Conradin was ten years old, and the doctor had pronounced his professional opinion that the boy would not live another five years. The doctor was silky and effete, and counted for little, but his opinion was endorsed by Mrs. de Ropp, who counted for nearly everything. Mrs. De Ropp was Conradin's cousin and guardian, and in his eyes she represented those three-fifths of the world that are necessary and disagreeable and real; the other two-fifths, in perpetual antagonism to the foregoing, were summed up in himself and his imagination. One of these days Conradin supposed he would succumb to the mastering pressure of wearisome necessary things—such as illnesses and coddling restrictions and drawn-out dullness. Without his imagination, which was rampant under the spur of loneliness, he would have succumbed long ago.
Mrs. de Ropp would never, in her honestest moments, have confessed to herself that she disliked Conradin, though she might have been dimly aware that thwarting him "for his good" was a duty which she did not find particularly irksome. Conradin hated her with a desperate sincerity which he was perfectly able to mask. Such few pleasures as he could contrive for himself gained an added relish from the likelihood that they would be displeasing to his guardian, and from the realm of his imagination she was locked out—an unclean thing, which should find no entrance.
In the dull, cheerless garden, overlooked by so many windows that were ready to open with a message not to do this or that, or a reminder that medicines were due, he found little attraction. The few fruit-trees that it contained were set jealously apart from his plucking, as though they were rare specimens of their kind blooming in an arid waste; it would probably have been difficult to find a market-gardener who would have offered ten shillings for their entire yearly produce. In a forgotten corner, however, almost hidden behind a dismal shrubbery, was a disused tool-shed of respectable proportions, and within its walls Conradin found a haven, something that took on the varying aspects of a playroom and a cathedral. He had peopled it with a legion of familiar phantoms, evoked partly from fragments of history and partly from his own brain, but it also boasted two inmates of flesh and blood. In one corner lived a ragged-plumaged Houdan hen, on which the boy lavished an affection that had scarcely another outlet. Further back in the gloom stood a large hutch, divided into two compartments, one of which was fronted with close iron bars. This was the abode of a large polecat-ferret, which a friendly butcher-boy had once smuggled, cage and all, into its present quarters, in exchange for a long-secreted hoard of small silver. Conradin was dreadfully afraid of the lithe, sharp-fanged beast, but it was his most treasured possession. Its very presence in the tool-shed was a secret and fearful joy, to be kept scrupulously from the knowledge of the Woman, as he privately dubbed his cousin. And one day, out of Heaven knows what material, he spun the beast a wonderful name, and from that moment it grew into a god and a religion. The Woman indulged in religion once a week at a church near by, and took Conradin with her, but to him the church service was an alien rite in the House of Rimmon. Every Thursday, in the dim and musty silence of the tool-shed, he worshipped with mystic and elaborate ceremonial before the wooden hutch where dwelt Sredni Vashtar, the great ferret. Red flowers in their season and scarlet berries in the winter-time were offered at his shrine, for he was a god who laid some special stress on the fierce impatient side of things, as opposed to the Woman's religion, which, as far as Conradin could observe, went to great lengths in the contrary direction. And on great festivals powdered nutmeg was strewn in front of his hutch, an important feature of the offering being that the nutmeg had to be stolen. These festivals were of irregular occurrence, and were chiefly appointed to celebrate some passing event. On one occasion, when Mrs. de Ropp suffered from acute toothache for three days, Conradin kept up the festival during the entire three days, and almost succeeded in persuading himself that Sredni Vashtar was personally responsible for the toothache. If the malady had lasted for another day the supply of nutmeg would have given out.
The Houdan hen was never drawn into the cult of Sredni Vashtar. Conradin had long ago settled that she was an Anabaptist. He did not pretend to have the remotest knowledge as to what an Anabaptist was, but he privately hoped that it was dashing and not very respectable. Mrs. de Ropp was the ground plan on which he based and detested all respectability.
After a while Conradin's absorption in the tool-shed began to attract the notice of his guardian. "It is not good for him to be pottering down there in all weathers," she promptly decided, and at breakfast one morning she announced that the Houdan hen had been sold and taken away overnight. With her short-sighted eyes she peered at Conradin, waiting for an outbreak of rage and sorrow, which she was ready to rebuke with a flow of excellent precepts and reasoning. But Conradin said nothing: there was nothing to be said. Something perhaps in his white set face gave her a momentary qualm, for at tea that afternoon there was toast on the table, a delicacy which she usually banned on the ground that it was bad for him; also because the making of it "gave trouble," a deadly offence in the middle-class feminine eye.
"I thought you liked toast," she exclaimed, with an injured air, observing that he did not touch it.
"Sometimes," said Conradin.
In the shed that evening there was an innovation in the worship of the hutch-god. Conradin had been wont to chant his praises, to-night he asked a boon.
"Do one thing for me, Sredni Vashtar."
The thing was not specified. As Sredni Vashtar was a god he must be supposed to know. And choking back a sob as he looked at that other empty corner, Conradin went back to the world he so hated.
And every night, in the welcome darkness of his bedroom, and every evening in the dusk of the tool-shed, Conradin's bitter litany went up: "Do one thing for me, Sredni Vashtar."
Mrs. de Ropp noticed that the visits to the shed did not cease, and one day she made a further journey of inspection.
"What are you keeping in that locked hutch?" she asked. "I believe it's guinea-pigs. I'll have them all cleared away."
Conradin shut his lips tight, but the Woman ransacked his bedroom till she found the carefully hidden key, and forthwith marched down to the shed to complete her discovery. It was a cold afternoon, and Conradin had been bidden to keep to the house. From the furthest window of the dining-room the door of the shed could just be seen beyond the corner of the shrubbery, and there Conradin stationed himself. He saw the Woman enter, and then he imagined her opening the door of the sacred hutch and peering down with her short-sighted eyes into the thick straw bed where his god lay hidden. Perhaps she would prod at the straw in her clumsy impatience. And Conradin fervently breathed his prayer for the last time. But he knew as he prayed that he did not believe. He knew that the Woman would come out presently with that pursed smile he loathed so well on her face, and that in an hour or two the gardener would carry away his wonderful god, a god no longer, but a simple brown ferret in a hutch. And he knew that the Woman would triumph always as she triumphed now, and that he would grow ever more sickly under her pestering and domineering and superior wisdom, till one day nothing would matter much more with him, and the doctor would be proved right. And in the sting and misery of his defeat, he began to chant loudly and defiantly the hymn of his threatened idol:
Sredni Vashtar went forth,His thoughts were red thoughts and his teeth were white.His enemies called for peace, but he brought them death.Sredni Vashtar the Beautiful.
And then of a sudden he stopped his chanting and drew closer to the window-pane. The door of the shed still stood ajar as it had been left, and the minutes were slipping by. They were long minutes, but they slipped by nevertheless. He watched the starlings running and flying in little parties across the lawn; he counted them over and over again, with one eye always on that swinging door. A sour-faced maid came in to lay the table for tea, and still Conradin stood and waited and watched. Hope had crept by inches into his heart, and now a look of triumph began to blaze in his eyes that had only known the wistful patience of defeat. Under his breath, with a furtive exultation, he began once again the paean of victory and devastation. And presently his eyes were rewarded: out through that doorway came a long, low, yellow-and-brown beast, with eyes a-blink at the waning daylight, and dark wet stains around the fur of jaws and throat. Conradin dropped on his knees. The great polecat-ferret made its way down to a small brook at the foot of the garden, drank for a moment, then crossed a little plank bridge and was lost to sight in the bushes. Such was the passing of Sredni Vashtar.
"Tea is ready," said the sour-faced maid; "where is the mistress?"
"She went down to the shed some time ago," said Conradin.
And while the maid went to summon her mistress to tea, Conradin fished a toasting-fork out of the sideboard drawer and proceeded to toast himself a piece of bread. And during the toasting of it and the buttering of it with much butter and the slow enjoyment of eating it, Conradin listened to the noises and silences which fell in quick spasms beyond the dining-room door. The loud foolish screaming of the maid, the answering chorus of wondering ejaculations from the kitchen region, the scuttering footsteps and hurried embassies for outside help, and then, after a lull, the scared sobbings and the shuffling tread of those who bore a heavy burden into the house.
"Whoever will break it to the poor child? I couldn't for the life of me!" exclaimed a shrill voice. And while they debated the matter among themselves, Conradin made himself another piece of toast.
His baptismal register spoke of him pessimistically as John Henry, but he had left that behind with the other maladies of infancy, and his friends knew him under the front-name of Adrian. His mother lived in Bethnal Green, which was not altogether his fault; one can discourage too much history in one's family, but one cannot always prevent geography. And, after all, the Bethnal Green habit has this virtue—that it is seldom transmitted to the next generation. Adrian lived in a roomlet which came under the auspicious constellation of W.
How he lived was to a great extent a mystery even to himself; his struggle for existence probably coincided in many material details with the rather dramatic accounts he gave of it to sympathetic acquaintances. All that is definitely known is that he now and then emerged from the struggle to dine at the Ritz or Carlton, correctly garbed and with a correctly critical appetite. On these occasions he was usually the guest of Lucas Croyden, an amiable worldling, who had three thousand a year and a taste for introducing impossible people to irreproachable cookery. Like most men who combine three thousand a year with an uncertain digestion, Lucas was a Socialist, and he argued that you cannot hope to elevate the masses until you have brought plovers' eggs into their lives and taught them to appreciate the difference between coupe Jacques and Macédoine de fruits. His friends pointed out that it was a doubtful kindness to initiate a boy from behind a drapery counter into the blessedness of the higher catering, to which Lucas invariably replied that all kindnesses were doubtful. Which was perhaps true.
It was after one of his Adrian evenings that Lucas met his aunt, Mrs. Mebberley, at a fashionable tea shop, where the lamp of family life is still kept burning and you meet relatives who might otherwise have slipped your memory.
"Who was that good-looking boy who was dining with you last night?" she asked. "He looked much too nice to be thrown away upon you."
Susan Mebberley was a charming woman, but she was also an aunt.
"Who are his people?" she continued, when the protégé's name (revised version) had been given her.
"His mother lives at Beth—"
Lucas checked himself on the threshold of what was perhaps a social indiscretion.
"Beth? Where is it? It sounds like Asia Minor. Is she mixed up with Consular people?"
"Oh, no. Her work lies among the poor."
This was a side-slip into truth. The mother of Adrian was employed in a laundry.
"I see," said Mrs. Mebberley, "mission work of some sort. And meanwhile the boy has no one to look after him. It's obviously my duty to see that he doesn't come to harm. Bring him to call on me."
"My dear Aunt Susan," expostulated Lucas, "I really know very little about him. He may not be at all nice, you know, on further acquaintance."
"He has delightful hair and a weak mouth. I shall take him with me to Homburg or Cairo."
"It's the maddest thing I ever heard of," said Lucas angrily.
"Well, there is a strong strain of madness in our family. If you haven't noticed it yourself all your friends must have."
"One is so dreadfully under everybody's eyes at Homburg. At least you might give him a preliminary trial at Etretat."
"And be surrounded by Americans trying to talk French? No, thank you. I love Americans, but not when they try to talk French. What a blessing it is that they never try to talk English. To-morrow at five you can bring your young friend to call on me."'
And Lucas, realizing that Susan Mebberley was a woman as well as an aunt, saw that she would have to be allowed to have her own way.
Adrian was duly carried abroad under the Mebberley wing; but as a reluctant concession to sanity Homburg and other inconveniently fashionable resorts were given a wide berth, and the Mebberley establishment planted itself down in the best hotel at Dohledorf, an Alpine townlet somewhere at the back of the Engadine. It was the usual kind of resort, with the usual type of visitors, that one finds over the greater part of Switzerland during the summer season, but to Adrian it was all unusual. The mountain air, the certainty of regular and abundant meals, and in particular the social atmosphere, affected him much as the indiscriminating fervour of a forcing-house might affect a weed that had strayed within its limits. He had been brought up in a world where breakages were regarded as crimes and expiated as such; it was something new and altogether exhilarating to find that you were considered rather amusing if you smashed things in the right manner and at the recognized hours. Susan Mebberley had expressed the intention of showing Adrian a bit of the world; the particular bit of the world represented by Dohledorf began to be shown a good deal of Adrian.
Lucas got occasional glimpses of the Alpine sojourn, not from his aunt or Adrian, but from the industrious pen of Clovis, who was also moving as a satellite in the Mebberley constellation.
"The entertainment which Susan got up last night ended in disaster. I thought it would. The Grobmayer child, a particularly loathsome five-year-old, had appeared as 'Bubbles' during the early part of the evening, and been put to bed during the interval. Adrian watched his opportunity and kidnapped it when the nurse was downstairs, and introduced it during the second half of the entertainment, thinly disguised as a performing pig. It certainly LOOKED very like a pig, and grunted and slobbered just like the real article; no one knew exactly what it was, but every one said it was awfully clever, especially the Grobmayers. At the third curtain Adrian pinched it too hard, and it yelled 'Marmar'! I am supposed to be good at descriptions, but don't ask me to describe the sayings and doings of the Grobmayers at that moment; it was like one of the angrier Psalms set to Strauss's music. We have moved to an hotel higher up the valley."
Clovis's next letter arrived five days later, and was written from the Hotel Steinbock.
"We left the Hotel Victoria this morning. It was fairly comfortable and quiet—at least there was an air of repose about it when we arrived. Before we had been in residence twenty-four hours most of the repose had vanished 'like a dutiful bream,' as Adrian expressed it. However, nothing unduly outrageous happened till last night, when Adrian had a fit of insomnia and amused himself by unscrewing and transposing all the bedroom numbers on his floor. He transferred the bathroom label to the adjoining bedroom door, which happened to be that of Frau Hoftath Schilling, and this morning from seven o'clock onwards the old lady had a stream of involuntary visitors; she was too horrified and scandalized it seems to get up and lock her door. The would-be bathers flew back in confusion to their rooms, and, of course, the change of numbers led them astray again, and the corridor gradually filled with panic-stricken, scantily robed humans, dashing wildly about like rabbits in a ferret-infested warren. It took nearly an hour before the guests were all sorted into their respective rooms, and the Frau Hofrath's condition was still causing some anxiety when we left. Susan is beginning to look a little worried. She can't very well turn the boy adrift, as he hasn't got any money, and she can't send him to his people as she doesn't know where they are. Adrian says his mother moves about a good deal and he's lost her address. Probably, if the truth were known, he's had a row at home. So many boys nowadays seem to think that quarrelling with one's family is a recognized occupation."
Lucas's next communication from the travellers took the form of a telegram from Mrs. Mebberley herself. It was sent "reply prepaid," and consisted of a single sentence: "In Heaven's name, where is Beth?"
A strange stillness hung over the restaurant; it was one of those rare moments when the orchestra was not discoursing the strains of the Ice-cream Sailor waltz.
"Did I ever tell you," asked Clovis of his friend, "the tragedy of music at mealtimes?
"It was a gala evening at the Grand Sybaris Hotel, and a special dinner was being served in the Amethyst dining-hall. The Amethyst dining-hall had almost a European reputation, especially with that section of Europe which is historically identified with the Jordan Valley. Its cooking was beyond reproach, and its orchestra was sufficiently highly salaried to be above criticism. Thither came in shoals the intensely musical and the almost intensely musical, who are very many, and in still greater numbers the merely musical, who know how Tchaikowsky's name is pronounced and can recognize several of Chopin's nocturnes if you give them due warning; these eat in the nervous, detached manner of roebuck feeding in the open, and keep anxious ears cocked towards the orchestra for the first hint of a recognizable melody.
"'Ah, yes, Pagliacci,' they murmur, as the opening strains follow hot upon the soup, and if no contradiction is forthcoming from any better-informed quarter they break forth into subdued humming by way of supplementing the efforts of the musicians. Sometimes the melody starts on level terms with the soup, in which case the banqueters contrive somehow to hum between the spoonfuls; the facial expression of enthusiasts who are punctuating potage St. Germain with Pagliacci is not beautiful, but it should be seen by those who are bent on observing all sides of life. One cannot discount the unpleasant things of this world merely by looking the other way.
"In addition to the aforementioned types the restaurant was patronized by a fair sprinkling of the absolutely nonmusical; their presence in the dining-hall could only be explained on the supposition that they had come there to dine.
"The earlier stages of the dinner had worn off. The wine lists had been consulted, by some with the blank embarrassment of a schoolboy suddenly called on to locate a Minor Prophet in the tangled hinterland of the Old Testament, by others with the severe scrutiny which suggests that they have visited most of the higher-priced wines in their own homes and probed their family weaknesses. The diners who chose their wine in the latter fashion always gave their orders in a penetrating voice, with a plentiful garnishing of stage directions. By insisting on having your bottle pointing to the north when the cork is being drawn, and calling the waiter Max, you may induce an impression on your guests which hours of laboured boasting might be powerless to achieve. For this purpose, however, the guests must be chosen as carefully as the wine.
"Standing aside from the revellers in the shadow of a massive pillar was an interested spectator who was assuredly of the feast, and yet not in it. Monsieur Aristide Saucourt was the CHEF of the Grand Sybaris Hotel, and if he had an equal in his profession he had never acknowledged the fact. In his own domain he was a potentate, hedged around with the cold brutality that Genius expects rather than excuses in her children; he never forgave, and those who served him were careful that there should be little to forgive. In the outer world, the world which devoured his creations, he was an influence; how profound or how shallow an influence he never attempted to guess. It is the penalty and the safeguard of genius that it computes itself by troy weight in a world that measures by vulgar hundredweights.
"Once in a way the great man would be seized with a desire to watch the effect of his master-efforts, just as the guiding brain of Krupp's might wish at a supreme moment to intrude into the firing line of an artillery duel. And such an occasion was the present. For the first time in the history of the Grand Sybaris Hotel, he was presenting to its guests the dish which he had brought to that pitch of perfection which almost amounts to scandal. Canetons à la mode d'Amblève. In thin gilt lettering on the creamy white of the menu how little those words conveyed to the bulk of the imperfectly educated diners. And yet how much specialized effort had been lavished, how much carefully treasured lore had been ungarnered, before those six words could be written. In the Department of Deux-Sèvres ducklings had lived peculiar and beautiful lives and died in the odour of satiety to furnish the main theme of the dish; champignons, which even a purist for Saxon English would have hesitated to address as mushrooms, had contributed their languorous atrophied bodies to the garnishing, and a sauce devised in the twilight reign of the Fifteenth Louis had been summoned back from the imperishable past to take its part in the wonderful confection. Thus far had human effort laboured to achieve the desired result; the rest had been left to human genius—the genius of Aristide Saucourt.
"And now the moment had arrived for the serving of the great dish, the dish which world-weary Grand Dukes and market-obsessed money magnates counted among their happiest memories. And at the same moment something else happened. The leader of the highly salaried orchestra placed his violin caressingly against his chin, lowered his eyelids, and floated into a sea of melody.
"'Hark!' said most of the diners, 'he is playing "The Chaplet."'
"They knew it was 'The Chaplet' because they had heard it played at luncheon and afternoon tea, and at supper the night before, and had not had time to forget.
"'Yes, he is playing "The Chaplet,"' they reassured one another. The general voice was unanimous on the subject. The orchestra had already played it eleven times that day, four times by desire and seven times from force of habit, but the familiar strains were greeted with the rapture due to a revelation. A murmur of much humming rose from half the tables in the room, and some of the more overwrought listeners laid down knife and fork in order to be able to burst in with loud clappings at the earliest permissible moment.
"And the Canetons à la mode d'Amblève? In stupefied, sickened wonder Aristide watched them grow cold in total neglect, or suffer the almost worse indignity of perfunctory pecking and listless munching while the banqueters lavished their approval and applause on the music-makers. Calves' liver and bacon, with parsley sauce, could hardly have figured more ignominiously in the evening's entertainment. And while the master of culinary art leaned back against the sheltering pillar, choking with a horrible brain-searing rage that could find no outlet for its agony, the orchestra leader was bowing his acknowledgments of the hand-clappings that rose in a storm around him. Turning to his colleagues he nodded the signal for an encore. But before the violin had been lifted anew into position there came from the shadow of the pillar an explosive negative.
"'Noh! Noh! You do not play thot again!'
"The musician turned in furious astonishment. Had he taken warning from the look in the other man's eyes he might have acted differently. But the admiring plaudits were ringing in his ears, and he snarled out sharply, 'That is for me to decide.'
"'Noh! You play thot never again,' shouted the CHEF, and the next moment he had flung himself violently upon the loathed being who had supplanted him in the world's esteem. A large metal tureen, filled to the brim with steaming soup, had just been placed on a side table in readiness for a late party of diners; before the waiting staff or the guests had time to realize what was happening, Aristide had dragged his struggling victim up to the table and plunged his head deep down into the almost boiling contents of the tureen. At the further end of the room the diners were still spasmodically applauding in view of an encore.
"Whether the leader of the orchestra died from drowning by soup, or from the shock to his professional vanity, or was scalded to death, the doctors were never wholly able to agree. Monsieur Aristide Saucourt, who now lives in complete retirement, always inclined to the drowning theory."
An unwonted peace hung over the Villa Elsinore, broken, however, at frequent intervals, by clamorous lamentations suggestive of bewildered bereavement. The Momebys had lost their infant child; hence the peace which its absence entailed; they were looking for it in wild, undisciplined fashion, giving tongue the whole time, which accounted for the outcry which swept through house and garden whenever they returned to try the home coverts anew. Clovis, who was temporarily and unwillingly a paying guest at the villa, had been dozing in a hammock at the far end of the garden when Mrs. Momeby had broken the news to him.
"We've lost Baby," she screamed.
"Do you mean that it's dead, or stampeded, or that you staked it at cards and lost it that way?" asked Clovis lazily.
"He was toddling about quite happily on the lawn," said Mrs. Momeby tearfully, "and Arnold had just come in, and I was asking him what sort of sauce he would like with the asparagus—"
"I hope he said hollandaise," interrupted Clovis, with a show of quickened interest, "because if there's anything I hate—"
"And all of a sudden I missed Baby," continued Mrs. Momeby in a shriller tone. "We've hunted high and low, in house and garden and outside the gates, and he's nowhere to be seen."
"Is he anywhere to be heard?" asked Clovis; "if not, he must be at least two miles away."
"But where? And how?" asked the distracted mother.
"Perhaps an eagle or a wild beast has carried him off," suggested Clovis.
"There aren't eagles and wild beasts in Surrey," said Mrs. Momeby, but a note of horror had crept into her voice.
"They escape now and then from travelling shows. Sometimes I think they let them get loose for the sake of the advertisement. Think what a sensational headline it would make in the local papers: 'Infant son of prominent Nonconformist devoured by spotted hyaena.' Your husband isn't a prominent Nonconformist, but his mother came of Wesleyan stock, and you must allow the newspapers some latitude."
"But we should have found his remains," sobbed Mrs. Momeby.
"If the hyaena was really hungry and not merely toying with his food there wouldn't be much in the way of remains. It would be like the small-boy-and-apple story—there ain't going to be no core."
Mrs. Momeby turned away hastily to seek comfort and counsel in some other direction. With the selfish absorption of young motherhood she entirely disregarded Clovis's obvious anxiety about the asparagus sauce. Before she had gone a yard, however, the click of the side gate caused her to pull up sharp. Miss Gilpet, from the Villa Peterhof, had come over to hear details of the bereavement. Clovis was already rather bored with the story, but Mrs. Momeby was equipped with that merciless faculty which finds as much joy in the ninetieth time of telling as in the first.
"Arnold had just come in; he was complaining of rheumatism—"
"There are so many things to complain of in this household that it would never have occurred to me to complain of rheumatism," murmured Clovis.
"He was complaining of rheumatism," continued Mrs. Momeby, trying to throw a chilling inflection into a voice that was already doing a good deal of sobbing and talking at high pressure as well.
She was again interrupted.
"There is no such thing as rheumatism," said Miss Gilpet. She said it with the conscious air of defiance that a waiter adopts in announcing that the cheapest-priced claret in the wine-list is no more. She did not proceed, however, to offer the alternative of some more expensive malady, but denied the existence of them all.
Mrs. Momeby's temper began to shine out through her grief.
"I suppose you'll say next that Baby hasn't really disappeared."
"He has disappeared," conceded Miss Gilpet, "but only because you haven't sufficient faith to find him. It's only lack of faith on your part that prevents him from being restored to you safe and well."
"But if he's been eaten in the meantime by a hyaena and partly digested," said Clovis, who clung affectionately to his wild beast theory, "surely some ill-effects would be noticeable?"
Miss Gilpet was rather staggered by this complication of the question.
"I feel sure that a hyaena has not eaten him," she said lamely.
"The hyaena may be equally certain that it has. You see, it may have just as much faith as you have, and more special knowledge as to the present whereabouts of the baby."
Mrs. Momeby was in tears again. "If you have faith," she sobbed, struck by a happy inspiration, "won't you find our little Erik for us? I am sure you have powers that are denied to us."
Rose-Marie Gilpet was thoroughly sincere in her adherence to Christian Science principles; whether she understood or correctly expounded them the learned in such matters may best decide. In the present case she was undoubtedly confronted with a great opportunity, and as she started forth on her vague search she strenuously summoned to her aid every scrap of faith that she possessed. She passed out into the bare and open high road, followed by Mrs. Momeby's warning, "It's no use going there, we've searched there a dozen times." But Rose-Marie's ears were already deaf to all things save self-congratulation; for sitting in the middle of the highway, playing contentedly with the dust and some faded buttercups, was a white-pinafored baby with a mop of tow-coloured hair tied over one temple with a pale-blue ribbon. Taking first the usual feminine precaution of looking to see that no motor-car was on the distant horizon, Rose-Marie dashed at the child and bore it, despite its vigorous opposition, in through the portals of Elsinore. The child's furious screams had already announced the fact of its discovery, and the almost hysterical parents raced down the lawn to meet their restored offspring. The aesthetic value of the scene was marred in some degree by Rose-Marie's difficulty in holding the struggling infant, which was borne wrong-end foremost towards the agitated bosom of its family. "Our own little Erik come back to us," cried the Momebys in unison; as the child had rammed its fists tightly into its eye-sockets and nothing could be seen of its face but a widely gaping mouth, the recognition was in itself almost an act of faith.
"Is he glad to get back to Daddy and Mummy again?" crooned Mrs. Momeby; the preference which the child was showing for its dust and buttercup distractions was so marked that the question struck Clovis as being unnecessarily tactless.
"Give him a ride on the roly-poly," suggested the father brilliantly, as the howls continued with no sign of early abatement. In a moment the child had been placed astride the big garden roller and a preliminary tug was given to set it in motion. From the hollow depths of the cylinder came an earsplitting roar, drowning even the vocal efforts of the squalling baby, and immediately afterwards there crept forth a white-pinafored infant with a mop of tow-coloured hair tied over one temple with a pale blue ribbon. There was no mistaking either the features or the lung-power of the new arrival.
"Our own little Erik," screamed Mrs. Momeby, pouncing on him and nearly smothering him with kisses; "did he hide in the roly-poly to give us all a big fright?"
This was the obvious explanation of the child's sudden disappearance and equally abrupt discovery. There remained, however, the problem of the interloping baby, which now sat whimpering on the lawn in a disfavour as chilling as its previous popularity had been unwelcome. The Momebys glared at it as though it had wormed its way into their short-lived affections by heartless and unworthy pretences. Miss Gilpet's face took on an ashen tinge as she stared helplessly at the bunched-up figure that had been such a gladsome sight to her eyes a few moments ago.
"When love is over, how little of love even the lover understands," quoted Clovis to himself.
Rose-Marie was the first to break the silence.
"If that is Erik you have in your arms, who is—that?"
"That, I think, is for you to explain," said Mrs. Momeby stiffly.
"Obviously," said Clovis, "it's a duplicate Erik that your powers of faith called into being. The question is: What are you going to do with him?"
The ashen pallor deepened in Rose-Marie's cheeks. Mrs. Momeby clutched the genuine Erik closer to her side, as though she feared that her uncanny neighbour might out of sheer pique turn him into a bowl of gold-fish.
"I found him sitting in the middle of the road," said Rose-Marie weakly.
"You can't take him back and leave him there," said Clovis; "the highway is meant for traffic, not to be used as a lumber-room for disused miracles."
Rose-Marie wept. The proverb "Weep and you weep alone," broke down as badly on application as most of its kind. Both babies were wailing lugubriously, and the parent Momebys had scarcely recovered from their earlier lachrymose condition. Clovis alone maintained an unruffled cheerfulness.
"Must I keep him always?" asked Rose-Marie dolefully.
"Not always," said Clovis consolingly; "he can go into the Navy when he's thirteen." Rose-Marie wept afresh.
"Of course," added Clovis, "there may be no end of a bother about his birth certificate. You'll have to explain matters to the Admiralty, and they're dreadfully hidebound."
It was rather a relief when a breathless nursemaid from the Villa Charlottenburg over the way came running across the lawn to claim little Percy, who had slipped out of the front gate and disappeared like a twinkling from the high road.
And even then Clovis found it necessary to go in person to the kitchen to make sure about the asparagus sauce.
The Gräfin's two elder sons had made deplorable marriages. It was, observed Clovis, a family habit. The youngest boy, Wratislav, who was the black sheep of a rather greyish family, had as yet made no marriage at all.
"There is certainly this much to be said for viciousness," said the Gräfin, "it keeps boys out of mischief."
"Does it?" asked the Baroness Sophie, not by way of questioning the statement, but with a painstaking effort to talk intelligently. It was the one matter in which she attempted to override the decrees of Providence, which had obviously never intended that she should talk otherwise than inanely.
"I don't know why I shouldn't talk cleverly," she would complain; "my mother was considered a brilliant conversationalist."
"These things have a way of skipping one generation," said the Gräfin.
"That seems so unjust," said Sophie; "one doesn't object to one's mother having outshone one as a clever talker, but I must admit that I should be rather annoyed if my daughters talked brilliantly."
"Well, none of them do," said the Gräfin consolingly.
"I don't know about that," said the Baroness, promptly veering round in defence of her offspring. "Elsa said something quite clever on Thursday about the Triple Alliance. Something about it being like a paper umbrella, that was all right as long as you didn't take it out in the rain. It's not every one who could say that."
"Every one has said it; at least every one that I know. But then I know very few people."
"I don't think you're particularly agreeable to-day."
"I never am. Haven't you noticed that women with a really perfect profile like mine are seldom even moderately agreeable?"
"I don't think your profile is so perfect as all that," said the Baroness.
"It would be surprising if it wasn't. My mother was one of the most noted classical beauties of her day."
"These things sometimes skip a generation, you know," put in the Baroness, with the breathless haste of one to whom repartee comes as rarely as the finding of a gold-handled umbrella.
"My dear Sophie," said the Gräfin sweetly, "that isn't in the least bit clever; but you do try so hard that I suppose I oughtn't to discourage you. Tell me something: has it ever occurred to you that Elsa would do very well for Wratislav? It's time he married somebody, and why not Elsa?"
"Elsa marry that dreadful boy!" gasped the Baroness.
"Beggars can't be choosers," observed the Gräfin.
"Elsa isn't a beggar!"
"Not financially, or I shouldn't have suggested the match. But she's getting on, you know, and has no pretensions to brains or looks or anything of that sort."
"You seem to forget that she's my daughter."
"That shows my generosity. But, seriously, I don't see what there is against Wratislav. He has no debts—at least, nothing worth speaking about."
"But think of his reputation! If half the things they say about him are true—"
"Probably three-quarters of them are. But what of it? You don't want an archangel for a son-in-law."
"I don't want Wratislav. My poor Elsa would be miserable with him."
"A little misery wouldn't matter very much with her; it would go so well with the way she does her hair, and if she couldn't get on with Wratislav she could always go and do good among the poor."
The Baroness picked up a framed photograph from the table.
"He certainly is very handsome," she said doubtfully; adding even more doubtfully, "I dare say dear Elsa might reform him."
The Gräfin had the presence of mind to laugh in the right key.
Three weeks later the Gräfin bore down upon the Baroness Sophie in a foreign bookseller's shop in the Graben, where she was, possibly, buying books of devotion, though it was the wrong counter for them.
"I've just left the dear children at the Rodenstahls'," was the Gräfin's greeting.
"Were they looking very happy?" asked the Baroness.
"Wratislav was wearing some new English clothes, so, of course, he was quite happy. I overheard him telling Toni a rather amusing story about a nun and a mousetrap, which won't bear repetition. Elsa was telling every one else a witticism about the Triple Alliance being like a paper umbrella—which seems to bear repetition with Christian fortitude."
"Did they seem much wrapped up in each other?"
"To be candid, Elsa looked as if she were wrapped up in a horse-rug. And why let her wear saffron colour?"
"I always think it goes with her complexion."
"Unfortunately it doesn't. It stays with it. Ugh. Don't forget, you're lunching with me on Thursday."
The Baroness was late for her luncheon engagement the following Thursday.
"Imagine what has happened!" she screamed as she burst into the room.
"Something remarkable, to make you late for a meal," said the Gräfin.
"Elsa has run away with the Rodenstahls' chauffeur!"
"Kolossal!"
"Such a thing as that no one in our family has ever done," gasped the Baroness.
"Perhaps he didn't appeal to them in the same way," suggested the Gräfin judicially.
The Baroness began to feel that she was not getting the astonishment and sympathy to which her catastrophe entitled her.
"At any rate," she snapped, "now she can't marry Wratislav."
"She couldn't in any case," said the Gräfin; "he left suddenly for abroad last night."
"For abroad! Where?"
"For Mexico, I believe."
"Mexico! But what for? Why Mexico?"
"The English have a proverb, 'Conscience makes cowboys of us all.'"
"I didn't know Wratislav had a conscience."
"My dear Sophie, he hasn't. It's other people's consciences that send one abroad in a hurry. Let's go and eat."