While to the storm they give their weak complaining cry;
Or clap the sleek white pinion to the breast,
And in the restless ocean dip for rest.
Darkness begins to reign; the louder wind
Appals the weak and awes the firmer mind;
But frights not him whom evening and the spray
In part conceal - yon Prowler on his way:
Lo! he has something seen; he runs apace,
As if he fear’d companion in the chase;
He sees his prize, and now he turns again,
Slowly and sorrowing - “Was your search in vain?”
Gruffly he answers, “’Tis a sorry sight!
A seaman’s body: there’ll be more to-night!”
Hark! to those sounds! they’re from distress at sea;
How quick they come! What terrors may there be!
Yes, ’tis a driven vessel: I discern
Lights, signs of terror, gleaming from the stern;
Others behold them too, and from the town
In various parties seamen hurry down;
Their wives pursue, and damsels urged by dread,
Lest men so dear be into danger led;
Their head the gown has hooded, and their call
In this sad night is piercing like the squall;
They feel their kinds of power, and when they meet,
Chide, fondle, weep, dare, threaten, or entreat.
See one poor girl, all terror and alarm,
Has fondly seized upon her lover’s arm;
“Thou shalt not venture;” and he answers “No!
I will not:” - still she cries, “Thou shalt not go.”
No need of this; not here the stoutest boat
Can through such breakers, o’er such billows float,
Yet may they view these lights upon the beach,
Which yield them hope whom help can never reach.
From parted clouds the moon her radiance throws
On the wild waves, and all the danger shows;
But shows them beaming in her shining vest,
Terrific splendour! gloom in glory dress’d!
This for a moment, and then clouds again
Hide every beam, and fear and darkness reign.
But hear we not those sounds? Do lights appear?
I see them not! the storm alone I hear:
And lo! the sailors homeward take their way;
Man must endure - let us submit and pray.
Such are our Winter-views: but night comes on -
Now business sleeps, and daily cares are gone;
Now parties form, and some their friends assist
To waste the idle hours at sober whist;
The tavern’s pleasure or the concert’s charm
Unnumber’d moments of their sting disarm:
Play-bills and open doors a crowd invite,
To pass off one dread portion of the night;
And show and song and luxury combined,
Lift off from man this burthen of mankind.
Others advent’rous walk abroad and meet
Returning parties pacing through the street,
When various voices, in the dying day,
Hum in our walks, and greet us in our way;
When tavern-lights flit on from room to room,
And guide the tippling sailor staggering home:
There as we pass, the jingling bells betray
How business rises with the closing day:
Now walking silent, by the river’s side,
The ear perceives the rippling of the tide;
Or measured cadence of the lads who tow
Some entered hoy, to fix her in her row;
Or hollow sound, which from the parish-bell
To some departed spirit bids farewell!
Thus shall you something of our BOROUGH know,
Far as a verse, with Fancy’s aid, can show.
Of Sea or River, of a Quay or Street,
The best description must be incomplete;
But when a happier theme succeeds, and when
Men are our subjects and the deeds of men,
Then may we find the Muse in happier style,
And we may sometimes sigh and sometimes smile.
LETTER II.
. . . . . . . . Festinat enim decurrere velox
Flosculus angustae miseraeque brevissima vitae
Portio! dum bibimus, dum serta, unguenta, puellas
Poscimus, obrepit non intellecta senectus.
JUVENAL, Satires
And when at last thy Love shall die,
Wilt thou receive his parting breath?
Wilt thou repress each struggling sigh,
And cheer with smiles the bed of death?
PERCY.
---------------
THE CHURCH.
Several Meanings of the word Church - The Building so called, here intended - Its Antiquity and Grandeur - Columns and Aisles - The Tower: the Stains made by Time compared with the mock antiquity of the Artist - Progress of Vegetation on such Buildings - Bells - Tombs: one in decay - Mural Monuments, and the Nature of their Inscriptions - An Instance in a departed Burgess - Churchyard Graves - Mourners for the Dead - A Story of a betrothed Pair in humble Life, and Effects of Grief in the Survivor.
“WHAT is a Church?” - Let Truth and Reason speak,
They would reply, “The faithful, pure, and meek;
From Christian folds, the one selected race,
Of all professions, and in every place.”
“What is a Church?” - “A flock,” our Vicar cries,
“Whom bishops govern and whom priests advise;
Wherein are various states and due degrees,
The Bench for honour, and the Stall for ease;
That ease be mine, which, after all his cares,
The pious, peaceful prebendary shares.”
“What is a Church?” - Our honest Sexton tells,
“‘Tis a tall building, with a tower and bells;
Where priest and clerk with joint exertion strive
To keep the ardour af their flock alive;
That, by its periods eloquent and grave;
This, by responses, and a well-set stave:
These for the living; but when life be fled,
I toll myself the requiem for the dead.”
’Tis to this Church I call thee, and that place
Where slept our fathers when they’d run their race:
We too shall rest, and then our children keep
Their road in life, and then, forgotten, sleep;
Meanwhile the building slowly falls away,
And, like the builders, will in time decay.
The old Foundation - but it is not clear
When it was laid - you care not for the year;
On this, as parts decayed by time and storms,
Arose these various disproportion’d forms;
Yet Gothic all - the learn’d who visit us
(And our small wonders) have decided thus:-
“Yon noble Gothic arch,” “That Gothic door;”
So have they said; of proof you’ll need no more.
Here large plain columns rise in solemn style,
You’d love the gloom they make in either aisle;
When the sun’s rays, enfeebled as they pass
(And shorn of splendour) through the storied glass,
Faintly display the figures on the floor,
Which pleased distinctly in their place before.
But ere you enter, yon bold tower survey,
Tall and entire, and venerably gray,
For time has soften’d what was harsh when new,
And now the stains are all of sober hue;
The living stains which Nature’s hand alone,
Profuse of life, pours forth upon the stone:
For ever growing; where the common eye
Can but the bare and rocky bed descry;
There Science loves to trace her tribes minute,
The juiceless foliage, and the tasteless fruit;
There she perceives them round the surface creep,
And while they meet their due distinction keep;
Mix’d but not blended; each its name retains,
And these are Nature’s ever-during stains.
And wouldst thou, Artist! with thy tints and brush,
Form shades like these? Pretender, where thy blush?
In three short hours shall thy presuming hand
Th’ effect of three slow centuries command?
Thou may’st thy various greens and grays contrive;
They are not Lichens, nor like ought alive;-
But yet proceed, and when thy tints are lost,
Fled in the shower, or crumbled by the frost;
When all thy work is done away as clean
As if thou never spread’st thy gray and green;
Then may’st thou see how Nature’s work is done,
How slowly true she lays her colours on;
When her least speck upon the hardest flint
Has mark and form, and is a living tint;
And so embodied with the rock, that few
Can the small germ upon the substance view.
Seeds, to our eyes invisible, will find
On the rude rock the bed that fits their kind;
There, in the rugged soil, they safely dwell,
Till showers and snows the subtle atoms swell,
And spread th’ enduring foliage; - then we trace
The freckled flower upon the flinty base;
These all increase, till in unnoticed years
The stony tower as gray with age appears;
With coats of vegetation, thinly spread,
Coat above coat, the living on the dead;
These then dissolve to dust, and make a way
For bolder foliage, nursed by their decay:
The long-enduring Ferns in time will all
Die and depose their dust upon the wall;
Where the wing’d seed may rest, till many a flower
Show Flora’s triumph o’er the falling tower.
But ours yet stands, and has its Bells renown’d
For size magnificent and solemn sound;
Each has its motto: some contrived to tell,
In monkish rhyme, the uses of a bell;
Such wond’rous good, as few conceive could spring
From ten loud coppers when their clampers swing.
Enter’d the Church - we to a tomb proceed,
Whose names and titles few attempt to read;
Old English letters, and those half pick’d out,
Leave us, unskilful readers, much in doubt;
Our sons shall see its more degraded state;
The tomb of grandeur hastens to its fate;
That marble arch, our sexton’s favourite show,
With all those ruff’d and painted pairs below;
The noble Lady and the Lord who rest
Supine, as courtly dame and warrior drest;
All are departed from their state sublime,
Mangled and wounded in their war with Time,
Colleagued with mischief: here a leg is fled,
And lo! the Baron with but half a head:
Midway is cleft the arch; the very base
Is batter’d round and shifted from its place.
Wonder not, Mortal, at thy quick decay -
See! men of marble piecemeal melt away;
When whose the image we no longer read,
But monuments themselves memorials need.
With few such stately proofs of grief or pride,
By wealth erected, is our Church supplied;
But we have mural tablets, every size,
That woe could wish, or vanity devise.
Death levels man - the wicked and the just,
The wise, the weak, lie blended in the dust;
And by the honours dealt to every name,
The King of Terrors seems to level fame.
- See! here lamented wives, and every wife
The pride and comfort of her husband’s life;
Here, to her spouse, with every virtue graced,
His mournful widow has a trophy placed;
And here ’tis doubtful if the duteous son,
Or the good father, be in praise outdone.
This may be Nature: when our friends we lose,
Our alter’d feelings alter too our views;
What in their tempers teased us or distress’d,
Is, with our anger and the dead, at rest;
And much we grieve, no longer trial made,
For that impatience which we then display’d;
Now to their love and worth of every kind
A soft compunction turns th’ afflicted mind;
Virtues neglected then, adored become,
And graces slighted, blossom on the tomb.
’Tis well; but let not love nor grief believe
That we assent (who neither loved nor grieve)
To all that praise which on the tomb is read,
To all that passion dictates for the dead;
But more indignant, we the tomb deride,
Whose bold inscription flattery sells to pride.
Read of this Burgess - on the stone appear
How worthy he! how virtuous! and how dear!
What wailing was there when his spirit fled,
How mourned his lady for her lord when dead,
And tears abundant through the town were shed;
See! he was liberal, kind, religious, wise,
And free from all disgrace and all disguise;
His sterling worth, which words cannot express,
Lives with his friends, their pride and their distress.
All this of Jacob Holmes? for his the name:
He thus kind, liberal, just, religious? - Shame!
What is the truth? Old Jacob married thrice;
He dealt in coals, and av’rice was his vice;
He ruled the Borough when his year came on,
And some forget, and some are glad he’s gone;
For never yet with shilling could he part,
But when it left his hand it struck his heart.
Yet, here will Love its last attentions pay,
And place memorials on these beds of clay;
Large level stones lie flat upon the grave,
And half a century’s sun and tempest brave;
But many an honest tear and heartfelt sigh
Have follow’d those who now unnoticed lie;
Of these what numbers rest on every side!
Without one token left by grief or pride;
Their graves soon levell’d to the earth, and then