60.—Under the Mistletoe Bough.

"Everybody, as I suppose, knows well that the number of different Christmas plum puddings that you taste will bring youthe same number of lucky days in the new year. One of the guests (and his name has escaped my memory) brought with him a sheet of paper on which were drawn sixty-four puddings, and he said the puzzle was an allegory of a sort, and he intended to show how we might manage our pudding-tasting with as much dispatch as possible." I fail to fully understand this fanciful and rather overstrained view of the puzzle. But it would appear that the puddings were arranged regularly, as I have shown them in the illustration, and that to strike out a pudding was to indicate that it had been duly tasted. You have simply to put the point of your pencil on the pudding in the top corner, bearing a sprig of holly, and strike out all the sixty-four puddings through their centres in twenty-one straight strokes. You can go up or down or horizontally, but not diagonally or obliquely; and you must never strike out a pudding twice, as that would imply a second and unnecessary tasting of those indigestible dainties. But the peculiar part of the thing is that you are required to taste the pudding that is seen steaming hot at the end of your tenth stroke, and to taste the one decked with holly in the bottom row the very last of all.

"At the party was a widower who has but lately come into these parts," says the record; "and, to be sure, he was an exceedingly melancholy man, for he did sit away from the company during the most part of the evening. We afterwards heard that he had been keeping a secret account of all the kisses that were given and received under the mistletoe bough. Truly, I would not have suffered any one to kiss me in that manner had I known that so unfair a watch was being kept. Other maids beside were in a like way shocked, as Betty Marchant has since told me." But it seems that the melancholy widower was merely collecting material for the following little osculatory problem.

The company consisted of the Squire and his wife and six other married couples, one widower and three widows, twelve bachelorsand boys, and ten maidens and little girls. Now, everybody was found to have kissed everybody else, with the following exceptions and additions: No male, of course, kissed a male. No married man kissed a married woman, except his own wife. All the bachelors and boys kissed all the maidens and girls twice. The widower did not kiss anybody, and the widows did not kiss each other. The puzzle was to ascertain just how many kisses had been thus given under the mistletoe bough, assuming, as it is charitable to do, that every kiss was returned—the double act being counted as one kiss.

The last extract that I will give is one that will, I think, interest those readers who may find some of the above puzzles too easy.It is a hard nut, and should only be attempted by those who flatter themselves that they possess strong intellectual teeth.

"Master Herbert Spearing, the son of a widow lady in our parish, proposed a puzzle in arithmetic that looks simple, but nobody present was able to solve it. Of a truth I did not venture to attempt it myself, after the young lawyer from Oxford, who they say is very learned in the mathematics and a great scholar, failed to show us the answer. He did assure us that he believed it could not be done, but I have since been told that it is possible, though, of a certainty, I may not vouch for it. Master Herbert brought with him two cubes of solid silver that belonged to his mother. He showed that, as they measured two inches every way, each contained eight cubic inches of silver, and therefore the two contained together sixteen cubic inches. That which he wanted to know was—'Could anybody give him exact dimensions for two cubes that should together contain just seventeen cubic inches of silver?'" Of course the cubes may be of different sizes.

The idea of a Christmas Puzzle Party, as devised by the old Squire, seems to have been excellent, and it might well be revived at the present day by people who are fond of puzzles and who have grown tired of Book Teas and similar recent introductions for the amusement of evening parties. Prizes could be awarded to the best solvers of the puzzles propounded by the guests.

When it recently became known that the bewildering mystery of the Prince and the Lost Balloon was really solved by the members of the Puzzle Club, the general public was quite unaware that any such club existed. The fact is that the members always deprecated publicity; but since they have been dragged into the light in connection with this celebrated case, so many absurd and untrue stories have become current respecting their doings that I have been permitted to publish a correct account of some of their more interesting achievements. It was, however, decided that the real names of the members should not be given.

The club was started a few years ago to bring together those interested in the solution of puzzles of all kinds, and it contains some of the profoundest mathematicians and some of the most subtle thinkers resident in London. These have done some excellent work of a high and dry kind. But the main body soon took to investigating the problems of real life that are perpetually cropping up.

It is only right to say that they take no interest in crimes as such, but only investigate a case when it possesses features of a distinctly puzzling character. They seek perplexity for its own sake—something to unravel. As often as not the circumstances are of no importance to anybody, but they just form a little puzzle in real life, and that is sufficient.

A good example of the lighter kind of problem that occasionally comes before them is that which is known amongst them by thename of "The Ambiguous Photograph." Though it is perplexing to the inexperienced, it is regarded in the club as quite a trivial thing. Yet it serves to show the close observation of these sharp-witted fellows. The original photograph hangs on the club wall, and has baffled every guest who has examined it. Yet any child should be able to solve the mystery. I will give the reader an opportunity of trying his wits at it.

Some of the members were one evening seated together in their clubhouse in the Adelphi. Those present were: Henry Melville, a barrister not overburdened with briefs, who was discussing a problem with Ernest Russell, a bearded man of middle age, who held some easy post in Somerset House, and was a Senior Wrangler and one of the most subtle thinkers of the club; Fred Wilson, a journalist of very buoyant spirits, who had more real capacity than one would at first suspect; John Macdonald, a Scotsman, whose record was that he had never solved a puzzle himself since the club was formed, though frequently he had put others on the track of a deep solution; Tim Churton, a bank clerk, full of cranky, unorthodox ideas as to perpetual motion; also Harold Tomkins, a prosperous accountant, remarkably familiar with the elegant branch of mathematics—the theory of numbers.

Suddenly Herbert Baynes entered the room, and everybody saw at once from his face that he had something interesting to communicate. Baynes was a man of private means, with no occupation.

"Here's a quaint little poser for you all," said Baynes. "I have received it to-day from Dovey."

Dovey was proprietor of one of the many private detective agencies that found it to their advantage to keep in touch with the club.

"Is it another of those easy cryptograms?" asked Wilson. "If so, I would suggest sending it upstairs to the billiard-marker."

"Don't be sarcastic, Wilson," said Melville. "Remember, we are indebted to Dovey for the great Railway Signal Problem that gave us all a week's amusement in the solving."

"If you fellows want to hear," resumed Baynes, "just try to keep quiet while I relate the amusing affair to you. You all know of the jealous little Yankee who married Lord Marksford two years ago? Lady Marksford and her husband have been in Paris for two or three months. Well, the poor creature soon got under the influence of the green-eyed monster, and formed the opinion that Lord Marksford was flirting with other ladies of his acquaintance.

"Now, she has actually put one of Dovey's spies on to that excellent husband of hers; and the myrmidon has been shadowing him about for a fortnight with a pocket camera. A few days ago he came to Lady Marksford in great glee. He had snapshotted his lordship while actually walking in the public streets with a lady who was not his wife."

"'What is the use of this at all?' asked the jealous woman.

"'Well, it is evidence, your ladyship, that your husband was walking with the lady. I know where she is staying, and in a few days shall have found out all about her.'

"'But, you stupid man,' cried her ladyship, in tones of great contempt, 'how can any one swear that this is his lordship, when the greater part of him, including his head and shoulders, is hidden from sight? And—and'—she scrutinized the photo carefully—'why, I guess it is impossible from this photograph to say whether the gentleman is walking with the lady or going in the opposite direction!'

"Thereupon she dismissed the detective in high dudgeon. Dovey has himself just returned from Paris, and got this account of the incident from her ladyship. He wants to justify his man, if possible, by showing that the photo does disclose which way the man is going. Here it is. See what you fellows can make of it."

Our illustration is a faithful drawing made from the original photograph. It will be seen that a slight but sudden summer shower is the real cause of the difficulty.

All agreed that Lady Marksford was right—that it is impossible to determine whether the man is walking with the lady or not.

"Her ladyship is wrong," said Baynes, after everybody had made a close scrutiny. "I find there is important evidence in the picture. Look at it carefully."

"Of course," said Melville, "we can tell nothing from the frock-coat. It may be the front or the tails. Blessed if I can say!Then he has his overcoat over his arm, but which way his arm goes it is impossible to see."

"How about the bend of the legs?" asked Churton.

"Bend! why, there isn't any bend," put in Wilson, as he glanced over the other's shoulder. "From the picture you might suspect that his lordship has no knees. The fellow took his snapshot just when the legs happened to be perfectly straight."

"I'm thinking that perhaps——" began Macdonald, adjusting his eye-glasses.

"Don't think, Mac," advised Wilson. "It might hurt you. Besides, it is no use you thinking that if the dog would kindly pass on things would be easy. He won't."

"The man's general pose seems to me to imply movement to the left," Tomkins thought.

"On the contrary," Melville declared, "it appears to me clearly to suggest movement to the right."

"Now, look here, you men," said Russell, whose opinionsalways carried respect in the club. "It strikes me that what we have to do is to consider the attitude of the lady rather than that of the man. Does her attention seem to be directed to somebody by her side?"

Everybody agreed that it was impossible to say.

"I've got it!" shouted Wilson. "Extraordinary that none of you have seen it. It is as clear as possible. It all came to me in a flash!"

"Well, what is it?" asked Baynes.

"Why, it is perfectly obvious. You see which way the dog is going—to the left. Very well. Now, Baynes, to whom does the dog belong?"

"To the detective!"

The laughter against Wilson that followed this announcement was simply boisterous, and so prolonged that Russell, who had at the time possession of the photo, seized the opportunity for making a most minute examination of it. In a few moments he held up his hands to invoke silence.

"Baynes is right," he said. "There is important evidence there which settles the matter with certainty. Assuming that the gentleman is really Lord Marksford—and the figure, so far as it is visible, is his—I have no hesitation myself in saying that—"

"Stop!" all the members shouted at once.

"Don't break the rules of the club, Russell, though Wilson did," said Melville. "Recollect that 'no member shall openly disclose his solution to a puzzle unless all present consent.'"

"You need not have been alarmed," explained Russell. "I was simply going to say that I have no hesitation in declaring that Lord Marksford is walking in one particular direction. In which direction I will tell you when you have all 'given it up.'"

Though the incident known in the Club as "The Cornish Cliff Mystery" has never been published, every one remembers the casewith which it was connected—an embezzlement at Todd's Bank in Cornhill a few years ago. Lamson and Marsh, two of the firm's clerks, suddenly disappeared; and it was found that they had absconded with a very large sum of money. There was an exciting hunt for them by the police, who were so prompt in their action that it was impossible for the thieves to get out of the country. They were traced as far as Truro, and were known to be in hiding in Cornwall.

Just at this time it happened that Henry Melville and Fred Wilson were away together on a walking tour round the Cornish coast. Like most people, they were interested in the case; and one morning, while at breakfast at a little inn, they learnt that the absconding men had been tracked to that very neighbourhood, and that a strong cordon of police had been drawn round the district, making an escape very improbable. In fact, an inspector and a constable came into the inn to make some inquiries, and exchanged civilities with the two members of the Puzzle Club. A few references to some of the leading London detectives, and the production of a confidential letter Melville happened to have in his pocket from one of them, soon established complete confidence, and the inspector opened out.

He said that he had just been to examine a very important clue a quarter of a mile from there, and expressed the opinion that Messrs. Lamson and Marsh would never again be found alive. At the suggestion of Melville the four men walked along the road together.

"There is our stile in the distance," said the inspector. "This constable found beside it the pocket-book that I have shown you, containing the name of Marsh and some memoranda in his handwriting. It had evidently been dropped by accident. On looking over the stone stile he noticed the footprints of two men—which I have already proved from particulars previously supplied to the police to be those of the men we want—and I am sure you will agree that they point to only one possible conclusion."

Arrived at the spot, they left the hard road and got over thestile. The footprints of the two men were here very clearly impressed in the thin but soft soil, and they all took care not to trample on the tracks. They followed the prints closely, and found that they led straight to the edge of a cliff forming a sheer precipice, almost perpendicular, at the foot of which the sea, some two hundred feet below, was breaking among the boulders.

"Here, gentlemen, you see," said the inspector, "that the footprints lead straight to the edge of the cliff, where there is a good deal of trampling about, and there end. The soil has nowhere been disturbed for yards around, except by the footprints that you see. The conclusion is obvious."

"That, knowing they were unable to escape capture, they decided not to be taken alive, and threw themselves over the cliff?" asked Wilson.

"Exactly. Look to the right and the left, and you will find no footprints or other marks anywhere. Go round there to the left, and you will be satisfied that the most experienced mountaineerthat ever lived could not make a descent, or even anywhere get over the edge of the cliff. There is no ledge or foothold within fifty feet."

"Utterly impossible," said Melville, after an inspection. "What do you propose to do?"

"I am going straight back to communicate the discovery to headquarters. We shall withdraw the cordon and search the coast for the dead bodies."

"Then you will make a fatal mistake," said Melville. "The men are alive and in hiding in the district. Just examine the prints again. Whose is the large foot?"

"That is Lamson's, and the small print is Marsh's. Lamson was a tall man, just over six feet, and Marsh was a little fellow."

"I thought as much," said Melville. "And yet you will find that Lamson takes a shorter stride than Marsh. Notice, also, the peculiarity that Marsh walks heavily on his heels, while Lamson treads more on his toes. Nothing remarkable in that? Perhaps not; but has it occurred to you that Lamson walked behind Marsh? Because you will find that he sometimes treads over Marsh's footsteps, though you will never find Marsh treading in the steps of the other."

"Do you suppose that the men walked backwards in their own footprints?" asked the inspector.

"No; that is impossible. No two men could walk backwards some two hundred yards in that way with such exactitude. You will not find a single place where they have missed the print by even an eighth of an inch. Quite impossible. Nor do I suppose that two men, hunted as they were, could have provided themselves with flying-machines, balloons, or even parachutes. They did not drop over the cliff."

Melville then explained how the men had got away. His account proved to be quite correct, for it will be remembered that they were caught, hiding under some straw in a barn, within two miles of the spot. How did they get away from the edge of the cliff?

The little affair of the "Runaway Motor-car" is a good illustration of how a knowledge of some branch of puzzledom may be put to unexpected use. A member of the Club, whose name I have at the moment of writing forgotten, came in one night and said that a friend of his was bicycling in Surrey on the previous day, when a motor-car came from behind, round a corner, at a terrific speed, caught one of his wheels, and sent him flying in the road. He was badly knocked about, and fractured his left arm, while his machine was wrecked. The motor-car was not stopped, and he had been unable to trace it.

There were two witnesses to the accident, which was beyond question the fault of the driver of the car. An old woman, a Mrs. Wadey, saw the whole thing, and tried to take the number of the car. She was positive as to the letters, which need not be given, and was certain also that the first figure was a 1. The other figures she failed to read on account of the speed and dust.

The other witness was the village simpleton, who just escapes being an arithmetical genius, but is excessively stupid in everything else.

He is always working out sums in his head; and all he could say was that there were five figures in the number, and that he found that when he multiplied the first two figures by the last three they made the same figures, only in different order—just as 24 multiplied by 651 makes 15,624 (the same five figures), in which case the number of the car would have been 24,651; and he knew there was no 0 in the number.

"It will be easy enough to find that car," said Russell. "The known facts are possibly sufficient to enable one to discover the exact number. You see, there must be a limit to the five-figure numbers having the peculiarity observed by the simpleton. And these are further limited by the fact that, as Mrs. Wadey states, the number began with the figure 1. We have therefore to find these numbers. It may conceivably happen that there is onlyone such number, in which case the thing is solved. But even if there are several cases, the owner of the actual car may easily be found.

"How will you manage that?" somebody asked.

"Surely," replied Russell, "the method is quite obvious. By the process of elimination. Every owner except the one in fault will be able to prove an alibi. Yet, merely guessing offhand, I think it quite probable that there is only one number that fits the case. We shall see."

Russell was right, for that very night he sent the number by post, with the result that the runaway car was at once traced, and its owner, who was himself driving, had to pay the cost of the damages resulting from his carelessness. What was the number of the car?

The mystery of Ravensdene Park, which I will now present, was a tragic affair, as it involved the assassination of Mr. Cyril Hastings at his country house a short distance from London.

On February 17th, at 11 p.m., there was a heavy fall of snow, and though it lasted only half an hour, the ground was covered to a depth of several inches. Mr. Hastings had been spending the evening at the house of a neighbour, and left at midnight to walk home, taking the short route that lay through Ravensdene Park—that is, from D to A in the sketch-plan. But in the early morning he was found dead, at the point indicated by the star in our diagram, stabbed to the heart. All the seven gates were promptly closed, and the footprints in the snow examined. These were fortunately very distinct, and the police obtained the following facts:—

The footprints of Mr. Hastings were very clear, straight from D to the spot where he was found. There were the footprints of the Ravensdene butler—who retired to bed five minutes before midnight—from E to EE. There were the footprints of the gamekeeper from A to his lodge at AA. Other footprints showed thatone individual had come in at gate B and left at gate BB, while another had entered by gate C and left at gate CC.

Only these five persons had entered the park since the fall of snow. Now, it was a very foggy night, and some of these pedestrians had consequently taken circuitous routes, but it was particularly noticed that no track ever crossed another track. Of this the police were absolutely certain, but they stupidly omitted to make a sketch of the various routes before the snow had melted and utterly effaced them.

The mystery was brought before the members of the Puzzle Club, who at once set themselves the task of solving it. Was it possible to discover who committed the crime? Was it the butler? Or the gamekeeper? Or the man who came in at B and went out at BB? Or the man who went in at C and left at CC? They provided themselves with diagrams—sketch-plans, like the one we have reproduced, which simplified the real form of Ravensdene Park without destroying the necessary conditions of the problem.

Our friends then proceeded to trace out the route of each person, in accordance with the positive statements of the police that we have given. It was soon evident that, as no path ever crossed another,some of the pedestrians must have lost their way considerably in the fog. But when the tracks were recorded in all possible ways, they had no difficulty in deciding on the assassin's route; and as the police luckily knew whose footprints this route represented, an arrest was made that led to the man's conviction.

Can our readers discover whether A, B, C, or E committed the deed? Just trace out the route of each of the four persons, and the key to the mystery will reveal itself.

The problem of the Buried Treasure was of quite a different character. A young fellow named Dawkins, just home from Australia, was introduced to the club by one of the members, in order that he might relate an extraordinary stroke of luck that he had experienced "down under," as the circumstances involved the solution of a poser that could not fail to interest all lovers of puzzle problems. After the club dinner, Dawkins was asked to tell his story, which he did, to the following effect:—

"I have told you, gentlemen, that I was very much down on my luck. I had gone out to Australia to try to retrieve my fortunes, but had met with no success, and the future was looking very dark. I was, in fact, beginning to feel desperate. One hot summer day I happened to be seated in a Melbourne wineshop, when two fellows entered, and engaged in conversation. They thought I was asleep, but I assure you I was very wide awake.

"'If only I could find the right field,' said one man, 'the treasure would be mine; and as the original owner left no heir, I have as much right to it as anybody else.'

"'How would you proceed?' asked the other.

"'Well, it is like this: The document that fell into my hands states clearly that the field is square, and that the treasure is buried in it at a point exactly two furlongs from one corner, three furlongs from the next corner, and four furlongs from the next corner to that. You see, the worst of it is that nearly all the fields in thedistrict are square; and I doubt whether there are two of exactly the same size. If only I knew the size of the field I could soon discover it, and, by taking these simple measurements, quickly secure the treasure.'

"'But you would not know which corner to start from, nor which direction to go to the next corner.'

"'My dear chap, that only means eight spots at the most to dig over; and as the paper says that the treasure is three feet deep, you bet that wouldn't take me long.'

"Now, gentlemen," continued Dawkins, "I happen to be a bit of a mathematician; and hearing the conversation, I saw at once that for a spot to be exactly two, three, and four furlongs from successive corners of a square, the square must be of a particular area. You can't get such measurements to meet at one point in any square you choose. They can only happen in a field of onesize, and that is just what these men never suspected. I will leave you the puzzle of working out just what that area is.

"Well, when I found the size of the field, I was not long in discovering the field itself, for the man had let out the district in the conversation. And I did not need to make the eight digs, for, as luck would have it, the third spot I tried was the right one. The treasure was a substantial sum, for it has brought me home and enabled me to start in a business that already shows signs of being a particularly lucrative one. I often smile when I think of that poor fellow going about for the rest of his life saying: 'If only I knew the size of the field!' while he has placed the treasure safe in my own possession. I tried to find the man, to make him some compensation anonymously, but without success. Perhaps he stood in little need of the money, while it has saved me from ruin."

Could the reader have discovered the required area of the field from those details overheard in the wineshop? It is an elegant little puzzle, and furnishes another example of the practical utility, on unexpected occasions, of a knowledge of the art of problem-solving.

"Why, here is the Professor!" exclaimed Grigsby. "We'll make him show us some new puzzles."

It was Christmas Eve, and the club was nearly deserted. Only Grigsby, Hawkhurst, and myself, of all the members, seemed to be detained in town over the season of mirth and mince-pies. The man, however, who had just entered was a welcome addition to our number. "The Professor of Puzzles," as we had nicknamed him, was very popular at the club, and when, as on the present occasion, things got a little slow, his arrival was a positive blessing.

He was a man of middle age, cheery and kind-hearted, but inclined to be cynical. He had all his life dabbled in puzzles, problems, and enigmas of every kind, and what the Professor didn't know about these matters was admittedly not worth knowing. His puzzles always had a charm of their own, and this was mainly because he was so happy in dishing them up in palatable form.

"You are the man of all others that we were hoping would drop in," said Hawkhurst. "Have you got anything new?"

"I have always something new," was the reply, uttered with feigned conceit—for the Professor was really a modest man—"I'm simply glutted with ideas."

"Where do you get all your notions?" I asked.

"Everywhere, anywhere, during all my waking moments. Indeed, two or three of my best puzzles have come to me in my dreams."

"Then all the good ideas are not used up?"

"Certainly not. And all the old puzzles are capable of improvement, embellishment, and extension. Take, for example, magic squares. These were constructed in India before the Christian era, and introduced into Europe about the fourteenth century, when they were supposed to possess certain magical properties that I am afraid they have since lost. Any child can arrange the numbers one to nine in a square that will add up fifteen in eight ways; but you will see it can be developed into quite a new problem if you use coins instead of numbers."

He made a rough diagram, and placed a crown and a florin in two of the divisions, as indicated in the illustration.

"Now," he continued, "place the fewest possible current Englishcoins in the seven empty divisions, so that each of the three columns, three rows, and two diagonals shall add up fifteen shillings. Of course, no division may be without at least one coin, and no two divisions may contain the same value."

"But how can the coins affect the question?" asked Grigsby.

"That you will find out when you approach the solution."

"I shall do it with numbers first," said Hawkhurst, "and then substitute coins."

Five minutes later, however, he exclaimed, "Hang it all! I can't help getting the 2 in a corner. May the florin be moved from its present position?"

"Certainly not."

"Then I give it up."

But Grigsby and I decided that we would work at it another time, so the Professor showed Hawkhurst the solution privately, and then went on with his chat.

"Now, instead of coins we'll substitute postage-stamps. Take ten current English stamps, nine of them being all of different values, and the tenth a duplicate. Stick two of them in one division and one in each of the others, so that the square shall this time add up ninepence in the eight directions as before."

"Here you are!" cried Grigsby, after he had been scribbling for a few minutes on the back of an envelope.

The Professor smiled indulgently.

"Are you sure that there is a current English postage-stamp of the value of threepence-halfpenny?"

"For the life of me, I don't know. Isn't there?"

"That's just like the Professor," put in Hawkhurst. "There never was such a 'tricky' man. You never know when you have got to the bottom of his puzzles. Just when you make sure you have found a solution, he trips you up over some little point you never thought of."

"When you have done that," said the Professor, "here is a much better one for you. Stick English postage stamps so that every three divisions in a line shall add up alike, using as many stamps as you choose, so long as they are all of different values. It is a hard nut."

"What do you think of these?"

The Professor brought from his capacious pockets a number of frogs, snails, lizards, and other creatures of Japanese manufacture—verygrotesque in form and brilliant in colour. While we were looking at them he asked the waiter to place sixty-four tumblers on the club table. When these had been brought and arranged in the form of a square, as shown in the illustration, he placed eight of the little green frogs on the glasses as shown.

"Now," he said, "you see these tumblers form eight horizontal and eight vertical lines, and if you look at them diagonally (both ways) there are twenty-six other lines. If you run your eye along all these forty-two lines, you will find no two frogs are anywhere in a line.

"The puzzle is this. Three of the frogs are supposed to jump from their present position to three vacant glasses, so that in their new relative positions still no two frogs shall be in a line. What are the jumps made?"

"I suppose——" began Hawkhurst.

"I know what you are going to ask," anticipated the Professor. "No; the frogs do not exchange positions, but each of the three jumps to a glass that was not previously occupied."

"But surely there must be scores of solutions?" I said.

"I shall be very glad if you can find them," replied the Professor with a dry smile. "I only know of one—or rather two, counting a reversal, which occurs in consequence of the position being symmetrical."

For some time we tried to make these little reptiles perform the feat allotted to them, and failed. The Professor, however, would not give away his solution, but said he would instead introduce to us a little thing that is childishly simple when you have once seen it, but cannot be mastered by everybody at the very first attempt.

"Waiter!" he called again. "Just take away these glasses, please, and bring the chessboards."

"I hope to goodness," exclaimed Grigsby, "you are not going to show us some of those awful chess problems of yours. 'White to mate Black in 427 moves without moving his pieces.' 'Thebishop rooks the king, and pawns his Giuoco Piano in half a jiff.'"

"No, it is not chess. You see these two snails. They are Romeo and Juliet. Juliet is on her balcony, waiting the arrival of her love; but Romeo has been dining, and forgets, for the life of him, the number of her house. The squares represent sixty-four houses, and the amorous swain visits every house once and only once before reaching his beloved. Now, make him do this with the fewest possible turnings. The snail can move up, down, and across the board and through the diagonals. Mark his track with this piece of chalk."

"Seems easy enough," said Grigsby, running the chalk along the squares. "Look! that does it."

"Yes," said the Professor: "Romeo has got there, it is true,and visited every square once, and only once; but you have made him turn nineteen times, and that is not doing the trick in the fewest turns possible."

Hawkhurst, curiously enough, hit on the solution at once, and the Professor remarked that this was just one of those puzzles that a person might solve at a glance or not master in six months.

"It was a sheer stroke of luck on your part, Hawkhurst," he added. "Here is a much easier puzzle, because it is capable of more systematic analysis; yet it may just happen that you will not do it in an hour. Put Romeo on a white square and make him crawl into every other white square once with the fewest possible turnings. This time a white square may be visited twice, but the snail must never pass a second time through the same corner of a square nor ever enter the black squares."

"May he leave the board for refreshments?" asked Grigsby.

"No; he is not allowed out until he has performed his feat."

While we were vainly attempting to solve this puzzle, the Professor arranged on the table ten of the frogs in two rows, as they will be found in the illustration.

"That seems entertaining," I said. "What is it?"

"It is a little puzzle I made a year ago, and a favourite with the few people who have seen it. It is called 'The Frogs who woulda-wooing go.' Four of them are supposed to go a-wooing, and after the four have each made a jump upon the table, they are in such a position that they form five straight rows with four frogs in every row."

"What's that?" asked Hawkhurst. "I think I can do that." A few minutes later he exclaimed, "How's this?"

"They form only four rows instead of five, and you have moved six of them," explained the Professor.

"Hawkhurst," said Grigsby severely, "you are a duffer. I see the solution at a glance. Here you are! These two jump on their comrades' backs."

"No, no," admonished the Professor; "that is not allowed. I distinctly said that the jumps were to be made upon the table. Sometimes it passes the wit of man so to word the conditions of a problem that the quibbler will not persuade himself that he has found a flaw through which the solution may be mastered by a child of five."

After we had been vainly puzzling with these batrachian lovers for some time, the Professor revealed his secret.

The Professor gathered up his Japanese reptiles and wished us good-night with the usual seasonable compliments. We three who remained had one more pipe together, and then also left for our respective homes. Each believes that the other two racked their brains over Christmas in the determined attempt to master the Professor's puzzles; but when we next met at the club we were all unanimous in declaring that those puzzles which we had failed to solve "we really had not had time to look at," while those we had mastered after an enormous amount of labour "we had seen at the first glance directly we got home."

Nearly all of our most popular games are of very ancient origin, though in many cases they have been considerably developed and improved. Kayles—derived from the French wordquilles—was a great favourite in the fourteenth century, and was undoubtedly the parent of our modern game of ninepins. Kayle-pins were not confined in those days to any particular number, and they were generally made of a conical shape and set up in a straight row.

At first they were knocked down by a club that was thrown at them from a distance, which at once suggests the origin of the pastime of "shying for cocoanuts" that is to-day so popular on Bank Holidays on Hampstead Heath and elsewhere. Then the players introduced balls, as an improvement on the club.

In the illustration we get a picture of some of our fourteenth-century ancestors playing at kayle-pins in this manner.

Now, I will introduce to my readers a new game of parlour kayle-pins, that can be played across the table without any preparation whatever. You simply place in a straight row thirteen dominoes, chess-pawns, draughtsmen, counters, coins, or beans—anything will do—all close together, and then remove the second one as shown in the picture.

It is assumed that the ancient players had become so expert that they could always knock down any single kayle-pin, or any two kayle-pins that stood close together. They therefore altered the game, and it was agreed that the player who knocked down the last pin was the winner.

Therefore, in playing our table-game, all you have to do is to knock down with your fingers, or take away, any single kayle-pin or two adjoining kayle-pins, playing alternately until one of the two players makes the last capture, and so wins. I think it will be found a fascinating little game, and I will show the secret of winning.


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