.
"Gimme it," replies Tim with decision; and the suburban car arriving at the moment, the driver turns in thirty-five cents as the day's revenue, and Mr. Craney pays him seventy cents as wages and discharges him with thanks.
"You are now installed, young manager, and so on," he tells Tim; and after presenting the cap with gold braid, which comes down over his manager's ears, he shows him how to reverse the horse and work the combination of the harness, which is woven of wire and rope and old trunk straps.
"All aboard, Barlow Suburban!" he calls then, so quickly that a young lady passenger must run the last few steps and be assisted into the car by himself.
"You will be most active as superintendent of motive power," he shouts to Tim as he dusts the bony nag with the reins, and the battered little car bumps along. "Old Charley is an heirloom who has come down to me along of the cursed railway," he explains.
"Do not frighten away the gadfly which is his train dispatcher or he will sit down in the track till the whistle blows."
Further instructions he gives also, and they have gone about a mile out into the fields when the young lady passenger having dropped her fare into the box rings the bell and is helped off at a wild-rose bush where a path leads over a hill to a farmhouse.
"Sweet creature," says Mr. Craney with gloom. "Drive on!" And never a word more does he speak till they reach the end of the line and the house where he lives alone. "We are total strangers," he explains then, "though she has boarded at the farmhouse half the summer and is named Katy O'Hare and is telephone lady in town."
When Tim asks why Katy O'Hare and himself do not become acquainted: "'T is the fatal circumstances of me," he answers; and invites his official to dinner, unwrapping his other bundle.
The cheap old cottage is also fallen upon fatal circumstances, with shutters and panes broken and seams of its walls opening to the weather; the barns and sheds are but heaps of boards, and the crooked, rusty switch seems but a fork of lightning which has so wrecked and blackened the whole Craney homestead that Tim's rags are an ornament to it. And yet Mr. Craney snaps his fingers and dances a jig. "Now ruin and mortgage may swallowyou as it has me," he says with ridicule, and knocks some splinters from the house to build a fire in the yard between four bricks which he knocks from the chimney.
He brings the coffeepot from the kitchen and then kicks it away that he may boil the coffee in an old can as a courtesy to the young hobo; and sandwiches and hard-boiled eggs he sets out from his bundle.
"Never can we become acquainted," resumes Mr. Craney; "because how could I ask her to be mine and all the time about to be swallowed up," he says, "by the Barlow Suburban, which has already swallowed my father who built it, and his estate and my own earnings for five years?" And now he makes plain that he is seizing the opportunity to travel away in search of fortune, having found a manager in rags who can afford to live on the dividends of the Suburban.
"We are not engaged; far from it," he says; "yet never would I desert her to walk such ties as the Barlow Suburban, more cruel than the ties which bind us together." So he makes out a time card. "In the morning she goes to work, and back at evening; and some day she may be minded to ride at noon for the sake of the exercise which is to be had on the B. S. car." He gives Tim this time card and the key to the box which the nickels are dropped in. "Good-by; I can trust you." He points up to the sky. "Do not leave her walk; you solemnly promise! Good-by!"
And having turned his coat wrong side out he twists a red handkerchief round his neck and is gone. And as he becomes smaller with distance Timothy feels his own body swell larger with importance; having tried the key in the fare box he leaves the nickel there as a come-on, and kicks the horse to his feet as he has seen the truckmen do in the city slums.
After a bit the lime burners arrive from the kiln half a mile away, and Tim drives them to Barlow. All the way he thinks of the smoky yards with the groan of toil rising from them, where all have dwelt so long, afraid of Regan.
"Myself will rise up to be big boss," he says.
Well the gossoon understands, with the scar on histemple and body still marked from the drunkard's blows that no one can rule except by fear, so he speeds up Charley with slaps of the reins, and after unhitching at the terminal chases him up the incline and into the stall with a stick. "Never let me see you staggering or sitting down on the job," he warns in kindly caution, so that Charley may save himself some of the beatings.
With a smolder in his eyes and drumbeat in his bony little breast Tim sits on his pallet below a lantern hung to a beam, listening whilst the old building rolls and pitches to the passing trains and loose shingles hoot in the blast above. And 't is worthy of note that spiders swing down from cobwebbed rafters to glare at him with interest as a comrade weaving a web of his own; and the mice do not come out at present, but scurry all to set their nests in order and be ready for the part they are to play in the history of Tim the messenger. 'T is little we know.
In a few days Tim has made a study of the Suburban's affairs; six or seven of the lime burners ride with him on weekdays, and also Katy O'Hare; but on Sunday he has no passengers, the kiln being closed down so that the burners may convalesce from riding on the Suburban, and Katy choosing to walk along the path by the rosebush with sidelong glance and blush lest the elegant young gentleman with whom she is not acquainted be on the car platform. In the evening Tim dines at the lunch wagon across the track for a dime, and morning and noon munches a loaf with indignation of Charley, who draws a hatful of oats three times a day.
But soon after he has cut the ration to two hatfuls Charley sits down on the track, indifferent to the gadfly and all the beatings, till they compromise on two and a half hatfuls, Tim rubbing his scar with remembrance.
"Sure, the horse is like I used to be with my old man; when I was hungry I was afraid of being starved and kicked; but after I had been starved and kicked I was not afraid of going hungry or of the old man either."
'T is live and let live we must, so he feeds Charley just little enough to keep him afraid of getting still less, which is the secret of all contented relations between employer and employed, y' understand.
Only a short time afterward Tim raises the car fare to ten cents, recking little of the lime burners' wrath and the high glances of Katy O'Hare at the hard little face and hunched ragged body as he drives on, clenching the reins in his fists. Divil a bit does he seek their goodwill or anybody's, knowing that there is profit to be made only from the fear that people have of him as they have of Regan.
At evening when he makes bold to stroll through the yards among the roadmen some tale of Regan will send him scurrying back light-hearted to the old terminal to count his money, hidden in a can behind some loose bricks in the wall.
"Buy and sell and trample them all, I will, some day," he says, and dances a banshee dance with shuffling feet and flinging arms. The spiders—who are all misers—glare down on him with a poison joy, and hasten to spin a web over the cranny where the can of treasure is buried. "No thief will suspect what is hidden there now," says Tim; and opens another deposit in another cranny, where a spider with golden spots mounts guard. But the mice having set their nests in order only look on at all this, so as not to take their part in his history before it is time.
Drafty and echoing and chill the old terminal is that same night, and for the first time the boy sitting cross-legged with his tattered toga of old sacks wrapped round him is aware of the loneliness. In a sort of vision a cozy room with sparkling hearth rises to mind, and the old woman welcoming him on the snowy doorstep; the hard lines at the corners of his mouth melt away, a dimple coming into the brown cheek, which had never known dimple before, and he curses softly with a gleam of white teeth.
"Sure, the old dame had a message to send, and I could have carried it," he muses; "because," he admits uneasily, "'t was a promise."
And hereupon by the arrangement of Destiny the mice having all in order take their cue and come out boldly into his history. In the corner along of Tim is a rubbish of old records upon which he has thrown the package brought from Molly's cottage—thrown it the first evening of hiscoming, with no thought of it since, being preoccupied with the business of pull-down and trample-under. But now the mice gnawing at the string open the package, and the little bottle of ink comes rolling across the floor directly before his eyes. And this appearance of the ink bottle being so timed to his mood the boy reaches for the rest of the package and laying aside the pen unfolds the sheets of paper.
One of them he examines curiously, placing it between his elbows under the lantern as he stretches flat on the floor. He knows very well 't is Molly's beginning of the message of the Farthest Lantern, and though he is not an educated person—often cursing the printing in books which makes them so hard to understand—it is certain that Tim Cannon alone of all the world can read what is written here. The eagerness of things beyond, which had been Molly Regan's, the falter of disappointment when discovering that she could not reveal them to Dan, the fierce bitterness of her rebellion—all are written plainly in the cramped scribbling and broad hideous scratches. The huge black blots were threats and prophecies of death, struck from the pen in her hand by a Providence impatient of her lingering.
The vagabond raises his eyes, his body flat and motionless. "All she wanted," he says sullenly, "was to write a page 'cause it was duty." It was another duty which had made her take him in that freezing night. He is resentful toward some thing or power—he does not know what—that Molly was prevented from writing this message.
"I might have stayed till I learned how to write it for her," he says; and all at once is tremendously sorry that it is too late to do this; too late to knock on the cottage door and be welcomed by the old dame to the cheerful room; to show he would keep his promise; too late to leave pull-down and trample-under behind him and begin all over again.
Just this far Tim Cannon lets his musings lead him; then fiercely, in a scorn of his own musings and loneliness, rouses up to sit a while, cross-legged, darting deliberately the untamable blue eye to the dark corners, and listening, as if daring all these bright memories, which would lurehim from his purpose of being boss like Regan, to come out in the open and halt him.
Presently in cold defiance of them he tears across the page of yellowed writing; no doubt, remembering Dan, a spirit looks wistfully down upon the vagabond with the scroll in his fist. Again and again he tears deliberately. The very scratches of Molly's message are tatters. Tim Cannon is himself again.
And the great door at the end of the building rolls back and a towering figure stands whipping in the storm; slowly he comes up to the lantern; the visitor is Regan.
"Where is Craney, who owns the car line?" he asks.
"He is gone; I am the manager," says Tim, rising. And after he has explained, "No matter," nods Regan.
At the great man's feet lies his mother's message, and as he muses with resentment and wonder that circumstances should drive him here to parley with a ragged boy on the highway of his destiny the last tatters drift away on the draft which has followed him in from the storm. 'T is a ghostly way Fate has with things neglected.
"The car line could be made to pay," begins Regan craftily, "and I might risk a few dollars to buy it in."
"Craney would sell if he was by," replies the boy.
"No matter; you can put through the deal as his manager, making all the money for yourself. Perhaps fifty dollars," says Regan, careful not to overbid and make Tim think the deal of too great importance.
There is a tone and movement to the air round Regan which electrifies his companion, and at once they are conspiring together.
"You will abandon the run; suspend the service," says Regan, deliberating; "and because your regular passengers might take hold and operate it themselves you shall drive the horse away into the woods with one trace broken and his side plastered over with clay as if he has been in an accident—having first wrecked the car."
Tim nods, his own eyes glittering red, as Regan makes plain how it is to be done. From the top of the high hill at the end of the line the car is to be turned loose with brakes unset, so that it will leave the track where it curves at the bottom.
"There it will take the plunge of thirty feet into the creek bed," he says; "and when it lies in splinters at the bottom you will be handed the money."
"And how will wrecking the car make the road belong to you?" asks Tim.
The man of power smiles at his shrewdness, and is frank with information so that he will not be tempted to ask someone else. The Barlow Suburban has an agreement with the state which is called a charter, he explains, which will be forfeited if cars are not run for a certain number of days. "So I can buy in the property from the state officials that I know," he adds, "and operate it with new cars." He does not say with steam cars, though by the foresight of old Craney the builder this is permitted by the charter.