Chapter 10

"To which Heaven has joinedGreat issues, good or bad, for human kind—Is happy as a lover, and attiredWith sudden brightness, like a man inspired"—

"To which Heaven has joinedGreat issues, good or bad, for human kind—Is happy as a lover, and attiredWith sudden brightness, like a man inspired"—

then, at least, he must have had Lord Nelson's idea predominating in his thoughts; for Captain Wordsworth was scarcelytried in such a situation. There can be no doubt, however, that he merited the praises of his brother; and it was indeed an idle tale that he should first of all deviate from this philosophic temperance upon an occasion where his utmost energies and the fullest self-possession were all likely to prove little enough. In reality it was the pilot, the incompetent pilot, who caused the fatal catastrophe;—"O pilot, you have ruined me!" were amongst the last words that Captain Wordsworth was heard to utter—pathetic words, and fit for him, "a meek man and a brave," to use in addressing a last reproach to one who, not through misfortune or overruling will of Providence, but through miserable conceit and unprincipled levity, had brought total ruin upon so many gallant countrymen. Captain Wordsworth might have saved his own life; but the perfect loyalty of his nature to the claims upon him, that sublime fidelity to duty which is so often found amongst men of his profession, kept him to the last upon the wreck; and, afterthat, it is probable that the almost total wreck of his own fortunes (which, but for this overthrow, would have amounted to twenty thousand pounds, upon the successful termination of this one voyage), but still more the total ruin of the new and splendid Indiaman confided to his care, had so much dejected his spirits that he was not in a condition for making such efforts as, under a more hopeful prospect, he might have been able to make. Six weeks his body lay unrecovered; at the end of that time, it was found, and carried to the Isle of Wight, and buried in close neighbourhood to the quiet fields which he had so recently described in letters to his sister at Grasmere as a Paradise of English peace, to which his mind would be likely oftentimes to revert amidst the agitations of the sea.

Such were the modes of life pursued by three of the orphan children: such the termination of life to the youngest. Meantime, the one daughter of the house was reared liberally, in the family of a relative at Windsor; and she might have pursued a quiet and decorous career, of a character, perhaps, somewhat tame, under the same dignified auspices; but, at an early age, her good angel threw open to her a vista of nobler prospects, in the opportunity which then arose, and which she did not hesitate to seize, of becoming the companion,through a life of delightful wanderings—of what, to her more elevated friends, seemed little short of vagrancy—the companion and confidential friend, and, with a view to the enlargement of her own intellect, the pupil, of a brother, the most original and most meditative man of his own age.

William had passed his infancy on the very margin of the Lake district, just six miles, in fact, beyond the rocky screen of Whinlatter, and within one hour's ride of Bassenthwaite Water. To those who live in the tame scenery of Cockermouth, the blue mountains in the distance, the sublime peaks of Borrowdale and of Buttermere, raise aloft a signal, as it were, of a new country, a country of romance and mystery, to which the thoughts are habitually turning. Children are fascinated and haunted with vague temptations, when standing on the frontiers of such a foreign land; and so was Wordsworth fascinated, so haunted. Fortunate for Wordsworth that, at an early age, he was transferred to a quiet nook of this lovely district. At the little town of Hawkshead, seated on the north-west angle of Esthwaite Water, a grammar-school (which, in English usage, means a school for classical literature) was founded, in Queen Elizabeth's reign, by Archbishop Sandys, who belonged to the very ancient family of that name still seated in the neighbourhood. Hither were sent all the four brothers; and here it was that Wordsworth passed his life, from the age of nine until the time arrived for his removal to college. Taking into consideration the peculiar tastes of the person, and the peculiar advantages of the place, I conceive that no pupil of a public school can ever have passed a more luxurious boyhood than Wordsworth. The school discipline was not by many evidences very strict; the mode of living out of school very much resembled that of Eton for Oppidans; less elegant, no doubt, and less costly in its provisions for accommodation, but not less comfortable, and, in that part of the arrangements which was chiefly Etonian, even more so; for in both places the boys, instead of being gathered into one fold, and at night into one or two huge dormitories, were distributed amongst motherly old "dames," technically so called at Eton, but not at Hawkshead. In the latter place, agreeably to the inferior scale of the whole establishment, thehouses were smaller, and more cottage-like, consequently more like private households: and the old lady of theménagewas more constantly amongst them, providing, with maternal tenderness and with a professional pride, for the comfort of her young flock, and protecting the weak from oppression. The humble cares to which these poor matrons dedicated themselves may be collected from several allusions scattered through the poems of Wordsworth; that entitled "Nutting," for instance, in which his own early Spinosistic feeling is introduced, of a mysterious presence diffused through the solitudes of woods, a presence that was disturbed by the intrusion of careless and noisy outrage, and which is brought into a strong relief by the previous homely picture of the old housewife equipping her young charge with beggar's weeds, in order to prepare him for a struggle with thorns and brambles. Indeed, not only the moderate rank of the boys, and the peculiar kind of relation assumed by these matrons, equally suggested this humble class of motherly attentions, but the whole spirit of the place and neighbourhood was favourable to an old English homeliness of domestic and personal economy. Hawkshead, most fortunately for its own manners and the primitive style of its habits even to this day, stands about six miles out of the fashionable line for the "Lakers."

Esthwaite, though a lovely scene in its summer garniture of woods, has no features of permanent grandeur to rely upon. A wet or gloomy day, even in summer, reduces it to little more than a wildish pond, surrounded by miniature hills: and the sole circumstances which restore the sense of a romantic region and an Alpine character are the towering groups of Langdale and Grasmere fells, which look over the little pastoral barriers of Esthwaite, from distances of eight, ten, and fourteen miles. Esthwaite, therefore, being no object for itself, and the sublime head of Coniston being accessible by a road which evades Hawkshead, few tourists ever trouble the repose of this little village town. And in the days of which I am speaking (1778-1787) tourists were as yet few and infrequent toanyparts of the country. Mrs. Radcliffe had not begun to cultivate the sense of the picturesque in her popular romances; guide-books, with thesole exception of "Gray's Posthumous Letters," had not arisen to direct public attention to this domestic Calabria; roads were rude, and, in many instances, not wide enough to admit post-chaises; but, above all, the whole system of travelling accommodations was barbarous and antediluvian for the requisitions of the pampered south. As yet the land had rest; the annual fever did not shake the very hills; and (which was the happiest immunity of the whole) false taste, the pseudo-romantic rage, had not violated the most awful solitudes amongst the ancient hills by opera-house decorations. Wordsworth, therefore, enjoyed this labyrinth of valleys in a perfection that no one can have experienced since the opening of the present century. The whole was one paradise of virgin beauty; the rare works of man, all over the land, were hoar with the grey tints of an antique picturesque; nothing was new, nothing was raw and uncicatrized. Hawkshead, in particular, though tamely seated in itself and its immediate purlieus, has a most fortunate and central locality, as regards the best (at least the most interesting) scenes for a pedestrian rambler. The gorgeous scenery of Borrowdale, the austere sublimities of Wastdalehead, of Langdalehead, or Mardale—these are too oppressive, in their colossal proportions and their utter solitudes, for encouraging a perfectly human interest. Now, taking Hawkshead as a centre, with a radius of about eight miles, one might describe a little circular tract which embosoms a perfect network of little valleys—separate wards or cells, as it were, of one larger valley, walled in by the great leading mountains of the region. Grasmere, Easedale, Great and Little Langdale, Tilberthwaite, Yewdale, Elter Water, Loughrigg Tarn, Skelwith, and many other little quiet nooks, lie within a single division of this labyrinthine district. All these are within one summer afternoon's ramble. And amongst these, for the years of his boyhood, lay the daily excursions of Wordsworth.

I do not conceive that Wordsworthcouldhave been an amiable boy; he was austere and unsocial, I have reason to think, in his habits; not generous; and not self-denying. I am pretty certain that no consideration would ever have induced Wordsworth to burden himself with a lady's reticule,parasol, shawl, or anything exacting trouble and attention. Mighty must be the danger which would induce him to lead her horse by the bridle. Nor would he, without some demur, stop to offer her his hand over a stile. Freedom—unlimited, careless, insolent freedom—unoccupied possession of his own arms—absolute control over his own legs and motions—these have always been so essential to his comfort, that, in any case where they were likely to become questionable, he would have declined to make one of the party. Meantime, we are not to suppose that Wordsworth the boy expressly sought for solitary scenes of nature amongst woods and mountains with a direct conscious anticipation of imaginative pleasure, and loving them with a pure, disinterested love, on their own separate account. These are feelings beyond boyish nature, or, at all events, beyond boyish nature trained amidst the selfishness of social intercourse. Wordsworth, like his companions, haunted the hills and the vales for the sake of angling, snaring birds, swimming, and sometimes of hunting, according to the Westmoreland fashion (or the Irish fashion in Galway), on foot; for riding to the chase is quite impossible, from the precipitous nature of the ground. It was in the course of these pursuits, by an indirect effect growing gradually upon him, that Wordsworth became a passionate lover of nature, at the time when the growth of his intellectual faculties made it possible that he should combine those thoughtful passions with the experience of the eye and the ear.

One of the most interesting among the winter amusements of the Hawkshead boys was that of skating on the adjacent lake. Esthwaite Water is not one of the deep lakes, as its neighbours of Windermere, Coniston, and Grasmere are; consequently, a very slight duration of frost is sufficient to freeze it into a bearing strength. In this respect Wordsworth found the same advantages in his boyhood as afterwards at the University; for the county of Cambridge is generally liable to shallow waters; and that University breeds more good skaters than all the rest of England. About the year 1810, by way of expressing an interest in "The Friend," which was just at that time appearing in weekly numbers, Wordsworth allowed Coleridgeto print an extract from the poem on his own life, descriptive of the games celebrated upon the ice of Esthwaite by all who were able to skate: the mimic chases of hare and hounds, pursued long after the last orange gleam of light had died away from the western horizon—oftentimes far into the night; a circumstance which does not speak much for the discipline of the schools, or rather, perhaps,doesspeak much for the advantages of a situation so pure, and free from the usual perils of a town, as could allow of a discipline so lax. Wordsworth, in this fine descriptive passage—which I wish that I had at this moment the means of citing, in order to amplify my account of his earliest tyrocinium—speaks of himself as frequently wheeling aside from his joyous companions to cut across the image of a star; and thus, already in the midst of sportiveness, and by a movement of sportiveness, half unconsciously to himself expressing the growing necessity of retirement to his habits of thought.[107]At another period of the year, when the golden summer allowed the students a long season of early play before the studies of theday began, he describes himself as roaming, hand-in-hand, with one companion, along the banks of Esthwaite Water, chanting, with one voice, the verses of Goldsmith and of Gray—verses which, at the time of recording the fact, he had come to look upon as either in parts false in the principles of their composition, or, at any rate, as far below the tone of high poetic passion; but which, at that time of life, when the profounder feelings were as yet only germinating, filled them with an enthusiasm

"More bright than madness and the dreams of wine."

"More bright than madness and the dreams of wine."

Meanwhile, how prospered the classical studies which formed the main business of Wordsworth at Hawkshead? Not, in all probability, very well; for, though Wordsworth finally became a very sufficient master of the Latin language, and read certain favourite authors, especially Horace, with a critical nicety, and with a feeling for the felicities of his composition, I have reason to think that little of this skill had been obtained at Hawkshead. As to Greek, that is a language which Wordsworth never had energy enough to cultivate with effect.

From Hawkshead, and, I believe, after he had entered his eighteenth year (a time which is tolerably early on the English plan), probably at the latter end of the year 1787, Wordsworth entered at St. John's College, Cambridge. St. John's ranks as the second college in Cambridge—the second as to numbers, and influence, and general consideration; in the estimation of the Johnians as the first, or at least as co-equal in all things with Trinity; from which, at any rate, the general reader will collect that no such absolute supremacy is accorded to any society in Cambridge as in Oxford is accorded necessarily to Christ Church. The advantages of a large college are considerable, both to the idle man, who wishes to lurk unnoticed in the crowd, and to the brilliant man, whose vanity could not be gratified by pre-eminence amongst a few. Wordsworth, though not idle as regarded his own pursuits, was so as regarded the pursuits of the place. With respect to them he felt—to use his own words—that his hour was not come; and that his doom for the present was a happy obscurity, which left him, unvexed bythe torments of competition, to the genial enjoyment of life in its most genial hours.

It will excite some astonishment when I mention that, on coming to Cambridge, Wordsworth actually assumed the beau, or, in modern slang, the "dandy." He dressed in silk stockings, had his hair powdered, and in all things plumed himself on his gentlemanly habits. To those who remember the slovenly dress of his middle and philosophic life, this will furnish matter for a smile.

Stranger still it is to tell that, for the first time in his life, Wordsworth became inebriated at Cambridge. It is but fair to add that the first time was also the last time. But perhaps the strangest part of the story is the occasion of this drunkenness; which was in celebration of his first visit to the very rooms at Christ College once occupied by Milton—intoxication by way of homage to the most temperate of men; and this homage offered by one who has turned out himself to the full as temperate! Every man, meantime, who is not a churl, must grant a privilege and charter of large enthusiasm to such an occasion. And an older man than Wordsworth (at that era not fully nineteen), and a man even without a poet's blood in his veins, might have leave to forget his sobriety in such circumstances. Besides which, after all, I have heard from Wordsworth's own lips that he was not too far gone to attend chapel decorously during the very acmé of his elevation.[108]

The rooms which Wordsworth occupied at St. John's were singularly circumstanced; mementoes of what is highest and what is lowest in human things solicited the eye and the ear all day long. If the occupant approached the outdoors prospect, in one direction, there was visible, through the great windows in the adjacent chapel of Trinity, the statue of Newton "with his silent face and prism," memorials of the abstracting intellect, serene and absolute, emancipated from fleshly bonds. On the other hand, immediately below, stood the college kitchen; and, in that region, "from noon to dewy eve," resounded the shrill voice of scolding from the female ministers of the head cook, never suffering the mind to forget one of the meanest amongst human necessities. Wordsworth, however, as one who passed much of his time in social gaiety, was less in the way of this annoyance than a profounder student would have been. Probably he studied little beyond French and Italian during his Cambridge life; not, however, at any time forgetting (as I had so much reason to complain, when speaking of my Oxonian contemporaries) the literature of his own country. It is true that he took the regular degree of A.B., and in the regular course; but this was won in those days by a mere nominal examination, unless where the mathematical attainments of the student prompted his ambition to contest the splendid distinction of Senior Wrangler. This, in common with all other honours of the University, is won in our days with far severer effort than in that age of relaxed discipline; but at no period could it have been won, let the malicious say what they will, without an amount of mathematical skill very much beyond what has ever been exacted of itsalumniby any other European University. Wordsworth was a profound admirer of the sublimer mathematics; at least of the higher geometry. The secret of this admiration for geometrylay in the antagonism between this world of bodiless abstraction and the world of passion. And here I may mention appropriately, and I hope without any breach of confidence, that, in a great philosophic poem of Wordsworth's, which is still in MS., and will remain in MS. until after his death, there is, at the opening of one of the books, a dream, which reaches the veryne plus ultraof sublimity, in my opinion, expressly framed to illustrate the eternity, and the independence of all social modes or fashions of existence, conceded to these two hemispheres, as it were, that compose the total world of human power—mathematics on the one hand, poetry on the other.[109]

I scarcely know whether I am entitled to quote—as my memory (though not refreshed by a sight of the poem for more than twenty years) would well enable me to do—any long extract; but thus much I may allowably say, as it cannot in any way affect Mr. Wordsworth's interests, that the form of the dream is as follows; and, by the way, even this form is not arbitrary; but, with exquisite skill in the art of composition, is made to arise out of the situation in which the poet had previously found himself, and is faintly prefigured in the elements of that situation. He had been reading "Don Quixote" by the sea-side; and, oppressed by the heat of the sun, he had fallen asleep, whilst gazing on the barren sands before him. Even in these circumstances of the case—as, first, the adventurous and half-lunatic knight riding about the world, on missions of universal philanthropy, and, secondly, the barren sands of the sea-shore—one may read the germinal principles of the dream. He dreams that, walking in some sandy wilderness of Africa, some endless Zahara, he sees at a distance

"An Arab of the desert, lance in rest,Mounted upon a dromedary."

"An Arab of the desert, lance in rest,Mounted upon a dromedary."

The Arab rides forward to meet him; and the dreamer perceives, in the countenance of the rider, the agitation of fear, and that he often looks behind him in a troubled way, whilst in his hand he holds two books—one of which is "Euclid's Elements"; the other (which is a book and yetnot a book) seeming, in fact, a shell as well as a book—seeming neither, and yet both at once. The Arab directs him to apply the shell to his ear; upon which,

"In an unknown tongue, which yet I understood,"

"In an unknown tongue, which yet I understood,"

the dreamer says that he heard

"A wild prophetic blast of harmony,An ode, as if in passion utter'd, that foretoldDestruction to the people of this earthBy deluge near at hand."

"A wild prophetic blast of harmony,An ode, as if in passion utter'd, that foretoldDestruction to the people of this earthBy deluge near at hand."

The Arab, with grave countenance, assures him that it is even so; that all was true which had been said; and that he himself was riding upon a divine mission, having it in charge

"To bury those two books;The one that held acquaintance with the stars,... undisturb'd by Space or Time;The other, that was a god, yea, many gods,Had voices more than all the winds, and wasA joy, a consolation, and a hope!"

"To bury those two books;The one that held acquaintance with the stars,... undisturb'd by Space or Time;The other, that was a god, yea, many gods,Had voices more than all the winds, and wasA joy, a consolation, and a hope!"

That is, in effect, his mission is to secure the two great interests of poetry and mathematics from sharing in the watery ruin. As he talks, suddenly the dreamer perceives that the Arab's "countenance grew more disturbed," and that his eye was often reverted; upon which the dreaming poet also looks along the desert in the same direction; and in the far horizon he descries "a glittering light." What is it? he asks of the Arab rider. "It is," said the Arab, "the waters of the earth," that even then were travelling on their awful errand. Upon which, the poet sees this apostle of the desert riding

"Hurrying o'er the illimitable waste,With the fleet waters of a drowning worldIn chase of him: whereat I [meaning the poet] waked in terror,And saw the sea before me, and the bookIn which I had been reading at my side."[110]

"Hurrying o'er the illimitable waste,With the fleet waters of a drowning worldIn chase of him: whereat I [meaning the poet] waked in terror,And saw the sea before me, and the bookIn which I had been reading at my side."[110]

The sketch I have here given of this sublime dream sufficiently attests the interest which Wordsworth took in the mathematic studies of the place, and the exalted privilege which he ascribed to them of co-eternity with "the vision and the faculty divine" of the poet—the destiny common to both, of an endless triumph over the ruins of nature and of time. Meantime, he himself travelled no farther in these studies than through the six elementary books usually selected from the fifteen of Euclid. Whatever might be the interests of his speculative understanding, whatever his admiration, practically he devoted himself to the more agitating interests of man, social and political, just then commencing that vast career of revolution which has never since been still or stationary; interests which in his mind alternated, nevertheless, with another and different interest, in the grander forms of external nature, as found amongst mountains and forests. In obedience to this latter passion it was—for a passion it had become—that during one of his long Cambridge vacations, stretching from June to November, he went over to Switzerland and Savoy, for a pedestrian excursion amongst the Alps; taking with him for his travelling companion a certain Mr. J——, of whom (excepting that he is once apostrophized in a sonnet, written at Calais in the year 1802) I never happened to hear him speak: whence I presume to infer that Mr. J—— owed this flattering distinction, not so much to any intellectual graces of his society, as, perhaps, to his powers of administering "punishment" (in the language of the "fancy") to restive and mutinous landlords; for such were abroad in those days,—people who presented huge reckonings with one hand, and with the other a huge cudgel, by way of opening the traveller's eyes to the propriety of settling them without demur, and without discount. I do not positively know this to have been the case; but I have heard Wordsworth speak of the ruffian landlords who played upon his youth in the Grisons; and, however well qualified to fight his own battles, he might find, amongst such savage mountaineers, two combatants better than one.

Wordsworth's route, on this occasion, lay at first through Austrian Flanders, then (1788, I think) on the fret for aninsurrectionary war against the capricious innovations of the imperial coxcomb, Joseph II. He passed through the camps then forming, and thence ascended the Rhine to Switzerland; crossed the Great St. Bernard, visited the Lake of Como, and other interesting scenes in the north of Italy, where, by the way, the tourists were benighted in a forest—having, in some way or other, been misled by the Italian clocks and their peculiar fashion of striking round to twenty-four o'clock. On his return, Wordsworth published a quarto pamphlet of verses, describing, with very considerable effect and brilliancy, the grand scenery amongst which he had been moving.[111]This poem, as well as another in the same quarto form, describing the English lake scenery of Westmoreland and Cumberland, addressed by way of letter "to a young lady" (viz., Miss Wordsworth),[112]are remarkable, in the first place, as the earliest effort of Wordsworth in verse, at least as his earliest publication; but, in the second place, and still more so, from their style of composition. "Pure description," even where it cannot be said, sneeringly, "to hold the place of sense," is so little attractive as the direct exclusive object of a poem, and in reality it exacts so powerful an effort on the part of the reader to realize visually, or make into an apprehensible unity, the scattered elements and circumstances of external landscapes painted only by words, that, inevitably, and reasonably, it can never hope to be a popular form of composition; else it is highly probable that these "Descriptive Sketches" of Wordsworth, though afterwards condemned as vicious in their principles of composition by his own maturer taste, would really have gained him a high momentary notoriety with the public, had they been fairly brought under its notice; whilst, on the other hand, his revolutionary principles of composition, and his purer taste, ended in obtaining for him nothing but scorn and ruffian insolence.

This seems marvellous; but, in fact, it is not so: it seems, I mean,primâ facie, marvellous that the inferior models should be fitted to gain a far higher reputation; but the secret lies here—that these were in a style of composition which, ifsometimes false, had been long reconciled to the public feelings, and which, besides, have a specific charm for certain minds, even apart from all fashions of the day; whereas, his later poems had to struggle against sympathies long trained in an opposite direction, to which the recovery of a healthier tone (even where nature had made it possible) presupposed a difficult process of weaning, and an effort of discipline for re-organizing the whole internal economy of the sensibilities that is both painful and mortifying: for—and that is worthy of deep attention—the misgivings of any vicious or unhealthy state, the impulses and suspicious gleams of the truth struggling with cherished error, the instincts of light conflicting with darkness—these are the real causes of that hatred and intolerant scorn which is ever awakened by the first dawnings of new and important systems of truth. Therefore it is, that Christianity was so much more hated than any mere variety of error. Therefore are the first feeble struggles of nature towards a sounder state of health always harsh and painful; for the false system which this change for the better disturbs had, at least, this soothing advantage—that it was self-consistent. Therefore, also, was the Wordsworthian restoration of elementary power, and of a higher or transcendent truth of nature (or, as some people vaguely expressed the case, ofsimplicity), received at first with such malignant disgust. For there was a galvanic awakening in the shock of power, as it jarred against the ancient system of prejudices, which inevitably revealed so much of truth as made the mind jealous; enlightened it enough to descry its own wanderings, but not enough to recover the right road. The more energetic, the more spasmodically potent, are the throes of nature towards her own re-establishment in the cases of suspended animation—by drowning, strangling, &c.—the more keen is the anguish of revival. And, universally, a transition state is a state of suffering and disquiet. Meantime, the early poems of Wordsworth, thatmighthave suited the public taste so much better than his more serious efforts, if the fashion of the hour, or the sanction of a leading review, or theprestigeof a name, had happened to bring them under the public eye, did, in fact, drop unnoticed into the market. Nowhere have I seen them quoted—no, not even since theauthor's victorious establishment in the public admiration. The reason may be, however, that not many copies were printed at first; no subsequent edition was ever called for; and yet, from growing interest in the author, every copy of the small impression had been studiously bought up. Indeed, I myself went to the publisher's (Johnson's) as early as 1805 or 1806, and bought up all the remaining copies (which were but six or seven of the Foreign Sketches, and two or three of the English), as presents, and asfuturecuriosities in literature to literary friends whose interest in Wordsworth might assure one of a due value being put upon the poems. Were it not for this extreme scarcity, I am disposed to think that many lines or passages would long ere this have been made familiar to the public ear. Some are delicately, some forcibly picturesque; and the selection of circumstances is occasionally very original and felicitous. In particular, I remember this one, which presents an accident in rural life that must by thousands of repetitions have become intimately known to every dweller in the country, and yet had never before been consciously taken up for a poet's use. After having described the domestic cock as "sweetly ferocious"—a prettiness of phraseology which he borrows from an Italian author—he notices those competitions or defiances which are so often carried on interchangeably between barn-door cocks from great distances:—

"Echoed by faintly answering farms remote."

"Echoed by faintly answering farms remote."

This is the beautiful line in which he has caught and preserved so ordinary an occurrence—one, in fact, of the commonplaces which lend animation and a moral interest to rural life.

After his return from this Swiss excursion, Wordsworth took up his parting residence at Cambridge, and prepared for a final adieu to academic pursuits and academic society.

It was about this period that the French Revolution broke out; and the reader who would understand its appalling effects—its convulsing, revolutionary effects upon Wordsworth's heart and soul—should consult the history of the Solitary, as given by himself in "The Excursion"; for thatpicture is undoubtedly a leaf from the personal experience of Wordsworth:—

"From that dejection I was roused—but how?"

"From that dejection I was roused—but how?"

Mighty was the transformation which it wrought in the whole economy of his thoughts; miraculous almost was the expansion which it gave to his human sympathies; chiefly in this it showed its effects—in throwing the thoughts inwards into grand meditations upon man, his final destiny, his ultimate capacities of elevation; and, secondly, in giving to the whole system of the thoughts and feelings a firmer tone, and a sense of the awfulrealitieswhich surround the mind; by comparison with which the previous literary tastes seemed (even where they were fine and elegant, as in Collins or Gray, unless where they had the self-sufficing reality of religion, as in Cowper) fanciful and trivial. In all lands this result was accomplished, and at the same time: Germany, above all, found her new literature the mere creation and rebound of this great moral tempest; and, in Germany or England alike, the poetry was so entirely regenerated, thrown into moulds of thought and of feeling so new, that the poets everywhere felt themselves to be putting away childish things, and now first, among those of their own century, entering upon the dignity and the sincere thinking of mature manhood.

Wordsworth, it is well known to all who know anything of his history, felt himself so fascinated by the gorgeous festival era of the Revolution—that era when the sleeping snakes which afterwards stung the national felicity were yet covered with flowers—that he went over to Paris, and spent about one entire year between that city, Orleans, and Blois. There, in fact, he continued to reside almost too long. He had been sufficiently connected with public men to have drawn upon himself some notice from those who afterwards composed the Committee of Public Safety. And, as an Englishman, when that partiality began to droop which at an earlier period had protected the English name, he became an object of gloomy suspicion with those even who would have grieved that he should fall a victim to undistinguishing popular violence. AlreadyforEngland, and in her behalf, he was thought to be that spy which (as Coleridge tells us inhis "Biographia Literaria") afterwards he was accounted by Mr. Pitt's emissaries, in the worst of servicesagainsther. I doubt, however (let me say it without impeachment of Coleridge's veracity—for he was easily duped), this whole story about Mr. Pitt's Somersetshire spies; and it has often struck me with astonishment that Coleridge should have suffered his personal pride to take so false a direction as to court the humble distinction of having been suspected as a conspirator, in those very years when poor empty tympanies of men, such as Thelwall, Holcroft, &c., were actually recognised as enemies of the state, and worthy of a state surveillance, by ministers so blind and grossly misinformed as, on this point, were Pitt and Dundas. Had I been Coleridge, instead of saving Mr. Pitt's reputation with posterity, by ascribing to him a jealousy which he or his agents had not the discernment to cherish, I would have boldly planted myself upon the fact, the killing fact, that he had utterly ignored both myself (Coleridge, to wit) and Wordsworth. Even with Dogberry,Iwould have insisted upon that—"Set down, also, that I am an ass!" Clamorous should have been my exultation in this fact.[113]

In France, however, Wordsworth had a chance, in good earnest, of passing for the traitor that, in England, no rational person ever thought him. He had chosen his friends carelessly; nor could any man, the most sagacious, have chosen them safely, in a time when the internal schisms of the very same general party brought with them worse hostilities and more personal perils than even, upon the broader divisions of party, could have attended the mostultraprofessions of anti-national politics, and when the rapid changes of position shifted the peril from month to month. One individual is especially recorded by Wordsworth, in the poem on his own life, as a man of the highest merit, and personal qualities the most brilliant, who ranked first upon the list of Wordsworth's friends; and this man was so far a safe friend, at one moment, as he was a republican general—finally, indeed, a commander-in-chief. This was Beaupuis; and the description of his character and position is singularly interesting. There is, in fact, a special value and a use about the case; it opens one's eyes feelingly to the fact that, even in this thoughtless people, so full of vanity and levity, nevertheless, the awful temper of the times, and the dread burden of human interests with which it was charged, had called to a consciousness of new duties, had summoned to an audit, as if at some great final tribunal, even the gay, radiant creatures that, under less solemn auspices, under the reign of a Francis I. or a Louis XIV, would have been the merest painted butterflies of the court sunshine. This Beaupuis was a man of superb person—beautiful in a degree which made him a painter's model, both as to face and figure; and, accordingly, in a land where conquests of that nature were so easy, and the subjects of so trifling an effort, he had been distinguished, to his own as well as the public eyes, by a rapid succession ofbonnes fortunesamongst women. Such, and so glorified by triumphs the most unquestionable and flattering, had the earthquake of the Revolution found him. From that moment he had no leisure, not a thought, to bestow upon his former selfish and frivolous pursuits. He was hurried, as one inspired by some high apostolic passion, into the service of the unhappy and desolate serfs amongst his own countrymen—such as are described, at an earlierdate, by Madame de Sevigné, as the victims of feudal institutions; and one day, as he was walking with Wordsworth in the neighbourhood of Orleans, and they had turned into a little quiet lane, leading off from a heath, suddenly they came upon the following spectacle:—A girl, seventeen or eighteen years old, hunger-bitten, and wasted to a meagre shadow, was knitting, in a dejected, drooping way; whilst to her arm was attached, by a rope, the horse, equally famished, that earned the miserable support of her family. Beaupuis comprehended the scene in a moment; and, seizing Wordsworth by the arm, he said,—"Dear English friend!—brother from a nation of freemen!—thatit is which is the curse of our people, in their widest section; and to cure this it is, as well as to maintain our work against the kings of the earth, that blood must be shed and tears must flow for many years to come!" At that time the Revolution had not fulfilled its tendencies; as yet, the king was on the throne; the fatal 10th of August 1792 had not dawned; and thus far there was safety for a subject of kings.[114]Theirresistible stream was hurrying forwards. The king fell; and (to pause for a moment) how divinely is the fact recorded by Wordsworth, in the MS. poem on his own life, placing the awful scenes past and passing in Paris under a pathetic relief from the description of the golden, autumnal day, sleeping in sunshine—

"When ITowards the fierce metropolis bent my steps,The homeward road to England. From his throneThe king had fallen," &c.

"When ITowards the fierce metropolis bent my steps,The homeward road to England. From his throneThe king had fallen," &c.

What a picture does he give of the fury which there possessed the public mind; of the frenzy which shone in every eye, and through every gesture; of the stormy groups assembled at the Palais Royal, or the Tuileries, with "hissing factionists" for ever in their centre, "hissing" from the self-baffling of their own madness, and incapable from wrath of speaking clearly; of fear already creeping over the manners of multitudes; of stealthy movements through back streets; plotting and counter-plotting in every family; feuds to extermination, dividing children of the same house for ever; scenes such as those of the Chapel Royal (now silenced on thatpublicstage), repeating themselves daily amongst private friends; and, to show the universality of this maniacal possession—that it was no narrow storm discharging its fury by local concentration upon a single city, but that it overspread the whole realm of France—a picture is given, wearing the same features, of what passed daily at Orleans, Blois, and other towns. The citizens are described in the attitudes they assumed at the daily coming in of the post from Paris; the fierce sympathy is portrayed with which they echoed back the feelings of their compatriots in the capital: men of all parties had been there up to this time—aristocrats as well as democrats; and one, in particular, of the former class is put forward as a representative of his class. This man, duly as the hour arrived which brought the Parisian newspapers, read restlessly of the tumults and insults amongst which the Royal Family now passed their days; of the decrees by which his own order were threatened or assailed; of the self-expatriation, now continually swelling in amount, as a measure of despair on the part of myriads, aswell priests as gentry—all this and worse he read in public; and still, as he read,

"His handHaunted his sword, like an uneasy spotIn his own body."

"His handHaunted his sword, like an uneasy spotIn his own body."

In short, as there never has been so strong a national convulsion diffused so widely, with equal truth it may be asserted, that no describer, so powerful, or idealizing so magnificently what he deals with, has ever been a real living spectator of parallel scenes. The French, indeed, it may be said, are far enough from being a people profound in feeling. True; but, of all people, they most exhibit their feeling on the surface; are the mostdemonstrative(to use a modern term), and most of all (except Italians) mark their feelings by outward expression of gesticulation: not to insist upon the obvious truth—that even a people of shallow feeling may be deeply moved by tempests which uproot the forest of a thousand years' growth; by changes in the very organization of society, such as throw all things, for a time, into one vast anarchy; and by murderous passions, alternately the effect and the cause of that same chaotic anarchy. Now, it was in this autumn of 1792, as I have already said, that Wordsworth parted finally from his illustrious friend—for, all things considered, he may be justly so entitled—the gallant Beaupuis. This great season of public trial had searched men's natures; revealed their real hearts; brought into light and action qualities oftentimes not suspected by their possessors; and had thrown men, as in elementary states of society, each upon his own native resources, unaided by the old conventional forces of rank and birth. Beaupuis had shone to unusual advantage under this general trial; he had discovered, even to the philosophic eye of Wordsworth, a depth of benignity very unusual in a Frenchman; and not of local, contracted benignity, but of large, illimitable, apostolic devotion to the service of the poor and the oppressed—a fact the more remarkable as he had all the pretensions in his own person of high birth and high rank, and, so far as he had any personal interest embarked in the struggle, should have allied himself with the aristocracy. But of selfishness in any shape he had no vestiges; or, if hehad, it showed itself in a slight tinge of vanity; yet, no—it was not vanity, but a radiant quickness of sympathy with the eye which expressed admiring love—sole relic of the chivalrous devotion once dedicated to the service of ladies. Now, again, he put on the garb of chivalry; it was a chivalry the noblest in the world, which opened his ear to the Pariah and the oppressed all over his misorganized country. A more apostolic fervour of holy zealotry in this great cause had not been seen since the days of Bartholomew las Casas, who showed the same excess of feeling in another direction. This sublime dedication of his being to a cause which, in his conception of it, extinguished all petty considerations for himself, and made him thenceforwards a creature of the national will—"a son of France," in a more eminent and loftier sense than according to the heraldry of Europe—had extinguished even his sensibility to the voice of worldly honour. "Injuries," says Wordsworth—

"InjuriesMade him more gracious."

"InjuriesMade him more gracious."

And so utterly had he submitted his own will or separate interests to the transcendent voice of his country, which, in the main, he believed to be now speaking authentically for the first time since the foundations of Christendom, that, even against the motions of his own heart, he adopted the hatreds of the young republic, growing cruel in his purposes towards the ancient oppressor, out of very excess of love for the oppressed; and, against the voice of his own order, as well as in stern oblivion of many early friendships, he became the champion of democracy in the struggle everywhere commencing with prejudice or feudal privilege. Nay, he went so far upon the line of this new crusade against the evils of the world that he even accepted, with a conscientious defiance of his own quiet homage to the erring spirit of loyalty embarked upon that cause, a commission in the Republican armies preparing to move against La Vendée; and, finally, in that cause, as commander-in-chief, he laid down his life. "He perished," says Wordsworth—


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