JEROME SAVONAROLA.

JEROME SAVONAROLA.PART SECOND.“Ye fathers! let your children learn grammar, and keep able men as teachers who are accomplished, and not players, pay them well, and see that the schools are no holes and corners. All should practise grammar in some degree, for it wakens the mind, and helps much. But the poets should not thereby destroy everything else. There should be a law made that no bad poet should be read in the schools, such as Ovid,De Arte Amandi, Tibullus and Catullus, of the same sort, Terentius in many places. Virgil and Cicero I would suffer, Homer in the Greek, and also some passages from S. Augustine’s work,De Civitate Dei, or from S. Jerome, or something out of the Holy Scriptures. And where your teachers find in these books Jupiter, Pluto, and the like named, say then, Children, these are fables, and show them that God alone rules the world. So would the children be brought up in wisdom and in truth, and God would be with them.”—Sermon of Savonarola.Itwas but natural that the striking events of the life of Savonarola, and the tragic scenes of the close of his career, should have absorbed the attention of his early biographers to the exclusion of the less attractive and more difficult duty of appreciating and presenting the moral and intellectual side of his character. He is constantly described by those friendly to his memory as a grand pulpit orator and Heaven-inspired reformer; by others, as the sensational preacher and extravagant innovator; while little or nothing is said by either of his literary and philosophical acquirements. By turns, and according to their several views, they exhibit him to us as fanatic and impostor, as prophet and martyr, while the figure of the scholar, the philosopher, and the theologian remains invisible. It is, nevertheless, but fair to say that this arises partially from the fact that a very important portion of Savonarola’s literary productions was unknown to his contemporaries and their immediate successors. Modern research has brought to light a large number of which they never heard. Another circumstance has contributed to confirm the mistaken impression concerning him as a man wanting in literary capacity, namely, the effort to make of him the enemy of literature by classing him amongthe opponents of the so-called revival of letters in Europe.What is styled the revival of letters in the XVth century really began in Italy long before, and was prepared, says Hallam, by several circumstances that lie further back in Italian history. The classic revelation of the XVth century was indeed a revelation to Germany, France, and England, but not to Italy. The true restorer of classical antiquity in Italy, and consequently in Europe, had already appeared in the XIVth century, and his name was Petrarch (1304-1374). It was he who first inspired his countrymen with his own admiration of the classic beauties of Virgil and Cicero. The larger portion of his works is written in Latin, and he died under the delusion that hisAfrica, a Latin poem, was his greatest work. A taste for the cultivation of the Roman classics grew steadily from this period, gaining strength and ardor every day, until it became the absorbing passion of all ranks of scholars. Even Poggio Bracciolini, usually assigned exclusively to the XVth, belongs partially to the XIVth century. So also does Guarino Guarini, the greatest of the early Hellenists.PAGANISM IN LITERATURE.The tide of classical enthusiasm was now swollen by the introduction of the Greek classics and the emigration to Italy of numerous distinguished Greek scholars. Historians vie with each other in describing the enthusiastic ardor of the Italians in the cultivation of these two great ancient literatures. It amounted to an intoxication that seized upon young and old, laity and clergy, women as well as men. The purely literary advantages to be obtained by so general a devotion to classic lore were of course enormous. But in this world, says a distinguished English Catholic divine[138]in referring to the period in question, “evil follows good as its shadow, human nature perverting and corrupting what is intrinsically innocent or praiseworthy. It was not Virgil, nor Cicero, nor Tacitus, nor Homer, nor Demosthenes that was most read and imitated, but Propertius, and Tibullus, and Apuleius. Pagan ideas colored men’s thoughts; pagan ethics supplanted Christian morals; pagan theogony was better understood than the Christian catechism; and their influences spread not only through the schools, but to the cloister. Men sought in those classics, not poetry, but pruriency; not finished style, but abandoned vice; not accountability in a hereafter, but nothingness in the future. The Fathers, many of whom wrote for the express purpose of denouncing the heathen immorality of these productions, must not be studied, because, forsooth, of the uncouthness of their style. Paganism impressed itself on everything, and men sought to ignore the road to Calvary that they might enter the flowery path of Olympus.”Unfortunately, the period was most propitious for the introduction and spread of this moral poison. For long years, Italy had been demoralized by violent factions and bloody wars. Society was disorganized. The removal of the head of the church to Avignon had been fatal to ecclesiastical discipline. The effects of this laxity produced that most frightful of scourges—a corrupt clergy; and although scores of volumes have been written describing with great minuteness all the details of the rapid march and wide extent of this fatal influence, it would be difficult to present in any shorterspace at this day any adequate idea of its depth or intensity. Alone and unaided, Savonarola dared to attack paganism in literature in its stronghold; for Florence was at that time the centre of the Hellenic and Roman revival, and filled with its most passionate devotees. He thus arrayed himself against Italy and the spirit of the age. He denounced pagan literature, and scouted as absurd the fanaticism for its study. Not the laity alone, but the clergy and the hierarchy, came in for a share of his strictures. “In the houses of the great prelates and great doctors,” he cries out, “nothing is thought of but poetry and rhetoric. Go and see for yourselves: you will find them with books of polite literature in their hands—pernicious writings—with Virgil, Horace, and Cicero, to prepare themselves for the cure of souls withal. Astrologers have the governance of the church. There is not a prelate, there is not a great doctor, but is intimate with some astrologer who predicts for him the hour and the moment for riding out or for whatever else he does. Our preachers have already given up Holy Scripture, and are given to philosophy, which they preach from the pulpit, and make it their queen. As to Holy Scripture, they treat it as the handmaid, because to preach philosophy looks learned, whereas it should simply be an aid in the interpretation of the divine Word.”In another sermon, he says: “They tickle the ears with Aristotle, Plato, Virgil, and Petrarch, and take no concern in the salvation of souls. Why do they not, instead of books like these, teach that alone in which are the law and the spirit of life? The Gospel, my Christian brethren, must be your constant companion. I speak not of the book, but its spirit. If ye have not the spirit of grace, although you carry the whole volume about with you, it will be of no avail. And how much more foolish are those who go about loaded with briefs and tracts, and look as if they kept a stall at a fair? Charity does not consist of sheets of paper. The true books of Christ are the apostles and saints: the true reading of them is to imitate their lives.”Because Savonarola thus denounced ancient classic literature, it must not be supposed that he was either ignorant of it or unable to recognize what was really valuable in it. On the contrary, he was as familiar with Greece and Rome as his adversaries, and denounced only such pagan authors as were dangerous to morality. He might as consistently have been charged with ignorance of Aristotle, the whole of whose philosophy and writings he had, as it were, at his fingers’ ends, because, after denouncing from the pulpit the blindness with which that philosopher was followed, he would ask: “Has your Aristotle succeeded in proving the immortality of the soul?”Savonarola’s denunciation of the evil effects of pagan literature is too often represented as sweeping and indiscriminate, while in point of fact he falls short in both these respects of a writer of the XIXth century who counts a certain number of respectable adherents. We refer to the Abbé Gaume, who, in a remarkable work published in France in 18—,Le Ver Rongeur des Sociétés Modernes, maintains that very many of the evils of society that have their origin in the education of youth may be traced to the pagan ideas imbibed in the early study of the Greek and Roman classics.[139]Savonarola’sposition on this subject, in fact, appears to have been substantially the same with that of Tertullian, S. Basil, and S. Jerome.Partial justice has been done to Savonarola as a powerful logician and a learned theologian. His intimate knowledge of the Scriptures was something exceptional—not a mere rote knowledge, for it is said he knew them by heart, but a searching and thorough familiarity which showed a wonderful intellectual and spiritual grasp of their body and spirit.HIS PHILOSOPHY.As a philosopher, he has been credited by all writers with a familiarity with the systems of Plato and Aristotle, then dominant; but his latest Italian biographer, Villari, shows satisfactorily that, in his theological writings, he reasons with so much freedom and independence that he had practically freed himself from the dominion of Aristotle.[140]His early biographers made neither attempt nor pretence to do more than relate the material facts of his career. Later writers, with more attention to his published works, saw more clearly his intellectual power, although his philosophical productions were almost entirely neglected. M. Perrens does indeed direct attention to them, but merely as “des catéchismes sans prétention.” Rudelbach[141]is so engrossed with his sharp search for Protestant ideas that he takes no notice of his philosophical writings. Meier[142]perceives that in philosophy “he shows a judgment and critical power of his own”; while Poli, in his additions to Tennemann, remarks his order and clearness. “Not to acknowledge Savonarola as a powerful logician,” says Rio, in his remarkable work on Christian art, “an accomplished orator, a profound theologian, a genius comprehensive and bold, a universal philosopher, or rather, the competent judge of all philosophy, would be an injustice which history and his contemporaries would not tolerate.” The same author goes on to give him credit for the possession of faculties rarely found united with those which make the logician and the theologian. He says: “One might imagine without doubt that it would be more just to deny him the possession of that rare gift of an exquisitely acute and intuitive perception of the beautiful in the arts of imagination, which is not always the privilege of the greatest genius, and which supposes a sensibility of soul and a delicacy of organs too difficult to meet with, either the one or the other, in a monastic person devoted to the mortifications of the cloister; and yet it is no exaggeration to say that both are found united in a very high degree in Savonarola.” The historian Guicciardini, who had made special study of Savonarola’s works, says: “In philosophy, he was the most powerful man in Italy, and reasoned on it in so masterly a manner that it seemed as if he had himself created it.”Although the mass of published works of Savonarola may be truly called enormous, very many of his productions never appeared, most of his manuscripts having been destroyed,or, in a few instances, but lately brought to light. Among these latter, Villari mentions a compendium of all the works of Plato and Aristotle, regularly catalogued as in the library of S. Mark. Some of his smaller treatises also survive, and the same author recognizes the writer’s originality and the bold hand (la mano ardita) of Savonarola in such passages as these:“We must, in all cases, proceed from the known to the unknown; for thus only can we arrive at truth with any degree of facility. Sensations are nearest and best known to us; they are gathered up in the memory, where the mind transforms individual sensations into one general rule or experience; nor does it stop here, but it proceeds further, and from many united experiences arrives at universal truths. Therefore, true experience resolves itself into first principles—primary causations; it is speculative, free, and of the highest nature.”[143]Savonarola’s definition ofveracity, strikingly acute and clear, is one not likely to have been made by a man at all weak either in philosophy or moral principle. It is well worth attention: “By veracity we understand a certain habit by which a man, both in his actions and in his words, shows himself to be that which he really is, neither more nor less.” This, though not a legal, is a moral, duty, for it is a debt which every man in honesty owes to his neighbor,and the manifestation of truth is an essential part of justice. Savonarola was, in fact, the first to shake off the yoke of ancient authority in philosophy. He alone, if we except Lorenzo Valla, who spoke more as a grammarian than a philosopher, dared to declare against it. “Some,” he says, “are so bigoted, and have so entirely submitted their understandings to the fetters of the ancients, that not only dare they not say anything in opposition to them, but abstain from saying anything not already said by them. What kind of reasoning is this? What additional strength of argument? The ancients did not reason thus; why, then, should we? If the ancients failed to perform a praiseworthy action, why should we also fail?” And this sentiment he constantly presents in various forms; not in theory alone, moreover, but in practice; not only in the special discussion of philosophy, but in its practical application. HisTriumph of the Cross[144]which is generally accepted as his greatest work, is an exposition of the whole Christian doctrine by reason alone. He thus states it in his preface: “As it is our purpose to discuss the subject of this book solely by the light of reason, we shall not pay regard to any authority, but will proceed as if there had not existed in the whole world any man, however wise, on whom to rest our belief, taking natural reason as our sole guide.” And he adds: “To comprehend things that are visible, it is not necessary to seek the acquaintance of things invisible, for all our knowledge of the extrinsic attributes of corporeal objects is derived from the senses; but our intellect, by its subtlety, penetrates the substance of natural things, by the consideration of which we finally arrive at a knowledge of things invisible.”We have spoken of the large number of Savonarola’s published works. There would not be space in an article like this even for a list of hispopular treatises on practical religious duties, of which four were published in one year alone (1492). These wereOn Humility,On Prayer,On the Love of Christ, andOn a Widow’s Life. With all their pious fervor, they are marked by strong practical judgment, and it is but little wonder that the people of Florence should have been enthusiastic in their admiration of a priest who, in all the various lines of his duty as teacher, as confessor, and as preacher, was always equal to his high calling. His harshest critics have said of him that, so violent was the asceticism he taught and preached, he opposed matrimony, and would have turned Florence into a convent. They are more than answered by the following passage fromA Widow’s Life—Libro della Vita Viduale:“Widows are like children—under the special protection of the Lord. The true life for them to lead is to give up all worldly thoughts, and devote themselves to the service of God; to become like the turtle-dove, which is a chaste creature; and thus, when it has lost its companion, no longer takes up with another, but spends the rest of its life in solitude and lamentation. Nevertheless, if for the education of her children, or through poverty, or for other good and sufficient motive, the widow desire to marry again, let her do so by all means. This would be preferable to being surrounded by admirers, and so expose herself to the risk of calumnies and to a thousand dangers. Let the widow who is not inclined to maintain the strict decorum, the somewhat difficult reserve, becoming her position, rather return to the dignified life of a married woman; but let those who feel that they possess strength and temper of mind equal to the demands of their state become a model to other women. A widow ought to dress in sober attire, to live retired, to avoid the society of men, to be gravity itself, and to maintain such severity of demeanor that none may dare utter by word or show by a smile the least want of respect. By such a life, she will be a continual lesson to other women, and will render it unnecessary for a widow to use words of counsel by which to acquire influence over others. It is unbecoming a widow to be prying into the lives and failings of other persons; it is unbecoming for her to be or even appear to be vain, nor ought she, for the sake of others, to forget what is due to herself.”SCHOLAR AND POET.Mention has already been made of Savonarola’s devotion to the task of teaching the novices of the order, not only by his famous “damask rose-bush” lectures which all learned Florence crowded to hear, but his classes of the humanities and physical sciences. Not content with this, and desiring that the monks of his convent should live by the fruit of their own labors, he established schools in which they might learn painting, sculpture, architecture, and the art of copying and illuminating manuscripts. He also opened a department of oriental languages, where Greek, Hebrew, Turkish, and Chaldean were taught. In urging their cultivation, he said he hoped that he and his brethren would be sent by the Lord to spread the Gospel among the Turks.When, after the expulsion of the Medici, the Florentine signiory, on account of the financial embarrassments of the republic, resolved to sell the Medicean library, there was great danger that this magnificent accumulation, then the most valuable collection of Greek and Latin authors known in Europe, and specially rich in the most precious MSS., would be either scattered or fall into the hands of strangers. There was no private citizen in Florence wealthy enough to purchase it. Savonarola, who fully appreciated its value, and who had already brought up the library of his own convent to a high standard, making it accessible to all, and the first free library in all Italy, resolved that these treasures should notleave the city. His first act of authority as prior had been to enforce the original rule of S. Dominic as to the poverty of the order. The saint’s last words were: “Be charitable, preserve humility, practise poverty with cheerfulness: may my curse and that of God fall upon him who shall bring possessions into this order!” Nevertheless, under certain so-called reformed rules, the convent at Florence had adopted the power of holding property, and its wealth in landed possessions had greatly accumulated. Savonarola’s first reform was to enforce the practice of poverty in the order, while the absence of landed income was to be supplied by the labors of the monks and a yet more rigid economy. It so happened that the sale of the convent property, in pursuance of this reform, had just been made, and Savonarola had at his command a sum of two thousand florins—a large amount for that period. His convent bought the library for three thousand florins, paying two thousand on account, and binding themselves to liquidate the balance, which was a claim held by a French creditor, in eighteen months. This transaction occurred precisely during the period of the celebrated bonfire of vanities, at which Savonarola is unjustly charged with having destroyed innumerable classical manuscripts.Space fails us to speak of Savonarola as a poet. Like many other boys, he scribbled verses in his early youth, and wrote a poem,De Ruina Mundi, at the age of twenty. There is something anticipatory of Byron in the sadness and gloom of its tone:“Vedendo sotto sopra tutto il mondo,Ed esser spenta al fondoOgni virtute, ed ogni bel costume,Non trovo un vivo lume,Né pur chi de’ suoi vizi si vergogni.”[145]We find in his youthful productions, says Villari, “both vigor and poetic talent, but united with negligence of form.” Later in life, he wrote numerous spiritual lauds, composed for the purpose of counteracting and taking the place of the degrading carnival songs in vogue under the Medici. As poetry, they possess no special merit. Villari mentions several of his canzoni, written when he was a young man, and cites one in praise of S. Catherine of Negri, in three long stanzas of fifteen lines each, in which he finds great delicacy and exquisite tenderness of feeling. He also refers to some of his Latin compositions modelled on the Psalms, which are eminently poetical. In one of them, he celebrates the praises of God, saying: “I sought thee everywhere, but found thee not. I asked the earth, Art thou my God? and I was answered, Thou deceivest thyself: I am not thy God. I asked the air, and was answered, Ascend still higher. I asked the sky, the sun, the stars, and they all answered me, He who made me out of nothing, he is God; he fills the heavens and the earth; he is in thy heart. I then, O Lord, sought thee far off, and thou wast near. I asked my eyes if thou hadst entered by them, and they answered, We know colors only. I asked the ear, and was answered that it knew sound only. The senses, then, O Lord, knew thee not; thou hast entered into my soul, thou art in my heart, and thou makest manifest thyself to me when I am performing works of charity.”Owing to his terribly earnest denunciation of pagan excesses in poetry and painting, and his indignation at their imitation by Christians, Savonarola has been held up as the enemy of both poets and poetry, and this even in his own day. To this charge he replied in his work onThe Division and Utility of all the Sciences, one part of which treats of poetry. We select a few of its points. He begins:“It never entered my mind to say a word in condemnation of the art of poetry. I condemned solely the abuse which many had made of it, although I have been calumniated on that account by many persons, both in speaking and writing.... The essence of poetry is to be found in philosophy. If any one believe that the art of poetry teaches us only dactyls and spondees, long and short syllables, and the ornaments of speech, he has certainly fallen into a great mistake.... The object of poetry is to persuade by means of that syllogism called an example, expressed with elegance of language, so as to convince and, at the same time, to delight us. And as our soul has supreme delight in song and harmony, the ancients contrived the measures of versification, that, by such means, men might be more readily excited to virtue. But measure is mere form; and the poet may produce a poem without metre and without verse. This, in fact, is the case in the Holy Scriptures, in which our Lord makes true poetry consist in wisdom; true eloquence in the spirit of truth; hence, our minds are not occupied with the outward letter, but are filled with the spirit.” ... He then goes on to denounce “a fallacious race of pretended poets, who know no better than to tread in the footsteps of the Greeks and Romans; keep to the same form, the same metre; invoke the same gods, nor venture to use any other names or words than those they find in the ancients.... This is not only a false poetry, but one most pernicious to youth. We find the heathens themselves condemning such poets. Did not Plato himself declare that a law ought to be passed to expel those poets from the city who, by the allurements of the most corrupting verses, contaminate everything with vile lusts and moral degradation? What, then, are our Christian princes about? Why do they not issue a law to expel from their cities not only these false poets, but their works also, and all the works of ancient authors who have written on libidinous subjects and praise false gods? It would be well if all such works were destroyed, and none were allowed to remain except such as excite to virtuous conduct.”It is on such passages as these that Savonarola’s enemies base their charges of enmity to poetry, etc. The charges are unfounded. His æsthetic opinions were in harmony with the purest principles of art, and his sense of the true and the beautiful was always acute. “In what does beauty consist?” he asks, in one of his sermons. “In colors? No. In figures? No. Beauty results from harmony in all the parts and colors. This applies to composite subjects; in simple subjects, beauty is in light. Look at the sun and the stars—their beauty is in light; behold the spirits of the blessed—light constitutes their beauty; raise your thoughts to the Almighty—he is light and is beauty itself. The beauty of man and woman is greater and more perfect the nearer it approaches to the primary Beauty. But what, then, is this beauty? It is a quality resulting from a due proportion and harmony between the several members and parts of the body. You would never say that a woman was handsome because she had a fine nose and pretty hands; but when her features harmonize. Whence comes this beauty? Inquire, and you will find it is from the soul.”Addressing himself to women, he said: “Ye women who glory in your ornaments, in your head-dresses, in your hands, I tell you that you are all ugly! Would you see true beauty? Observe a devout person, man or woman, in whom the Spirit dwells—observe such an one, I say, while in the act of prayer, when the countenance is suffused with divine beauty, and the prayer is over. You will then see the beauty of God reflected in that face, and a countenance almost angelic.”We have thus endeavored, in referring to Savonarola’s acquirements, and by presenting him to our readers in a variety of mental aspects, toconvey some idea of the moral, intellectual, and æsthetic sides of his character, in order that, as the story of his life and the account of the exciting incidents with which it is filled progress in our pages, they may be the better able to appreciate his action by at least a partial knowledge of his spiritual constitution and mental resources. We resume, then, the thread of our narrative.THE SERMON AT BOLOGNA.Savonarola preached his usual course of Lenten sermons in 1493, not at Florence, but at Bologna. His correspondence with his brother friars at S. Mark’s during his absence shows that he had gone there unwillingly, and it is hence supposed that Piero de’ Medici had brought about his absence through orders from his superiors at Milan and at Rome. The friar confined his preaching to subjects of doctrine and morals, and at the outset attracted but little public attention. Thebeaux espritsset him down as “a poor simpleton, a preacher for women”—uomo semplice e predicatore da donne. But his animation and sincerity were contagious, and hearers soon came in crowds. The tyrant Giovanni Bentivoglio then ruled Bologna, and his wife, an Orsini, appeared at all the sermons, entering late, and followed by a large retinue of gentlemen, pages, and ladies—gentildonne e damizelle. The silent rebuke of stopping short in his sermon until the disturbance thus caused had subsided was tried by the preacher several times in vain. He then referred to the disedification given by such interruptions, and mildly requested that ladies who came to hear the sermon should endeavor to be present at its beginning. In response, the haughty woman made a point of continuing the annoyance with offensive and increased ostentation, until one morning, when thus breaking in upon the friar while in all the fervor of his discourse, his patience gave way, and he cried out:Ecco, ecco il demonio che viene ad interrompere il verbo di Dio—“Behold the demon who comes to interrupt the word of God!” All the blood of all the Orsinis boiled over at this public insult. A reigning princess to be thus treated by a merefrate! As the story runs, she ordered two of her attendants to slay him in the pulpit; but whether their courage failed them, or the crowd would not permit them to reach the friar, they did not carry out their order. Still enraged, she sent two other satellites to his cell, where Savonarola received them with such dignity and impressive calmness that their resolution oozed away, and they said with great respect: “Our lady has sent us to your reverence to know if you had need of anything.” To which suitable and courteous reply being made, they were dismissed. In his closing sermon at Bologna, the preacher announced: “This evening I shall depart for Florence with my slender staff and wooden flask, and I shall sleep at Pianoro. If any person want aught of me, let him come before I set out.My death is not to be celebrated at Bologna, but elsewhere.”The legend runs that it was on this journey, when near to Florence, that Savonarola, unable to take any food and broken with fatigue, sank by the roadside, powerless to go further. Quickly there came to him the vision of an unknown man, who, giving him strength, accompanied him to the city gate, and disappeared, saying: “Remember that thou doest that for which thou hast been sent by God.” Each reader will decide for himself as to the degree ofcredibility to be attached to such a legend. Certain it is, nevertheless, that Savonarola himself and many men of the strongest minds of that day fully believed in it.[146]INDEPENDENCE OF S. MARK’S.On his return to Florence in the spring of 1493, Savonarola found a worse state of things than he had left on his departure. The rule of Piero de’ Medici was rapidly becoming every day less tolerable, and the discontent of the people more marked and bitter. One thing, however, the people knew well. It was that Savonarola was their friend. Piero de’ Medici was also perfectly aware of it, and, as he had the power, might at any moment through his influence have the Dominican prior ordered away to Milan by his superiors in Lombardy or Rome, as the Tuscan convents formed one province with those of Lombardy. This union had been brought about some fifty years before by reason of the depopulation of the Tuscan convents from the plague. As this state of things had long ceased to exist, and the convents were again full, it occurred to Savonarola to seek the restoration of the Tuscan convents to their original condition of an independent province. In his management of this important and difficult piece of practical business, there was nothing whatever of the visionary monk, and he set to work with all his energy to carry out a measure in which he felt that the purity and elevation of his order and the liberties of the Florentine people were at stake. The authorization for the measure he desired must of course come from Rome, and, in order to obtain it, he sent thither two of his friars, Alessandro Rinuccini, a member of one of the most illustrious families of Florence, and Domenico da Pescia. The latter in particular was unreservedly devoted to his prior, ardent in his admiration of him, and fully persuaded that he was a prophet sent by God. On arriving at their destination, they encountered a formidable opposition. Not only the Lombards, but the King of Naples, the republic of Genoa, the Dukes of Milan and Ferrara, and Bentivoglio of Bologna, all joined in striving for the defeat of the petition. Strangely enough—and it is mentioned by historians as an evidence of his frivolous mind and inattention to serious matters—Piero de’ Medici had been persuaded to favor a measure of which the main object was to free S. Mark’s and its prior from his authority. In fact, Savonarola could not have advanced a step without obtaining his approbation, inasmuch as the application of the convent as made could not be allowed to be presented without the approbation of the Florentine government. In bringing about this important success, Savonarola had the assistance of Philip Valori, and John, Cardinal de’ Medici, a brother of Piero, who afterwards became Pope Leo X. While at Rome, the general of the Dominicans and Cardinal Caraffa of Naples warmly supported him. Nevertheless, the two friars of S. Mark’s who had been sent to Rome were dispirited by the formidable aspect of the opposition they there encountered, and wrote to their prior that success was impossible, and he must give up all hope of carrying his point. Savonarola’s reply was: “Away with doubts! Stand firm, and you will be victorious; the Lordscatters the councils of the nations, and casts the designs of princes to the ground.” In a consistory of the 22d of May, the Tuscan question came up, but the pope refused to approve the brief, and dismissed the consistory until the following day. All the cardinals departed with the exception of Caraffa, who took the liveliest interest in the success of the measure, and had a strong personal influence with Alexander VI. They entered into a friendly conversation, during which the cardinal produced the brief, and asked the pope to sign it. With a smile, he declined; when, presuming on his personal familiarity, and in a half-jesting manner, Caraffa took the pontifical ring from the pope’s finger, and sealed the brief. Just then, in hot haste, came in fresh and stronger remonstrances from Lombardy, but the pope replied that it was too late—“What is done is done”; and he would hear no more of it.Savonarola’s first care was to reform and strengthen the discipline of his convent, and it was at this juncture that he brought it back to the original rule of poverty established by the founder of the order, as we have already stated. Then followed the enforcement of the strictest personal economy, the acquisition and practice of useful arts by the monks whereby to earn their livelihood, and the study of the oriental languages. In all his conventual reforms, the new prior taught by example as much as by precept. His monks saw that he inculcated no principle of which he was not a living model. Sober in his diet, ascetic in all his habits, of an application to study that seemed to know no fatigue, he inspired all by his labor and self-denial. In all the whole convent, the humblest monk was not more poorly clad than his prior. No cell so naked, no pallet so hard, as his. Rigid with others, he was severe with himself. Numerous candidates presented themselves for admission to the Convent of S. Mark, which was now the admiration of all Tuscany. The sons of the most distinguished families in Florence sought to become inmates of S. Mark’s, and the Rucellai, the Salviati, the Albizzi, the Strozzi, and even the Medici, pressed into the narrow limits of the crowded convent, in order to receive at the hands of Savonarola the robe of S. Dominic. Additional buildings were absolutely necessary, and those of the Sapienza were obtained—the same that were a few years since used for the stables of the grand duke.Under the brief lately obtained from Rome, the Dominican convents of Fiesole, Prato, and Bibbiena, and the two hospices of the Maddalena, asked for reception into the Tuscan congregation under Savonarola’s authority, and were admitted. Even the friars of another order, the Camaldoli, were desirous of uniting themselves with S. Mark’s, in order to be under the rule of Savonarola; but he could not accede to their request, for want of authority. All this success and honor did not in the slightest degree affect his character. If, during his career, he manifested pride and daring, it was towards the great and powerful. In private life, and in the interior of his convent, he was to the end the same gentle and humble brother the monks had known as Fra Girolamo.ADVENT, 1493.It was natural, under the circumstances, that the Superior of the Tuscan Congregation of Dominicans, the preacher whose predictions had been so wonderfully verified, the exemplary monk who had been calledto the bedside of the dying Lorenzo the Magnificent, should enter upon the delivery of his course of Advent sermons for 1493 with increased confidence and far greater freedom of speech than the comparatively unknown Fra Girolamo had ever manifested. His audiences grew daily more numerous, and crowds awaited for hours his coming. The twenty-five sermons of this course were on the Seventy-third Psalm (Quam Bonus). His principal topics were the unhappy and ruinous condition of the church, the immoral lives of the Italian princes and many of the higher clergy, approaching punishments, and the desire of all good men to stem the rising tide of depravity. We have already cited the passages (“They tickle the ears with Aristotle, etc.,” and “In the houses of the great prelates”) in which he denounces the clergy and hierarchy; and he thus describes the princes of Italy: “These wicked princes are sent as a punishment for the sins of their subjects; they are truly a great snare for souls; their palaces and halls are the refuge of all the beasts and monsters of the earth, and are a shelter for caitiffs and for every kind of wickedness. Such men resort to their courts because there they find the means and the excitements to give vent to all their evil passions. There we find the wicked counsellors who devise new burdens and new imposts for sucking the blood of the people; there we find the flattering philosophers and poets who, by a thousand stories and lies, trace the genealogy of those wicked princes from the gods; and, what is still worse, there we find priests who adopt the same language. That, my brethren, is the city of Babylon, the city of the foolish and the impious, the city which the Lord will destroy.”And then, after speaking sharply of a superfluity of golden mitres and golden chalices, he adds: “But dost thou know what I would say? In the primitive church, there were wooden chalices and golden prelates; but now the church has golden chalices and wooden prelates....”“What doest thou, O Lord? Why slumberest thou? Arise and take the church out of the hands of the devil, out of the hands of tyrants, out of the hands of wicked prelates. Hast thou forgotten thy church? Dost thou not love her? Hast thou no care for her? We are become, O Lord, the opprobrium of the nations. Turks are masters of Constantinople. We are become tributaries of infidels. O Lord God! thou hast dealt with us as an angry father; thou hast banished us from thee; hasten the punishment and the scourge, that there may be a speedy return to thee.Effunde iras tuas in gentes—’Pour out thy wrath upon the nations.’ Be not scandalized, my brethren, by these words; rather consider that, when the good wish for punishment, it is because they wish to see evil driven away, and the blessed reign of Jesus Christ triumphant throughout the world. We have now no other hope left us, unless the sword of the Lord threatens the earth.”THE DELUGE.In Lent, 1494, Savonarola resumed his preaching in a course of sermons which, as published, have been entitledSermons on Noe’s Ark(Prediche sopra l’Arca di Noé). It was, in fact, a continuation of the expounding of Genesis begun in 1490. The impression produced by them upon his auditors was very great. All the biographers unite in describing how the people were carried away, the wonder he excited, and how marvellously all that was foretold came to pass. His Advent sermons had dwelt on the near approach of punishments—a coming deluge of calamities—and he now constructs a mystical ark in which all may take refuge. He prophesied the approach of a new Cyrus whoshould conquer Italy without resistance. At length, on Easter morning, his ark being completed, he invited all to hasten to enter it with the virtues which distinguish Christians: “The time will come when the ark will be closed, and many will repent that they had not entered therein.” Thus the short chapter of Genesis relating to the ark occupied the whole of Lent, and he resumed the subject in the month of September following. On the twenty-first day of that month, he was to expound the seventeenth verse, relating to the Deluge.The Dome of Florence was crowded. All waited for the sermon in anxiety and excitement, but attentive and motionless. Mounting the pulpit, and surveying the multitude in impressive silence for a few moments, he thundered out: “And behold, I, even I, do bring a flood of waters upon the earth.” A thrill of terror convulsed the vast assemblage. Pico di Mirandola relates that a cold shiver ran through all his bones, and that the hairs of his head stood on end; and Savonarola has recorded that he was profoundly moved. That very day the news had arrived that a horde of foreign troops were descending the Alps to conquer Italy, and popular credulity made their numbers countless, invincible in arms, gigantic, cruel, and ferocious. “Having, before the arrival of the King of France, just closed the ark, these sermons caused such terror, alarm, sobbing, and tears, that every one passed through the streets without speaking, more dead than alive.” (MS. history in Magliabecchian library.) Terror there was indeed. Italy was helpless. There was neither nation nor national army. The princes were defenceless, and the whole country must fall an easy prey to the invader. Men saw rivers of blood before them. What could save them? All rushed to Savonarola, imploring counsel and help. He alone could succor them. All his words had been verified. All those whose deaths he foretold had gone to their graves. Punishment threatened had begun. The sword of the Lord had indeed descended upon the earth. Not only the people flocked about him, but the graver men and magistrates of Florence asked his counsel, and his admirers and adherents became in a moment, as if by magic, the rulers of the city.Here may be said to terminate the monastic life of Savonarola, and, in order to follow his career, we must with him quit the cloister, and accompany him among the people of Florence down in the public places.

JEROME SAVONAROLA.PART SECOND.“Ye fathers! let your children learn grammar, and keep able men as teachers who are accomplished, and not players, pay them well, and see that the schools are no holes and corners. All should practise grammar in some degree, for it wakens the mind, and helps much. But the poets should not thereby destroy everything else. There should be a law made that no bad poet should be read in the schools, such as Ovid,De Arte Amandi, Tibullus and Catullus, of the same sort, Terentius in many places. Virgil and Cicero I would suffer, Homer in the Greek, and also some passages from S. Augustine’s work,De Civitate Dei, or from S. Jerome, or something out of the Holy Scriptures. And where your teachers find in these books Jupiter, Pluto, and the like named, say then, Children, these are fables, and show them that God alone rules the world. So would the children be brought up in wisdom and in truth, and God would be with them.”—Sermon of Savonarola.Itwas but natural that the striking events of the life of Savonarola, and the tragic scenes of the close of his career, should have absorbed the attention of his early biographers to the exclusion of the less attractive and more difficult duty of appreciating and presenting the moral and intellectual side of his character. He is constantly described by those friendly to his memory as a grand pulpit orator and Heaven-inspired reformer; by others, as the sensational preacher and extravagant innovator; while little or nothing is said by either of his literary and philosophical acquirements. By turns, and according to their several views, they exhibit him to us as fanatic and impostor, as prophet and martyr, while the figure of the scholar, the philosopher, and the theologian remains invisible. It is, nevertheless, but fair to say that this arises partially from the fact that a very important portion of Savonarola’s literary productions was unknown to his contemporaries and their immediate successors. Modern research has brought to light a large number of which they never heard. Another circumstance has contributed to confirm the mistaken impression concerning him as a man wanting in literary capacity, namely, the effort to make of him the enemy of literature by classing him amongthe opponents of the so-called revival of letters in Europe.What is styled the revival of letters in the XVth century really began in Italy long before, and was prepared, says Hallam, by several circumstances that lie further back in Italian history. The classic revelation of the XVth century was indeed a revelation to Germany, France, and England, but not to Italy. The true restorer of classical antiquity in Italy, and consequently in Europe, had already appeared in the XIVth century, and his name was Petrarch (1304-1374). It was he who first inspired his countrymen with his own admiration of the classic beauties of Virgil and Cicero. The larger portion of his works is written in Latin, and he died under the delusion that hisAfrica, a Latin poem, was his greatest work. A taste for the cultivation of the Roman classics grew steadily from this period, gaining strength and ardor every day, until it became the absorbing passion of all ranks of scholars. Even Poggio Bracciolini, usually assigned exclusively to the XVth, belongs partially to the XIVth century. So also does Guarino Guarini, the greatest of the early Hellenists.PAGANISM IN LITERATURE.The tide of classical enthusiasm was now swollen by the introduction of the Greek classics and the emigration to Italy of numerous distinguished Greek scholars. Historians vie with each other in describing the enthusiastic ardor of the Italians in the cultivation of these two great ancient literatures. It amounted to an intoxication that seized upon young and old, laity and clergy, women as well as men. The purely literary advantages to be obtained by so general a devotion to classic lore were of course enormous. But in this world, says a distinguished English Catholic divine[138]in referring to the period in question, “evil follows good as its shadow, human nature perverting and corrupting what is intrinsically innocent or praiseworthy. It was not Virgil, nor Cicero, nor Tacitus, nor Homer, nor Demosthenes that was most read and imitated, but Propertius, and Tibullus, and Apuleius. Pagan ideas colored men’s thoughts; pagan ethics supplanted Christian morals; pagan theogony was better understood than the Christian catechism; and their influences spread not only through the schools, but to the cloister. Men sought in those classics, not poetry, but pruriency; not finished style, but abandoned vice; not accountability in a hereafter, but nothingness in the future. The Fathers, many of whom wrote for the express purpose of denouncing the heathen immorality of these productions, must not be studied, because, forsooth, of the uncouthness of their style. Paganism impressed itself on everything, and men sought to ignore the road to Calvary that they might enter the flowery path of Olympus.”Unfortunately, the period was most propitious for the introduction and spread of this moral poison. For long years, Italy had been demoralized by violent factions and bloody wars. Society was disorganized. The removal of the head of the church to Avignon had been fatal to ecclesiastical discipline. The effects of this laxity produced that most frightful of scourges—a corrupt clergy; and although scores of volumes have been written describing with great minuteness all the details of the rapid march and wide extent of this fatal influence, it would be difficult to present in any shorterspace at this day any adequate idea of its depth or intensity. Alone and unaided, Savonarola dared to attack paganism in literature in its stronghold; for Florence was at that time the centre of the Hellenic and Roman revival, and filled with its most passionate devotees. He thus arrayed himself against Italy and the spirit of the age. He denounced pagan literature, and scouted as absurd the fanaticism for its study. Not the laity alone, but the clergy and the hierarchy, came in for a share of his strictures. “In the houses of the great prelates and great doctors,” he cries out, “nothing is thought of but poetry and rhetoric. Go and see for yourselves: you will find them with books of polite literature in their hands—pernicious writings—with Virgil, Horace, and Cicero, to prepare themselves for the cure of souls withal. Astrologers have the governance of the church. There is not a prelate, there is not a great doctor, but is intimate with some astrologer who predicts for him the hour and the moment for riding out or for whatever else he does. Our preachers have already given up Holy Scripture, and are given to philosophy, which they preach from the pulpit, and make it their queen. As to Holy Scripture, they treat it as the handmaid, because to preach philosophy looks learned, whereas it should simply be an aid in the interpretation of the divine Word.”In another sermon, he says: “They tickle the ears with Aristotle, Plato, Virgil, and Petrarch, and take no concern in the salvation of souls. Why do they not, instead of books like these, teach that alone in which are the law and the spirit of life? The Gospel, my Christian brethren, must be your constant companion. I speak not of the book, but its spirit. If ye have not the spirit of grace, although you carry the whole volume about with you, it will be of no avail. And how much more foolish are those who go about loaded with briefs and tracts, and look as if they kept a stall at a fair? Charity does not consist of sheets of paper. The true books of Christ are the apostles and saints: the true reading of them is to imitate their lives.”Because Savonarola thus denounced ancient classic literature, it must not be supposed that he was either ignorant of it or unable to recognize what was really valuable in it. On the contrary, he was as familiar with Greece and Rome as his adversaries, and denounced only such pagan authors as were dangerous to morality. He might as consistently have been charged with ignorance of Aristotle, the whole of whose philosophy and writings he had, as it were, at his fingers’ ends, because, after denouncing from the pulpit the blindness with which that philosopher was followed, he would ask: “Has your Aristotle succeeded in proving the immortality of the soul?”Savonarola’s denunciation of the evil effects of pagan literature is too often represented as sweeping and indiscriminate, while in point of fact he falls short in both these respects of a writer of the XIXth century who counts a certain number of respectable adherents. We refer to the Abbé Gaume, who, in a remarkable work published in France in 18—,Le Ver Rongeur des Sociétés Modernes, maintains that very many of the evils of society that have their origin in the education of youth may be traced to the pagan ideas imbibed in the early study of the Greek and Roman classics.[139]Savonarola’sposition on this subject, in fact, appears to have been substantially the same with that of Tertullian, S. Basil, and S. Jerome.Partial justice has been done to Savonarola as a powerful logician and a learned theologian. His intimate knowledge of the Scriptures was something exceptional—not a mere rote knowledge, for it is said he knew them by heart, but a searching and thorough familiarity which showed a wonderful intellectual and spiritual grasp of their body and spirit.HIS PHILOSOPHY.As a philosopher, he has been credited by all writers with a familiarity with the systems of Plato and Aristotle, then dominant; but his latest Italian biographer, Villari, shows satisfactorily that, in his theological writings, he reasons with so much freedom and independence that he had practically freed himself from the dominion of Aristotle.[140]His early biographers made neither attempt nor pretence to do more than relate the material facts of his career. Later writers, with more attention to his published works, saw more clearly his intellectual power, although his philosophical productions were almost entirely neglected. M. Perrens does indeed direct attention to them, but merely as “des catéchismes sans prétention.” Rudelbach[141]is so engrossed with his sharp search for Protestant ideas that he takes no notice of his philosophical writings. Meier[142]perceives that in philosophy “he shows a judgment and critical power of his own”; while Poli, in his additions to Tennemann, remarks his order and clearness. “Not to acknowledge Savonarola as a powerful logician,” says Rio, in his remarkable work on Christian art, “an accomplished orator, a profound theologian, a genius comprehensive and bold, a universal philosopher, or rather, the competent judge of all philosophy, would be an injustice which history and his contemporaries would not tolerate.” The same author goes on to give him credit for the possession of faculties rarely found united with those which make the logician and the theologian. He says: “One might imagine without doubt that it would be more just to deny him the possession of that rare gift of an exquisitely acute and intuitive perception of the beautiful in the arts of imagination, which is not always the privilege of the greatest genius, and which supposes a sensibility of soul and a delicacy of organs too difficult to meet with, either the one or the other, in a monastic person devoted to the mortifications of the cloister; and yet it is no exaggeration to say that both are found united in a very high degree in Savonarola.” The historian Guicciardini, who had made special study of Savonarola’s works, says: “In philosophy, he was the most powerful man in Italy, and reasoned on it in so masterly a manner that it seemed as if he had himself created it.”Although the mass of published works of Savonarola may be truly called enormous, very many of his productions never appeared, most of his manuscripts having been destroyed,or, in a few instances, but lately brought to light. Among these latter, Villari mentions a compendium of all the works of Plato and Aristotle, regularly catalogued as in the library of S. Mark. Some of his smaller treatises also survive, and the same author recognizes the writer’s originality and the bold hand (la mano ardita) of Savonarola in such passages as these:“We must, in all cases, proceed from the known to the unknown; for thus only can we arrive at truth with any degree of facility. Sensations are nearest and best known to us; they are gathered up in the memory, where the mind transforms individual sensations into one general rule or experience; nor does it stop here, but it proceeds further, and from many united experiences arrives at universal truths. Therefore, true experience resolves itself into first principles—primary causations; it is speculative, free, and of the highest nature.”[143]Savonarola’s definition ofveracity, strikingly acute and clear, is one not likely to have been made by a man at all weak either in philosophy or moral principle. It is well worth attention: “By veracity we understand a certain habit by which a man, both in his actions and in his words, shows himself to be that which he really is, neither more nor less.” This, though not a legal, is a moral, duty, for it is a debt which every man in honesty owes to his neighbor,and the manifestation of truth is an essential part of justice. Savonarola was, in fact, the first to shake off the yoke of ancient authority in philosophy. He alone, if we except Lorenzo Valla, who spoke more as a grammarian than a philosopher, dared to declare against it. “Some,” he says, “are so bigoted, and have so entirely submitted their understandings to the fetters of the ancients, that not only dare they not say anything in opposition to them, but abstain from saying anything not already said by them. What kind of reasoning is this? What additional strength of argument? The ancients did not reason thus; why, then, should we? If the ancients failed to perform a praiseworthy action, why should we also fail?” And this sentiment he constantly presents in various forms; not in theory alone, moreover, but in practice; not only in the special discussion of philosophy, but in its practical application. HisTriumph of the Cross[144]which is generally accepted as his greatest work, is an exposition of the whole Christian doctrine by reason alone. He thus states it in his preface: “As it is our purpose to discuss the subject of this book solely by the light of reason, we shall not pay regard to any authority, but will proceed as if there had not existed in the whole world any man, however wise, on whom to rest our belief, taking natural reason as our sole guide.” And he adds: “To comprehend things that are visible, it is not necessary to seek the acquaintance of things invisible, for all our knowledge of the extrinsic attributes of corporeal objects is derived from the senses; but our intellect, by its subtlety, penetrates the substance of natural things, by the consideration of which we finally arrive at a knowledge of things invisible.”We have spoken of the large number of Savonarola’s published works. There would not be space in an article like this even for a list of hispopular treatises on practical religious duties, of which four were published in one year alone (1492). These wereOn Humility,On Prayer,On the Love of Christ, andOn a Widow’s Life. With all their pious fervor, they are marked by strong practical judgment, and it is but little wonder that the people of Florence should have been enthusiastic in their admiration of a priest who, in all the various lines of his duty as teacher, as confessor, and as preacher, was always equal to his high calling. His harshest critics have said of him that, so violent was the asceticism he taught and preached, he opposed matrimony, and would have turned Florence into a convent. They are more than answered by the following passage fromA Widow’s Life—Libro della Vita Viduale:“Widows are like children—under the special protection of the Lord. The true life for them to lead is to give up all worldly thoughts, and devote themselves to the service of God; to become like the turtle-dove, which is a chaste creature; and thus, when it has lost its companion, no longer takes up with another, but spends the rest of its life in solitude and lamentation. Nevertheless, if for the education of her children, or through poverty, or for other good and sufficient motive, the widow desire to marry again, let her do so by all means. This would be preferable to being surrounded by admirers, and so expose herself to the risk of calumnies and to a thousand dangers. Let the widow who is not inclined to maintain the strict decorum, the somewhat difficult reserve, becoming her position, rather return to the dignified life of a married woman; but let those who feel that they possess strength and temper of mind equal to the demands of their state become a model to other women. A widow ought to dress in sober attire, to live retired, to avoid the society of men, to be gravity itself, and to maintain such severity of demeanor that none may dare utter by word or show by a smile the least want of respect. By such a life, she will be a continual lesson to other women, and will render it unnecessary for a widow to use words of counsel by which to acquire influence over others. It is unbecoming a widow to be prying into the lives and failings of other persons; it is unbecoming for her to be or even appear to be vain, nor ought she, for the sake of others, to forget what is due to herself.”SCHOLAR AND POET.Mention has already been made of Savonarola’s devotion to the task of teaching the novices of the order, not only by his famous “damask rose-bush” lectures which all learned Florence crowded to hear, but his classes of the humanities and physical sciences. Not content with this, and desiring that the monks of his convent should live by the fruit of their own labors, he established schools in which they might learn painting, sculpture, architecture, and the art of copying and illuminating manuscripts. He also opened a department of oriental languages, where Greek, Hebrew, Turkish, and Chaldean were taught. In urging their cultivation, he said he hoped that he and his brethren would be sent by the Lord to spread the Gospel among the Turks.When, after the expulsion of the Medici, the Florentine signiory, on account of the financial embarrassments of the republic, resolved to sell the Medicean library, there was great danger that this magnificent accumulation, then the most valuable collection of Greek and Latin authors known in Europe, and specially rich in the most precious MSS., would be either scattered or fall into the hands of strangers. There was no private citizen in Florence wealthy enough to purchase it. Savonarola, who fully appreciated its value, and who had already brought up the library of his own convent to a high standard, making it accessible to all, and the first free library in all Italy, resolved that these treasures should notleave the city. His first act of authority as prior had been to enforce the original rule of S. Dominic as to the poverty of the order. The saint’s last words were: “Be charitable, preserve humility, practise poverty with cheerfulness: may my curse and that of God fall upon him who shall bring possessions into this order!” Nevertheless, under certain so-called reformed rules, the convent at Florence had adopted the power of holding property, and its wealth in landed possessions had greatly accumulated. Savonarola’s first reform was to enforce the practice of poverty in the order, while the absence of landed income was to be supplied by the labors of the monks and a yet more rigid economy. It so happened that the sale of the convent property, in pursuance of this reform, had just been made, and Savonarola had at his command a sum of two thousand florins—a large amount for that period. His convent bought the library for three thousand florins, paying two thousand on account, and binding themselves to liquidate the balance, which was a claim held by a French creditor, in eighteen months. This transaction occurred precisely during the period of the celebrated bonfire of vanities, at which Savonarola is unjustly charged with having destroyed innumerable classical manuscripts.Space fails us to speak of Savonarola as a poet. Like many other boys, he scribbled verses in his early youth, and wrote a poem,De Ruina Mundi, at the age of twenty. There is something anticipatory of Byron in the sadness and gloom of its tone:“Vedendo sotto sopra tutto il mondo,Ed esser spenta al fondoOgni virtute, ed ogni bel costume,Non trovo un vivo lume,Né pur chi de’ suoi vizi si vergogni.”[145]We find in his youthful productions, says Villari, “both vigor and poetic talent, but united with negligence of form.” Later in life, he wrote numerous spiritual lauds, composed for the purpose of counteracting and taking the place of the degrading carnival songs in vogue under the Medici. As poetry, they possess no special merit. Villari mentions several of his canzoni, written when he was a young man, and cites one in praise of S. Catherine of Negri, in three long stanzas of fifteen lines each, in which he finds great delicacy and exquisite tenderness of feeling. He also refers to some of his Latin compositions modelled on the Psalms, which are eminently poetical. In one of them, he celebrates the praises of God, saying: “I sought thee everywhere, but found thee not. I asked the earth, Art thou my God? and I was answered, Thou deceivest thyself: I am not thy God. I asked the air, and was answered, Ascend still higher. I asked the sky, the sun, the stars, and they all answered me, He who made me out of nothing, he is God; he fills the heavens and the earth; he is in thy heart. I then, O Lord, sought thee far off, and thou wast near. I asked my eyes if thou hadst entered by them, and they answered, We know colors only. I asked the ear, and was answered that it knew sound only. The senses, then, O Lord, knew thee not; thou hast entered into my soul, thou art in my heart, and thou makest manifest thyself to me when I am performing works of charity.”Owing to his terribly earnest denunciation of pagan excesses in poetry and painting, and his indignation at their imitation by Christians, Savonarola has been held up as the enemy of both poets and poetry, and this even in his own day. To this charge he replied in his work onThe Division and Utility of all the Sciences, one part of which treats of poetry. We select a few of its points. He begins:“It never entered my mind to say a word in condemnation of the art of poetry. I condemned solely the abuse which many had made of it, although I have been calumniated on that account by many persons, both in speaking and writing.... The essence of poetry is to be found in philosophy. If any one believe that the art of poetry teaches us only dactyls and spondees, long and short syllables, and the ornaments of speech, he has certainly fallen into a great mistake.... The object of poetry is to persuade by means of that syllogism called an example, expressed with elegance of language, so as to convince and, at the same time, to delight us. And as our soul has supreme delight in song and harmony, the ancients contrived the measures of versification, that, by such means, men might be more readily excited to virtue. But measure is mere form; and the poet may produce a poem without metre and without verse. This, in fact, is the case in the Holy Scriptures, in which our Lord makes true poetry consist in wisdom; true eloquence in the spirit of truth; hence, our minds are not occupied with the outward letter, but are filled with the spirit.” ... He then goes on to denounce “a fallacious race of pretended poets, who know no better than to tread in the footsteps of the Greeks and Romans; keep to the same form, the same metre; invoke the same gods, nor venture to use any other names or words than those they find in the ancients.... This is not only a false poetry, but one most pernicious to youth. We find the heathens themselves condemning such poets. Did not Plato himself declare that a law ought to be passed to expel those poets from the city who, by the allurements of the most corrupting verses, contaminate everything with vile lusts and moral degradation? What, then, are our Christian princes about? Why do they not issue a law to expel from their cities not only these false poets, but their works also, and all the works of ancient authors who have written on libidinous subjects and praise false gods? It would be well if all such works were destroyed, and none were allowed to remain except such as excite to virtuous conduct.”It is on such passages as these that Savonarola’s enemies base their charges of enmity to poetry, etc. The charges are unfounded. His æsthetic opinions were in harmony with the purest principles of art, and his sense of the true and the beautiful was always acute. “In what does beauty consist?” he asks, in one of his sermons. “In colors? No. In figures? No. Beauty results from harmony in all the parts and colors. This applies to composite subjects; in simple subjects, beauty is in light. Look at the sun and the stars—their beauty is in light; behold the spirits of the blessed—light constitutes their beauty; raise your thoughts to the Almighty—he is light and is beauty itself. The beauty of man and woman is greater and more perfect the nearer it approaches to the primary Beauty. But what, then, is this beauty? It is a quality resulting from a due proportion and harmony between the several members and parts of the body. You would never say that a woman was handsome because she had a fine nose and pretty hands; but when her features harmonize. Whence comes this beauty? Inquire, and you will find it is from the soul.”Addressing himself to women, he said: “Ye women who glory in your ornaments, in your head-dresses, in your hands, I tell you that you are all ugly! Would you see true beauty? Observe a devout person, man or woman, in whom the Spirit dwells—observe such an one, I say, while in the act of prayer, when the countenance is suffused with divine beauty, and the prayer is over. You will then see the beauty of God reflected in that face, and a countenance almost angelic.”We have thus endeavored, in referring to Savonarola’s acquirements, and by presenting him to our readers in a variety of mental aspects, toconvey some idea of the moral, intellectual, and æsthetic sides of his character, in order that, as the story of his life and the account of the exciting incidents with which it is filled progress in our pages, they may be the better able to appreciate his action by at least a partial knowledge of his spiritual constitution and mental resources. We resume, then, the thread of our narrative.THE SERMON AT BOLOGNA.Savonarola preached his usual course of Lenten sermons in 1493, not at Florence, but at Bologna. His correspondence with his brother friars at S. Mark’s during his absence shows that he had gone there unwillingly, and it is hence supposed that Piero de’ Medici had brought about his absence through orders from his superiors at Milan and at Rome. The friar confined his preaching to subjects of doctrine and morals, and at the outset attracted but little public attention. Thebeaux espritsset him down as “a poor simpleton, a preacher for women”—uomo semplice e predicatore da donne. But his animation and sincerity were contagious, and hearers soon came in crowds. The tyrant Giovanni Bentivoglio then ruled Bologna, and his wife, an Orsini, appeared at all the sermons, entering late, and followed by a large retinue of gentlemen, pages, and ladies—gentildonne e damizelle. The silent rebuke of stopping short in his sermon until the disturbance thus caused had subsided was tried by the preacher several times in vain. He then referred to the disedification given by such interruptions, and mildly requested that ladies who came to hear the sermon should endeavor to be present at its beginning. In response, the haughty woman made a point of continuing the annoyance with offensive and increased ostentation, until one morning, when thus breaking in upon the friar while in all the fervor of his discourse, his patience gave way, and he cried out:Ecco, ecco il demonio che viene ad interrompere il verbo di Dio—“Behold the demon who comes to interrupt the word of God!” All the blood of all the Orsinis boiled over at this public insult. A reigning princess to be thus treated by a merefrate! As the story runs, she ordered two of her attendants to slay him in the pulpit; but whether their courage failed them, or the crowd would not permit them to reach the friar, they did not carry out their order. Still enraged, she sent two other satellites to his cell, where Savonarola received them with such dignity and impressive calmness that their resolution oozed away, and they said with great respect: “Our lady has sent us to your reverence to know if you had need of anything.” To which suitable and courteous reply being made, they were dismissed. In his closing sermon at Bologna, the preacher announced: “This evening I shall depart for Florence with my slender staff and wooden flask, and I shall sleep at Pianoro. If any person want aught of me, let him come before I set out.My death is not to be celebrated at Bologna, but elsewhere.”The legend runs that it was on this journey, when near to Florence, that Savonarola, unable to take any food and broken with fatigue, sank by the roadside, powerless to go further. Quickly there came to him the vision of an unknown man, who, giving him strength, accompanied him to the city gate, and disappeared, saying: “Remember that thou doest that for which thou hast been sent by God.” Each reader will decide for himself as to the degree ofcredibility to be attached to such a legend. Certain it is, nevertheless, that Savonarola himself and many men of the strongest minds of that day fully believed in it.[146]INDEPENDENCE OF S. MARK’S.On his return to Florence in the spring of 1493, Savonarola found a worse state of things than he had left on his departure. The rule of Piero de’ Medici was rapidly becoming every day less tolerable, and the discontent of the people more marked and bitter. One thing, however, the people knew well. It was that Savonarola was their friend. Piero de’ Medici was also perfectly aware of it, and, as he had the power, might at any moment through his influence have the Dominican prior ordered away to Milan by his superiors in Lombardy or Rome, as the Tuscan convents formed one province with those of Lombardy. This union had been brought about some fifty years before by reason of the depopulation of the Tuscan convents from the plague. As this state of things had long ceased to exist, and the convents were again full, it occurred to Savonarola to seek the restoration of the Tuscan convents to their original condition of an independent province. In his management of this important and difficult piece of practical business, there was nothing whatever of the visionary monk, and he set to work with all his energy to carry out a measure in which he felt that the purity and elevation of his order and the liberties of the Florentine people were at stake. The authorization for the measure he desired must of course come from Rome, and, in order to obtain it, he sent thither two of his friars, Alessandro Rinuccini, a member of one of the most illustrious families of Florence, and Domenico da Pescia. The latter in particular was unreservedly devoted to his prior, ardent in his admiration of him, and fully persuaded that he was a prophet sent by God. On arriving at their destination, they encountered a formidable opposition. Not only the Lombards, but the King of Naples, the republic of Genoa, the Dukes of Milan and Ferrara, and Bentivoglio of Bologna, all joined in striving for the defeat of the petition. Strangely enough—and it is mentioned by historians as an evidence of his frivolous mind and inattention to serious matters—Piero de’ Medici had been persuaded to favor a measure of which the main object was to free S. Mark’s and its prior from his authority. In fact, Savonarola could not have advanced a step without obtaining his approbation, inasmuch as the application of the convent as made could not be allowed to be presented without the approbation of the Florentine government. In bringing about this important success, Savonarola had the assistance of Philip Valori, and John, Cardinal de’ Medici, a brother of Piero, who afterwards became Pope Leo X. While at Rome, the general of the Dominicans and Cardinal Caraffa of Naples warmly supported him. Nevertheless, the two friars of S. Mark’s who had been sent to Rome were dispirited by the formidable aspect of the opposition they there encountered, and wrote to their prior that success was impossible, and he must give up all hope of carrying his point. Savonarola’s reply was: “Away with doubts! Stand firm, and you will be victorious; the Lordscatters the councils of the nations, and casts the designs of princes to the ground.” In a consistory of the 22d of May, the Tuscan question came up, but the pope refused to approve the brief, and dismissed the consistory until the following day. All the cardinals departed with the exception of Caraffa, who took the liveliest interest in the success of the measure, and had a strong personal influence with Alexander VI. They entered into a friendly conversation, during which the cardinal produced the brief, and asked the pope to sign it. With a smile, he declined; when, presuming on his personal familiarity, and in a half-jesting manner, Caraffa took the pontifical ring from the pope’s finger, and sealed the brief. Just then, in hot haste, came in fresh and stronger remonstrances from Lombardy, but the pope replied that it was too late—“What is done is done”; and he would hear no more of it.Savonarola’s first care was to reform and strengthen the discipline of his convent, and it was at this juncture that he brought it back to the original rule of poverty established by the founder of the order, as we have already stated. Then followed the enforcement of the strictest personal economy, the acquisition and practice of useful arts by the monks whereby to earn their livelihood, and the study of the oriental languages. In all his conventual reforms, the new prior taught by example as much as by precept. His monks saw that he inculcated no principle of which he was not a living model. Sober in his diet, ascetic in all his habits, of an application to study that seemed to know no fatigue, he inspired all by his labor and self-denial. In all the whole convent, the humblest monk was not more poorly clad than his prior. No cell so naked, no pallet so hard, as his. Rigid with others, he was severe with himself. Numerous candidates presented themselves for admission to the Convent of S. Mark, which was now the admiration of all Tuscany. The sons of the most distinguished families in Florence sought to become inmates of S. Mark’s, and the Rucellai, the Salviati, the Albizzi, the Strozzi, and even the Medici, pressed into the narrow limits of the crowded convent, in order to receive at the hands of Savonarola the robe of S. Dominic. Additional buildings were absolutely necessary, and those of the Sapienza were obtained—the same that were a few years since used for the stables of the grand duke.Under the brief lately obtained from Rome, the Dominican convents of Fiesole, Prato, and Bibbiena, and the two hospices of the Maddalena, asked for reception into the Tuscan congregation under Savonarola’s authority, and were admitted. Even the friars of another order, the Camaldoli, were desirous of uniting themselves with S. Mark’s, in order to be under the rule of Savonarola; but he could not accede to their request, for want of authority. All this success and honor did not in the slightest degree affect his character. If, during his career, he manifested pride and daring, it was towards the great and powerful. In private life, and in the interior of his convent, he was to the end the same gentle and humble brother the monks had known as Fra Girolamo.ADVENT, 1493.It was natural, under the circumstances, that the Superior of the Tuscan Congregation of Dominicans, the preacher whose predictions had been so wonderfully verified, the exemplary monk who had been calledto the bedside of the dying Lorenzo the Magnificent, should enter upon the delivery of his course of Advent sermons for 1493 with increased confidence and far greater freedom of speech than the comparatively unknown Fra Girolamo had ever manifested. His audiences grew daily more numerous, and crowds awaited for hours his coming. The twenty-five sermons of this course were on the Seventy-third Psalm (Quam Bonus). His principal topics were the unhappy and ruinous condition of the church, the immoral lives of the Italian princes and many of the higher clergy, approaching punishments, and the desire of all good men to stem the rising tide of depravity. We have already cited the passages (“They tickle the ears with Aristotle, etc.,” and “In the houses of the great prelates”) in which he denounces the clergy and hierarchy; and he thus describes the princes of Italy: “These wicked princes are sent as a punishment for the sins of their subjects; they are truly a great snare for souls; their palaces and halls are the refuge of all the beasts and monsters of the earth, and are a shelter for caitiffs and for every kind of wickedness. Such men resort to their courts because there they find the means and the excitements to give vent to all their evil passions. There we find the wicked counsellors who devise new burdens and new imposts for sucking the blood of the people; there we find the flattering philosophers and poets who, by a thousand stories and lies, trace the genealogy of those wicked princes from the gods; and, what is still worse, there we find priests who adopt the same language. That, my brethren, is the city of Babylon, the city of the foolish and the impious, the city which the Lord will destroy.”And then, after speaking sharply of a superfluity of golden mitres and golden chalices, he adds: “But dost thou know what I would say? In the primitive church, there were wooden chalices and golden prelates; but now the church has golden chalices and wooden prelates....”“What doest thou, O Lord? Why slumberest thou? Arise and take the church out of the hands of the devil, out of the hands of tyrants, out of the hands of wicked prelates. Hast thou forgotten thy church? Dost thou not love her? Hast thou no care for her? We are become, O Lord, the opprobrium of the nations. Turks are masters of Constantinople. We are become tributaries of infidels. O Lord God! thou hast dealt with us as an angry father; thou hast banished us from thee; hasten the punishment and the scourge, that there may be a speedy return to thee.Effunde iras tuas in gentes—’Pour out thy wrath upon the nations.’ Be not scandalized, my brethren, by these words; rather consider that, when the good wish for punishment, it is because they wish to see evil driven away, and the blessed reign of Jesus Christ triumphant throughout the world. We have now no other hope left us, unless the sword of the Lord threatens the earth.”THE DELUGE.In Lent, 1494, Savonarola resumed his preaching in a course of sermons which, as published, have been entitledSermons on Noe’s Ark(Prediche sopra l’Arca di Noé). It was, in fact, a continuation of the expounding of Genesis begun in 1490. The impression produced by them upon his auditors was very great. All the biographers unite in describing how the people were carried away, the wonder he excited, and how marvellously all that was foretold came to pass. His Advent sermons had dwelt on the near approach of punishments—a coming deluge of calamities—and he now constructs a mystical ark in which all may take refuge. He prophesied the approach of a new Cyrus whoshould conquer Italy without resistance. At length, on Easter morning, his ark being completed, he invited all to hasten to enter it with the virtues which distinguish Christians: “The time will come when the ark will be closed, and many will repent that they had not entered therein.” Thus the short chapter of Genesis relating to the ark occupied the whole of Lent, and he resumed the subject in the month of September following. On the twenty-first day of that month, he was to expound the seventeenth verse, relating to the Deluge.The Dome of Florence was crowded. All waited for the sermon in anxiety and excitement, but attentive and motionless. Mounting the pulpit, and surveying the multitude in impressive silence for a few moments, he thundered out: “And behold, I, even I, do bring a flood of waters upon the earth.” A thrill of terror convulsed the vast assemblage. Pico di Mirandola relates that a cold shiver ran through all his bones, and that the hairs of his head stood on end; and Savonarola has recorded that he was profoundly moved. That very day the news had arrived that a horde of foreign troops were descending the Alps to conquer Italy, and popular credulity made their numbers countless, invincible in arms, gigantic, cruel, and ferocious. “Having, before the arrival of the King of France, just closed the ark, these sermons caused such terror, alarm, sobbing, and tears, that every one passed through the streets without speaking, more dead than alive.” (MS. history in Magliabecchian library.) Terror there was indeed. Italy was helpless. There was neither nation nor national army. The princes were defenceless, and the whole country must fall an easy prey to the invader. Men saw rivers of blood before them. What could save them? All rushed to Savonarola, imploring counsel and help. He alone could succor them. All his words had been verified. All those whose deaths he foretold had gone to their graves. Punishment threatened had begun. The sword of the Lord had indeed descended upon the earth. Not only the people flocked about him, but the graver men and magistrates of Florence asked his counsel, and his admirers and adherents became in a moment, as if by magic, the rulers of the city.Here may be said to terminate the monastic life of Savonarola, and, in order to follow his career, we must with him quit the cloister, and accompany him among the people of Florence down in the public places.

PART SECOND.

“Ye fathers! let your children learn grammar, and keep able men as teachers who are accomplished, and not players, pay them well, and see that the schools are no holes and corners. All should practise grammar in some degree, for it wakens the mind, and helps much. But the poets should not thereby destroy everything else. There should be a law made that no bad poet should be read in the schools, such as Ovid,De Arte Amandi, Tibullus and Catullus, of the same sort, Terentius in many places. Virgil and Cicero I would suffer, Homer in the Greek, and also some passages from S. Augustine’s work,De Civitate Dei, or from S. Jerome, or something out of the Holy Scriptures. And where your teachers find in these books Jupiter, Pluto, and the like named, say then, Children, these are fables, and show them that God alone rules the world. So would the children be brought up in wisdom and in truth, and God would be with them.”—Sermon of Savonarola.

Itwas but natural that the striking events of the life of Savonarola, and the tragic scenes of the close of his career, should have absorbed the attention of his early biographers to the exclusion of the less attractive and more difficult duty of appreciating and presenting the moral and intellectual side of his character. He is constantly described by those friendly to his memory as a grand pulpit orator and Heaven-inspired reformer; by others, as the sensational preacher and extravagant innovator; while little or nothing is said by either of his literary and philosophical acquirements. By turns, and according to their several views, they exhibit him to us as fanatic and impostor, as prophet and martyr, while the figure of the scholar, the philosopher, and the theologian remains invisible. It is, nevertheless, but fair to say that this arises partially from the fact that a very important portion of Savonarola’s literary productions was unknown to his contemporaries and their immediate successors. Modern research has brought to light a large number of which they never heard. Another circumstance has contributed to confirm the mistaken impression concerning him as a man wanting in literary capacity, namely, the effort to make of him the enemy of literature by classing him amongthe opponents of the so-called revival of letters in Europe.

What is styled the revival of letters in the XVth century really began in Italy long before, and was prepared, says Hallam, by several circumstances that lie further back in Italian history. The classic revelation of the XVth century was indeed a revelation to Germany, France, and England, but not to Italy. The true restorer of classical antiquity in Italy, and consequently in Europe, had already appeared in the XIVth century, and his name was Petrarch (1304-1374). It was he who first inspired his countrymen with his own admiration of the classic beauties of Virgil and Cicero. The larger portion of his works is written in Latin, and he died under the delusion that hisAfrica, a Latin poem, was his greatest work. A taste for the cultivation of the Roman classics grew steadily from this period, gaining strength and ardor every day, until it became the absorbing passion of all ranks of scholars. Even Poggio Bracciolini, usually assigned exclusively to the XVth, belongs partially to the XIVth century. So also does Guarino Guarini, the greatest of the early Hellenists.

PAGANISM IN LITERATURE.

The tide of classical enthusiasm was now swollen by the introduction of the Greek classics and the emigration to Italy of numerous distinguished Greek scholars. Historians vie with each other in describing the enthusiastic ardor of the Italians in the cultivation of these two great ancient literatures. It amounted to an intoxication that seized upon young and old, laity and clergy, women as well as men. The purely literary advantages to be obtained by so general a devotion to classic lore were of course enormous. But in this world, says a distinguished English Catholic divine[138]in referring to the period in question, “evil follows good as its shadow, human nature perverting and corrupting what is intrinsically innocent or praiseworthy. It was not Virgil, nor Cicero, nor Tacitus, nor Homer, nor Demosthenes that was most read and imitated, but Propertius, and Tibullus, and Apuleius. Pagan ideas colored men’s thoughts; pagan ethics supplanted Christian morals; pagan theogony was better understood than the Christian catechism; and their influences spread not only through the schools, but to the cloister. Men sought in those classics, not poetry, but pruriency; not finished style, but abandoned vice; not accountability in a hereafter, but nothingness in the future. The Fathers, many of whom wrote for the express purpose of denouncing the heathen immorality of these productions, must not be studied, because, forsooth, of the uncouthness of their style. Paganism impressed itself on everything, and men sought to ignore the road to Calvary that they might enter the flowery path of Olympus.”

Unfortunately, the period was most propitious for the introduction and spread of this moral poison. For long years, Italy had been demoralized by violent factions and bloody wars. Society was disorganized. The removal of the head of the church to Avignon had been fatal to ecclesiastical discipline. The effects of this laxity produced that most frightful of scourges—a corrupt clergy; and although scores of volumes have been written describing with great minuteness all the details of the rapid march and wide extent of this fatal influence, it would be difficult to present in any shorterspace at this day any adequate idea of its depth or intensity. Alone and unaided, Savonarola dared to attack paganism in literature in its stronghold; for Florence was at that time the centre of the Hellenic and Roman revival, and filled with its most passionate devotees. He thus arrayed himself against Italy and the spirit of the age. He denounced pagan literature, and scouted as absurd the fanaticism for its study. Not the laity alone, but the clergy and the hierarchy, came in for a share of his strictures. “In the houses of the great prelates and great doctors,” he cries out, “nothing is thought of but poetry and rhetoric. Go and see for yourselves: you will find them with books of polite literature in their hands—pernicious writings—with Virgil, Horace, and Cicero, to prepare themselves for the cure of souls withal. Astrologers have the governance of the church. There is not a prelate, there is not a great doctor, but is intimate with some astrologer who predicts for him the hour and the moment for riding out or for whatever else he does. Our preachers have already given up Holy Scripture, and are given to philosophy, which they preach from the pulpit, and make it their queen. As to Holy Scripture, they treat it as the handmaid, because to preach philosophy looks learned, whereas it should simply be an aid in the interpretation of the divine Word.”

In another sermon, he says: “They tickle the ears with Aristotle, Plato, Virgil, and Petrarch, and take no concern in the salvation of souls. Why do they not, instead of books like these, teach that alone in which are the law and the spirit of life? The Gospel, my Christian brethren, must be your constant companion. I speak not of the book, but its spirit. If ye have not the spirit of grace, although you carry the whole volume about with you, it will be of no avail. And how much more foolish are those who go about loaded with briefs and tracts, and look as if they kept a stall at a fair? Charity does not consist of sheets of paper. The true books of Christ are the apostles and saints: the true reading of them is to imitate their lives.”

Because Savonarola thus denounced ancient classic literature, it must not be supposed that he was either ignorant of it or unable to recognize what was really valuable in it. On the contrary, he was as familiar with Greece and Rome as his adversaries, and denounced only such pagan authors as were dangerous to morality. He might as consistently have been charged with ignorance of Aristotle, the whole of whose philosophy and writings he had, as it were, at his fingers’ ends, because, after denouncing from the pulpit the blindness with which that philosopher was followed, he would ask: “Has your Aristotle succeeded in proving the immortality of the soul?”

Savonarola’s denunciation of the evil effects of pagan literature is too often represented as sweeping and indiscriminate, while in point of fact he falls short in both these respects of a writer of the XIXth century who counts a certain number of respectable adherents. We refer to the Abbé Gaume, who, in a remarkable work published in France in 18—,Le Ver Rongeur des Sociétés Modernes, maintains that very many of the evils of society that have their origin in the education of youth may be traced to the pagan ideas imbibed in the early study of the Greek and Roman classics.[139]Savonarola’sposition on this subject, in fact, appears to have been substantially the same with that of Tertullian, S. Basil, and S. Jerome.

Partial justice has been done to Savonarola as a powerful logician and a learned theologian. His intimate knowledge of the Scriptures was something exceptional—not a mere rote knowledge, for it is said he knew them by heart, but a searching and thorough familiarity which showed a wonderful intellectual and spiritual grasp of their body and spirit.

HIS PHILOSOPHY.

As a philosopher, he has been credited by all writers with a familiarity with the systems of Plato and Aristotle, then dominant; but his latest Italian biographer, Villari, shows satisfactorily that, in his theological writings, he reasons with so much freedom and independence that he had practically freed himself from the dominion of Aristotle.[140]His early biographers made neither attempt nor pretence to do more than relate the material facts of his career. Later writers, with more attention to his published works, saw more clearly his intellectual power, although his philosophical productions were almost entirely neglected. M. Perrens does indeed direct attention to them, but merely as “des catéchismes sans prétention.” Rudelbach[141]is so engrossed with his sharp search for Protestant ideas that he takes no notice of his philosophical writings. Meier[142]perceives that in philosophy “he shows a judgment and critical power of his own”; while Poli, in his additions to Tennemann, remarks his order and clearness. “Not to acknowledge Savonarola as a powerful logician,” says Rio, in his remarkable work on Christian art, “an accomplished orator, a profound theologian, a genius comprehensive and bold, a universal philosopher, or rather, the competent judge of all philosophy, would be an injustice which history and his contemporaries would not tolerate.” The same author goes on to give him credit for the possession of faculties rarely found united with those which make the logician and the theologian. He says: “One might imagine without doubt that it would be more just to deny him the possession of that rare gift of an exquisitely acute and intuitive perception of the beautiful in the arts of imagination, which is not always the privilege of the greatest genius, and which supposes a sensibility of soul and a delicacy of organs too difficult to meet with, either the one or the other, in a monastic person devoted to the mortifications of the cloister; and yet it is no exaggeration to say that both are found united in a very high degree in Savonarola.” The historian Guicciardini, who had made special study of Savonarola’s works, says: “In philosophy, he was the most powerful man in Italy, and reasoned on it in so masterly a manner that it seemed as if he had himself created it.”

Although the mass of published works of Savonarola may be truly called enormous, very many of his productions never appeared, most of his manuscripts having been destroyed,or, in a few instances, but lately brought to light. Among these latter, Villari mentions a compendium of all the works of Plato and Aristotle, regularly catalogued as in the library of S. Mark. Some of his smaller treatises also survive, and the same author recognizes the writer’s originality and the bold hand (la mano ardita) of Savonarola in such passages as these:

“We must, in all cases, proceed from the known to the unknown; for thus only can we arrive at truth with any degree of facility. Sensations are nearest and best known to us; they are gathered up in the memory, where the mind transforms individual sensations into one general rule or experience; nor does it stop here, but it proceeds further, and from many united experiences arrives at universal truths. Therefore, true experience resolves itself into first principles—primary causations; it is speculative, free, and of the highest nature.”[143]

Savonarola’s definition ofveracity, strikingly acute and clear, is one not likely to have been made by a man at all weak either in philosophy or moral principle. It is well worth attention: “By veracity we understand a certain habit by which a man, both in his actions and in his words, shows himself to be that which he really is, neither more nor less.” This, though not a legal, is a moral, duty, for it is a debt which every man in honesty owes to his neighbor,and the manifestation of truth is an essential part of justice. Savonarola was, in fact, the first to shake off the yoke of ancient authority in philosophy. He alone, if we except Lorenzo Valla, who spoke more as a grammarian than a philosopher, dared to declare against it. “Some,” he says, “are so bigoted, and have so entirely submitted their understandings to the fetters of the ancients, that not only dare they not say anything in opposition to them, but abstain from saying anything not already said by them. What kind of reasoning is this? What additional strength of argument? The ancients did not reason thus; why, then, should we? If the ancients failed to perform a praiseworthy action, why should we also fail?” And this sentiment he constantly presents in various forms; not in theory alone, moreover, but in practice; not only in the special discussion of philosophy, but in its practical application. HisTriumph of the Cross[144]which is generally accepted as his greatest work, is an exposition of the whole Christian doctrine by reason alone. He thus states it in his preface: “As it is our purpose to discuss the subject of this book solely by the light of reason, we shall not pay regard to any authority, but will proceed as if there had not existed in the whole world any man, however wise, on whom to rest our belief, taking natural reason as our sole guide.” And he adds: “To comprehend things that are visible, it is not necessary to seek the acquaintance of things invisible, for all our knowledge of the extrinsic attributes of corporeal objects is derived from the senses; but our intellect, by its subtlety, penetrates the substance of natural things, by the consideration of which we finally arrive at a knowledge of things invisible.”

We have spoken of the large number of Savonarola’s published works. There would not be space in an article like this even for a list of hispopular treatises on practical religious duties, of which four were published in one year alone (1492). These wereOn Humility,On Prayer,On the Love of Christ, andOn a Widow’s Life. With all their pious fervor, they are marked by strong practical judgment, and it is but little wonder that the people of Florence should have been enthusiastic in their admiration of a priest who, in all the various lines of his duty as teacher, as confessor, and as preacher, was always equal to his high calling. His harshest critics have said of him that, so violent was the asceticism he taught and preached, he opposed matrimony, and would have turned Florence into a convent. They are more than answered by the following passage fromA Widow’s Life—Libro della Vita Viduale:

“Widows are like children—under the special protection of the Lord. The true life for them to lead is to give up all worldly thoughts, and devote themselves to the service of God; to become like the turtle-dove, which is a chaste creature; and thus, when it has lost its companion, no longer takes up with another, but spends the rest of its life in solitude and lamentation. Nevertheless, if for the education of her children, or through poverty, or for other good and sufficient motive, the widow desire to marry again, let her do so by all means. This would be preferable to being surrounded by admirers, and so expose herself to the risk of calumnies and to a thousand dangers. Let the widow who is not inclined to maintain the strict decorum, the somewhat difficult reserve, becoming her position, rather return to the dignified life of a married woman; but let those who feel that they possess strength and temper of mind equal to the demands of their state become a model to other women. A widow ought to dress in sober attire, to live retired, to avoid the society of men, to be gravity itself, and to maintain such severity of demeanor that none may dare utter by word or show by a smile the least want of respect. By such a life, she will be a continual lesson to other women, and will render it unnecessary for a widow to use words of counsel by which to acquire influence over others. It is unbecoming a widow to be prying into the lives and failings of other persons; it is unbecoming for her to be or even appear to be vain, nor ought she, for the sake of others, to forget what is due to herself.”

SCHOLAR AND POET.

Mention has already been made of Savonarola’s devotion to the task of teaching the novices of the order, not only by his famous “damask rose-bush” lectures which all learned Florence crowded to hear, but his classes of the humanities and physical sciences. Not content with this, and desiring that the monks of his convent should live by the fruit of their own labors, he established schools in which they might learn painting, sculpture, architecture, and the art of copying and illuminating manuscripts. He also opened a department of oriental languages, where Greek, Hebrew, Turkish, and Chaldean were taught. In urging their cultivation, he said he hoped that he and his brethren would be sent by the Lord to spread the Gospel among the Turks.

When, after the expulsion of the Medici, the Florentine signiory, on account of the financial embarrassments of the republic, resolved to sell the Medicean library, there was great danger that this magnificent accumulation, then the most valuable collection of Greek and Latin authors known in Europe, and specially rich in the most precious MSS., would be either scattered or fall into the hands of strangers. There was no private citizen in Florence wealthy enough to purchase it. Savonarola, who fully appreciated its value, and who had already brought up the library of his own convent to a high standard, making it accessible to all, and the first free library in all Italy, resolved that these treasures should notleave the city. His first act of authority as prior had been to enforce the original rule of S. Dominic as to the poverty of the order. The saint’s last words were: “Be charitable, preserve humility, practise poverty with cheerfulness: may my curse and that of God fall upon him who shall bring possessions into this order!” Nevertheless, under certain so-called reformed rules, the convent at Florence had adopted the power of holding property, and its wealth in landed possessions had greatly accumulated. Savonarola’s first reform was to enforce the practice of poverty in the order, while the absence of landed income was to be supplied by the labors of the monks and a yet more rigid economy. It so happened that the sale of the convent property, in pursuance of this reform, had just been made, and Savonarola had at his command a sum of two thousand florins—a large amount for that period. His convent bought the library for three thousand florins, paying two thousand on account, and binding themselves to liquidate the balance, which was a claim held by a French creditor, in eighteen months. This transaction occurred precisely during the period of the celebrated bonfire of vanities, at which Savonarola is unjustly charged with having destroyed innumerable classical manuscripts.

Space fails us to speak of Savonarola as a poet. Like many other boys, he scribbled verses in his early youth, and wrote a poem,De Ruina Mundi, at the age of twenty. There is something anticipatory of Byron in the sadness and gloom of its tone:

“Vedendo sotto sopra tutto il mondo,Ed esser spenta al fondo

Ogni virtute, ed ogni bel costume,Non trovo un vivo lume,

Né pur chi de’ suoi vizi si vergogni.”[145]

We find in his youthful productions, says Villari, “both vigor and poetic talent, but united with negligence of form.” Later in life, he wrote numerous spiritual lauds, composed for the purpose of counteracting and taking the place of the degrading carnival songs in vogue under the Medici. As poetry, they possess no special merit. Villari mentions several of his canzoni, written when he was a young man, and cites one in praise of S. Catherine of Negri, in three long stanzas of fifteen lines each, in which he finds great delicacy and exquisite tenderness of feeling. He also refers to some of his Latin compositions modelled on the Psalms, which are eminently poetical. In one of them, he celebrates the praises of God, saying: “I sought thee everywhere, but found thee not. I asked the earth, Art thou my God? and I was answered, Thou deceivest thyself: I am not thy God. I asked the air, and was answered, Ascend still higher. I asked the sky, the sun, the stars, and they all answered me, He who made me out of nothing, he is God; he fills the heavens and the earth; he is in thy heart. I then, O Lord, sought thee far off, and thou wast near. I asked my eyes if thou hadst entered by them, and they answered, We know colors only. I asked the ear, and was answered that it knew sound only. The senses, then, O Lord, knew thee not; thou hast entered into my soul, thou art in my heart, and thou makest manifest thyself to me when I am performing works of charity.”

Owing to his terribly earnest denunciation of pagan excesses in poetry and painting, and his indignation at their imitation by Christians, Savonarola has been held up as the enemy of both poets and poetry, and this even in his own day. To this charge he replied in his work onThe Division and Utility of all the Sciences, one part of which treats of poetry. We select a few of its points. He begins:

“It never entered my mind to say a word in condemnation of the art of poetry. I condemned solely the abuse which many had made of it, although I have been calumniated on that account by many persons, both in speaking and writing.... The essence of poetry is to be found in philosophy. If any one believe that the art of poetry teaches us only dactyls and spondees, long and short syllables, and the ornaments of speech, he has certainly fallen into a great mistake.... The object of poetry is to persuade by means of that syllogism called an example, expressed with elegance of language, so as to convince and, at the same time, to delight us. And as our soul has supreme delight in song and harmony, the ancients contrived the measures of versification, that, by such means, men might be more readily excited to virtue. But measure is mere form; and the poet may produce a poem without metre and without verse. This, in fact, is the case in the Holy Scriptures, in which our Lord makes true poetry consist in wisdom; true eloquence in the spirit of truth; hence, our minds are not occupied with the outward letter, but are filled with the spirit.” ... He then goes on to denounce “a fallacious race of pretended poets, who know no better than to tread in the footsteps of the Greeks and Romans; keep to the same form, the same metre; invoke the same gods, nor venture to use any other names or words than those they find in the ancients.... This is not only a false poetry, but one most pernicious to youth. We find the heathens themselves condemning such poets. Did not Plato himself declare that a law ought to be passed to expel those poets from the city who, by the allurements of the most corrupting verses, contaminate everything with vile lusts and moral degradation? What, then, are our Christian princes about? Why do they not issue a law to expel from their cities not only these false poets, but their works also, and all the works of ancient authors who have written on libidinous subjects and praise false gods? It would be well if all such works were destroyed, and none were allowed to remain except such as excite to virtuous conduct.”

It is on such passages as these that Savonarola’s enemies base their charges of enmity to poetry, etc. The charges are unfounded. His æsthetic opinions were in harmony with the purest principles of art, and his sense of the true and the beautiful was always acute. “In what does beauty consist?” he asks, in one of his sermons. “In colors? No. In figures? No. Beauty results from harmony in all the parts and colors. This applies to composite subjects; in simple subjects, beauty is in light. Look at the sun and the stars—their beauty is in light; behold the spirits of the blessed—light constitutes their beauty; raise your thoughts to the Almighty—he is light and is beauty itself. The beauty of man and woman is greater and more perfect the nearer it approaches to the primary Beauty. But what, then, is this beauty? It is a quality resulting from a due proportion and harmony between the several members and parts of the body. You would never say that a woman was handsome because she had a fine nose and pretty hands; but when her features harmonize. Whence comes this beauty? Inquire, and you will find it is from the soul.”

Addressing himself to women, he said: “Ye women who glory in your ornaments, in your head-dresses, in your hands, I tell you that you are all ugly! Would you see true beauty? Observe a devout person, man or woman, in whom the Spirit dwells—observe such an one, I say, while in the act of prayer, when the countenance is suffused with divine beauty, and the prayer is over. You will then see the beauty of God reflected in that face, and a countenance almost angelic.”

We have thus endeavored, in referring to Savonarola’s acquirements, and by presenting him to our readers in a variety of mental aspects, toconvey some idea of the moral, intellectual, and æsthetic sides of his character, in order that, as the story of his life and the account of the exciting incidents with which it is filled progress in our pages, they may be the better able to appreciate his action by at least a partial knowledge of his spiritual constitution and mental resources. We resume, then, the thread of our narrative.

THE SERMON AT BOLOGNA.

Savonarola preached his usual course of Lenten sermons in 1493, not at Florence, but at Bologna. His correspondence with his brother friars at S. Mark’s during his absence shows that he had gone there unwillingly, and it is hence supposed that Piero de’ Medici had brought about his absence through orders from his superiors at Milan and at Rome. The friar confined his preaching to subjects of doctrine and morals, and at the outset attracted but little public attention. Thebeaux espritsset him down as “a poor simpleton, a preacher for women”—uomo semplice e predicatore da donne. But his animation and sincerity were contagious, and hearers soon came in crowds. The tyrant Giovanni Bentivoglio then ruled Bologna, and his wife, an Orsini, appeared at all the sermons, entering late, and followed by a large retinue of gentlemen, pages, and ladies—gentildonne e damizelle. The silent rebuke of stopping short in his sermon until the disturbance thus caused had subsided was tried by the preacher several times in vain. He then referred to the disedification given by such interruptions, and mildly requested that ladies who came to hear the sermon should endeavor to be present at its beginning. In response, the haughty woman made a point of continuing the annoyance with offensive and increased ostentation, until one morning, when thus breaking in upon the friar while in all the fervor of his discourse, his patience gave way, and he cried out:Ecco, ecco il demonio che viene ad interrompere il verbo di Dio—“Behold the demon who comes to interrupt the word of God!” All the blood of all the Orsinis boiled over at this public insult. A reigning princess to be thus treated by a merefrate! As the story runs, she ordered two of her attendants to slay him in the pulpit; but whether their courage failed them, or the crowd would not permit them to reach the friar, they did not carry out their order. Still enraged, she sent two other satellites to his cell, where Savonarola received them with such dignity and impressive calmness that their resolution oozed away, and they said with great respect: “Our lady has sent us to your reverence to know if you had need of anything.” To which suitable and courteous reply being made, they were dismissed. In his closing sermon at Bologna, the preacher announced: “This evening I shall depart for Florence with my slender staff and wooden flask, and I shall sleep at Pianoro. If any person want aught of me, let him come before I set out.My death is not to be celebrated at Bologna, but elsewhere.”

The legend runs that it was on this journey, when near to Florence, that Savonarola, unable to take any food and broken with fatigue, sank by the roadside, powerless to go further. Quickly there came to him the vision of an unknown man, who, giving him strength, accompanied him to the city gate, and disappeared, saying: “Remember that thou doest that for which thou hast been sent by God.” Each reader will decide for himself as to the degree ofcredibility to be attached to such a legend. Certain it is, nevertheless, that Savonarola himself and many men of the strongest minds of that day fully believed in it.[146]

INDEPENDENCE OF S. MARK’S.

On his return to Florence in the spring of 1493, Savonarola found a worse state of things than he had left on his departure. The rule of Piero de’ Medici was rapidly becoming every day less tolerable, and the discontent of the people more marked and bitter. One thing, however, the people knew well. It was that Savonarola was their friend. Piero de’ Medici was also perfectly aware of it, and, as he had the power, might at any moment through his influence have the Dominican prior ordered away to Milan by his superiors in Lombardy or Rome, as the Tuscan convents formed one province with those of Lombardy. This union had been brought about some fifty years before by reason of the depopulation of the Tuscan convents from the plague. As this state of things had long ceased to exist, and the convents were again full, it occurred to Savonarola to seek the restoration of the Tuscan convents to their original condition of an independent province. In his management of this important and difficult piece of practical business, there was nothing whatever of the visionary monk, and he set to work with all his energy to carry out a measure in which he felt that the purity and elevation of his order and the liberties of the Florentine people were at stake. The authorization for the measure he desired must of course come from Rome, and, in order to obtain it, he sent thither two of his friars, Alessandro Rinuccini, a member of one of the most illustrious families of Florence, and Domenico da Pescia. The latter in particular was unreservedly devoted to his prior, ardent in his admiration of him, and fully persuaded that he was a prophet sent by God. On arriving at their destination, they encountered a formidable opposition. Not only the Lombards, but the King of Naples, the republic of Genoa, the Dukes of Milan and Ferrara, and Bentivoglio of Bologna, all joined in striving for the defeat of the petition. Strangely enough—and it is mentioned by historians as an evidence of his frivolous mind and inattention to serious matters—Piero de’ Medici had been persuaded to favor a measure of which the main object was to free S. Mark’s and its prior from his authority. In fact, Savonarola could not have advanced a step without obtaining his approbation, inasmuch as the application of the convent as made could not be allowed to be presented without the approbation of the Florentine government. In bringing about this important success, Savonarola had the assistance of Philip Valori, and John, Cardinal de’ Medici, a brother of Piero, who afterwards became Pope Leo X. While at Rome, the general of the Dominicans and Cardinal Caraffa of Naples warmly supported him. Nevertheless, the two friars of S. Mark’s who had been sent to Rome were dispirited by the formidable aspect of the opposition they there encountered, and wrote to their prior that success was impossible, and he must give up all hope of carrying his point. Savonarola’s reply was: “Away with doubts! Stand firm, and you will be victorious; the Lordscatters the councils of the nations, and casts the designs of princes to the ground.” In a consistory of the 22d of May, the Tuscan question came up, but the pope refused to approve the brief, and dismissed the consistory until the following day. All the cardinals departed with the exception of Caraffa, who took the liveliest interest in the success of the measure, and had a strong personal influence with Alexander VI. They entered into a friendly conversation, during which the cardinal produced the brief, and asked the pope to sign it. With a smile, he declined; when, presuming on his personal familiarity, and in a half-jesting manner, Caraffa took the pontifical ring from the pope’s finger, and sealed the brief. Just then, in hot haste, came in fresh and stronger remonstrances from Lombardy, but the pope replied that it was too late—“What is done is done”; and he would hear no more of it.

Savonarola’s first care was to reform and strengthen the discipline of his convent, and it was at this juncture that he brought it back to the original rule of poverty established by the founder of the order, as we have already stated. Then followed the enforcement of the strictest personal economy, the acquisition and practice of useful arts by the monks whereby to earn their livelihood, and the study of the oriental languages. In all his conventual reforms, the new prior taught by example as much as by precept. His monks saw that he inculcated no principle of which he was not a living model. Sober in his diet, ascetic in all his habits, of an application to study that seemed to know no fatigue, he inspired all by his labor and self-denial. In all the whole convent, the humblest monk was not more poorly clad than his prior. No cell so naked, no pallet so hard, as his. Rigid with others, he was severe with himself. Numerous candidates presented themselves for admission to the Convent of S. Mark, which was now the admiration of all Tuscany. The sons of the most distinguished families in Florence sought to become inmates of S. Mark’s, and the Rucellai, the Salviati, the Albizzi, the Strozzi, and even the Medici, pressed into the narrow limits of the crowded convent, in order to receive at the hands of Savonarola the robe of S. Dominic. Additional buildings were absolutely necessary, and those of the Sapienza were obtained—the same that were a few years since used for the stables of the grand duke.

Under the brief lately obtained from Rome, the Dominican convents of Fiesole, Prato, and Bibbiena, and the two hospices of the Maddalena, asked for reception into the Tuscan congregation under Savonarola’s authority, and were admitted. Even the friars of another order, the Camaldoli, were desirous of uniting themselves with S. Mark’s, in order to be under the rule of Savonarola; but he could not accede to their request, for want of authority. All this success and honor did not in the slightest degree affect his character. If, during his career, he manifested pride and daring, it was towards the great and powerful. In private life, and in the interior of his convent, he was to the end the same gentle and humble brother the monks had known as Fra Girolamo.

ADVENT, 1493.

It was natural, under the circumstances, that the Superior of the Tuscan Congregation of Dominicans, the preacher whose predictions had been so wonderfully verified, the exemplary monk who had been calledto the bedside of the dying Lorenzo the Magnificent, should enter upon the delivery of his course of Advent sermons for 1493 with increased confidence and far greater freedom of speech than the comparatively unknown Fra Girolamo had ever manifested. His audiences grew daily more numerous, and crowds awaited for hours his coming. The twenty-five sermons of this course were on the Seventy-third Psalm (Quam Bonus). His principal topics were the unhappy and ruinous condition of the church, the immoral lives of the Italian princes and many of the higher clergy, approaching punishments, and the desire of all good men to stem the rising tide of depravity. We have already cited the passages (“They tickle the ears with Aristotle, etc.,” and “In the houses of the great prelates”) in which he denounces the clergy and hierarchy; and he thus describes the princes of Italy: “These wicked princes are sent as a punishment for the sins of their subjects; they are truly a great snare for souls; their palaces and halls are the refuge of all the beasts and monsters of the earth, and are a shelter for caitiffs and for every kind of wickedness. Such men resort to their courts because there they find the means and the excitements to give vent to all their evil passions. There we find the wicked counsellors who devise new burdens and new imposts for sucking the blood of the people; there we find the flattering philosophers and poets who, by a thousand stories and lies, trace the genealogy of those wicked princes from the gods; and, what is still worse, there we find priests who adopt the same language. That, my brethren, is the city of Babylon, the city of the foolish and the impious, the city which the Lord will destroy.”

And then, after speaking sharply of a superfluity of golden mitres and golden chalices, he adds: “But dost thou know what I would say? In the primitive church, there were wooden chalices and golden prelates; but now the church has golden chalices and wooden prelates....”

“What doest thou, O Lord? Why slumberest thou? Arise and take the church out of the hands of the devil, out of the hands of tyrants, out of the hands of wicked prelates. Hast thou forgotten thy church? Dost thou not love her? Hast thou no care for her? We are become, O Lord, the opprobrium of the nations. Turks are masters of Constantinople. We are become tributaries of infidels. O Lord God! thou hast dealt with us as an angry father; thou hast banished us from thee; hasten the punishment and the scourge, that there may be a speedy return to thee.Effunde iras tuas in gentes—’Pour out thy wrath upon the nations.’ Be not scandalized, my brethren, by these words; rather consider that, when the good wish for punishment, it is because they wish to see evil driven away, and the blessed reign of Jesus Christ triumphant throughout the world. We have now no other hope left us, unless the sword of the Lord threatens the earth.”

THE DELUGE.

In Lent, 1494, Savonarola resumed his preaching in a course of sermons which, as published, have been entitledSermons on Noe’s Ark(Prediche sopra l’Arca di Noé). It was, in fact, a continuation of the expounding of Genesis begun in 1490. The impression produced by them upon his auditors was very great. All the biographers unite in describing how the people were carried away, the wonder he excited, and how marvellously all that was foretold came to pass. His Advent sermons had dwelt on the near approach of punishments—a coming deluge of calamities—and he now constructs a mystical ark in which all may take refuge. He prophesied the approach of a new Cyrus whoshould conquer Italy without resistance. At length, on Easter morning, his ark being completed, he invited all to hasten to enter it with the virtues which distinguish Christians: “The time will come when the ark will be closed, and many will repent that they had not entered therein.” Thus the short chapter of Genesis relating to the ark occupied the whole of Lent, and he resumed the subject in the month of September following. On the twenty-first day of that month, he was to expound the seventeenth verse, relating to the Deluge.

The Dome of Florence was crowded. All waited for the sermon in anxiety and excitement, but attentive and motionless. Mounting the pulpit, and surveying the multitude in impressive silence for a few moments, he thundered out: “And behold, I, even I, do bring a flood of waters upon the earth.” A thrill of terror convulsed the vast assemblage. Pico di Mirandola relates that a cold shiver ran through all his bones, and that the hairs of his head stood on end; and Savonarola has recorded that he was profoundly moved. That very day the news had arrived that a horde of foreign troops were descending the Alps to conquer Italy, and popular credulity made their numbers countless, invincible in arms, gigantic, cruel, and ferocious. “Having, before the arrival of the King of France, just closed the ark, these sermons caused such terror, alarm, sobbing, and tears, that every one passed through the streets without speaking, more dead than alive.” (MS. history in Magliabecchian library.) Terror there was indeed. Italy was helpless. There was neither nation nor national army. The princes were defenceless, and the whole country must fall an easy prey to the invader. Men saw rivers of blood before them. What could save them? All rushed to Savonarola, imploring counsel and help. He alone could succor them. All his words had been verified. All those whose deaths he foretold had gone to their graves. Punishment threatened had begun. The sword of the Lord had indeed descended upon the earth. Not only the people flocked about him, but the graver men and magistrates of Florence asked his counsel, and his admirers and adherents became in a moment, as if by magic, the rulers of the city.

Here may be said to terminate the monastic life of Savonarola, and, in order to follow his career, we must with him quit the cloister, and accompany him among the people of Florence down in the public places.

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