TIMOTHY H. REARDEN
IN the death of Judge Rearden the world experienced a loss that is more likely adequately to be estimated in another generation than in this. A lawyer dies and his practice passes to others. A judge falls in harness, another is appointed or elected, and the business of the court goes on as before, frequently better. But for the vacant place of a scholar and man of letters there are no applicants. To him there is no successor: neither the President has the appointing power nor the people the power to elect. The vacancy is permanent, the loss irreparable; something has gone out of the better and higher life of the community which can not be replaced, and the void is the dead man’s best monument, invisible but eternal. Other scholars and men of letters will come forward in the new generation, but of none can it be said that he carries forward on the same lines the work of the “vanished hand,” nor declares exactly those truths of nature andart that would have been formulated by the “voice that is still.”
In that elder education which was once esteemed the only needful intellectual equipment of a gentleman, those attainments still commonly, and perhaps preferably, denoted by the word “scholarship,” Judge Rearden was probably without an equal on his side of the continent. Except by his habit of historical and literary allusion—to which he was perhaps somewhat over-addicted—and by that significant something, so difficult to name, yet to the discerning few so obvious, in the thought and speech of learned men, which is not altogether breadth and reach of reason nor altogether subtlety of taste and sentiment—in truth, is compatible with their opposites—except for these indirect disclosures he seldom and to few indeed gave even a hint of the enormous acquired wealth in the treasury of his mind. Graduated from a second-rate college in Ohio with little but a knowledge of Latin and Greek, a studious habit and a disposition so unworldly that it might almost be called unearthly, he pursued his amassment of knowledge with the unfailing diligence of an unfailing love, to the end. He knew not only the classical languages and many of thetongues of modern Europe, but their several dialects as well. To know a language is nothing, but to know its literature from the beginning, and to have incorporated its veritable essence and spirit into mind and character—that is much; and that is what Rearden had done with regard to all these tongues. Doubtless this is not the meat upon which intellectual Cæsars feed; doubtless, too, he did not make that full use of his attainments which the world approves as “practical,” and at which he smiled in his odd, tolerant way, as one may smile at the earnest work of a child making mud pies; yet his was not altogether a barren pen. Of Bret Harte’s bright band of literary coadjutors on the oldOverland Monthlyhe was among the first and best, and at several times, though irregularly and all too infrequently, he enrichedThe Californianand other periodicals with noble contributions in prose and verse. Among the former were essays on Petrarch and Tennyson; the latter included a poem of no mean merit on the Charleston earthquake, and another which he had intended to read before the George H. Thomas Post of the Grand Army of the Republic, but was prevented by his last illness. Read now in the solemn light that lies alonghis path through the Valley of the Shadow, the initial stanza seems to have a significance almost prophetic:
Life’s fevered day declines; its purple twilight falling,Draws lengthening shadows from the broken flanks;And from the column’s head a viewless chief is calling:“Guide right—close up the ranks.”
Life’s fevered day declines; its purple twilight falling,Draws lengthening shadows from the broken flanks;And from the column’s head a viewless chief is calling:“Guide right—close up the ranks.”
Life’s fevered day declines; its purple twilight falling,Draws lengthening shadows from the broken flanks;And from the column’s head a viewless chief is calling:“Guide right—close up the ranks.”
Life’s fevered day declines; its purple twilight falling,
Draws lengthening shadows from the broken flanks;
And from the column’s head a viewless chief is calling:
“Guide right—close up the ranks.”
Some of his papers for the Chitchat Club could not easily be matched by selections from the magazines and reviews, and if a collection were made of the pieces that he loved to put out in that wasteful way we should have a volume of notable reading, distinguished for a sharply accented individuality of thought and style.
For a number of years before his death Rearden was engaged in constructing (the word writing here is inadequate) a work on Sappho, which, as I understand the matter, was to be a kind of compendium of all the little that is known and pretty nearly all the much that has been conjectured and said of her. It was to be profusely illustrated by master-hands, copiously annotated and enriched with variorum readings—a book for bookworms. Of its fate I am not advised, buttrust that none of this labor of love may be lost. A work which for many years engaged the hand and the heart of such a man can not, of whatever else it may be devoid, lack that distinction which is to literature what it is to character—its life, its glory and its crown.
1892.