But Sandy Sanderson's burning solicitude to fix the crime flickered out in the face of opposition, and in the end he bowed his head to the inevitable "open verdict." Then the floodgates of inkland were opened, and the deluge pattered for nine days on the deaf coffin where the poor idealist moldered. The tongues of the Press were loosened, and the leader writers reveled in recapitulating the circumstances of "The Big Bow Mystery," though they could contribute nothing but adjectives to the solution. The papers teemed with letters—it was a kind of Indian summer of the silly season. But the editors could not keep them out, nor cared to. The mystery was the one topic of conversation everywhere—it was on the carpet and the bare boards alike, in the kitchen and the drawing-room. It was discussed with science or stupidity, with aspirates or without. It came up for breakfast with the rolls, and was swept off the supper table with the last crumbs.
No. 11 Glover Street, Bow, remained for days a shrine of pilgrimage. The once sleepy little street buzzed from morning till night. From all parts of the town people came to stare up at the bedroom window and wonder with a foolish look of horror. The pavement was often blocked for hours together, and itinerant vendors of refreshment made it a new market center, while vocalists hastened thither to sing the delectable ditty of the deed without having any voice in the matter. It was a pity the Government did not erect a toll-gate at either end of the street. But Chancellors of the Exchequer rarely avail themselves of the more obvious expedients for paying off the National debt.
Finally, familiarity bred contempt, and the wits grew facetious at the expense of the Mystery. Jokes on the subject appeared even in the comic papers.
To the proverb, "You must not say Boo to a goose," one added, "or else she will explain you the Mystery." The name of the gentleman who asked whether the Bow Mystery was not 'arrowing shall not be divulged. There was more point in "Dagonet's" remark that, if he had been one of the unhappy jurymen, he should have been driven to "suicide." A professional paradox-monger pointed triumphantly to the somewhat similar situation in "the murder in the Rue Morgue," and said that Nature had been plagiarizing again—like the monkey she was—and he recommended Poe's publishers to apply for an injunction. More seriously, Poe's solution was re-suggested by "Constant Reader" as an original idea. He thought that a small organ-grinder's monkey might have got down the chimney with its master's razor, and, after attempting to shave the occupant of the bed, have returned the way it came. This idea created considerable sensation, but a correspondent with a long train of letters draggling after his name pointed out that a monkey small enough to get down so narrow a flue would not be strong enough to inflict so deep a wound. This was disputed by a third writer, and the contest raged so keenly about the power of monkeys' muscles that it was almost taken for granted that a monkey was the guilty party. The bubble was pricked by the pen of "Common Sense," who laconically remarked that no traces of soot or blood had been discovered on the floor, or on the nightshirt, or the counterpane. The "Lancet's" leader on the Mystery was awaited with interest. It said: "We cannot join in the praises that have been showered upon the coroner's summing up. It shows again the evils resulting from having coroners who are not medical men. He seems to have appreciated but inadequately the significance of the medical evidence. He should certainly have directed the jury to return a verdict of murder on that. What was it to do with him that he could see no way by which the wound could have been inflicted by an outside agency? It was for the police to find how that was done. Enough that it was impossible for the unhappy young man to have inflicted such a wound and then have strength and will power enough to hide the instrument and to remove perfectly every trace of his having left the bed for the purpose." It is impossible to enumerate all the theories propounded by the amateur detectives, while Scotland Yard religiously held its tongue. Ultimately the interest on the subject became confined to a few papers which had received the best letters. Those papers that couldn't get interesting letters stopped the correspondence and sneered at the "sensationalism" of those that could. Among the mass of fantasy there were not a few notable solutions, which failed brilliantly, like rockets posing as fixed stars. One was that in the obscurity of the fog the murderer had ascended to the window of the bedroom by means of a ladder from the pavement. He had then with a diamond cut one of the panes away, and effected an entry through the aperture. On leaving he fixed in the pane of glass again (or another which he had brought with him), and thus the room remained with its bolts and locks untouched. On its being pointed out that the panes were too small, a third correspondent showed that that didn't matter, as it was only necessary to insert the hand and undo the fastening, when the entire window could be opened, the process being reversed by the murderer on leaving. This pretty edifice of glass was smashed by a glazier, who wrote to say that a pane could hardly be fixed in from only one side of a window frame, that it would fall out when touched, and that in any case the wet putty could not have escaped detection. A door panel sliced out and replaced was also put forward, and as many trap-doors and secret passages were ascribed to No. 11 Glover Street as if it were a medieval castle. Another of these clever theories was that the murderer was in the room the whole time the police were there—hidden in the wardrobe. Or he had got behind the door when Grodman broke it open, so that he was not noticed in the excitement of the discovery, and escaped with his weapon at the moment when Grodman and Mrs. Drabdump were examining the window fastenings.
Scientific explanations also were to hand to explain how the assassin locked and bolted the door behind him. Powerful magnets outside the door had been used to turn the key and push the bolt within. Murderers armed with magnets loomed on the popular imagination like a new microbe. There was only one defect in this ingenious theory—the thing could not be done. A physiologist recalled the conjurers who swallowed swords—by an anatomical peculiarity of the throat—and said that the deceased might have swallowed the weapon after cutting his own throat. This was too much for the public to swallow. As for the idea that the suicide had been effected with a penknife or its blade, or a bit of steel, which had got buried in the wound, not even the quotation of Shelley's line:
"Makes such a wound, the knife is lost in it,"
"Makes such a wound, the knife is lost in it,"
could secure it a moment's acceptance. The same reception was accorded to the idea that the cut had been made with a candlestick (or other harmless article) constructed like a sword-stick. Theories of this sort caused a humorist to explain that the deceased had hidden the razor in his hollow tooth! Some kind friend of Messrs. Maskelyne and Cook suggested that they were the only persons who could have done the deed, as no one else could get out of a locked cabinet. But perhaps the most brilliant of these flashes of false fire was the facetious, yet probably half-seriously meant, letter that appeared in the "Pell Mell Press" under the heading of
THE BIG BOW MYSTERY SOLVED."Sir—You will remember that when the Whitechapel murders were agitating the universe, I suggested that the district coroner was the assassin. My suggestion has been disregarded. The coroner is still at large. So is the Whitechapel murderer. Perhaps this suggestive coincidence will incline the authorities to pay more attention to me this time. The problem seems to be this. The deceased could not have cut his own throat. The deceased could not have had his throat cut for him. As one of the two must have happened, this is obvious nonsense. As this is obvious nonsense I am justified in disbelieving it. As this obvious nonsense was primarily put in circulation by Mrs. Drabdump and Mr. Grodman, I am justified in disbelieving them. In short, sir, what guarantee have we that the whole tale is not a cock-and-bull story, invented by the two persons who first found the body? What proof is there that the deed was not done by these persons themselves, who then went to work to smash the door and break the locks and the bolts, and fasten up all the windows before they called the police in? I enclose my card, and am, sir, yours truly, One Who Looks Through His Own Spectacles."("Our correspondent's theory is not so audaciously original as he seems to imagine. Has he not looked through the spectacles of the people who persistently suggested that the Whitechapel murderer was invariably the policeman who found the body? Somebody must find the body, if it is to be found at all.—Ed. P. M. P.")
"Sir—You will remember that when the Whitechapel murders were agitating the universe, I suggested that the district coroner was the assassin. My suggestion has been disregarded. The coroner is still at large. So is the Whitechapel murderer. Perhaps this suggestive coincidence will incline the authorities to pay more attention to me this time. The problem seems to be this. The deceased could not have cut his own throat. The deceased could not have had his throat cut for him. As one of the two must have happened, this is obvious nonsense. As this is obvious nonsense I am justified in disbelieving it. As this obvious nonsense was primarily put in circulation by Mrs. Drabdump and Mr. Grodman, I am justified in disbelieving them. In short, sir, what guarantee have we that the whole tale is not a cock-and-bull story, invented by the two persons who first found the body? What proof is there that the deed was not done by these persons themselves, who then went to work to smash the door and break the locks and the bolts, and fasten up all the windows before they called the police in? I enclose my card, and am, sir, yours truly, One Who Looks Through His Own Spectacles."
("Our correspondent's theory is not so audaciously original as he seems to imagine. Has he not looked through the spectacles of the people who persistently suggested that the Whitechapel murderer was invariably the policeman who found the body? Somebody must find the body, if it is to be found at all.—Ed. P. M. P.")
The editor had reason to be pleased that he inserted this letter, for it drew the following interesting communication from the great detective himself:
"THE BIG BOW MYSTERY SOLVED."Sir—I do not agree with you that your correspondent's theory lacks originality. On the contrary, I think it is delightfully original. In fact it has given me an idea. What that idea is I do not yet propose to say, but if 'One Who Looks Through His Own Spectacles' will favor me with his name and address I shall be happy to inform him a little before the rest of the world whether his germ has borne any fruit. I feel he is a kindred spirit, and take this opportunity of saying publicly that I was extremely disappointed at the unsatisfactory verdict. The thing was a palpable assassination; an open verdict has a tendency to relax the exertions of Scotland Yard. I hope I shall not be accused of immodesty, or of making personal reflections, when I say that the Department has had several notorious failures of late. It is not what it used to be. Crime is becoming impertinent. It no longer knows its place, so to speak. It throws down the gauntlet where once it used to cower in its fastnesses. I repeat, I make these remarks solely in the interest of law and order. I do not for one moment believe that Arthur Constant killed himself, and if Scotland Yard satisfies itself with that explanation, and turns on its other side and goes to sleep again, then, sir, one of the foulest and most horrible crimes of the century will forever go unpunished. My acquaintance with the unhappy victim was but recent; still, I saw and knew enough of the man to be certain (and I hope I have seen and known enough of other men to judge) that he was a man constitutionally incapable of committing an act of violence, whether against himself or anybody else. He would not hurt a fly, as the saying goes. And a man of that gentle stamp always lacks the active energy to lay hands on himself. He was a man to be esteemed in no common degree, and I feel proud to be able to say that he considered me a friend. I am hardly at the time of life at which a man cares to put on his harness again; but, sir, it is impossible that I should ever know a day's rest till the perpetrator of this foul deed is discovered. I have already put myself in communication with the family of the victim, who, I am pleased to say, have every confidence in me, and look to me to clear the name of their unhappy relative from the semi-imputation of suicide. I shall be pleased if anyone who shares my distrust of the authorities, and who has any clue whatever to this terrible mystery, or any plausible suggestion to offer, if, in brief, any 'One who looks through his own spectacles' will communicate with me. If I were asked to indicate the direction in which new clues might be most usefully sought, I should say, in the first instance, anything is valuable that helps us to piece together a complete picture of the manifold activities of the man in the East End. He entered one way or another into the lives of a good many people; is it true that he nowhere made enemies? With the best intentions a man may wound or offend; his interference may be resented; he may even excite jealousy. A young man like the late Mr. Constant could not have had as much practical sagacity as he had goodness. Whose corns did he tread on? The more we know of the last few months of his life the more we shall know of the manner of his death. Thanking you by anticipation for the insertion of this letter in your valuable columns, I am, sir, yours truly,"George Grodman."46 Glover Street, Bow.""P. S.—Since writing the above lines I have, by the kindness of Miss Brent, been placed in possession of a most valuable letter, probably the last letter written by the unhappy gentleman. It is dated Monday, 3 December, the very eve of the murder, and was addressed to her at Florence, and has now, after some delay, followed her back to London where the sad news unexpectedly brought her. It is a letter couched, on the whole, in the most hopeful spirit, and speaks in detail of his schemes. Of course, there are things in it not meant for the ears of the public, but there can be no harm in transcribing an important passage:"'You seem to have imbibed the idea that the East End is a kind of Golgotha, and this despite that the books out of which you probably got it are carefully labeled "Fiction." Lamb says somewhere that we think of the "Dark Ages" as literally without sunlight, and so I fancy people like you, dear, think of the "East End" as a mixture of mire, misery and murder. How's that for alliteration? Why, within five minutes' walk of me there are the loveliest houses, with gardens back and front, inhabited by very fine people and furniture. Many of my university friends' mouths would water if they knew the income of some of the shop-keepers in the High Road."'The rich people about here may not be so fashionable as those in Kensington and Bayswater, but they are every bit as stupid and materialistic. I don't deny, Lucy, I do have my black moments, and I do sometimes pine to get away from all this to the lands of sun and lotus-eating. But, on the whole, I am too busy even to dream of dreaming. My real black moments are when I doubt if I am really doing any good. But yet on the whole my conscience or my self-conceit tells me that I am. If one cannot do much with the mass, there is at least the consolation of doing good to the individual. And, after all, is it not enough to have been an influence for good over one or two human souls? There are quite fine characters hereabout—especially in the women—natures capable not only of self-sacrifice, but of delicacy of sentiment. To have learnt to know of such, to have been of service to one or two of such—is not this ample return? I could not get to St. James' Hall to hear your friend's symphony at the Henschel concert. I have been reading Mme. Blavatsky's latest book, and getting quite interested in occult philosophy. Unfortunately I have to do all my reading in bed, and I don't find the book as soothing a soporific as most new books. For keeping one awake I find Theosophy as bad as toothache....'"
"Sir—I do not agree with you that your correspondent's theory lacks originality. On the contrary, I think it is delightfully original. In fact it has given me an idea. What that idea is I do not yet propose to say, but if 'One Who Looks Through His Own Spectacles' will favor me with his name and address I shall be happy to inform him a little before the rest of the world whether his germ has borne any fruit. I feel he is a kindred spirit, and take this opportunity of saying publicly that I was extremely disappointed at the unsatisfactory verdict. The thing was a palpable assassination; an open verdict has a tendency to relax the exertions of Scotland Yard. I hope I shall not be accused of immodesty, or of making personal reflections, when I say that the Department has had several notorious failures of late. It is not what it used to be. Crime is becoming impertinent. It no longer knows its place, so to speak. It throws down the gauntlet where once it used to cower in its fastnesses. I repeat, I make these remarks solely in the interest of law and order. I do not for one moment believe that Arthur Constant killed himself, and if Scotland Yard satisfies itself with that explanation, and turns on its other side and goes to sleep again, then, sir, one of the foulest and most horrible crimes of the century will forever go unpunished. My acquaintance with the unhappy victim was but recent; still, I saw and knew enough of the man to be certain (and I hope I have seen and known enough of other men to judge) that he was a man constitutionally incapable of committing an act of violence, whether against himself or anybody else. He would not hurt a fly, as the saying goes. And a man of that gentle stamp always lacks the active energy to lay hands on himself. He was a man to be esteemed in no common degree, and I feel proud to be able to say that he considered me a friend. I am hardly at the time of life at which a man cares to put on his harness again; but, sir, it is impossible that I should ever know a day's rest till the perpetrator of this foul deed is discovered. I have already put myself in communication with the family of the victim, who, I am pleased to say, have every confidence in me, and look to me to clear the name of their unhappy relative from the semi-imputation of suicide. I shall be pleased if anyone who shares my distrust of the authorities, and who has any clue whatever to this terrible mystery, or any plausible suggestion to offer, if, in brief, any 'One who looks through his own spectacles' will communicate with me. If I were asked to indicate the direction in which new clues might be most usefully sought, I should say, in the first instance, anything is valuable that helps us to piece together a complete picture of the manifold activities of the man in the East End. He entered one way or another into the lives of a good many people; is it true that he nowhere made enemies? With the best intentions a man may wound or offend; his interference may be resented; he may even excite jealousy. A young man like the late Mr. Constant could not have had as much practical sagacity as he had goodness. Whose corns did he tread on? The more we know of the last few months of his life the more we shall know of the manner of his death. Thanking you by anticipation for the insertion of this letter in your valuable columns, I am, sir, yours truly,
"George Grodman."46 Glover Street, Bow."
"George Grodman."46 Glover Street, Bow."
"P. S.—Since writing the above lines I have, by the kindness of Miss Brent, been placed in possession of a most valuable letter, probably the last letter written by the unhappy gentleman. It is dated Monday, 3 December, the very eve of the murder, and was addressed to her at Florence, and has now, after some delay, followed her back to London where the sad news unexpectedly brought her. It is a letter couched, on the whole, in the most hopeful spirit, and speaks in detail of his schemes. Of course, there are things in it not meant for the ears of the public, but there can be no harm in transcribing an important passage:
"'You seem to have imbibed the idea that the East End is a kind of Golgotha, and this despite that the books out of which you probably got it are carefully labeled "Fiction." Lamb says somewhere that we think of the "Dark Ages" as literally without sunlight, and so I fancy people like you, dear, think of the "East End" as a mixture of mire, misery and murder. How's that for alliteration? Why, within five minutes' walk of me there are the loveliest houses, with gardens back and front, inhabited by very fine people and furniture. Many of my university friends' mouths would water if they knew the income of some of the shop-keepers in the High Road.
"'The rich people about here may not be so fashionable as those in Kensington and Bayswater, but they are every bit as stupid and materialistic. I don't deny, Lucy, I do have my black moments, and I do sometimes pine to get away from all this to the lands of sun and lotus-eating. But, on the whole, I am too busy even to dream of dreaming. My real black moments are when I doubt if I am really doing any good. But yet on the whole my conscience or my self-conceit tells me that I am. If one cannot do much with the mass, there is at least the consolation of doing good to the individual. And, after all, is it not enough to have been an influence for good over one or two human souls? There are quite fine characters hereabout—especially in the women—natures capable not only of self-sacrifice, but of delicacy of sentiment. To have learnt to know of such, to have been of service to one or two of such—is not this ample return? I could not get to St. James' Hall to hear your friend's symphony at the Henschel concert. I have been reading Mme. Blavatsky's latest book, and getting quite interested in occult philosophy. Unfortunately I have to do all my reading in bed, and I don't find the book as soothing a soporific as most new books. For keeping one awake I find Theosophy as bad as toothache....'"
"THE BIG BOW MYSTERY SOLVED."Sir—I wonder if anyone besides myself has been struck by the incredible bad taste of Mr. Grodman's letter in your last issue. That he, a former servant of the Department, should publicly insult and run it down can only be charitably explained by the supposition that his judgment is failing him in his old age. In view of this letter, are the relatives of the deceased justified in entrusting him with any private documents? It is, no doubt, very good of him to undertake to avenge one whom he seems snobbishly anxious to claim as a friend; but, all things considered, should not his letter have been headed 'The Big Bow Mystery Shelved?' I enclose my card, and am, sir,"Your obedient servant,"Scotland Yard."
"Sir—I wonder if anyone besides myself has been struck by the incredible bad taste of Mr. Grodman's letter in your last issue. That he, a former servant of the Department, should publicly insult and run it down can only be charitably explained by the supposition that his judgment is failing him in his old age. In view of this letter, are the relatives of the deceased justified in entrusting him with any private documents? It is, no doubt, very good of him to undertake to avenge one whom he seems snobbishly anxious to claim as a friend; but, all things considered, should not his letter have been headed 'The Big Bow Mystery Shelved?' I enclose my card, and am, sir,
"Your obedient servant,"Scotland Yard."
"Your obedient servant,"Scotland Yard."
George Grodman read this letter with annoyance, and, crumpling up the paper, murmured scornfully, "Edward Wimp."
"Yes, but what will become of the Beautiful?" said Denzil Cantercot.
"Hang the Beautiful!" said Peter Crowl, as if he were on the committee of the Academy. "Give me the True."
Denzil did nothing of the sort. He didn't happen to have it about him.
Denzil Cantercot stood smoking a cigarette in his landlord's shop, and imparting an air of distinction and an agreeable aroma to the close leathery atmosphere. Crowl cobbled away, talking to his tenant without raising his eyes. He was a small, big-headed, sallow, sad-eyed man, with a greasy apron. Denzil was wearing a heavy overcoat with a fur collar. He was never seen without it in public during the winter. In private he removed it and sat in his shirt sleeves. Crowl was a thinker, or thought he was—which seems to involve original thinking anyway. His hair was thinning rapidly at the top, as if his brain was struggling to get as near as possible to the realities of things. He prided himself on having no fads. Few men are without some foible or hobby; Crowl felt almost lonely at times in his superiority. He was a Vegetarian, a Secularist, a Blue Ribbonite, a Republican, and an Anti-Tobacconist. Meat was a fad. Drink was a fad. Religion was a fad. Monarchy was a fad. Tobacco was a fad. "A plain man like me," Crowl used to say, "can live without fads." "A plain man" was Crowl's catchword. When of a Sunday morning he stood on Mile-end Waste, which was opposite his shop—and held forth to the crowd on the evils of kings, priests and mutton chops, the "plain man" turned up at intervals like the "theme" of a symphonic movement. "I am only a plain man and I want to know." It was a phrase that sabered the spider-webs of logical refinement, and held them up scornfully on the point. When Crowl went for a little recreation in Victoria Park on Sunday afternoons, it was with this phrase that he invariably routed the supernaturalists. Crowl knew his Bible better than most ministers, and always carried a minutely-printed copy in his pocket, dogs-eared to mark contradictions in the text. The second chapter of Jeremiah says one thing; the first chapter of Corinthians says another. Two contradictory statements may both be true, but "I am only a plain man, and I want to know." Crowl spent a large part of his time in setting "the word against the word." Cock-fighting affords its votaries no acuter pleasure than Crowl derived from setting two texts by the ears. Crowl had a metaphysical genius which sent his Sunday morning disciples frantic with admiration, and struck the enemy dumb with dismay. He had discovered, for instance, that the Deity could not move, owing to already filling all space. He was also the first to invent, for the confusion of the clerical, the crucial case of a saint dying at the Antipodes contemporaneously with another in London. Both went skyward to heaven, yet the two traveled in directly opposite directions. In all eternity they would never meet. Which, then, got to heaven? Or was there no such place? "I am only a plain man, and I want to know." Preserve us our open spaces; they exist to testify to the incurable interest of humanity in the Unknown and the Misunderstood. Even 'Arry is capable of five minutes' attention to speculative theology, if 'Arriet isn't in a 'urry.
Peter Crowl was not sorry to have a lodger like Denzil Cantercot, who, though a man of parts and thus worth powder and shot, was so hopelessly wrong on all subjects under the sun. In only one point did Peter Crowl agree with Denzil Cantercot—he admired Denzil Cantercot secretly. When he asked him for the True—which was about twice a day on the average—he didn't really expect to get it from him. He knew that Denzil was a poet.
"The Beautiful," he went on, "is a thing that only appeals to men like you. The True is for all men. The majority have the first claim. Till then you poets must stand aside. The True and the Useful—that's what we want. The Good of Society is the only test of things. Everything stands or falls by the Good of Society."
"The Good of Society!" echoed Denzil, scornfully. "What's the Good of Society? The Individual is before all. The mass must be sacrificed to the Great Man. Otherwise the Great Man will be sacrificed to the mass. Without great men there would be no art. Without art life would be a blank."
"Ah, but we should fill it up with bread and butter," said Peter Crowl.
"Yes, it is bread and butter that kills the Beautiful," said Denzil Cantercot bitterly. "Many of us start by following the butterfly through the verdant meadows, but we turn aside——"
"To get the grub," chuckled Peter, cobbling away.
"Peter, if you make a jest of everything, I'll not waste my time on you."
Denzil's wild eyes flashed angrily. He shook his long hair. Life was very serious to him. He never wrote comic verse intentionally.
There are three reasons why men of genius have long hair. One is, that they forget it is growing. The second is, that they like it. The third is, that it comes cheaper; they wear it long for the same reason that they wear their hats long.
Owing to this peculiarity of genius, you may get quite a reputation for lack of twopence. The economic reason did not apply to Denzil, who could always get credit with the profession on the strength of his appearance. Therefore, when street Arabs vocally commanded him to get his hair cut, they were doing no service to barbers. Why does all the world watch over barbers and conspire to promote their interests? Denzil would have told you it was not to serve the barbers, but to gratify the crowd's instinctive resentment of originality. In his palmy days Denzil had been an editor, but he no more thought of turning his scissors against himself than of swallowing his paste. The efficacy of hair has changed since the days of Samson, otherwise Denzil would have been a Hercules instead of a long, thin, nervous man, looking too brittle and delicate to be used even for a pipe-cleaner. The narrow oval of his face sloped to a pointed, untrimmed beard. His linen was reproachable, his dingy boots were down at heel, and his cocked hat was drab with dust. Such are the effects of a love for the Beautiful.
Peter Crowl was impressed with Denzil's condemnation of flippancy, and he hastened to turn off the joke.
"I'm quite serious," he said. "Butterflies are no good to nothing or nobody; caterpillars at least save the birds from starving."
"Just like your view of things, Peter," said Denzil. "Good morning, madam." This to Mrs. Crowl, to whom he removed his hat with elaborate courtesy. Mrs. Crowl grunted and looked at her husband with a note of interrogation in each eye. For some seconds Crowl stuck to his last, endeavoring not to see the question. He shifted uneasily on his stool. His wife coughed grimly. He looked up, saw her towering over him, and helplessly shook his head in a horizontal direction. It was wonderful how Mrs. Crowl towered over Mr. Crowl, even when he stood up in his shoes. She measured half an inch less. It was quite an optical illusion.
"Mr. Crowl," said Mrs. Crowl, "then I'll tell him."
"No, no, my dear, not yet," faltered Peter helplessly; "leave it to me."
"I've left it to you long enough. You'll never do nothing. If it was a question of provin' to a lot of chuckleheads that Jollygee and Genesis, or some other dead and gone Scripture folk that don't consarn no mortal soul, used to contradict each other, your tongue 'ud run thirteen to the dozen. But when it's a matter of takin' the bread out o' the mouths o' your own children, you ain't got no more to say for yourself than a lamppost. Here's a man stayin' with you for weeks and weeks—eatin' and drinkin' the flesh off your bones—without payin' a far——"
"Hush, hush, mother; it's all right," said poor Crowl, red as fire.
Denzil looked at her dreamily. "Is it possible you are alluding to me, Mrs. Crowl?" he said.
"Who then should I be alludin' to, Mr. Cantercot? Here's seven weeks come and gone, and not a blessed 'aypenny have I——"
"My dear Mrs. Crowl," said Denzil, removing his cigarette from his mouth with a pained air, "why reproach me for your neglect?"
"My neglect! I like that!"
"I don't," said Denzil, more sharply. "If you had sent me in the bill you would have had the money long ago. How do you expect me to think of these details?"
"We ain't so grand down here. People pays their way—they don't get no bills," said Mrs. Crowl, accentuating the word with infinite scorn.
Peter hammered away at a nail, as though to drown his spouse's voice.
"It's three pounds fourteen and eight-pence, if you're so anxious to know," Mrs. Crowl resumed. "And there ain't a woman in the Mile End Road as 'ud a-done it cheaper, with bread at fourpence threefarden a quartern and landlords clamorin' for rent every Monday morning almost afore the sun's up and folks draggin' and slidderin' on till their shoes is only fit to throw after brides, and Christmas comin' and seven-pence a week for schoolin'!"
Peter winced under the last item. He had felt it coming—like Christmas. His wife and he parted company on the question of Free Education. Peter felt that, having brought nine children into the world, it was only fair he should pay a penny a week for each of those old enough to bear educating. His better half argued that, having so many children, they ought in reason to be exempted. Only people who had few children could spare the penny. But the one point on which the cobbler-skeptic of the Mile End Road got his way was this of the fees. It was a question of conscience, and Mrs. Crowl had never made application for their remission, though she often slapped her children in vexation instead. They were used to slapping, and when nobody else slapped them they slapped one another. They were bright, ill-mannered brats, who pestered their parents and worried their teachers, and were happy as the Road was long.
"Bother the school fees!" Peter retorted, vexed. "Mr. Cantercot's not responsible for your children."
"I should hope not, indeed, Mr. Crowl," Mrs. Crowl said sternly. "I'm ashamed of you." And with that she flounced out of the shop into the back parlor.
"It's all right," Peter called after her soothingly. "The money'll be all right, mother."
In lower circles it is customary to call your wife your mother; in somewhat superior circles it is the fashion to speak of her as "the wife" as you speak of "the Stock Exchange," or "the Thames," without claiming any peculiar property. Instinctively men are ashamed of being moral and domesticated.
Denzil puffed his cigarette, unembarrassed. Peter bent attentively over his work, making nervous stabs with his awl. There was a long silence. An organ-grinder played a waltz outside, unregarded; and, failing to annoy anybody, moved on. Denzil lit another cigarette. The dirty-faced clock on the shop wall chimed twelve.
"What do you think," said Crowl, "of Republics?"
"They are low," Denzil replied. "Without a Monarch there is no visible incarnation of Authority."
"What! do you call Queen Victoria visible?"
"Peter, do you want to drive me from the house? Leave frivolousness to women, whose minds are only large enough for domestic difficulties. Republics are low. Plato mercifully kept the poets out of his. Republics are not congenial soil for poetry."
"What nonsense! If England dropped its fad of Monarchy and became a Republic to-morrow, do you mean to say that——?"
"I mean to say that there would be no Poet Laureate to begin with."
"Who's fribbling now, you or me, Cantercot? But I don't care a button-hook about poets, present company always excepted. I'm only a plain man, and I want to know where's the sense of givin' any one person authority over everybody else?"
"Ah, that's what Tom Mortlake used to say. Wait till you're in power, Peter, with trade-union money to control, and working men bursting to give you flying angels and to carry you aloft, like a banner, huzzahing."
"Ah, that's because he's head and shoulders above 'em already," said Crowl, with a flash in his sad gray eyes. "Still, it don't prove that I'd talk any different. And I think you're quite wrong about his being spoiled. Tom's a fine fellow—a man every inch of him, and that's a good many. I don't deny he has his weaknesses, and there was a time when he stood in this very shop and denounced that poor dead Constant. 'Crowl,' said he, 'that man'll do mischief. I don't like these kid-glove philanthropists mixing themselves up in practical labor disputes they don't understand.'"
Denzil whistled involuntarily. It was a piece of news.
"I daresay," continued Crowl, "he's a bit jealous of anybody's interference with his influence. But in this case the jealousy did wear off, you see, for the poor fellow and he got quite pals, as everybody knows. Tom's not the man to hug a prejudice. However, all that don't prove nothing against Republics. Look at the Czar and the Jews. I'm only a plain man, but I wouldn't live in Russia not for—not for all the leather in it! An Englishman, taxed as he is to keep up his Fad of Monarchy, is at least king in his own castle, whoever bosses it at Windsor. Excuse me a minute, the missus is callin'."
"Excusemea minute. I'm going, and I want to say before I go—I feel it is only right you should know at once—that after what has passed to-day I can never be on the same footing here as in the—shall I say pleasant?—days of yore."
"Oh, no, Cantercot. Don't say that; don't say that!" pleaded the little cobbler.
"Well, shall I say unpleasant, then?"
"No, no, Cantercot. Don't misunderstand me. Mother has been very much put to it lately to rub along. You see she has such a growing family. It grows—daily. But never mind her. You pay whenever you've got the money."
Denzil shook his head. "It cannot be. You know when I came here first I rented your top room and boarded myself. Then I learnt to know you. We talked together. Of the Beautiful. And the Useful. I found you had no soul. But you were honest, and I liked you. I went so far as to take my meals with your family. I made myself at home in your back parlor. But the vase has been shattered (I do not refer to that on the mantelpiece), and though the scent of the roses may cling to it still, it can be pieced together—nevermore." He shook his hair sadly and shambled out of the shop. Crowl would have gone after him, but Mrs. Crowl was still calling, and ladies must have the precedence in all polite societies.
Cantercot went straight—or as straight as his loose gait permitted—to 46 Glover Street, and knocked at the door. Grodman's factotum opened it. She was a pock-marked person, with a brickdust complexion and a coquettish manner.
"Oh, here we are again!" she said vivaciously.
"Don't talk like a clown," Cantercot snapped. "Is Mr. Grodman in?"
"No, you've put him out," growled the gentleman himself, suddenly appearing in his slippers. "Come in. What the devil have you been doing with yourself since the inquest? Drinking again?"
"I've sworn off. Haven't touched a drop since——"
"The murder?"
"Eh?" said Denzil Cantercot, startled. "What do you mean?"
"What I say. Since December 4, I reckon everything from that murder, now, as they reckon longitude from Greenwich."
"Oh," said Denzil Cantercot.
"Let me see. Nearly a fortnight. What a long time to keep away from Drink—and Me."
"I don't know which is worse," said Denzil, irritated. "You both steal away my brains."
"Indeed?" said Grodman, with an amused smile. "Well, it's only petty pilfering, after all. What's put salt on your wounds?"
"The twenty-fourth edition of my book."
"Whose book?"
"Well, your book. You must be making piles of money out of 'Criminals I Have Caught.'"
"'CriminalsIHave Caught,'" corrected Grodman. "My dear Denzil, how often am I to point out that I went through the experiences that make the backbone of my book, not you? In each case I cooked the criminal's goose. Any journalist could have supplied the dressing."
"The contrary. The journeymen of journalism would have left the truth naked. You yourself could have done that—for there is no man to beat you at cold, lucid, scientific statement. But I idealized the bare facts and lifted them into the realm of poetry and literature. The twenty-fourth edition of the book attests my success."
"Rot! The twenty-fourth edition was all owing to the murder! Did you do that?"
"You take one up so sharply, Mr. Grodman," said Denzil, changing his tone.
"No—I've retired," laughed Grodman.
Denzil did not reprove the ex-detective's flippancy. He even laughed a little.
"Well, give me another fiver, and I'll cry 'quits.' I'm in debt."
"Not a penny. Why haven't you been to see me since the murder? I had to write that letter to the 'Pell Mell Press' myself. You might have earned a crown."
"I've had writer's cramp, and couldn't do your last job. I was coming to tell you so on the morning of the——"
"Murder. So you said at the inquest."
"It's true."
"Of course. Weren't you on your oath? It was very zealous of you to get up so early to tell me. In which hand did you have this cramp?"
"Why, in the right, of course."
"And you couldn't write with your left?"
"I don't think I could even hold a pen."
"Or any other instrument, mayhap. What had you been doing to bring it on?"
"Writing too much. That is the only possible cause."
"Oh, I don't know. Writing what?"
Denzil hesitated. "An epic poem."
"No wonder you're in debt. Will a sovereign get you out of it?"
"No; it wouldn't be the least use to me."
"Here it is, then."
Denzil took the coin and his hat.
"Aren't you going to earn it, you beggar? Sit down and write something for me."
Denzil got pen and paper, and took his place.
"What do you want me to write?"
"The Epic Poem."
Denzil started and flushed. But he set to work. Grodman leaned back in his armchair and laughed, studying the poet's grave face.
Denzil wrote three lines and paused.
"Can't remember any more? Well, read me the start."
Denzil read:
"Of man's first disobedience and the fruitOf that forbidden tree whose mortal tasteBrought death into the world—"
"Of man's first disobedience and the fruitOf that forbidden tree whose mortal tasteBrought death into the world—"
"Hold on!" cried Grodman; "what morbid subjects you choose, to be sure."
"Morbid! Why, Milton chose the same subject!"
"Blow Milton. Take yourself off—you and your Epics."
Denzil went. The pock-marked person opened the street door for him.
"When am I to have that new dress, dear?" she whispered coquettishly.
"I have no money, Jane," he said shortly.
"You have a sovereign."
Denzil gave her the sovereign, and slammed the door viciously. Grodman overheard their whispers, and laughed silently. His hearing was acute. Jane had first introduced Denzil to his acquaintance about two years ago, when he spoke of getting an amanuensis, and the poet had been doing odd jobs for him ever since. Grodman argued that Jane had her reasons. Without knowing them he got a hold over both. There was no one, he felt, he could not get a hold over. All men—and women—have something to conceal, and you have only to pretend to know what it is. Thus Grodman, who was nothing if not scientific.
Denzil Cantercot shambled home thoughtfully, and abstractedly took his place at the Crowl dinner-table.
Mrs. Crowl surveyed Denzil Cantercot so stonily and cut him his beef so savagely that he said grace when the dinner was over. Peter fed his metaphysical genius on tomatoes. He was tolerant enough to allow his family to follow their Fads; but no savory smells ever tempted him to be false to his vegetable loves. Besides, meat might have reminded him too much of his work. There is nothing like leather, but Bow beefsteaks occasionally come very near it.
After dinner Denzil usually indulged in poetic reverie. But to-day he did not take his nap. He went out at once to "raise the wind." But there was a dead calm everywhere. In vain he asked for an advance at the office of the "Mile End Mirror," to which he contributed scathing leaderettes about vestrymen. In vain he trudged to the city and offered to write the "Ham and Eggs Gazette" an essay on the modern methods of bacon-curing. Denzil knew a great deal about the breeding and slaughtering of pigs, smoke-lofts and drying processes, having for years dictated the policy of the "New Pork Herald" in these momentous matters. Denzil also knew a great deal about many other esoteric matters, including weaving machines, the manufacture of cabbage leaves and snuff, and the inner economy of drain-pipes. He had written for the trade papers since boyhood. But there is great competition on these papers. So many men of literary gifts know all about the intricate technicalities of manufactures and markets, and are eager to set the trade right. Grodman perhaps hardly allowed sufficiently for the step backward that Denzil made when he devoted his whole time for months to "Criminals I Have Caught." It was as damaging as a debauch. For when your rivals are pushing forward, to stand still is to go back.
In despair Denzil shambled toilsomely to Bethnal Green. He paused before the window of a little tobacconist's shop, wherein was displayed a placard announcing
The announcement went on to state that a large stock of plots was to be obtained on the premises—embracing sensational plots, humorous plots, love plots, religious plots, and poetic plots; also complete manuscripts, original novels, poems and tales. Apply within.
It was a very dirty-looking shop, with begrimed bricks and blackened woodwork. The window contained some musty old books, an assortment of pipes and tobacco, and a large number of the vilest daubs unhung, painted in oil on Academy boards, and unframed. These were intended for landscapes, as you could tell from the titles. The most expensive was "Chingford Church," and it was marked 1s. 9d. The others ran from 6d. to 1s. 3d., and were mostly representations of Scotch scenery—a loch with mountains in the background, with solid reflections in the water and a tree in the foreground. Sometimes the tree would be in the background. Then the loch would be in the foreground. Sky and water were intensely blue in all. The name of the collection was "Original oil paintings done by hand." Dust lay thick upon everything, as if carefully shoveled on; and the proprietor looked as if he slept in his shop window at night without taking his clothes off. He was a gaunt man with a red nose, long but scanty black locks covered by a smoking cap, and a luxuriant black mustache. He smoked a long clay pipe, and had the air of a broken-down operatic villain.
"Ah, good afternoon, Mr. Cantercot," he said, rubbing his hands, half from cold, half from usage; "what have you brought me?"
"Nothing," said Denzil, "but if you will lend me a sovereign I'll do you a stunner."
The operatic villain shook his locks, his eyes full of pawky cunning. "If you did it after that it would be a stunner."
What the operatic villain did with these plots, and who bought them, Cantercot never knew nor cared to know. Brains are cheap to-day, and Denzil was glad enough to find a customer.
"Surely you've known me long enough to trust me," he cried.
"Trust is dead," said the operatic villain, puffing away.
"So is Queen Anne," cried the irritated poet. His eyes took a dangerous hunted look. Money he must have. But the operatic villain was inflexible. No plot, no supper.
Poor Denzil went out flaming. He knew not where to turn. Temporarily he turned on his heel again and stared despairingly at the shop window. Again he read the legend:
He stared so long at this that it lost its meaning. When the sense of the words suddenly flashed upon him again, they bore a new significance. He went in meekly, and borrowed fourpence of the operatic villain. Then he took the 'bus for Scotland Yard. There was a not ill-looking servant girl in the 'bus. The rhythm of the vehicle shaped itself into rhymes in his brain. He forgot all about his situation and his object. He had never really written an epic—except "Paradise Lost"—but he composed lyrics about wine and women and often wept to think how miserable he was. But nobody ever bought anything of him, except articles on bacon-curing or attacks on vestrymen. He was a strange, wild creature, and the wench felt quite pretty under his ardent gaze. It almost hypnotized her, though, and she looked down at her new French kid boots to escape it.
At Scotland Yard Denzil asked for Edward Wimp. Edward Wimp was not on view. Like kings and editors, Detectives are difficult of approach—unless you are a criminal, when you cannot see anything of them at all. Denzil knew of Edward Wimp, principally because of Grodman's contempt for his successor. Wimp was a man of taste and culture. Grodman's interests were entirely concentrated on the problems of logic and evidence. Books about these formed his sole reading; forbelles lettreshe cared not a straw. Wimp, with his flexible intellect, had a great contempt for Grodman and his slow, laborious, ponderous, almost Teutonic methods. Worse, he almost threatened to eclipse the radiant tradition of Grodman by some wonderfully ingenious bits of workmanship. Wimp was at his greatest in collecting circumstantial evidence; in putting two and two together to make five. He would collect together a number of dark and disconnected data and flash across them the electric light of some unifying hypothesis in a way which would have done credit to a Darwin or a Faraday. An intellect which might have served to unveil the secret workings of nature was subverted to the protection of a capitalistic civilization.
By the assistance of a friendly policeman, whom the poet magnetized into the belief that his business was a matter of life and death, Denzil obtained the great detective's private address. It was near King's Cross. By a miracle Wimp was at home in the afternoon. He was writing when Denzil was ushered up three pairs of stairs into his presence, but he got up and flashed the bull's-eye of his glance upon the visitor.
"Mr. Denzil Cantercot, I believe!" said Wimp.
Denzil started. He had not sent up his name, merely describing himself as a gentleman.
"That is my name," he murmured.
"You were one of the witnesses at the inquest on the body of the late Arthur Constant. I have your evidence there." He pointed to a file. "Why have you come to give fresh evidence?"
Again Denzil started, flushing in addition this time. "I want money," he said, almost involuntarily.
"Sit down." Denzil sat. Wimp stood.
Wimp was young and fresh-colored. He had a Roman nose, and was smartly dressed. He had beaten Grodman by discovering the wife Heaven meant for him. He had a bouncing boy, who stole jam out of the pantry without anyone being the wiser. Wimp did what work he could do at home in a secluded study at the top of the house. Outside his chamber of horrors he was the ordinary husband of commerce. He adored his wife, who thought poorly of his intellect, but highly of his heart. In domestic difficulties Wimp was helpless. He could not even tell whether the servant's "character" was forged or genuine. Probably he could not level himself to such petty problems. He was like the senior wrangler who has forgotten how to do quadratics, and has to solve equations of the second degree by the calculus.
"How much money do you want?" he asked.
"I do not make bargains," Denzil replied, his calm come back by this time. "I came to tender you a suggestion. It struck me that you might offer me a fiver for my trouble. Should you do so, I shall not refuse it."
"You shall not refuse it—if you deserve it."
"Good. I will come to the point at once. My suggestion concerns—Tom Mortlake."
Denzil threw out the name as if it were a torpedo. Wimp did not move.
"Tom Mortlake," went on Denzil, looking disappointed, "had a sweetheart." He paused impressively.
Wimp said "Yes?"
"Where is that sweetheart now?"
"Where, indeed?"
"You know about her disappearance?"
"You have just informed me of it."
"Yes, she is gone—without a trace. She went about a fortnight before Mr. Constant's murder."
"Murder? How do you know it was a murder?"
"Mr. Grodman says so," said Denzil, startled again.
"H'm! Isn't that rather a proof that it was suicide? Well, go on."
"About a fortnight before the suicide, Jessie Dymond disappeared. So they tell me in Stepney Green, where she lodged and worked."
"What was she?"
"She was a dressmaker. She had a wonderful talent. Quite fashionable ladies got to know of it. One of her dresses was presented at Court. I think the lady forgot to pay for it; so Jessie's landlady said."
"Did she live alone?"
"She had no parents, but the house was respectable."
"Good-looking, I suppose?"
"As a poet's dream."
"As yours, for instance?"
"I am a poet; I dream."
"You dream you are a poet. Well, well! She was engaged to Mortlake?"
"Oh, yes! They made no secret of it. The engagement was an old one. When he was earning 36s. a week as a compositor they were saving up to buy a home. He worked at Railton and Hockes', who print the 'New Pork Herald.' I used to take my 'copy' into the comps' room, and one day the Father of the Chapel told me all about 'Mortlake and his young woman.' Ye gods! How times are changed! Two years ago Mortlake had to struggle with my caligraphy—now he is in with all the nobs, and goes to the 'at homes' of the aristocracy."
"Radical M. P.'s," murmured Wimp, smiling.
"While I am still barred from the dazzling drawing-rooms, where beauty and intellect foregather. A mere artisan! A manual laborer!" Denzil's eyes flashed angrily. He rose with excitement. "They say he always was a jabberer in the composing-room, and he has jabbered himself right out of it and into a pretty good thing. He didn't have much to say about the crimes of capital when he was set up to second the toast of 'Railton and Hockes' at the beanfeast."
"Toast and butter, toast and butter," said Wimp genially. "I shouldn't blame a man for serving the two together, Mr. Cantercot."
Denzil forced a laugh. "Yes; but consistency's my motto. I like to see the royal soul immaculate, unchanging, immovable by fortune. Anyhow, when better times came for Mortlake the engagement still dragged on. He did not visit her so much. This last autumn he saw very little of her."
"How do you know?"
"I—I was often in Stepney Green. My business took me past the house of an evening. Sometimes there was no light in her room. That meant she was downstairs gossiping with the landlady."
"She might have been out with Tom?"
"No, sir; I knew Tom was on the platform somewhere or other. He was working up to all hours organizing the eight hours working movement."
"A very good reason for relaxing his sweethearting."
"It was. He never went to Stepney Green on a week night."
"But you always did."
"No—not every night."
"You didn't go in?"
"Never. She wouldn't permit my visits. She was a girl of strong character. She always reminded me of Flora Macdonald."
"Another lady of your acquaintance?"
"A lady I know better than the shadows who surround me; who is more real to me than the women who pester me for the price for apartments. Jessie Dymond, too, was of the race of heroines. Her eyes were clear blue, two wells with Truth at the bottom of each. When I looked into those eyes my own were dazzled. They were the only eyes I could never make dreamy." He waved his hand as if making a pass with it. "It was she who had the influence over me."
"You knew her then?"
"Oh, yes. I knew Tom from the old 'New Pork Herald' days, and when I first met him with Jessie hanging on his arm he was quite proud to introduce her to a poet. When he got on he tried to shake me off."
"You should have repaid him what you borrowed."
"It—it—was only a trifle," stammered Denzil.
"Yes, but the world turns on trifles," said the wise Wimp.
"The world is itself a trifle," said the pensive poet. "The Beautiful alone is deserving of our regard."
"And when the Beautiful was not gossiping with her landlady, did she gossip with you as you passed the door?"
"Alas, no! She sat in her room reading, and cast a shadow—"
"On your life?"
"No; on the blind."
"Always one shadow?"
"No, sir. Once or twice, two."
"Ah, you had been drinking."
"On my life, not. I have sworn off the treacherous wine-cup."
"That's right. Beer is bad for poets. It makes their feet shaky. Whose was the second shadow?"
"A man's."
"Naturally. Mortlake's, perhaps?"
"Impossible. He was still striking eight hours."
"You found out whose? You didn't leave it a shadow of doubt?"
"No; I waited till the substance came out."
"It was Arthur Constant."
"You are a magician! You—you terrify me. Yes, it was he."
"Only once or twice, you say?"
"I didn't keep watch over them."
"No, no, of course not. You only passed casually. I understand you thoroughly."
Denzil did not feel comfortable at the assertion.
"What did he go there for?" Wimp went on.
"I don't know. I'd stake my soul on Jessie's honor."
"You might double your stake without risk."
"Yes, I might! I would! You see her with my eyes."
"For the moment they are the only ones available. When was the last time you saw the two together?"
"About the middle of November."
"Mortlake knew nothing of their meetings?"
"I don't know. Perhaps he did. Mr. Constant had probably enlisted her in his social mission work. I knew she was one of the attendants at the big children's tea in the Great Assembly Hall early in November. He treated her quite like a lady. She was the only attendant who worked with her hands."
"The others carried the cups on their feet, I suppose?"
"No; how could that be? My meaning is that all the other attendants were real ladies, and Jessie was only an amateur, so to speak. There was no novelty for her in handing kids cups of tea. I daresay she had helped her landlady often enough at that—there's quite a bushel of brats below stairs. It's almost as bad as at friend Crowl's. Jessie was a real brick. But perhaps Tom didn't know her value. Perhaps he didn't like Constant to call on her, and it led to a quarrel. Anyhow, she's disappeared, like the snowfall on the river. There's not a trace. The landlady, who was such a friend of hers that Jessie used to make up her stuff into dresses for nothing, tells me that she's dreadfully annoyed at not having been left the slightest clue to her late tenant's whereabouts."
"You have been making inquiries on your own account apparently."
"Only of the landlady. Jessie never even gave her the week's notice, but paid her in lieu of it, and left immediately. The landlady told me I could have knocked her down with a feather. Unfortunately, I wasn't there to do it, for I should certainly have knocked her down for not keeping her eyes open better. She says if she had only had the least suspicion beforehand that the minx (she dared to call Jessie a minx) was going, she'd have known where, or her name would have been somebody else's. And yet she admits that Jessie was looking ill and worried. Stupid old hag!"
"A woman of character," murmured the detective.
"Didn't I tell you so?" cried Denzil eagerly. "Another girl would have let out that she was going. But, no! not a word. She plumped down the money and walked out. The landlady ran upstairs. None of Jessie's things were there. She must have quietly sold them off, or transferred them to the new place. I never in my life met a girl who so thoroughly knew her own mind or had a mind so worth knowing. She always reminded me of the Maid of Saragossa."
"Indeed! And when did she leave?"
"On the 19th of November."
"Mortlake of course knows where she is?"
"I can't say. Last time I was at the house to inquire—it was at the end of November—he hadn't been seen there for six weeks. He wrote to her, of course, sometimes—the landlady knew his writing."
Wimp looked Denzil straight in the eyes, and said, "You mean, of course, to accuse Mortlake of the murder of Mr. Constant?"
"N-n-no, not at all," stammered Denzil, "only you know what Mr. Grodman wrote to the 'Pell Mell.' The more we know about Mr. Constant's life the more we shall know about the manner of his death. I thought my information would be valuable to you, and I brought it."
"And why didn't you take it to Mr. Grodman?"
"Because I thought it wouldn't be valuable to me."
"You wrote 'Criminals I Have Caught.'"
"How—how do you know that?" Wimp was startling him to-day with a vengeance.
"Your style, my dear Mr. Cantercot. The unique noble style."
"Yes, I was afraid it would betray me," said Denzil. "And since you know, I may tell you that Grodman's a mean curmudgeon. What does he want with all that money and those houses—a man with no sense of the Beautiful? He'd have taken my information, and given me more kicks than ha'pence for it, so to speak."
"Yes, he is a shrewd man after all. I don't see anything valuable in your evidence against Mortlake."
"No!" said Denzil in a disappointed tone, and fearing he was going to be robbed. "Not when Mortlake was already jealous of Mr. Constant, who was a sort of rival organizer, unpaid! A kind of blackleg doing the work cheaper—nay, for nothing."
"Did Mortlake tell you he was jealous?" said Wimp, a shade of sarcastic contempt piercing through his tones.
"Oh, yes! He said to me, 'That man will work mischief. I don't like your kid-glove philanthropists meddling in matters they don't understand.'"
"Those were his very words?"
"Hisipsissima verba."
"Very well. I have your address in my files. Here is a sovereign for you."
"Only one sovereign! It's not the least use to me."
"Very well. It's of great use to me. I have a wife to keep."
"I haven't," said Denzil with a sickly smile, "so perhaps I can manage on it after all." He took his hat and the sovereign.
Outside the door he met a rather pretty servant just bringing in some tea to her master. He nearly upset her tray at sight of her. She seemed more amused at therencontrethan he.
"Good afternoon, dear," she said coquettishly. "You might let me have that sovereign. I do so want a new Sunday bonnet."
Denzil gave her the sovereign, and slammed the hall door viciously when he got to the bottom of the stairs. He seemed to be walking arm-in-arm with the long arm of coincidence. Wimp did not hear the duologue. He was already busy on his evening's report to headquarters. The next day Denzil had a body-guard wherever he went. It might have gratified his vanity had he known it. But to-night he was yet unattended, so no one noted that he went to 46 Glover Street, after the early Crowl supper. He could not help going. He wanted to get another sovereign. He also itched to taunt Grodman. Not succeeding in the former object, he felt the road open for the second.
"Do you still hope to discover the Bow murderer?" he asked the old bloodhound.
"I can lay my hand on him now," Grodman announced curtly.
Denzil hitched his chair back involuntarily. He found conversation with detectives as lively as playing at skittles with bombshells. They got on his nerves terribly, these undemonstrative gentlemen with no sense of the Beautiful.
"But why don't you give him up to justice?" he murmured.
"Ah—it has to be proved yet. But it is only a matter of time."
"Oh!" said Denzil, "and shall I write the story for you?"
"No. You will not live long enough."
Denzil turned white. "Nonsense! I am years younger than you," he gasped.
"Yes," said Grodman, "but you drink so much."
When Wimp invited Grodman to eat his Christmas plum-pudding at King's Cross Grodman was only a little surprised. The two men were always overwhelmingly cordial when they met, in order to disguise their mutual detestation. When people really like each other, they make no concealment of their mutual contempt. In his letter to Grodman, Wimp said that he thought it would be nicer for him to keep Christmas in company than in solitary state. There seems to be a general prejudice in favor of Christmas numbers, and Grodman yielded to it. Besides, he thought that a peep at the Wimp domestic interior would be as good as a pantomime. He quite enjoyed the fun that was coming, for he knew that Wimp had not invited him out of mere "peace and goodwill."
There was only one other guest at the festive board. This was Wimp's wife's mother's mother, a lady of sweet seventy. Only a minority of mankind can obtain a grandmother-in-law by marrying, but Wimp was not unduly conceited. The old lady suffered from delusions. One of them was that she was a centenarian. She dressed for the part. It is extraordinary what pains ladies will take to conceal their age. Another of Wimp's grandmother-in-law's delusions was that Wimp had married to get her into the family. Not to frustrate his design, she always gave him her company on high-days and holidays. Wilfred Wimp—the little boy who stole the jam—was in great form at the Christmas dinner. The only drawback to his enjoyment was that its sweets needed no stealing. His mother presided over the platters, and thought how much cleverer Grodman was than her husband. When the pretty servant who waited on them was momentarily out of the room, Grodman had remarked that she seemed very inquisitive. This coincided with Mrs. Wimp's own convictions, though Mr. Wimp could never be brought to see anything unsatisfactory or suspicious about the girl, not even though there were faults in spelling in the "character" with which her last mistress had supplied her.
It was true that the puss had pricked up her ears when Denzil Cantercot's name was mentioned. Grodman saw it and watched her, and fooled Wimp to the top of his bent. It was, of course, Wimp who introduced the poet's name, and he did it so casually that Grodman perceived at once that he wished to pump him. The idea that the rival bloodhound should come to him for confirmation of suspicions against his own pet jackal was too funny. It was almost as funny to Grodman that evidence of some sort should be obviously lying to hand in the bosom of Wimp's hand-maiden; so obviously that Wimp could not see it. Grodman enjoyed his Christmas dinner, secure that he had not found a successor after all. Wimp, for his part, contemptuously wondered at the way Grodman's thought hovered about Denzil without grazing the truth. A man constantly about him, too!
"Denzil is a man of genius," said Grodman. "And as such comes under the heading of Suspicious Characters. He has written an Epic Poem and read it to me. It is morbid from start to finish. There is 'death' in the third line. I daresay you know he polished up my book." Grodman's artlessness was perfect.
"No. You surprise me," Wimp replied. "I'm sure he couldn't have done much to it. Look at your letter in the 'Pell Mell.' Who wants more polish and refinement than that showed?"
"Ah, I didn't know you did me the honor of reading that."
"Oh, yes; we both read it," put in Mrs. Wimp. "I told Mr. Wimp it was clever and cogent. After that quotation from the letter to the poor fellow'sfiancéethere could be no more doubt but that it was murder. Mr. Wimp was convinced by it, too, weren't you, Edward?"
Edward coughed uneasily. It was a true statement, and therefore an indiscreet. Grodman would plume himself terribly. At this moment Wimp felt that Grodman had been right in remaining a bachelor. Grodman perceived the humor of the situation, and wore a curious, sub-mocking smile.
"On the day I was born," said Wimp's grandmother-in-law, "over a hundred years ago, there was a babe murdered." Wimp found himself wishing it had been she. He was anxious to get back to Cantercot. "Don't let us talk shop on Christmas Day," he said, smiling at Grodman. "Besides, murder isn't a very appropriate subject."
"No, it ain't," said Grodman. "How did we get on to it? Oh, yes—Denzil Cantercot. Ha! ha! ha! That's curious, for since Denzil wrote 'Criminals I have Caught,' his mind's running on nothing but murders. A poet's brain is easily turned."
Wimp's eye glittered with excitement and contempt for Grodman's blindness. In Grodman's eye there danced an amused scorn of Wimp; to the outsider his amusement appeared at the expense of the poet.
Having wrought his rival up to the highest pitch Grodman slyly and suddenly unstrung him.
"How lucky for Denzil!" he said, still in the same naive, facetious Christmasy tone, "that he can prove an alibi in this Constant affair."
"An alibi!" gasped Wimp. "Really?"
"Oh, yes. He was with his wife, you know. She's my woman of all work, Jane. She happened to mention his being with her."
Jane had done nothing of the kind. After the colloquy he had overheard Grodman had set himself to find out the relation between his two employes. By casually referring to Denzil as "your husband" he so startled the poor woman that she did not attempt to deny the bond. Only once did he use the two words, but he was satisfied. As to the alibi he had not yet troubled her; but to take its existence for granted would upset and discomfort Wimp. For the moment that was triumph enough for Wimp's guest.
"Par," said Wilfred Wimp, "what's a alleybi? A marble?"
"No, my lad," said Grodman, "it means being somewhere else when you're supposed to be somewhere."
"Ah, playing truant," said Wilfred self-consciously; his schoolmaster had often proved an alibi against him. "Then Denzil will be hanged."
Was it a prophecy? Wimp accepted it as such; as an oracle from the gods bidding him mistrust Grodman. Out of the mouths of little children issueth wisdom; sometimes even when they are not saying their lessons.
"When I was in my cradle, a century ago," said Wimp's grandmother-in-law, "men were hanged for stealing horses."
They silenced her with snapdragon performances.
Wimp was busy thinking how to get at Grodman's factotum.
Grodman was busy thinking how to get at Wimp's domestic.
Neither received any of the usual messages from the Christmas Bells.
The next day was sloppy and uncertain. A thin rain drizzled languidly. One can stand that sort of thing on a summer Bank Holiday; one expects it. But to have a bad December Bank Holiday is too much of a bad thing. Some steps should surely be taken to confuse the weather clerk's chronology. Once let him know that Bank Holiday is coming, and he writes to the company for more water. To-day his stock seemed low and he was dribbling it out; at times the wintry sun would shine in a feeble, diluted way, and though the holiday-makers would have preferred to take their sunshine neat, they swarmed forth in their myriads whenever there was a ray of hope. But it was only dodging the raindrops; up went the umbrellas again, and the streets became meadows of ambulating mushrooms.
Denzil Cantercot sat in his fur overcoat at the open window, looking at the landscape in water colors. He smoked an after-dinner cigarette, and spoke of the Beautiful. Crowl was with him. They were in the first floor front, Crowl's bedroom, which, from its view of the Mile End Road, was livelier than the parlor with its outlook on the backyard. Mrs. Crowl was an anti-tobacconist as regards the best bedroom; but Peter did not like to put the poet or his cigarette out. He felt there was something in common between smoke and poetry, over and above their being both Fads. Besides, Mrs. Crowl was sulking in the kitchen. She had been arranging for an excursion with Peter and the children to Victoria Park. She had dreamed of the Crystal Palace, but Santa Claus had put no gifts in the cobbler's shoes. Now she could not risk spoiling the feather in her bonnet. The nine brats expressed their disappointment by slapping one another on the staircases. Peter felt that Mrs. Crowl connected him in some way with the rainfall, and was unhappy. Was it not enough that he had been deprived of the pleasure of pointing out to a superstitious majority the mutual contradictions of Leviticus and the Song of Solomon? It was not often that Crowl could count on such an audience.
"And you still call Nature beautiful?" he said to Denzil, pointing to the ragged sky and the dripping eaves. "Ugly old scarecrow!"
"Ugly she seems to-day," admitted Denzil. "But what is Ugliness but a higher form of Beauty? You have to look deeper into it to see it; such vision is the priceless gift of the few. To me this wan desolation of sighing rain is lovely as the sea-washed ruins of cities."
"Ah, but you wouldn't like to go out in it," said Peter Crowl. As he spoke the drizzle suddenly thickened into a torrent.
"We do not always kiss the woman we love."
"Speak for yourself, Denzil. I'm only a plain man, and I want to know if Nature isn't a Fad. Hallo, there goes Mortlake! Lord, a minute of this will soak him to the skin."
The labor leader was walking along with bowed head. He did not seem to mind the shower. It was some seconds before he even heard Crowl's invitation to him to take shelter. When he did hear it he shook his head.
"I know I can't offer you a drawing-room with duchesses stuck about it," said Peter, vexed.
Tom turned the handle of the shop door and went in. There was nothing in the world which now galled him more than the suspicion that he was stuck-up and wished to cut old friends. He picked his way through the nine brats who clung affectionately to his wet knees, dispersing them finally by a jet of coppers to scramble for. Peter met him on the stair and shook his hand lovingly and admiringly, and took him into Mrs. Crowl's bedroom.
"Don't mind what I say, Tom. I'm only a plain man, and my tongue will say what comes uppermost! But it ain't from the soul, Tom, it ain't from the soul," said Peter, punning feebly, and letting a mirthless smile play over his sallow features. "You know Mr. Cantercot, I suppose? The poet."
"Oh, yes; how do you do, Tom? Seen the 'New Pork Herald' lately? Not bad, those old times, eh?"
"No," said Tom, "I wish I was back in them."
"Nonsense, nonsense," said Peter, in much concern. "Look at the good you are doing to the working man. Look how you are sweeping away the Fads. Ah, it's a grand thing to be gifted, Tom. The idea of your chuckin' yourself away on a composin' room! Manual labor is all very well for plain men like me, with no gift but just enough brains to see into the realities of things—to understand that we've got no soul and no immortality, and all that—and too selfish to look after anybody's comfort but my own and mother's and the kid's. But men like you and Cantercot—it ain't right that you should be peggin' away at low material things. Not that I think Cantercot's gospel's any value to the masses. The Beautiful is all very well for folks who've got nothing else to think of, but give me the True. You're the man for my money, Mortlake. No reference to the funds, Tom, to which I contribute little enough, Heaven knows; though how a place can know anything, Heaven alone knows. You give us the Useful, Tom; that's what the world wants more than the Beautiful."