"'We have come to take our girl back home.'"
"We have come to take our girl back home," he said to Ogden as he laid his plump hand lightly on his daughter's shoulder. "That is, if she can make up her mind to go with us."
"Just us two all alone in the house," added her mother, with a humorous pathos. "No chick nor child."
Jessie laughed and shook out a bit of her frivolous finery. Her face had a tired look, but motion seemed more restful to her than rest itself.
Ogden canvassed the three. Whence could this girl have got her supple leanness, her light, gay, rapid, incisive air, her aspen-like quiverings of nervous force? Not from her parents. From the March winds, perhaps, that sweep down from Mackinaw, over the limy and choppy expanse of Lake Michigan; from the varied breezes, hot and cold, that scour the prairies on their way from scorched-up Texas or from the snow-fields beyond Manitoba.
"Not even a relative," pursued her father; "not one in all the country round—except Frances. All our people are down East," he continued, addressing Ogden more directly. "They write every so often to learn if we are millionnaires yet. We always have to say 'no,' and that discourages them. They stay where they are."
"But Jessie goes around to look after them," contributed her mother, with combined complacency and reproach. "She goes to Pittsfield and Nantucket and everywhere. People are beginning, now, to ask her up to Wisconsin, summers. And sometimes Florida."
The girl shrugged her shoulders in a fidgety fashion.
"Oh, well, mamma," she said, "I have to circulate. Let's circulate some now," she suggested, turning to Ogden. "I'll be ready to go when you are," she called back to her father.
"We ave been expecting to see you out at the house again," she said to the young man, as they settled on the stairs. They were seated just below the landing. Her dress, trimmed with silver braid and little groups of flaunting bows, grazed his knees; he could number every stone in the rings that crowded her long, thin fingers. "We didn't suppose a matter of eighteen miles would scare you."
"It doesn't. But you're never home."
"Oh, yes, I am—once in a while. When you do favor us again, get a time-table for the next time after. I never heard of the 'Q.' charging anything for them."
"I will."
"Awfully sudden about Mayme, wasn't it?" she said, with a suddenness of her own. "I didn't suppose it was going to end like that—at least, not right away. I dare say you have been noticing how Cousin Frances looks at me, every now and then. You might thinkIwas the one to blame. She's been talking to mother about it to-night—and me. I guess I'm going home all right enough."
"Don't you want to?"
"Oh, I don't mind. But what's the dif.—far as May me is concerned, I mean? She was bound to have him: she wouldn't have anybody else. It was their affair, wasn't it? Well, then, why not let them manage it?"
"I suppose so," assented George, dubiously.
"Her father won't see her, I hear. I'd like such a father. Her sister can't do anything with him."
"Her sister?"
"Yes; she's got about as much influence as anybody. Have you seen her?"
"Yes. Areyouvery well acquainted with her?" he asked.
"Not very. She belongs to the next older generation."
"How much older? Two or three years?"
"Twenty or thirty. She's about the same age as her mother. But more useful. Mayme thinks everything of her. She's a good, steady, plodding stay-at-home. She ought to have been let out and given a show—she's buried there. He makes her do lots of work."
"Her father?"
"Yes. She writes and figures a good deal of the time. She keeps the grocer's and butcher's books, for one thing. Mayme says she knows how to telegraph—they've got their own wire right to the house. When she wants dissipation she goes to her 'Friendly.' And she belongs to a club over there where they read papers and discuss. She was a good deal upset."
"Urn," said Ogden, abstractedly. He recalled the girl's appearance and her little ordeal of having to face a complete stranger at so distressful a juncture. Yet she had borne herself with dignity and composure; nor was he able to deny that she had been as perfectly courteous as her brief appearance permitted. How that he understood, he had less cause for complaint against her brother, and none at all against her.
He dwelt lingeringly on the idea of "a complete stranger." He did not feel that it would have been infinitely more trying to face a curious neighbor. He had begun to idealize the ordeal and the victim of it.
"A penny for your thoughts," he presently heard his companion saying. He came out of his study and looked through the stair-rail at the little throng below. Two gentlemen had just come out of the dining-room.
"I was wondering who they were," he replied, at a venture.
"Who?"
"Those two."
The pair was followed by Walworth, whose pleasure it was to pour libations whenever the gathering of two or three together gave a pretext for that ceremony. One of the two sucked in his upper lip with due caution, and both united in a pretence—decent, but slight and futile—that the ladies knew nothing of these hospitable doings.
"The tall, brown one is Mr. Ingles. Haven't you met him here before?"
She indicated a man of forty, whose face was shaven except for a small pair of snuff-colored whiskers, and whose mouth made a firm, straight, thin line.
"Ingles? Arthur J.?"
"I don't know; I guess so. He owns the building—the Clifton."
"He's no dude," murmured Ogden to himself.
"Eh? Who said he was?"
"Oh, nobody. Who is the other?"
"That's Mr. Atwater—Mr. Ingles's architect. They're chums; were in college together. Isn't he the most fascinating-looking man you ever saw?"
"By Jove, heisdistinguished, for a fact! Was he born—here?"
"Don't you think it's lovely for a man of his age to have gray hair—gray that's almost white? I shall do all I can to makemyhusband grayhaired before he is middle-aged!"
She laughed at her own audacity. He turned about and stared at her, and she laughed more heartily yet.
"And don't you like the twirl of his moustache? Or would you have preferred him with whiskers?—cut in a straight line right across his cheeks, with the corners near his mouth rounded off—but not too formally. And do you notice the bridge of his nose and the air it gives him? And his eyes—wait till he turns around; there, did you ever see such a hazel? He seems to have everything—youth, experience, style, family;—why did you ask if he was born here?" she demanded suddenly.
"Did I? I must have meant—is he going to die here?"
"Why not? You don't suppose that men of talent are going to leave Chicago after this?"
"Do you expect to provide them with careers?"
"I don't see why we shouldn't. We're on the crest of the wave, and we're going higher yet. From now on anybody who leaves us is likely to be sorry for it."
Ogden looked back at Ingles; he stood in a doorway, between Fairchild and Jessie's father.
"Is his wife here?"
"Oh, he isn't married, I don't believe."
"Hot married?—Ingles, I mean."
"Oh! Yes, he's married."
"Is his wife here?"
"Dear, no; you have to speak weeks ahead to get her."
"He's the one, then," Ogden assured himself.
"Which one?"
"Her husband. Do you know her?"
"I've met her here." She leaned over the railing. "What are they all laughing about, down there?"
"Do you want to go and see?"
Mrs. Floyd and her sister had appeared in the doorway. Between them was a little girl of five; she had one hand in her mother's, and with the other she clutched a dilapidated doll. The child wore a guimpe and a prim little frock with puffed sleeves; she had long, smooth brown hair that turned thickly at her shoulders, and a pair of big, round, wondering brown eyes.
"It's Claudia," said Jessie Bradley. "Yes, let's go down."
Atwater had placed himself before the child, half crouching, half kneeling. He had the persuasive and ingratiating manner proper to a fashionable architect whose clients were largely women and wealthy ones, and he seemed willing enough to bring his batteries to bear on the tiny woman before him.
"Isn't it pretty late for dolly? Oughtn't she to be put to bed in her own little house?"
The child looked at him soberly. "She hasn't got any house."
"'Isn't it pretty late for Dolly?'"
"Hasn't got any house?" He glanced at her father. "'Oh, it is pitiful—in a whole cityful.' But if I were to say that I would make you one?" he went on; "one with four rooms. And windows in each room."
The child pondered, fixing a bashful look on his handsome face.
"Would there be stairs?"
"Yes."
"And closets? Mamma says we never have enough closet-room."
"That's right, Claudia," said Ingles, commendingly; "score the profession."
"Yes, closets, if you insist."
"And glass in the windows?"
"Yes. Dear me, they get more exacting with us every year!"
"And—and—" she rolled her eyes around the group, as if wondering whether any important detail had been overlooked—"gas-fixtures? Would there be one in every room, with four globes on it?"
"Perhaps."
"But don't charge the poor child a full commission on them," said Ingles, grimly.
"Ah!" murmured Atwater, with a world of meaning. "And if I were to promise to put a nice little red chimney on the roof—what would you say?"
The child clasped her doll firmly and looked down at the carpet. "I shouldn't know whether to belave you," she said, shyly.
There was a burst of laughter. "You dear little tot!" cried Mrs. Fairchild, gathering her up, on no very definite grounds, for a kiss. Her father laughed loudest of all, but her mother contracted her eyebrows in distress.
"That dreadful Horah!" whimpered the poor woman. "She must go."
"Don't dismiss yourbonne," laughed Atwater, thankful for the diversion; "she'll produce a beautiful accent in time."
"Well, after that," said her father, "I think our little McGintums had better retire. Say good-night, Claudia."
"Not yet," said Ingles. "Not before she has learned that she may have her doubts about a contractor, perhaps, but about an architect—never. Remember that great truth. Good-night, my child. Won't you kiss me?"
He lowered his face, but Claudia drew back. "I don't like whishky," she said, solemnly.
"For Heaven's sake, my pet," cried Floyd, "are you trying to start a panic? There's Horah; go-go."
"Good-night, Claudia," called Atwater; "we won't forget your house. Upon my word, Ingles," he went on rapidly, and with a face still slightly flushed, "I believe I shall have to reconsider that determination of mine I spoke to you about the other day."
"What's that?" asked Walworth.
"To give up sky-scrapers and to do nothing but colonial houses for the nobility and gentry. Sky-scraping is bad enough, but the demands of the modern house-builder are worse. Ingles, you're not as evil as I said you were; I'm sorry I ever called you a Philistine."
"Why did you do that?" asked Fairchild, amused.
"Because," answered Ingles, "I took two weeks to consider whether I could afford to let the Clifton have four good street-fronts."
"Didn't you say," demanded Atwater, "that you wanted to put up an architectural monument that would be a credit to the town? Would an eighteen-story flank of bare brick have been a pleasant object? Or, rather, is it?—for you see that sort of business all over the city. Heavens!" he went on, "we're doing some horrible things here, but we are not the ones who are altogether to blame."
"Who says you haven't done well with the Clifton?" demanded Ann Wilde. Host of the ladies had retired from these masculine topics, and were huddled in a gossipy little group at the foot of the stairs; Ann had remained behind, as an owner of real property. "That system of elevators is the most magnificent thing I ever saw."
Atwater groaned. "That's all a building is nowadays—one mass of pipes, pulleys, wires, tubes, shafts, chutes, and what not, running through an iron cage of from fourteen, to twenty stages. Then the artist comes along and is asked to apply the architecture by festooning on a lot of tile, brick, and terra-cotta. And over the whole thing hovers incessantly the demon of Nine-per-cent."
"A slap at me," said Ingles.
"It's enough to make you wonder whether Pericles ever lived. I doubt if he did," concluded Atwater.
"Are you the only sufferer?" asked his client. "How many of our sub-contractors failed?"
"Two."
"How many times were we set on fire by salamanders?"
"Three."
"How many drunken night-watchmen were discharged?"
"Four or five."
"How much of the tin-work did you condemn?"
"Lots."
"How many of the contractors suffered a penalty for over-time?"
"Too many."
"How many times did carpenters wreck plaster-work?"
"Fifty."
"How many times did plasterers ruin woodwork?"
"A hundred."
"How many men were killed or injured?"
"Thirteen."
"Thirteen!" cried Ann Wilde; "how horrible!" "Then you don't encourage building," commented Bradley; "and Mr. Atwater wouldn't encourage young men to go into architecture."
"As engineers, not as architects," replied Atwater. "Or shall I say—as constructionists?"
"Good word," murmured Ingles.
"Thanks. I've got fifteen draughtsmen up under the roof of the Clifton. When a new one comes, I say, 'My dear boy, go in for mining or dredging, or build bridges, or put up railway sheds, if you must; but don't go on believing that architecture nowadays has any great place for the artist. There won't be another Fair until long after you are dead and gone.'"
"I think I've had one of your young men with me lately," Bradley said. "He told us that he had been designing labels out at the Stock Yards, but had been in your office before that. Art may cover a wide range, you see," he said, laughing.
"Yes? What is his name?"
"Brainard, I think. He was a dark young fellow. He looked a little dissipated, it seemed to me."
"That's the one," said Atwater. "Now there's a case. That boy's father has treated him shamefully. He might have been made something of. He had a decided taste for drawing, and hardly any other. I won't say he had any great ability, but that wouldn't have mattered so much with training. However, he had no training to speak of, and we couldn't use him. He hasn't got the slightest faculty for business; they wouldn't have made a teller out of him in twenty years. But that was what they tried to do, and when it failed—"
Fairchild gave a delicate little cough.
"You don't have to listen, Fairchild," said Atwater. "Neither does Mr. Pratt, unless he chooses."
Fairchild withdrew a little from the group and stood with his hands behind his back, while the toe of his boot moved the corner of a rug to and fro over the polished floor. Freddy Pratt held his place, but moderated his show of interest. Ogden followed this new recital with a curious concern.
"His father lost all patience with him," Atwater went on. "Naturally, such a father would with such a son. He's altogether out of the family now. Is he with you yet?" he asked Bradley.
"We had him for a while, but he was pretty irregular and unreliable—I never knew why until now. He was pretty shabby, too. I guess he was about grazing bottom most of the time. I never knew what Brainard he was."
"Anyway, he seems to have made a good try," said Ingles. "I suppose he'll live on post-obits, now, and go to the dogs as fast as possible."
"If he's let go his hold lately," declared Atwater, "it's on account of his brother. Everything's done for him; he is just run right ahead. Do you know," he continued, dropping his voice and glancing aside towards Fairchild, "that Brainard has just pushed that Burt of his into the vice-presidency? Right over everybody. I don't see how Fairchild can stand it. And what could be better calculated to infuriate the other one—what is his name?—Marcus. I'd take to drink myself."
Ogden listened to all this, and was swayed accordingly. His brief, fluttering attempt to idealize Abbie Brainard ended, and he saw her only in the cold, garish light of crass reality that was beating down so fiercely on the rest of the family. He had been meditating on calling upon her at her father's house, moved by the kind of sympathy that anticipates an invitation, or does without one; this project he now determined to abandon.
McDowell had not quartered himself on the twelfth floor of the Clifton—as distinguished from the eleventh or the thirteenth or any other—by a mere chance. He had not been influenced by any finicky consideration of light, prospect, ventilation, or nearness to the elevators. His sole reason for selecting room number 1262 was that room number 1263 was occupied by Arthur J. Ingles, the owner of the building.
Ingles occupied a very small room, upon whose door was his name—his name and nothing more—in very small letters. The next door beyond was lettered "Office of the Building," and this second room had communication with the first by a door between. None of these three doors, however, had as much interest for McDowell as the one between his own office and the private office of Ingles. This door was closed, but it was McDowell's dream and ambition to see it open. In his thoughts he constantly saw it standing ajar in an intimate and friendly fashion, while he and Ingles and other magnates of Ingles's ilk circulated through it freely and all did business together.
Up to the present time this door had never been opened, nor had McDowell ever had access to the other suite except by the farther door, through which tenants passed to request repairs or to pay their monthly rent.
Ingles was enough of a lawyer to be a real-estate man, and enough of a real-estate man to need to be a lawyer. He supervised the drawing of his own deeds and leases, and seldom took counsel in matters between landlord and tenant. As a landlord, he had found it advantageous to divest himself of his soul by making the Clifton into a stock company; he himself held all the shares but five. He had an extraordinary faculty for keeping himself out of the papers; but this did not prevent McDowell from knowing that he was constantly engaged in enterprises of the first magnitude, and he felt that association with this great capitalist would be immensely to his own advantage.
But he had accomplished only one step that might be reckoned an advance: he had undertaken the financial arrangements connected with St. Asaph's choir. This was a large, well-trained body, and was provided with all the expensive paraphernalia of a "high" service. It included four or five tenors and basses who commanded rather good salaries, as well as an expert organist and an experienced choir-master who commanded larger ones. The management had been by committee, and several of the pillars of the church, Ingles among them, had learned the difficulty of mediating between music, money, and ritualism. A member of a previous committee had delighted in translating and adapting Latin hymns for Christmas and Easter, and in putting his hands into his pockets now and then to make good a small deficit in the budget. Ingles and his compeers were ready enough to put their hands into their pockets, but they were glad, one and all, to escape the details of administration.
It was here that McDowell stepped forward; he cynically acknowledged that religion must be made to play into the hands of business, and he justified himself to himself by many good arguments. The details of the new dispensation were arranged in a down-town office. McDowell had tried to contrive that that office should be Ingles's own; but the meeting was held, after all, in another tall tower a block or two down the street, and Ingles himself was not present more than ten minutes. McDowell regretted this; he felt very well disposed towards Ingles. He would have done almost anything for him—for a commission.
But McDowell did not push this choir matter to the neglect of his own proper business. He was engaged at about this time with a new subdivision out beyond the South Parks. He had bought up a ten-acre tract, which he himself acknowledged to be rather low-lying, and which his rivals, with an unusual disregard of the courtesies of the profession, did not hesitate to call an out-and-out swamp. He had mended matters somewhat by means of a dam and a sluice, which drained off a part of his moisture on to grounds lying lower still—other men's grounds; and on the driest and most accessible corner of his domain he had placed a portable one-story frame shanty which had already done duty on other subdivisions, and alongside of it stood a tall flagpole which flaunted a banner with his own name and number on it. This tract, by the way, had absorbed some moderate portion of Ann Wilde's hoarded savings.
A week of rainy weather now and then would lay a complete embargo on McDowell's operations in this quarter. His plank walks would float off in sections; the trees along his avenues would sag deeply into the slush and would sway sidewise, in spite of their networks of rusty wire; and the cellars of the three or four unfinished houses that he had artfully scattered through this promising tract would show odds and ends of carpenters' refuse floating around in muddy water a foot deep. It was an appalling spectacle to one who realized the narrow margins upon which many of these operations were conducted, or who failed to keep in mind the depths that human folly and credulity may sound.
"Oh, it's all right enough," McDowell would say. "It's going to dry up before long."
Occasionally it did dry up and stay so for several weeks. Then, on bright Sunday afternoons, folly and credulity, in the shape of young married couples who knew nothing about real estate, but who vaguely understood that it was a "good investment," would come out and would go over the ground—or try to. They were welcomed with a cynical effrontery by the young fellow whom McDowell paid fifty dollars a month to hold the office there. He had an insinuating manner, and frequently sold a lot with the open effect of perpetrating a good joke.
McDowell sometimes joked about his customers, but never about his lands. He shed upon them the transfiguring light of the imagination, which is so useful and necessary in the environs of Chicago. Land generally—that is, subdivided and recorded land—he regarded as a serious thing, if not indeed as a high and holy thing, and his view of his own landed possessions—mortgaged though they might be, and so partly unpaid for—was not only serious but idealistic. He was able to ignore the pools whose rising and falling befouled the supports of his sidewalks with a green slime; and the tufts of reeds and rushes which appeared here and there spread themselves out before his gaze in the similitude of a turfy lawn. He was a poet—as every real-estate man should be.
We of Chicago are sometimes made to bear the reproach that the conditions of our local life draw us towards the sordid and the materialistic. Now, the most vital and typical of our human products is the real-estate agent: is he commonly found tied down by earth-bound prose?
"You fellows," said Floyd to McDowell, during one of Sister Ann's sessions, "are the greatest lot I ever struck." He spoke in a half-quizzical, half-admiring way, and showed some effort to handle the language with the Western ease and freedom of those to the manner born. "Do you know, when I had been here three or four months some fellows took me with them to the banquet of the Deal Estate Board. Well, it was an eye-opener; I never saw anything like it. It was Chicago—all Chicago. Heavens! how the town was hymned and celebrated! It was personified—"
"That's right," said McDowell.
"And glorified—"
"Of course."
"And deified—"
"Why not?"
"Why not, indeed?" cried Aim Wilde. "Ihaven't been around much yet, but you strike me as the most imaginative lot of people I ever saw."
"Whenever Chicago is involved," amended Walworth.
"Sure."
"How you idealize it!" cried Ann, enthusiastically. "How you—"
"It needs to be idealized—and badly," said her sister.
But McDowell's interests in the southern suburbs as well as at St. Asaph's were soon set aside by another matter; domestic interests claimed his attention.
His father-in-law had now passed some two or three months in Chicago. He had entered the city without any conception of its magnitude, and he had remained in it without rising to any conception of its metropolitan complexities. He had made a change that was too great and too late. He made but an ineffectual attempt to connect and identify himself with the great rush of life going on all about him. He came down town almost every day to spend an hour or more in McDowell's office, where he took a certain satisfaction in following out the intricacies of the local topography by passing a thin, blue-veined hand over McDowell's maps and his canvas bound books of plats. McDowell treated him with considerable patience and with as much respect as was due to a man who had no great experience in real estate and little aptitude for learning. One day old Mr. Ogden, who apprehended the lake winds little better than the local "lay of the land," took a slight cold in returning home from the office; two days after pneumonia developed, and within a week he died.
George undertook the charge of such arrangements as recognized the old New-Englander as a dead man merely, and McDowell subsequently took charge of those which recognized him as a dead property-owner. First, the funeral; afterwards, the Probate Court.
A funeral is more disagreeable than a wedding, chiefly because its multifarious details make their demands with but a scanty notice in advance. All of these details George was now called upon to face and to dispose of.
He squared his jaw, set his eyes, put a cold, heavy paving-stone in place of his heart, and met these details one by one. It was a man's privilege.
Brower went with him to the undertaker's, and mediated between grief and rapacity.
"Be careful here," Brower said to him in an undertone. They were in a room where sample caskets stood on end against opposite walls and were let down one by one for the inspection of purchasers.
"They always show the most expensive ones first. Don't look at these. You don't need to pay a hundred and fifty dollars. You can select a suitable one for eighty or ninety—perfectly good and no loss of respect."
"How about the outside box?" asked the man in due course. He was in his shirt-sleeves and wore a high silk hat.
"Here," whispered Brower, "you'll have to take the most expensive. It's chestnut—fifteen dollars. Nothing else but plain pine for a dollar fifty. Shameful, isn't it?"
Brower arranged for the handles and the plates. He also met the family at the railway-station next day, and saw the casket put on board the east-bound express.
He and George were walking slowly up and down the platform alongside the train when a man in blue overalls leaned out of the door of the baggage-car and called to them. He held a paper in his hand.
"This ain't quite regular," he said. "Our road is pretty strict. The air-tight casket is all right for inter-state travel, but the doctor hasn't signed this certificate."
George turned on Brower with a look of anguish.
"Here!" cried Brower, stretching up his hand. "How forgetful of me! I'll sign it now. Go along, Ogden."
The man hesitated. "Not contagious?"
"Certainly not. Hand it down. Got a pencil? There! Here's a two. Take extra care."
The dead man's son paid for the music and flowers, his wife and daughter folded away his clothes, and his son-in-law undertook to see his estate through the courts.
"I don't believe you'd better pay the doctors and undertaker yet," he counselled. "Let them file their claims with the Probate people. It doesn't cost but a dollar, and if you pay without, you might be liable over again—you are on other claims. I'll keep a general eye on matters, of course, but questions will be coming up all the time. I don't know but what we'd better have a lawyer first as last. The Probate arrangements are different now from what they used to be—more expensive, for one thing. Now there's Freeze & Freeze—they're as good as any, and they're right there in the Clifton, George, only five floors above you."
"Have we got to go into this thing right away?" asked George, as if in physical pain.
"Oh, no. Wait a few weeks—wait a month, if you like."
"Yes, we'll wait," he sighed.
McDowell made no opposition to his wife's suggestion that her mother now come and live with them. He had not anticipated his mother-in-law as a member of his own household; but he liked her well enough, and he generally treated her with a dry and sapless sort of kindness. Besides, he looked on domestic arrangements as a mere incident in business life, anyway. George, who for some time had been anticipating a home with his parents, could not find an equivalent in a home with the McDowells, and he remained with Brower on Bush Street.
There was no will; the recasting and consolidation of the small estate had required too much time and attention to leave much for any-thought of its redistribution. Mrs. Ogden went into court at the proper time and qualified as administratrix. She was a figure-head, of course. She signed various documents at George's instance; George himself was guided by McDowell, principally; and McDowell got a point, now and then, from the attorneys. However, the legal labors of Freeze & Freeze on the Ogden estate were chiefly clerical; this did not prevent them from charging like chancellors and chief-justices.
These charges and others were paid, by McDowell, who began informally by giving checks on his own private account. He came to receive, too, most of the rents and other payments, which were more conveniently made to him in his own office than to George in the office of the bank. And since he paid the estate charges out of his own private account, it seemed natural enough that his own account (which was with the Underground) should receive the sums coming in. This arrangement came about gradually, without receiving any formal acquiescence; but George appeared satisfied with the business capacity of his sister's husband; while his mother was an inmate of her son-in-law's house, where inquiry and explanation were easily enough made.
"'How's this, Jo?' asked Ogden."
These details, once in hand, appeared to give little hinderance to the course of McDowell's regular business. His acquaintances in his own line noticed its increasing spread, and agreed among themselves that he was flying a little high for a man of his limited resources. He had more work for the surveyors and sign-painters, and he presently added a clerk or so to his office force.
Various small claims were filed in the Probate Court and were allowed. "I think," said George to McDowell, "that we'll use Kastner's rent for them. To-day is the third; he has been in, I suppose?"
"He'll have to be punched up," replied McDowell. "It doesn't do to give them any leeway."
"He has always been prompt on the first," said George, somewhat annoyed.
The next morning he entered the paying-teller's pen for a moment, as occasionally happened. His eye chanced to alight on the balance sheet that ran from L to Z.
McAvoy, Louis M.81.98McCloud, Peters & Co.1187.25McDowell, E. H..0
"How's this, Jo?" asked Ogden. "What's the matter with McDowell?"
"Pulled out yesterday," responded the payer, briefly.
McDowell's defection, from the Underground was presently followed by an addition to its working force. One morning, a month or so later, Ogden, in an interval of leisure, glanced across to the window before which Burton Brainard had railed in his desk, and saw a young woman within the enclosure. She sat there alone, before a desk of the peculiar kind that has been contrived for the typewriter, and her effect at the moment was that of leisure finally and elegantly achieved.
He was at once struck by her peculiar facial expression; she had one eye open and the other shut. All at once she effected an instantaneous change which closed the open eye and opened the closed one. Then she opened both and gave out a smile of recognition, surprise, and pleasure, which he now perceived to be the work of the features of Cornelia McNabb.
"Here we are!" she seemed to say.
She had followed Burt's elevation to the vice-presidency, along with the new desk and the handsome rail-work enclosing it. Burt's concerns, despite his rise in rank, were now, as heretofore, largely outside the hank proper; he did something in stocks now and then, and he kept the run of things on the Board of Trade. But he was like his father in looking upon the bank as a personal and family matter—a point of view which the action of the body of stockholders somewhat justified: as a general thing they made up a chorus that huddled in the wings—several of them declining to come "on" even for the election that advanced Brainard, Jr., to the second place. So he saw no very good reason why the bank generally should not foot the bill for his own clerk-hire.
"Why can't you use the man we've got here already?" his father had asked him, however. "Ain't one enough?"
"No. Somebody else has always got him. If I could have one for myself just for an hour or so, it would be a great help."
"Why don't you get one of those girls that circulate around upstairs? I hear there's one or two of 'em."
"I believe I will." And thus Cornelia McNabb came in for a brief daily attachment to the Underground.
She sat in her place quite unoccupied for an hour or so, looking about inquiringly, fidgeting a little, and watching the clock. Ogden glanced over in her direction once or twice. He saw that she had contrived to express her rise by several subtile alterations in her dress, and that she had succeeded in enveloping herself in a promising atmosphere of gentility. She, in her turn, kept an eye on him and contrived to time her own luncheon along with his. She thrust her hat-pin into place just as he buttoned on his cuffs, and she drew a black-dotted veil across the tip of her nose just as he was reaching up for his hat.
They sauntered out separately, but came together in the hallway.
"Do I look nice, or don't I?" she asked him, as she passed one of her gloves over the smooth surface of the massive marble balustrade. "You needn't think the Pewaukee girls are jays; they're too near Lakeside and Waukesha for that."
"You do, indeed. But where are the chains and rings?"
"Fiddle! I hope I know better than that, now."
The elevators were sliding up and down behind their gildedgrilleswith great rapidity, and hundreds of hungry helpers were stepping out of them in search of brief refreshment. Some of these stopped in the basement vestibule, and our young people, looking over the balustrade, saw them buying packages of cigarettes or the noon papers. There came to them, too, the voice of the man who stood at the foot of the elevator shafts and who regulated the movements of the various cabs by calling out their numbers with a laconic yawp. He wore a blue uniform with gilt buttons and he had a gold band on his cap. He was as important as Ingles himself—perhaps more so.
"I believe I'll go up to the restaurant to-day," said Cornelia, with a precious little intonation. Her mincing tone intimated a variety of things—altered conditions among them.
"I go up there occasionally myself," said Ogden. "You have entertained me several times downstairs, and you ought to give me my chance now, don't you think?"
"Quite happy, I'm sure," she murmured demurely.
"Up!" called Ogden, and up they went.
"Well," said Cornelia, a few minutes later, taking off her gloves with a self-conscious grace, and pushing aside her tumbler so as to find a place to lay them, "I can't say I've been overworkedthismorning. I haven't seen my new man at all."
"He's out a good deal."
"But the old one was on deck."
"In what way?"
"Oh, he put me through a regular drill. Had quite a number of remarks. I shouldn't care to takehimdown. May have to, though, if he gets too bossy. Eh?—oh, well, I don't know that I care for so very much, thank you. What areyougoing to have? Chicken-soup?—all right. Yes, chicken-soup, John."
She leaned hack in her chair with a genteel grace, and looked out of the window down on the snow-piled roofs below.
"Do you know, I used to think I was a pretty smart girl, but I begin to believe I'm a good deal of a dummy, after all. That man has been in the building all this time, and I have just found it out."
Ogden's eye involuntarily followed the waiter.
"Not that black man—nix. But how could I be expected to spot his name among all the 'steen hundred on that bulletin by the door? I did see it there this morning, though—just by accident."
"Whose?"
"Oh, Ingles's. Arthur J. Ingles. Think of his being in this very building all this time!" She put the rim of her tumbler up under the edge of her veil.
"In it?" repeated Ogden. "He owns it."
"He does? Great Scott!" she choked and spluttered, setting her glass down suddenly. "Well, I'll be switched!"
She gave another gulp. "I suppose his father willed it to him."
"No; he put it up for himself; I heard him say so."
"And you know him?" A new light shone in her brimming eyes.
"Yes."
"Well," she declared with emphasis, "now I see my way. He's got to have me do shorthand for him, and then I shall see—her."
"Ah!"
"Yes. Can't you tell Mr. High-and-mighty that you know a respectable girl who is trying to make her own living?" She ran her fingers over the edge of one of her cuffs, which was slightly frayed. "You see how poor I am."
George laughed. "The laundriesarepretty rough, for a fact."
"How mean of you!" she exclaimed, and laughed too.
She thrust back her soup.
"I don't want it. I don't want anything. I can't eat a mouthful. Then I was wrong about his being a society dude?"
"Completely."
"And how is she? S'posing I've made a mistake about her, too?"
"I don't know, I'm sure. I've never seen her."
"You're telling me a fib."
"Ho, truly, I never have. I don't believe there's any such person. I think she's somebody that the papers have just made up. How many people have you found to work for?"
"Oh, three or four. But time for more. Rhyme, ain't it? I'm trying for the Massachusetts Brass, but I'd rather get Ingles. She gave a dance at Kinsley's night before last."
"How many words can you do?"
"About ninety—enough for business; of course I couldn't manage courts or banquets or sermons. I expect she comes down to his office for a check every now and then. Why don't she ever have her picture in the Sunday papers?"
"O Lord! I hope they're abovethat!"
"What's the objection? I'd have mine there quicker 'n scat if I could. I will some time—bet you. And not in any office togs either."
"But don't dream of rivalry. She isn't real; she's only a beautiful myth. What will you take next—roast beef?"
"I don't mind; yes. When I'm alone I usually skip right from soup to pie—or pudding. But I guess I will take something a little solider this time; nothing makes me tireder than sitting still and fidgeting." She tapped her toes on the mosaic pavement, and gave a hitch and a pat to the dimity curtain alongside her. "I squirmed around for an hour, with a whole bookful of other people's notes that I might have been writing out. What sort of a young fellow is he?"
"He has his own way."
"Only child, I suppose?"
"N—no."
"Only son?"
"No—yes—I don't know. How do you like your work?"
"Middling. I'm terrible enterprising, but I guess I was never meant for a drudge. Say, what does a patroness really do?"
"Oh, nothing much; she just has her name on the list. Sometimes they don't even go."
"I notice that your Mrs. Floyd is beginning to be one; I've seen her in the papers two or three times."
"She doesn't like it, though; sometimes names get put on just to fill up. 'My dear Mrs. Floyd, we thought you wouldn't mind; you don't, do you?' they say. 'But my name in the papers,' she objects. 'You are too sensitive,' they reply. 'You've had your name in the papers at home,' her husband reminds her. 'Yes,' she answers, 'but—here!' She hates the town."
"Well, if I was a patroness I guess I'd have some say—no figure-head for me. I wouldn't be put on, either; I'd put the others on."
"I see you were cut out for a 'society' career."
"I guess you've about struck it. I went to a dance a week ago to-night—Periclean Pleasure Party."
"Like it?"
'Twa'n't much. And I was invited to a firemen's ball—such impudence!"
"Right—don't cheapen yourself."
"I guess I understand that."
Meanwhile a nooning of a different character was going on in the directors' room of the Underground. This is not to be taken as indicating that the green-baize plane of the long centre-table was littered with reports and memoranda, and that the high-backed, leather-seated chairs were filled with the solid figures of a dozen solid men. No; the aspect of the room was that of Sunday-like disoccupation, and the only people in it were an appealing young woman and a stubborn old man.
"Let her come in, father; please do."
"Take care, Abbie. You know what I think of you, but you make a mistake when you try this."
Abbie Brainard passed her handkerchief across her tearful face. Her father stood before her with his legs spread wide and his feet firmly planted; he had his hands thrust deeply into his trousers pockets. His jaw was set, and his shaggy brows were drawn down over eyes that glared fiercely at nothing.
"Then meet her out in the hall somewhere, just for a minute." She laid her hand tremblingly upon the old man's arm. He moved, as if to shake it off.
"Then just walk by outside; she can see you from the cab."
He turned his eyes upon her, half in expostulation and half in threat. "Abbie!"
"Then, father, just step here to the window; she'll see you and know it's all right. Come." She caught hold of a fold of his sleeve. "You won't keep her waiting out there such a cold day as this?"
Brainard moved his feet, but he turned his back on the window and fixed his eye on the fireplace. His daughter's light touch was quite powerless on his huge bulk.
"Father, you know Burt says—"
"Abbie," he interrupted sharply, "don't you say a word to set me against Burt. I won't hear it. Don't drag him in, or you'll be sorry for it." "But, father, don't you understand? Hestruckher; there's a mark on her face now."
Brainard's great frame shook, but he made no other sign. This quiet she took as a favorable symptom. She would have done better in perceiving that he was between two contending forces so nearly equal as to hold him almost in equilibrium. The wretch had struck his daughter—a brutal, hateful thing as regarded his daughter or any daughter or any other woman; but his daughter had defied him, overridden him, and the man whom she had chosen for a master was now the instrument of her punishment. The accounts appeared to balance. However, figures do lie, and his own agitation indicated that thexof human emotion had not been completely eliminated from his problem.