FOOTNOTES:[9]Copyright, 1920, by Harper & Brothers.Copyright, 1921, by Lee Foster Hartman.
[9]Copyright, 1920, by Harper & Brothers.Copyright, 1921, by Lee Foster Hartman.
[9]Copyright, 1920, by Harper & Brothers.Copyright, 1921, by Lee Foster Hartman.
A skiff went prowling along the Avon River in the unhurried English twilight that releases the sunset with reluctance and defers luxuriously the roll call of the stars.
The skiff floated low, for the man alone in it was heavy and he was in no greater haste than the northern night. Which was against the traditions, for he was an American, an American business man.
He was making his way through the sky-hued water stealthily lest he disturb the leisure of the swans, drowsy above their own images; lest he discourage the nightingale trying a few low flute notes in the cathedral tower of shadow that was a tree above the tomb of Shakespeare.
The American had never heard a nightingale and it was his first pilgrimage to the shrine of the actor-manager whose productions Americans curiously couple with the Bible as sacred lore.
During the day Joel Wixon had seen the sights of Stratford with the others from his country and from England and the Continent. But now he wanted to get close to Shakespeare. So he hired the skiff and declined the services of the old boat lender.
And now he was stealing up into the rich gloom the church spread across the river. He was pushing the stern of the boat foremost so that he could feast his eyes. He was making so little speed that the only sounds were the choked sob of the water where the boat cleaved it gently and the tinkle of the drops that fell from the lazy oars with something of the delicate music of the uncertain nightingale.
Being a successful business man, Wixon was a suffocated poet. The imagination and the passion and the orderliness that brought him money were the same energies that would have made him a success in verse. But lines were not his line, and he was inarticulate and incoherent when beauty overwhelmed him, as it did in nearly every form.
He shivered now before the immediate majesty of the scene, and the historic meanings that enriched it as with an embroidered arras. Yet he gave out no more words than an Æolian harp shuddering with ecstasy in a wind too gentle to make it audible.
In such moods he hunted solitude, for he was ashamed to be seen, afraid to be observed in the raptures that did not belong in the vocabulary of a business man.
He had talked at noon about the fact that he and Shakespeare's father were in wool, and he had annoyed a few modest Americans by comparing the petty amount of the elder Shakespeare's trade with the vast total pouring from his own innumerable looms driven with the electricity that the Shakespeares had never dreamed of.
He had redeemed himself for his pretended brag by a meek admission:
"But I'm afraid my boy will never write another 'Hamlet.'"
Yet what could he know of his own son? How little Will Shakespeare's father or his scandalized neighbors could have fancied that the scapegrace good-for-naught who left the town for the town's good would make it immortal; and, coming back to die and lie down forever beside the Avon, would bring a world of pilgrims to a new Mecca, the shrine of the supreme unique poet of all human time?
A young boy even now was sauntering the path along the other shore, so lazily tossing pebbles into the stream that the swans hardly protested. It came upon Wixon with a kind of silent lightning that Shakespeare had once been such another boy skipping pebbles across the narrow river and peering up into the trees to find out where the nightingale lurked.
Perhaps three hundred years from now some other shrine would claim the pilgrims, the home perhaps of some American boy now groping through the amber mists of adolescence or some man as little revered by his own neighbors and rivals as the man Shakespeare was when he went back to Avon to send back to London his two plays a year to the theatres.
Being a practical man, which is a man who strives to make his visions palpable, Wixon thought of his own home town and the colony of boys that prospered there in the Middle West.
He knew that no one would seek the town because of his birth there, for he was but a buyer of fleeces, a carder of wools, a spinner of threads, and a weaver of fabrics to keep folks' bodies warm. His weaves wore well, but they wore out.
The weavers of words were the ones whose fabrics lasted beyond the power of time and mocked the moths. Was there any such spinner in Carthage to give the town eternal blazon to ears of flesh and blood? There was one who might have been the man if——
Suddenly he felt himself again in Carthage. There was a river there too; not a little bolt of chatoyant silk like the Avon, which they would have called a "crick" back there. Before Carthage ran the incomprehensible floods of old Mississippi himself, Father of Waters, deep and vast and swift. They had lately swung a weir across it to make it work—a concrete wall a mile wide and more, and its tumbling cascades spun no little mill wheels, but swirled thundering turbines that lighted cities and ran street cars a hundred miles away.
And yet it had no Shakespeare.
And yet again it might have had if——
The twilight was so deep now that he shipped his oars in the gloom and gave himself back to the past.
He was in another twilight, only it was the counter twilight between star quench and sun blaze.
Two small boys, himself one of them; his sworn chum, Luke Mellows, the other, meeting in the silent street just as the day tide seeped in from the east and submerged the stars.
Joel had tied a string to his big toe and hung it from his window. Luke had done the same. They were not permitted to explode alarm clocks and ruin the last sweets of sleep in either home. So they had agreed that the first to wake should rise and dress with stealth, slip down the dark stairs of his house, into the starlit street and over to the other's home and pull the toe cord.
On this morning Luke had been the earlier out, and his triumphant yanks had dragged Joel feet first from sleep, and from the bed and almost through the window. Joel had howled protests in shrill whispers down into the gloom, and then, untying his outraged toe, had limped into his clothes and so to the yard.
The two children, in the huge world disputed still by the night, had felt an awe of the sky and the mysteries going on there. The envied man who ran up the streets of evenings lighting the gas street lamps was abroad again already with his little ladder and his quick insect-like motions; only, now he was turning out the lights, just as a similar but invisible being was apparently running around heaven and putting out the stars.
Joel remembered saying: "I wonder if they're turnin' off the stars up there to save gas too."
Luke did not like the joke. He said, using the word "funny" solemnly: "It's funny to see light putting out light. The stars will be there all day, but we won't be able to see 'em for the sun."
(Wixon thought of this now, and of how Shakespeare's fame had drowned out so many stars. A man had told him that there were hundreds of great writers in Shakespeare's time that most people never heard of.)
As the boys paused, the air quivered with a hoarsemoo! as of a gigantic cow bellowing for her lost calf. It was really a steamboat whistling for the bridge to open the draw and let her through to the south with her raft of logs.
Both of the boys called the boat by name, knowing her voice: "It's the Bessie May Brown!" They started on a run to the bluff overlooking the river, their short legs making a full mile of the scant furlong.
Often as Joel had come out upon the edge of that bluff on his innumerable journeys to the river for fishing, swimming, skating, or just staring, it always smote him with the thrill Balboa must have felt coming suddenly upon the Pacific.
On this morning there was an unwonted grandeur: the whole vault of the sky was curdled with the dawn, a reef of solid black in the west turning to purple and to amber and finally in the east to scarlet, with a few late planets caught in the meshes of the sunlight and trembling like dew on a spider's web.
And the battle in the sky was repeated in the sea-like river with all of the added magic of the current and the eddies and the wimpling rushes of the dawn winds.
On the great slopes were houses and farmsteads throwing off the night and in the river the Bessie May Brown, her red light and her green light trailing scarfs of color on the river, as she chuffed and clanged her bell, and smote the water with her stern wheel. In the little steeple of the pilot house a priest guided her and her unwieldy acre of logs between the piers of the bridge whose lanterns were still belatedly aglow on the girders and again in echo in the flood.
Joel filled his little chest with a gulp of morning air and found no better words for his rhapsody than: "Gee, but ain't it great?"
To his amazement, Luke, who had always been more sensitive than he, shook his head and turned away.
"Gosh, what do you want for ten cents?" Joel demanded, feeling called upon to defend the worthiness of the dawn.
Luke began to cry. He dropped down on his own bare legs in the weeds and twisted his face and his fists in a vain struggle to fight off unmanly grief.
Joel squatted at his side and insisted on sharing the secret; and finally Luke forgot the sense of family honor long enough to yield to the yearning for company in his misery.
"I was up here at midnight last night, and I don't like this place any more."
"You didn't come all by yourself? Gee!"
"No, Momma was here too."
"What she bring you out here at a time like that for?"
"She didn't know I was here."
"Didn't know—What she doin' out here, then?"
"She and Poppa had a turble quar'l. I couldn't hear what started it, but finely it woke me up and I listened, and Momma was cryin' and Poppa was swearin'. And at last Momma said: 'Oh, I might as well go and throw myself in the river,' and Poppa said: 'Good riddance of bad rubbish!' and Momma stopped cryin' and she says: 'All right!' in an awful kind of a voice, and I heard the front door open and shut."
"Gee!"
"Well, I jumped into my shirt and pants and slid down the rain pipe and ran along the street, and there sure enough was Momma walkin' as fast as she could.
"I was afraid to go near her. I don't know why, but I was. So I just sneaked along after her. The street was black as pitch 'cep' for the street lamps, and as she passed ever' one I could see she was still cryin' and stumblin' along like she was blind.
"It was so late we didn't meet anybody at tall, and there wasn't a light in a single house except Joneses, where somebody was sick, I guess. But they didn't pay any attention, and at last she came to the bluff here. And I follered. When she got where she could see the river she stopped and stood there, and held her arms out like she was goin' to jump off or fly, or somethin'. The moon was up, and the river was so bright you could hardly look at it, and Momma stood there with her arms 'way out like she was on the Cross, or something.
"I was so scared and so cold I shook like I had a chill. I was afraid she could hear my teeth chatterin', so I dropped down in the weeds and thistles to keep her from seein' me. It was just along about here too.
"By and by Momma kind of broke like somebody had hit her, then she began to cry again and to walk up and down wringin' her hands. Once or twice she started to run down the bluff and I started to foller; but she stopped like somebody held her back, and I sunk down again.
"Then, after a long time, she shook her head like she couldn't, and turned back. She walked right by me and didn't see me. I heard her whisperin': 'I can't, I can't. My pore children!'
"Then she went back down the street and me after her wishin' I could go up and help her. But I was afraid she wouldn't want me to know, and I just couldn't go near her."
Luke wept helplessly at the memory of his poltroonery, and Joel tried roughly to comfort him with questions.
"Gee! I don't blame you. I don't guess I could have either. But what was it all about, d'you s'pose?"
"I don't know. Momma went to the front door, and it was locked, and she stood a long, long while before she could bring herself to knock. Then she tapped on it soft like. And by and by Poppa opened the door and said: 'Oh, you're back, are you?" Then he turned and walked away, and she went in.
"I could have killed him with a rock, if she hadn't shut the door. But all I could do was to climb back up the rain pipe. I was so tired and discouraged I nearly fell and broke my neck. And I wisht I had have. But there wasn't any more quar'l, only Momma kind of whimpered once or twice, and Poppa said: 'Oh, for God's sake, shut up and lea' me sleep. I got to open the store in the mornin', ain't I?' I didn't do much sleepin', and I guess that's why I woke up first."
That was all of the story that Joel could learn. The two boys were shut out by the wall of grown-up life. Luke crouched in bitter moodiness, throwing clods of dirt at early grasshoppers and reconquering his lost dignity. At last he said: "If you ever let on to anybody what I told you——"
"Aw, say!" was Joel's protest. His knighthood as a sworn chum was put in question and he was cruelly hurt.
Luke took assurance from his dismay and said in a burst of fury: "Aw, I just said that! I know you won't tell. But just you wait till I can earn a pile of money. I'll take Momma away from that old scoundrel so fast it'll make his head swim!" Then he slumped again. "But it takes so doggone long to grow up, and I don't know how to earn anything."
Then the morning of the world caught into its irresistible vivacity the two boys in the morning of their youth, and before long they had forgotten the irremediable woes of their elders, as their elders also forgot the problems of national woes and cosmic despair.
The boys descended the sidelong path at a jog, brushing the dew and grasshoppers and the birds from the hazel bushes and the papaw shrubs, and scaring many a dewy rabbit from cover.
At the bottom of the bluff the railroad track was the only road along the river, and they began the tormenting passage over the uneven ties with cinders everywhere for their bare feet. They postponed as long as they could the delight of breakfast, and then, sitting on a pile of ties, made a feast of such hard-boiled eggs, cookies, cheese, and crackers as they had been able to wheedle from their kitchens the night before.
Their talk that morning was earnest, as boys' talk is apt to be. They debated their futures as boys are apt to do. Being American boys, two things characterized their plans: one, that the sky itself was the only limit to their ambitions; the other, that they must not follow their fathers' businesses.
Joel's father was an editor; Luke's kept a hardware store.
So Joel wanted to go into trade and Luke wanted to be a writer.
The boys wrangled with the shrill intensity of youth. A stranger passing might have thought them about to come to blows. But they were simply noisy with earnestness. Their argument was as unlike one of the debates in Vergil's Eclogues as possible. It was an antistrophe of twang and drawl:
"Gee, you durned fool, watcha want gointa business for?"
"Durned fool your own self! Watcha wanta be a writer for?"
Then they laughed wildly, struck at each other in mock hostility, and went on with their all-day walk, returning at night too weary for books or even a game of authors or checkers.
Both liked to read, and they were just emerging from the stratum of Old Cap Collier, Nick Carter, the Kid-Glove Miner, and the Steam Man into "Ivanhoe," "Scottish Chiefs," and "Cudjo's Cave." They had passed out of the Oliver Optic, Harry Castlemon, James Otis era.
Joel Wixon read for excitement; Luke Mellows for information as to the machinery of authorship.
Young as they were, they went to the theatre—to the op'ra house, which never housed opera.
Joel went often and without price, since his father, being an editor, had the glorious prerogative of "comps." Perhaps that was why Luke wanted to be a writer.
Mr. Mellows, as hard as his own ware, did not believe in the theatre and could not be bullied or wept into paying for tickets. But Luke became a program boy and got in free, a precious privilege he kept secret as long as possible, and lost as soon as his father noticed his absences from home on play nights. Then he was whipped for wickedness and ordered to give up the theatre forever.
Perhaps Luke would never suffer again so fiercely as he suffered from that denial. It meant a free education and a free revel in the frequent performances of Shakespeare, and of repertory companies that gave such triumphs as "East Lynne" and "Camille," not to mention the road companies that played the uproarious "Peck's Bad Boy," "Over the Garden Wall," "Skipped by the Light of the Moon," and the Charles Hoyt screamers.
The theatre had been a cloud-veiled Olympus of mystic exultations, of divine terrors, and of ambrosial laughter. But it was a bad influence. Mr. Mellows's theories of right and wrong were as simple and sharp as his own knives: whatever was delightful and beautiful and laughterful was manifestly wicked, God having plainly devised the pretty things as baits for the devil's fishhooks.
Joel used to tell Luke about the plays he saw, and the exile's heart ached with envy. They took long walks up the river or across the bridge into the wonderlands that were overflowed in high-water times. And they talked always of their futures. Boyhood was a torment, a slavery. Heaven was just over the twenty-first birthday.
Joel got his future, all but the girl he planned to take with him up the grand stairway of the palace he foresaw. Luke missed his future, and his girl and all of his dreams.
Between the boys and their manhood stood, as usual, the fathers, strange monsters, ogres, who seemed to have forgotten, at the top of the beanstalk, that they had once been boys themselves down below.
After the early and unceasing misunderstandings as to motives and standards of honor and dignity came the civil war over education.
Wouldn't you just know that each boy would get the wrong dad? Joel's father was proud of Luke and not of Joel. He had printed some of Luke's poems in the paper and called him a "precocious" native genius. Joel's father wished that his boy could have had his neighbor's boy's gift. It was his sorrow that Joel had none of the artistic leanings that are called "gifts." He regretfully gave him up as one who would not carry on the torch his father had set out with. He could not force his child to be a genius, but he insisted that Joel should have an education. The editor had found himself handicapped by a lack of the mysterious enrichment that a tour through college gives the least absorbent mind. He was determined to provide it for his boy, though Joel felt that every moment's delay in leaping into the commercial arena was so much delay in arriving at gladiatorial eminence.
Luke's father had had even less education than Editor Wixon, but he was proud of it. He had never gone far in the world, but he was one of those men who are automatically proud of everything they do and derive even from failure or humiliation a savage conceit.
He made Luke work in his store or out of it as a delivery boy during vacations from such school terms as the law required. He saw the value of education enough to make out bills and write dunning letters. "Books" to him meant the doleful books that bookkeepers keep.
As for any further learning, he thought it a waste of time, a kind of wantonness.
He felt that Providence had intentionally selected a cross for him in the son who was wicked and foolish enough to want to read stories and see plays and go to school for years instead of going right into business.
The thought of sending his boy through a preparatory academy and college and wasting his youth on nonsense was outrageous. It maddened him to have the boy plead for such folly. He tried in vain to whip it out of him.
Joel's ideas of education were exactly those of Mr. Mellows, but he did not like Mr. Mellows because of the anguish inflicted on Luke. Joel used to beg Luke to run away from home. But that was impracticable for two reasons: Luke was not of the runaway sort, but meek, and shy, and obedient to a fault.
Besides, while a boy can run away from school, he cannot easily run away to school. If he did, he would be sent back, and if he were not sent back, how was he to pay for his "tooition" and his board and books and clo'es?
It was Luke's influence that sent Joel away to boardin' school. He so longed to go himself that Joel felt it foolish to deny himself the godlike opportunity. So Luke went to school vicariously in Joel, as he got his other experiences vicariously in books.
At school Joel found so much to do outside of his classes that he grew content to go all the way. There was a glee club to manage, also an athletic club; a paper to solicit ads and subscriptions for; class officers to be elected, with all the delights of political maneuvering—a world in little to run with all the solemnity and competition of the adult cosmos. So Joel was happy and lucky and successful in spite of himself.
The day after Joel took train up the river to his academy Luke took the position his father secured for him and entered the little back room where the Butterly Bottling Works kept its bookkeepers on high stools.
The Butterly soda pop, ginger ales, and other soft drinks were triumphs of insipidity, and their birch beer sickened the thirstiest child. But the making and the marketing and even the drinking of them were matters of high emprise compared to the keeping of the books.
One of the saddest, sweetest, greatest stories ever written is Ellis' Pigsispigs Butler's fable of the contented little donkey that went round and round in the mill and thought he was traveling far. But that donkey was blind and had no dreams denied.
Luke Mellows was a boy, a boy that still felt his life in every limb, a boy devoured with fantastic ambitions. He had a genius within that smothered and struggled till it all but perished unexpressed. It lived only enough to be an anguish. It hurt him like a hidden, unmentioned ingrowing toe nail that cuts and bleeds and excruciates the fleet member it is meant to protect.
When Joel came home for his first vacation, with the rush of a young colt that has had a good time in the corral but rejoices in the old pastures, his first cry was for Luke. When he learned where he was, he hurried to the Bottling Works. He was turned away with the curt remark that employees could not be seen in business hours. In those days there were no machines to simplify and verify the bookkeeper's treadmill task, and business hours were never over.
Joel left word at Luke's home for Luke to call for him the minute he was free. He did not come that evening, nor the next. Joel was hurt more than he dared admit.
It was Sunday afternoon before Luke came round, a different Luke, a lean, wan, worn-out shred of a youth. His welcome was sickly.
"Gee-min-ent-ly!" Joel roared. "I thought you was mad at me about something. You never came near."
"I wanted to come," Luke croaked, "but nights, I'm too tired to walk anywheres, and besides, I usually have to go back to the offus."
"Gee, that's damn tough," said Joel, who had grown from darn to damn.
Thinking to light Luke up with a congenial theme, Joel heroically forbore to describe the marvels of academy life, and asked: "What you been readin' lately? A little bit of everything, I guess, hey?"
"A whole lot of nothin'," Luke sighed. "I got no strength for readin' by the time I shut my ledgers. I got to save my eyes, you know. The light's bad in that back room."
"What you been writin', then?"
"Miles of figures and entries about one gross bottles lemon, two gross sassaprilla, one gross empties returned."
"No more poetry?"
"No more nothin'."
Joel was obstinately cheerful. "Well, you been makin' money, anyways; that's something."
"Yeh. I buy my own shoes and clo'es now and pay my board and lodgin' at home. And paw puts the two dollars that's left into the savings bank. I got nearly thirty dollars there now. I'll soon have enough for a winter soot and overcoat."
"Gee, can't you go buggy ridin' even with Kit?"
"I could if I had the time and the price, and if her maw wasn't so poorly that Kitty can't get away. I go over there Sunday afternoons sometimes, but her maw always hollers for her to come in. She's afraid to be alone. Kit's had to give up the high school account of her maw."
"How about her goin' away to be a great singer?"
Luke grinned at the insanity of such childish plans. "Oh, that's all off. Kit can't even practice any more. It makes her mother nervous. And Kit had to give up the church choir too. You'd hardly know her. She cries a lot about lookin' so scrawny. O' course I tell her she's pirtier than ever, but that only makes her mad. She can't go to sociables or dances or picnics, and if she could she's got no clo'es. We don't have much fun together; just sit and mope, and then I say: 'Well, guess I better mosey on home,' and she says: 'All right; see you again next Sunday, I s'pose. G'by.'"
The nightingale annoyed the owl and was hushed, and the poet rimed sums in a daybook.
The world waited for them and needed them without knowing it; it would have rewarded them with thrilled attention and wealth and fame. But silence was their portion, silence and the dark and an ache that had no voice.
Joel listened to Luke's elegy and groaned: "Gee!"
But he had an optimism like a powerful spring, and it struck back now with a whirr: "I'll tell you what, Luke. Just you wait till I'm rich, then I'll give you a job as vice president, and you can marry Kitty and live on Broadway, in Noo York."
"I've got over believin' in Sandy Claus," said Luke.
Joel saw little of him during this vacation and less during the next. Being by nature a hater of despair, he avoided Luke. He had fits of remorse for this, and once he dared to make a personal appeal to old Mr. Mellows to send Luke away to school. He was received with scant courtesy, and only tolerated because he gave the father a chance to void some of his bile at the worthlessness of Luke.
"He's no good; that's what's the matter of him. And willful too—he just mopes around because he wants to show me I'm wrong. But he's only cuttin' off his own nose to spite his face. I'll learn him who's got the most will power."
Joel was bold enough to suggest: "Maybe Luke would be differ'nt if you'd let him go to college. You know, Mr. Mellows, if you'll 'scuse my saying it, there's some natures that are differ'nt from others. You hitch a race horse up to a plow and you spoil a good horse and your field both. Seems to me as if, if Luke got a chance to be a writer or a professor or something, he might turn out to be a wonder. You can't teach a canary bird to be a hen, you know, and——"
Mr. Mellows locked himself in that ridiculous citadel of ancient folly. "When you're as old as I am, Joel, you'll know more. The first thing anybody's got to learn in this world is to respect their parents."
Joel wanted to say: "I should think that depended on the parents."
But, of course, he kept silent, as the young usually do when they hear the old maundering, and he gave up as he heard the stupid dolt returning to his old refrain: "I left school when I was twelve years old. Ain't had a day sence, and I can't say as I've been exactly a failure. Best hardware store in Carthage and holdin' my own in spite of bad business."
Joel slunk away, unconvinced but baffled. One summer he brought all his pressure to bear on Luke to persuade him to run away from his job and strike out for the big city where the big opportunities grew.
But Luke shook his head. He lacked initiative. Perhaps that was where his talent was not genius. It blistered him, but it made no steam.
Shakespeare had known enough to leave Stratford. He had had to hold horses outside the theatre, and even then he had organized a little business group of horse holders called "Shakespeare's boys." He had the business sense, and he forced his way into the theatre and became a stockholder. Shakespeare was always an adventurer. He had to work in a butcher's shop, but before he was nineteen he was already married to a woman of twenty-six, and none too soon for the first child's sake.
Luke Mellows had not the courage or the recklessness to marry Kitty, though he had as good a job as Shakespeare's. Shakespeare would not let a premature family keep him from his ambition.
He was twenty-one when he went to London, but he went.
London was a boom town then, about the size of Trenton, or Grand Rapids, or Spokane, and growing fast. Boys were running away from the farms and villages as they always have done. Other boys went to London from Stratford. John Sadler became a big wholesale grocer and Richard Field a publisher. They had as various reasons then as now.
But the main thing was that they left home. That might mean a noble or a selfish ambition, but it took action.
Luke Mellows would not go. He dreaded to abandon his mother to the father who bullied them both. He could not bear to leave Kitty alone with the wretched mother who ruled her with tears.
Other boys ran or walked away from Carthage, some of them to become failures, and some half successes, and some of them to acquire riches and power. And other boys stayed at home.
Girls, too, had won obscurity by inertia or had swung into fame. Some of the girls had stayed at home and gone wrong there. Some had gone away in disgrace, and redeemed or damned themselves in larger parishes. There were Aspasias and Joans of Arc in miniature, minor Florence Nightingales and Melbas and Rosa Bonheurs. But they had all had to leap from the nest and try their wings. Of those that did not take the plunge, none made the flight.
Cowardice held some back, but the purest self-sacrifice others. Joel felt that there ought to be a heaven for these latter, yet he hoped that there was no hell for the former. For who can save himself from his own timidity, and who can protect himself from his own courage?
Given that little spur of initiative, that little armor of selfish indifference to the clinging hands at home, and how many a soul might not have reached the stars? Look at the women who were crowding the rolls of fame of late just because all womankind had broken free of the apron strings of alleged respectability.
Joel had no proof that Luke Mellows would have amounted to much. Perhaps, if he had ventured over the nest's edge, he would have perished on the ground, trampled into dust by the fameward mob, or devoured by the critics that pounce upon every fledgling and suck the heart out of all that cannot fling them off.
But Joel could not surrender his childhood faith that Luke Mellows had been meant for another Shakespeare. Yet Mellows had never written a play or an act of a play. But, for that matter, neither had Shakespeare before he went to London. He was only a poet at first, and some of his poems were pretty poor stuff—if you took Shakespeare's name off it. And his first poems had to be published by his fellow townsman Field.
There were the childish poems by Luke Mellows that Joel's father had published in the Carthage "Clarion." Joel had forgotten them utterly, and they were probably meritorious of oblivion. But there was one poem Luke had written that Joel memorized.
It appeared in the "Clarion" years after Joel was a success in wool. His father still sent him the paper, and in one number Joel was rejoiced to read these lines:
THE ANONYMOUSBy Luke MellowsSometimes at night within a wooded parkLike an ocean cavern, fathoms deep in bloom,Sweet scents, like hymns, from hidden flowers fume,And make the wanderer happy, though the darkObscures their tint, their name, their shapely bloom.So, in the thick-set chronicles of fame,There hover deathless feats of souls unknown.They linger like the fragrant smoke wreaths blownFrom liberal sacrifice. Gone face and name;The deeds, like homeless ghosts, live on alone.
Wixon, seated in the boat on Avon and lost in such dusk that he could hardly see his hand upon the idle oar, recited the poem softly to himself, intoning it in the deep voice one saves for poetry. It sounded wonderful to him in the luxury of hearing his own voice upon the water and indulging his own memory. The somber mood was perfect, in accord with the realm of shadow and silence where everything beautiful and living was cloaked in the general blur.
After he had heard his voice chanting the last long oh's of the final verse, he was ashamed of his solemnity, and terrified lest some one might have heard him and accounted him insane. He laughed at himself for a sentimental fool.
He laughed too as he remembered what a letter of praise he had dictated to his astonished stenographer and fired off at Luke Mellows; and at the flippant letter he had in return.
Lay readers who send incandescent epistles to poets are apt to receive answers in sardonic prose. The poet lies a little, perhaps, in a very sane suspicion of his own transcendencies.
Luke Mellows had written:
"Dear Old Joel:"I sure am much obliged for your mighty handsome letter. Coming to one of the least successful wool-gatherers in the world from one of the most successful wool distributors, it deserves to be highly prized. And is. I will have it framed and handed down to my heirs, of which there are more than there will ever be looms."You ask me to tell you all about myself. It won't take long. When the Butterly Bottlery went bust, I had no job at all for six months, so I got married to spite my father. And to please Kit, whose poor mother ceased to suffer about the same time."The poor girl was so used to taking care of a poor old woman who couldn't be left alone that I became her patient just to keep all her talents from going to waste."The steady flow of children seems to upset the law of supply and demand, for there is certainly no demand for more of my progeny and there is no supply for them. But somehow they thrive."I am now running my father's store, as the old gentleman had a stroke and then another. The business is going to pot as rapidly as you would expect, but I haven't been able to kill it off quite yet."Thanks for advising me to go on writing immortal poetry. If I were immortal, I might, but that fool thing was the result of about ten years' hard labor. I tried to make a sonnet of it, but I gave up at the end of the decade and called it whatever it is.
"Dear Old Joel:
"I sure am much obliged for your mighty handsome letter. Coming to one of the least successful wool-gatherers in the world from one of the most successful wool distributors, it deserves to be highly prized. And is. I will have it framed and handed down to my heirs, of which there are more than there will ever be looms.
"You ask me to tell you all about myself. It won't take long. When the Butterly Bottlery went bust, I had no job at all for six months, so I got married to spite my father. And to please Kit, whose poor mother ceased to suffer about the same time.
"The poor girl was so used to taking care of a poor old woman who couldn't be left alone that I became her patient just to keep all her talents from going to waste.
"The steady flow of children seems to upset the law of supply and demand, for there is certainly no demand for more of my progeny and there is no supply for them. But somehow they thrive.
"I am now running my father's store, as the old gentleman had a stroke and then another. The business is going to pot as rapidly as you would expect, but I haven't been able to kill it off quite yet.
"Thanks for advising me to go on writing immortal poetry. If I were immortal, I might, but that fool thing was the result of about ten years' hard labor. I tried to make a sonnet of it, but I gave up at the end of the decade and called it whatever it is.
"Your father's paper published it free of charge, and so my income from my poetry has been one-tenth of nothing per annum. Please don't urge me to do any more. I really can't afford it."The poem was suggested to me by an ancient fit of blues over the fact that Kit's once-so-beautiful voice would never be heard in song, and by the fact that her infinite goodnesses will never meet any recompense or even acknowledgment."I was bitter the first five years, but the last five years I began to feel how rich this dark old world is in good, brave, sweet, lovable, heartbreakingly beautiful deeds that simply cast a little fragrance on the dark and are gone. They perfume the night and the busy daylight dispels them like the morning mists that we used to watch steaming and vanishing above the old river. The Mississippi is still here, still rolling along its eternal multitudes of snows and flowers and fruits and fish and snakes and dead men and boats and trees."They go where they came from, I guess—in and out of nothing and back again."It is a matter of glory to all of us that you are doing so nobly. Keep it up and give us something to brag about in our obscurity. Don't worry. We are happy enough in the dark. We have our batlike sports and our owllike prides, and the full sun would blind us and lose us our way."Kit sends you her love—and blushes as she says it. That is a very daring word for such shy moles as we are, but I will echo it."Yours for old sake's sake.Luke."
"Your father's paper published it free of charge, and so my income from my poetry has been one-tenth of nothing per annum. Please don't urge me to do any more. I really can't afford it.
"The poem was suggested to me by an ancient fit of blues over the fact that Kit's once-so-beautiful voice would never be heard in song, and by the fact that her infinite goodnesses will never meet any recompense or even acknowledgment.
"I was bitter the first five years, but the last five years I began to feel how rich this dark old world is in good, brave, sweet, lovable, heartbreakingly beautiful deeds that simply cast a little fragrance on the dark and are gone. They perfume the night and the busy daylight dispels them like the morning mists that we used to watch steaming and vanishing above the old river. The Mississippi is still here, still rolling along its eternal multitudes of snows and flowers and fruits and fish and snakes and dead men and boats and trees.
"They go where they came from, I guess—in and out of nothing and back again.
"It is a matter of glory to all of us that you are doing so nobly. Keep it up and give us something to brag about in our obscurity. Don't worry. We are happy enough in the dark. We have our batlike sports and our owllike prides, and the full sun would blind us and lose us our way.
"Kit sends you her love—and blushes as she says it. That is a very daring word for such shy moles as we are, but I will echo it.
"Yours for old sake's sake.Luke."
Vaguely remembering this letter now Joel inhaled a bit of the merciful chloroform that deadens the pain of thwarted ambition.
The world was full of men and women like Luke and Kit. Some had given up great hopes because they were too good to tread others down in their quest. Some had quenched great talents because they were too fearsome or too weak or too lazy to feed their lamps with oil and keep them trimmed and alight. Some had stumbled through life darkly with no gifts of talent, without even appreciation of the talents of others or of the flowerlike beauties that star the meadows.
Those were the people he had known. And then there were the people he had not known, the innumerable caravan that had passed across the earth while he lived, the inconceivable hosts that had gone before, tribe after tribe, generation upon generation, nation at the heels of nation, cycle on era on age, and the backward perpetuity from everlasting unto everlasting. People, people, peoples—poor souls, until the thronged stars that make a dust of the Milky Way were a lesser mob.
Here in this graveyard at Stratford lay men who might have overtopped Shakespeare's glory if they had but "had a mind to." Some of them had been held in higher esteem in their town. But they were forgotten, their names leveled with the surface of their fallen tombstones.
Had he not cried out in his own Hamlet: "O God, I could be bounded in a nutshell and count myself a king of infinite space, were it not that I have bad dreams—which dreams indeed are ambition; for the very substance of the ambitious is merely the shadow of a dream—and I hold ambition of so airy and light a quality that it is but a shadow's shadow."
After all, the greatest of men were granted but a lesser oblivion than the least. And in that overpowering thought there was a strange comfort, the comfort of misery finding itself in an infinite company.
The night was thick upon Avon. The swans had gone somewhere. The lights in the houses had a sleepy look. It was time to go to bed.
Joel yawned with the luxury of having wearied his heart with emotion. He had thought himself out for once. It was good to be tired. He put his oars into the stream and, dipping up reflected stars, sent them swirling in a doomsday chaos after him with the defiant revenge of a proud soul who scorns the universe that grinds him to dust.
The old boatman was surly with waiting. He did not thank the foreigner for his liberal largeness, and did not answer his good night.
As Wixon left the river and took the road for his hotel, the nightingale (that forever anonymous nightingale, only one among the millions of forgotten or throttled songsters) revolted for a moment or two against the stifling doom and shattered it with a wordless sonnet of fierce and beautiful protest—"The tawny-throated! What triumph! hark!—what pain!"
It was as if Luke Mellows had suddenly found expression in something better than words, something that any ear could understand, an ache that rang.
Wixon stopped, transfixed as by flaming arrows. He could not understand what the bird meant or what he meant, nor could the bird. But as there is no laughter that eases the heart like unpacking it of its woes in something beyond wording, so there is nothing that brightens the eyes like tears gushing without shame or restraint.
Joel Wixon felt that it was a good, sad, mad world, and that he had been very close to Shakespeare—so close that he heard things nobody had ever found the phrases for—things that cannot be said but only felt, and transmitted rather by experience than by expression from one proud worm in the mud to another.
FOOTNOTES:[10]Copyright, 1920, by P. F. Collier & Son, Inc.Copyright, 1921, by Rupert Hughes.
[10]Copyright, 1920, by P. F. Collier & Son, Inc.Copyright, 1921, by Rupert Hughes.
[10]Copyright, 1920, by P. F. Collier & Son, Inc.Copyright, 1921, by Rupert Hughes.
Against an autumn sunset the steel skeleton of a twenty-story office building in process of construction stood out black and bizarre. It flung up its beams and girders like stern and yet airy music, orderly, miraculously strong, and delicately powerful. From the lower stories, where masons made their music of trowel and hammer, to the top, where steam-riveters rapped out their chorus like giant locusts in a summer field, the great building lived and breathed as if all those human energies that went to its making flowed warm through its steel veins.
In the west window of a womans' club next door one of the members stood looking out at this building. Behind her at a tea-table three other women sat talking. For some moments their conversation had had a plaintive if not an actually rebellious tone. They were discussing the relative advantages of a man's work and a woman's, and they had arrived at the conclusion that a man has much the best of it when it comes to a matter of the day's work.
"Take a man's work," said Mrs. Van Vechten, pouring herself a second cup of tea. "He chooses it; then he is allowed to go at it with absolute freedom. He isn't hampered by the dull, petty details of life that hamper us. He——"
"Details! My dear, there you are right," broke in Mrs. Bullen. Two men, first Mrs. Bullen's father and then her husband, had seen to it that neither the biting wind of adversity nor the bracing air of experience should ever touch her. "Details! Sometimes I feel as if I were smothered by them. Servants, and the house, and now these relief societies——"
She was in her turn interrupted by Cornelia Blair. Cornelia was a spinster with more freedom than most human beings ever attain, her father having worked himself to death to leave her well provided for. "The whole fault is the social system," she declared. "Because of it men have been able to take the really interesting work of the world for themselves. They've pushed the dull jobs off onto us."
"You're right, Cornelia," cried Mrs. Bullen. She really had nothing to say, but she hated not saying it. "I've always thought," she went on pensively, "that it would be so much easier just to go to an office in the morning and have nothing but business to think of. Don't you feel that way sometimes, Mrs. Trask?"
The woman in the west window turned. There was a quizzical gleam in her eyes as she looked at the other three. "The trouble with us women is we're blind and deaf," she said slowly. "We talk a lot about men's work and how they have the best of things in power and freedom, but does it occur to one of us that a manpaysfor power and freedom? Sometimes I think that not one of the women of our comfortable class would be willing to pay what our men pay for the power and freedom they get."
"What do they pay?" asked Mrs. Van Vechten, her lip curling.
Mrs. Trask turned back to the window. "There's something rather wonderful going on out here," she called. "I wish you'd all come and look."
Just outside the club window the steel-workers pursued their dangerous task with leisurely and indifferent competence, while over their head a great derrick served their needs with uncanny intelligence. It dropped its chain and picked a girder from the floor. As it rose into space two figures sprang astride either end of it. The long arm swung up and out; the two "bronco-busters of the sky" were black against the flame of the sunset. Some one shouted; the signalman pulled at his rope; the derrick-arm swung in a little with the girder teetering at the end of the chain. The most interesting moment of the steel-man's job had come, when a girder was to be jockeyed into place. The iron arm swung the girder above two upright columns, lowered it, and the girder began to groove into place. It wedged a little. One of the men inched along, leaned against space, and wielded his bar. The women stared, for the moment taken out of themselves. Then, as the girder settled into place and the two men slid down the column to the floor, the spectators turned back to their tea-table.
"Very interesting," murmured Mrs. Van Vechten; "but I hardly see how it concerns us."
A flame leaped in Mary Trask's face. "It's what we've just been talking about, one of men's jobs. I tell you, men are working miracles all the time that women never see. We envy them their power and freedom, but we seldom open our eyes to see what they pay for them. Look here, I'd like to tell you about an ordinary man and one of his jobs." She stopped and looked from Mrs. Bullen's perplexity to Cornelia Blair's superior smile, and her eyes came last to Sally Van Vechten's rebellious frown. "I'm going to bore you, maybe," she laughed grimly. "But it will do you good to listen once in a while to somethingreal."
She sat down and leaned her elbows on the table. "I said that he is an ordinary man," she began; "what I meant is that he started in like the average, without any great amount of special training, without money, and without pull of any kind. He had good health, good stock back of him, an attractive personality, and two years at a technical school—those were his total assets. He was twenty when he came to New York to make a place for himself, and he had already got himself engaged to a girl back home. He had enough money to keep him for about three weeks, if he lived very economically. But that didn't prevent his feeling a heady exhilaration that day when he walked up Fifth Avenue for the first time and looked over his battle-field. He has told me often, with a chuckle at the audacity of it, how he picked out his employer. All day he walked about with his eyes open for contractors' signs. Whenever he came upon a building in the process of construction he looked it over critically, and if he liked the look of the job he made a note of the contractor's name and address in a little green book. For he was to be a builder—of big buildings, of course! And that night, when he turned out of the avenue to go to the cheap boarding-house where he had sent his trunk, he told himself that he'd give himself five years to set up an office of his own within a block of Fifth Avenue.
"Next day he walked into the offices of Weil & Street—the first that headed the list in the little green book—asked to see Mr. Weil, and, strangely enough, got him, too. Even in those raw days Robert had a cheerful assurance tempered with rather a nice deference that often got him what he wanted from older men. When he left the offices of Weil & Street he had been given a job in the estimating-room, at a salary that would just keep him from starving. He grew lean and lost his country color that winter, but he was learning, learning all the time, not only in the office of Weil & Street, but at night school, where he studied architecture. When he decided he had got all he could get out of the estimating and drawing rooms he asked to be transferred to one of the jobs. They gave him the position of timekeeper on one of the contracts, at a slight advance in salary.
"A man can get as much or as little out of being timekeeper as he chooses. Robert got a lot out of it. He formulated that summer a working theory of the length of time it should take to finish every detail of a building. He talked with bricklayers, he timed them and watched them, until he knew how many bricks could be laid in an hour; and it was the same way with carpenters, fireproofers, painters, plasterers. He soaked in a thousand practical details of building: he picked out the best workman in each gang, watched him, talked with him, learned all he could of that man's particular trick; and it all went down in the little green book. For at the back of his head was always the thought of the time when he should use all this knowledge in his own business. Then one day when he had learned all he could learn from being timekeeper, he walked into Weil's office again and proposed that they make him one of the firm's superintendents of construction.
"Old Weil fairly stuttered with the surprise of this audacious proposition. He demanded to know what qualifications the young man could show for so important a position, and Robert told him about the year he had had with the country builder and the three summer vacations with the country surveyor—which made no impression whatever on Mr. Weil until Robert produced the little green book. Mr. Weil glanced at some of the figures in the book, snorted, looked hard at his ambitious timekeeper, who looked back at him with his keen young eyes and waited. When he left the office he had been promised a tryout on a small job near the offices, where, as old Weil said, they could keep an eye on him. That night he wrote to the girl back home that she must get ready to marry him at a moment's notice."
Mrs. Trask leaned back in her chair and smiled with a touch of sadness. "The wonder of youth! I can see him writing that letter, exuberant, ambitious, his brain full of dreams and plans—and a very inadequate supper in his stomach. The place where he lived—he pointed it out to me once—was awful. No girl of Rob's class—back home his folks were 'nice'—would have stood that lodging-house for a night, would have eaten the food he did, or gone without the pleasures of life as he had gone without them for two years. But there, right at the beginning, is the difference between what a boy is willing to go through to get what he wants and what a girl would or could put up with. And along with a better position came a man's responsibility, which he shouldered alone.
"'I was horribly afraid I'd fall down on the job,' he told me long afterward. 'And there wasn't a living soul I could turn to for help. The thing was up to me alone!'"
Mrs. Trask looked from Mrs. Bullen to Mrs. Van Vechten. "Mostly they fight alone," she said, as if she thought aloud. "That's one thing about men we don't always grasp—the business of existence is up to the average man alone. If he fails or gets into a tight place he has no one to fall back on, as a woman almost always has. Our men have a prejudice against taking their business difficulties home with them. I've a suspicion it's because we're so ignorant they'd have to do too much explaining! So in most cases they haven't even a sympathetic understanding to help them over the bad places. It was so with Robert even after he had married the girl back home and brought her to the city. His idea was to keep her from all worry and anxiety, and so, when he came home at night and she asked him if he had had a good day, or if the work had gone well, he always replied cheerfully that things had gone about the same as usual, even though the day had been a particularly bad one. This was only at first, however. The girl happened to be the kind that likes to know things. One night, when she wakened to find him staring sleepless at the ceiling, the thought struck her that, after all, she knew nothing of his particular problems, and if they were partners in the business of living why shouldn't she be an intelligent member of the firm, even if only a silent one?
"So she began to read everything she could lay her hands on about the business of building construction, and very soon when she asked a question it was a fairly intelligent one, because it had some knowledge back of it. She didn't make the mistake of pestering him with questions before she had any groundwork of technical knowledge to build on, and I'm not sure that he ever guessed what she was up to, but I do know that gradually, as he found that he did not, for instance, have to draw a diagram and explain laboriously what a caisson was because she already knew a good deal about caissons, he fell into the habit of talking out to her a great many of the situations he would have to meet next day. Not that she offered her advice nor that he wanted it, but what helped was the fact of her sympathy—I should say her intelligent sympathy, for that is the only kind that can really help.
"So when his big chance came along she was ready to meet it with him. If he succeeded she would be all the better able to appreciate his success; and if he failed she would never blame him from ignorance. You must understand that his advance was no meteoric thing. He somehow, by dint of sitting up nights poring over blueprints and text-books and by day using his wits and his eyes and his native shrewdness, managed to pull off with fair success his first job as superintendent; was given other contracts to oversee; and gradually, through three years of hard work, learning, learning all the time, worked up to superintending some of the firm's important jobs. Then he struck out for himself."
Mrs. Trask turned to look out of the west window. "It sounds so easy," she mused. "'Struck out for himself.' But I think only a man can quite appreciate how much courage that takes. Probably, if the girl had not understood where he was trying to get to, he would have hesitated longer to give up his good, safe salary; but they talked it over, she understood the hazards of the game, and she was willing to take a chance. They had saved a tiny capital, and only a little over five years from the day he had come to New York he opened an office within a block of Fifth Avenue.
"I won't bore you with the details of the next two years, when he was getting together his organization, teaching himself the details of office work, stalking architects and owners for contracts. He acquired a slight stoop to his shoulders in those two years and there were days when there was nothing left of his boyishness but the inextinguishable twinkle in his hazel eyes. There were times when it seemed to him as if he had put to sea in a rowboat; as if he could never make port; but after a while small contracts began to come in, and then came along the big opportunity. Up in a New England city a large bank building was to be built; one of the directors was a friend of Rob's father, and Rob was given a chance to put in an estimate. It meant so much to him that he would not let himself count on getting the contract; he did not even tell the partner at home that he had been asked to put in an estimate until one day he came tearing in to tell her that he had been given the job. It seemed too wonderful to be true. The future looked so dazzling that they were almost afraid to contemplate it. Only something wildly extravagant would express their emotion, so they chartered a hansom cab and went gayly sailing up-town on the late afternoon tide of Fifth Avenue; and as they passed the building on which Robert had got his job as timekeeper he took off his hat to it, and she blew a kiss to it, and a dreary old clubman in a window next door brightened visibly!"
Mrs. Trask turned her face toward the steel skeleton springing up across the way like the magic beanstalk in the fairy-tale. "The things men have taught themselves to do!" she cried. "The endurance and skill, the inventiveness, the precision of science, the daring of human wits, the poetry and fire that go into the making of great buildings! We women walk in and out of them day after day, blindly—and this indifference is symbolical, I think, of the way we walk in and out of our men's lives.... I wish I could make you see that job of young Robert's so that you would feel in it what I do—the patience of men, the strain of the responsibility they carry night and day, the things life puts up to them, which they have to meet alone, the dogged endurance of them...."
Mrs. Trask leaned forward and traced a complicated diagram on the table-cloth with the point of a fork. "It was his first big job, you understand, and he had got it in competition with several older builders. From the first they were all watching him, and he knew it, which put a fine edge to his determination to put the job through with credit. To be sure, he was handicapped by lack of capital, but his past record had established his credit, and when the foundation work was begun it was a very hopeful young man that watched the first shovelful of earth taken out. But when they had gone down about twelve feet, with a trench for a retaining-wall, they discovered that the owners' boring plan was not a trustworthy representation of conditions; the job was going to be a soft-ground proposition. Where, according to the owners' preliminary borings, he should have found firm sand with a normal amount of moisture, Rob discovered sand that was like saturated oatmeal, and beyond that quicksand and water. Water! Why, it was like a subterranean lake fed by a young river! With the pulsometer pumps working night and day they couldn't keep the water out of the test pier he had sunk. It bubbled in as cheerfully as if it had eternal springs behind it, and drove the men out of the pier in spite of every effort. Rob knew then what he was up against. But he still hoped that he could sink the foundations without compressed air, which would be an immense expense he had not figured on in his estimate, of course. So he devised a certain kind of concrete crib, the first one was driven—and when they got it down beneath quicksand and water about twenty-five feet, it hung up on a boulder! You see, below the stratum of sand like saturated oatmeal, below the water and quicksand, they had come upon something like a New England pasture, as thick with big boulders as a bun with currants! If he had spent weeks hunting for trouble he couldn't have found more than was offered him right there. It was at this point that he went out and wired a big New York engineer, who happened to be a friend of his, to come up. In a day or two the engineer arrived, took a look at the job, and then advised Rob to quit.
"'It's a nasty job,' he told him. 'It will swallow every penny of your profits and probably set you back a few thousands. It's one of the worst soft-ground propositions I ever looked over.'
"Well that night young Robert went home with a sleep-walking expression in his eyes. He and the partner at home had moved up to Rockford to be near the job while the foundation work was going on, so the girl saw exactly what he was up against and what he had to decide between.
"'I could quit,' he said that night, after the engineer had taken his train back to New York, 'throw up the job, and the owners couldn't hold me because of their defective boring plans. But if I quit there'll be twenty competitors to say I've bit off more than I can chew. And if I go on I lose money; probably go into the hole so deep I'll be a long time getting out.'
"You see, where his estimates had covered only the expense of normal foundation work he now found himself up against the most difficult conditions a builder can face. When the girl asked him if the owners would not make up the additional cost he grinned ruefully. The owners were going to hold him to his original estimate; they knew that with his name to make he would hate to give up; and they were inclined to be almost as nasty as the job.
"'Then you'll have all this work and difficulty for nothing?' the girl asked. 'You may actually lose money on the job?'
"'Looks that way,' he admitted.
"'Then why do you go on?' she cried.
"His answer taught the girl a lot about the way a man looks at his job. 'If I take up the cards I can't be a quitter,' he said. 'It would hurt my record. And my record is the equivalent of credit and capital. I can't afford to have any weak spots in it. I'll take the gaff rather than have it said about me that I've lain down on a job. I'm going on with this thing to the end.'"
Little shrewd, reminiscent lines gathered about Mrs. Trask's eyes. "There's something exhilarating about a good fight. I've always thought that if I couldn't be a gunner I could get a lot of thrills out of just handing up the ammunition.... Well, Rob went on with the contract. With the first crib hung up on a boulder and the water coming in so fast they couldn't pump it out fast enough to dynamite, he was driven to use compressed air, and that meant the hiring of a compressor, locks, shafting—a terribly costly business—as well as bringing up to the job a gang of the high-priced labor that works under air. But this was done, and the first crib for the foundation piers went down slowly, with the sand-hogs—men that work in the caissons—drilling and blasting their way week after week through that underground New England pasture. Then, below this boulder-strewn stratum, instead of the ledge they expected they struck four feet of rotten rock, so porous that when air was put on it to force the water back great air bubbles blew up all through the lot, forcing the men out of the other caissons and trenches. But this was a mere dull detail, to be met by care and ingenuity like the others. And at last, forty feet below street level, they reached bed-rock. Forty-six piers had to be driven to this ledge.
"Rob knew now exactly what kind of a job was cut out for him. He knew he had not only the natural difficulties to overcome, but he was going to have to fight the owners for additional compensation. So one day he went into Boston and interviewed a famous old lawyer.
"'Would you object,' he asked the lawyer, 'to taking a case against personal friends of yours, the owners of the Rockford bank building?'
"'Not at all—and if you're right, I'll lick 'em! What's your case?'
"Rob told him the whole story. When he finished the famous man refused to commit himself one way or the other; but he said that he would be in Rockford in a few days, and perhaps he'd look at Robert's little job. So one day, unannounced, the lawyer appeared. The compressor plant was hard at work forcing the water back in the caissons, the pulsometer pumps were sucking up streams of water that flowed without ceasing into the settling tank and off into the city sewers, the men in the caissons were sending up buckets full of silt-like gruel. The lawyer watched operations for a few minutes, then he asked for the owners' boring plan. When he had examined this he grunted twice, twitched his lower lip humorously, and said: 'I'll put you out of this. If the owners wanted a deep-water lighthouse they should have specified one—not a bank building.'
"So the battle of legal wits began. Before the building was done Joshua Kent had succeeded in making the owners meet part of the additional cost of the foundation, and Robert had developed an acumen that stood by him the rest of his life. But there was something for him in this job bigger than financial gain or loss. Week after week, as he overcame one difficulty after another, he was learning, learning, just as he had done at Weil & Street's. His hazel eyes grew keener, his face thinner. For the job began to develop every freak and whimsy possible to a growing building. The owner of the department store next door refused to permit access through his basement, and that added many hundred dollars to the cost of building the party wall; the fire and telephone companies were continually fussing around and demanding indemnity because their poles and hydrants got knocked out of plumb; the thousands of gallons of dirty water pumped from the job into the city sewers clogged them up, and the city sued for several thousand dollars' damages; one day the car-tracks in front of the lot settled and valuable time was lost while the men shored them up; now and then the pulsometer engines broke down; the sand-hogs all got drunk and lost much time; an untimely frost spoiled a thousand dollars' worth of concrete one night. But the detail that required the most handling was the psychological effect on Rob's subcontractors. These men, observing the expensive preliminary operations, and knowing that Rob was losing money every day the foundation work lasted, began to ask one another if the young boss would be able to put the job through. If he failed, of course they who had signed up with him for various stages of the work would lose heavily. Panic began to spread among all the little army that goes to the making of a big building. The terra-cotta-floor men, the steel men, electricians and painters began to hang about the job with gloom in their eyes; they wore a path to the architect's door, and he, never having quite approved of so young a man being given the contract, did little to allay their apprehensions. Rob knew that if this kept up they'd hurt his credit, so he promptly served notice on the architect that if his credit was impaired by false rumors he'd hold him responsible; and he gave each subcontractor five minutes in which to make up his mind whether he wanted to quit or look cheerful. To a man they chose to stick by the job; so that detail was disposed of. In the meantime the sinking of piers for one of the retaining-walls was giving trouble. One morning at daylight Rob's superintendent telephoned him to announce that the street was caving in and the buildings across the way were cracking. When Rob got there he found the men standing about scared and helpless, while the plate-glass windows of the store opposite were cracking like pistols and the building settled. It appeared that when the trench for the south wall had gone down a certain distance water began to rush in under the sheeting as if from an underground river, and, of course, undermined the street and the store opposite. The pumps were started like mad, two gangs were put at work, with the superintendent swearing, threatening, and pleading to make them dig faster, and at last concrete was poured and the water stopped. That day Rob and his superintendent had neither breakfast nor lunch; but they had scarcely finished shoring up the threatened store when the owner of the store notified Rob that he would sue for damages, and the secretary of the Y. W. C. A. next door attempted to have the superintendent arrested for profanity. Rob said that when this happened he and his superintendent solemnly debated whether they should go and get drunk or start a fight with the sand-hogs; it did seem as if they were entitled to some emotional outlet, all the circumstances considered!
"So after months of difficulties the foundation work was at last finished. I've forgotten to mention that there was some little difficulty with the eccentricities of the sub-basement floor. The wet clay ruined the first concrete poured, and little springs had a way of gushing up in the boiler-room. Also, one night a concrete shell for the elevator pit completely disappeared—sank out of sight in the soft bottom. But by digging the trench again and jacking down the bottom and putting hay under the concrete, the floor was finished; and that detail was settled.
"The remainder of the job was by comparison uneventful. The things that happened were all more or less in the day's work, such as a carload of stone for the fourth story arriving when what the masons desperately needed was the carload for the second, and the carload for the third getting lost and being discovered after three days' search among the cripples in a Buffalo freight-yard. And there was a strike of structural-steel work workers which snarled up everything for a while; and always, of course, there were the small obstacles and differences owners and architects are in the habit of hatching up to keep a builder from getting indifferent. But these things were what every builder encounters and expects. What Rob's wife could not reconcile herself to was the fact that all those days of hard work, all those days and nights of strain and responsibility, were all for nothing. Profits had long since been drowned in the foundation work; Robert would actually have to pay several thousand dollars for the privilege of putting up that building! When the girl could not keep back one wail over this detail her husband looked at her in genuine surprise.
"'Why, it's been worth the money to me, what I've learned,' he said. 'I've got an education out of that old hoodoo that some men go through Tech and work twenty years without getting; I've learned a new wrinkle in every one of the building trades; I've learned men and I've learned law, and I've delivered the goods. It's been hell, but I wouldn't have missed it!'"
Mrs. Trask looked eagerly and a little wistfully at the three faces in front of her. Her own face was alight. "Don't you see—that's the way a real man looks at his work; but that man's wife would never have understood it if she hadn't been interested enough to watch his job. She saw him grow older and harder under that job; she saw him often haggard from the strain and sleepless because of a dozen intricate problems; but she never heard him complain and she never saw him any way but courageous and often boyishly gay when he'd got the best of some difficulty. And furthermore, she knew that if she had been the kind of a woman who is not interested in her husband's work he would have kept it to himself, as most American husbands do. If he had, she would have missed a chance to learn a lot of things that winter, and she probably wouldn't have known anything about the final chapter in the history of the job that the two of them had fallen into the habit of referring to as the White Elephant. They had moved back to New York then, and the Rockford bank building was within two weeks of its completion, when at seven o'clock one morning their telephone rang. Rob answered it and his wife heard him say sharply: 'Well, what are you doing about it?' And then: 'Keep it up. I'll catch the next train.'
"'What is it?' she asked, as he turned away from the telephone and she saw his face.
"'The department store next to the Elephant is burning,' he told her. 'Fireproof? Well, I'm supposed to have built a fireproof building—but you never can tell.'
"His wife's next thought was of insurance, for she knew that Robert had to insure the building himself up to the time he turned it over to the owners. 'The insurance is all right?' she asked him.
"But she knew by the way he turned away from her that the worst of all their bad luck with the Elephant had happened, and she made him tell her. The insurance had lapsed about a week before. Rob had not renewed the policy because its renewal would have meant adding several hundreds to his already serious deficit, and, as he put it, it seemed to him that everything that could happen to that job had already happened. But now the last stupendous, malicious catastrophe threatened him. Both of them knew when he said good-by that morning and hurried out to catch his train that he was facing ruin. His wife begged him to let her go with him; at least she would be some one to talk to on that interminable journey; but he said that was absurd; and, anyway, he had a lot of thinking to do. So he started off alone.