Chapter 33

7–30815.

7–30815.

7–30815.

7–30815.

A small guide to Rome which follows “the lines laid down by Mr. Grant Allen for his series of historical guide-books, of which the present volume forms a part. His idea was to concentrate the reader’s attention only on what is essential, important, and typical. Hence the compilers have made no attempt to catalogue every church and work of art connected with Christian Rome.”—Outlook.

“In plan than which there are none better.”

“Especially valuable for the Vatican galleries.”

“An admirably practical guide.”

Cruickshank, J. W., and Cruickshank, A. M.Umbrian cities of Italy. 2v. il. $3. Page.

7–30814.

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A guide-book, yet it withholds information about the details of travel. “The authors’ method is to give a brief history of the region, and also of each city, from which the traveler may form an idea of the states of civilization under which the various art treasures of each locality were produced and of the people who made them. Then follow descriptions and studies of monuments, churches, museums, and their contents. The books are not intended to take the place of an ordinary guide book nor to furnish catalogues of collections. The aim of the authors has been to supplement these by giving such a background of history and tradition and of biographical coloring as will make the objects studied stand out before the traveler full of meaning and suggestion.” (N. Y. Times.)

“The plans for the identification of particular pictures in lavishly decorated churches or other buildings should prove very useful.”

“Through the descriptions are scattered many bits of criticism which give to them just the personal, companionable note that most travelers will enjoy.”

Cruttwell, Maud.Antonio Pollaiuolo. *$2. Scribner.

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A comprehensive review of the work of this famous Italian draughtsman meets a definite need. “One of Miss Cruttwell’s main objects has been to draw a clear distinction between the two brothers Antonio and Piero, whose works are commonly classed together and whom ordinarily well-informed persons find it difficult to separate in their minds.... The book contains as an appendix all the known ‘documents’ bearing on the brothers Pollaiuolo, and there is a complete catalogue of their admitted works.” (N. Y. Times.)

“The illustrations are excellent, and the appendix, consisting of documents relating to the life, list of works and bibliography, makes the book of extreme value to students. The latter, however, is not so free from printer’s errors as is the text.”

“One of the most scholarly as well as most readable art books issued in many a day; and no doubt it will long remain the authoritative treatise on the Pollaiuoli.”

“A book of permanent value to students.”

“Has permanent value.”

Cruttwell, Maud.Guide to the paintings in the Florentine galleries, the Uffizi, the Pitti, the Accademia. $1.25. Dutton.

7–33970.

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Miss Cruttwell has subtracted many of the commonplace guide book features, among them descriptions, but yet supplies the necessary facts of information in clear time-saving form. She says that her book is not a catalog for use in galleries but a reference volume for the student. It is timely in view of the recent changes made in the three galleries of Florence.

“Of the miniature ‘reproductions’ with which this neat and handy volume is illustrated, we cannot speak with unqualified praise.”

“All the defects of her latest book, however, can be easily removed in another edition.”

Cundall, H. M.Birket Foster, R. W. S.il. *$6. Macmillan.

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An artistic and descriptive volume of the life of one of the foremost representatives of the English school of water color painting. His landscapes, his studies of peasant and farm life, and his architectural reproductions all bespeak a genius that has tested its work by the artist’s standards and found it good. To Americans he is best known for his illustrations to “Evangeline.”

“Its author has had exceptional facilities for dealing successfully with his subject and has turned them to account with no little tact and skill.”

“It is a beautifully illustrated, gossipy book, which carries the reader back to the early days of pictorial journalism in England.”

“In all this series there is not a more attractive volume.”

“Somehow we cannot reconcile ourselves to Birket Foster in the form in which he is here reproduced. Mr. Cundall brings to bear on his work plenty of enthusiasm of the right kind, and is thoroughly appreciative of the exquisite art of his man, but the book as a whole leaves us uncontent.”

Cunningham, William.Wisdom of the wise, three lectures on free trade imperialism. *60c. Putnam.

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“The three ‘wise’ men whose views upon imperialism and trade policy are discussed in these lectures are Right Hon. R. B. Haldane, Mr. St. Loe Stachey, and Lord Rosebery.... The first of these essays discusses English classical free-trade economics.... The second essay is devoted to a discussion of free-trade imperialism, with reference especially to Mr. Stachey’s views.... The last essay is a commentary upon Lord Rosebery’s utterances upon the problem of the unemployed.”—J. Pol. Econ.

“The analysis is dispassionate, and the author shows a desire to take his opponents at their best.”

“There is much interesting economic speculation in these essays. The argument would, however, be more convincing if less apologetic.”

Reviewed by Alvin S. Johnson.

“Innuendoes against colleagues and political opponents are not atoned for by pulpit platitudes on religion and political life. Irrelevance and confusion are worsened, and bettered, when advanced under the cloak of a distinguished reputation. The role of political pamphleteer is not, in short, adapted to Dr. Cunningham’s genius.”

Cunynghame, Henry H. S.European enamels. (Connoisseur’s lib., no. 9.) *$6.75. Macmillan.

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The third edition of Mr. Cunynghame’s work on enamels, in which he has included a chapter on a new kind of furnace invented by himself.

“Mr. Cunynghame has absorbed the whole history of his subject and sets it before us in so convenient and graceful a way as to make his volume one of the most charming of an excellent series.”

“On questions relating to the history of enamel the author helps us hardly at all. He supplies only scraps of comment drawn from various sources. His style is discursive, and at times it is impossible to take seriously his ideas on art matters generally.”

“A book that will not stand the test of criticism.”

“Beautiful and instructive volume.”

“A very interesting, and on the whole, reliable work on the subject.”

“The worst fault, however, from the connoisseur’s point of view, is the absence of a bibliography. Credit must be given him for a real knowledge of materials and processes, and what he has to say on these ... is extremely valuable.”

“We close the volume with the feeling that enthusiasm for the art and knowledge of its character are to be gained by a faithful study of these pages. The not very attractive photographic plates are at least useful. It is altogether a good book for the beginner.”

“A valuable volume.”

Cunynghame, Henry H. S.Time and clocks: a description of ancient and modern methods of measuring time. *$1.50. Dutton.

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“Mr. Cunynghame, after discussing the subject of time generally, proceeds to describe the sun-dial, the water-clock (with a notice of the complication caused by the division of the day into twelve hours), and sand-glasses. In due course he comes to clocks in their various forms.”—Spec.

“If Mr. Cunynghame had stuck to his subject, a valuable book might have resulted, and it need not have been any shorter than the one actually in hand.”

“We rather fear that the reader who has not gone through a course of dynamics will find it hard to grasp the significance of the variousdiscussions, despite the clear reasoning and simple examples, whilst to the science student a greater part of the matter is unnecessary.” W. E. R.

“A very interesting book it is, though in spots disconcertingly mathematical.”

“He is always scientific, and discusses the principle of the technical contrivances which he describes.”

Curtis, Carleton Clarence.Nature and development of plants. *$2.50. Holt.

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A work which has less of the text-book aim than that of creating for the student a viewpoint. It is put forth with the hope that the discussion “will give the student such comprehension of the subject that he will come to the lecture room in a proper attitude and that he will approach his laboratory work with the desire for investigation.”

Curtis, Natalie, ed. Indians’ book: an offering by the American Indians of Indian lore, musical and narrative, to form a record of the songs and legends of their race. il. **$7.50. Harper.

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A most handsomely made book, “undertaken primarily for the Indians, in the hope that this, their own volume, when placed in the hands of their children, might help to revive for the younger generation that sense of the dignity and worth of their race which is the Indian’s birth-right.” “The book reflects the soul of one of the types of primitive man.... It is the direct utterance of the Indians themselves. The red man dictated and the white friend recorded.” The songs, stories and drawings have been contributed by Indians themselves.

“To most of its white readers the book will be a revelation of the vaguely stirring genius and the art, mystic in its intent, spontaneous in its symbolism, of a child race.”

“It must be said in general that the poems, stories, and tunes collected by Miss Curtis have the true aboriginal flavor.”

“For herself makes claim only to the work of the recorder. But even the cursory reader will see that she deserves, in addition, much credit for the noble purpose by which she has been animated, the tact and patience with which she has carried the work through successfully, and the painstaking labor which has been involved.” F. F. Kelly.

“The appeal of the book is to the lover of folk-lore, to the musician, to the student of primitive art, and to all who would know about the Indian character and the Indian traditions.”

“A noteworthy contribution to the descriptive literature of vanishing peoples.”

Curtis, Newton Martin.From Bull Run to Chancellorsville: the story of the Sixteenth New York infantry with personal reminiscences. **$2. Putnam.

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Descriptive note in Annual, 1906.

“The historian’s research into archives has been faithful and laborious; but it is more than rivalled by this loving quest of tear-bedewed letters from the front, and recollections of actual survivors.”

“In its human interest, a volume like this finds its value and its justification.”

Cust, Lionel.Van Dyck. (Great masters in painting and sculpture.) $1.75. Macmillan.

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“An abridged and revised version of the exhaustive volume on the life and work of Van Dyck published six years ago by Mr. Lionel Cust, whose erudition is now placed within the reach of a wider public.... The illustrations are well-chosen and adequately reproduced, and though we could wish the list of paintings included those in private as well as those in public collections, the book must be pronounced in every way a worthy addition to a series remarkable for its convenience and authority.”—Acad.

“As an authoritative account of a painter whose work is richly represented in this country, Mr. Cust’s condensed volume should find a place in the library of every connoisseur.”

“The addition of new facts which have recently come to light bring the book up to the level of present-day knowledge.”

*Cutting, Mrs. Mary Stewart.Suburban whirl. †$1.25. McClure.

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Includes “The suburban whirl” and several shorter sketches which contain tangible precipitates from every-day happenings in home routine. The titular story shows how in attempting to solve the question of providing for three on a slender income two charming young people try suburban life. “They find themselves speedily caught in the small local maelstrom of clubs and dinners and subscription dances, obliged to buy tickets to church festivals and charitable entertainments, and double their expenditures on personal effects, in order to live up to their new standards.” (Bookm.)

“One of the many well-deserved forms of praise that may be offered be Mrs. Cutting ... is that her instinct for economy of structure is almost flawless. A larger number [of characters] would have spoiled the illusion of a small suburban town; a smaller number would not have conveyed a sense of a social whirl in the suburbs of anywhere else. In short, she has struck the golden mean, which makes this little story as admirable for its symmetry as it is for the simple philosophy of its culmination.” Frederic Taber Cooper.


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