It is the desire of every ambitious soul to, enter Literature by the front door, and the few who have patience and money enough to live without the aid of the beckoning Helen may enter there. But a side entrance is the destiny of most aspirants, even those with the golden key of genius, and they are a long time in working their way to be seen coming out, of the front entrance. It is true that a man can attract considerable and immediate attention by trying to effect an entrance through the sewer, but he seldom gains the respect of the public whom he interests, any more than an exhibitor of fireworks gains the reputation of an artist that is accorded to the painter of a good picture.
Philip was waiting at the front door, with his essays and his prose symphonies and his satirical novel—the satire of a young man is apt to be very bitter—but it was as tightly shut against him as if a publisher and not the muse of literature kept the door.
There was a fellow-boarder with Philip, whose acquaintance he had made at the common table in the basement, who appeared to be free of the world of letters and art. He was an alert, compact, neatly dressed little fellow, who had apparently improved every one of his twenty-eight years in the study of life, in gaining assurance and confidence in himself, and also presented himself as one who knew the nether world completely but was not of it. He would have said of himself that he knew it profoundly, that he frequented it for "material," but that his home was in another sphere. The impression was that he belonged among those brilliant guerrillas of both sexes, in the border-land of art and society, who lived daintily and talked about life with unconventional freedom. Slight in figure, with very black hair, and eyes of cloudy gray, an olive complexion, and features trained to an immobility proof against emotion or surprise, the whole poised as we would say in the act of being gentlemanly, it is needless to say that he took himself seriously. His readiness, self-confidence, cocksureness, Philip thought all expressed in his name —Olin Brad.
Mr. Brad was not a Bohemian—that is, not at all a Bohemian of the recognized type. His fashionable dress, closely trimmed hair, and dainty boots took him out of that class. He belonged to the new order, which seems to have come in with modern journalism—that is, Bohemian in principle, but of the manners and apparel of the favored of fortune. Mr. Brad was undoubtedly clever, and was down as a bright young man in the list of those who employed talent which was not dulled by conscientious scruples. He had stood well in college, during three years in Europe he had picked up two or three languages, dissipated his remaining small fortune, acquired expensive tastes, and knowledge, both esoteric and exoteric, that was valuable to him in his present occupation. Returning home fully equipped for a modern literary career, and finding after some bitter experience that his accomplishments were not taken or paid for at their real value by the caterers for intellectual New York, he had dropped into congenial society on the staff of the Daily Spectrum, a mighty engine of public opinion, which scattered about the city and adjacent territory a million of copies, as prodigally as if they had been auctioneers' announcements. Fastidious people who did not read it gave it a bad name, not recognizing the classic and heroic attitude of those engaged in pitchforking up and turning over the muck of the Augean stables under the pretense of cleaning them.
Mr. Brad had a Socratic contempt for this sort of fault-finding. It was answer enough to say, "It pays. The people like it or they wouldn't buy it. It commands the best talent in the market and can afford to pay for it; even clergymen like to appear in its columns—they say it's a providential chance to reach the masses. And look at the "Morning GooGoo" (this was his nickname for one of the older dailies), it couldn't pay its paper bills if it hadn't such a small circulation."
Mr. Brad, however, was not one of the editors, though the acceptance of an occasional short editorial, sufficiently piquant and impudent and vivid in language—to suit, had given him hopes. He was salaried, but under orders for special service, and was always in the hope that the execution of each new assignment would bring him into popular notice, which would mean an advance of position and pay.
Philip was impressed with the ready talent, the adaptable talent, and the facility of this accomplished journalist, and as their acquaintance improved he was let into many of the secrets of success in the profession.
"It isn't an easy thing," said Mr. Brad, "to cater to a public that gets tired of anything in about three days. But it is just as well satisfied with a contradiction as with the original statement. It calls both news. You have to watch out and see what the people want, and give it to 'em. It is something like the purveying of the manufacturers and the dry-goods jobber for the changing trade in fashions; only the newspaper has the advantage that it can turn a somersault every day and not have any useless stock left on hand.
"The public hasn't any memory, or, if it has, this whirligig process destroys it. What it will not submit to is the lack of a daily surprise. Keep that in your mind and you can make a popular newspaper. Only," continued Mr. Brad, reflectively, "you've got to hit a lot of different tastes."
"You'd laugh," this artist in emotions went on, after a little pause, "at some of my assignments. There was a run awhile ago on elopements, and my assignment was to have one every Monday morning. The girl must always be lovely and refined and moving in the best society; elopement with the coachman preferred, varied with a teacher in a Sunday-school. Invented? Not always. It was surprising how many you could find ready made, if you were on the watch. I got into the habit of locating them in the interior of Pennsylvania as the safest place, though Jersey seemed equally probable to the public. Did I never get caught? That made it all the more lively and interesting. Denials, affidavits, elaborate explanations, two sides to any question; if it was too hot, I could change the name and shift the scene to a still more obscure town. Or it could be laid to the zeal of a local reporter, who could give the most ingenious reasons for his story. Once I worked one of those imaginary reporters up into such prominence for his clever astuteness that my boss was taken in, and asked me to send for him and give him a show on the paper.
"Oh, yes, we have to keep up the domestic side. A paper will not go unless the women like it. One of the assignments I liked was 'Sayings of Our Little Ones.' This was for every Tuesday morning. Not more than half a column. These always got copied by the country press solid. It is really surprising how many bright things you can make children of five and six years say if you give your mind to it. The boss said that I overdid it sometimes and made them too bright instead of 'just cunning.'
"'Psychological Study of Children' had a great run. This is the age of science. Same with animals, astronomy—anything. If the public wants science, the papers will give it science.
"After all, the best hold for a lasting sensation is an attack upon some charity or public institution; show up the abuses, and get all the sentimentalists on your side. The paper gets sympathy for its fearlessness in serving the public interests. It is always easy to find plenty of testimony from ill-used convicts and grumbling pensioners."
Undoubtedly Olin Brad was a clever fellow, uncommonly well read in the surface literatures of foreign origin, and had a keen interest in what he called the metaphysics of his own time. He had many good qualities, among them friendliness towards men and women struggling like himself to get up the ladder, and he laid aside all jealousy when he advised Philip to try his hand at some practical work on the Spectrum. What puzzled Philip was that this fabricator of "stories" for the newspaper should call himself a "realist." The "story," it need hardly be explained, is newspaper slang for any incident, true or invented, that is worked up for dramatic effect. To state the plain facts as they occurred, or might have occurred, and as they could actually be seen by a competent observer, would not make a story. The writer must put in color, and idealize the scene and the people engaged in it, he must invent dramatic circumstances and positions and language, so as to produce a "picture." And this picture, embroidered on a commonplace incident, has got the name of "news." The thread of fact in this glittering web the reader must pick out by his own wits, assisted by his memory of what things usually are. And the public likes these stories much better than the unadorned report of facts. It is accustomed to this view of life, so much so that it fancies it never knew what war was, or what a battle was, until the novelists began to report them.
Mr. Brad was in the story stage of his evolution as a writer. His light facility in it had its attraction for Philip, but down deep in his nature he felt and the impression was deepened by watching the career of several bright young men and women on the press—that indulgence in it would result in such intellectual dishonesty as to destroy the power of producing fiction that should be true to life. He was so impressed by the ability and manifold accomplishments of Mr. Brad that he thought it a pity for him to travel that road, and one day he asked him why he did not go in for literature.
"Literature!" exclaimed Mr. Brad, with some irritation; "I starved on literature for a year. Who does live on it, till he gets beyond the necessity of depending on it? There is a lot of humbug talked about it. You can't do anything till you get your name up. Some day I will make a hit, and everybody will ask, 'Who is this daring, clever Olin Brad?' Then I can get readers for anything I choose to write. Look at Champ Lawson. He can't write correct English, he never will, he uses picturesque words in a connection that makes you doubt if he knows what they mean. But he did a dare-devil thing picturesquely, and now the publishers are at his feet. When I met him the other day he affected to be bored with so much attention, and wished he had stuck to the livery-stable. He began at seventeen by reporting a runaway from the point of view of the hostler."
"Well," said Philip, "isn't it quite in the line of the new movement that we should have an introspective hostler, who perhaps obeys Sir Philip Sidney's advice, 'Look into your heart and write'? I chanced the other night in a company of the unconventional and illuminated, the 'poster' set in literature and art, wild-eyed and anaemic young women and intensely languid, 'nil admirari' young men, the most advanced products of the studios and of journalism. It was a very interesting conclave. Its declared motto was, 'We don't read, we write.' And the members were on a constant strain to say something brilliant, epigrammatic, original. The person who produced the most outre sentiment was called 'strong.' The women especially liked no writing that was not 'strong.' The strongest man in the company, and adored by the women, was the poet-artist Courci Cleves, who always seems to have walked straight out of a fashion-plate, much deferred to in this set, which affects to defer to nothing, and a thing of beauty in the theatre lobbies. Mr. Cleves gained much applause for his well-considered wish that all that has been written in the world, all books and libraries, could be destroyed, so as to give a chance to the new men and the fresh ideas of the new era."
"My dear sir," said Brad, who did not like this caricature of his friends, "you don't make any allowance for the eccentricities of genius."
"You would hit it nearer if you said I didn't make allowance for the eccentricities without genius," retorted Philip.
"Well," replied Mr. Brad, taking his leave, "you don't understand your world. You go your own way and see where you will come out."
And when Philip reflected on it, he wondered if it were not rash to offend those who had the public ear, and did up the personals and minor criticisms for the current prints. He was evidently out of view. No magazine paper of his had gained the slightest notice from these sublimated beings, who discovered a new genius every month.
A few nights after this conversation Mr. Brad was in uncommon spirits at dinner.
"Anything special turned up?" asked Philip.
"Oh, nothing much. I've thrown away the chance of the biggest kind of a novel of American life. Only it wouldn't keep. You look in the Spectrum tomorrow morning. You'll see something interesting."
"Is it a—" and Philip's incredulous expression supplied the word.
"No, not a bit. And the public is going to be deceived this time, sure, expecting a fake. You know Mavick?"
"I've heard of him—the operator, a millionaire."
"A good many times. Used to be minister or consul or something at Rome. A great swell. It's about his daughter, Evelyn, a stunning girl about sixteen or seventeen—not out yet."
"I hope it's no scandal."
"No, no; she's all right. It's the way she's brought up—shows what we've come to. They say she's the biggest heiress in America and a raving beauty, the only child. She has been brought up like the Kohinoor, never out of somebody's sight. She has never been alone one minute since she was born. Had three nurses, and it was the business of one of them, in turn, to keep an eye on her. Just think of that. Never was out of the sight of somebody in her life. Has two maids now—always one in the room, night and day."
"What for?"
"Why, the parents are afraid she'll be kidnapped, and held for a big ransom. No, I never saw her, but I've got the thing down to a dot. Wouldn't I like to interview her, though, get her story, how the world looks to her. Under surveillance for sixteen years! The 'Prisoner of Chillon' is nothing to it for romance."
"Just the facts are enough, I should say."
"Yes, facts make a good basis, sometimes. I've got 'em all in, but of course I've worked the thing up for all it is worth. You'll see. I kept it one day to try and get a photograph. We've got the house and Mavick, but the girl's can't be found, and it isn't safe to wait. We are going to blow it out tomorrow morning."
The Mavick mansion was on Fifth Avenue in the neighborhood of Central Park. It was one of the buildings in the city that strangers were always taken to see. In fact, this was a palace not one kind of a palace, but all kinds of a palace. The clever and ambitious architect of the house had grouped all the styles of architecture he had ever seen, or of which he had seen pictures. Here was not an architectural conception, like a sonnet or a well-constructed novel, but if all the work could have been spread out in line, in all its variety, there would have been produced a panorama. The sight of the mansion always caused wonder and generally ignorant admiration. Its vastness and splendor were felt to be somehow typical of the New World and of the cosmopolitan city.
The cost, in the eyes of the spectators, was a great part of its merits. No doubt this was a fabulous sum. "You can form a little idea of it," said a gentleman to his country friend, "when I tell you that that little bit there, that little corner of carving and decoration, cost two hundred thousand dollars! I had this from the architect himself."
"My!"
The interior was as fully representative of wealth and of the ambition to put under one roof all the notable effects of all the palaces in the world. But it had, what most palaces have not, all the requisites for luxurious living. The variety of styles in the rooms was bewildering. Artists of distinction, both foreign and native, had vied with each other in the decoration of the rooms given over to the display of their genius. All paganism and all Christianity, history, myth, and the beauties of nature were spread upon the walls and ceilings. Rare woods, rare marbles, splendid textures, the product of ancient handiwork and modern looms, added a certain dignity to the more airy creations of the artists. Many of the rooms were named from the nations whose styles of decoration and furnishing were imitated in them, but others had the simple designation of the gold room, the silver room, the lapis-lazuli room, and so on. It was not only the show-rooms, the halls, passages, stairways, and galleries (both of pictures and of curios) that were thus enriched, but the boudoirs, retiring-rooms, and more private apartments as well. It was not simply a house of luxury, but of all the comfort that modern invention can furnish. It was said that the money lavished upon one or two of the noble apartments would have built a State-house (though not at Albany), and that the fireplace in the great hall cost as much as an imitation mediaeval church. These were the things talked about, and yet the portions of this noble edifice, rich as they were, habitually occupied by the family had another character—the attractions and conveniences of what we call a home. Mrs. Mavick used to say that in her apartments she found refuge in a sublimated domesticity. Mavick's own quarters—not the study off the library where he received visitors whom it was necessary to impress—had an executive appearance, and were, in the necessary appliances, more like the interior bureau of a board of trade. In fact, the witty brokers who were admitted to its mysteries called it the bucket-shop.
Mr. Brad's article on "A Prisoned Millionaire" more than equaled Philip's expectations. No such "story" had appeared in the city press in a long time. It was what was called, in the language of the period, a work of art—that is, a sensation, heightened by all the words of color in the language, applied not only to material things, but to states and qualities of mind, such as "purple emotions" and "scarlet intrepidity." It was also exceedingly complimentary. Mavick himself was one of the powers and pillars of American society, and the girl was an exquisite exhibition of woodland bloom in the first flush of spring-time. As he read it over, Philip thought what a fine advertisement it is to every impecunious noble in Europe.
That morning, before going to his office, Philip strolled up Fifth Avenue to look at that now doubly, famous mansion. Many others, it appeared, were moved by the same curiosity. There was already a crowd assembled. A couple of policemen, on special duty, patrolled the sidewalk in front in order to keep a passage open, and perhaps to prevent a too impudent inspection. Opposite the house, on the sidewalk and on door-steps, was a motley throng, largely made up of toughs and roughs from the East Side, good-natured spectators who merely wanted to see this splendid prison, and a moving line of gentlemen and ladies who simply happened to be passing that way at this time. The curbstone was lined with a score of reporters of the city journals, each with his note-book. Every window and entrance was eagerly watched. It was hoped that one of the family might be seen, or that some servant might appear who could be interviewed. Upon the windows supposed by the reporters to be those from which the heiress looked, a strict watch was kept. The number, form, and location of these windows were accurately noted, the stuff of the curtains described in the phrase of the upholsterer, and much good language was devoted to the view from these windows. The shrewdest of the reporters had already sought information as to the interior from the flower dealers, from upholsterers, from artists who had been employed in the decorations, and had even assailed, in the name of the rights of the public whom they represented, the architects of the building; but their chief reliance was upon the waiters furnished by the leading caterers on occasions of special receptions and great dinners, and milliners and dress-makers, who had penetrated the more domestic apartments. By reason of this extraordinary article in the newspaper, the public had acquired the right to know all about the private life of the Mavick family.
This right was not acknowledged by Mr. Mavick and his family. Of course the object of the excitement was wholly ignorant of the cause of it, as no daily newspaper was ever seen by her that had not been carefully inspected by the trusted and intelligent governess. The crowd in front of the mansion was accounted for by the statement that a picture of it had appeared in one of the low journals, and there was naturally a curiosity to see it. And Evelyn was told that this was one of the penalties a man paid for being popular.
Mrs. Mavick, who seldom lost her head, was thoroughly frightened and upset, and it was a rare occasion that could upset the equanimity of the late widow, Mrs. Carmen Henderson. She gave way to her passion and demanded that the offending editor should be pursued with the utmost rigor of the law. Mr. Mavick was not less annoyed and angry, but he smiled when his wife talked of pursuing the press with the utmost rigor of the law, and said that he would give the matter prompt attention. That day he had an interview with the editor of the Daily Spectrum; which was satisfactory to both parties. The editor would have said that Mavick behaved like a gentleman. The result of the interview appeared in the newspaper of the following morning.
Mr. Mavick had requested that the offending reporter should be cautioned; he was too wise to have further attention called to the matter by demanding his dismissal. Accordingly the reporter was severely reprimanded, and then promoted.
The editorial, which was written by Mr. Olin Brad, and was in his best Macaulay style, began somewhat humorously by alluding to the curious interest of the public in ancient history, citing Mr. Froude and Mr. Carlyle, and the legend of Casper Hauser. It was true, gradually approaching the case in point, that uncommon precautions had been taken in the early years of the American heiress, and it was the romance of the situation that had been laid before the readers of the Spectrum. But there had been really no danger in our chivalrous, free American society, and all these precautions were long a thing of the past (which was not true). In short, with elaboration and great skill, and some humor, the exaggerations of the former article were minimized, and put in an airy and unsubstantial light. And then this friend of the people, this exposer of abuses and champion of virtue, turned and justly scored the sensational press for prying into the present life of one of the first families in the country.
Incidentally, it was mentioned that the ladies of the family had before this incident bespoken their passage for their annual visit to Europe, and that this affair had not disturbed their arrangements (which also was not true). This casual announcement was intended to draw away attention from the Fifth Avenue house, and to notify the roughs that it would be useless to lay any plans.
The country press, which had far and wide printed the interesting story, softened it in accordance with the later development. Possibly no intelligent person was deceived, but in the estimation of the mass of the people the Spectrum increased its reputation for enterprise and smartness and gave also an impression of its fairness. The manager, told Mr. Brad that the increased sales of the two days permitted the establishment to give him a vacation of two weeks on full pay, and during these weeks the manager himself set up a neat and modest brougham.
All of which events, only partially understood, Mr. Philip Burnett revolved in his mind, and wondered if what was called success was worth the price paid for it.
The name of Thomas Mavick has lost the prominence and significance it had at the time the events recorded in this history were taking place. It seems incredible that the public should so soon have lost interest in him. His position in the country was most conspicuous. No name was more frequently in the newspapers. No other person not in official life was so often interviewed. The reporters instinctively turned to him for information in matters financial, concerning deals, and commercial, which were so commonly connected with political, enterprises. No loan was negotiated without consulting him, no operation was considered safe without knowing how he was affected towards it, and to ascertain what Mavick was doing or thinking was a constant anxiety in the Street. Of course the opinion of a man so powerful was very important in politics, and any church or sect would be glad to have his support. The fact that he and his family worshiped regularly at St. Agnes's was a guarantee of the stability of that church, and incidentally marked the success of the Christian religion in the metropolis.
But the condition of the presence in the public mind of the name of a great operator and accumulator of money who is merely that is either that he go on accumulating, so that the magnitude of his wealth has few if any rivals, or that his name become synonymous with some gigantic cleverness, if not rascality, so that it is used as an adjective after he and his wealth have disappeared from the public view. It is different with the reputation of an equally great financier who has used his ability for the service of his country. There is no Valhalla for the mere accumulators of money. They are fortunate if their names are forgotten, and not remembered as illustrations of colossal selfishness.
Mavick may have been the ideal of many a self-made man, but he did not make his fortune—he married it. And it was suspected that the circumstances attending that marriage put him in complete control of it. He came into possession, however, with cultivated shrewdness and tact and large knowledge of the world, the world of diplomacy as well as of business. And under his manipulation the vast fortune so acquired was reported to have been doubled. It was at any rate almost fabulous in the public estimation.
When the charming widow of the late Rodney Henderson, then sojourning in Rome, placed her attractive self and her still more attractive fortune in the hands of Mr. Thomas Mavick, United States Minister to the Court of Italy, she attained a position in the social world which was in accord with her ambition, and Mavick acquired the means of making the mission, in point of comparison with the missions of the other powers at the Italian capital, a credit to the Great Republic. The match was therefore a brilliant one, and had a sort of national importance.
Those who knew Mrs. Mavick in the remote past, when she was the fascinating and not definitely placed Carmen Eschelle, and who also knew Mr. Mavick when he was the confidential agent of Rodney Henderson, knew that their union was a convenient and material alliance, in which the desire of each party to enjoy in freedom all the pleasures of the world could be gratified while retaining the social consideration of the world. Both had always been circumspect. And it may be added, for the information of strangers, that they thoroughly knew each other, and were participants in a knowledge that put each at disadvantage, so that their wedded life was a permanent truce. This bond of union was not ideal, and not the best for the creation of individual character, but it avoided an exhibition of those public antagonisms which so grieve and disturb the even flow of the current of society, and give occasion to so much witty comment on the institution of marriage itself.
When, some two years after Mr. Mavick relinquished the mission to Italy to another statesman who had done some service to the opposite party, an heiress was born to the house of Mavick, her appearance in the world occasioned some disappointment to those who had caused it. Mavick naturally wished a son to inherit his name and enlarge the gold foundation upon which its perpetuity must rest; and Mrs. Mavick as naturally shrank from a responsibility that promised to curtail freedom of action in the life she loved. Carmen—it was an old saying of the danglers in the time of Henderson—was a domestic woman except in her own home.
However, it is one of the privileges of wealth to lighten the cares and duties of maternity, and the enlarged household was arranged upon a basis that did not interfere with the life of fashion and the charitable engagements of the mother. Indeed, this adaptable woman soon found that she had become an object of more than usual interest, by her latest exploit, in the circles in which she moved, and her softened manner and edifying conversation showed that she appreciated her position. Even the McTavishes, who were inclined to be skeptical, said that Carmen was delightful in her new role. This showed that the information Mrs. Mavick got from the women who took care of her baby was of a kind to touch the hearts of mothers and spinsters.
Moreover, the child was very pretty, and early had winning ways. The nurse, before the baby was a year old, discovered in her the cleverness of the father and the grace and fascination of the mother. And it must be said that, if she did not excite passionate affection at first, she enlisted paternal and maternal pride in her career. It dawned upon both parents that a daughter might give less cause for anxiety than a son, and that in an heiress there were possibilities of an alliance that would give great social distinction. Considering, therefore, all that she represented, and the settled conviction of Mrs. Mavick that she would be the sole inheritor of the fortune, her safety and education became objects of the greatest anxiety and precaution.
It happened that about the time Evelyn was christened there was a sort of epidemic of stealing children, and of attempts to rob tombs of occupants who had died rich or distinguished, in the expectation of a ransom. The newspapers often chronicled mysterious disappearances; parents whose names were conspicuous suffered great anxiety, and extraordinary precautions were taken in regard to the tombs of public men. And this was the reason that the heiress of the house of Mavick became the object of a watchful vigilance that was probably never before exercised in a republic, and that could only be paralleled in the case of a sole heir-apparent of royalty.
These circumstances resulted in an interference with the laws of nature which it must be confessed destroyed one of the most interesting studies in heredity that was ever offered to an historian of social life. What sort of a child had we a right to expect from Thomas Mavick, diplomatist and operator, successor to the rights and wrongs of Rodney Henderson, and Carmen Mavick, with the past of Carmen Eschelle and Mrs. Henderson? Those who adhered to the strictest application of heredity, in considering the natural development of Evelyn Mavick, sought refuge in the physiological problem of the influence of Rodney Henderson, and declared that something of his New England sturdiness and fundamental veracity had been imparted to the inheritor of his great fortune.
But the visible interference took the form of Ann McDonald, a Scotch spinster, to whom was intrusted the care of Evelyn as soon as she was christened. It was merely a piece of good fortune that brought a person of the qualifications of Ann McDonald into the family, for it is not to be supposed that Mrs. Mavick had given any thought to the truth that the important education of a child begins in its cradle, or that in selecting a care-taker and companion who should later on be a governess she was consulting her own desire of freedom from the duties of a mother. It was enough for her that the applicant for the position had the highest recommendations, that she was prepossessing in appearance, and it was soon perceived that the guardian was truthful, faithful, vigilant, and of an affectionate disposition and an innate refinement.
Ann McDonald was the only daughter of a clergyman of the Scotch Church, and brought up in the literary atmosphere common in the most cultivated Edinburgh homes. She had been accurately educated, and always with the knowledge that her education might be her capital in life. After the death of her mother, when she was nineteen, she had been her father's housekeeper, and when in her twenty-fourth year her father relinquished his life and his salary, she decided, under the advice of influential friends, to try her fortune in America. And she never doubted that it was a providential guidance that brought her into intimate relations with the infant heiress. It seemed probable that a woman so attractive and so solidly accomplished would not very long remain a governess, but in fact her career was chosen from the moment she became interested in the development of the mind and character of the child intrusted to her care. It is difficult to see how our modern life would go on as well as it does if there were not in our homes a good many such faithful souls. It sometimes seems, in this shifting world, that about the best any of us can do is to prepare some one else for doing something well.
Miss McDonald had a pretty comprehensive knowledge of English literature and history, and, better perhaps than mere knowledge, a discriminating and cultivated taste. If her religious education had twisted her view of the fine arts, she had nevertheless a natural sympathy for the beautiful, and she would not have been a Scotchwoman if she had not had a love for the romances of her native land and at heart a "ballad" sentiment for the cavaliers. If Evelyn had been educated by her in Edinburgh, she might have been in sentiment a young Jacobite. She had through translations a sufficient knowledge of the classics to give her the necessary literary background, and her study of Latin had led her into the more useful acquisition of French.
If she had been free to indulge her own taste, she would have gone far in natural history, as was evident from her mastery of botany and her interest in birds.
She inspired so much confidence by her good sense, clear-headedness, and discretion, that almost from the first Evelyn was confided to her sole care, with only the direction that the baby was never for an instant, night or day, to be left out of the sight of a trusty attendant. The nurse was absolutely under her orders, she selected the two maids, and no person except the parents and the governess could admit visitors to the nursery. This perfect organization was maintained for many years, and though it came to be relaxed in details, it was literally true that the heiress was never alone, and never out of the sight of some trusted person responsible for her safety. But whatever the changes or relaxation, in holidays, amusements, travel, or education, the person who formed her mind was the one who had taught her to obey, to put words together into language, and to speak the truth, from infancy.
It is not necessary to consider Ann McDonald as a paragon. She was simply an intelligent, disciplined woman, with a strong sense of duty. If she had married and gone about the ordinary duties of life at the age of twenty-four, she would probably have been in no marked way distinguished among women. Her own development was largely due to the responsibility that was put upon her in the training of another person. In this sense it was true that she had learned as much as she had imparted. And in nothing was this more evident than in the range of her literary taste and judgment. Whatever risks, whatever latitude she might have been disposed to take with regard to her own mind, she would not take as to the mind of another, and as a consequence her own standards rose to meet the situation. That is to say, in a conscientious selection of only the best for Evelyn, she became more fastidious as to the food for her own mind. Or, to put it in still another way, in regard to character and culture generally, the growth of Miss McDonald could be measured by that of Evelyn.
When, from the time Evelyn was seven years old, it became necessary in her education to call in special tutors in the languages and in mathematics, and in certain arts that are generally called accomplishments, Miss McDonald was always present when the lessons were given, so that she maintained her ascendency and her influence in the girl's mind. It was this inseparable companionship, at least in all affairs of the mind, that gave to this educational experiment an exceptional interest to students of psychology. Nothing could be more interesting than to come into contact with a mind that from infancy onward had dwelt only upon what is noblest in literature, and from which had been excluded all that is enervating and degrading. A remarkable illustration of this is the familiar case of Helen Keller, whose acquisitions, by reason of her blindness and deafness, were limited to what was selected for her, and that mainly by one person, and she was therefore for a long time shielded from a knowledge of the evil side of life. Yet all vital literature is so close to life, and so full of its passion and peril, that it supplies all the necessary aliment for the growth of a sound, discriminating mind; and that knowledge of the world, as knowledge of evil is euphemistically called, can be safely left out of a good education. This may be admitted without going into the discussion whether good principles and standards in literature and morals are a sufficient equipment for the perils of life.
This experiment, of course, was limited in Evelyn's case. She came in contact with a great deal of life. Her little world was fairly representative, for it contained her father, her mother, her governess, the maids and the servants, and occasional visitors, whom she saw freely as she grew older. The interesting fact was that she was obliged to judge this world according to the standards of literature, morals, and manners that had been implanted in her mainly by the influence of one person. The important part of this experiment of partial exclusion, in which she was never alone' an experiment undertaken solely for her safety and not for her training-was seen in her when she became conscious of its abnormal character, and perceived that she was always under surveillance. It might have made her exceedingly morbid, aside from its effect of paralyzing her self-confidence and power of initiation, had it not been for the exceptionally strong and cheerful nature of her companion. A position more hateful, even to a person not specially socially inclined, cannot be imagined than that of always being watched, and never having any assured privacy. And under such a tutelage and dependence, how in any event could she be able to take care of herself? What weapons had this heiress of a great fortune with which to defend herself? What sort of a girl had this treatment during seventeen years produced?
To the private apartment of Mr. Mavick, in the evening of the second eventful day, where, over his after-dinner cigar, he was amusing himself with a French novel, enters, after a little warning tap, the mistress of the house, for, what was a rare occurrence, a little family chat.
"So you didn't horsewhip and you didn't prosecute. You preferred to wriggle out!"
"Yes," said Mavick, too much pleased with the result to be belligerent,"I let the newspaper do the wriggling."
"Oh, my dear, I can trust you for that. Have you any idea how it got hold of the details?"
"No; you don't think McDonald—"
"McDonald! I'd as soon suspect myself. So would you."
"Well, everybody knew it already, for that matter. I only wonder that some newspaper didn't get on to it before. What did Evelyn say?"
"Nothing more than what you heard at dinner. She thought it amusing that there should be such a crowd to gaze at the house, simply because a picture of it had appeared in a newspaper. She thought her father must be a very important personage. I didn't undeceive her. At times, you know, dear, I think so myself."
"Yes, I've noticed that," said Mavick, with a good-natured laugh, in which Carmen joined, "and those times usually coincide with the times that you want something specially."
"You ought to be ashamed to take me up that way. I just wanted to talk about the coming-out reception. You know I had come over to your opinion that seventeen was perhaps better than eighteen, considering Evelyn's maturity. When I was seventeen I was just as good as I am now."
"I don't doubt it," said Mavick, with another laugh.
"But don't you see this affair upsets all our arrangements? It's very vexatious."
"I don't see it exactly. By-the-way, what do you think of the escape suggested by the Spectrum, in the assertion that you and Evelyn had arranged to go to Europe? The steamer sails tomorrow."
"Think!" exclaimed Carmen. "Do you think I am going to be run, as you call it, by the newspapers? They run everything else. I'm not politics, I'm not an institution, I'm not even a revolution. No, I thank you. It answers my purpose for them to say we have gone."
"I suppose you can keep indoors a few days. As to the reception, I had arranged my business for it. I may be in Mexico or Honolulu the following winter."
"Well, we can't have it now. You see that."
"Carmen, I don't care a rap what the public thinks or says. The child's got to face the world some time, and look out for herself. I fancy she will not like it as much as you did."
"Very likely. Perhaps I liked it because I had to fight it. Evelyn never will do that."
"She hasn't the least idea what the world is like."
"Don't you be too sure of that, my dear; you don't understand yet what a woman feels and knows. You think she only sees and thinks what she is told. The conceit of men is most amusing about this. Evelyn is deeper than you think. The discrimination of that child sometimes positively frightens me—how she sees into things. It wouldn't surprise me a bit if she actually knew her father and mother!"
"Then she beats me," said Mavick, with another laugh, "and I've been at it a long time. Carmen, just for fun, tell me a little about your early life."
"Well"—there was a Madonna-like smile on her lips, and she put out the toe of her slender foot and appeared to study it for a moment—" I was intended to be a nun."
"Spanish or French?"
"Just a plain nun. But mamma would not hear of it. Mamma was just a bit worldly."
"I never should have suspected it," said Mavick, with equal gravity."But how did you live in those early days, way back there?"
"Oh!" and Carmen looked up with the most innocent, open-eyed expression, "we lived on our income."
"Naturally. We all try to do that." The tone in Mavick's voice showed that he gave it up.
"But, of course," and Carmen was lively again, "it's much nicer to have a big income that's certain than a small one that is uncertain."
"It would seem so."
"Ah, deary me, it's such a world! Don't you think, dear, that we have had enough domestic notoriety for one year?"
"Quite. It would do for several."
"And we will put it off a year?"
"Arrange as you like." And Mavick stretched up his arms, half yawned, and took up another cigar.
"It will be such a relief to McDonald. She insisted it was too soon." And Carmen whirled out of her chair, went behind her husband, lifted with her delicate fingers a lock of grayish hair on his forehead, deposited the lightest kiss there—"Nobody in the world knows how good you are except me," and was gone.
And the rich man, who had gained everything he wanted in life except happiness, lighted his cigar and sought refuge in a tale of modern life, that was, however, too much like his own history to be consoling.
It must not be supposed from what she said that Mrs. Mavick stood in fear of her daughter, but it was only natural that for a woman of the world the daily contact of a pure mind should be at times inconvenient. This pure mind was an awful touchstone of conduct, and there was a fear that Evelyn's ignorance of life would prevent her from making the proper allowances. In her affectionate and trusting nature, which suspected little evil anywhere, there was no doubt that her father and mother had her entire confidence and love. But the likelihood was that she would not be pliant. Under Miss McDonald's influence she had somewhat abstract notions of what is right and wrong, and she saw no reason why these should not be applied in all cases. What her mother would have called policy and reasonable concessions she would have given different names. For getting on in the world, this state of mind has its disadvantages, and in the opinion of practical men, like Mavick, it was necessary to know good and evil. But it was the girl's power of discernment that bothered her mother, who used often to wonder where the child came from.
On the other hand, it must not be supposed that the singular training of Evelyn had absolutely destroyed her inherited tendencies, or made her as she was growing into womanhood anything but a very real woman, with the reserves, the weaknesses, the coquetries, the defenses which are the charm of her sex. Nor was she so ignorant of life as such a guarded personality might be thought. Her very wide range of reading had liberalized her mind, and given her a much wider outlook upon the struggles and passions and failures and misery of life than many another girl of her age had gained by her limited personal experience. Those who hold the theory that experience is the only guide are right as a matter of fact, since every soul seems determined to try for itself and not to accept the accumulated wisdom of literature or of experienced advisers; but those who come safely out of their experiences are generally sound by principle which has been instilled in youth. But it is useless to moralize. Only the event could show whether such an abnormal training as Evelyn had received was wise.
When Mrs. Mavick went to her daughter's apartments she found Evelyn reading aloud and Miss McDonald at work on an elaborate piece of Bulgarian embroidery.
"How industrious! What a rebuke to me!"
"I don't see, mamma, how we could be doing less; I've only an audience of one, and she is wasting her time."
"Well, carissima, it is settled. It's off for a year."
"The reception? Why so?"
"Your father cannot arrange it. He has too much on hand this season, and may be away."
"There, McDonald, we've got a reprieve," and Evelyn gave a sigh of relief.
The Scotch woman smiled, and only said, "Then I shall have time to finish this."
Evelyn jumped up, threw herself into her mother's lap, and began to smooth her hair and pet her. "I'm awfully glad. I'd ever so much rather stay in than come out. Yes, dear little mother."
"Little?"
"Yes." And the girl pulled her mother from her chair, and made her stand up to measure. "See, McDonald, almost an inch taller than mamma, and when I do my hair on top!"
"And see, mamma"—the girl was pirouetting on the floor—"I can do those steps you do. Isn't it Spanish?"
"Rather Spanish-American, I guess. This is the way."
Evelyn clapped her hands. "Isn't that lovely!"
"You are only a little brownie, after all." Her mother was holding her at arm's—length and studying her critically, wondering if she would ever be handsome.
The girl was slender, but not tall. Her figure had her mother's grace, but not its suggestion of yielding suppleness. She was an undoubted brunette—complexion olive, hair very dark, almost black except in the sunlight, and low on her forehead-chin a little strong, and nose piquant to say the least of it. Certainly features not regular nor classic. The mouth, larger than her mother's, had full lips, the upper one short, and admirable curves, strong in repose, but fascinating when she smiled. A face not handsome, but interesting. And the eyes made you hesitate to say she was not handsome, for they were large, of a dark hazel and changeable, eyes that flashed with merriment, or fell into sadness under the long eyelashes; and it would not be safe to say that they could not blaze with indignation. Not a face to go wild about, but when you felt her character through it, a face very winning in its dark virgin purity.
"I do wonder where she came from?" Mrs. Mavick was saying to herself, as she threw herself upon a couch in her own room and took up the latest Spanish novel.
Celia Howard had been, in a way, Philip's inspiration ever since the days when they quarreled and made up on the banks of the Deer field. And a fortunate thing for him it was that in his callow years there was a woman in whom he could confide. Her sympathy was everything, even if her advice was not always followed. In the years of student life and preparation they had not often met, but they were constant and painstaking correspondents. It was to her that he gave the running chronicle of his life, and poured out his heart and aspirations. Unconsciously he was going to school to a woman, perhaps the most important part of his education. For, though in this way he might never hope to understand woman, he was getting most valuable knowledge of himself.
As a guide, Philip was not long in discovering that Celia was somewhat uncertain. She kept before him a very high ideal; she expected him to be distinguished and successful, but, her means varied from time to time. Now she would have him take one path and now another. And Philip learned to read in this varying advice the changes in her own experience. There was a time when she hoped he would be a great scholar: there was no position so noble as that of a university professor or president. Then she turned short round and extolled the business life: get money, get a position, and then you can study, write books, do anything you like and be independent. Then came a time—this was her last year in college —when science seemed the only thing. That was really a benefit to mankind: create something, push discovery, dispel ignorance.
"Why, Phil, if you could get people to understand about ventilation, the necessity of pure air, you would deserve a monument. And, besides—this is an appeal to your lower nature—science is now the thing that pays." Theology she never considered; that was just now too uncertain in its direction. Law she had finally approved; it was still respectable; it was a very good waiting-ground for many opportunities, and it did not absolutely bar him from literature, for which she perceived he had a sneaking fondness.
Philip wondered if Celia was not thinking of the law for herself. She had tried teaching, she had devoted herself for a time to work in a College Settlement, she had learned stenography, she had talked of learning telegraphy, she had been interested in women's clubs, in a civic club, in the political education of women, and was now a professor of economics in a girl's college.
It finally dawned upon Philip, who was plodding along, man fashion, in one of the old ruts, feeling his way, like a true American, into the career that best suited him, that Celia might be a type of the awakened American woman, who does not know exactly what she wants. To be sure, she wants everything. She has recently come into an open place, and she is distracted by the many opportunities. She has no sooner taken up one than she sees another that seems better, or more important in the development of her sex, and she flies to that. But nothing, long, seems the best thing. Perhaps men are in the way, monopolizing all the best things. Celia had never made a suggestion of this kind, but Philip thought she was typical of the women who push individualism so far as never to take a dual view of life.
"I have just been," Celia wrote in one of her letters, when she was an active club woman, "out West to a convention of the Federation of Women's Clubs. Such a striking collection of noble, independent women! Handsome, lots of them, and dressed—oh, my friend, dress is still a part of it! So different from a man's convention! Cranks? Yes, a few left over. It was a fine, inspiring meeting. But, honestly, I could not exactly make out what they were federating about, and what they were going to do when they got federated. It sort of came over me, I am such a weak sister, that there is such a lot of work done in this world with no object except the doing of it."
A more recent letter:—"Do you remember Aunt Hepsy, who used to keep the little thread-and-needle and candy shop in Rivervale? Such a dear, sweet, contented old soul! Always a smile and a good word for every customer. I can see her now, picking out the biggest piece of candy in the dish that she could afford to give for a little fellow's cent. It never came over me until lately how much good that old woman did in the world. I remember what a comfort it was to go and talk with her. Well, I am getting into a frame of mind to want to be an Aunt Hepsy. There is so much sawdust in everything—No, I'm not low-spirited. I'm just philosophical—I've a mind to write a life of Aunt Hepsy, and let the world see what a real useful life is."
And here is a passage from the latest:—"What an interesting story your friend—I hope he isn't you friend, for I don't half like him—has made out of that Mavick girl! If I were the girl's mother I should want to roast him over the coals. Is there any truth in it?
"Of course I read it, as everybody did and read the crawl out, and looked for more. So it is partly our fault, but what a shame it is, the invasion of family life! Do tell me, if you happen to see her—the girl —driving in the Park or anywhere—of course you never will—what she looks like. I should like to see an unsophisticated millionaire-ess! But it is an awfully interesting problem, invented or not I'm pretty deep in psychology these days, and I'd give anything to come in contact with that girl. You would just see a woman, and you wouldn't know. I'd see a soul. Dear me, if I'd only had the chance of that Scotch woman! Don't you see, if we could only get to really know one mind and soul, we should know it all. I mean scientifically. I know what you are thinking, that all women have that chance. What you think is impertinent—to the subject."
Indeed, the story of Evelyn interested everybody. It was taken up seriously in the country regions. It absorbed New York gossip for two days, and then another topic took possession of the mercurial city; but it was the sort of event to take possession of the country mind. New York millionaires get more than their share of attention in the country press at all times, but this romance became the subject of household talk and church and sewing-circle gossip, and all the women were eager for more details, and speculated endlessly about the possible character and career of the girl.
Alice wrote Philip from Rivervale that her aunt Patience was very much excited by it. "'The poor thing,' she said, 'always to have somebody poking round, seeing every blessed thing you do or don't do; it would drive me crazy. There is that comfort in not having anything much—you have yourself. You tell Philip that I hope he doesn't go there often. I've no objection to his being kind to the poor thing when they meet, and doing neighborly things, but I do hope he won't get mixed up with that set.' It is very amusing," Alice continued, "to hear Patience soliloquize about it and construct the whole drama.
"But you cannot say, Philip, that you are not warned (!) and you know that Patience is almost a prophet in the way she has of putting things together. Celia was here recently looking after the little house that has been rented ever since the death of her mother. I never saw her look so well and handsome, and yet there was a sort of air about her as if she had been in public a good deal and was quite capable of taking care of herself. But she was that way when she was little.
"I think she is a good friend of yours. Well, Phil, if you do ever happen to see that Evelyn in the opera, or anywhere, tell me how she looks and what she has on—if you can."
The story had not specially interested Philip, except as it was connected with Brad's newspaper prospects, but letters, like those referred to, received from time to time, began to arouse a personal interest. Of course merely a psychological interest, though the talk here and there at dinner-tables stimulated his desire, at least, to see the subject of them. But in this respect he was to be gratified, in the usual way things desired happen in life—that is, by taking pains to bring them about.
When Mr. Brad came back from his vacation his manner had somewhat changed. He had the air of a person who stands on firm ground. He felt that he was a personage. He betrayed this in a certain deliberation of speech, as if any remark from him now might be important. In a way he felt himself related to public affairs.
In short, he had exchanged the curiosity of the reporter for the omniscience of the editor. And for a time Philip was restrained from intruding the subject of the Mavick sensation. However, one day after dinner he ventured:
"I see, Mr. Brad, that your hit still attracts attention." Mr. Brad looked inquiringly blank.
I mean about the millionaire heiress. It has excited a wide interest."
"Ah, that! Yes, it gave me a chance," replied Brad, who was thinking only of himself.
"I've had several letters about it from the country."
"Yes? Well, I suppose," said Brad, modestly, "that a little country notoriety doesn't hurt a person."
Philip did not tell his interlocutor that, so far as he knew, nobody in the country had ever heard the name of Olin Brad, or knew there was such a person in existence. But he went on:
"Certainly. And, besides, there is a great curiosity to know about the girl. Did you ever see her?"
"Only in public. I don't know Mavick personally, and for reasons," andMr. Brad laughed in a superior manner. "It's easy enough to see her."
"How?"
"Watch out for a Wagner night, and go to the opera. You'll see where Mavick's box is in the bill. She is pretty sure to be there, and her mother. There is nothing special about her; but her mother is still a very fascinating woman, I can tell you. You'll find her sure on a 'Carmen' night, but not so sure of the girl."
On this suggestion Philip promptly acted. The extra expense of an orchestra seat he put down to his duty to keep his family informed of anything that interested them in the city. It was a "Siegfried" night, and a full house. To describe it all would be very interesting to Alice. The Mavick box was empty until the overture was half through. Then appeared a gentleman who looked as if he were performing a public duty, a lady who looked as if she were receiving a public welcome, and seated between them a dark, slender girl, who looked as if she did not see the public at all, but only the orchestra.
Behind them, in the shadow, a middle-aged woman in plainer attire. It must be the Scotch governess. Mrs. Mavick had her eyes everywhere about the house, and was graciously bowing to her friends. Mr. Mavick coolly and unsympathetically regarded the house, quite conscious of it, but as if he were a little bored. You could not see him without being aware that he was thinking of other things, probably of far-reaching schemes. People always used to say of Mavick, when he was young and a clerk in a Washington bureau, that he looked omniscient. At least the imagination of spectators invested him with a golden hue, and regarded him through the roseate atmosphere that surrounds a many-millioned man. The girl had her eyes always on the orchestra, and was waiting for the opening of the world that lay behind the drop-curtain. Philip noticed that all the evening Mrs. Mavick paid very little attention to the stage, except when the rest of the house was so dark that she could distinguish little in it.
Fortunately for Philip, in his character of country reporter, the Mavick box was near the stage, and he could very well see what was going on in it, without wholly distracting his attention from Wagner's sometimes very dimly illuminated creation.
There are faces and figures that compel universal attention and admiration. Commonly there is one woman in a theatre at whom all glances are leveled. It is a mystery why one face makes only an individual appeal, and an appeal much stronger than that of one universally admired. The house certainly concerned itself very little about the shy and dark heiress in the Mavick box, having with regard to her only a moment's curiosity. But the face instantly took hold of Philip. He found it more interesting to read the play in her face than on the stage. He seemed instantly to have established a chain of personal sympathy with her. So intense was his regard that it seemed as if she must, if there is anything in the telepathic theory of the interchange of feeling, have been conscious of it. That she was, however, unconscious of any influence reaching her except from the stage was perfectly evident. She was absorbed in the drama, even when the drama was almost lost in darkness, and only an occasional grunting ejaculation gave evidence that there was at least animal life responsive to the continual pleading, suggesting, inspiring strains of the orchestra. In the semi-gloom and groping of the under-world, it would seem that the girl felt that mystery of life which the instruments were trying to interpret.
At any rate, Philip could see that she was rapt away into that other world of the past, to a practical unconsciousness of her immediate surroundings. Was it the music or the poetic idea that held her? Perhaps only the latter, for it is Wagner's gift to reach by his creations those who have little technical knowledge of music. At any rate, she was absorbed, and so perfectly was the progress of the drama repeated in her face that Philip, always with the help of the orchestra, could trace it there.
But presently something more was evident to this sympathetic student of her face. She was not merely discovering the poet's world, she was finding out herself. As the drama unfolded, Philip was more interested in this phase than in the observation of her enjoyment and appreciation. To see her eyes sparkle and her cheeks glow with enthusiasm during the sword-song was one thing, but it was quite another when Siegfried began his idyl, that nature and bird song of the awakening of the whole being to the passion of love. Then it was that Evelyn's face had a look of surprise, of pain, of profound disturbance; it was suffused with blushes, coming and going in passionate emotion; the eyes no longer blazed, but were softened in a melting tenderness of sympathy, and her whole person seemed to be carried into the stream of the great life passion. When it ceased she sank back in her seat, and blushed still more, as if in fear that some one had discovered her secret.
Afterwards, when Philip had an opportunity of knowing Evelyn Mavick, and knowing her very well, and to some extent having her confidence, he used to say to himself that he had little to learn—the soul of the woman was perfectly revealed to him that night of "Siegfried."
As the curtain went down, Mrs. Mavick, whose attention had not been specially given to the artists before, was clapping her hands in a great state of excitement.
"Why don't you applaud, child?"
"Oh, mother," was all the girl could say, with heaving breast and downcast eyes.