ChristabelBy Samuel Taylor Coleridge Illustrated by a Facsimile of the Manuscript And by Textual and other Notes By Ernest Hartley Coleridge Hon. F.R.S.L. London: Henry Frowdemcmvii.
[8o, pp. ix + 113.
Note.—The Frontispiece is a photogravure (by Emery Walker) of a pastel drawing of S. T. Coleridge aet. 26. The Collotype Facsimile (thirty-eight leaves unpaged) is inserted between pp. 53 and 54. The text, as collated with three MSS., two transcriptions, and the First Edition, &c., is on pp. 61-96; a Bibliographical Index [Appendix IV] on pp. 111-113. This Edition (dedicated to the Poet's grand-daughters Edith and Christabel Rose Coleridge) was issued by Henry Frowde at the expense of the Royal Society of Literature.
The Poems of ColeridgeWith An Introduction By Ernest Hartley Coleridge And Illustrations By Gerald Metcalfe John Lane The Bodley Head London, W. John Lane Company New York.
[8o, pp. xxxi + 460 + Index to the Poems [461]-466 + Index to First Lines [469]-477.]
Note.—The Illustrations consist of twenty-three full-page illustrations, together with numerous headings, tailpieces, and vignettes. The Contents include all poems previously published which were not subject to the law of copyright:—'The Walk Before Supper', 'The Reproof and Reply', and 'Sancti Dominici Pallium' were printed for the first time from the original MSS.
The Rime of the Ancient Mariner.By Samuel Taylor Coleridge, Illustrated by Twenty-Five Poetic and Dramatic Scenes, Designed and Etched By David Scott, Member of the Scottish Academy of Painting. Edinburgh: Alexander Hill, 50, Princes Street; Ackermann & Co. London.m. dccc. xxxvii.
[Folio.
Note.—Text with marginal glosses in Gothic letters, pp. [5]-25 + twenty-four full-page etchings unpaged, preceded by an illustrated title-page. Scenes from Coleridge's Rime of the Ancient Mariner, By David Scott, S.A. [Etching of the Ancient Mariner on a storm-tost coast ringing a bell, with a motto (from Kubla Khan) "All who saw would cry Beware",Coleridge.] Edinburgh Published By Alexr. Hill, 50 Princes Street 1837. The cloth binding is embellished with a vignette—a lyre encircled by a winged serpent.
Coleridge's Rime of the Ancient MarinerIllustrated by J. Noel Paton, R.S.A. Art Union of London 1863 [W. H. McFarlane LithogrEdinburgh]
[Oblong Folio.
Note.—The text, pp. [1]-12, is followed by twenty full-page illustrations. The title-page and cloth binding are embellished with a symbolic vignette—a cross-bow, with twisted snake, resting on a cross encircled with stars.
The Poetical Worksof Samuel T. Coleridge Edited, with a Critical Memoir, By William Michael Rossetti. Illustrated By Thomas Seccombe. London: E. Moxon, Son, & Co., Dover Street.
[8o, pp. xxxii + 424.
Note.—In a Note affixed to the 'Prefatory Notice' the Editor states that this edition includes all Coleridge's 'Dramas . . . with the exception ofZapolya. In lieu of thisThe Fall of Robespierre, which has never as yet been reprinted in England, is introduced.'
[1135:1]Felix curarum &c.. . . . . . . . . . . . . . . . Nos otia vitaeSolamur cantu, ventosaque gaudia famaeQuaerimus.Statius,Silvarumlib. iv, iv, ll. 46-51.
[1135:1]
Felix curarum &c.. . . . . . . . . . . . . . . . Nos otia vitaeSolamur cantu, ventosaque gaudia famaeQuaerimus.
Felix curarum &c.. . . . . . . . . . . . . . . . Nos otia vitaeSolamur cantu, ventosaque gaudia famaeQuaerimus.
Statius,Silvarumlib. iv, iv, ll. 46-51.
[1135:2]The following Advertisement was issued on a separate sheet:—London, April 16. /This day was Published./ Printed on Wove Paper, and Hot-Pressed, / Price 5s.in Boards,—Fools-cap 8 vo. /Poems / on Various Subjects, by /S. T. Coleridge, / Late of Jesus College, Cambridge. /London: Printed for G. G. and J. Robinsons, Pater-Noster Row, and / J. Cottle, Bookseller, Bristol; and to be had of the /Publishersof theWatchman/ 1796. /
[1135:2]The following Advertisement was issued on a separate sheet:—
London, April 16. /This day was Published./ Printed on Wove Paper, and Hot-Pressed, / Price 5s.in Boards,—Fools-cap 8 vo. /Poems / on Various Subjects, by /S. T. Coleridge, / Late of Jesus College, Cambridge. /London: Printed for G. G. and J. Robinsons, Pater-Noster Row, and / J. Cottle, Bookseller, Bristol; and to be had of the /Publishersof theWatchman/ 1796. /
[1136:1]From 'An Evening Address to a Nightingale', by Cuthbert Shaw—Anderson'sBritish Poets, xi. 564.
[1136:1]From 'An Evening Address to a Nightingale', by Cuthbert Shaw—Anderson'sBritish Poets, xi. 564.
[1136:2]'Why may notLanghorne, simple in his lay,EffusiononEffusion, pour away?'The Candidate, ll. 41-2.
[1136:2]
'Why may notLanghorne, simple in his lay,EffusiononEffusion, pour away?'
'Why may notLanghorne, simple in his lay,EffusiononEffusion, pour away?'
The Candidate, ll. 41-2.
[1140:1]The ancient little Wits wrote many poems in the shape of Eggs, Altars, and Axes. (MS. Note by S. T. C.)
[1140:1]The ancient little Wits wrote many poems in the shape of Eggs, Altars, and Axes. (MS. Note by S. T. C.)
[1140:2]The title of the volume is 'Sonnets and Odes, by Henry Francis Cary. Author of an Irregular Ode to General Elliot. London 1787.'Lines 6-9 of the Sonnet read thus:—From him deriv'd who shun'd and spurn'd the throngAnd warbled sweet, thy Brooks and streams among,Lonely Valclusa! and that heir of FameOur English Milton—Line 14 reads:—A grandeur, grace and spirit all their own.The Poems were the first publication of 'Dante' Cary, then a boy of fifteen, whom Coleridge first met at Muddiford in October, 1816, and whose translation of theDivina Commediahe helped to make famous.
[1140:2]The title of the volume is 'Sonnets and Odes, by Henry Francis Cary. Author of an Irregular Ode to General Elliot. London 1787.'
Lines 6-9 of the Sonnet read thus:—
From him deriv'd who shun'd and spurn'd the throngAnd warbled sweet, thy Brooks and streams among,Lonely Valclusa! and that heir of FameOur English Milton—
From him deriv'd who shun'd and spurn'd the throngAnd warbled sweet, thy Brooks and streams among,Lonely Valclusa! and that heir of FameOur English Milton—
Line 14 reads:—
A grandeur, grace and spirit all their own.
A grandeur, grace and spirit all their own.
The Poems were the first publication of 'Dante' Cary, then a boy of fifteen, whom Coleridge first met at Muddiford in October, 1816, and whose translation of theDivina Commediahe helped to make famous.
[1141:1]The three Sonnets of Bowles are not in any Edition since the last quarto pamphlet of his Sonnets. (MS. Note by S. T. C.)
[1141:1]The three Sonnets of Bowles are not in any Edition since the last quarto pamphlet of his Sonnets. (MS. Note by S. T. C.)
[1144:1]Ossian.
[1144:1]Ossian.
[1146:1]CompareThe Pursuits of Literature, Dialogue 1, lines 50, 55, 56.The self-supported melancholy Gray* * * * *With his high spirit strove the master bard,And was his ownexceeding greatreward.The first Dialogue was published in May 1794. The lines on Gray may have suggested Coleridge's quotation from Genesis, chap. xv, ver. 1, which is supplied in a footnote to line 56.
[1146:1]CompareThe Pursuits of Literature, Dialogue 1, lines 50, 55, 56.
The self-supported melancholy Gray* * * * *With his high spirit strove the master bard,And was his ownexceeding greatreward.
The self-supported melancholy Gray
* * * * *
With his high spirit strove the master bard,And was his ownexceeding greatreward.
The first Dialogue was published in May 1794. The lines on Gray may have suggested Coleridge's quotation from Genesis, chap. xv, ver. 1, which is supplied in a footnote to line 56.
[1150:1]The 'Eolian Harp', with the title 'Effusion xxxv. Composed August 20, 1795, at Clevedon, Somersetshire', was first published in 1796, and included as 'Composed at Clevedon' in 1797 and 1803. It is possible that it may have been originally printed in a newspaper.
[1150:1]The 'Eolian Harp', with the title 'Effusion xxxv. Composed August 20, 1795, at Clevedon, Somersetshire', was first published in 1796, and included as 'Composed at Clevedon' in 1797 and 1803. It is possible that it may have been originally printed in a newspaper.
[1150:2]The fourth and last edition of theLyrical Balladswas issued in 1805.
[1150:2]The fourth and last edition of theLyrical Balladswas issued in 1805.
[1151:1]The List numbers thirty, and of these not more than twenty are strictly speakingErrata. Of the remainder the greater number are textual corrections, emendations, and afterthoughts.
[1151:1]The List numbers thirty, and of these not more than twenty are strictly speakingErrata. Of the remainder the greater number are textual corrections, emendations, and afterthoughts.
[1151:2]The allusion is to the prolonged and embittered controversy between Coleridge and his friends at Bristol, who had printed his works and advanced him various sums of money on the security of the sheets as printed and the future sale of the works when published. They were angry with him for postponing completion of these works, and keeping them out of their money, and he was naturally and reasonably indignant at the excessive sum charged for paper and printing. The fact was that they had done and intended to do him a kindness, but that in so far as it was a business transaction he suffered at their hands.
[1151:2]The allusion is to the prolonged and embittered controversy between Coleridge and his friends at Bristol, who had printed his works and advanced him various sums of money on the security of the sheets as printed and the future sale of the works when published. They were angry with him for postponing completion of these works, and keeping them out of their money, and he was naturally and reasonably indignant at the excessive sum charged for paper and printing. The fact was that they had done and intended to do him a kindness, but that in so far as it was a business transaction he suffered at their hands.
[1151:3]The title of these Iambic lines is 'Relictis Aliis Studiis Philosophiam Epicuream amplectitur'.
[1151:3]The title of these Iambic lines is 'Relictis Aliis Studiis Philosophiam Epicuream amplectitur'.
[1151:4]Ben Jonson, videante, p. 1118.
[1151:4]Ben Jonson, videante, p. 1118.
[1151:5]Videante, pp. 419, 420.
[1151:5]Videante, pp. 419, 420.
[1169:1]See Wordsworth'sP. W.1896, in. 21:The Small Celandine, ll. 21, 22.
[1169:1]See Wordsworth'sP. W.1896, in. 21:The Small Celandine, ll. 21, 22.
The Cambridge Intelligencer.Lines written at the King's Arms, Ross, formerly the House of the Man of RossSept. 27, 1794AbsenceOct. 11, 1794Sonnet [Anna and Harland]Oct. 25, 1794Sonnet [Genevieve]Nov. 1, 1794To a Young Man of Fortune, &c.Dec. 17, 1796Ode for the Last Day of the Year, 1796Dec. 31, 1796Parliamentary OscillatorsJan. 6, 1798The Morning Chronicle.To FortuneNov. 7, 1793Elegy [Elegy imitated from Akenside]Sept. 23, 1794Epitaph on an Infant. 'Ere sin could blight', &c.Sept. 23, 1794Sonnets on Eminent Characters.i.To the Honourable Mr. ErskineDec. 1, 1794ii.BurkeDec. 9, 1794iii.PriestleyDec. 11, 1794iv.La FayetteDec. 15, 1794v.KosciuskoDec. 16, 1794vi.PittDec. 23, 1794vii.To the Rev. W. L. BowlesDec. 26, 1794viii.Mrs. SiddonsDec. 29, 1794ix.To William GodwinJan. 10, 1795x.To Robert SoutheyJan. 14, 1795xi.To Richard Brinsley Sheridan, Esq.Jan. 29, 1795To Lord StanhopeJan. 31, 1795Address to a Young Jack Ass and its tethered Mother, In Familiar VerseDec. 30, 1794The Watchman.No. 1. To a Young Lady with a Poem on the French RevolutionMar. 1, 1796No. 2. Casimir. Ad Lyram. Imitation. 'The solemn-breathing air', &c.Mar. 9, 1796No. 3. Elegy. 'Near the lone Pile', &c.Mar. 17, 1796The Hour when we shall meet again. 'Dim hour', &c.Mar. 17, 1796No. 4. 'The early Year's fast-flying Vapours stray'Mar. 25, 1796A Morning Effusion. 'Ye Gales', &c.Mar. 25, 1796No. 5. To Mercy. 'Not always should the Tears', &c.Apr. 2, 1796Recollection. 'As the tir'd savage', &c.Apr. 2, 1796No. 6. Lines on Observing a Blossom on the First of February, 1796. 'Sweet Flower that peeping', &c.Apr. 11, 1796No. 8. To a Primrose. 'Thy smiles I note', &c.Apr. 27, 1796No. 9. Epitaph on an Infant. [Reprinted from theMorning Chronicle, Sept. 23, 1794.] 'Ere Sin could blight', &c.May 5, 1796The Monthly Magazine.On a Late Connubial Rupture, (ii, p. 647)Sept. 1796Reflections on Entering into Active Life, (ii, p. 732.) 'Low was our pretty Cot', &c.Oct. 1796Sonnets attempted in the Manner of Contemporary Writers, (iv, p. 374)Nov. 1797The Annual Register.Lines to a Beautiful Spring in a Village, (xxxviii, pp. 494-5)1796Tranquillity, An Ode. (xliii, pp. 525-6)1801Stanzas Addressed to a Lady on Her Recovery from a severe attack of Pain. (The Two Founts.) (lxix, pp. 537-8)1827The Morning Post.To an Unfortunate Woman in the Back Seats of the Boxes at the Theatre. 'Maiden that with sullen brow'Dec. 7, 1797Melancholy: A FragmentDec. 12, 1797Fire, Famine, and Slaughter: A War EclogueJan. 8, 1798The Old Man of the Alps.Mar. 8, 1798The RavenMar. 10, 1798Lines Imitated from Catullus. 'My Lesbia', &c.Apr. 11, 1798Lewti, or the Circassian Love ChauntApr. 13, 1798The Recantation: An OdeApr. 16, 1798Moriens Superstiti. 'The hour-bell sounds', &c.May 10, 1798A Tale. [Recantation. Illustrated in the Story of the Mad Ox]July 30, 1798The British Stripling's War-SongAug. 24, 1799The Devil's ThoughtsSept. 6, 1799Lines written in the Album at ElbingerodeSept. 17, 1799Lines Composed in a Concert RoomSept. 24, 1799To a Young Lady. 'Why need I say', &c.Dec. 9, 1799Introduction to the Tale of the Dark LadiéDec. 21, 1799Ode to Georgiana, Duchess of DevonshireDec. 24, 1799A Christmas CarolDec. 25, 1799Talleyrand to Lord GranvilleJan. 10, 1800The Mad MonkOct. 13, 1800Inscription for a Seat by the Road-side, &c.Oct. 21, 1800Alcaeus to SapphoNov. 24, 1800The Two Round Spaces: A SkeltoniadDec. 4, 1800On Revisiting the Sea ShoreSept. 15, 1801Tranquillity, An OdeDec. 4, 1801The Picture, or The Lover's ResolutionSept. 6, 1802Chamouni. The Hour before Sunrise. A HymnSept. 11, 1802The KeepsakeSept. 17, 1802How seldom Friend, &c. [The Good Great Man]Sept. 23, 1802Inscription on a Jutting Stone over a SpringSept. 24, 1802Dejection: An OdeOct. 4, 1802Ode to the RainOct. 7, 1802France: An OdeOct. 14, 1802The Language of Birds. 'Do you ask, what the Birds say?' &c.Oct. 16, 1802The Day-dream. From an Emigrant to his Absent WifeOct. 19, 1802The Courier.The Exchange of HeartsApr. 16, 1804Lines on a King-and-Emperor-making Emperor and King (Adaptation)Sept. 12, 1806Farewell to Love. [Morning Herald, Oct. 11, 1806]Sept. 27, 1806To Two SistersDec. 10, 1807Epitaph on an Infant. 'Its milky lips', &c.Mar. 20, 1811The Hour Glass (Adaptation)Aug. 30, 1811The Virgin's Cradle HymnAug. 30, 1811Mutual Passion (Adaptation)Sept. 21, 1811The Friend.[Ode to Tranquillity]No. 1, June 1, 1809The Three Graves, A Sexton's TaleNo. 6, Sept. 21, 1809Hymn.Before Sun-rise, in the Vale of ChamounyNo. 11, Oct. 26, 1809Tis True,Idoloclastes SatyraneNo. 14, Nov. 23, 1809The Gentleman's Magazine.Farewell to Love. (lxxxv, p. 448)1815Overlooked Poem by Coleridge. The Volunteer Stripling. (xxix, p. 160, N. S.)1848Felix Farley's Bristol Journal.Fancy in Nubibus, or The Poet in the CloudsFeb. 7, 1818Written on a Blank Leaf of Faulkner's Shipwreck, presented by a friend to Miss KFeb. 21, 1818Blackwood's Edinburgh Magazine.Fancy in Nubibus. (Vol. vi, p. 196)Nov. 1819The poet in his lone, &c. [Apologia, &c.] (Vol. xi, p. 12)Jan. 1822The Old Man's Sigh: A Sonnet. (Vol. xxxi, p. 956)June, 1832Co-operative Magazine and Monthly Herald.On the Prospect of Establishing a Pantisocracy in AmericaApr. 6, 1826Literary Magnet.An Impromptu on Christmas Day, &c.N. S., Vol. iii, 1827, p. 71The Evening Standard.Sancti Dominici PalliumMay 21, 1827The Crypt, a Receptacle for Things Past.Job's Luck1827, pp. 30, 31The Literary Souvenir.The Exchange1826, p. 408Lines Suggested by the Last Words of Berengarius1827, p. 17[Epitaphium Testamentarium]1827, p. 17Youth and Age1828, p. 1What is Life?1829, p. 346The Bijou, 1828.The Wanderings of Cain. A Fragmentp. 17Work without Hope28Youth and Age144A Day Dream. 'My eyes make pictures'146The Two Founts202The Amulet.New Thoughts on Old Subjects. The Improvisatore1828, pp. 37-47Three Scraps1833, pp. 31, 32(i)Love's Burial Place.(ii)The Butterfly.(iii)A Thought suggested by a View of Saddleback in Cumberland.New York Mirror.Lines written in Miss Barbour's Common Place BookDec. 19, 1829The Keepsake.The Garden of Boccaccio1829, p. 282Song, Ex Improviso, &c.1830, p. 264The Poet's Answer to a Lady's Question, &c. 'O'er wayward Childhood', &c.1830, p. 279The Athenæum.Water BalladOct. 29, 1831Friendship's Offering, 1834.PAGEMy Baptismal Birthday163Fragments from the Wreck of Memory, &c.—i.Hymn to the Earth165ii.English Hexameters, written during a temporary Blindness, in the Year 1799167iii.The Homeric Hexameter, &c.168iv.The Ovidian Elegiac Metre, &c.168v.A Versified Reflection. 'On sternBlencarthur's', &c.168.Love's Apparition and Evanishment355Lightheartednesses in Rhyme—i.The Reproof and Reply356ii.In Answer to a Friend's Question. 'Her attachment may differ', &c.359iii.Lines to a Comic Author, on an abusive Review359iv.An Expectoration, &c. 'As I am (sic) Rhymer', &c.360Expectoration the Second. 'InColn, a town of monks and bones'360The New Monthly Magazine.The Faded FlowerAug. 1836Dublin University Magazine.A Stranger Minstrel1845, xxvi, 112-13
PAGE1.Poems, supposed to have been written. . . By Thomas Rowley,. . .1794.Monody on the Death of Chattertonxxv2.Poems by Francis Wrangham, M.A., 1795.Translation of Hendecasyllabi ad Bruntonam, &c.79To Miss Brunton with the Preceding Translation.3.Poems on the Death of Priscilla Farmer.By her grandson Charles Lloyd, 1796.Sonnet. 'The Piteous sobs', &c.4.Lyrical Ballads, 1798.The Rime of the Ancyent Marinere1The Foster Mother's Tale53The Nightingale635.Lyrical Ballads(in two volumes), 1800.Vol. I. Love [with the four poems published in 1798]1386.Annual Anthology, 1800.*Lewti, or The Circassian Love-Chant23*To a Young Lady, on her first Appearance after a Dangerous Illness.32*Recantation, Illustrated in the Story of the Mad Ox59*Lines Written in the Album at Elbingerode, in the Hartz Forest74*A Christmas Carol79To a Friend, who had declared his intention of writing no more Poetry103This Lime-Tree Bower my Prison. A Poem, addressed toCharles Lamb, of the India House, London140To W. L. Esq. while he sung a Song to Purcell's Music.156*The British Stripling's War-Song173Something childish, but very natural. Written in Germany192Home-Sick. Written in Germany193*Ode toGeorgiana, Dutchess of Devonshire212*Fire, Famine, and Slaughter. A War Eclogue231*The Raven240*To an unfortunate Woman. 'Sufferer, that with sullen brow'291[Note.Poems marked with an asterisk were reprinted from theMorning Post.]7.Memoirs of the late Mrs. Robinson, &c. Four volumes, 1801.A Stranger MinstrelVol. iv, p. 1418.Melmoth's Beauties of British Poets, 1801.To a Young Ass21To a Spring in a beautiful Village119The Sigh167The Kiss2019.The Wild Wreath.Edited by M. E. Robinson, 1804.The Mad Monk14210.The Poetical Register and Repository of the Fine Arts.Vol. II. For 1802 (1803).*Chamouny. The Hour before Sunrise. A Hymn308*Inscription on a Jutting Stone over a Spring338*The Picture; or, The Lover's Resolution354Vol. III. For 1803 (1805).From the German of Leasing. 'I ask'd my fair', &c. [Signed 'Harley Philadelphia'.]274Sonnets, Attempted in the Manner of 'Contemporary Writers'346Vol. IV. For 1804 (1805).The Exchange.Vol. VI. For 1806, 1807 (1811).On a Late Connubial Rupture in High Life365Vol. VII. For 1808, 1809 (1812).Fears in Solitude. By S. T. Coleridge, Esq.227France, An Ode. By S. T. Coleridge, Esq.332Frost at Midnight. By S. T. Coleridge Esq.530[Note.Sonnets Attempted, &c., in Vol. III, and On a Late, &c., in Vol. VI, were reprinted from theMonthly Magazine: the three poems in Vol. VII were reprinted from the quarto pamphlet of 1798, and were again set up as a small octavo pamphlet by Law & Gilbert, the printers of thePoetical Register. Vide Bibliography, No.X.]11.Selection of Poems for Young Persons, by J. Cottle. Third edition, n. d.Epitaph on an Infant129Sonnet to the River Otter155Domestic Peace15712.English Minstrelsy; being a Selection of Fugitive Poetry from the Best English Authors. Two volumes, 1810.Vol. II.Fragment. S. T. Coleridge ['Introduction to the Tale of the dark Ladie' as published in the Morning Post]13113.Poetical Class-Book.Edited by W. F. Mylius, 1810.This Lime Tree Bower my Prison.14.Nugæ Canoræ. Poems by Charles Lloyd, 1819.Sonnet. 'The piteous sobs ', &c.14515.The British Minstrel.Glasgow, 1821.The Three Graves16.Castle Dangerous.By Sir W. Scott, 1832. Notes by J. G. Lockhart. Galignani, 1834.The Knight's Tomb. 'Where is the grave', &c.1017.A History of . . . Christ's Hospital.By the Rev. W. Trollope, 1834.Julia19218.Letters, Conversations, &c., of S. T. Coleridge. In two volumes, 1836.Vol. I.Farewell to Love143To Nature.144Sonnet. To Lord Stanhope217Vol II.'What boots to tell how o'er his grave'7519.Early Recollections, &c. By Joseph Cottle, 1837.Vol. I.Monody on . . . Chatterton, ll. 137-5432To W. J. H. While playing on his flute33The Fox and Statesman, &c.172Sonnet. To Lord Stanhope203Written After a Walk Before Supper209To an unfortunate Young Woman, Whom I had known in the days of her Innocence. 'Maiden! that with sullen brow'.213Allegorical Lines on the same subject. 'Myrtle Leaf, that ill besped'214On an Unfortunate Woman at the Theatre216On an Unfortunate, &c.217Examples.'O what a life', &c.226Another Specimen, describing Hexameters, &c.226Another Specimen. 'In the Hexameter', &c.227The English Duodecasyllable. 'Hear my beloved', &c.227Foster-Mother's Tale235To a Friend, [Charles Lloyd (sic)] who had declared his intention, &c., ll. 17-35245Lines Addressed to Joseph Cottle283'As oft mine eye', &c. [The Silver Thimble]236Sonnets, Attempted in the Manner of Contemporary Writers290To the Author of the Ancient Mariner293Vol. II.Five 'Epigrams, translated . . . from the German'65-6My Love. 'I ask'd my love', &c.67Joan of Arc, Book the Second. 4o, 1796 (including the lines claimed by S. T. C.)241-5220.The Book of Gems.Edited by S. C. Hall, 1838.The Garden of Boccaccio51Love52The Nightingale53Lines written in the Album at Elbingerode, &c.58Recollections of Love5921.Memoirs of William Wordsworth.In two volumes, 1851.Vol. I.English Hexameters. 'William, my teacher', &c.13922.An Old Man's Diary.By J. Payne Collier, 1871, 2.My Godmother's BeardPart I, pp. 34, 35.Epigram. 'A very old proverb commands', &c.Epitaph on Sir James Mackintosh. [The Two Round Spaces on the Tombstone]Part I, pp. 61, 62.A Character. 'A Bird who for his other sins' (15 lines)Part IV, p. 57.23.Unpublished letters from Samuel Taylor Coleridge to the Rev. John Prior Estlin: Communicated to the Philobiblon Society.To An Unfortunate Princess. [On a Late Connubial, &c.]20Lines Addressed to J. Horne Tooke. 'Britons! when last', &c.2224.Letters from the Lake Poets. . . To Daniel Stuart, 1889.Alcaeus to Sappho1625.Memorials of Coleorton.Edited by W. Knight. Two vols., 1887.Vol. I.Mont Blanc, The Summit of the Vale of Chamouny, An Hour before Sunrise—A Hymn. [As sent to Sir George Beaumont.]26ToWilliam Wordsworth. Composed for the greater part on the same night after the finishing of his recitation of the Poem in thirteen Books, on the Growth of his own Mind. [As sent to Sir G. Beaumont, Jan. 1807.]26.Golden Treasury of Songs and Lyrics.Edited by F. T. Palgrave 1896.Love199Kubla Khan308Youth and Age323
[Note.Poems marked with an asterisk were reprinted from theMorning Post.]
[Note.Sonnets Attempted, &c., in Vol. III, and On a Late, &c., in Vol. VI, were reprinted from theMonthly Magazine: the three poems in Vol. VII were reprinted from the quarto pamphlet of 1798, and were again set up as a small octavo pamphlet by Law & Gilbert, the printers of thePoetical Register. Vide Bibliography, No.X.]