PACCHIAROTTO

AND

HOW HE WORKED IN DISTEMPER

WITH OTHER POEMS

Oh, the old wall here! How I could passLife in a long midsummer day,My feet confined to a plot of grass,My eyes from a wall not once away!And lush and lithe do the creepers clotheYon wall I watch, with a wealth of green:Its bald red bricks draped, nothing loth,In lappets of tangle they laugh between.Now, what is it makes pulsate the robe?Why tremble the sprays? What life o'erbrimsThe body,—the house, no eye can probe,—Divined as, beneath a robe, the limbs?And there again! But my heart may guessWho tripped behind; and she sang perhaps:So, the old wall throbbed, and its life's excessDied out and away in the leafy wraps!Wall upon wall are between us: lifeAnd song should away from heart to heart!I—prison-bird, with a ruddy strifeAt breast, and a lip whence storm-notes start—Hold on, hope hard in the subtle thingThat 's spirit: though cloistered fast, soar free;Account as wood, brick, stone, this ringOf the rueful neighbors, and—forth to thee!

Oh, the old wall here! How I could passLife in a long midsummer day,My feet confined to a plot of grass,My eyes from a wall not once away!

Oh, the old wall here! How I could pass

Life in a long midsummer day,

My feet confined to a plot of grass,

My eyes from a wall not once away!

And lush and lithe do the creepers clotheYon wall I watch, with a wealth of green:Its bald red bricks draped, nothing loth,In lappets of tangle they laugh between.

And lush and lithe do the creepers clothe

Yon wall I watch, with a wealth of green:

Its bald red bricks draped, nothing loth,

In lappets of tangle they laugh between.

Now, what is it makes pulsate the robe?Why tremble the sprays? What life o'erbrimsThe body,—the house, no eye can probe,—Divined as, beneath a robe, the limbs?

Now, what is it makes pulsate the robe?

Why tremble the sprays? What life o'erbrims

The body,—the house, no eye can probe,—

Divined as, beneath a robe, the limbs?

And there again! But my heart may guessWho tripped behind; and she sang perhaps:So, the old wall throbbed, and its life's excessDied out and away in the leafy wraps!

And there again! But my heart may guess

Who tripped behind; and she sang perhaps:

So, the old wall throbbed, and its life's excess

Died out and away in the leafy wraps!

Wall upon wall are between us: lifeAnd song should away from heart to heart!I—prison-bird, with a ruddy strifeAt breast, and a lip whence storm-notes start—

Wall upon wall are between us: life

And song should away from heart to heart!

I—prison-bird, with a ruddy strife

At breast, and a lip whence storm-notes start—

Hold on, hope hard in the subtle thingThat 's spirit: though cloistered fast, soar free;Account as wood, brick, stone, this ringOf the rueful neighbors, and—forth to thee!

Hold on, hope hard in the subtle thing

That 's spirit: though cloistered fast, soar free;

Account as wood, brick, stone, this ring

Of the rueful neighbors, and—forth to thee!

IQuery: was ever a quainterCrotchet than this of the painterGiacomo PacchiarottoWho took "Reform" for his motto?IIHe, pupil of old Fungaio,Is always confounded (heigho!)With Pacchia, contemporaneousNo question, but how extraneousIn the grace of soul, the powerOf hand,—undoubted dowerOf Pacchia who decked (asweknow,My Kirkup!) San Bernardino,Turning the small dark OratoryTo Siena's Art-laboratory,As he made its straitness roomyAnd glorified its gloomy,With Bazzi and Beccafumi.(Another heigho for Bazzi:How people miscall him Razzi!)IIIThis Painter was of opinionOur earth should be his dominionWhose Art could correct to patternWhat Nature had slurred—the slattern!And since, beneath the heavens,Things lay now at sixes and sevens,Or, as he said,sopra-sotto—Thought the painter PacchiarottoThings wanted reforming, therefore."Wanted it"—ay, but wherefore?When earth held one so readyAs he to step forth, stand steadyIn the middle of God's creationAnd prove to demonstrationWhat the dark is, what the light is,What the wrong is, what the right is,What the ugly, what the beautiful,What the restive, what the dutiful,In Mankind profuse around him?Man, devil as now he found him,Would presently soar up angelAt the summons of such evangel,And owe—what would MannotoweTo the painter Pacchiarotto?Ay, look to thy laurels, Giotto!IVBut Man, he perceived, was stubborn,Grew regular brute, once cub born;And it struck him as expedient—Ere he tried, to make obedientThe wolf, fox, bear, and monkeyBy piping advice in one key,—That his pipe should play a preludeTo something heaven-tinged not hell-hued,Something not harsh but docile,Man-liquid, not Man-fossil—Not fact, in short, but fancy.By a laudable necromancyHe would conjure up ghosts—a circleDeprived of the means to work illShould his music prove distastefulAnd pearls to the swine go wasteful.To be rent of swine—thatwashard!With fancy he ran no hazard:Pact might knock him o'er the mazard.VSo, the painter PacchiarottoConstructed himself a grottoIn the quarter of Stalloreggi—As authors of note allege ye.And on each of the whitewashed sides of itHe painted—(none far and wide so fitAs he to perform in fresco)—He painted nor criedquiescoTill he peopled its every square footWith Man—from the Beggar barefootTo the Noble in cap and feather;All sorts and conditions together.The Soldier in breastplate and helmetStood frowningly—hail fellow well met—By the Priest armed with bell, book, and candle.Nor did he omit to handleThe Fair Sex, our brave distemperer:Not merely King, Clown, Pope, Emperor—He diversified too his HadesOf all forms, pinched Labor and paid Ease,With as mixed an assemblage of Ladies.VIWhich work done, dry,—he rested him,Cleaned palette, washed brush, divested himOf the apron that suitsfrescanti,And, bonnet on ear stuck jaunty,This hand upon hip well planted,That, free to wave as it wanted,He addressed in a choice orationHis folk of each name and nation,Taught its duty to every station.The Pope was declared an arrantImpostor at once, I warrant.The Emperor—truth might tax himWith ignorance of the maxim"Shear sheep but nowise flay them!"And the Vulgar that obey them,The Ruled, well-matched with the Ruling,They failed not of wholesome schoolingOn their knavery and their fooling.As for Art—where 's decorum? Pooh-poohed it isBy Poets that plague us with lewd ditties,And Painters that pester with nudities!VIINow, your rater and debaterIs balked by a mere spectatorWho simply stares and listensTongue-tied, while eye nor glistensNor brow grows hot and twitchy,Nor mouth, for a combat itchy,Quivers with some convincingReply—that sets him wincing?Nay, rather—reply that furnishesYour debater with just what burnishesThe crest of him, all one triumph,As you see him rise, hear him cry "Humph!Convinced am I? This confutes me?Receive the rejoinder that suits me!Confutation of vassal for prince meet—Wherein all the powers that convince meet,And mash my opponent to mincemeat!"VIIISo, off from his head flies the bonnet,His hip loses hand planted on it,While t' other hand, frequent in gesture,Slinks modestly back beneath vesture,As—hop, skip and jump,—he 's along withThose weak ones he late proved so strong with!Pope, Emperor, lo, he 's beside them,Friendly now, who late could not abide them,King, Clown, Soldier, Priest, Noble, Burgess;And his voice, that out-roared Boanerges,How minikin-mildly it urgesIn accents how gentled and gingeredIts word in defence of the injured!"Oh, call him not culprit, this Pontiff!Be hard on this Kaiser ye won't ifYe take into con-si-der-ationWhat dangers attend elevation!The Priest—who expects him to descantOn duty with more zeal and less cant?He preaches but rubbish he 's reared in.The Soldier, grown deaf (by the mere dinOf battle) to mercy, learned tipplingAnd what not of vice while a stripling.The Lawyer—his lies are conventional.And as for the Poor Sort—why mention allObstructions that leave barred and boltedAccess to the brains of each dolt-head?"IXHe ended, you wager? Not half! A bet?Precedence to males in the alphabet!Still, disposed of Man's A B C, there 's XY Z want assistance,—the Fair Sex!How much may be said in excuse ofThose vanities—males see no use of—From silk shoe on heel to laced poll's-hood!What 's their frailty beside our own falsehood?The boldest, most brazen of ... trumpets,How kind can they be to their dumb pets!Of their charms—how are most frank, how few venal!While as for those charges of Juvenal—Quæ nemo dixisset in totoNisi (ædepol) ore illoto—He dismissed every charge with an "Apage!"XThen, cocking (in Scotch phrase) his cap a-gee,Right hand disengaged from the doublet—Like landlord, in house he had subletResuming of guardianship gestion,To call tenants' conduct in question—Hop, skip, jump, to inside from outsideOf chamber, he lords, ladies, louts eyedWith such transformation of visageAs fitted the censor of this age.No longer an advocate tepidOf frailty, but champion intrepidOf strength,—not of falsehood but verity,—He, one after one, with asperityStripped bare all the cant-clothed abuses,Disposed of sophistic excuses,Forced folly each shift to abandon,And left vice with no leg to stand on.So crushing the force he exerted,That Man at his foot lay converted!XITrue—Man bred of paint-pot and mortar!But why suppose folks of this sort areMore likely to hear and be tractableThan folks all alive and, in fact, ableTo testify promptly by actionTheir ardor, and make satisfactionFor misdeedsnon verbis sed factis?"With folks all alive be my practiceHenceforward! O mortar, paint-pot O,Farewell to ye!" cried Pacchiarotto,"Let only occasion intérpose!"XIIIt did so: for, pat to the purposeThrough causes I need not examine,There fell upon Siena a famine.In vain did the magistrates busilySeek succor, fetch grain out of Sicily,Nay, throw mill and bakehouse wide open—Such misery followed as no penOf mine shall depict ye. Faint, fainterWaxed hope of relief: so, our painter,Emboldened by triumph of recency,How could he do other with decencyThan rush in this strait to the rescue,Play schoolmaster, point as with fescueTo each and all slips in Man's spellingThe law of the land?—slips now tellingWith monstrous effect on the city,Whose magistrates moved him to pityAs, bound to read law to the letter,They minded their hornbook, no better.XIIII ought to have told you, at starting,How certain, who itched to be cartingAbuses away clean and thoroughFrom Siena, both province and borough,Had formed themselves into a companyWhose swallow could bolt in a lump anyObstruction of scruple, provokingThe nicer throat's coughing and choking:Fit Club, by as fit a name dignifiedOf "Freed Ones"—"Bardotti"—which signified"Spare-Horses" that walk by the wagonThe team has to drudge for and drag on.This notable Club PacchiarottoHad joined long since, paid scot and lot to,As free and accepted "Bardotto."The Bailiwick watched with no quiet eyeThe outrage thus done to society,And noted the advent especiallyOf Pacchiarotto their fresh ally.XIVThese Spare-Horses forthwith assembled:Neighed words whereat citizens trembledAs oft as the chiefs, in the Square byThe Duomo, proposed a way wherebyThe city were cured of disaster."Just substitute servant for master,Make Poverty Wealth and Wealth Poverty,Unloose Man from overt and covert tie,And straight out of social confusionTrue Order would spring!" Brave illusion—Aims heavenly attained by means earthy!XVOff to these at full speed rushed our worthy,—Brain practised and tongue no less tutored,In argument's armor accoutred,—Sprang forth, mounted rostrum, and essayedProposals like those to which "Yes" saidSo glibly each personage paintedO' the wall-side where with you 're acquainted.He harangued on the faults of the Bailiwick:"Red soon were our State-candle's paly wick,If wealth would become but interfluous,Fill voids up with just the superfluous;If ignorance gave way to knowledge—Not pedantry picked up at collegeFrom Doctors, Professorset cætera—(Theysay: 'kai ta loipa'—like better aLong Greek string ofkappas,taus,lambdas,Tacked on to the tail of each damned ass)—No knowledge we want of this quality,But knowledge indeed—practicalityThrough insight's fine universality!If you shout 'Bailiffs, out on ye all! Fie,Thou Chief of our forces, Amalfi,Who shieldest the rogue and the clotpoll!'If you pounce on and poke out, with what poleI leave ye to fancy, our Siena'sBeast-litter of sloths and hyenas—"(Whoever to scan this is ill ableForgets the town's name 's a dissyllable)—"If, this done, ye did—as ye might—placeFor once the right man in the right place,If you listened to me" ...XVIAt which last "If"There flew at his throat like a mastiffOne Spare-Horse—another and another!Such outbreak of tumult and pother,Horse-faces a-laughing and fleering,Horse-voices a-mocking and jeering,Horse-hands raised to collar the caitiffWhose impudence ventured the late "If"—That, had not fear sent PacchiarottoOff tramping, as fast as could trot toe,Away from the scene o£ discomfiture—Had he stood there stock-still in a dumb fit—sureAm I he had paid in his personTill his mother might fail to know her son,Though she gazed on him never so wistful,In the figure so tattered and tristful.Each mouth full of curses, each fist fullOf cuffings—behold, Pacchiarotto,The pass which thy project has got to,Of trusting, nigh ashes still hot—tow!(The paraphrase—which I much need—isFrom Horace "per ignes incedis.")XVIIRight and left did he dash helter-skelterIn agonized search of a shelter.No purlieu so blocked and no alleySo blind as allowed him to rallyHis spirits and see—nothing hamperedHis steps if he trudged and not scamperedUp here and down there in a cityThat 's all ups and downs, more the pityFor folks who would outrun the constable.At last he stopped short at the one stableAnd sure place of refuge that 's offeredHumanity. Lately was cofferedA corpse in its sepulchre, situateBy St. John's Observance. "HabituateThyself to the strangest of bedfellows,And, kicked by the live, kiss the dead fellows!"So Misery counselled the craven.At once he crept safely to havenThrough a hole left unbricked in the structure.Ay, Misery, in have you tucked yourPoor client and left him conterminousWith—pah!—the thing fetid and verminous!(I gladly would spare you the detail,But History writes what I retail.)XVIIITwo days did he groan in his domicile:"Good Saints, set me free and I promise I 'llAbjure all ambition of preachingChange, whether to minds touched by teaching—The smooth folk of fancy, mere figmentsCreated by plaster and pigments,—Or to minds that receive with such rudenessDissuasion from pride, greed and lewdness,—The rough folk of fact, life's true specimensOf mind—'hand in posse sed esse mens'As it was, is, and shall be foreverDespite of my utmost endeavor.O live foes I thought to illumine,Henceforth lie untroubled your gloom in!I need my own light, every spark, asI couch with this sole friend—a carcase!"XIXTwo days thus he maundered and rambled;Then, starved back to sanity, scrambledFrom out his receptacle loathsome."A spectre!"—declared upon oath someWho saw himemergeand (appallingTo mention) his garments a-crawlingWith plagues far beyond the Egyptian.He gained, in a state past description,A convent of months, the Observancy.XXThus far is a fact: I reserve fancyFor Fancy's more proper employment:And now she waves wing with enjoyment,To tell ye how preached the Superior,When somewhat our painter's exteriorWas sweetened. He needed (no mincingThe matter) much soaking and rinsing,Nay, rubbing with drugs odoriferous,Till, rid of his garments pestiferous,And, robed by the help of the BrotherhoodIn odds and ends,—thisgownand t' other hood,—His empty inside first well-garnished,—He delivered a tale round, unvarnished.XXI"Ah, Youth!" ran the Abbot's admonishment,"Thine error scarce moves my astonishment.For—why shall I shrink from asserting?—Myself have had hopes of convertingThe foolish to wisdom, till, sober,My life found its May grow October.I talked and I wrote, but, one morning,Life's Autumn bore fruit in this warning:'Let tongue rest, and quiet thy quill be!Earth is earth and not heaven, and ne'er will be.'Man's work is to labor and leaven—As best he may—earth here with heaven;'T is work for work's sake that he 's needing:Let, him work on and on as if speedingWork's end, but not dream of succeeding!Because if success were intended,Why, heaven would begin ere earth ended.A Spare-Horse? Be rather a thill-horse,Or—what 's the plain truth—just a mill-horse!Earth 's a mill where we grind and wear mufflers:A whip awaits shirkers and shufflersWho slacken their pace, sick of luggingAt what don't advance for their tugging.Though round goes the mill, we must still postOn and on as if moving the mill-post.So, grind away, mouth-wise and pen-wise,Do all that we can to make men wise!And if men prefer to be foolish,Ourselves have proved horse-like not mulish:Sent grist, a good sackful, to hopper,And worked as the Master thought proper.Tongue I wag, pen I ply, who am Abbot;Stick, thou, Son, to daub-brush and dab-pot!But, soft! I scratch hard on the scab hot?Though cured of thy plague, there may lingerA pimple I fray with rough finger?So soon could my homily transmuteThy brass into gold? Why, the man 's mute!"XXII"Ay, Father, I 'm mute with admiringHow Nature's indulgence untiringStill bids us turn deaf ear to Reason'sBest rhetoric—clutch at all seasonsAnd hold fast to what 's proved untenable!Thy maxim is—Man 's not amenableTo argument: whereof by consequence—Thine arguments reach me: a non-sequence!Yet blush not discouraged, O Father!I stand unconverted, the ratherThat nowise I need a conversion.No live man (I cap thy assertion)By argument ever could take holdOf me. 'T was the dead thing, the clay-cold,Which grinned 'Art thou so in a hurryThat out of warm light thou must scurryAnd join me down here in the dungeonBecause, above, one 's Jack and one—John,One 's swift in the race, one—a hobbler,One 's a crowned king and one—a capped cobbler,Rich and poor, sage and fool, virtuous, vicious?Why complain? Art thou so unsuspiciousThat all 's for an hour of essayingWho 's fit and who 's unfit for playingHis part in the after-construction—Heaven's Piece whereof Earth 's the Induction?Things rarely go smooth at Rehearsal.Wait patient the change universal,And act, and let act, in existence!For, as thou art clapped hence or hissed hence,Thou hast thy promotion or otherwise.And why must wise thou have thy brother wiseBecause in rehearsal thy cue beTo shine by the side of a booby?No polishing garnet to ruby!All 's well that ends well—through Art's magic.Some end, whether comic or tragic,The Artist has purposed, be certain!Explained at the fall of the curtain—In showing thy wisdom at odds withThat folly: he tries men and gods withNo problem for weak wits to solve meant,But one worth such Author's evolvement.So, back nor disturb play's productionBy giving thy brother instructionTo throw up his fool's-part allotted!Lest haply thyself prove besottedWhen stript, for thy pains, of that costumeOf sage, which has bred the imposthumeI prick to relieve thee of,—Vanity!'XXIII"So, Father, behold me in sanity!I 'm back to the palette and mahlstick:And as for Man—let each and all stickTo what was prescribed them at starting!Once planted as fools—no departingFrom folly one inch,sæculorumIn sæcula!Pass me the jorum,And push me the platter—my stomachRetains, through its fasting, still some ache—And then, with your kindBenedicite,Good-by!"XXIVI have told with simplicityMy tale, dropped those harsh analytics,And tried to content you, my critics,Who greeted my early uprising!I knew you through all the disguising,Droll dogs, as I jumped up, cried "Heyday!This Monday is—what else but May-day?And these in the drabs, blues, and yellows,Are surely the privileged fellows.So, saltbox and bones, tongs and bellows!"(I threw up the window) "Your pleasure?"XXVThen he who directed the measure—An old friend—put leg forward nimbly,"We critics as sweeps out your chimbly!Much soot to remove from your flue, sir!Who spares coal in kitchen an't you, sir!And neighbors complain it 's no joke, sir,—You ought to consume your own smoke, sir!"XXVIAh, rogues, but my housemaid suspects you—Is confident oft she detects youIn bringing more filth into my houseThan ever you found there! I 'm pious,However: 't was God made you dingyAnd me—with no need to be stingyOf soap, when 't is sixpence the packet.So, dance away, boys, dust my jacket,Bang drum and blow fife—ay, and rattleYour brushes, for that 's half the battle!Don't trample the grass,—hocus-pocusWith grime my Spring snowdrop and crocus,—And, what with your rattling and tinkling,Who knows but you give me an inklingHow music sounds, thanks to the jangleOf regular drum and triangle?Whereby, tap-tap, chink-chink, 't is provenI break rule as bad as Beethoven."That chord now—a groan or a grunt is 't?Schumann's self was no worse contrapuntist.No ear! or if ear, so tough-gristled—He thought that he sung while he whistled!"XXVIISo, this time I whistle, not sing at all,My story, the largess I fling at allAnd every the rough there whoseaubadeDid its best to amuse me,—norsobad!Take my thanks, pick up largess, and scamperOff free, ere your mirth gets a damper!You 've Monday, your one day, your fun-day,While mine is a year that 's all Sunday.I 've seen you, times—who knows how many?—Dance in here, strike up, play the zany,Make mouths at the Tenant, hoot warningYou 'll find him decamped next May-morning;Then scuttle away, glad to 'scape henceWith—kicks? no, but laughter and ha'pence!Mine 's freehold, by grace of the grand LordWho lets out the ground here,—my landlord:To him I pay quit-rent—devotion;Nor hence shall I budge, I 've a notion,Nay, here shall my whistling and singingSet all his street's echoes a-ringingLong after the last of your numberHas ceased my front-court to encumberWhile, treading down rose and ranunculus,YouTommy-make-room-for-your-Uncleus!Troop, all of you—man or homunculus,Quick march! for Xanthippe, my housemaid,If once on your pates she a souse madeWith what, pan or pot, bowl orskoramis,First comes to her hand—things were more amiss!I would not for worlds be your place in—Recipient of slops from the basin!You, Jack-in-the-Green, leaf-and-twiggishnessWon't save a dry thread on your priggishness!While as for Quilp-Hop-o'-my-thumb there,Banjo-Byron that twangs the strum-strum there—He 'll think as the pickle he curses,I 've discharged on his pate his own verses!"Dwarfs are saucy," says Dickens: so, sauced inYour own sauce,[5]...XXVIIIBut, back to my Knight of the Pencil,Dismissed to his fresco and stencil!Whose story—begun with a chuckle,And throughout timed by raps of the knuckle,—To small enough purpose were studiedIf it ends with crown cracked or nose bloodied.Come, critics,—not shake hands, excuse me!But—say have you grudged to amuse meThis once in the forty-and-overLong years since you trampled my cloverAnd scared from my house-eaves each sparrowI never once harmed by that arrowOf song,karterotaton belos,(Which Pindar declares the truemelos,)I was forging and filing and finishing,And no whit my labors diminishingBecause, though high up in a chamberWhere none of your kidney may clamberYour hullabaloo would approach me?Was it "grammar" wherein you would "coach" me—You,—pacing in even that paddockOf language allotted youad hoc,With a clog at your fetlocks,—you—scornersOf me free of all its four corners?Was it "clearness of words which convey thought"?Ay, if words never needed enswathe aughtBut ignorance, impudence, envyAnd malice—what word-swathe would then vieWith yours for a clearness crystalline?But had you to put in one small lineSome thought big and bouncing—as noddleOf goose, born to cackle and waddleAnd bite at man's heel as goose-wont is,Never felt plague its punyos frontis—You 'd know, as you hissed, spat and sputtered,Clear cackle is easily uttered!XXIXLo, I 've laughed out my laugh on this mirth-day!Beside, at week's end, dawns my birthday,Thathebdome, hieron emar—(More things in a day than you deem are!)—Tei gar Apollona chrusaoraEgeinato Leto.So, gray or rayBetide me, six days hence, I 'm vexed hereBy no sweep, that 's certain, till next year!"Vexed?"—roused from what else were insipid ease!Leave snoring abed to Pheidippides!We 'll up and work! won't we, Euripides?

Query: was ever a quainterCrotchet than this of the painterGiacomo PacchiarottoWho took "Reform" for his motto?

Query: was ever a quainter

Crotchet than this of the painter

Giacomo Pacchiarotto

Who took "Reform" for his motto?

He, pupil of old Fungaio,Is always confounded (heigho!)With Pacchia, contemporaneousNo question, but how extraneousIn the grace of soul, the powerOf hand,—undoubted dowerOf Pacchia who decked (asweknow,My Kirkup!) San Bernardino,Turning the small dark OratoryTo Siena's Art-laboratory,As he made its straitness roomyAnd glorified its gloomy,With Bazzi and Beccafumi.(Another heigho for Bazzi:How people miscall him Razzi!)

He, pupil of old Fungaio,

Is always confounded (heigho!)

With Pacchia, contemporaneous

No question, but how extraneous

In the grace of soul, the power

Of hand,—undoubted dower

Of Pacchia who decked (asweknow,

My Kirkup!) San Bernardino,

Turning the small dark Oratory

To Siena's Art-laboratory,

As he made its straitness roomy

And glorified its gloomy,

With Bazzi and Beccafumi.

(Another heigho for Bazzi:

How people miscall him Razzi!)

III

This Painter was of opinionOur earth should be his dominionWhose Art could correct to patternWhat Nature had slurred—the slattern!And since, beneath the heavens,Things lay now at sixes and sevens,Or, as he said,sopra-sotto—Thought the painter PacchiarottoThings wanted reforming, therefore."Wanted it"—ay, but wherefore?When earth held one so readyAs he to step forth, stand steadyIn the middle of God's creationAnd prove to demonstrationWhat the dark is, what the light is,What the wrong is, what the right is,What the ugly, what the beautiful,What the restive, what the dutiful,In Mankind profuse around him?Man, devil as now he found him,Would presently soar up angelAt the summons of such evangel,And owe—what would MannotoweTo the painter Pacchiarotto?Ay, look to thy laurels, Giotto!

This Painter was of opinion

Our earth should be his dominion

Whose Art could correct to pattern

What Nature had slurred—the slattern!

And since, beneath the heavens,

Things lay now at sixes and sevens,

Or, as he said,sopra-sotto—

Thought the painter Pacchiarotto

Things wanted reforming, therefore.

"Wanted it"—ay, but wherefore?

When earth held one so ready

As he to step forth, stand steady

In the middle of God's creation

And prove to demonstration

What the dark is, what the light is,

What the wrong is, what the right is,

What the ugly, what the beautiful,

What the restive, what the dutiful,

In Mankind profuse around him?

Man, devil as now he found him,

Would presently soar up angel

At the summons of such evangel,

And owe—what would Mannotowe

To the painter Pacchiarotto?

Ay, look to thy laurels, Giotto!

But Man, he perceived, was stubborn,Grew regular brute, once cub born;And it struck him as expedient—Ere he tried, to make obedientThe wolf, fox, bear, and monkeyBy piping advice in one key,—That his pipe should play a preludeTo something heaven-tinged not hell-hued,Something not harsh but docile,Man-liquid, not Man-fossil—Not fact, in short, but fancy.By a laudable necromancyHe would conjure up ghosts—a circleDeprived of the means to work illShould his music prove distastefulAnd pearls to the swine go wasteful.To be rent of swine—thatwashard!With fancy he ran no hazard:Pact might knock him o'er the mazard.

But Man, he perceived, was stubborn,

Grew regular brute, once cub born;

And it struck him as expedient—

Ere he tried, to make obedient

The wolf, fox, bear, and monkey

By piping advice in one key,—

That his pipe should play a prelude

To something heaven-tinged not hell-hued,

Something not harsh but docile,

Man-liquid, not Man-fossil—

Not fact, in short, but fancy.

By a laudable necromancy

He would conjure up ghosts—a circle

Deprived of the means to work ill

Should his music prove distasteful

And pearls to the swine go wasteful.

To be rent of swine—thatwashard!

With fancy he ran no hazard:

Pact might knock him o'er the mazard.

So, the painter PacchiarottoConstructed himself a grottoIn the quarter of Stalloreggi—As authors of note allege ye.And on each of the whitewashed sides of itHe painted—(none far and wide so fitAs he to perform in fresco)—He painted nor criedquiescoTill he peopled its every square footWith Man—from the Beggar barefootTo the Noble in cap and feather;All sorts and conditions together.The Soldier in breastplate and helmetStood frowningly—hail fellow well met—By the Priest armed with bell, book, and candle.Nor did he omit to handleThe Fair Sex, our brave distemperer:Not merely King, Clown, Pope, Emperor—He diversified too his HadesOf all forms, pinched Labor and paid Ease,With as mixed an assemblage of Ladies.

So, the painter Pacchiarotto

Constructed himself a grotto

In the quarter of Stalloreggi—

As authors of note allege ye.

And on each of the whitewashed sides of it

He painted—(none far and wide so fit

As he to perform in fresco)—

He painted nor criedquiesco

Till he peopled its every square foot

With Man—from the Beggar barefoot

To the Noble in cap and feather;

All sorts and conditions together.

The Soldier in breastplate and helmet

Stood frowningly—hail fellow well met—

By the Priest armed with bell, book, and candle.

Nor did he omit to handle

The Fair Sex, our brave distemperer:

Not merely King, Clown, Pope, Emperor—

He diversified too his Hades

Of all forms, pinched Labor and paid Ease,

With as mixed an assemblage of Ladies.

Which work done, dry,—he rested him,Cleaned palette, washed brush, divested himOf the apron that suitsfrescanti,And, bonnet on ear stuck jaunty,This hand upon hip well planted,That, free to wave as it wanted,He addressed in a choice orationHis folk of each name and nation,Taught its duty to every station.The Pope was declared an arrantImpostor at once, I warrant.The Emperor—truth might tax himWith ignorance of the maxim"Shear sheep but nowise flay them!"And the Vulgar that obey them,The Ruled, well-matched with the Ruling,They failed not of wholesome schoolingOn their knavery and their fooling.As for Art—where 's decorum? Pooh-poohed it isBy Poets that plague us with lewd ditties,And Painters that pester with nudities!

Which work done, dry,—he rested him,

Cleaned palette, washed brush, divested him

Of the apron that suitsfrescanti,

And, bonnet on ear stuck jaunty,

This hand upon hip well planted,

That, free to wave as it wanted,

He addressed in a choice oration

His folk of each name and nation,

Taught its duty to every station.

The Pope was declared an arrant

Impostor at once, I warrant.

The Emperor—truth might tax him

With ignorance of the maxim

"Shear sheep but nowise flay them!"

And the Vulgar that obey them,

The Ruled, well-matched with the Ruling,

They failed not of wholesome schooling

On their knavery and their fooling.

As for Art—where 's decorum? Pooh-poohed it is

By Poets that plague us with lewd ditties,

And Painters that pester with nudities!

VII

Now, your rater and debaterIs balked by a mere spectatorWho simply stares and listensTongue-tied, while eye nor glistensNor brow grows hot and twitchy,Nor mouth, for a combat itchy,Quivers with some convincingReply—that sets him wincing?Nay, rather—reply that furnishesYour debater with just what burnishesThe crest of him, all one triumph,As you see him rise, hear him cry "Humph!Convinced am I? This confutes me?Receive the rejoinder that suits me!Confutation of vassal for prince meet—Wherein all the powers that convince meet,And mash my opponent to mincemeat!"

Now, your rater and debater

Is balked by a mere spectator

Who simply stares and listens

Tongue-tied, while eye nor glistens

Nor brow grows hot and twitchy,

Nor mouth, for a combat itchy,

Quivers with some convincing

Reply—that sets him wincing?

Nay, rather—reply that furnishes

Your debater with just what burnishes

The crest of him, all one triumph,

As you see him rise, hear him cry "Humph!

Convinced am I? This confutes me?

Receive the rejoinder that suits me!

Confutation of vassal for prince meet—

Wherein all the powers that convince meet,

And mash my opponent to mincemeat!"

VIII

So, off from his head flies the bonnet,His hip loses hand planted on it,While t' other hand, frequent in gesture,Slinks modestly back beneath vesture,As—hop, skip and jump,—he 's along withThose weak ones he late proved so strong with!Pope, Emperor, lo, he 's beside them,Friendly now, who late could not abide them,King, Clown, Soldier, Priest, Noble, Burgess;And his voice, that out-roared Boanerges,How minikin-mildly it urgesIn accents how gentled and gingeredIts word in defence of the injured!"Oh, call him not culprit, this Pontiff!Be hard on this Kaiser ye won't ifYe take into con-si-der-ationWhat dangers attend elevation!The Priest—who expects him to descantOn duty with more zeal and less cant?He preaches but rubbish he 's reared in.The Soldier, grown deaf (by the mere dinOf battle) to mercy, learned tipplingAnd what not of vice while a stripling.The Lawyer—his lies are conventional.And as for the Poor Sort—why mention allObstructions that leave barred and boltedAccess to the brains of each dolt-head?"

So, off from his head flies the bonnet,

His hip loses hand planted on it,

While t' other hand, frequent in gesture,

Slinks modestly back beneath vesture,

As—hop, skip and jump,—he 's along with

Those weak ones he late proved so strong with!

Pope, Emperor, lo, he 's beside them,

Friendly now, who late could not abide them,

King, Clown, Soldier, Priest, Noble, Burgess;

And his voice, that out-roared Boanerges,

How minikin-mildly it urges

In accents how gentled and gingered

Its word in defence of the injured!

"Oh, call him not culprit, this Pontiff!

Be hard on this Kaiser ye won't if

Ye take into con-si-der-ation

What dangers attend elevation!

The Priest—who expects him to descant

On duty with more zeal and less cant?

He preaches but rubbish he 's reared in.

The Soldier, grown deaf (by the mere din

Of battle) to mercy, learned tippling

And what not of vice while a stripling.

The Lawyer—his lies are conventional.

And as for the Poor Sort—why mention all

Obstructions that leave barred and bolted

Access to the brains of each dolt-head?"

He ended, you wager? Not half! A bet?Precedence to males in the alphabet!Still, disposed of Man's A B C, there 's XY Z want assistance,—the Fair Sex!How much may be said in excuse ofThose vanities—males see no use of—From silk shoe on heel to laced poll's-hood!What 's their frailty beside our own falsehood?The boldest, most brazen of ... trumpets,How kind can they be to their dumb pets!Of their charms—how are most frank, how few venal!While as for those charges of Juvenal—Quæ nemo dixisset in totoNisi (ædepol) ore illoto—He dismissed every charge with an "Apage!"

He ended, you wager? Not half! A bet?

Precedence to males in the alphabet!

Still, disposed of Man's A B C, there 's X

Y Z want assistance,—the Fair Sex!

How much may be said in excuse of

Those vanities—males see no use of—

From silk shoe on heel to laced poll's-hood!

What 's their frailty beside our own falsehood?

The boldest, most brazen of ... trumpets,

How kind can they be to their dumb pets!

Of their charms—how are most frank, how few venal!

While as for those charges of Juvenal—

Quæ nemo dixisset in toto

Nisi (ædepol) ore illoto—

He dismissed every charge with an "Apage!"

Then, cocking (in Scotch phrase) his cap a-gee,Right hand disengaged from the doublet—Like landlord, in house he had subletResuming of guardianship gestion,To call tenants' conduct in question—Hop, skip, jump, to inside from outsideOf chamber, he lords, ladies, louts eyedWith such transformation of visageAs fitted the censor of this age.No longer an advocate tepidOf frailty, but champion intrepidOf strength,—not of falsehood but verity,—He, one after one, with asperityStripped bare all the cant-clothed abuses,Disposed of sophistic excuses,Forced folly each shift to abandon,And left vice with no leg to stand on.So crushing the force he exerted,That Man at his foot lay converted!

Then, cocking (in Scotch phrase) his cap a-gee,

Right hand disengaged from the doublet

—Like landlord, in house he had sublet

Resuming of guardianship gestion,

To call tenants' conduct in question—

Hop, skip, jump, to inside from outside

Of chamber, he lords, ladies, louts eyed

With such transformation of visage

As fitted the censor of this age.

No longer an advocate tepid

Of frailty, but champion intrepid

Of strength,—not of falsehood but verity,—

He, one after one, with asperity

Stripped bare all the cant-clothed abuses,

Disposed of sophistic excuses,

Forced folly each shift to abandon,

And left vice with no leg to stand on.

So crushing the force he exerted,

That Man at his foot lay converted!

True—Man bred of paint-pot and mortar!But why suppose folks of this sort areMore likely to hear and be tractableThan folks all alive and, in fact, ableTo testify promptly by actionTheir ardor, and make satisfactionFor misdeedsnon verbis sed factis?"With folks all alive be my practiceHenceforward! O mortar, paint-pot O,Farewell to ye!" cried Pacchiarotto,"Let only occasion intérpose!"

True—Man bred of paint-pot and mortar!

But why suppose folks of this sort are

More likely to hear and be tractable

Than folks all alive and, in fact, able

To testify promptly by action

Their ardor, and make satisfaction

For misdeedsnon verbis sed factis?

"With folks all alive be my practice

Henceforward! O mortar, paint-pot O,

Farewell to ye!" cried Pacchiarotto,

"Let only occasion intérpose!"

XII

It did so: for, pat to the purposeThrough causes I need not examine,There fell upon Siena a famine.In vain did the magistrates busilySeek succor, fetch grain out of Sicily,Nay, throw mill and bakehouse wide open—Such misery followed as no penOf mine shall depict ye. Faint, fainterWaxed hope of relief: so, our painter,Emboldened by triumph of recency,How could he do other with decencyThan rush in this strait to the rescue,Play schoolmaster, point as with fescueTo each and all slips in Man's spellingThe law of the land?—slips now tellingWith monstrous effect on the city,Whose magistrates moved him to pityAs, bound to read law to the letter,They minded their hornbook, no better.

It did so: for, pat to the purpose

Through causes I need not examine,

There fell upon Siena a famine.

In vain did the magistrates busily

Seek succor, fetch grain out of Sicily,

Nay, throw mill and bakehouse wide open—

Such misery followed as no pen

Of mine shall depict ye. Faint, fainter

Waxed hope of relief: so, our painter,

Emboldened by triumph of recency,

How could he do other with decency

Than rush in this strait to the rescue,

Play schoolmaster, point as with fescue

To each and all slips in Man's spelling

The law of the land?—slips now telling

With monstrous effect on the city,

Whose magistrates moved him to pity

As, bound to read law to the letter,

They minded their hornbook, no better.

XIII

I ought to have told you, at starting,How certain, who itched to be cartingAbuses away clean and thoroughFrom Siena, both province and borough,Had formed themselves into a companyWhose swallow could bolt in a lump anyObstruction of scruple, provokingThe nicer throat's coughing and choking:Fit Club, by as fit a name dignifiedOf "Freed Ones"—"Bardotti"—which signified"Spare-Horses" that walk by the wagonThe team has to drudge for and drag on.This notable Club PacchiarottoHad joined long since, paid scot and lot to,As free and accepted "Bardotto."The Bailiwick watched with no quiet eyeThe outrage thus done to society,And noted the advent especiallyOf Pacchiarotto their fresh ally.

I ought to have told you, at starting,

How certain, who itched to be carting

Abuses away clean and thorough

From Siena, both province and borough,

Had formed themselves into a company

Whose swallow could bolt in a lump any

Obstruction of scruple, provoking

The nicer throat's coughing and choking:

Fit Club, by as fit a name dignified

Of "Freed Ones"—"Bardotti"—which signified

"Spare-Horses" that walk by the wagon

The team has to drudge for and drag on.

This notable Club Pacchiarotto

Had joined long since, paid scot and lot to,

As free and accepted "Bardotto."

The Bailiwick watched with no quiet eye

The outrage thus done to society,

And noted the advent especially

Of Pacchiarotto their fresh ally.

XIV

These Spare-Horses forthwith assembled:Neighed words whereat citizens trembledAs oft as the chiefs, in the Square byThe Duomo, proposed a way wherebyThe city were cured of disaster."Just substitute servant for master,Make Poverty Wealth and Wealth Poverty,Unloose Man from overt and covert tie,And straight out of social confusionTrue Order would spring!" Brave illusion—Aims heavenly attained by means earthy!

These Spare-Horses forthwith assembled:

Neighed words whereat citizens trembled

As oft as the chiefs, in the Square by

The Duomo, proposed a way whereby

The city were cured of disaster.

"Just substitute servant for master,

Make Poverty Wealth and Wealth Poverty,

Unloose Man from overt and covert tie,

And straight out of social confusion

True Order would spring!" Brave illusion—

Aims heavenly attained by means earthy!

Off to these at full speed rushed our worthy,—Brain practised and tongue no less tutored,In argument's armor accoutred,—Sprang forth, mounted rostrum, and essayedProposals like those to which "Yes" saidSo glibly each personage paintedO' the wall-side where with you 're acquainted.He harangued on the faults of the Bailiwick:"Red soon were our State-candle's paly wick,If wealth would become but interfluous,Fill voids up with just the superfluous;If ignorance gave way to knowledge—Not pedantry picked up at collegeFrom Doctors, Professorset cætera—(Theysay: 'kai ta loipa'—like better aLong Greek string ofkappas,taus,lambdas,Tacked on to the tail of each damned ass)—No knowledge we want of this quality,But knowledge indeed—practicalityThrough insight's fine universality!If you shout 'Bailiffs, out on ye all! Fie,Thou Chief of our forces, Amalfi,Who shieldest the rogue and the clotpoll!'If you pounce on and poke out, with what poleI leave ye to fancy, our Siena'sBeast-litter of sloths and hyenas—"(Whoever to scan this is ill ableForgets the town's name 's a dissyllable)—"If, this done, ye did—as ye might—placeFor once the right man in the right place,If you listened to me" ...

Off to these at full speed rushed our worthy,—

Brain practised and tongue no less tutored,

In argument's armor accoutred,—

Sprang forth, mounted rostrum, and essayed

Proposals like those to which "Yes" said

So glibly each personage painted

O' the wall-side where with you 're acquainted.

He harangued on the faults of the Bailiwick:

"Red soon were our State-candle's paly wick,

If wealth would become but interfluous,

Fill voids up with just the superfluous;

If ignorance gave way to knowledge

—Not pedantry picked up at college

From Doctors, Professorset cætera—

(Theysay: 'kai ta loipa'—like better a

Long Greek string ofkappas,taus,lambdas,

Tacked on to the tail of each damned ass)—

No knowledge we want of this quality,

But knowledge indeed—practicality

Through insight's fine universality!

If you shout 'Bailiffs, out on ye all! Fie,

Thou Chief of our forces, Amalfi,

Who shieldest the rogue and the clotpoll!'

If you pounce on and poke out, with what pole

I leave ye to fancy, our Siena's

Beast-litter of sloths and hyenas—"

(Whoever to scan this is ill able

Forgets the town's name 's a dissyllable)—

"If, this done, ye did—as ye might—place

For once the right man in the right place,

If you listened to me" ...

XVI

At which last "If"There flew at his throat like a mastiffOne Spare-Horse—another and another!Such outbreak of tumult and pother,Horse-faces a-laughing and fleering,Horse-voices a-mocking and jeering,Horse-hands raised to collar the caitiffWhose impudence ventured the late "If"—That, had not fear sent PacchiarottoOff tramping, as fast as could trot toe,Away from the scene o£ discomfiture—Had he stood there stock-still in a dumb fit—sureAm I he had paid in his personTill his mother might fail to know her son,Though she gazed on him never so wistful,In the figure so tattered and tristful.Each mouth full of curses, each fist fullOf cuffings—behold, Pacchiarotto,The pass which thy project has got to,Of trusting, nigh ashes still hot—tow!(The paraphrase—which I much need—isFrom Horace "per ignes incedis.")

At which last "If"

There flew at his throat like a mastiff

One Spare-Horse—another and another!

Such outbreak of tumult and pother,

Horse-faces a-laughing and fleering,

Horse-voices a-mocking and jeering,

Horse-hands raised to collar the caitiff

Whose impudence ventured the late "If"—

That, had not fear sent Pacchiarotto

Off tramping, as fast as could trot toe,

Away from the scene o£ discomfiture—

Had he stood there stock-still in a dumb fit—sure

Am I he had paid in his person

Till his mother might fail to know her son,

Though she gazed on him never so wistful,

In the figure so tattered and tristful.

Each mouth full of curses, each fist full

Of cuffings—behold, Pacchiarotto,

The pass which thy project has got to,

Of trusting, nigh ashes still hot—tow!

(The paraphrase—which I much need—is

From Horace "per ignes incedis.")

XVII

Right and left did he dash helter-skelterIn agonized search of a shelter.No purlieu so blocked and no alleySo blind as allowed him to rallyHis spirits and see—nothing hamperedHis steps if he trudged and not scamperedUp here and down there in a cityThat 's all ups and downs, more the pityFor folks who would outrun the constable.At last he stopped short at the one stableAnd sure place of refuge that 's offeredHumanity. Lately was cofferedA corpse in its sepulchre, situateBy St. John's Observance. "HabituateThyself to the strangest of bedfellows,And, kicked by the live, kiss the dead fellows!"So Misery counselled the craven.At once he crept safely to havenThrough a hole left unbricked in the structure.Ay, Misery, in have you tucked yourPoor client and left him conterminousWith—pah!—the thing fetid and verminous!(I gladly would spare you the detail,But History writes what I retail.)

Right and left did he dash helter-skelter

In agonized search of a shelter.

No purlieu so blocked and no alley

So blind as allowed him to rally

His spirits and see—nothing hampered

His steps if he trudged and not scampered

Up here and down there in a city

That 's all ups and downs, more the pity

For folks who would outrun the constable.

At last he stopped short at the one stable

And sure place of refuge that 's offered

Humanity. Lately was coffered

A corpse in its sepulchre, situate

By St. John's Observance. "Habituate

Thyself to the strangest of bedfellows,

And, kicked by the live, kiss the dead fellows!"

So Misery counselled the craven.

At once he crept safely to haven

Through a hole left unbricked in the structure.

Ay, Misery, in have you tucked your

Poor client and left him conterminous

With—pah!—the thing fetid and verminous!

(I gladly would spare you the detail,

But History writes what I retail.)

XVIII

Two days did he groan in his domicile:"Good Saints, set me free and I promise I 'llAbjure all ambition of preachingChange, whether to minds touched by teaching—The smooth folk of fancy, mere figmentsCreated by plaster and pigments,—Or to minds that receive with such rudenessDissuasion from pride, greed and lewdness,—The rough folk of fact, life's true specimensOf mind—'hand in posse sed esse mens'As it was, is, and shall be foreverDespite of my utmost endeavor.O live foes I thought to illumine,Henceforth lie untroubled your gloom in!I need my own light, every spark, asI couch with this sole friend—a carcase!"

Two days did he groan in his domicile:

"Good Saints, set me free and I promise I 'll

Abjure all ambition of preaching

Change, whether to minds touched by teaching

—The smooth folk of fancy, mere figments

Created by plaster and pigments,—

Or to minds that receive with such rudeness

Dissuasion from pride, greed and lewdness,

—The rough folk of fact, life's true specimens

Of mind—'hand in posse sed esse mens'

As it was, is, and shall be forever

Despite of my utmost endeavor.

O live foes I thought to illumine,

Henceforth lie untroubled your gloom in!

I need my own light, every spark, as

I couch with this sole friend—a carcase!"

XIX

Two days thus he maundered and rambled;Then, starved back to sanity, scrambledFrom out his receptacle loathsome."A spectre!"—declared upon oath someWho saw himemergeand (appallingTo mention) his garments a-crawlingWith plagues far beyond the Egyptian.He gained, in a state past description,A convent of months, the Observancy.

Two days thus he maundered and rambled;

Then, starved back to sanity, scrambled

From out his receptacle loathsome.

"A spectre!"—declared upon oath some

Who saw himemergeand (appalling

To mention) his garments a-crawling

With plagues far beyond the Egyptian.

He gained, in a state past description,

A convent of months, the Observancy.

Thus far is a fact: I reserve fancyFor Fancy's more proper employment:And now she waves wing with enjoyment,To tell ye how preached the Superior,When somewhat our painter's exteriorWas sweetened. He needed (no mincingThe matter) much soaking and rinsing,Nay, rubbing with drugs odoriferous,Till, rid of his garments pestiferous,And, robed by the help of the BrotherhoodIn odds and ends,—thisgownand t' other hood,—His empty inside first well-garnished,—He delivered a tale round, unvarnished.

Thus far is a fact: I reserve fancy

For Fancy's more proper employment:

And now she waves wing with enjoyment,

To tell ye how preached the Superior,

When somewhat our painter's exterior

Was sweetened. He needed (no mincing

The matter) much soaking and rinsing,

Nay, rubbing with drugs odoriferous,

Till, rid of his garments pestiferous,

And, robed by the help of the Brotherhood

In odds and ends,—thisgownand t' other hood,—

His empty inside first well-garnished,—

He delivered a tale round, unvarnished.

XXI

"Ah, Youth!" ran the Abbot's admonishment,"Thine error scarce moves my astonishment.For—why shall I shrink from asserting?—Myself have had hopes of convertingThe foolish to wisdom, till, sober,My life found its May grow October.I talked and I wrote, but, one morning,Life's Autumn bore fruit in this warning:'Let tongue rest, and quiet thy quill be!Earth is earth and not heaven, and ne'er will be.'Man's work is to labor and leaven—As best he may—earth here with heaven;'T is work for work's sake that he 's needing:Let, him work on and on as if speedingWork's end, but not dream of succeeding!Because if success were intended,Why, heaven would begin ere earth ended.A Spare-Horse? Be rather a thill-horse,Or—what 's the plain truth—just a mill-horse!Earth 's a mill where we grind and wear mufflers:A whip awaits shirkers and shufflersWho slacken their pace, sick of luggingAt what don't advance for their tugging.Though round goes the mill, we must still postOn and on as if moving the mill-post.So, grind away, mouth-wise and pen-wise,Do all that we can to make men wise!And if men prefer to be foolish,Ourselves have proved horse-like not mulish:Sent grist, a good sackful, to hopper,And worked as the Master thought proper.Tongue I wag, pen I ply, who am Abbot;Stick, thou, Son, to daub-brush and dab-pot!But, soft! I scratch hard on the scab hot?Though cured of thy plague, there may lingerA pimple I fray with rough finger?So soon could my homily transmuteThy brass into gold? Why, the man 's mute!"

"Ah, Youth!" ran the Abbot's admonishment,

"Thine error scarce moves my astonishment.

For—why shall I shrink from asserting?—

Myself have had hopes of converting

The foolish to wisdom, till, sober,

My life found its May grow October.

I talked and I wrote, but, one morning,

Life's Autumn bore fruit in this warning:

'Let tongue rest, and quiet thy quill be!

Earth is earth and not heaven, and ne'er will be.'

Man's work is to labor and leaven—

As best he may—earth here with heaven;

'T is work for work's sake that he 's needing:

Let, him work on and on as if speeding

Work's end, but not dream of succeeding!

Because if success were intended,

Why, heaven would begin ere earth ended.

A Spare-Horse? Be rather a thill-horse,

Or—what 's the plain truth—just a mill-horse!

Earth 's a mill where we grind and wear mufflers:

A whip awaits shirkers and shufflers

Who slacken their pace, sick of lugging

At what don't advance for their tugging.

Though round goes the mill, we must still post

On and on as if moving the mill-post.

So, grind away, mouth-wise and pen-wise,

Do all that we can to make men wise!

And if men prefer to be foolish,

Ourselves have proved horse-like not mulish:

Sent grist, a good sackful, to hopper,

And worked as the Master thought proper.

Tongue I wag, pen I ply, who am Abbot;

Stick, thou, Son, to daub-brush and dab-pot!

But, soft! I scratch hard on the scab hot?

Though cured of thy plague, there may linger

A pimple I fray with rough finger?

So soon could my homily transmute

Thy brass into gold? Why, the man 's mute!"

XXII

"Ay, Father, I 'm mute with admiringHow Nature's indulgence untiringStill bids us turn deaf ear to Reason'sBest rhetoric—clutch at all seasonsAnd hold fast to what 's proved untenable!Thy maxim is—Man 's not amenableTo argument: whereof by consequence—Thine arguments reach me: a non-sequence!Yet blush not discouraged, O Father!I stand unconverted, the ratherThat nowise I need a conversion.No live man (I cap thy assertion)By argument ever could take holdOf me. 'T was the dead thing, the clay-cold,Which grinned 'Art thou so in a hurryThat out of warm light thou must scurryAnd join me down here in the dungeonBecause, above, one 's Jack and one—John,One 's swift in the race, one—a hobbler,One 's a crowned king and one—a capped cobbler,Rich and poor, sage and fool, virtuous, vicious?Why complain? Art thou so unsuspiciousThat all 's for an hour of essayingWho 's fit and who 's unfit for playingHis part in the after-construction—Heaven's Piece whereof Earth 's the Induction?Things rarely go smooth at Rehearsal.Wait patient the change universal,And act, and let act, in existence!For, as thou art clapped hence or hissed hence,Thou hast thy promotion or otherwise.And why must wise thou have thy brother wiseBecause in rehearsal thy cue beTo shine by the side of a booby?No polishing garnet to ruby!All 's well that ends well—through Art's magic.Some end, whether comic or tragic,The Artist has purposed, be certain!Explained at the fall of the curtain—In showing thy wisdom at odds withThat folly: he tries men and gods withNo problem for weak wits to solve meant,But one worth such Author's evolvement.So, back nor disturb play's productionBy giving thy brother instructionTo throw up his fool's-part allotted!Lest haply thyself prove besottedWhen stript, for thy pains, of that costumeOf sage, which has bred the imposthumeI prick to relieve thee of,—Vanity!'

"Ay, Father, I 'm mute with admiring

How Nature's indulgence untiring

Still bids us turn deaf ear to Reason's

Best rhetoric—clutch at all seasons

And hold fast to what 's proved untenable!

Thy maxim is—Man 's not amenable

To argument: whereof by consequence—

Thine arguments reach me: a non-sequence!

Yet blush not discouraged, O Father!

I stand unconverted, the rather

That nowise I need a conversion.

No live man (I cap thy assertion)

By argument ever could take hold

Of me. 'T was the dead thing, the clay-cold,

Which grinned 'Art thou so in a hurry

That out of warm light thou must scurry

And join me down here in the dungeon

Because, above, one 's Jack and one—John,

One 's swift in the race, one—a hobbler,

One 's a crowned king and one—a capped cobbler,

Rich and poor, sage and fool, virtuous, vicious?

Why complain? Art thou so unsuspicious

That all 's for an hour of essaying

Who 's fit and who 's unfit for playing

His part in the after-construction

—Heaven's Piece whereof Earth 's the Induction?

Things rarely go smooth at Rehearsal.

Wait patient the change universal,

And act, and let act, in existence!

For, as thou art clapped hence or hissed hence,

Thou hast thy promotion or otherwise.

And why must wise thou have thy brother wise

Because in rehearsal thy cue be

To shine by the side of a booby?

No polishing garnet to ruby!

All 's well that ends well—through Art's magic.

Some end, whether comic or tragic,

The Artist has purposed, be certain!

Explained at the fall of the curtain—

In showing thy wisdom at odds with

That folly: he tries men and gods with

No problem for weak wits to solve meant,

But one worth such Author's evolvement.

So, back nor disturb play's production

By giving thy brother instruction

To throw up his fool's-part allotted!

Lest haply thyself prove besotted

When stript, for thy pains, of that costume

Of sage, which has bred the imposthume

I prick to relieve thee of,—Vanity!'

XXIII

"So, Father, behold me in sanity!I 'm back to the palette and mahlstick:And as for Man—let each and all stickTo what was prescribed them at starting!Once planted as fools—no departingFrom folly one inch,sæculorumIn sæcula!Pass me the jorum,And push me the platter—my stomachRetains, through its fasting, still some ache—And then, with your kindBenedicite,Good-by!"

"So, Father, behold me in sanity!

I 'm back to the palette and mahlstick:

And as for Man—let each and all stick

To what was prescribed them at starting!

Once planted as fools—no departing

From folly one inch,sæculorum

In sæcula!Pass me the jorum,

And push me the platter—my stomach

Retains, through its fasting, still some ache—

And then, with your kindBenedicite,

Good-by!"

XXIV

I have told with simplicityMy tale, dropped those harsh analytics,And tried to content you, my critics,Who greeted my early uprising!I knew you through all the disguising,Droll dogs, as I jumped up, cried "Heyday!This Monday is—what else but May-day?And these in the drabs, blues, and yellows,Are surely the privileged fellows.So, saltbox and bones, tongs and bellows!"(I threw up the window) "Your pleasure?"

I have told with simplicity

My tale, dropped those harsh analytics,

And tried to content you, my critics,

Who greeted my early uprising!

I knew you through all the disguising,

Droll dogs, as I jumped up, cried "Heyday!

This Monday is—what else but May-day?

And these in the drabs, blues, and yellows,

Are surely the privileged fellows.

So, saltbox and bones, tongs and bellows!"

(I threw up the window) "Your pleasure?"

XXV

Then he who directed the measure—An old friend—put leg forward nimbly,"We critics as sweeps out your chimbly!Much soot to remove from your flue, sir!Who spares coal in kitchen an't you, sir!And neighbors complain it 's no joke, sir,—You ought to consume your own smoke, sir!"

Then he who directed the measure—

An old friend—put leg forward nimbly,

"We critics as sweeps out your chimbly!

Much soot to remove from your flue, sir!

Who spares coal in kitchen an't you, sir!

And neighbors complain it 's no joke, sir,

—You ought to consume your own smoke, sir!"

XXVI

Ah, rogues, but my housemaid suspects you—Is confident oft she detects youIn bringing more filth into my houseThan ever you found there! I 'm pious,However: 't was God made you dingyAnd me—with no need to be stingyOf soap, when 't is sixpence the packet.So, dance away, boys, dust my jacket,Bang drum and blow fife—ay, and rattleYour brushes, for that 's half the battle!Don't trample the grass,—hocus-pocusWith grime my Spring snowdrop and crocus,—And, what with your rattling and tinkling,Who knows but you give me an inklingHow music sounds, thanks to the jangleOf regular drum and triangle?Whereby, tap-tap, chink-chink, 't is provenI break rule as bad as Beethoven."That chord now—a groan or a grunt is 't?Schumann's self was no worse contrapuntist.No ear! or if ear, so tough-gristled—He thought that he sung while he whistled!"

Ah, rogues, but my housemaid suspects you—

Is confident oft she detects you

In bringing more filth into my house

Than ever you found there! I 'm pious,

However: 't was God made you dingy

And me—with no need to be stingy

Of soap, when 't is sixpence the packet.

So, dance away, boys, dust my jacket,

Bang drum and blow fife—ay, and rattle

Your brushes, for that 's half the battle!

Don't trample the grass,—hocus-pocus

With grime my Spring snowdrop and crocus,—

And, what with your rattling and tinkling,

Who knows but you give me an inkling

How music sounds, thanks to the jangle

Of regular drum and triangle?

Whereby, tap-tap, chink-chink, 't is proven

I break rule as bad as Beethoven.

"That chord now—a groan or a grunt is 't?

Schumann's self was no worse contrapuntist.

No ear! or if ear, so tough-gristled—

He thought that he sung while he whistled!"

XXVII

So, this time I whistle, not sing at all,My story, the largess I fling at allAnd every the rough there whoseaubadeDid its best to amuse me,—norsobad!Take my thanks, pick up largess, and scamperOff free, ere your mirth gets a damper!You 've Monday, your one day, your fun-day,While mine is a year that 's all Sunday.I 've seen you, times—who knows how many?—Dance in here, strike up, play the zany,Make mouths at the Tenant, hoot warningYou 'll find him decamped next May-morning;Then scuttle away, glad to 'scape henceWith—kicks? no, but laughter and ha'pence!Mine 's freehold, by grace of the grand LordWho lets out the ground here,—my landlord:To him I pay quit-rent—devotion;Nor hence shall I budge, I 've a notion,Nay, here shall my whistling and singingSet all his street's echoes a-ringingLong after the last of your numberHas ceased my front-court to encumberWhile, treading down rose and ranunculus,YouTommy-make-room-for-your-Uncleus!Troop, all of you—man or homunculus,Quick march! for Xanthippe, my housemaid,If once on your pates she a souse madeWith what, pan or pot, bowl orskoramis,First comes to her hand—things were more amiss!I would not for worlds be your place in—Recipient of slops from the basin!You, Jack-in-the-Green, leaf-and-twiggishnessWon't save a dry thread on your priggishness!While as for Quilp-Hop-o'-my-thumb there,Banjo-Byron that twangs the strum-strum there—He 'll think as the pickle he curses,I 've discharged on his pate his own verses!"Dwarfs are saucy," says Dickens: so, sauced inYour own sauce,[5]...

So, this time I whistle, not sing at all,

My story, the largess I fling at all

And every the rough there whoseaubade

Did its best to amuse me,—norsobad!

Take my thanks, pick up largess, and scamper

Off free, ere your mirth gets a damper!

You 've Monday, your one day, your fun-day,

While mine is a year that 's all Sunday.

I 've seen you, times—who knows how many?—

Dance in here, strike up, play the zany,

Make mouths at the Tenant, hoot warning

You 'll find him decamped next May-morning;

Then scuttle away, glad to 'scape hence

With—kicks? no, but laughter and ha'pence!

Mine 's freehold, by grace of the grand Lord

Who lets out the ground here,—my landlord:

To him I pay quit-rent—devotion;

Nor hence shall I budge, I 've a notion,

Nay, here shall my whistling and singing

Set all his street's echoes a-ringing

Long after the last of your number

Has ceased my front-court to encumber

While, treading down rose and ranunculus,

YouTommy-make-room-for-your-Uncleus!

Troop, all of you—man or homunculus,

Quick march! for Xanthippe, my housemaid,

If once on your pates she a souse made

With what, pan or pot, bowl orskoramis,

First comes to her hand—things were more amiss!

I would not for worlds be your place in—

Recipient of slops from the basin!

You, Jack-in-the-Green, leaf-and-twiggishness

Won't save a dry thread on your priggishness!

While as for Quilp-Hop-o'-my-thumb there,

Banjo-Byron that twangs the strum-strum there—

He 'll think as the pickle he curses,

I 've discharged on his pate his own verses!

"Dwarfs are saucy," says Dickens: so, sauced in

Your own sauce,[5]...

XXVIII

But, back to my Knight of the Pencil,Dismissed to his fresco and stencil!Whose story—begun with a chuckle,And throughout timed by raps of the knuckle,—To small enough purpose were studiedIf it ends with crown cracked or nose bloodied.Come, critics,—not shake hands, excuse me!But—say have you grudged to amuse meThis once in the forty-and-overLong years since you trampled my cloverAnd scared from my house-eaves each sparrowI never once harmed by that arrowOf song,karterotaton belos,(Which Pindar declares the truemelos,)I was forging and filing and finishing,And no whit my labors diminishingBecause, though high up in a chamberWhere none of your kidney may clamberYour hullabaloo would approach me?Was it "grammar" wherein you would "coach" me—You,—pacing in even that paddockOf language allotted youad hoc,With a clog at your fetlocks,—you—scornersOf me free of all its four corners?Was it "clearness of words which convey thought"?Ay, if words never needed enswathe aughtBut ignorance, impudence, envyAnd malice—what word-swathe would then vieWith yours for a clearness crystalline?But had you to put in one small lineSome thought big and bouncing—as noddleOf goose, born to cackle and waddleAnd bite at man's heel as goose-wont is,Never felt plague its punyos frontis—You 'd know, as you hissed, spat and sputtered,Clear cackle is easily uttered!

But, back to my Knight of the Pencil,

Dismissed to his fresco and stencil!

Whose story—begun with a chuckle,

And throughout timed by raps of the knuckle,—

To small enough purpose were studied

If it ends with crown cracked or nose bloodied.

Come, critics,—not shake hands, excuse me!

But—say have you grudged to amuse me

This once in the forty-and-over

Long years since you trampled my clover

And scared from my house-eaves each sparrow

I never once harmed by that arrow

Of song,karterotaton belos,

(Which Pindar declares the truemelos,)

I was forging and filing and finishing,

And no whit my labors diminishing

Because, though high up in a chamber

Where none of your kidney may clamber

Your hullabaloo would approach me?

Was it "grammar" wherein you would "coach" me—

You,—pacing in even that paddock

Of language allotted youad hoc,

With a clog at your fetlocks,—you—scorners

Of me free of all its four corners?

Was it "clearness of words which convey thought"?

Ay, if words never needed enswathe aught

But ignorance, impudence, envy

And malice—what word-swathe would then vie

With yours for a clearness crystalline?

But had you to put in one small line

Some thought big and bouncing—as noddle

Of goose, born to cackle and waddle

And bite at man's heel as goose-wont is,

Never felt plague its punyos frontis—

You 'd know, as you hissed, spat and sputtered,

Clear cackle is easily uttered!

XXIX

Lo, I 've laughed out my laugh on this mirth-day!Beside, at week's end, dawns my birthday,Thathebdome, hieron emar—(More things in a day than you deem are!)—Tei gar Apollona chrusaoraEgeinato Leto.So, gray or rayBetide me, six days hence, I 'm vexed hereBy no sweep, that 's certain, till next year!"Vexed?"—roused from what else were insipid ease!Leave snoring abed to Pheidippides!We 'll up and work! won't we, Euripides?

Lo, I 've laughed out my laugh on this mirth-day!

Beside, at week's end, dawns my birthday,

Thathebdome, hieron emar—

(More things in a day than you deem are!)

—Tei gar Apollona chrusaora

Egeinato Leto.So, gray or ray

Betide me, six days hence, I 'm vexed here

By no sweep, that 's certain, till next year!

"Vexed?"—roused from what else were insipid ease!

Leave snoring abed to Pheidippides!

We 'll up and work! won't we, Euripides?

The figure that thou here seest ... Tut!Was it for gentle Shakespeare put?B. Jonson.(Adapted.)

The figure that thou here seest ... Tut!

Was it for gentle Shakespeare put?

B. Jonson.(Adapted.)

I—"Next Poet?" No, my hearties,I nor am nor fain would be!Choose your chiefs and pick your parties,Not one soul revolt to me!I, forsooth, sow song-sedition?I, a schism in verse provoke?I, blown up by bard's ambition,Burst—your bubble-king? You joke.Come, be grave! The sherris mantlingStill about each mouth, mayhap,Breeds you insight—just a scantling—Brings me truth out—just a scrap.Look and tell me! Written, spoken,Here 's my life-long work: and where—Where 's your warrant or my tokenI 'm the dead king's son and heir?Here 's my work: does work discover—What was rest from work—my life?Did I live man's hater, lover?Leave the world at peace, at strife?Call earth ugliness or beauty?See things there in large or small?Use to pay its Lord my duty?Use to own a lord at all?Blank of such a record, truly,Here 's the work I hand, this scroll,Yours to take or leave; as duly,Mine remains the unproffered soul.So much, no whit more, my debtors—How should one like me lay claimTo that largess elders, bettersSell you cheap their souls for—fame?Which of you did I enableOnce to slip inside my breast,There to catalogue and labelWhat I like least, what love best,Hope and fear, believe and doubt of,Seek and shun, respect—deride?Who has right to make a rout ofRarities he found inside?Rarities or, as he 'd rather,Rubbish such as stocks his own:Need and greed (oh, strange) the FatherFashioned not for him alone!Whence—the comfort set a-strutting,Whence—the outcry "Haste, behold!Bard's breast open wide, past shutting,Shows what brass we took for gold!"Friends, I doubt not he 'd display youBrass—myself call orichale,—Furnish much amusement; pray youTherefore, be content I balkHim and you, and bar my portal!Here 's my work outside: opineWhat 's inside me mean and mortal!Take your pleasure, leave me mine!Which is—not to buy your laurelAs last king did, nothing loth.Tale adorned and pointed moralGained him praise and pity both.Out rushed sighs and groans by dozens,Forth by scores oaths, curses flew:Proving you were cater-cousins,Kith and kindred, king and you!Whereas do I ne'er so little(Thanks to sherris), leave ajarBosom's gate—no jot nor tittleGrow we nearer than we are.Sinning, sorrowing, despairing,Body-ruined, spirit-wrecked,—Should I give my woes an airing,—Where 's one plague that claims respect?Have you found your life distasteful?My life did and does smack sweet.Was your youth of pleasure wasteful?Mine I saved and hold complete.Do your joys with age diminish?When mine fail me, I 'll complain.Must in death your daylight finish?My sun sets to rise again.What, like you, he proved—your Pilgrim—This our world a wilderness,Earth still gray and heaven still grim,Not a hand there his might press,Not a heart his own might throb to,Men all rogues and women—say,Dolls which boys' heads duck and bob to,Grown folk drop or throw away?My experience being other,How should I contribute verseWorthy of your king and brother?Balaam-like I bless, not curse.I find earth not gray but rosy,Heaven not grim but fair of hue.Do I stoop? I pluck a posy.Do I stand and stare? All 's blue.Doubtless I am pushed and shoved byRogues and fools enough: the moreGood luck mine, I love, am loved bySome few honest to the core.Scan the near high, scout the far low!"But the low come close:" what then?Simpletons? My match is Marlowe;Sciolists? My mate is Ben.Womankind—"the cat-like nature,False and fickle, vain and weak"—What of this sad nomenclatureSuits my tongue, if I must speak?Does the sex invite, repulse so,Tempt, betray, by fits and starts?So becalm but to convulse so,Decking heads and breaking hearts?Well may you blaspheme at fortune!I "threw Venus" (Ben, expound!)Never did I need importuneHer, of all the Olympian round.Blessings on my benefactress!Cursings suit—for aught I know—Those who twitched her by the back tress,Tugged and thought to turn her—so!Therefore, since no leg to stand onThus I 'm left with,—joy or griefBe the issue,—I abandonHope or care you name me Chief!Chief and king and Lord's anointed,I?—who never once have wishedDeath before the day appointed:Lived and liked, not poohed and pished!"Ah, but so I shall not enter,Scroll in hand, the common heart—Stopped at surface: since at centreSong should reachWelt-schmerz, world-smart!""Enter in the heart?" Its shellyCuirass guard mine, fore and aft!Such song "enters in the bellyAnd is cast out in the draught."Back then to our sherris-brewage!"Kingship" quotha? I shall wait—Waive the present time: some new age ...But let fools anticipate!Meanwhile greet me—"friend, good fellow,Gentle Will," my merry men!As for making Envy yellowWith "Next Poet"—(Manners, Ben!)

I—"Next Poet?" No, my hearties,

I nor am nor fain would be!

Choose your chiefs and pick your parties,

Not one soul revolt to me!

I, forsooth, sow song-sedition?

I, a schism in verse provoke?

I, blown up by bard's ambition,

Burst—your bubble-king? You joke.

Come, be grave! The sherris mantlingStill about each mouth, mayhap,Breeds you insight—just a scantling—Brings me truth out—just a scrap.Look and tell me! Written, spoken,Here 's my life-long work: and where—Where 's your warrant or my tokenI 'm the dead king's son and heir?

Come, be grave! The sherris mantling

Still about each mouth, mayhap,

Breeds you insight—just a scantling—

Brings me truth out—just a scrap.

Look and tell me! Written, spoken,

Here 's my life-long work: and where

—Where 's your warrant or my token

I 'm the dead king's son and heir?

Here 's my work: does work discover—What was rest from work—my life?Did I live man's hater, lover?Leave the world at peace, at strife?Call earth ugliness or beauty?See things there in large or small?Use to pay its Lord my duty?Use to own a lord at all?

Here 's my work: does work discover—

What was rest from work—my life?

Did I live man's hater, lover?

Leave the world at peace, at strife?

Call earth ugliness or beauty?

See things there in large or small?

Use to pay its Lord my duty?

Use to own a lord at all?

Blank of such a record, truly,Here 's the work I hand, this scroll,Yours to take or leave; as duly,Mine remains the unproffered soul.So much, no whit more, my debtors—How should one like me lay claimTo that largess elders, bettersSell you cheap their souls for—fame?

Blank of such a record, truly,

Here 's the work I hand, this scroll,

Yours to take or leave; as duly,

Mine remains the unproffered soul.

So much, no whit more, my debtors—

How should one like me lay claim

To that largess elders, betters

Sell you cheap their souls for—fame?

Which of you did I enableOnce to slip inside my breast,There to catalogue and labelWhat I like least, what love best,Hope and fear, believe and doubt of,Seek and shun, respect—deride?Who has right to make a rout ofRarities he found inside?

Which of you did I enable

Once to slip inside my breast,

There to catalogue and label

What I like least, what love best,

Hope and fear, believe and doubt of,

Seek and shun, respect—deride?

Who has right to make a rout of

Rarities he found inside?

Rarities or, as he 'd rather,Rubbish such as stocks his own:Need and greed (oh, strange) the FatherFashioned not for him alone!Whence—the comfort set a-strutting,Whence—the outcry "Haste, behold!Bard's breast open wide, past shutting,Shows what brass we took for gold!"

Rarities or, as he 'd rather,

Rubbish such as stocks his own:

Need and greed (oh, strange) the Father

Fashioned not for him alone!

Whence—the comfort set a-strutting,

Whence—the outcry "Haste, behold!

Bard's breast open wide, past shutting,

Shows what brass we took for gold!"

Friends, I doubt not he 'd display youBrass—myself call orichale,—Furnish much amusement; pray youTherefore, be content I balkHim and you, and bar my portal!Here 's my work outside: opineWhat 's inside me mean and mortal!Take your pleasure, leave me mine!

Friends, I doubt not he 'd display you

Brass—myself call orichale,—

Furnish much amusement; pray you

Therefore, be content I balk

Him and you, and bar my portal!

Here 's my work outside: opine

What 's inside me mean and mortal!

Take your pleasure, leave me mine!

Which is—not to buy your laurelAs last king did, nothing loth.Tale adorned and pointed moralGained him praise and pity both.Out rushed sighs and groans by dozens,Forth by scores oaths, curses flew:Proving you were cater-cousins,Kith and kindred, king and you!

Which is—not to buy your laurel

As last king did, nothing loth.

Tale adorned and pointed moral

Gained him praise and pity both.

Out rushed sighs and groans by dozens,

Forth by scores oaths, curses flew:

Proving you were cater-cousins,

Kith and kindred, king and you!

Whereas do I ne'er so little(Thanks to sherris), leave ajarBosom's gate—no jot nor tittleGrow we nearer than we are.Sinning, sorrowing, despairing,Body-ruined, spirit-wrecked,—Should I give my woes an airing,—Where 's one plague that claims respect?

Whereas do I ne'er so little

(Thanks to sherris), leave ajar

Bosom's gate—no jot nor tittle

Grow we nearer than we are.

Sinning, sorrowing, despairing,

Body-ruined, spirit-wrecked,—

Should I give my woes an airing,—

Where 's one plague that claims respect?

Have you found your life distasteful?My life did and does smack sweet.Was your youth of pleasure wasteful?Mine I saved and hold complete.Do your joys with age diminish?When mine fail me, I 'll complain.Must in death your daylight finish?My sun sets to rise again.

Have you found your life distasteful?

My life did and does smack sweet.

Was your youth of pleasure wasteful?

Mine I saved and hold complete.

Do your joys with age diminish?

When mine fail me, I 'll complain.

Must in death your daylight finish?

My sun sets to rise again.

What, like you, he proved—your Pilgrim—This our world a wilderness,Earth still gray and heaven still grim,Not a hand there his might press,Not a heart his own might throb to,Men all rogues and women—say,Dolls which boys' heads duck and bob to,Grown folk drop or throw away?

What, like you, he proved—your Pilgrim—

This our world a wilderness,

Earth still gray and heaven still grim,

Not a hand there his might press,

Not a heart his own might throb to,

Men all rogues and women—say,

Dolls which boys' heads duck and bob to,

Grown folk drop or throw away?

My experience being other,How should I contribute verseWorthy of your king and brother?Balaam-like I bless, not curse.I find earth not gray but rosy,Heaven not grim but fair of hue.Do I stoop? I pluck a posy.Do I stand and stare? All 's blue.

My experience being other,

How should I contribute verse

Worthy of your king and brother?

Balaam-like I bless, not curse.

I find earth not gray but rosy,

Heaven not grim but fair of hue.

Do I stoop? I pluck a posy.

Do I stand and stare? All 's blue.

Doubtless I am pushed and shoved byRogues and fools enough: the moreGood luck mine, I love, am loved bySome few honest to the core.Scan the near high, scout the far low!"But the low come close:" what then?Simpletons? My match is Marlowe;Sciolists? My mate is Ben.

Doubtless I am pushed and shoved by

Rogues and fools enough: the more

Good luck mine, I love, am loved by

Some few honest to the core.

Scan the near high, scout the far low!

"But the low come close:" what then?

Simpletons? My match is Marlowe;

Sciolists? My mate is Ben.

Womankind—"the cat-like nature,False and fickle, vain and weak"—What of this sad nomenclatureSuits my tongue, if I must speak?Does the sex invite, repulse so,Tempt, betray, by fits and starts?So becalm but to convulse so,Decking heads and breaking hearts?

Womankind—"the cat-like nature,

False and fickle, vain and weak"—

What of this sad nomenclature

Suits my tongue, if I must speak?

Does the sex invite, repulse so,

Tempt, betray, by fits and starts?

So becalm but to convulse so,

Decking heads and breaking hearts?

Well may you blaspheme at fortune!I "threw Venus" (Ben, expound!)Never did I need importuneHer, of all the Olympian round.Blessings on my benefactress!Cursings suit—for aught I know—Those who twitched her by the back tress,Tugged and thought to turn her—so!

Well may you blaspheme at fortune!

I "threw Venus" (Ben, expound!)

Never did I need importune

Her, of all the Olympian round.

Blessings on my benefactress!

Cursings suit—for aught I know—

Those who twitched her by the back tress,

Tugged and thought to turn her—so!

Therefore, since no leg to stand onThus I 'm left with,—joy or griefBe the issue,—I abandonHope or care you name me Chief!Chief and king and Lord's anointed,I?—who never once have wishedDeath before the day appointed:Lived and liked, not poohed and pished!

Therefore, since no leg to stand on

Thus I 'm left with,—joy or grief

Be the issue,—I abandon

Hope or care you name me Chief!

Chief and king and Lord's anointed,

I?—who never once have wished

Death before the day appointed:

Lived and liked, not poohed and pished!

"Ah, but so I shall not enter,Scroll in hand, the common heart—Stopped at surface: since at centreSong should reachWelt-schmerz, world-smart!""Enter in the heart?" Its shellyCuirass guard mine, fore and aft!Such song "enters in the bellyAnd is cast out in the draught."

"Ah, but so I shall not enter,

Scroll in hand, the common heart—

Stopped at surface: since at centre

Song should reachWelt-schmerz, world-smart!"

"Enter in the heart?" Its shelly

Cuirass guard mine, fore and aft!

Such song "enters in the belly

And is cast out in the draught."

Back then to our sherris-brewage!"Kingship" quotha? I shall wait—Waive the present time: some new age ...But let fools anticipate!Meanwhile greet me—"friend, good fellow,Gentle Will," my merry men!As for making Envy yellowWith "Next Poet"—(Manners, Ben!)

Back then to our sherris-brewage!

"Kingship" quotha? I shall wait—

Waive the present time: some new age ...

But let fools anticipate!

Meanwhile greet me—"friend, good fellow,

Gentle Will," my merry men!

As for making Envy yellow

With "Next Poet"—(Manners, Ben!)

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