THE TRAINING OF A JAPANESE CHILD

Headpiece for Japanese ChildTHE TRAINING OF A JAPANESE CHILD

Headpiece for Japanese Child

BY FRANCES LITTLE

Author of “The Lady of the Decoration,” “The Lady and Sada San,” etc.

THE stork has no vacation in Japan, neither does he sleep; and if he rests, the time and place are known of no man. On the stroke of the hour, nay, of the quarter, he is faithfully at his work distributing impartially among rich and poor small bits of humanity. He may be a wise bird, but if he thinks by the swiftness of his wings to find a home beneath roof of straw or palace tile unprepared for his coming, he is mistaken. He will discover that he has failed utterly to comprehend the joy of the mother to be. A childless woman is of no value in a land where the perpetuation of the family name is the most vital law prescribed in its religious and moral teachings. For a Japanese woman, therefore, the pinnacle of desire is reached when the white bird taps at her door and lays its precious bundle in her outstretched arms. For a time at least she has been able to forget the great terror of her life, divorce, and to make ready for the coming of the child with high hope and tender joy.

Only two little garments are prepared previously. For the inside, a tiny kimono of bright yellow, the color supposed to give health and strength to the body; and for an outer covering, a coat of red, which color means congratulation. Until the sex of the baby is known, the wardrobe is thus limited as a matter of economy in time and cloth. If a boy, he has the sole right to every shade of blue. To the girl fall the softest pinks and reds. Whichever the sex, every available member of the family lends a willing hand to the busy task of cutting and stitching into many shapes the flowered cloth necessary to decorate the small body.

The tiny wardrobe complete, the household turns its attention to the preparation of the feast with which to make merry and give thanks to the gods for so good a gift as a little child, whether it be boy or girl. The house is swept and garnished. Out in the kitchen, maids run hither and thither, hurrying the boiling pot, cleansing the already spotless rice, and scampering to bring the best wine. It is glad service. The happiness in the coming of the baby is shared by everybody from the parents to the water-coolie. Hence the eagerness with which the little house shrine is decorated and offerings of food and sake set before the benign old image who is responsible for this great favor. For days preparations go joyfully on, and though the small guest cannot indulge, a special table is set for him at the feast given in his honor, when neighbors and friends assemble to offer congratulations and presents. Later, each present must be acknowledged by the parents sending one in return.

JAPANESE GIRLS PLAYING THEIR FAVORITE GAME,ONIGOTO

JAPANESE GIRLS PLAYING THEIR FAVORITE GAME,ONIGOTO

SUPPER-TIME

SUPPER-TIME

The baby is excused from being present at the festival, but custom demands that no other engagement interfere with the shaving of his head on the third day. In the olden days styles in hair-cutting were as rigidly adhered to as the wearing of a samurai’s sword, but progress must needs tamper even with the down on a baby’s head. Now the fashion has lost much of its quaintness, and is mostly uniform. The sides and back of the head are shaved smooth, while from the crown a fringe is left to sprout like the long petals of a ragged chrysanthemum. The length and seriousness of the hair-cutting ceremony depend upon the self-control of the young gentleman. Regardless of conduct, however, or of the cost to the nervous system, certain fixed rules are enforced, which are virtually the only training the child receives in early years.

DRAWING ON A NEW WHITE SHOJI

DRAWING ON A NEW WHITE SHOJI

After the little stranger, all shaven and shorn, is returned to his private apartments, the elders of the family consult on the grave matter of choosing a name for him. Often the naming of the baby is a simple matter, the father or grandfather speaking before the company the name of some famous man, if the child is a boy, or of some favorite flower, if it is a girl. For girls,Hana, flower,Yuki, snow,Ai, love, are the favorites of parents with a poetical strain. The sterner country-folk choose for their daughters,Matsu, pine,Take, bamboo (the bamboo joints are exact; hence the exactness of virtue),Ume, plum, since the plum bears both cold and snow bravely. For boys,Ichiro, first boy,Toshio, smart,Iwao, strong, andIsamu, brave, are very popular.

Where belief is strong in the power of a name, the family, in holiday dress, often assembles in a large room. Each writes a name upon a slip of paper and lays it reverently before the house shrine. From the group a very young child is chosen and led before this shrine, and the fate of the name is decided by the small hand which reaches out for a slip. Though it is a festive occasion, the selection of a name is made with a seriousness worthy the election of a bishop. Many believe devoutly that this rite influences the baby’s entire future, and therefore the one whoseslip is chosen incurs from the moment of choice great responsibility for the child’s welfare.

The next great event in the baby’s existence is on the thirtieth day, when he is taken to the temple to be offered to the god that rules over that particular village or city. Dressed in his best suit of clothes, he is strapped to the back of his mother or nurse, with his body wrapped almost to suffocation, and usually with his head dangling from side to side with no protection for face or eyes. Why all Japanese babies are not blind is one of the secrets of nature’s provision. With tender women for mothers and affectionate servants for nurses, it is strange that the little face is seldom shielded from the direct rays of the sun or the piercing winds of winter. Possibly it is a training for physical endurance that later in life is a part of his education.

Arrived at the temple, the child is presented to the priest. This dignitary, with shaven head and clad in a purple gown, reads very solemnly a special prayer to the god whose image, enshrined in gilt and ebony, rests within the deep shadows of the temple. He asks his care and protection for the helpless little creature that lies before him. At the end of the reading the priest shakes agoheito and fro over the child. Agoheiresembles nothing so much as a paper feather duster. Its fluffy whiteness is supposed to represent the pure spirit of the god, and through some mysterious agency a part of this spirit is transferred to the child by the vigorous shaking.

For a few more coins, further protection can be purchased for the little wayfarer. The guaranty of his success and happiness comes in two small paper amulets on which the priest has drawn curious characters decipherable only to the priest and the god. Both amulets are given to the mother, who, with the baby on her back, trots home on her high wooden geta, or clogs, her face aglow with the contentment possible only to one whose faith in prayer and priest is sublime. One amulet, carefully wrapped with the cuttings of the first hair and with the name, is laid away safely in the house shrine, that the god may not forget. The other is carried in a gay little bag of colored crape, which is tied to the sash of the child; for it is believed that it will ward off sickness and hold all evil spirits at bay.

It must be with a sigh of relief that the baby comes to this stage of his existence. The numerous rites necessary to a fair start on life’s highway have been conscientiously performed, the watchful care of the spirits invoked. Now it is his sole business to kick and grow and feed like any small healthy animal, to be served as a young prince and to be adored as a young god. He is the pivot on which the whole household turns. Often, in the soft shadows of evening, on the paper doors of a Japanese house is silhouetted a picture where the child is the center about which the family is grouped in the great act of adoration. It is a bit of inner life that finds a tender response in the heart of any beholder.

“SEEKING SOME OBJECT ON WHICH TO BESTOW HIS ADORABLE SMILE”

“SEEKING SOME OBJECT ON WHICH TO BESTOW HIS ADORABLE SMILE”

FERTILE SOIL FOR MISCHIEF

FERTILE SOIL FOR MISCHIEF

The attitude of the usual family is that obedience is not to be expected of one so young, consequently nobody is disappointed, and the effect on the child is telling. He quickly learns his power, and becomes in turn the trainer and the ruler of the household. In fact, he is a small king, with only a soft ring of dark hair for a crown, and a chop-stick in his chubby fist for a scepter. His lightest frown or smile is a command to all the house, from the poodle with the ingrown nose to the bent old grandmother. But more willing subjects never bent before a king of maturer growth. Father and mother, with a train of relatives, yield glad obedience and stand ever ready for action at the merest suggestion of a wish.

Alas! for the tried and true theories on early training that have held for generations in other countries! Alas! for the scores of learned volumes on child culture! Useless the work of the greatest psychologists, who sound grave warning as to the direful results should one fail to observe certain hard-and-fast rules in the training of mind and body. Grant a few months to a fat, well-fed Japanese baby, and with one wave of his pink heels he will kick into thin air every tested theory that scholarly men have grown gray in proving. He snaps in twain the old saw, “As the twig is bent,” and sends to eternal oblivion that oft-repeated legend, “Give me a child till its seventh year, and neither friend nor foe can change his tendencies.” Even the promise of old, “Children, obey your parents,” loses its value as a recipe for long life when applied to the baby citizen of old Nippon. It is a rare exception if he obeys. He lives neither by rule nor regulation, eats when, where, and what he pleases, then cuddles down to sleep in peace.

“SPECIAL LESSONS FOR THE YOUNG IN HOW TO BOW”

“SPECIAL LESSONS FOR THE YOUNG IN HOW TO BOW”

To the specialist, one such ill-regulated day in a baby’s life would augur a morning after with digestion in tatters and a ragged temper. He does not take into account the strange mental and physical contradictions of the race. Unchecked, the baby has been permitted to shatter every precept of health, but he awakens as happy as a young kitten. Fresh, sweet, and wholesome, he crawls from his soft nest of comfortables and goes about seeking some object on which to bestow his adorable smile. He is ready to thrive on another lawless day.

There is a mistaken, but popular, belief that a Japanese baby never cries. There is really no reason why he should. Replete with nourishment and rarely denied a wish, he blossoms like a wild rose on the sunny side of the hedge, as sweet and as unrestrained. His life is full of rich and varied interests. From his second day on earth, tied safely to his mother’s back under an overcoat made for two, he finds amusement for every waking hour in watching the passing show. He is the honored guest at every family picnic. No matter what the hour or the weather, he is the active member in all that concerns the household amusements or work. From his perch he participates in the life of the neighborhood, and is a part of all the merry festivals that turn the streets into fairy-land. Later, his playground is the gay market-place or the dim old temples.

“UNDER AN OVERCOAT MADE FOR TWO”

“UNDER AN OVERCOAT MADE FOR TWO”

Up to this time the child has had no suggestion of real training. His innate deftness in the art of imitation has taught him much. Continual contact with a wide-awake world has effectively quickened the growth of his brain, but the strings that have held him steadily to his mother’s back have stunted the growth of his body. The result is that when the time comes for that wonderful first day in the kindergarten, into the play-room often toddles a self-confident youngster whose legs refuse to coöperate when he makes his quaint bow, but whose keen brain and correspondingly deft hand work small miracles with blocks and paint-brush.

In Japan only a blind child could be insensible to color, after long days under the pink mist of the cherry-blossoms and the crimson glory of the maples, in the sunny green and yellow fields, or with mountain slopes of wild azalea for a romping-place and a wonderful sky of blue for a cover. By inheritance and environment he is an artist in the use of color. Form, too, is as easy, for when crude toys have failed to please, it is his privilege to build ships, castles, gunboats, and temples with every conceivable household article from the spinning-wheel to the family rice-bucket.

His instinct for play is strong, and after his legs grow steady he quickly masters games, and to his own satisfaction he can sing any song without tune or words. In the kindergarten he finds at first new joys in a play paradise of which he is, as at home, the ruler. Alas! for the swift coming of grief! For the first time in his life his will clashes with law, and for the first time he meets defeat, though he rises to conquer with all his fighting blood on fire. The struggle is swift and fierce, then behold the mystery of a small Oriental! After the first encounter, and often before the tears of passion have dried, he bends to authority, and with only occasional lapses soon becomes a devotee of the thing he has so bitterly fought. Henceforthkisoku, or law, becomes his meat and drink, the very foundation of living.

ARRANGING FLOWERS

ARRANGING FLOWERS

CHILDREN IN A CHRYSANTHEMUM ARBOR

CHILDREN IN A CHRYSANTHEMUM ARBOR

It is difficult to say whether this sudden change of heart comes from an inherited belief in the divine right of rulers or is the first cropping-out of that Eastern fatalism forcibly expressed in the word “Shikataganai” (“There is no help for it”). A partial explanation might be found in the attitude of most Japanese parents to the teacher in both kindergarten and school. By some strange reasoning they argue that it is the teacher’s business in life to train children; therefore from its earliest days the teacher is held before the child as a power from whose word there is no appeal. Frequently a mother says to her unmanageable offspring:

“What will happen when thesensei[teacher] hears of your rudeness?” or, “I shall speak to your teacher to command you to obey me.” Often the appeal is made direct to the teacher: “My daughter does not bow correctly,” or “She is neglectful of duty. Please remind her.”

The value of using the teacher as a prop or commander-in-chief lies in the fact that most of the profession realize their responsibility and earnestly endeavor to live up to the trust. They seek to share every experience of the pupil’s life, and are faithful leaders to the highest ideals they know.

There is a tendency in most Japanese kindergartens to make of them elementary schools in which much of the spirit of play is lost in an effort on the part of the teachers to give formal instruction. The inclination is to fit the child to the rule; to follow to the last detail a written law, at the sacrifice of spontaneity. Formality finds steady resistance in the buoyancy of youth; and how childhood will have its fling, refusing to wear the shackles till it must, is expressed in the despair of a little Japanese teacher who had worked in vain to make an unessential point in posture: “I have the great trouble. They justwillkick up their heels spiritually [spiritedly].”

In addition to the gifts, games, andsongs usually found in the kindergartens, there is a specific training in patriotism, loyalty, and physical endurance by the constant repetition of certain stories emphasizing these virtues that have been told from generation to generation. Stories of brave men and women are dramatized. Day after day the child takes part in these simple plays. So earnest is the acting, so unwavering are the ideals presented at this very early age, that the mind is saturated with the principle of the sacrifice of the individual for the good of the whole.

In all circumstances, stress is laid upon outward courtesy, regardless of time or consequences. The key-note in the mimic plays is kindness to a fallen foe. Often there is an organized band of tiny Red Cross workers, who in full uniform are ever on the alert in the games to render quick aid to the supposedly wounded. The play is very real and sincere, and it fosters a spirit of kindness and sympathy never wholly lost in later years.

From babyhood the diminutive subject hears stories of his glorious ruler; but sometimes it is in the kindergarten that he is trained to perform his first great act of reverence to the throne in bowing before the picture of the emperor. It is a ceremony that touches deeply the most skeptical heart. On certain days groups of little children, many still unsteady on their feet, dressed in gay holiday clothes, come before the pictured image and pay homage to his Majesty by a low, reverent bow. It is like a flower-garden bending before the greater brilliancy of the sun. It is the tribute of innocence to power, and no sovereign lives who would not be a better man for having seen it.

As the first day in the kindergarten is wonderful, so to the child is the last. He is leaving babyhood behind, and half a day is barely sufficient for the imposing ceremonies. For weeks he has been patiently drilled. At the proper hour, with the precision of a mechanical doll and the dignity of a field-marshal, he graciously accepts from the hand of the teacher a roll of parchment only slightly shorter than himself. It is his certificate of graduation, stamped with a large seal, which inspires a deeper joy than comes later with the Order of the Rising Sun.

The transition from the kindergartento the primary grade is accomplished easily, and as the pupil is never supposed or expected to take the initiative, he has only to follow where he is led. A Japanese child is as responsive as are the strings of a samisen to the fingers of a skilled musician, and the leader has only to touch the notes to create the harmony desired.

During the period of elementary school, the training for boys and girls is much the same except in special cases when very young boys are instructed in fencing and jiu-jutsu. In these first years it is a sharing of all experiences, and the girls pluckily take their chances in the rough-and-tumble games with the boys. Then comes the parting of the ways. The sign-post for each points to a difference in school and subjects. For the boys, the road leads to the sterner things of life. Every step of the girls’ path is trained for the inevitable end—marriage. Whatever the future, it never yields—to the girl, at least—the same golden hours of freedom and equal right to joy and pleasure as in the glory days of youth. Every boy in Japan is a prospective soldier or sailor, every girl, a wife; and a training toward the end best fitting each for the duties involved is the principal aim of the carefully planned curriculum. In all grades the teaching is en masse; individual attention is rare.

From the first year of the primary course, through every grade, the study of morals heads the list. This rather formidable subject is presented to the very youthful in a most attractive way. Large pictures are shown illustrating in a charming manner the virtues to be emphasized. The teacher tells a set story. It is short, but so dramatic is the manner of telling it, so alluring the trick of hand and voice, the child’s interest is held as if by magic. The subjects of these early moral lessons are the “Teacher,” the “Flag,” “Attitude.” Later, family relations are studied; as, for instance, that of father and mother, grandparents, etc.

Training in pronunciation and simple lessons in drawing are included in the first year, with manual work for the boys. The girls begin preparation for their calling with the first principles of sewing and the first stitches of crocheting or knitting. In the latter part of the year practice begins in writing thekana, gradually intermixed with the Chinese ideographs. There are many thousands of these characters, and they are usually difficult. Necessarily the first steps are simple. The awkward little fist must be trained to lightness and poise of brush, delicacy and sureness in touch, for one false stroke in the intricate structure brings grief. Ignorant of the difficulties in store for him, the child begins his task merrily, delighted with the lines, big and bold at first, which resemble funny pictures more than an alphabet. He practises on everything at hand, from the fresh sand on the playground to the nearest new, white shoji.

A system of calisthenics, too, is begun early with the child, and only the unconquerable grace of childhood saves it from a permanent stiffening of bone and muscle. Happily, studies and gymnastics are interspersed with generous hours for free play. In all the training of Japanese children a great deal of outdoor life is planned. There are historical excursions, geographical excursions for practical instruction, and jolly ones merely for pleasure, when with a luncheon of cold rice and pickled plum tied in afuroshiki, or handkerchief, everybody scampers away to the river or mountain for a long happy day.

Every year at school means increased hours and more difficult studies. Added to these long periods are special lessons for the young in how to bow, how to stand, how to enter a room, how to lower the eyes, the placing of each finger on a book when reading, and endless other regulations. These rules are published in a text-book for the teacher, who is expected to drill them into the student to the minutest detail. It seems folly to expect anything from such training but a group of automata; but underlying this fixed formality is an air of controlled freedom that is really the foundation of the tremendous respect for law cherished by the entire nation. Nor is it to be imagined that continuous training in repression means permanent suppression of high spirits. This light-hearted race takes joy in the simplest pleasures, and the imp of mischief finds fertile soil in the brain of any healthy boy or girl.

During these years the hand of discipline is lightly laid in the home. The attitude of father and mother is kindly indulgent, and punishments, if any, causeneither pain nor inconvenience. Current topics involving the welfare of the country and intimate matters of family life are freely discussed in the child’s presence. At an early age he absorbs much information, both wholesome and other. But whatever else may be neglected in his training, so insistently is held before the heir day by day the requirements necessary as a man to bear the honors of the family name, it often works something of a miracle in regulating conduct.

Next in reverence for the emperor is veneration for ancestors. There is one form of entertainment and instruction in the home which as an educative factor plays a large and delightful part in the life of the children. In the evenings, after the books have been put away, they gather around the glowing hibachi to hear the grandfather or grandmother weave the nondescript tales of gods and goddesses, of loyal, wise, and brave men. If any deed of the day calls for emphasis, it is skilfully marked by a special story cleverly worded by the aged narrator. Thus reward or punishment is effectively recited rather than administered.

But the training of the Japanese child is not all play and easy studies. Very soon the girls in the home begin lessons in light household duties, sewing, weaving, and cooking. Koto-playing is an accomplishment in the education of a girl, flower arrangement a necessity. To this most difficult art is usually allotted a period of five years. By tedious and patient practice the small hand must learn delicacy of touch and deftness in twists, that each leaf and blossom may express the symbol for which it stands. Every home festival and feast calls for a certain “poem” in arrangement. This is the duty of the young daughter of the house, who early must be well versed in the legends and meaning of flowers.

In ceremonial tea, “O Cha No Yu,” there are especial lessons in etiquette, which mean days and months of constant application and repetition of certain attitudes and definite postures, before supple muscles and youthful spirits are toned to the graceful formality and modest reserve requisite to every well-bred Japanese girl. Should the girl’s destiny point to the calling of geisha, or professional entertainer, the training is severe. At the age of three or four she is taken in hand by an expert in the business, and the strict discipline of the training soon robs childhood of its rights. Should a foolish law compel attendance for a year or so at school, it does not in the least interfere with long hours of music lessons, dancing lessons, flower arrangement, lessons in tea-serving, and the etiquette peculiar to tea-houses. The girl is persuaded or forced into quiet submission to the hard, tedious work by the glowing pictures of the butterfly life that awaits her. There is only one standard in the training of a geisha—attractiveness, and often the price of its attainment is an irretrievable tragedy.

Education for the child of the East calls for different methods from that of the West, and fully to understand the training of the Japanese child one must know the influence and demand for ancestor-worship, ethics, and the passion for patriotism. In fact, to understand any part of the system of training, it must be remembered that the whole moral and national education of the Japanese is based on the imperial rescript given the people by the emperor in 1890. The rescript is read in all the schools four times a year. The manner of reading, the silence, breathless with reverence, in which it is received by the students, young and old, is a profound testimony to the sacredness of the emperor’s desires for his people.

The following is a translation, given by the president of the Tokio University:

Know ye, Our Subjects:Our Imperial Ancestors have founded Our Empire on a basis broad and everlasting, and have deeply and firmly implanted virtue; Our Subjects, ever united in loyalty and filial piety, have from generation to generation illustrated the beauty thereof. This is the glory of the fundamental character of Our Empire, and herein also lies the source of Our education. Ye, Our Subjects, be filial to your parents, affectionate to your brothers and sisters; as husbands and wives be harmonious; as friends, true; bear yourselves in modesty and moderation; extend your benevolence to all; pursue learning and cultivate the arts, and thereby develop intellectual faculties and perfect moral powers; furthermore, advance public good and promote common interests; always respect the Constitution and observethe laws; should emergency arise, offer yourselves courageously to the State; and thus guard and maintain the prosperity of Our Imperial Throne coeval with heaven and earth.So shall ye not only be Our good and faithful subjects, but render illustrious the best traditions of your forefathers.The Way here set forth is indeed the teaching bequeathed by Our Imperial Ancestors, to be observed alike by Their Descendants and the subjects, infallible for all ages, and true in all places. It is Our Wish to lay it to heart in all reverence, in common with you, Our Subjects, that we may all attain to the same virtue.

Know ye, Our Subjects:

Our Imperial Ancestors have founded Our Empire on a basis broad and everlasting, and have deeply and firmly implanted virtue; Our Subjects, ever united in loyalty and filial piety, have from generation to generation illustrated the beauty thereof. This is the glory of the fundamental character of Our Empire, and herein also lies the source of Our education. Ye, Our Subjects, be filial to your parents, affectionate to your brothers and sisters; as husbands and wives be harmonious; as friends, true; bear yourselves in modesty and moderation; extend your benevolence to all; pursue learning and cultivate the arts, and thereby develop intellectual faculties and perfect moral powers; furthermore, advance public good and promote common interests; always respect the Constitution and observethe laws; should emergency arise, offer yourselves courageously to the State; and thus guard and maintain the prosperity of Our Imperial Throne coeval with heaven and earth.

So shall ye not only be Our good and faithful subjects, but render illustrious the best traditions of your forefathers.

The Way here set forth is indeed the teaching bequeathed by Our Imperial Ancestors, to be observed alike by Their Descendants and the subjects, infallible for all ages, and true in all places. It is Our Wish to lay it to heart in all reverence, in common with you, Our Subjects, that we may all attain to the same virtue.

From the early days to the present, the educational system, which enters more vitally into the training of a Japanese child than any other influence, has survived many changes. The authorities have sought earnestly in every country for the plan best adapted to the peculiar demands of a country that was progressing by leaps. After the Restoration, when every sentiment was swinging away from old customs and traditions, there was a reorganization with the American plan as a model. Soon, however, the wholesale doctrine of freedom proved too radical for a country lately emerged from isolation and feudalism, and much of the German system was introduced, and more rigid control was exercised over the students. The schools assumed something of a military atmosphere and the dangers of a too new liberty were laid low for a while.

It would be difficult in a brief space to estimate the whole influence of European and American methods on Japanese education. While these influences, especially those of America, have enjoyed successive waves of favor and disrepute, it is undoubtedly true that the educational department is slowly but surely feeling its way to the final adoption of a general American plan. So far, the most marked tendency of the Western spirit has been a bolder assertion of individual freedom, less tolerance of the teacher’s supreme authority, a demand for a more practical education and not so much eagerness for the Chinese classics.

While to an outsider the present system in many instances seems needlessly complex, and in frequent danger of a sad and sudden death from strangulation by its endless red tape, yet a glimpse of the internal workings of the department is reassuring.

Whatever criticism might be offered as to the methods of training or defects thereof in school or home, one undeniable truth stands out boldly: despite its faults, or because of its virtues, the system has produced men splendidly brave and noble, and women whose lives stand for all that is tender and beautiful in womanhood and motherhood.

Tailpiece for Japanese Child


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