FELLOWCRAFTS

What mote it be?—It is the knowledge of nature, and the power of its various operations; particularly the skill of reckoning, of weights and measures, of constructing buildings and dwellings of all kinds, and the true manner of forming all things for the use of man.Where did it begin?—It began with the first men of the East, who were before the first men of the West, and coming with it, it hath brought all comforts to the wild and comfortless.Who brought it to the West?—The Phoenicians who, being great merchants, came first from the East into Phoenicia, for the convenience of commerce, both East and West by the Red and Mediterranean Seas.How came it into England?—Pythagoras, a Grecian, traveled to acquire knowledge in Egypt and Syria, and in every other land where the Phoenicians had planted Masonry; and gaining admittance into all lodges of Masons, he learned much, and returned and dwelt in Grecia Magna, growing and becoming mighty wise and greatly renowned. Here he formed a great lodge at Crotona, and made many Masons, some of whom traveled into France, and there made many more, from whence, in process of time, the art passed into England.

Where did it begin?—It began with the first men of the East, who were before the first men of the West, and coming with it, it hath brought all comforts to the wild and comfortless.

Who brought it to the West?—The Phoenicians who, being great merchants, came first from the East into Phoenicia, for the convenience of commerce, both East and West by the Red and Mediterranean Seas.

How came it into England?—Pythagoras, a Grecian, traveled to acquire knowledge in Egypt and Syria, and in every other land where the Phoenicians had planted Masonry; and gaining admittance into all lodges of Masons, he learned much, and returned and dwelt in Grecia Magna, growing and becoming mighty wise and greatly renowned. Here he formed a great lodge at Crotona, and made many Masons, some of whom traveled into France, and there made many more, from whence, in process of time, the art passed into England.

With the conquest of Britain by the Romans, theCollegia, without which no Roman society wascomplete, made their advent into the island, traces of their work remaining even to this day. Under the direction of the mother College at Rome, the Britons are said to have attained to high degree of excellence as builders, so that when the cities of Gaul and the fortresses along the Rhine were destroyed, Chlorus, A.D. 298, sent to Britain for architects to repair or rebuild them. Whether theCollegiaexisted in Britain after the Romans left, as some affirm, or were suppressed, as we know they were on the Continent when the barbarians overran it, is not clear. Probably they were destroyed, or nearly so, for with the revival of Christianity in 598 A.D., we find Bishop Wilfred of York joining with the Abbott of Wearmouth in sending to France and Italy to induce Masons to return and build in stone, as he put it, "after the Roman manner." This confirms the Italian chroniclists who relate that Pope Gregory sent several of the fraternity ofLiberi muratoriwith St. Augustine, as, later, they followed St. Boniface into Germany.

Again, in 604, Augustine sent the monk Pietro back to Rome with a letter to the same Pontiff, begging him to send more architects and workmen, which he did. As theLiberi muratoriwere none other than the Comacine Masters, it seems certain that they were at work in Englandlong before the period with which theOld Chargesbegin theirstory of English Masonry.[76]Among those sent by Gregory was Paulinus, and it is a curious fact that he is spoken of under the title ofMagister, by which is meant, no doubt, that he was a member of the Comacine order, for they so described their members; and we know that many monks were enrolled in their lodges, having studied the art of building under their instruction. St. Hugh of Lincoln was not the only Bishop who could plan a church, instruct the workman, or handle a hod. Only, it must be kept in mind that these ecclesiastics who became skilled in architecturewere taught by the Masons, and that it was not the monks, as some seem to imagine, who taught the Masons their art. Speaking of this early and troublous time, Giuseppe Merzaria says that only one lamp remained alight, making a bright spark in the darkness that extended over Europe:

It was from theMagistri Comacini. Their respective names are unknown, their individual works unspecialized, but the breadth of their spirit might be felt all through those centuries, and their name collectively is legion. We may safely say that of all the works of art betweenA.D. 800 and 1000, the greater and better part are due to that brotherhood—always faithful and often secret—of theMagistri Comacini. The authority and judgment of learned men justify the assertion.[77]

Among the learned men who agree with this judgment are Kugler of Germany, Ramee of France, and Selvatico of Italy, as well as Quatremal de Quincy, in hisDictionary of Architecture, who, in the article on the Comacine, remarks that "to these men, who were both designers and executors, architects, sculptors, and mosaicists, may be attributed the renaissance of art, and its propagation in the southern countries, where it marched with Christianity. Certain it is that we owe it to them, that the heritage of antique ages was not entirely lost, and it is only by their tradition and imitation that the art of building was kept alive, producing works which we still admire, and which become surprising when we think of the utter ignorance of all science in those dark ages." The English writer, Hope, goes further and credits the Comacine order with being the cradle of the associations of Free-masons, who were, he adds, "the first after Roman times to enrich architecture with a complete and well-ordinated system, which dominated wherever the Latin Church extended its influence."[78]Sothen, even if the early records of old Craft-masonry in England are confused, and often confusing, we are not left to grope our way from one dim tradition to another, having the history and monuments of this great order whichspans the whole period, and links the fraternity of Free-masons with one of the noblest chapters in the annals of art.

Almost without exception theOld Chargesbegin their account of Masonry in England at the time of Athelstan, the grandson of Alfred the Great; that is, between 925 and 940. Of this prince, or knight, they record that he was a wise and pacific ruler; that "he brought the land to rest and peace, and built many great buildings of castles and abbeys, for he loved Masons well." He is also said to have called an assembly of Masons at which laws, rules, and charges were adopted for the regulation of the craft. Despite these specific details, the story of Athelstan and St. Alban is hardly more than a legend, albeit dating at no very remote epoch, and well within the reasonable limits of tradition. Still, so many difficulties beset it that it has baffled the acutest critics, most of whom throw it aside.[79]Thatis, however, too summary a way of disposing of it, since the record, though badly blurred, is obviously trying to preserve a fact of importance to the order.

Usually the assembly in question is located at York, in the year 926, of which, however, no slightest record remains. Whether at York or elsewhere, some such assembly must have been convoked, either as a civil function, or as a regular meeting of Masons authorized by legal power for upholding the honor of the craft; and its articles became the laws of the order. It was probably a civil assembly, a part of whose legislation was a revised and approved code for the regulation of Masons, and not unnaturally, by reason of its importance to the order, it became known as a Masonic assembly. Moreover, the Charge agreed upon was evidently no ordinary charge, for it is spoken of as "theCharge," called by one MS "a deep charge for the observation of such articles as belong to Masonry," and by another MS "a rule to be kept forever."Other assemblies were held afterwards, either annually or semi-annually, until the time of Inigo Jones who, in 1607, became superintendent general of royal buildings and at the same time head of the Masonic order in England; and he it was who instituted quarterly gatherings instead of the old annual assemblies.

Writers not familiar with the facts often speak of Freemasonry as an evolution from Guild-masonry, but that is to err. They were never at any time united or the same, though working almost side by side through several centuries. Free-masons existed in large numbers long before any city guild of Masons was formed, and even after the Guilds became powerful the two were entirely distinct. The Guilds, as Hallam says,[80]"were Fraternities by voluntary compact, to relieve each other in poverty, and to protect each other from injury. Twoessential characteristics belonged to them: the common banquet, and the common purse. They had also, in many instances, a religious and sometimes a secret ceremonial to knit more firmly the bond of fidelity. They readily became connected with the exercises of trades, with training of apprentices, and the traditional rules of art." Guild-masons, it may be added, had many privileges, one of which was that they were allowed to frame their own laws, and to enforce obedience thereto. Each Guild had a monopoly of the building in its city or town, except ecclesiastical buildings, but with this went serious restrictions and limitations. No member of a local Guild could undertake work outside his town, but had to hold himself in readiness to repair the castle or town walls, whereas Free-masons journeyed the length and breadth of the land wherever their labor called them. Often the Free-masons, when at work in a town, employed Guild-masons, but only for rough work, and as such called them "rough-masons." No Guild-mason was admitted to the order of Free-masons unless he displayed unusual aptitude both as a workman and as a man of intellect. Such as adhered only to the manual craftand cared nothing for intellectual aims, were permitted to go back to the Guilds. For the Free-masons, be it once more noted, were not only artists doing a more difficult and finished kind of work, but an intellectual order, having a great tradition of science and symbolism which they guarded.

Following the Norman Conquest, which began in 1066, England was invaded by an army of ecclesiastics, and churches, monasteries, cathedrals, and abbeys were commenced in every part of the country. Naturally the Free-masons were much in demand, and some of them received rich reward for their skill as architects—Robertus Cementarius, a Master Mason employed at St. Albans in 1077, receiving a grant of land and a house in the town.[81]In the reign of Henry II no less than one hundred and fifty-seven religious buildings were founded in England, and it is at this period that we begin to see evidence of a new style of architecture—the Gothic. Most of the great cathedrals of Europe date from the eleventh century—the piety of the world having been wrought to a pitch of intense excitement by the expected end of all things, unaccountably fixed by popular belief to take place in theyear one thousand. When the fatal year—and the following one, which some held to be the real date for the sounding of the last trumpet—passed without the arrival of the dreaded catastrophe, the sense of general relief found expression in raising magnificent temples to the glory of God who had mercifully abstained from delivering all things to destruction. And it was the order of Free-masons who made it possible for men to "sing their souls in stone," leaving for the admiration of after times what Goethe called the "frozen music" of the Middle Ages—monuments of the faith and gratitude of the race which adorn and consecrate the earth.

Little need be added to the story of Freemasonry during the cathedral-building period; its monuments are its best history, alike of its genius, its faith, and its symbols—as witness the triangle and the circle which form the keystone of the ornamental tracery of every Gothic temple. Masonry was then at the zenith of its power, in its full splendor, the Lion of the tribe of Judah its symbol, strength, wisdom, and beauty its ideals; its motto to be faithful to God and the Government; its mission to lend itself to the public good and fraternal charity. Keeper of an ancient and high tradition, it was a refuge for the oppressed, and a teacher of art and morality to mankind. In 1270, we findPope Nicholas III confirming all the rights previously granted to the Free-masons, and bestowing on them further privileges. Indeed, all the Popes up to Benedict XII appear to have conceded marked favors to the order, even to the length of exempting its members from the necessity of observance of the statutes, from municipal regulations, and from obedience to royal edicts.

What wonder, then, that the Free-masons, ere long, tookLibertyfor their motto, and by so doing aroused the animosity of those in authority, as well as the Church which they had so nobly served. Already forces were astir which ultimately issued in the Reformation, and it is not surprising that a great secret order was suspected of harboring men and fostering influences sympathetic with the impending change felt to be near at hand. As men of the most diverse views, political and religious, were in the lodges, the order began first to be accused of refusing to obey the law, and then to be persecuted. In England a statute was enacted against the Free-masons in 1356, prohibiting their assemblies under severe penalties, but the law seems never to have been rigidly enforced; though the order suffered greatly in the civil commotions of the period. However, with the return of peace after the long War of the Roses, Freemasonry revivedfor a time, and regained much of its prestige, adding to its fame in the rebuilding of London after the fire, and in particular of St. Paul's Cathedral.[82]

When cathedral-building ceased, and the demand for highly skilled architects decreased, the order fell into decline, but never at any time lost its identity, its organization, and its ancient emblems. The Masons' Company of London, though its extant records date only from 1620, is considered by its historian, Conder, to have been established in 1220, if not earlier, at which time there was great activity in building, owing to the building of London Bridge, begun in 1176, and of Westminster Abbey in 1221; thus reaching back into the cathedral period. At one time the Free-masons seem to have been stronger in Scotland than in England, or at all events to have left behind more records—for the minutes of the Lodge of Edinburgh go back to 1599, and theSchaw Statutesto an earlier date.Nevertheless, as the art of architecture declined Masonry declined with it, not a few of its members identifying themselves with the Guilds of ordinary "rough-masons," whom they formerly held in contempt; while others, losing sight of high aims, turned its lodges into social clubs. Always, however, despite defection and decline, there were those, as we shall see, who were faithful to the ideals of the order, devoting themselves more and more to its moral and spiritual teaching until what has come to be known as "the revival of 1717."

[65]The Cathedral Builders, chap. i.

[66]"The honor due to the original founders of these edifices is almost invariably transferred to the ecclesiastics under whose patronage they rose, rather than to the skill and design of the Master Mason, or professional architect, because the only historians were monks.... They were probably not so well versed in geometrical science as the Master Masons, for mathematics formed a part of monastic learning in a very limited degree."—James Dallaway,Architecture in England; and his words are the more weighty for that he is not a Mason.

[67]History of Masonry.In the St. Sebaldus Church, Nuremburg, is a carving in stone showing a nun in the embrace of a monk. In Strassburg a hog and a goat may be seen carrying a sleeping fox as a sacred relic, in advance a bear with a cross and a wolf with a taper. An ass is reading mass at an altar. In Wurzburg Cathedral are the pillars of Boaz and Jachin, and in the altar of the Church of Doberan, in Mecklenburg, placed as Masons use them, and a most significant scene in which priests are turning a mill grinding out dogmatic doctrines; and at the bottom the Lord's Supper in which the Apostles are shown in well-known Masonic attitudes. In the Cathedral of Brandenburg a fox in priestly robes is preaching to a flock of geese; and in the Minster at Berne the Pope is placed among those who are lost in perdition. These were bold strokes which even heretics hardly dared to indulge in.

[68]History of Masonry, by Steinbrenner, chap. iv. There were, indeed, many secret societies in the Middle Ages, such as the Catharists, Albigenses, Waldenses, and others, whose initiates and adherents traveled through all Europe, forming new communities and making proselytes not only among the masses, but also among nobles, and even among the monks, abbots, and bishops. Occultists, Alchemists, Kabbalists, all wrought in secrecy, keeping their flame aglow under the crust of conformity.

[69]Realities of Masonry, by Blake (chap. ii). While the theory of the descent of Masonry from the Order of the Temple is untenable, a connection between the two societies, in the sense in which an artist may be said to be connected with his employer, is more than probable; and a similarity may be traced between the ritual of reception in the Order of the Temple and that used by Masons, but that of the Temple was probably derived from, or suggested by, that of the Masons; or both may have come from an original source further back. That the Order of the Temple, as such, did not actually coalesce with the Masons seems clear, but many of its members sought refuge under the Masonic apron (History of Freemasonry and Concordant Orders, by Hughan and Stillson).

[70]Every elaborate History of Masonry—as, for example, that of Gould—reproduces these old documents in full or in digest, with exhaustive analyses of and commentaries upon them. Such a task obviously does not come within the scope of the present study. One of the best brief comparative studies of theOld Chargesis an essay by W.H. Upton, "The True Text of the Book of Constitutions," in that it applies approved methods of historical criticism to all of them (A. Q. C., vii, 119). See alsoMasonic Sketches and Reprints, by Hughan. No doubt theseOld Chargesare familiar, or should be familiar, to every intelligent member of the order, as a man knows the deeds of his estate.

[71]The Hole Craft and Fellowship of Masonry, by Conder. Also exhaustive essays by Conder and Speth,A. Q. C., ix, 29; x, 10. Too much, it seems to me, has been made of both the name and the date, since thefactwas older than either. Findel finds the nameFree-mason as early as 1212, and Leader Scott goes still further back; but the fact may be traced back to the Roman Collegia.

[72]He refers to Herodotus as theMaster of History; quotes from thePolychronicon, written by a Benedictine monk who died in 1360; fromDe Imagine Mundi, Isodorus, and frequently from the Bible. Of more than ordinary learning for his day and station, he did not escape a certain air of pedantry in his use of authorities.

[73]These invocations vary in their phraseology, some bearing more visibly than others the mark of the Church. Toulmin Smith, in hisEnglish Guilds, notes the fact that the form of the invocations of the Masons "differs strikingly from that of most other Guilds. In almost every other case, God the Father Almighty would seem to have been forgotten." But Masons never forgot the corner-stone upon which their order and its teachings rest; not for a day.

[74]Such names as Aynone, Aymon, Ajuon, Dynon, Amon, Anon, Annon, and Benaim are used, deliberately, it would seem, and of set design.The Inigo Jones MSuses the Bible name, but, though dated 1607, it has been shown to be apocryphal. See Gould'sHistory, appendix. AlsoBulletinof Supreme Council S. J., U. S. (vii, 200), that the Strassburg builders pictured the legend in stone.

[75]The Cathedral Builders, bk. i, chap. i.

[76]See the account of "The Origin of Saxon Architecture," in theCathedral Builders(bk. ii, chap. iii), written by Dr. W.M. Barnes in England independently of the author who was living in Italy; and it is significant that the facts led both of them to the same conclusions. They show quite unmistakably that the Comacine builders were in England as early as 600 A.D., both by documents and by a comparative study of styles of architecture.

[77]Maestri Comacini, vol. i, chap. ii.

[78]Story of Architecture, chap. xxii.

[79]Gould, in hisHistory of Masonry(i, 31, 65), rejects the legend as having not the least foundation in fact, as indeed, he rejects almost everything that cannot prove itself in a court of law. For the other side see a "Critical Examination of the Alban and Athelstan Legends," by C.C. Howard (A. Q. C., vii, 73). Meanwhile, Upton points out that St. Alban was the name of a town, not of a man, and shows how the error may have crept into the record (A. Q. C., vii, 119-131). The nature of the tradition, its details, its motive, and the absence of any reason for fiction, should deter us from rejecting it. See two able articles, pro and con, by Begemann and Speth, entitled "The Assembly" (A. Q. C., vii). Older Masonic writers, like Oliver and Mackey, accepted the York assembly as a fact established (American Quarterly Review of Freemasonry, vol. i, 546; ii, 245).

[80]History of the English Constitution.Of course the Guild was indigenous to almost every age and land, from China to ancient Rome (The Guilds of China, by H.B. Morse), and they survive in the trade and labor unions of our day. The story ofEnglish Guildshas been told by Toulmin Smith, and in the histories of particular companies by Herbert and Hazlitt, leaving little for any one to add. No doubt the Guilds were influenced by the Free-masons in respect of officers and emblems, and we know that some of them, like the German Steinmetzen, attached moral meanings to their working tools, and that others, like the French Companionage, even held the legend of Hiram; but these did not make them Free-masons. English writers like Speth go too far when they deny to the Steinmetzen any esoteric lore, and German scholars like Krause and Findel are equally at fault in insisting that they were Free-masons. (See essay by Speth,A. Q. C., i, 17, andHistory of Masonry, by Steinbrenner, chap. iv.)

[81]Notes on the Superintendents of English Buildings in the Middle Ages, by Wyatt Papworth. Cementerius is also mentioned in connection with the Salisbury Cathedral, again in his capacity as a Master Mason.

[82]Hearing that the Masons had certain secrets that could not be revealed to her (for that she could not be Grand Master) Queen Elizabeth sent an armed force to break up their annual Grand Lodge at York, on St. John's Day, December 27, 1561. But Sir Thomas Sackville took care to see that some of the men sent were Free-masons, who, joining in the communication, made "a very honorable report to the Queen, who never more attempted to dislodge or disturb them; but esteemed them a peculiar sort of men, that cultivated peace and friendship, arts and sciences, without meddling in the affairs of Church or State" (Book of Constitutions, by Anderson).

Noe person (of what degree soever) shalbee accepted a Free Mason,unless hee shall have a lodge of five Free Masons at least; whereof one to be a master, or warden, of that limitt, or division, wherein such Lodge shalbee kept, and another of the trade of Free Masonry.That noe person shalbee accepted a Free Mason, but such as are of able body, honest parentage, good reputation, and observers of the laws of the land.That noe person shalbee accepted a Free Mason, or know the secrets of said Society, until hee hath first taken the oath of secrecy hereafter following: "I, A. B., doe in the presence of Almighty God, and my fellows, and brethren here present, promise and declare, that I will not at any time hereafter, by any act or circumstance whatsoever, directly or indirectly, publish, discover, reveal, or make known any of the secrets, privileges, or counsels, of the fraternity or fellowship of Free Masonry, which at this time, or any time hereafter, shalbee made known unto mee soe helpe mee God, and the holy contents of this booke."—Harleian MS, 1600-1650

That noe person shalbee accepted a Free Mason, but such as are of able body, honest parentage, good reputation, and observers of the laws of the land.

That noe person shalbee accepted a Free Mason, or know the secrets of said Society, until hee hath first taken the oath of secrecy hereafter following: "I, A. B., doe in the presence of Almighty God, and my fellows, and brethren here present, promise and declare, that I will not at any time hereafter, by any act or circumstance whatsoever, directly or indirectly, publish, discover, reveal, or make known any of the secrets, privileges, or counsels, of the fraternity or fellowship of Free Masonry, which at this time, or any time hereafter, shalbee made known unto mee soe helpe mee God, and the holy contents of this booke."

—Harleian MS, 1600-1650

Having followed the Free-masons over a long period of history, it is now in order to give some account of the ethics, organization, laws, emblems, and workings of their lodges. Such a study is at once easy and difficult by turns, owing to the mass of material, and to the further fact that in the nature of things much of the work of a secret order is not, and has never been, matter for record. By this necessity, not a little must remain obscure, but it is hoped that even those not of the order may derive a definite notion of the principles and practices of the old Craft-masonry, from which the Masonry of today is descended. At least, such a sketch will show that, from times of old, the order of Masons has been a teacher of morality, charity, and truth, unique in its genius, noble in its spirit, and benign in its influence.

Taking its ethical teaching first, we have only to turn to theOld ChargesorConstitutionsof theorder, with their quaint blending of high truth and homely craft-law, to find the moral basis of universal Masonry. These old documents were a part of the earliest ritual of the order, and were recited or read to every young man at the time of his initiation as an Entered Apprentice. As such, they rehearsed the legends, laws, and ethics of the craft for his information, and, as we have seen, they insisted upon the antiquity of the order, as well as its service to mankind—a fact peculiar to Masonry,for no other order has ever claimed such a legendary or traditional history. Having studied that legendary record and its value as history, it remains to examine the moral code laid before the candidate who, having taken a solemn oath of loyalty and secrecy, was instructed in his duties as an Apprentice and his conduct as a man. What that old code lacked in subtlety is more than made up in simplicity, and it might all be stated in the words of the Prophet: "To do justly, to love mercy, and to walk humbly before God,"—the old eternal moral law, founded in faith, tried by time, and approved as valid for men of every clime, creed, and condition.

Turning to theRegius MS, we find fifteen "points" or rules set forth for the guidance of Fellowcrafts, and as many for the rule of Master Masons.[83]Later the number was reduced to nine,but so far from being an abridgment, it was in fact an elaboration of the original code; and by the time we reach theRobertsandWatsonMSS a similar set of requirements for Apprentices had been adopted—or rather recorded, for they had been in use long before. It will make for clearness if we reverse the order and take the Apprentice charge first, as it shows what manner of men were admitted to the order. No man was made a Mason save by his own free choice, and he had to prove himself a freeman of lawful age, of legitimate birth, of sound body, of clean habits, and of good repute, else he was not eligible. Also, he had to bind himself by solemn oath to serve under rigid rules for a period of seven years, vowing absolute obedience—for the old-time Lodge was a school in which youngmen studied, not only the art of building and its symbolism, but the seven sciences as well. At first the Apprentice was little more than a servant, doing the most menial work, his period of endenture being at once a test of his character and a training for his work. If he proved himself trustworthy and proficient, his wages were increased, albeit his rules of conduct were never relaxed. How austere the discipline was may be seen from a summary of its rules:

Confessing faith in God, an Apprentice vowed to honor the Church, the State, and the Master under whom he served, agreeing not to absent himself from the service of the order, by day or night, save with the license of the Master. He must be honest, truthful, upright, faithful in keeping the secrets of the craft, or the confidence of the Master, or of any Free-mason, when communicated to him as such. Above all he must be chaste, never committing adultery or fornication, and he must not marry, or contract himself to any woman, during his apprenticeship. He must be obedient to the Master without argument or murmuring, respectful to all Free-masons, courteous, avoiding obscene or uncivil speech, free from slander, dissension, or dispute. He must not haunt or frequent any tavern or ale-house, or so much as go into them except it be uponan errand of the Master or with his consent, using neither cards, dice, nor any unlawful game, "Christmas time excepted." He must not steal anything even to the value of a penny, or suffer it to be done, or shield anyone guilty of theft, but report the fact to the Master with all speed.

After seven long years the Apprentice brought his masterpiece to the Lodge—or, in earlier times, to the annual Assembly[84]—and on strict trial and due examination was declared a Master. Thereupon he ceased to be a pupil and servant, passed into the ranks of Fellowcrafts, and became a free man capable, for the first time in his life, of earning his living and choosing his own employer. Having selected a Mark[85]by which his work could beidentified, he could then take his kit of tools and travel as a Master of his art, receiving the wages of a Master—not, however, without first reaffirming his vows of honesty, truthfulness, fidelity, temperance, and chastity, and assuming added obligations to uphold the honor of the order. Again he was sworn not to lay bare, nor to tell to any man what he heard or saw done in the Lodge, and to keep the secrets of a fellow Mason as inviolably as his own—unless such a secret imperiled the good name of the craft. He furthermore promised to act as mediator between his Master and his Fellows, and to deal justly with both parties. If he saw a Fellow hewing a stone which he was in a fair way to spoil, he must help him without loss of time, if able to do so, that the whole work be not ruined. Or if he met a fellow Mason in distress, or sorrow, he must aid him so far as lay within his power. In short, he must live in justice and honor with all men, especially with the members of the order, "that the bond of mutual charity and love may augment and continue."

Still more binding, if possible, were the vows of a Fellowcraft when he was elevated to the dignity of Master of the Lodge or of the Work. Oncemore he took solemn oath to keep the secrets of the order unprofaned, and more than one old MS quotes the Golden Rule as the law of the Master's office. He must be steadfast, trusty, and true; pay his Fellows truly; take no bribe; and as a judge stand upright. He must attend the annual Assembly, unless disabled by illness, if within fifty miles—the distance varying, however, in different MSS. He must be careful in admitting Apprentices, taking only such as are fit both physically and morally, and keeping none without assurance that he would stay seven years in order to learn his craft. He must be patient with his pupils, instruct them diligently, encourage them with increased pay, and not permit them to work at night, "unless in the pursuit of knowledge, which shall be a sufficient excuse." He must be wise and discreet, and undertake no work he cannot both perform and complete equally to the profit of his employer and the craft. Should a Fellow be overtaken by error, he must be gentle, skilful, and forgiving, seeking rather to help than to hurt, abjuring scandal and bitter words. He must not attempt to supplant a Master of the Lodge or of the Work, or belittle his work, but recommend it and assist him in improving it. He must be liberal in charity to those in need, helping a Fellow who has fallen upon evil lot, giving him work andwages for at least a fortnight, or if he has no work, "relieve him with money to defray his reasonable charges to the next Lodge." For the rest, he must in all ways act in a manner befitting the nobility of his office and his order.

Such were some of the laws of the moral life by which the old Craft-masonry sought to train its members, not only to be good workmen, but to be good and true men, serving their Fellows; to which, as the Rawlinson MS tells us, "divers new articles have been added by the free choice and good consent and best advice of the Perfect and True Masons, Masters, and Brethren." If, as an ethic of life, these laws seem simple and rudimentary, they are none the less fundamental, and they remain to this day the only gate and way by which those must enter who would go up to the House of the Lord. As such they are great and saving things to lay to heart and act upon, and if Masonry taught nothing else its title to the respect of mankind would be clear. They have a double aspect: first, the building of a spiritual man upon immutable moral foundations; and second, the great and simple religious faith in the Fatherhood of God, the Brotherhood of man, and the Life Eternal, taught by Masonry from its earliest history to this good day. Morality and theistic religion—upon these two rocks Masonryhas always stood, and they are the only basis upon which man may ever hope to rear the spiritual edifice of his life, even to the capstone thereof.

Imagine, now, a band of these builders, bound together by solemn vows and mutual interests, journeying over the most abominable roads toward the site selected for an abbey or cathedral. Traveling was attended with many dangers, and the company was therefore always well armed, the disturbed state of the country rendering such a precaution necessary. Tools and provisions belonging to the party were carried on pack-horses or mules, placed in the center of the convoy, in charge of keepers. The company consisted of a Master Mason directing the work, Fellows of the craft, and Apprentices serving their time. Besides these we find subordinate laborers, not of the Lodge though in it, termed layers, setters, tilers, and so forth. Masters and Fellows wore a distinctive costume, which remained almost unchanged in its fashion for no less than three centuries.[86]Withal, it was a seriouscompany, but in nowise solemn, and the tedium of the journey was no doubt beguiled by song, story, and the humor incident to travel.

"Wherever they came," writes Mr. Hope in hisEssay on Architecture, "in the suite of missionaries, or were called by the natives, or arrived of their own accord, to seek employment, they appeared headed by a chief surveyor, who governed the whole troop, and named one man out of every ten, under the name of warden, to overlook the other nine, set themselves to building temporary huts for their habitation around the spot where the work was to be carried on, regularly organized their different departments, fell to work, sent for fresh supplies of their brethren as the object demanded, and, when all was finished, again they raised their encampment, and went elsewhere to undertake other work."

Here we have a glimpse of the methods of the Free-masons, of their organization, almost military in its order and dispatch, and of their migratory life; although they had a more settled life than this ungainly sentence allows, for long time wasrequired for the building of a great cathedral. Sometimes, it would seem, they made special contracts with the inhabitants of a town where they were to erect a church, containing such stipulations as, that a Lodge covered with tiles should be built for their accommodation, and that every laborer should be provided with a white apron of a peculiar kind of leather and gloves to shield the hands from stone and slime.[87]At all events, the picture we have is that of a little community or village of workmen, living in rude dwellings, with a Lodge room at the center adjoining a slowly rising cathedral—the Master busy with his plans and the care of his craft; Fellows shaping stones for walls, arches, or spires; Apprentices fetching tools or mortar, and when necessary, tending the sick, and performingall offices of a similar nature. Always the Lodge was the center of interest and activity, a place of labor, of study, of devotion, as well as the common room for the social life of the order. Every morning, as we learn from the Fabric Rolls of York Minster, began with devotion, followed by the directions of the Master for the work of the day, which no doubt included study of the laws of the art, plans of construction, and the mystical meaning of ornaments and emblems. Only Masons were in attendance at such times, the Lodge being closed to all others, and guarded by a Tiler[88]against "the approach of cowans[89]and eavesdroppers." Thus thework of each day was begun, moving forward amidst the din and litter of the hours, until the craft was called from labor to rest and refreshment; and thus a cathedral was uplifted as a monument to the Order, albeit the names of the builders are faded and lost. Employed for years on the same building, and living together in the Lodge, it is not strange that Free-masons came to know and love one another, and to have a feeling of loyalty to their craft, unique, peculiar, and enduring. Traditions of fun and frolic, of song and feast and gala-day, have floated down to us, telling of a comradeship as joyous as it was genuine. If their life had hardship and vicissitude, it had also its grace and charm of friendship, of sympathy, service, and community of interest, and the joy that comes of devotion to a high and noble art.

When a Mason wished to leave one Lodge and go elsewhere to work, as he was free to do when he desired, he had no difficulty in making himself knownto the men of his craft by certain signs, grips, and words.[90]Such tokens of recognition were necessary to men who traveled afar in those uncertain days, especially when references or other means of identification were ofttimes impossible. All that many people knew about the order was that its members had a code of secret signs, and that no Mason need be friendless or alone when other Masons were within sight or hearing; so that the very name of the craft came to stand for any mode of hidden recognition. Steele, in theTatler, speaks of a class of people who have "their signs and tokens likeFree-masons." There were more than one of these signs and tokens, as we are more than once told—in theHarleian MS, for example, which speaks of "words and signs." What they were may not be here discussed, but it is safe to say that a Master Mason of the Middle Ages, were he to return from the land of shadows, could perhaps make himself known as such in a Fellowcraft Lodge of today. No doubt some things would puzzle him at first, but he would recognize the officers of the Lodge, its form, its emblems, its great altar Light, and its moral truth taught in symbols. Besides, he could tell us, if so minded, much that we should like to learn about the craft in the olden times, its hidden mysteries, the details of its rites, and the meaning of its symbols when the poetry of building was yet alive.

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