Chapter 13

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“Brightly and lightly put together, and aptly repeats the success of the two previous volumes of the same series.”—Scotsman.

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Containing 50 examples of the artist’s work in Brush, Pen and Pencil—8 being in Colour.

“It is an excellent and bright little work, like its brethren in the series, and supplies many excellent plates illustrative of the artist’s work alike in line, monochrome, and colour. The critical text is well written and discriminative, and is pleasant and interesting reading.”—The Guardian.“We look upon this series of art-monographs as one of the most interesting and attractive of all the efforts that have recently been made in the same direction.”—Westminster Gazette.

“It is an excellent and bright little work, like its brethren in the series, and supplies many excellent plates illustrative of the artist’s work alike in line, monochrome, and colour. The critical text is well written and discriminative, and is pleasant and interesting reading.”—The Guardian.

“We look upon this series of art-monographs as one of the most interesting and attractive of all the efforts that have recently been made in the same direction.”—Westminster Gazette.

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INDISPENSABLE TO THE INTELLIGENT TRAVELLERGREAT BUILDINGSAND HOW TO ENJOY THEMA CHEAP SERIES OF GUIDES TO THE INTELLIGENTAPPRECIATION OF ARCHITECTUREBY E. A. BROWNEVOLUMES IN THE SERIESGOTHIC ARCHITECTUREGREEK ARCHITECTURENORMAN ARCHITECTUREROMANESQUE ARCHITECTUREEach volume contains an Illustrated Glossary of Architecture Terms, 48 full-page reproductions from photographs of famous Buildings, with Historical Notes upon each, and an Introductory Text.SQUAREDEMY 8VOEACH3/6NET(By Post 3/10)BOUNDIN CLOTHSOME PRESS OPINIONS“Besides being of inestimable value to the intelligent amateur, it should appeal also to all students, for it contains in brief nearly everything that he would have to extract for himself from more voluminous works.... The plates alone make it worthy of a place in every architect’s library.”—Art and Architecture.“We cordially commend this volume to everyone who desires to be in a position to appreciate to the full extent the glories of Norman architecture, of which we in this country possess so many noble specimens.”—Scottish Review.“To the person who, interested in the especial beauty of great buildings, would glean, even here at home, some eloquent idea of what he may never actually see, no book in point of adequate notes, of excellent illustrations, and cheapness, could well be more useful.”—Outlook.“The beautiful illustrations alone make the book worthy of a place in the library of every book-lover and student of architecture.”—Aberdeen Free Press.“The introductory chapters are lucid, simple, appreciative and well adapted to the understanding of the moderately intelligent amateur.... The illustrations are admirably chosen, well produced, and generally effective. The accompanying notes are clear, brief, and to the point.”—Guardian.“Is written in a facile and personal style which makes it delightful to read and easy to understand.... The illustrations are extremely good and helpful in making doubly clear the teaching of the chapters.”—Bookman.PUBLISHED BYADAM & CHARLES BLACK, 4, 5 & 6 SOHO SQUARE, LONDON, W.

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“Besides being of inestimable value to the intelligent amateur, it should appeal also to all students, for it contains in brief nearly everything that he would have to extract for himself from more voluminous works.... The plates alone make it worthy of a place in every architect’s library.”—Art and Architecture.“We cordially commend this volume to everyone who desires to be in a position to appreciate to the full extent the glories of Norman architecture, of which we in this country possess so many noble specimens.”—Scottish Review.“To the person who, interested in the especial beauty of great buildings, would glean, even here at home, some eloquent idea of what he may never actually see, no book in point of adequate notes, of excellent illustrations, and cheapness, could well be more useful.”—Outlook.“The beautiful illustrations alone make the book worthy of a place in the library of every book-lover and student of architecture.”—Aberdeen Free Press.“The introductory chapters are lucid, simple, appreciative and well adapted to the understanding of the moderately intelligent amateur.... The illustrations are admirably chosen, well produced, and generally effective. The accompanying notes are clear, brief, and to the point.”—Guardian.“Is written in a facile and personal style which makes it delightful to read and easy to understand.... The illustrations are extremely good and helpful in making doubly clear the teaching of the chapters.”—Bookman.

“Besides being of inestimable value to the intelligent amateur, it should appeal also to all students, for it contains in brief nearly everything that he would have to extract for himself from more voluminous works.... The plates alone make it worthy of a place in every architect’s library.”—Art and Architecture.

“We cordially commend this volume to everyone who desires to be in a position to appreciate to the full extent the glories of Norman architecture, of which we in this country possess so many noble specimens.”—Scottish Review.

“To the person who, interested in the especial beauty of great buildings, would glean, even here at home, some eloquent idea of what he may never actually see, no book in point of adequate notes, of excellent illustrations, and cheapness, could well be more useful.”—Outlook.

“The beautiful illustrations alone make the book worthy of a place in the library of every book-lover and student of architecture.”—Aberdeen Free Press.

“The introductory chapters are lucid, simple, appreciative and well adapted to the understanding of the moderately intelligent amateur.... The illustrations are admirably chosen, well produced, and generally effective. The accompanying notes are clear, brief, and to the point.”—Guardian.

“Is written in a facile and personal style which makes it delightful to read and easy to understand.... The illustrations are extremely good and helpful in making doubly clear the teaching of the chapters.”—Bookman.

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FOOTNOTES:[1]Cosgate is mentioned in chapter xlviii., where the county boundary is defined.—F. J. S.[2]This term recurs to me almost as often as I think of moors and commons, and for the following reason. An old friend of mine, who lived to be nearly ninety, a lawyer by profession and a wit by practice, once told me how he attended an inquiry held in West Somerset by a certain Government Commission, concerning a well-known tract adjacent to his property. To his surprise, a fussy solicitor, who did not know that he was addressing another “limb of the law,” rushed up to him, and after expatiating volubly on the difference between a claim in gross, a claim appendant, and a claim appurtenant, begged to be informed what was the nature of his claim. “Impertinent, if any,” replied my friend, delighted at the opportunity, “as I am not here on business.”[3]Vancouver, referring to this custom, observes: “Their day’s work at plough or harrow is usually performed in a journey of about eight hours, during which time the ploughboy has a peculiar mode of cheering them on with a song he continually chaunts in low notes, suddenly broken and rising a whole octave. The ceasing of the song is said to occasion the stopping of the team, which is either followed by a man holding the plough, or as occasion may require, in attending the drag or harrows.”[4]Here and elsewhere in the chapter these references are to Blackmore’s local romancePerlycross, unless otherwise stated.[5]Two species of furze are produced in Devonshire—the rank luxuriant sort flourishing in the spring, and the smaller dwarf or dale furze, which blooms in the autumn. The larger, which goes by the name of French furze, forms considerable brakes, and is usually cut at four years’ growth. Its crane stems used to be burnt for charcoal, whereas the dwarf furze was cut and grubbed by farmers and labourers for fuel.[6]Lorna Doone, chapter iii.[7]This is, of course, assuming that they did not take the turning to Bolham. By an apparent anachronism, Blackmore talks of “the village of Bolham on the Bampton Road” (Lorna Doone, chapter lx.) as the place where the ladies’ coach was stopped by Faggus. There was nocoach-road passing through Bolham at that date.[8]Perhaps a more likely explanation is that it was a Norman motte, specimens of which are to be found not only in England, but in France, and which is depicted in several scenes of the Bayeux. These earthworks are usually planted not on hill-tops, but on low sites in or near villages, and not far from a church.[9]This story, repeated in directories and guide-books for generations, receives short shrift from Mr R. N. Worth. “It has been claimed as the Beamdune where Kynegils defeated the Britons in 614, but that was Bampton in Oxfordshire” (History of Devonshire, p. 98).Sic transit gloria mundi.[10]“And truly, the Dulverton people said that he was the richest man in their town, and could buy up half of the county armigers” (Lorna Doone, chapter xiii.). Some of the local “armigers” figure in the following pages.[11]It may be worth mentioning that an incident similar to that which marred the happiness of Susan Sydenham occurred in the life of the celebrated John Donne. In 1610, on the third day after his arrival at Paris, he was left alone in a room where he had been dining with Sir Robert Drury and others. Half an hour later the knight returned, and was surprised to find him in a curious sort of ecstasy. At first he was unable to speak, but after a time he declared—“I have seen a dreadful vision since I saw you. I have seen my dear wife pass twice by me through this room, with her hair hanging about her shoulders, and a dead child in her arms.”Sir Robert suggested that it was nothing but a dream, which he advised him to forget, but Donne replied, “I cannot be surer that I am now living than that I have not slept since I saw you, and I am so sure that at her second appearance she stopped, looked me in the face and vanished.”As he seemed so certain, a messenger was sent to Drury House, who brought back the news that he had found Mrs Donne ill in bed, after the birth of a dead infant—an event which had happened on the very day and hour that her husband had seen the vision.[12]In chapter iii. ofLorna Doone, Blackmore speaks of Dulverton as a town near which “the Exe and his big brother Barle have union.”[13]A Dulverton farmer once remarked to me on the great size of Exmoor farmhouses, saying that it would be possible to put into one of them two or three average homesteads.[14]According to one writer, that mighty hunter, Katerfelto, earned huge glory both for himself and for his owner, a lusty farmer, by taking the bit between his teeth on the Barkham Hills, and carrying him bodily over a twenty-foot gap in an old Roman iron-mine.[15]The original of “Red Rube” in Melville’sKaterfelto.[16]Subject to variation,e.g., “children.”[17]Lorna Doone, chapters ix., xlviii.[18]Blackmore refers to the subject inLorna Doone, chapter xxxix. Speaking of Jeremy Stickles, he says that “his duty was first and most ostensibly to see to the levying of poundage in the little haven of Lynmouth and further up the coast, which was now becoming a place of resort for the folk whom we call smugglers, that is to say, who land their goods without regard to the King’s revenue, as by law established. And indeed there had been no officer appointed to take toll, until one had been sent to Minehead, not so very long before” (see alsoLorna Doone, chapter xii.).[19]These worthies are coupled by Blackmore in theMaid of Sker(chapter lxviii.). “Since Tom Faggus died, there has not been such a man to be found, nowhere round these parts.”[20]See Note I., p. 280.[21]See Note II., p. 280.[22]True, in chapter liii. Blackmore speaks of the place as five or six leagues distant from Heddon’s Mouth; still, Chowne’s frequent appearances at Barnstaple and beyond, and such indications as the fate of the Sherwill girl (chapter xlvii.), produce the opposite impression.[23]Groats.[24]The Devil.

FOOTNOTES:

[1]Cosgate is mentioned in chapter xlviii., where the county boundary is defined.—F. J. S.

[1]Cosgate is mentioned in chapter xlviii., where the county boundary is defined.—F. J. S.

[2]This term recurs to me almost as often as I think of moors and commons, and for the following reason. An old friend of mine, who lived to be nearly ninety, a lawyer by profession and a wit by practice, once told me how he attended an inquiry held in West Somerset by a certain Government Commission, concerning a well-known tract adjacent to his property. To his surprise, a fussy solicitor, who did not know that he was addressing another “limb of the law,” rushed up to him, and after expatiating volubly on the difference between a claim in gross, a claim appendant, and a claim appurtenant, begged to be informed what was the nature of his claim. “Impertinent, if any,” replied my friend, delighted at the opportunity, “as I am not here on business.”

[2]This term recurs to me almost as often as I think of moors and commons, and for the following reason. An old friend of mine, who lived to be nearly ninety, a lawyer by profession and a wit by practice, once told me how he attended an inquiry held in West Somerset by a certain Government Commission, concerning a well-known tract adjacent to his property. To his surprise, a fussy solicitor, who did not know that he was addressing another “limb of the law,” rushed up to him, and after expatiating volubly on the difference between a claim in gross, a claim appendant, and a claim appurtenant, begged to be informed what was the nature of his claim. “Impertinent, if any,” replied my friend, delighted at the opportunity, “as I am not here on business.”

[3]Vancouver, referring to this custom, observes: “Their day’s work at plough or harrow is usually performed in a journey of about eight hours, during which time the ploughboy has a peculiar mode of cheering them on with a song he continually chaunts in low notes, suddenly broken and rising a whole octave. The ceasing of the song is said to occasion the stopping of the team, which is either followed by a man holding the plough, or as occasion may require, in attending the drag or harrows.”

[3]Vancouver, referring to this custom, observes: “Their day’s work at plough or harrow is usually performed in a journey of about eight hours, during which time the ploughboy has a peculiar mode of cheering them on with a song he continually chaunts in low notes, suddenly broken and rising a whole octave. The ceasing of the song is said to occasion the stopping of the team, which is either followed by a man holding the plough, or as occasion may require, in attending the drag or harrows.”

[4]Here and elsewhere in the chapter these references are to Blackmore’s local romancePerlycross, unless otherwise stated.

[4]Here and elsewhere in the chapter these references are to Blackmore’s local romancePerlycross, unless otherwise stated.

[5]Two species of furze are produced in Devonshire—the rank luxuriant sort flourishing in the spring, and the smaller dwarf or dale furze, which blooms in the autumn. The larger, which goes by the name of French furze, forms considerable brakes, and is usually cut at four years’ growth. Its crane stems used to be burnt for charcoal, whereas the dwarf furze was cut and grubbed by farmers and labourers for fuel.

[5]Two species of furze are produced in Devonshire—the rank luxuriant sort flourishing in the spring, and the smaller dwarf or dale furze, which blooms in the autumn. The larger, which goes by the name of French furze, forms considerable brakes, and is usually cut at four years’ growth. Its crane stems used to be burnt for charcoal, whereas the dwarf furze was cut and grubbed by farmers and labourers for fuel.

[6]Lorna Doone, chapter iii.

[6]Lorna Doone, chapter iii.

[7]This is, of course, assuming that they did not take the turning to Bolham. By an apparent anachronism, Blackmore talks of “the village of Bolham on the Bampton Road” (Lorna Doone, chapter lx.) as the place where the ladies’ coach was stopped by Faggus. There was nocoach-road passing through Bolham at that date.

[7]This is, of course, assuming that they did not take the turning to Bolham. By an apparent anachronism, Blackmore talks of “the village of Bolham on the Bampton Road” (Lorna Doone, chapter lx.) as the place where the ladies’ coach was stopped by Faggus. There was nocoach-road passing through Bolham at that date.

[8]Perhaps a more likely explanation is that it was a Norman motte, specimens of which are to be found not only in England, but in France, and which is depicted in several scenes of the Bayeux. These earthworks are usually planted not on hill-tops, but on low sites in or near villages, and not far from a church.

[8]Perhaps a more likely explanation is that it was a Norman motte, specimens of which are to be found not only in England, but in France, and which is depicted in several scenes of the Bayeux. These earthworks are usually planted not on hill-tops, but on low sites in or near villages, and not far from a church.

[9]This story, repeated in directories and guide-books for generations, receives short shrift from Mr R. N. Worth. “It has been claimed as the Beamdune where Kynegils defeated the Britons in 614, but that was Bampton in Oxfordshire” (History of Devonshire, p. 98).Sic transit gloria mundi.

[9]This story, repeated in directories and guide-books for generations, receives short shrift from Mr R. N. Worth. “It has been claimed as the Beamdune where Kynegils defeated the Britons in 614, but that was Bampton in Oxfordshire” (History of Devonshire, p. 98).Sic transit gloria mundi.

[10]“And truly, the Dulverton people said that he was the richest man in their town, and could buy up half of the county armigers” (Lorna Doone, chapter xiii.). Some of the local “armigers” figure in the following pages.

[10]“And truly, the Dulverton people said that he was the richest man in their town, and could buy up half of the county armigers” (Lorna Doone, chapter xiii.). Some of the local “armigers” figure in the following pages.

[11]It may be worth mentioning that an incident similar to that which marred the happiness of Susan Sydenham occurred in the life of the celebrated John Donne. In 1610, on the third day after his arrival at Paris, he was left alone in a room where he had been dining with Sir Robert Drury and others. Half an hour later the knight returned, and was surprised to find him in a curious sort of ecstasy. At first he was unable to speak, but after a time he declared—“I have seen a dreadful vision since I saw you. I have seen my dear wife pass twice by me through this room, with her hair hanging about her shoulders, and a dead child in her arms.”Sir Robert suggested that it was nothing but a dream, which he advised him to forget, but Donne replied, “I cannot be surer that I am now living than that I have not slept since I saw you, and I am so sure that at her second appearance she stopped, looked me in the face and vanished.”As he seemed so certain, a messenger was sent to Drury House, who brought back the news that he had found Mrs Donne ill in bed, after the birth of a dead infant—an event which had happened on the very day and hour that her husband had seen the vision.

[11]It may be worth mentioning that an incident similar to that which marred the happiness of Susan Sydenham occurred in the life of the celebrated John Donne. In 1610, on the third day after his arrival at Paris, he was left alone in a room where he had been dining with Sir Robert Drury and others. Half an hour later the knight returned, and was surprised to find him in a curious sort of ecstasy. At first he was unable to speak, but after a time he declared—

“I have seen a dreadful vision since I saw you. I have seen my dear wife pass twice by me through this room, with her hair hanging about her shoulders, and a dead child in her arms.”

Sir Robert suggested that it was nothing but a dream, which he advised him to forget, but Donne replied, “I cannot be surer that I am now living than that I have not slept since I saw you, and I am so sure that at her second appearance she stopped, looked me in the face and vanished.”

As he seemed so certain, a messenger was sent to Drury House, who brought back the news that he had found Mrs Donne ill in bed, after the birth of a dead infant—an event which had happened on the very day and hour that her husband had seen the vision.

[12]In chapter iii. ofLorna Doone, Blackmore speaks of Dulverton as a town near which “the Exe and his big brother Barle have union.”

[12]In chapter iii. ofLorna Doone, Blackmore speaks of Dulverton as a town near which “the Exe and his big brother Barle have union.”

[13]A Dulverton farmer once remarked to me on the great size of Exmoor farmhouses, saying that it would be possible to put into one of them two or three average homesteads.

[13]A Dulverton farmer once remarked to me on the great size of Exmoor farmhouses, saying that it would be possible to put into one of them two or three average homesteads.

[14]According to one writer, that mighty hunter, Katerfelto, earned huge glory both for himself and for his owner, a lusty farmer, by taking the bit between his teeth on the Barkham Hills, and carrying him bodily over a twenty-foot gap in an old Roman iron-mine.

[14]According to one writer, that mighty hunter, Katerfelto, earned huge glory both for himself and for his owner, a lusty farmer, by taking the bit between his teeth on the Barkham Hills, and carrying him bodily over a twenty-foot gap in an old Roman iron-mine.

[15]The original of “Red Rube” in Melville’sKaterfelto.

[15]The original of “Red Rube” in Melville’sKaterfelto.

[16]Subject to variation,e.g., “children.”

[16]Subject to variation,e.g., “children.”

[17]Lorna Doone, chapters ix., xlviii.

[17]Lorna Doone, chapters ix., xlviii.

[18]Blackmore refers to the subject inLorna Doone, chapter xxxix. Speaking of Jeremy Stickles, he says that “his duty was first and most ostensibly to see to the levying of poundage in the little haven of Lynmouth and further up the coast, which was now becoming a place of resort for the folk whom we call smugglers, that is to say, who land their goods without regard to the King’s revenue, as by law established. And indeed there had been no officer appointed to take toll, until one had been sent to Minehead, not so very long before” (see alsoLorna Doone, chapter xii.).

[18]Blackmore refers to the subject inLorna Doone, chapter xxxix. Speaking of Jeremy Stickles, he says that “his duty was first and most ostensibly to see to the levying of poundage in the little haven of Lynmouth and further up the coast, which was now becoming a place of resort for the folk whom we call smugglers, that is to say, who land their goods without regard to the King’s revenue, as by law established. And indeed there had been no officer appointed to take toll, until one had been sent to Minehead, not so very long before” (see alsoLorna Doone, chapter xii.).

[19]These worthies are coupled by Blackmore in theMaid of Sker(chapter lxviii.). “Since Tom Faggus died, there has not been such a man to be found, nowhere round these parts.”

[19]These worthies are coupled by Blackmore in theMaid of Sker(chapter lxviii.). “Since Tom Faggus died, there has not been such a man to be found, nowhere round these parts.”

[20]See Note I., p. 280.

[20]See Note I., p. 280.

[21]See Note II., p. 280.

[21]See Note II., p. 280.

[22]True, in chapter liii. Blackmore speaks of the place as five or six leagues distant from Heddon’s Mouth; still, Chowne’s frequent appearances at Barnstaple and beyond, and such indications as the fate of the Sherwill girl (chapter xlvii.), produce the opposite impression.

[22]True, in chapter liii. Blackmore speaks of the place as five or six leagues distant from Heddon’s Mouth; still, Chowne’s frequent appearances at Barnstaple and beyond, and such indications as the fate of the Sherwill girl (chapter xlvii.), produce the opposite impression.

[23]Groats.

[23]Groats.

[24]The Devil.

[24]The Devil.


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