Egyptian Curiosities:—Pompey’s Pillar—Buildings, and Library, of Alexandria—Temple of Tentyra—Palace of Memnon—Temple of Osiris.
Egyptian Curiosities:—Pompey’s Pillar—Buildings, and Library, of Alexandria—Temple of Tentyra—Palace of Memnon—Temple of Osiris.
Pyramids of Egypt—From Cabillia’s Researches, as recorded in Belzoni’s Narrative.—
“The enterprise of Captain Cabillia was hazardous and bold, and nothing but an enthusiasm for discovery could induce a man to take such a step. The consul, with Mr. Briggs, Mr. Beechey, and myself, went to see the operations that were going on. Captain Cabillia’s circumstances were much better than mine; but he had no superfluous wealth at command, to continue what he had begun, which required a supply beyond his means. Mr. Briggs was the first who generously offered to furnish money for this purpose; and, after a consultation with Mr. Salt, they agreed to support the work to any extent that might be required. This gentleman not only encouraged the undertaking at the pyramid, but has exerted his influence with Mohammed Ali, for the general advantage of the commerce of Europe.
“The enterprise of Captain Cabillia is worthy the attention of every one interested in antiquities, as he had solved a question by which the learned world has been puzzled for many centuries. The famous well, which has given rise to so much conjecture, turns out to be a communication with a lower passage, leading into an inferior chamber, discovered and opened by himself. He first descended the well to the depth of thirty-eight feet, where his progress was stopped by four large stones. Three of these being removed, there was space enough for a man to pass through; but the fourth he could not stir, though he had the help of Mr. Kabitsch, a young man in the employment of Mr. Baghos, who bore a share of the expense with the captain. Twenty-one feet belowthis place they found a grotto, seventeen feet long and four high; and seven feet below this, a platform, from which the well descended two hundred feet lower. The captain went down, and at the bottom found earth and sand; but from the hollow sound under his feet, he judged that the passage must communicate with some other apartment below. He then set some Arabs at work to remove the sand; but the heat was so great, and the candles so incapable of burning, for want of oxygen, that they were compelled to desist. The captain then turned his researches to another quarter, and began to enlarge the entrance into the first passage of the pyramid. For this operation he was well rewarded; for by it he found that the passage continued downward, and having employed several men, and taken out a great deal of earth and rubbish, at last, after a long and ardent toil, he came in contact with the bottom of the well, where he found the baskets and rope which had been left there. The same day that this occurred, was that on which we had agreed to visit the pyramids, and I had the pleasure to be an eye-witness of the arduous task of Captain Cabillia. Proceeding in his laborious researches, he found that the passage led into a chamber cut out of the rock, under the centre of the pyramid.
“Captain Cabillia made several researches round the pyramids also, but none exceeded his toil in uncovering the temple sphinx. He found a small temple between the two paws, and a large tablet of granite on its breast. The tablet is adorned with several figures and hieroglyphics, and two representations of sphinxes are sculptured on it. Before the entrance into the small temple was a lion, placed as if to guard the approach. Farther on from the front of the sphinx, is a staircase of thirty-two steps, at the bottom of which is an altar, with a Greek inscription, of the time of the Ptolemies. At each side of the altar was a sphinx of calcareous stone, much mutilated. From the base of the temple to the summit of the head, is sixty-five feet; the legs of the sphinx are fifty-seven feet long, from the breast to the extremity of the paws, which are eight feet high. Forty-five feet from the first altar, he found another, with an inscription, alluding to the emperor Septimus Severus; and near to the first step was a stone, with another Greek inscription, alluding to Antoninus.
“Notwithstanding his own occupation about the sphinx, Captain Cabillia employed other people to carry on researches. He opened some of the mausoleums which were choked up with sand, and found several small chambers, with hieroglyphics and figures, some of them pretty well executed, and in good preservation. In one of the pits he found some mummies, in their linen envelopes, and various fragments of Egyptian antiquity. He also opened some of the smallerpyramids, and from the suggestion of Mr. Briggs to follow a certain direction, he succeeded in finding the entrance into one of them; but it appears, that it was so decayed in the interior, he could advance only a few feet. No doubt this led into some chamber or apartment, containing perhaps a sarcophagus, &c.”
Belzoni’s own Researches.—M. Belzoni determined on penetrating one of the famous pyramids, and, after an immense labour, succeeded in discovering the entrance, and reached a portcullis; but here a large block of stone stared him in the face, and appeared to say,Ne plus ultra. He persevered until the stone was removed and the passage opened, which is only four feet high, and three feet six inches wide. After thirty days’ exertion, he reached the central chamber, where he found a sarcophagus. This chamber is forty-six feet three inches long, sixteen feet three inches wide, and twenty-three feet six inches high. It is cut out of the solid rock, from the floor to the roof, which is composed of large blocks of calcareous stone, meeting in the centre, and forming a roof of the same slope as the pyramid itself. The sarcophagus is eight feet long, three feet six inches wide, and two feet three inches deep in the inside. It is surrounded by large blocks of granite, apparently to prevent its removal, which could not be effected without great labour. The lid had been broken at the side, so that the sarcophagus was quite open. It is of the finest granite; but, like the other, in the first pyramid, there is not one hieroglyphic on it.
On the wall, at the west end of the chamber, was an inscription in Arabic, which has been thus translated by Mr. Salame:—
“The master Mohammed Ahmed, lapicide, has opened them; and the master Ottoman attended this (opening;) and the King Alij Mohammed at first (from the beginning) to the closing up.”
M. Belzoni refutes the general assertion, that the pyramids were built of stone brought from the east side of the Nile; since stones of immense size have been cut from the very rocks around the pyramids, and there is yet stone enough to build many others if required. He is of opinion, that the pyramids were erected before writing in hieroglyphics was invented, and that they were erected as sepulchres. By the measurement which he took of the second pyramid, he found it to be as follows:—
Pompey’s Pillar at Alexandria; with an account of a surprising Exploit of some British Sailors.
The Pillar.—This pillar is situated a quarter of a league from the southern gate. It is composed of red granite. The capital is Corinthian, with palm leaves, and not indented. It is nine feet high. The shaft and upper member of the base are of one piece of ninety feet long, and nine in diameter. The base is a square of about fifteen feet on each side. This block of marble, sixty feet in circumference, rests on two layers of stone, bound together with lead; which, however, has not prevented the Arabs from forcing out several of them, to search for an imaginary treasure. The whole column is one hundred and fourteen feet high. It is perfectly well polished, and only a little shivered on the eastern side. Nothing can equal the majesty of this monument: seen from a distance, it overtops the town, and serves as a signal for vessels; approaching it nearer, it produces an astonishment mixed with awe. One can never be tired with admiring the beauty of the capital, the length of the shaft, and the extraordinary simplicity of the pedestal. This last has been somewhat damaged by the instruments of travellers, who are curious to possess a relic of this antiquity. Learned men and travellers have made many fruitless attempts to discover, in honour of what prince it was erected. The best informed have concluded that it could not be in honour of Pompey, since neither Strabo nor Diodorus Siculus has spoken of it. The Arabian Abulfeda, in his description of Egypt, calls it thePillar of Severus. And history informs us, that this emperor ‘visited the city of Alexandria;’ that he granted a senate to its inhabitants, who, until that time, under the subjection of a Roman magistrate, had lived without any national council, as under the reign of the Ptolemies, when the will of the prince was their only law; and that he did not terminate his benefactions here, but changed several laws in their favour. This column, therefore, Mr. Savoy concludes to have been erected by the inhabitants as a mark of their gratitude to Severus; and in a Greek inscription, now half defaced, but visible on the west side when the sun shines upon it, and which probably was legible in the time of Abulfeda, he supposes the name of Severus to have been preserved. He further observes, that this was not the only monument erected to him by the gratitude of the Alexandrians, for there is still seen, in the ruins of Antinöe, built by Adrian, a magnificent pillar, the inscription of which is still remaining, dedicated to Alexander Severus.
The exploit of some British Seamen.—One of the volutes of the column was prematurely brought down some years ago, by a prank of some English captains; which is thus related by Mr. Irwin. These jolly sons of Neptune had beenpushing about the can on board one of the ships in the harbour, until a strange freak entered into one of their brains. The eccentricity of the thought occasioned it immediately to be adopted: and its apparent impossibility was but a spur for the putting it into execution. The boat was ordered; and with proper implements for the attempt, these enterprising heroes pushed ashore, to drink a bowl of punch on the top of Pompey’s pillar! At the spot they arrived, and many contrivances were proposed to accomplish the desired point. But their labour was vain; and they began to despair of success, when the genius who struck out the frolic, happily suggested the means of performing it.
A man was dispatched to the city for a paper kite; and the inhabitants, by this time apprised of what was going forward, flocked in crowds to be witnesses of the address and boldness of the English. The governor of Alexandria was told that these seamen were about to pull down Pompey’s pillar. But whether he gave them credit for their respect to the Roman warrior, or to the Turkish government, he left them to themselves; and politely answered, that the English were too great patriots to injure the remains of Pompey. He knew little, however, of the disposition of the people who were engaged in this undertaking. Had the Turkish empire risen in opposition, it would not at that moment have deterred them. The kite was brought, and flown directly over the pillar; so that when it fell on the other side, the string lodged upon the capital. The chief obstacle was now overcome. A two-inch rope was tied to one end of the string, and drawn over the pillar by the end to which the kite was affixed. By this rope, one of the seamen ascended to the top; and in less than an hour, a kind of shroud was constructed, by which the whole company went up, and drank their punch, amidst the shouts of the astonished multitude.
To the eye below, the capital of the pillar does not appear capable of holding more than one man upon it; but our seamen found it could contain no less than eight persons very conveniently. It is astonishing that no accident befel these madcaps, in a situation so elevated, that it would have turned a landman giddy in his sober senses. The only detriment which the pillar received, was the loss of the volute before-mentioned, which came down with a thundering sound, and was carried to England by one of the captains, as a present to a lady who had commissioned him to procure her a piece of it. The discovery which they made amply compensated for this mischief; as without their evidence, the world would not have known at this hour, that there was originally a statue on this pillar, one foot and ancle of which are still remaining. The statue must have been of a gigantic size, to have appeared ofa man’s proportion at so great a height. There are circumstances in this story which might give it an air of fiction, were it not proved beyond all doubt. Besides the testimonies of many eye-witnesses, the adventurers themselves have left a token of the fact, by the initials of their names, which are very legibly painted in black just beneath the capital.
Buildings, and Library, of Alexandria.—The architect employed by Alexander, in this undertaking, was the celebrated Dinocrates, who had acquired so much reputation by rebuilding the temple of Diana at Ephesus. The city was first rendered populous by Ptolemy Soter, one of Alexander’s captains, who, after the death of the Macedonian monarch, being appointed governor of Egypt, soon assumed the title of king, and took up his residence at Alexandria, about three hundred and four years before Christ. In the thirtieth year of his reign he made his son, Ptolemy Philadelphus, partner with him in the empire; and by this prince the city of Alexandria was much embellished. In the first year of his reign, the famous watch-tower of Pharos was finished. It had been begun several years before by Ptolemy Soter; and, when finished, was looked upon as one of the wonders of the world.
The same year, the island of Pharos itself, originally seven furlongs distant from the continent, was joined to it by a causeway. This was the work of Dexiphanes, who completed it at the same time that his son put the last hand to the tower. The tower was a large square structure of white marble, on the top of which, fires were kept constantly burning for the direction of sailors. The building cost 800 talents; which, if Attic, amounted to £165,000; if Alexandrian, to twice that sum. The architect employed in this famous structure, fell upon the following contrivance to usurp the whole glory to himself. Being ordered to engrave upon it the following inscription, “King Ptolemy, to the Gods the Saviours, for the Benefit of Sailors;” instead of the king’s name, he substituted his own, and then filling up the marble with mortar, wrote upon it the above-mentioned inscription. In process of time, the mortar being worn off, the following inscription appeared: “Sostratus the Cnidian, the son of Dexiphanes, to the Gods the Saviours, for the Benefit of Sailors.”
This year, also, was remarkable for bringing the image of Serapis from Pontus to Alexandria. It was set up in one of the suburbs of the city called Rhacotis, where a temple was afterwards erected to his honour, suitable to the greatness of that stately metropolis, and called, from the god worshipped there, Serapium. This structure, according to Ammianus Marcellinus,surpassed in beauty the magnificence of all others in the world, except the capitol at Rome.
Within the verge of this temple was the famous Alexandrian library. It was founded by Ptolemy Soter, for the use of an academy he instituted in this city; and, from continual additions by his successors, became at last the finest library in the world, containing no fewer than seven hundred thousand volumes. One method adopted in collecting books for this library, was, to seize all those which were brought into Egypt by the Greeks, or other foreigners. The books were transcribed in the museum by persons appointed for that purpose; the copies were then delivered to the proprietors, and the originals laid up in the library. Ptolemy Euergetes, having borrowed from the Athenians the works of Sophocles, Euripides, and Æschylus, returned them only the copies, which he caused to be transcribed in as beautiful a manner as possible, presenting the Athenians at the same time with 13 talents (upwards of £3000 sterling) for the exchange. As the museum was at first in that quarter of the city called Bruchion, near the royal palace, the library was placed there likewise; but when it came to contain four hundred thousand volumes, another library within the Serapium was erected, by way of supplement to it, and on that account called the Daughter of the former. In this second library, three hundred thousand volumes, in process of time, were deposited; and both libraries together contained the seven hundred thousand volumes already mentioned. In the war carried on by Julius Cæsar against the inhabitants of this city, the library in the Bruchion, with the four hundred thousand volumes it contained, was reduced to ashes. The library in the Serapium, however, still remained; and here Cleopatra deposited two hundred thousand volumes of the Permagean library, with which Marc Antony presented her. These, and others added from time to time, rendered the new library at Alexandria more numerous and considerable than the former; and though it was often plundered during the revolutions and troubles of the Roman Empire, yet it was again and again repaired, and filled with the same number of books.
Temple of Tentyra, in Egypt.—From Belzoni’s Narrative.
“Little could be seen of the temple, till we came near to it, as it is surrounded by high mounds of rubbish of the old Tentyra. On our arriving before it, I was for some time at a loss to know where I should begin my examination; the numerous objects before me, all equally attractive, leaving me for a while in a state of suspense and astonishment. The enormous masses of stone employed in the edifice, are so welldisposed, that the eye discovers the most just proportion every where. The majestic appearance of its construction, the variety of its ornaments, and, above all, the singularity of its preservation, had such an effect on me, that I seated myself on the ground, and, for a considerable time, was lost in admiration. It is the first Egyptian temple the traveller sees on ascending the Nile, and it is certainly the most magnificent. It has an advantage over most others, from the good state of preservation it is in; and I should have no scruple in saying, that it is of a much later date than any other. The superiority of the workmanship gives us sufficient reason to believe it to be of the time of the first Ptolemy; and it is not improbable, that he who laid the foundation of the Alexandrian library, instituted the philosophical society of the museum, and studied to render himself beloved by his people, might erect such an edifice, to convince the Egyptians of his superiority of mind over the ancient kings of Egypt, even in religious devotion.
“This is the cabinet of the Egyptian arts, the product of study for many centuries, and it was here that Denon thought himself in the sanctuary of the arts and sciences. The front is adorned with a beautiful cornice, and a frieze covered with figures and hieroglyphics, over the centre of which the winged globe is predominant, and the two sides are embellished with compartments of sacrifices and offerings. The columns that form the portico are twenty-four in number, divided into four rows, including those in the front. On entering the gate, the scene changes, and requires more minute observation. The quadrangular form of the capitals first strikes the eye. At each side of the square there is a colossal head of the goddess Isis, with cow’s ears. There is not one of these heads but is much mutilated, particularly those on the columns in the front of the temple, facing the outside: but, notwithstanding this disadvantage, and the flatness of their form, there is a simplicity in their countenance that approaches to a smile. The shafts of the columns are covered with hieroglyphics and figures, which are inbasso relievo, as are all the figures in the front and lateral walls. The front of the door-way, which is in a straight line with the entrance, and the sanctuary, is richly adorned with figures of smaller size than the rest of the portico. The ceiling contains the zodiac, inclosed by two long female figures, which extend from one side to the other of it. The walls are divided into several square compartments, each containing figures representing deities, and priests in the act of offering or immolating victims. On all the walls, columns, ceiling, or architraves, there is nowhere a space of two feet that is not covered with some figures of human beings, animals, plants, emblems ofagriculture, or of religious ceremony. Wherever the eyes turn, wherever the attention is fixed, every thing inspires respect and veneration, heightened by the solitary situation of this temple, which adds to the attraction of these splendid recesses. The inner apartments are much the same as the portico, all covered with figures inbasso relievo.
“On the top of the temple the Arabs had built a village; I suppose, to be the more elevated, and exposed to the air: but it is all in ruins, as no one now lives there. From the top I descended into some apartments on the east side of the temple; there I saw the famous zodiac on the ceiling. The circular form of this zodiac led me to suppose, in some measure, that this temple was built at a later period than the rest, as nothing like it is seen any where else. In the front of the edifice there is a propylæon, not inferior to the works in the temple, and, though partly fallen, it still shews its ancient grandeur. On the left, going from the portico, there is a small temple, surrounded by columns. In the inside is a figure of Isis sitting with Orus in her lap; and other female figures, each with a child in her arms, are observable. The capitals of the columns are adorned with the figures of Typhon. The gallery, or portico, that surrounds the temple, is filled up with rubbish, to a great height, and walls of unburnt bricks have been raised from one column to another.
“Farther on, in a right line with the propylæon, are the remains of an hypæthral temple, which form a square of twelve columns, connected with each other by a wall, except at the door-way, which fronts the propylæon. The eastern wall of the great temple is richly adorned with figures inintaglio relevato; they are perfectly finished; the female figures are about four feet high, disposed in different compartments.
“Behind the temple is a small Egyptian building, quite detached from the large edifice; and, from its construction, I would venture to say, that it was the habitation of the priests. At some distance from the great temple are the foundations of another, not so large as the first. The propylæon is still standing, in good preservation.”
Two objects of great curiosity are,The Palace of Memnon, and The Temple of Osiris, at Abidos.—Abidos, an inland town of Egypt, between Ptolemais and Diospolis Parva, towards Cyrene, is famous for the Palace of Memnon, and the Temple of Osiris, and inhabited by a colony of Milesians. It was the only one in the country into which the singers and dancers were forbid to enter. This city, reduced to a village under the empire of Augustus, now presents toour view only an heap of ruins, without inhabitants; but to the west of these ruins is still found the celebrated Tomb of Ismandes. The entrance is under a portico sixty feet high, and supported by two rows of massy columns. The immoveable solidity of the edifice, the huge masses which compose it, the hieroglyphics it is loaded with, stamp it as a work of the ancient Egyptians.
Beyond it, is a temple three hundred feet long, and one hundred and fifty-five wide. Upon entering the monument, we meet with an immense hall, the roof of which is supported by twenty-eight columns, sixty feet high, and nineteen in circumference at the base. They are twelve feet distant from each other. The enormous stones that form the ceiling, perfectly joined and incrusted as it were one into the other, offer to the eye nothing but one solid platform of marble, one hundred and twenty-six feet long, and twenty-six wide. The walls are covered with hieroglyphics. Here are seen a multitude of animals, birds, and human figures with pointed caps on their heads, and a piece of stuff hanging down behind, dressed in loose robes, that come down only to the waist. The sculpture, however, is clumsy; and the forms of the body, with the attitudes and proportions of the members, are ill observed. Amongst these we may distinguish some women suckling their children, and men presenting offerings to them. Here also we meet with the divinities of India.
Monsieur Chevalier, formerly governor of Chandernagore, who resided twenty years in that country, carefully visited this monument on his return from Bengal. He remarked here the gods Juggernaut, Gonez, and Vechnon, or Wistnou, such as they are represented in the temples of Indostan.
A great gate opens at the bottom of the first hall, which leads to an apartment, forty-six feet long by twenty-two wide. Six square pillars support the roof of it, and at the angles are the doors of four other chambers, but so choked up with rubbish that they cannot now be entered. The last hall, sixty-four feet long by twenty-four wide, has stairs which form a descent into the subterraneous apartments of this grand edifice.
The Arabs, in searching after treasure, have piled up heaps of earth and rubbish. In the part we are able to penetrate, sculpture and hieroglyphics are discoverable, as in the upper story. The natives say that they correspond exactly with those above ground, and that the columns are as deep in the earth, as they are lofty above ground. It would be dangerous to go far into those vaults; for the air of them is so loaded with a mephitic vapour, that a candle can scarcely be kept burning in them.
Six lions’ heads, placed on the two sides of the temple, serve as spouts to carry off the water. One mounts to the top by a staircase of a very singular structure. It is built with stones incrusted in the wall, and projecting six feet out; so that, being supported only at one end, they appear to be suspended in the air. The walls, the roof, and the columns of this edifice, have suffered nothing from the injuries of time; and did not the hieroglyphics, by being corroded in some places, mark its antiquity, it would appear to have been newly built. The solidity is such, that unless people make a point of destroying it, the building must last a great number of ages. Except the colossal figures, whose heads serve as an ornament to the capitals of the columns, and which are sculptured inrelievo, the rest of the hieroglyphics which cover the inside are carved in stone.
To the left of this great building we meet with another much smaller, at the bottom of which is a sort of altar. This was probably the sanctuary of the temple of Osiris.
CURIOSITIES RESPECTING BUILDINGS, ETC.—(Continued.)
Temple of Diana at Ephesus—Laocoon—Babylon—Alhambra.
Temple of Diana, at Ephesus.—The chief ornament of Ephesus was the temple of Diana, built at the common charge of all the states in Asia, and, for its structure, size, and furniture, accounted among the wonders of the world. This great edifice was situated at the foot of a mountain, and at the head of a marsh; which place they chose, if we believe Pliny, as the least subject to earthquakes. This site doubled the charges; for they were obliged to be at a vast expense in making drains to convey the water that came down the hill into the morass and the Cayster. Philo Byzantius tells us, that in this work they used such a quantity of stone, as almost exhausted all the quarries in the country; and these drains, or vaults, are what the present inhabitants take for a labyrinth. To secure the foundations of the conduits or sewers, which were to bear a building of such prodigious weight, they laid beds of charcoal, says Pliny, well rammed, and upon them others of wood: Pliny says, four hundred years were spent in building this wonderful temple, by all Asia: others say, only two hundred and twenty. It was four hundred and twenty-five feet in length, and two hundred in breadth, supported byone hundred and twenty-seven marble pillars, seventy feet high, of which twenty-seven were most curiously carved, and the rest polished. These pillars were the works of so many kings, and the bas-reliefs of one were done by Scopas, the most famous sculptor of antiquity; the altar was almost wholly the work of Praxiteles. Cheiromocrates, who built the city of Alexandria, and offered to form Mount Athos into a statue of Alexandria, was the architect employed on this occasion.
The temple enjoyed the privilege of an asylum, which at first extended to a furlong, was afterwards enlarged by Mithridates to a bow-shot, and doubled by Marc Antony, so that it took in part of the city: but Tiberius, to put a stop to the many abuses and disorders that attended privileges of this kind, revoked them all, and declared that no man, guilty of any wicked or dishonest action, should escape justice, though he fled to the altar itself.
The priests who officiated in this temple were held in great esteem, and entrusted with the care of sacred virgins, or priestesses, but not till they were made eunuchs. They were calledEstiatoresandEssenæ, had a particular diet, and were not allowed to go into any private house. They were maintained out of the profits accruing from the lake Selinusius, and another that fell into it; which must have been very considerable, since they erected a golden statue to one Artemidorus, who being sent to Rome, recovered them, after they had been seized by the farmers of the public revenues.
All the Ionians resorted yearly to Ephesus, with their wives and children, where they solemnized the festival of Diana with great pomp and magnificence, making on that occasion rich offerings to the goddess, and valuable presents to her priests.
TheAsiarchæ, mentioned by St. Luke, (Acts xix. 31,) were, according to Beza, priests who regulated the public sports annually performed at Ephesus, in honour of Diana; and were maintained with the collections during the sports, for all Asia flocked to see them.
The great Diana of the Ephesians, as she was styled by her blind adorers, was, according to Pliny, a small statue of ebony, made by one Canitia, though believed by the superstitious to have been sent down from heaven by Jupiter. This statue was first placed in a niche, which, as we are told, the Amazons caused to be made in the trunk of an elm. Such was the first rise of the veneration that was paid to Diana in this place. In process of time the veneration for the goddess daily increasing among the inhabitants of Asia, a most stately and magnificent temple was built near the place where the elm stood, and the statue of the goddess placed in it. This was the first temple and was not quite so sumptuous as thesecond, though reckoned, as well as it, one of the wonders of the world.
The second temple of the great Diana, was remaining in the times of Pliny and Strabo; and is supposed to have been destroyed in the reign of Constantine, pursuant to the edict of that emperor, commanding all the temples of the heathens to be demolished:—the former was burnt the same day that Alexander was born, by one Erostratus, who owned on the rack, that the only thing which had prompted him to destroy so excellent a work, was the desire of transmitting his name to future ages. Whereupon the common council of Asia made a degree, forbidding any one to name him; but this prohibition served only to make his name the more memorable, such a remarkable extravagance, or rather madness, being taken notice of by all the historians who have written of those times. Alexander offered to rebuild the temple at his own expense, provided the Ephesians would agree to put his name on the front; but they received his offer in such a manner as prevented the resentment of that vain prince, telling him, “it was not fit that one god should build a temple to another.” The pillars, and other materials, that had been saved out of the flames, were sold, with the jewels of the Ephesian women, who on that occasion willingly parted with them; and the sum thus raised served for the carrying on of the work till other contributions came in, which, in a short time, amounted to an immense treasure. This is the temple which Strabo, Pliny, and other Roman writers, speak of. It stood between the city and the port, and was built, or rather finished, as Livy tells us, in the reign of king Servius. Of this wonderful structure there is nothing at present remaining but some ruins, and a few broken pillars, forty feet long, and seven in diameter.
Another curious monument of antiquity, which demands the reader’s attention, is,Laocoon.—This is a celebrated monument of Greek sculpture, exhibited in marble, by Polydorus, Athenodorus, and Agesander, the three famous artists of Rhodes. This relic of antiquity was found at Rome, among the ruins of the palace of Titus, in the beginning of the sixteenth century, under the pontificate of Julius II. and since deposited in the Farnese palace. Laocoon is represented with his two sons, with two hideous serpents clinging round his body, gnawing it, and injecting their poison. Virgil has given us a beautiful description of the fact,Æn.lib. ii. 201-222.
This statue exhibits the most astonishing dignity and tranquillity of mind, in the midst of the most excruciating torments. Pliny says of it, that it is,opus omnibus picturæ et statuariæartis præferendum.—Lib. xxxvi. c. 5. “The Laocoon (Dr. Giles observes) may be regarded as the triumph of Grecian sculpture; since bodily pain, the grossest and most ungovernable of all our passions, and that pain united with anguish and torture of mind, are yet expressed with such propriety and dignity, as afford lessons of fortitude superior to any taught in the schools of philosophy. The horrible shriek which Virgil’s Laocoon emits, is a proper circumstance for poetry; but the expression of this shriek would have totally degraded the statue. It is softened, therefore, into a patient sigh, with eyes turned to heaven in search of relief. The intolerable agony of suffering nature is represented in the lower part, and particularly the extremity of the body; but the manly breast struggles against calamity. The contention is still more plainly perceived in his furrowed forehead; and his languishing paternal eye demands assistance, less for himself than for his miserable children, who look up to him for help.”—Hist. of Greece, ii. 177.
The Laocoon was sent to Paris by Bonaparte, in 1797.
Babylon.—The following account of this city, in its greatest splendour, is borrowed principally from Herodotus, who had been on the spot, and is the oldest author who has treated of the subject.
The city of Babylon was square, being a hundred and twenty furlongs, that is, fifteen miles, or five leagues, every way; and the whole circuit of it was four hundred and eighty furlongs, or twenty leagues. The walls were built with large bricks, cemented with bitumen, a thick glutinous fluid, which rises out of the earth in the neighbouring country, and which binds stronger than mortar, and becomes harder than brick itself. These walls were eighty-seven feet thick, and three hundred and fifty high. Those who mention them as only fifty cubits high, refer to their condition after Darius, son of Hystaspes, had commanded them to be reduced to that height, to punish a rebellion of the Babylonians.
The city was encompassed with a vast ditch, which was filled with water, and the sides of which were built up with brick-work. The earth which was dug out, was used in making bricks for the walls of the city; so that the depth and width of the ditch may be estimated by the extreme height and thickness of the walls. There were a hundred gates to the city, twenty-five on each of the four sides. These gates, with their posts, &c. were all of brass. Between every two gates were three towers, raised ten feet above the walls, where necessary; for the city being encompassed in several places with marshes, which defended the approach to it, those parts stood in no need of towers.
A street corresponded with each gate; so that there were fifty streets, which cut one another at right angles, and each of which was fifteen miles in length, and one hundred and fifty-one feet in width. Four other streets, which had houses on one side, and the ramparts on the other, encompassed the whole city, and were each of them two hundred feet wide. By the streets crossing each other, the whole city was divided into six hundred and seventy-six squares, each of which was four furlongs and a half on every side, and two miles and a quarter in circuit. The houses of these squares were three or four stories high, and their fronts were embellished; and the inner space was filled with courts and gardens.
The city was divided into two parts by the Euphrates, which ran from north to south. A bridge of admirable structure, about a furlong in length, and sixty feet in width, formed the communication across the river; and at the two extremities of this bridge were two palaces on the east, and the new palace on the west side of the river. The Temple of Belus, which stood near the old palace, occupied one entire square. The city was situated in a vast plain, the soil of which was extremely fat and fruitful.
To people this immense city, Nebuchadnezzar transplanted hither an infinite number of captives, from the many nations that he subdued. It would appear, however, that the whole of it was never inhabited.
The famous Hanging Gardens, which adorned the palace in Babylon, were ranked among the wonders of the world. They contained four hundred feet square, and were composed of several large terraces; and the platform of the highest terrace was equal in height to the walls of Babylon, that is, three hundred and fifty feet. The assent from terrace to terrace was by steps ten feet wide. The whole mass was supported by large vaults, built upon each other, and strengthened by a wall twenty-two feet thick. The tops of these arches were covered with stones, rushes and bitumen, and plates of lead, to prevent leakage. The depth of earth was so great, that in it the largest trees might take root. Here was every thing that could please the sight; as, large trees, flowers, plants, and shrubs. Upon the highest terrace was a reservoir, supplied with water from the river.
The predictions of the prophets against Babylon, gradually received their accomplishment. Berosus relates, that Cyrus, having taken this city, demolished its walls, lest the inhabitants should revolt. Darius, son of Hystaspes, destroyed the gates, &c. Alexander the Great intended to rebuild it, but was prevented by death from accomplishing his design. Seleucus Nicator built Seleucia on the Tigris, and this city insensibly deprived Babylon of its inhabitants. Straboassures us, that under Augustus, Babylon was almost forsaken; and that it was no longer any thing more than a great desert. St. Jerome relates, on the testimony of a monk who dwelt at Jerusalem, that in his time, Babylon and its ancient precincts were converted into a great park, in which the kings of Persia were accustomed to hunt.
A German traveller, named Rauwolf, who in 1574 passed through the place where Babylon formerly stood, speaks of its ruins as follows: “The village of Elugo now stands where Babylon of Chaldea was formerly situated. The harbour is distant from it a quarter of a league, and people go on shore to proceed by land to the celebrated city of Bagdad, which is distant a journey of a day and a half eastward, on the Tigris. The soil is so dry and barren, that they cannot till it; and so naked, that I could scarcely believe, that this powerful city, once the most stately and renowned in all the world, and situated in the most fruitful country of Shinar, could ever have stood in this place. My doubts, however, on this point, were removed, by the situation, and by many antiquities of great beauty, which are still to be seen, and particularly by the old bridge over the Euphrates, of which some piles and arches of brick remain, so strong as to excite admiration. The whole front of the village of Elugo is the hill upon which the castle stood; and the ruins of its fortifications, though demolished and uninhabited, are still visible. Behind, and at a small distance beyond, was the tower of Babylon, which is still to be seen, and is half a league in diameter. It is, however, so ruinous, so low, and so full of venomous creatures, which lodge in holes made by them in the rubbish, that no one dares approach nearer to it than within half a league, except during two months in winter, when these animals never leave their holes. In particular, one sort, which the inhabitants of the country call eglo, possesses a very active poison, and is larger than our lizard.”
We shall close this chapter with a full description of an ancient fortress calledAlhambra.
This place was the residence of the Moorish monarchs of Grenada. It derives its name from the red colour of the materials with which it was originally built,Alhambrasignifying a red house. It appears to a traveller as huge a heap of ugly buildings as can well be seen, all huddled together, seemingly without the least intention of forming one habitation out of them. The walls are entirely unornamented, consisting chiefly of gravel and pebbles, daubed over with plaster in a very coarse manner: yet this was the palace of the Moorish kings of Grenada, and it is indisputably the most curious place that exists in Spain, perhaps in the world. In manycountries may be seen excellent modern, as well as ancient architecture, both entire and in ruins; but nothing to be met with any where else, can convey an idea of this edifice, except the decorations of an opera, or the tales of the genii.
Passing round the corner of the emperor’s palace, one is admitted at a plain unornamented door in a corner. “On my first visit, (says Mr. Swinburne, in his Travels in Spain,) I confess I was struck with amazement, as I stepped over the threshold, to find myself on a sudden transported into a species of fairy land. The first place you come to is the court called theCommuna, orDelmesucar, that is, the common baths; an oblong square, with a deep bason of clear water in the middle; two flights of marble steps leading down to the bottom; on each side a parterre of flowers, and a row of orange trees. Round the court runs a peristyle paved with marble; the arches bear upon very slight pillars, in proportions and style different from all the regular orders of architecture. The ceilings and walls are incrusted with fretwork in stucco, so minute and intricate, that the most patient draughtsman would find it difficult to follow it, unless he made himself master of the general plan. This would facilitate the operation exceedingly; for all this work is frequently and regularly repeated at certain distances, and has been executed by means of square moulds applied successively, and the parts joined together with the utmost nicety. In every division are Arabic sentences of different lengths, most of them expressive of the following meanings; ‘There is no conqueror but God;’ or, ‘Obedience and honour to our lord Abouabdoula.’ The ceilings are gilt or painted, and time has caused no diminution in the freshness of their colours, though constantly exposed to the air. The lower part of the wall is mosaic, disposed in fantastic knots and festoons. The porches at the end are more like grotto-work than any thing else to which they can be compared. That on the right hand opens into an octagon vault, under the emperor’s palace, and forms a perfect whispering gallery, meant to be a communication between the offices of both houses. Opposite to the door of the Communa through which you enter, is another leading into theQuarto de los leones, or apartment of the lions, which is an oblong court, one hundred feet in length, and fifty in breadth, environed with a colonnade, seven feet broad on the sides, and ten at the end. Two porticos or cabinets, about fifteen feet square, project into the court at the two extremities. The square is covered with coloured tiles; the colonnade, with white marble. The walls are covered, five feet up from the ground, with blue and yellow tiles, disposed chequerwise. Above and below is a border of small escutcheons, enamelled blue and gold, with an Arabic motto on a bend, signifying,“No conqueror but God.” The columns that support the roof and gallery are of white marble, very slender, and fantastically adorned. They are nine feet high, including base and capital, and eight and a half inches diameter. They are very irregularly placed; sometimes singly, at others, in groups of three, but more frequently two together. The width of the horse-shoe arches above them, is four feet two inches for the large ones, and three for the smaller. The ceiling of the portico is finished in a much finer and more complicated manner than that of the Communa, and the stucco laid on the walls with inimitable delicacy; in the ceiling it is so artfully frosted and handled, as to exceed belief. The capitals are of various designs, though each design is repeated several times in the circumference of the court, but not the least attention has been paid to placing them regularly, or opposite to each other. Not the smallest representation of animal life can be discovered amidst the variety of foliages, grotesques, and strange ornaments. About each arch is a large square of arabesques, surrounded with a rim of characters, that are generally quotations from the Koran. Over the pillars is another square of delightful foliage work. Higher up is a wooden rim, or kind of cornice, as much enriched with carving as the stucco that covers the part underneath. Over this projects a roof of red tiles, the only thing that disfigures this beautiful square. This ugly covering is modern, put on by order of Mr. Wall, the late prime minister. In the centre of the court are twelve ill-made lions, muzzled, their fore parts smooth, their hind parts rough; which bear upon their backs an enormous bason, out of which a lesser rises. While the pipes were kept in good order, a great volume of water was thrown up, that, falling down into the basons, passed through the beasts, and issued out of their mouths into a large reservoir, where it communicated by channels with thejets d’eauin the apartments. This fountain is of white marble, embellished with many festoons and Arabic distichs, complimenting the monarch and his princess.
“Passing along the colonnade, and keeping on the south side, you come to a circular room, used by the men as a place for drinking coffee and forbets in. A fountain in the middle refreshed the apartment in summer. The form of this hall, the elegance of its cupola, the cheerful distribution of light from above, and the exquisite manner in which the stucco is designed, painted, and finished, exceed all powers of description. Every thing in it inspires the most pleasing voluptuous ideas; yet in this sweet retreat, they say, that Abouabdoula assembled the Abbencarrages, and caused their heads to be struck off into the fountain.
“Continuing your walk round, you are next brought to acouple of rooms at the head of the court, which are supposed to have been tribunals, or audience chambers.
“Opposite to theSala de los Abbencarrages, is the entrance into theTorre de las dos Hermanas, or the tower of the Two Sisters; so named from two very beautiful pieces of marble laid as flags in the pavement. This gate exceeds all the rest in profusion of ornaments, and in the beauty of prospect which it affords through a range of apartments, where a multitude of arches terminate in a large window open to the country. In a gleam of sunshine, the variety of tints and lights thrown upon this enfilade, are uncommonly rich. The first hall is the concert-room, where the women sat; the musicians played above in four balconies. In the middle is ajet d’eau. The marble pavement is equal to the finest existing, for the size of the flags and evenness of the colour. The twosistersare slabs, that measure fifteen feet by seven and a half, without flaw or stain. The walls, up to a certain height, are mosaic, and above are divided into very neat compartments of stucco, all of one design, which is also followed in many of the adjacent halls and galleries. The ceiling is a fretted cove. To preserve this vaulted roof, as well as some of the other principal cupolas, the outward walls of the towers are raised ten feet above the top of the dome, and support another roof over all, by which means no damage can ever be caused by wet weather, or excessive heat and cold.
“From this hall you pass round the little myrtle garden of Lindarax, into an additional building made to the east end by Charles V. The rooms are small and low. His favourite motto, ‘Plus outrè,’ appears on every beam. This leads to a tower, projecting from the line of the north wall, call El Tocador, or the dressing-room of the sultana. It is a small square cabinet, in the middle of an open gallery, from which it received light by a door and three windows. The view is charming. In one corner is a large marble flag, drilled full of holes, through which the smoke of perfumes ascended from furnaces below; and here, it is presumed, the Moorish queen was wont to sit, to fumigate and sweeten her person. The emperor caused this pretty room to be painted with representations of his wars, and a great variety of grotesques, which appear to be copies, or at least imitations, of those in the lobby of the Vatican.
“From hence you go through a long passage to the hall of ambassadors, which is magnificently decorated with innumerable varieties of mosaics, and the mottos of all the kings of Grenada. This long narrow antichamber opens into the Communa on the left hand, and on the right into the great audience hall in the tower of Comares; a noble apartment, thirty-six feet square, thirty-six high up to the cornice, and eighteenfrom thence to the centre of the cupola. The walls on three sides are fifteen feet thick, on the other nine; the lower range of windows thirteen feet high. The wall is inlaid with mosaic of many colours, disposed in intricate knots, stars, and other figures. In every part, various Arabic sentences are repeated.
“Having completed the tour of the upper apartments, which are upon a level with the offices of the new palace, you descend to the lower floor, which consisted of bedchambers and summer rooms: the back stairs and passages, that facilitated the intercourse between them, are without number. The most remarkable room below is the king’s bedchamber, which communicated, by means of a gallery, with the upper story. The beds were placed in two alcoves, upon a raised pavement of blue and white tiles; but as it was repaired by Philip V. who passed some time here, it cannot be said how it may have been in former times. A fountain played in the middle, to refresh the apartment in hot weather.
“Behind the alcoves are small doors, that conduct you to the royal baths. These consist of one small closet, with marble cisterns for washing children, two rooms for grown-up persons, and vaults for boilers and furnaces, that supplied the baths with water, and the stoves with vapour. The troughs are formed of large slabs of white marble; the walls are ornamented with party-coloured earthenware, and light is admitted by holes in the ceiling. Hard by, is a whispering gallery, and a kind of gallery, said to have been made for the diversion of the women and children. One of the passages of communication is fenced off with a strong iron gate, and called the Prison of the Sultana; but it seems more probable that it was put up to prevent any body from climbing up into the women’s quarter.
“Under the council-room is a long slip, called the King’s Study: and adjoining to it are several vaults, said to be the place of burial of the royal family. In the year 1574, four sepulchres were opened, but, as they contained nothing but bones and ashes, were immediately closed again.”
This description of the Alhambra, concludes by observing how admirably every thing was planned and calculated for rendering this palace the most voluptuous of all retirements: what plentiful supplies of water were brought to refresh it in the hot months of summer; what a free circulation of air was contrived, by the judicious disposition of doors and windows; what shady gardens of aromatic trees; what noble views over the beautiful hills and fertile plains! No wonder the Moors regretted Granada; no wonder they still offer up prayers to God every Friday, for the recovery of this city, which they esteem a terrestrial paradise.
CURIOSITIES RESPECTING TEMPLES, ETC.—(Continued.)
Seraglio—Museum—Colossus—and Obelisk.
Seraglio.—This word is commonly used to express the house or palace of a prince. In this sense it is frequently used at Constantinople: the houses of foreign ambassadors are calledseraglios. But it is commonly used, by way of eminence, for the palace of the grand seignior at Constantinople; where he keeps his court,—where his concubines are lodged—and where the youth are trained up for the chief posts of the empire. It is a triangle, about three Italian miles round, wholly within the city, at the end of the promontory Chrysoceras, now called the Seraglio Point. The buildings run back to the bottom of the hill, and thence are gardens that reach to the edge of the sea. It is inclosed with a very high and strong wall, upon which there are several watch-towers; and it has many gates, some of which open towards the sea-side, and the rest into the city: but the chief gate is one of the latter, which is constantly guarded by a company of capooches, or porters: and in the night it is well guarded towards the sea. The outward appearance is not elegant; the architecture being irregular, consisting of separate edifices in the form of pavilions and domes. The ladies of the seraglio are a collection of beautiful young women, chiefly sent as presents from the provinces and Greek islands, and most of them the children of Christian parents. The brave prince Heraclicus for some years abolished the infamous tribute of children of both sexes, which Georgia formerly paid every year to the Porte. The number of women in the Harem depends on the taste of the reigning sultan. Selim had two thousand, Achmet had but three hundred, and the late sultan had nearly one thousand six hundred. On their admission, they are committed to the care of the old ladies, taught sewing, embroidery, music, dancing, &c. and furnished with the richest clothes and ornaments. They all sleep in separate beds, and between every fifth there is a preceptress. Their chief governess is calledKaton Kiaga, or governess of the noble young ladies. There is no servant, for they are obliged to wait on one another by rotation; the last that is entered serves her who preceded her, and herself.
These ladies are scarcely ever suffered to go abroad, except when the grand seignior removes from one place to another, when a troop of black eunuchs convey them to the boats,which are inclosed with lattices and linen curtains; and when they go by land they are put into close chariots, and signals are made at certain distances, to give notice that none approach the roads through which they march. The boats of the Harem, which carry the grand seignior’s wives, are manned with twenty-four rowers, and have white covered tilts, shut alternately by Venetian blinds. Among the emperor’s attendants are a number of mutes, who act and converse by signs with great quickness, and some dwarfs, who are exhibited for the sultan’s amusement.
When he permits the women to walk in the gardens of the seraglio, all people are ordered to retire, and on every side is a guard of black eunuchs, with sabres in their hands, while others go their rounds to hinder any person from seeing them. If any one is found in the garden, even through ignorance or inadvertence, he is instantly killed, and his head brought to the feet of the grand seignior, who rewards the guard for their vigilance.
Sometimes the grand seignior passes into the gardens to amuse himself when the women are there, and it is then they make use of all their utmost efforts, by dancing, singing, seducing gestures, and amorous blandishments, to attract his affections. It is not permitted that the monarch should take a virgin to his bed, except during the solemn festivals, and on occasion of some extraordinary rejoicings, or the arrival of some good news. Upon such occasions, if the sultan chooses a new companion to his bed, he enters into the apartment of the women, who are ranged in files by the governesses, to whom he speaks, and intimates the person he likes best. As soon as the grand seignior has chosen the girl destined to be the partner of his bed, all the others follow her to the bath, washing and perfuming her, and dressing her superbly, and thus conduct her, with singing, dancing, and rejoicing, to the bedchamber of the grand seignior; and if by a certain time she becomes pregnant, and is delivered of a boy, she is calledasaki-sultaness, that is to say, sultaness-mother. For the first son she has the honour to be crowned, and she has the liberty of forming her court: eunuchs are also assigned for her guard, and for her particular service. No other ladies, though delivered of boys, are either crowned or maintained with such costly distinction at the first; but they have their service apart, and handsome appointments. At the death of the sultan, the mothers of the male children are shut up in the old seraglio, whence they can never come out any more, unless any of their sons ascend the throne.
Baron de Tott informs us, that the female slave who becomes the mother of the sultan, and lives long enough to see her son mount the throne, is the only woman who at that periodacquires the distinction of sultana-mother; she is till then in the interior of her prison with her son. The titlebachl-kadun, or principal woman, is the first dignity of the grand seignior’s Harem; and she has a larger allowance than those who have the title of second, third, and fourth woman, which are the four free women the Koran allows.
It must strike every reader, that the present happy condition of females in Christian countries is directly attributable to Christianity; and this stamps an inestimable value on the gospel. Females should consider it as the charter of their privileges. The Christian religion has, by its letter or spirit, exploded customs and practices which were the immediate causes of female degradation and wretchedness. It has made marriage pure and honourable, by prohibiting polygamy, and restricting within very narrow limits the dangerous liberty of divorce; two customs which violate the plain order and design of Providence in creation, which degrade woman to insignificance and slavery, and which brought on that dissoluteness and corruption of manners in most ancient and some modern nations.
Museum,—is a collection of rare and interesting objects, selected from the whole circle of natural history and the arts, and deposited in apartments or buildings, either by the commendable generosity of rich individuals, general governments, or monarchs, for the inspection of the learned, and the great mass of the public.
The term, which means literally a study, or place of retirement, is said to have been given originally to that part of the royal palace at Alexandria, appropriated for the use of learned men, and the reception of the literary works then extant. According to ancient writers, they were formed into classes or colleges, each of which had a competent sum assigned for their support; and we are further informed, that the establishment was founded by Ptolemy Philadelphus, who added a most extensive library.
It would answer little purpose to trace the history of Museums, as the earlier part of it is involved in obscurity; and as we approach our own times, they multiply beyond a possibility of noticing even the most important. Within our brief limits we shall, therefore, confine ourselves to those at the Vatican, Florence, Paris, Oxford, and London.
The Museum of theVaticanmight originally have been said to occupy all the apartments of the palace, which are more numerous than in any other royal residence in the world: the pictures, the books, the manuscripts, statues, bas-reliefs, and every other description of the labours of ancient artists, were select, uncommon, and valuable in the extreme, particularlythe Laocoon, already described, and said, by Pliny, to have been made from a single mass of marble; which circumstance has since caused a doubt whether that of the Vatican is really the original, as Michael Angelo discovered that it is composed of more than one piece. It was found, in 1506, near the baths of Titus, and, whether an original or a copy, has obtained and deserves every possible admiration.—This invaluable collection continued to increase for several centuries, and till nearly the present period.
The grand dukes ofTuscanywere for a long series of years ardent admirers of the arts, ancient and modern, and regretted no expense in obtaining the most rare and beautiful objects which vast treasures were capable of procuring; consequently their Museum at Florence vied with that of Rome, and, in some instances, the value of particular articles exceeded any possibility of rivalship: we allude to the Venus de Medicis, of which Keysler speaks thus, in his excellent account of that part of the continent: “I shall conclude this short criticism on the celebrated Venus de Medicis, with the following observation, made by some able connoisseurs, namely, that if the different parts of this famous statue be examined separately, as the head, nose, &c. and compared with the like parts of others, it would not be impossible to find similar parts equal, if not superior, to those of the Venus de Medicis; but if the delicacy of the shape, the attitude, and symmetry of the whole, be considered as an assemblage of beauties, it cannot be paralleled in the whole world. This beautiful statue is placed between two others of the same goddess, both which would be admired by spectators in any other place; but here all their beauties are eclipsed by those of the Venus de Medicis, to which they can be considered only as foils to augment the lustre of that admired statue.” Little is known in England of the present state of the Florentine Museum, but it is feared to be deplorable.
We shall now turn our attention to theMuseé Central des Arts, formed in the Louvre atParis, composed with the best collections on the continent, and consequently consisting of the finest specimens of human art.
The method adopted for arranging the paintings here assembled is judicious, as they are classed in nations, by which means the eye is conducted gradually to the acme of the art, in the works of the Italian masters.
The gallery of antiquities is directly below the gallery of pictures; and, to give some idea of the nature of the general contents, we shall mention the names of the several divisions, which are: La Salle de Saisons,—La Salle des Hommes illustres,—La Salle des Romains,—La Salle de Laocoon,—La Salle de l’Apollon,—and La Salle des Muses. The Laocoon, whichwe have noticed in our account of the Vatican, here received distinguished honours, within a space railed in; and the Apollo Belvidere is equally honoured, in giving name to one of the halls.
These exquisite works are described in a catalogue, which may be obtained in the gallery; and of the manner we shall venture to give a specimen, hoping that a similar method may be adopted, to explain the objects offered to view in our national repository. Under the head ‘Pythian Apollo,’ called the Apollo Belvidere, the author of the catalogue observes, “This statue, the most sublime of those preserved by time, was found, near the close of the fifteenth century, twelve leagues from Rome, at Cape d’Anzo, on the borders of the sea, in the ruins of ancient Antium, a city equally celebrated for its Temple of Fortune, and for its pleasant mansions, erected by successive emperors, which, emulous of each other, they decorated with the most rare and excellent works of art. Julius II. when a cardinal, obtained this statue, and placed it in the palace where he resided, near the church of the Holy Apostles. After his elevation to the pontificate, he had it removed to the Belvidere of the Vatican, where it remained three centuries an object of universal admiration. A hero, conducted by victory, drew it from the Vatican, and causing it to be conveyed to the banks of the Seine, has fixed it here for ever.”
Another Museum established at Paris after the return of order, is that of the National Monuments. These were indiscriminately destroyed, or mutilated, during the first frantic emotions of the revolution; and this act contributed not a little to the general dislike it excited: at length the most enlightened part of the National Convention decreed imprisonment in chains to those who should thenceforward injure or destroy the marble and bronze records of their country. Le Noir, a man of taste and learning, seized this opportunity of rescuing the French nation from the reproach it had incurred by destroying what was honourable to themselves; and conceived that, though late, it might still be possible to collect whole monuments in some instances, and fragments in others, sufficient to interest foreigners in favour of his country, or at least to evince to them that a change in sentiment had taken place. Fortunately his plan received public encouragement, and he has, through the assistance of government, procured an astonishing number of specimens from all parts of the kingdom.
Mr. Pinkerton observes of this collection, “It will not escape the attention of the reader of taste, that the arrangement is confused, nay, often capricious, and is capable of great improvement.” And Le Maitre says, upon the samesubject, “After several hours employed in this second view, I continue of my former opinion, that the spot (formerly a convent) in which these monuments are collected, is infinitely too small; that the garden, meant to be the tranquil site of sepulchral honours, and the calm retreat of departed grandeur, is on so limited a scale, so surrounded with adjoining houses, and altogether so ill arranged, that instead of presenting the model of
“Those deep solitudes ...Where heav’nly pensive contemplation dwells,And ever musing melancholy reigns;”
it might easily be mistaken for the working yard of a statuary, or the pleasure ground of a tasteless citizen, decked out with Cupids, Mercuries, and Fawns.” Both these authors, however, agree in praising the motives and perseverance of Le Noir.
Oxfordhas the honour of producing the first, and not the least important Museum in England; which was founded in 1679, and the building completed in 1683, at the expense of the university. The students, the public, and the professors, are indebted to Elias Ashmole, Esq. for an invaluable collection of interesting objects presented by him for their use, and immediately placed within it; since which period it has been called the Ashmolean Museum. The structure, in the Corinthian order of architecture, has a magnificent portal; and the variety and value of the articles contained in it, renders a visit to the apartments highly gratifying, particularly as they are increased from time to time, as often as rare objects can be procured.
TheBritishMuseum, in London, a repository under the immediate care of government, and itself governed by fifteen trustees, selected from the highest and most honourable offices of the state, promises to exceed every other national institution, which is not supported by the spoliation and plunder of others. However inferior it may appear to those splendid collections, which consist of the most exquisite productions of the chisel and the pencil ever accomplished by man, we have the consolation to reflect, that, had it been possible to procure them by purchase, the liberality of the British nation is such, that Italy and many other countries would have long since been drained; but as the case is, each inhabitant of England may exclaim, with his characteristic integrity, as he views the vast collection which he in common with all his countrymen possesses, “These are individually our own by fair purchase or gift!” Sir Robert Cotton may be said to have laid the foundation of the British Museum, by his presenting his excellent collection of manuscripts to thepublic; those, and the offer of Sir Hans Sloane’s books, manuscripts, and curious articles in antiquity and natural history, for £20,000, suggested the propriety of accepting the latter, and providing a place for the reception of both: from this time government proceeded rapidly in forming the plan, and at length every interior regulation for officers, trustees, &c. being made, Montague House, situated in Russell-street, Bloomsbury, was purchased for £10,250, and fitted for the reception of the articles then possessed, and to be bought at the further expense of £14,484. 6s. 4d.: after which Lord Oxford’s manuscripts were procured for £10,000, to which the King added others; and since the above period, vast numbers of interesting things have been placed there,—Sir William Hamilton’s discoveries, a vast variety of valuable medals, fossils, minerals, manuscripts, and printed books, together with several Egyptian antiquities, and the late Mr. Townsley’s marbles and bas-reliefs from Italy. The latter were given to the public under the express condition that a proper place should be built for their reception, which has been complied with, and they are now exhibited, with the rest of the Museum, to an admiring people.
Various alterations have taken place in the regulations adopted for the convenience of those who read at the Museum, and the visitors, since 1757, when it was first opened for inspection and study; and it is but justice to say, each was intended well, though till lately it was thought that too many impediments existed in the way of visiting that which was solely intended for the use of the community: at present, however, no such complaint can be made with truth, as any decently dressed persons, presenting themselves at certain hours, are admitted free of every kind of expense. Admission even to the reading room, is attended with no other difficulty than necessarily follows the ascertaining whether the applicant is deserving of the indulgence, or likely to injure the interests of the institution; when there, every facility is afforded him by commodious tables, with pens and ink for writing, and a messenger in waiting to bring him any books he may think proper to select from the vast stores of literature submitted in this generous way to his use.
Colossus,—is a statue of vast or gigantic size. The most eminent of this kind was the Colossus of Rhodes, a brazen statue of Apollo, one of the wonders of the world. It was the workmanship of Chares, a disciple of Lysippus, who spent twelve years in making it; and was at length overthrown by an earthquake, B. C. 224, after having stood about sixty-six years. Its height was a hundred and five feet; there were few people who could encompass its thumb, which is said tohave been a fathom in circumference, and its fingers were larger than most statues. It was hollow, and in its cavities were large stones, employed by the artificer to counterbalance its weight, and render it steady on its pedestal.