CHAPTER XI.
THE ILLUSION OF DEAD MATTER
The philosophy of the complex vision is based, as I have shown, upon nothing less than the whole personality of man become conscious of itself in the totality of its rhythmic functioning. This personality, although capable of being analysed in its constituent elements, is an integral and unfathomable reality. And just because it is such a reality it descends and expands on every side into immeasurable depths and immeasurable horizons.
We know nothing as intimately and vividly as we know personality and every knowledge that we have is either a spiritual or a material abstraction from this supreme knowledge. This knowledge of personality which is our ultimate truth, implies a belief in the integral and real existence of what we call the soul. And because personality implies the soul and because we have no ultimate conception of any other reality in the world except the reality of personality, therefore we are compelled to assume that every separate external object in Nature is possessed of a soul.
The peculiar psychological melancholy which sometimes seizes us in the presence of inanimate natural objects, such as earth and water and sand and dust and rain and vapour, objects whose existence may superficially appear to be entirely chemical or material, is accounted for by the fact that the soul in us is baffled and discouraged and repulsed by these things because by reason of their superficial appearance they convey the impression of complete soullessness. In the presence of plants and animals and all animate things we are also vaguely conscious of a strange psychological melancholy. But this latter melancholy is of a less poignant character than the former because what we seem superficially conscious of is not "soullessness" but a psychic life which is alien from our life, and therefore baffling and obscure.
In both of these cases, however, as soon as we are bold enough to apply the conclusions we have arrived at from the analysis of the knowledge which is most vivid and real to us, namely, the knowledge of our own soul, this peculiar psychological melancholy is driven away. It is a melancholy which descends upon us when in any disintegrated moment the creative energy in us, the energy of love in us, is overcome by the evil and inertness of the aboriginal malice. Under the influence of this inert malice, which takes advantage of some lapse or ebb of the creative energy in us, the rhythmic activity of our complex vision breaks down; and we visualize the world through the attributes of reason and sensation alone. And the world, visualized through reason and sensation alone, becomes a world of uniform, and homogeneous monotony, made up either of one all-embracing material substance, or of one all-embracing spiritual substance. In either case that living plurality of real separate "souls" which correspond to our own soul vanishes away, and a dreary and devastating oneness, whether spiritual or chemical, fills the whole field. The world which is the emanation of this atrophied and distorted vision is a world of crushing dreariness; but it is an unreal world because the only vivid and unfathomable reality we know is the reality of innumerable souls. The curious thing about this world of superficial chemical or spiritual uniformity is that it seems the sameidenticalworld in the case of all separate souls whose complex vision is thus distorted by the prevalence of that which opposes itself to creation and by the consequent ebb and weakening of the energy of love. It is impossible to be assured that this is the case; but all evidence of language points towards such anidentity of desolationbetween the innumerable separate "universes" of the souls which fill the world, when such souls visualize existence through reason and sensation alone.
This also is a portion of the same "illusion of impersonality" into which the inert malice of the ultimate "resistance" betrays us with demonic cunning. What man is there among us who does not recall some moment of visionary disintegration, when, in the presence of both these mysteries, an unspeakable depression of this kind has overtaken him? He has stood, perhaps, on some wet autumn evening, watching the soulless reflection of a dead moon in a pond of dead water; while above him the motionless distorted trunk of some goblinish tree mocks him with its desolate remoteness from his own life.
At that moment, with his abortive and atrophied complex vision, all he sees is the eternal soullessness and deadness of matter; dead moonlight, dead water, dead mud and slime and refuse, dead mist and vapour, dead earth-mould and dead leaves. And while the desolate chemistry of nothingness grips him with its dead fingers and he turns hopelessly to the silent tree-trunk at his side, that also repels him with the chill breath of psychic remoteness; and it seems to him that that also is strange and impersonal and unconscious; that that also is only a blind pre-determined portion of some huge planetary life-process that has no place for a living soul, but only a place for automatic impersonal chemistry. Brooding in this way, with the eternal malice of the system of things conquering the creative impulse in the depths of his soul, he becomes obsessed with the idea that not only these isolated portions of Nature, but the whole of Nature, is thus alien and remote and thus given up to a desolate and soulless uniformity. Unutterable loneliness takes possession of him and he feels himself to be an exile in a dark and hostile assemblage of elemental forces. If at such a moment by means of some passionate invocation of the immortal gods, or by means of some desperate sinking into his own soul and gathering together of the creative energy in him, he is able to resist this desolation, how strange and sudden a shifting of mood occurs! He then, by a bold movement of imagination, restores the balance of his complex vision; and in a moment the spectacle is transfigured.
The apparently dead pond takes to itself the lineaments of some indescribable living soul, of which that particular portion of elemental being is the outward expression. The apparently dead moonlight becomes the magical influence of some mysterious "lunar soul" of which the earth's silent companions is the external form. The apparently dead mud of the pond's edge becomes a living portion of that earth-body which is the visible manifestation of the soul of the earth. The motionless tree-trunk at his side seems no longer the desolate embodiment of some vague "psychic life" utterly alien from his own life but reveals to him the immediate magical presence of a real soul there, whose personality, though not conscious in the precise manner in which he is conscious, has yet its own measure of complex vision and is mutely struggling with the cruel inertness and resistance which blocks the path of the energy of life. When once, by the bold synthesis of reason and sensation with those other attributes of the complex vision which we name instinct, imagination, intuition, and the like, the soul itself comes to be regarded as the substratum of personal existence, that desolating separation between humanity and Nature ceases to baffle us. As long as the substratum of personal life is regarded as the physical body there must always be this desolating difference and this remoteness.
For in such a case the stress is inevitably laid upon the physiological and biological difference between the body of a man and the body of the earth or the moon or the sun or any plant or animal. But as soon as the substratum of personal life is regarded not as the body but as the sour it ceases to be necessary to lay so merciless a stress upon the difference between man's elaborate physiological constitution and the simpler chemical constitution of organic or inorganic objects.
If the complex vision is the vision of the soul, if the soul uses its bodily sensation as only one among its other instruments of contact with life, then it is obvious that between the soul of a man and the soul of a planet or a plant there need be no such appalling and desolating gulf as that which fills us with such profound melancholy when we refuse to let the complex vision have its complete rhythmic play and insist on sacrificing the revelations made by instinct and intuition to the falsifying conclusions of reason and sensation, energizing in arbitrary solitude.
The "mort-main" or "dead-hand" of that aboriginal malice which resists life is directly responsible for this illusion of "unconscious matter" through the midst of which we grope like outlawed exiles. Reason and the bodily senses, conspiring together, are perpetually tempting us to believe in the reality of this desolate phantom-world of blind material elements; but the unreality of this corpse-life becomes evident directly we consider the revelation of the complex vision.
For the complex vision reveals to us that what we call "the universe" is a thing which is for ever coming newly and freshly into life, for ever being re-born and re-constituted by the interplay between the individual soul and the "objective mystery." Of the objective mystery itself, apart from the individual soul, we are able to say nothing. But since the "universe" is the discovery and creation of the individual soul, there must be as many different "universes" as there are living souls.
Our belief in "one universe," whose characteristics are relatively identical in the case of all the souls which contemplate it, is a belief which in part results from an original act of faith and in part results from an implicit appeal to those "invisible companions" whose concentrated will towards "reality" and "beauty" and "nobility" offers us our only objective standard of these ideas. From the ground, therefore, of this trinity of incomprehensible substances, namely the substance which is the substratum of the individual soul, the substance which is "the objective mystery" out of which the individual soul creates its universe, and the substance which is the "medium" or "link" which enables these individual souls to communicate with one another, emerge the only realities which we can know. And since this trinity of incomprehensible substances, thus divided one from another, must be thought of as dominated by the same unity of time and space, it is inconceivable that they should be anything else than three aspects of one and the same incomprehensible substance. From this it follows that from the ground of one incomprehensible substance which in its first aspect is the substratum of the soul, in its second aspect is the objective mystery confronting the soul, in its third aspect is the medium which holds all souls together, there must be evoked all the reality which we can conceive.
And this reality must, from the conclusions we have already reached, take two forms. It must take the form of a plurality of subjective "universes" answering to the plurality of living souls. And it must take the form of one objective "universe," answering to the objective standard of truth, beauty, and nobility, together with the opposites of these, which is implied in the tacit appeal of all individual souls to their "invisible companions."
In this double reality; the reality of one objective universe identical in its appearance to all souls but dependent for its identity upon an implicit reference to the "invisible companions," and the reality of as many subjective universes as there are living souls; in this double reality there is obviously no place at all for that phantom-world of unconscious "matter," which in the form of soulless elements, or soulless organic automata, fills the human mind with such devastating melancholy.
The dead pond with its dead moonlight, with its dead mud and its dead snow, is therefore no better than a ghastly illusion when considered in isolation from the soul or the souls which look forth from it. To the soul of which those elements are the "body" neither mud nor water nor rain nor earth-mould can appear desolate or dead. To the soul which contemplates these things there can be no other way of regarding them, as long as the rhythm of its vision is unimpeded, than as the outward manifestation of a personal life, or of many personal lives, similar in creative energy to its own.
Between the soul, or the souls, of the elements of the earth, and the soul of the human spectator there must be, if our conclusions are to be held good at all, a natural and profound reciprocity. The apparent "deadness," the apparent automatism of "matter," which projects itself between these two and resists with corpse-like opacity their reciprocal understanding, must be one of the ghastly illusions with which the sinister side of the eternal duality undermines the magic of life.
But although in its objective isolation, as an absolute entity, this "material deadness" of earth and water and rain and snow and of all disintegrated organic chemistry must be regarded as an "illusion," it would be a falsifying of the reality of things to deny that it is an "illusion" to which the visions of all souls are miserably subject. They are for ever subject to it because it is precisely this "illusion" which the unfathomable power hostile to life for ever evokes.
Nor must we for a moment suppose that this material objectivity, this pond, these leaves, this mud, this snow, are altogether unreal. Their reality is demanded by the complex vision and to deny their reality would be the gesture of madness. They are only unreal, they are only an "illusion," when they are considered as existing independently of the "souls" of which they are the "body." As the expression and manifestation of such "souls" they are entirely real. They are indeed, in this sense, as real as our own human body.
The human soul, when it suffers from that malignant power which has its positive and external existence in the soul itself, feels itself to be absolutely alone in the midst of a dark chaotic welter of monstrous elemental forces. In a mood of this kind the thought of the huge volumes of soulless water which we call "oceans" and "seas" crushes us with a devastating melancholy. The thought of the interminable deserts of "dead" sand and the vast polar ice fields and the monstrous excrescences that we call "mountains" have the same effect. But the supreme example of the kind of material ghastliness which I am trying to indicate, is, as may easily be surmised, nothing less than the appalling thought of the unfathomable spatial gulfs through which our whole stellar system moves. Here also, in this supreme insistence of objective "deadness," the situation is relieved when we realize that this unthinkable space is nothing more than the material expression of that indefinable "medium" which holds all souls together.
Moreover we must remember that these stellar gulfs cannot be thought of except as the habitation of innumerable living souls, each one of which is using this very "space" as the ground of its creation of the many-coloured impassioned "universe" which is its own dwelling. In all these instances of "objective deadness," whether great or small, we must not forget that the thing which desolates us and fills us with so intolerable a nostalgia is a thing only half real, a thing whose full reality depends upon the soul which contemplates it and upon the soul's implicit assumption that its truth is the truth of those "invisible companions" who supply us with our perpetually renewed and reconstituted standard of what is "good" and what is "evil."
There is an abominably vivid example of the kind of melancholy I have in my mind, which, although obviously less common to normal human experience than the forms of it I have so far attempted to suggest, is as a rule even more crushing in its cruelty. I refer to the sight of a dead human body; and in a less degree to the sight of a dead animal or a dead plant.
A human corpse laid out in its coffin, or nailed down in its coffin, how exactly does the particular attitude towards life, which for convenience sake I name the philosophy of the complex vision, find itself regardingthat?Such a body, deserted by its living soul, is obviously no longer the immediate and integral expression of a personal life. Is it therefore no more than a shred or shard or husk or remnant of inconceivably soulless matter? The gods forbid! Certainly and most assuredly it is more than that.
An isolated heterogeneous mass of dead chemistry is a monstrous illusion which only exists for us when the weakness of our creative energy and the power of the original malice in the soul destroys our vision. This dead body lying in its wooden coffin is certainly possessed of no more life than the inanimate boards of the coffin in which it lies. But the inanimate boards of the coffin, together with the inanimate furniture of the house or room that contains it, and the bricks and stones and mortar of such a house, are themselves nothing less than inevitable portions of the vast earth-body of our planetary globe.
And this planetary globe, this earth upon which we live, cannot under any conceivable kind of reasoning to which imagination has contributed its share, be regarded as a dead or a soulless thing. In its isolated integrity, as a separate integral personality, the soul has deserted the body and left it "dead." But it is only "dead" when considered in isolation from the surrounding chemistry of planetary life. And to consider it in this way is to consider it falsely. For from the moment it ceases to be the expression of the life of an individual human soul, it becomes the expression—through every single phase of its chemical dissolution—of the life of the planet.
In so far as the human soul, which has deserted it, is concerned it is assuredly no better than a dead husk; but in so far as the soul of the planet is concerned it is an essential portion of that planet's living body and in this sense is not dead at all.
Its chemical elements, as they resolve themselves slowly back into their planetary accomplices, are part and parcel of that general "body of the earth" which is in a state of constant movement, and which has the "soul of the earth" as its animating principle of personality. And just as the human corpse, when the soul has deserted it, becomes a portion of those chemical elements which are the body of the planet's "personal soul," so do the dead bodies of animals and plants and trees become portions of the same terrestrial bodies.
Thus strictly speaking there is no single moment when any material form or body can be called "dead." Instantaneously with the departure of its own individual soul it is at once "possessed" by the soul of that planetary globe from whose chemistry it drew its elemental life and from whose chemistry, although the form of it has changed, it still draws its life. For it is no fantastic speculation to affirm that every living thing whether human or otherwise plays, while it lives, a triple part upon the world stage.
It is in the first place the vehicle of the individual soul. It is in the second place the medium of the "spiritual vampirizing" of the invisible planetary spirits. And it is in the third place a living portion of that organic elemental chemistry which is the body of the terrestrial soul. Thus it becomes manifest that that "illusion of dead matter" which fills the human soul with so profound a melancholy is no more than an everlasting trick of the malice of the abyss.
And the despair which sometimes results from it is a despair which issues from no "dead matter" but from the terrible living depths of the soul itself. It is from a consideration of the especial kind of melancholy evoked in us by the illusion of "objective deadness" that we are enabled to analyse those peculiar imaginative feelings which sometime or another affect us all. I refer to the extraordinary tenacity with which we cling to our bodily form, however grotesque it may be, and the difficulty we experience in disassociating our living soul from its particular envelope or habitation; and the tendency which we have, in spite of this, to imagine ourselves transferred to an alien body. For the soul in us has the power of "thinking itself" into any other body it may please to select.
And there is no reason why we should be alarmed at such an imaginative power; or even associate its fantastic realization with any terror of madness. The invisible entity within us which says "I am I" can easily be conceived as suddenly awakening out of sleep and discovering, to its astonishment, that its visible body has suffered a bewildering transformation.
Such a transformation can be conceived as almost unlimited in its humorous and disconcerting possibilities. But no such transformation of the external envelope of the soul, whether into the form of an animal or a plant or a god, need be conceived of as necessarily driving us into insanity. The "I am I" would remain the same in regard to its imagination, instinct, intuition, emotion, self-consciousness and the rest. It would be only "changed" in regard to sensation, which is a thing immediately dependent upon the particular and special senses of the human body.
This is a truth to the reality of which the wandering fancies of every human child bear ample witness; not to speak of the dreams of those childlike tribes of the race, who in our progressive insolence we are pleased to name "uncivilized." The deeper we dig into the tissue of convoluted impressions that make up our universe the more vividly do we become aware that our only redemption from sheer insanity lies in "knowing ourselves"; in other words, in keeping a drastic and desperate hold upon what, in the midst of ambiguity and treachery, we are definitely assured of.
And the only thing we are definitely assured of, the only thing which we really know "on the inner side," and with the kind of knowledge which is unassailable, is the reality of our soul. We know this with a vividness completely different from the vividness of any other knowledge because this is not what we feel or see or imagine or think but what weare.And all feeling, all seeing, all imagining and all thinking are only attributes of this mysterious "something" which is our integral self.
To the superficial judgment there is always something weird and arbitrary about this belief in our own soul. And this apparent weirdness arises from the fact that our superficial judgments are the work of reason and sensation arrogating to themselves the whole field of consciousness.
But directly we bring to bear upon this mass of impressions which is our "universe" the full rhythmic play of our complete identity this weirdness and arbitrariness disappear and we realize that weare,not this thought or this sensation or even this stream of thoughts and sensations, but the definite living "monad" which gives these things their only link of continuity and permanence. And it is better to accept experience, even though it refuses to resolve itself into any rational unity, rather than to leave experience in the distance and permit our reason to evolve its desired unity out of its own rules and limitations.
We must readily admit that to take all the attributes of personality and to make them adhere in the mysterious substratum of the soul rather than in the little cells of the brain, seems to the superficial judgment a weird and arbitrary act. But the more closely we think of what we are doing when we make this assumption the more inevitable does such an assumption appear.
We are driven by the necessity of the case to find some "point," or at least some "gap" in thought and the system of things, where mind and matter meet and are fused with one another. Absolute consciousness does not help us to explain the facts of experience; because "facing" absolute consciousness, directly it isolates itself, we are compelled to recognize the presence of "something else," which is the material or object of which absolute consciousness is conscious.
And what we do when we assume the little cells of the physical brain to be the point in space or "the gap in thought" where mind and matter meet and become one is simply to place these two worlds in close juxtaposition and then assert that they are one. But this placing them side by side and asserting that they are one does not make them one. They are just as far apart as ever. The cells of the brain remain material and the phenomenon of consciousness remains immaterial and they are still as remote from one another and as "unfused" as if consciousness were outside of time and space altogether.
It is only when we come to regard the "fusion-point" of these two things as being itself a living and personal thing; it is only when we come to regard the substratum of the soul as a mysterious "something" which is, at one and the same time, both what we call "mind" and what we call "matter," that the difficulty I have described disappears. For in this case we are dealing with something which, unlike the little cells of the brain, is totally invisible and totally beyond all scientific analysis; and yet with something which, because it is affected by bodily sensations and because it is under the sway of time and space, cannot be regarded as utterly outside the realm of material substance. We are in fact, in this case, dealing with something which we feel to be the integral and ultimate reality of ourselves, as we certainly do not feel the little cells of the brain to be; and we are dealing with something that is no mere stream of impressions, but is the concrete permanent reality which gives to all impressions, whether material or immaterial, their unity and coherence.
When once we are put into possession of this, when once we come to recognize our invisible soul as the reality which is our true self, it is found to be no longer ridiculous and arbitrary to endow this soul with all those various attributes, which, after all, are only various aspects of that unique personality which is the personality of the soul. To say "the soul has imagination," or "the soul has instinct," or "the soul has an aesthetic sense," has only a ridiculous sound when under the pressure of the abysmal malice which opposes itself to life we fall into the habits of permitting those usurping accomplices, pure reason and pure sensation, to destroy the rhythmic harmony of the complex vision.
When once we are in full possession of our own soul it is no mere fanciful speculation but an inevitable act of faith which compels us to envisage the universe as a thing crowded with invisible souls, who in some degree or other resemble our own. If this is "anthropomorphism," though strictly speaking it ought to be called "pan-psychism," then it is impossible for us to be too anthropomorphic. For in this way we are doing the only philosophical thing we have a right to do—namely, interpreting the less known in the terms of the more known.
When we seek to interpret the soul, which we vividly know, in terms of chemical or spiritual abstractions of which we have no direct knowledge but which are merely rationalized symbols, we are proceeding in an illegitimate and unphilosophical manner to interpret the more known in terms of the less known, which is in the true sense ridiculous.
The only escape from that profound melancholy so easily engulfed in sheer insanity, which is the result of submission to "the illusion of dead matter," lies in this tenacious hold upon the concrete identity of the soul. So closely are we linked, by reason of the chemistry of our mortal body, to every material-element; that it is only too easy for us to merge our personal life by a perverted use of the imagination in that phantom-world of supposedly "dead matter" which is the illusive projection of the abysmal malice.
Thus just as the soul is driven by extreme physical pain to relinquish its identity and to become "an incarnate sensation," so the soul is driven by the power of malice to relinquish its centrifugal force and to become the very mud and slime and excremental debris which it has endowed with an illusive soullessness.
The clue to the secret pathology of these moods, to whose brink reason and sensation have led us and into whose abyss perverted imagination has plunged us, is therefore to be found in the unfathomable duality of good and evil. If it seems to the kind of mind that demands "rational unity" at all costs, even at the cost of truth to experience, that this duality cannot be left unreconciled, the answer which the philosophy of the complex vision must make, is that any reconciliation of such a sort, any reduction to monistic unity of the eternal adversaries out of whose struggle life itself springs, would bring life itself back to nothingness.
The argument that because, in the eternal process of destruction and creation, life or love or what we call "the good" depends for its activity upon death or malice or what we call "evil," these opposites are one and the same, is shown to be utterly false when one thinks of the analogy of the struggle between the sexes. Because the activity of the male depends upon the existence of the female, that is no reason for concluding that the male and the female are one and the same thing.
Because "good" becomes more "good" out of its conflict with "evil," that does not mean that "good" is responsible for the existence of "evil"; any more than because "evil" becomes more "evil" out of its conflict with "good" does it mean that "evil" is responsible for the existence of "good." Neither is responsible for the existence of the other. They are both positive and real and they are both eternal. They are both unfathomable elements in every personal individual soul, whether of man or plant or animal or god or demi-god that has ever existed or will ever come to exist.
The prevalent idea that because good "in the long run" and over vast spaces of time shows itself to be a little—just a little—more powerful than evil, evil must be regarded as only a form of good or a necessary negation of good is a fallacy derived from the illusion that life is the creation of a "parent" of the universe whose nature is absolutely "good." Such a fallacy takes for granted that somewhere and somehow "Good" will finally triumph over "evil."
The revelation of the complex vision destroys this fallacy. Such a complete triumph of "good" over "evil" would mean the end of everything that exists because everything that exists depends upon this abysmal struggle. But for personalities who are able to recognize that the mere fact of their being alive is already a considerable victory of "good" over "evil," there is nothing overwhelming in the thought that "good" can never completely overcome "evil." It is enough that life has given them life; and that in the perpetually renewed struggle between love and malice they find at the rare moments when love overcomes malice a flood of happiness which, brings with it "the sensation of eternity."
For such souls eternity is here and now; and no anticipated absolute triumph of the "good" in the world over the "evil" can compare for a moment with the indescribable happiness which this "sensation of eternity" brings. It is this happiness, evoked by the rhythmic play of the soul's apex-thought in its supreme hours, which alone, even in memory, can destroy "the illusion of dead matter."
The psychological situation brought about by the fact that this illusion is a perpetually recurrent one and a thing that is always liable to return whenever reason and sensation are driven to isolate themselves is a situation a good deal more complicated than I have so far indicated. It is complicated by the fact that although in certain moods the contemplation of "the illusion of dead matter" produces profound melancholy, in other moods it produces a kind of demonic joy. It seems as though the melancholy mood, which carried to an extreme limit borders on absolute despair, comes about when the creative energy in our soul, although under the momentary dominance of what resists creation, is still, so to speak, the master of our will.
Under such circumstances the will, still resolutely turned towards life, is confronted by what appears to be the very embodiment of death. Under these conditions the will is baffled, perplexed, defeated and outraged. It beats in vain against the "inert mass" which malice has projected; and feels itself powerless to overcome it. It then turns furiously round upon the very substratum of the soul and rends and tears at that, in a mad effort to reach the secret of a phantom-world which seems to hold no secret. If some sort of relief does not come, such relief for instance as physical sleep, the inert misery of the submission of the will, following upon such a desperate struggle, may easily drift into a deadly apathy, may easily approach the borders of insanity.
But there is another condition under which the soul may confront "the illusion of dead matter." This condition comes about when the will, instead of being turned towards creation, is definitely turned towards the opposite of creation. It is impossible for the will to remain in this condition for more than a limited time. Some outward or inward shock, some drastic swing of the psychic pendulum, must sooner or later restore the balance and bring the will back to that wavering and indecisive state—poised like the point of a compass between the two extremes—which seems to be its normal attitude.
Any human will unchangeably directed towards "the good" would be the will of a soul that in its inherent depths were already "absolutely good"; and this, as we have seen, is an impossible phenomenon. The utmost reach of "wickedness" that any soul, whether it be the soul of a man or of a god, can attain to, is a recurrent concentration of the will upon evil and a recurrent overcoming, for relatively increasing spaces of time, of the power of love. This incomplete and constantly interrupted concentration upon evil is the nearest approach to "the worship of Satan" which any will is able to reach. The exquisite pleasure, therefore, culminating in a kind of insane ecstasy, which the soul can enjoy when, in the passion of its evil will, it leaps to welcome "the illusion of dead matter," is a pleasure that in the nature of things cannot last. And the condition of inert malignant apathy which follows such an "ecstasy of evil" is perhaps the nearest approach to a consciousness of "eternal death" which the soul can know.
And it is in this malignant apathy, rather than in the demonic exultation of the mood that preceded it, that the extreme opposite of love finds its culmination. For in its hour of demonic exultation, when the will to evil buries itself with insane joy in "the illusion of dead matter," it is drawing savagely upon the energy of life. It corrupts such energy as it draws upon it and distorts it from its natural functions; but the energy itself, although "possessed" by the abysmal malice, is living and intense; and therefore cannot be regarded as so entirely the opposite of love as that inert condition of malignant lifelessness which inevitably succeeds it.
The demonic ecstasy, full of invincible magnetism, which looks forth from the countenance of a soul obsessed with, evil, has much more in common with the magnetic exultation of a soul possessed with love than has that ghastly inertness, with its insane malignant attraction to death. For out of the countenance of this latter looks forth everything that is hostile to life; and its expression has in it the obscene cunning, mixed with frozen despair, of a corpse which has become utterly dehumanized.
It is frequently a matter of surprise to minds whose view of what is "good" has excluded the concept of energy that persons obviously under the obsession of "evil" are able to display such immense reserves of inexhaustible power. But this surprise disappears when it is realized that such "worshippers of Satan" are drawing upon the creative energy and corrupting it, in the process of drawing upon it, by the malignant power which resists creation.
The "illusion of dead matter" conceived as we have conceived it, as a thing made up of unconscious chemical elements, is after all only one aspect of the phantom-world of illusive soullessness which the abysmal malice delights to project. It is only to particular sensitive natures that this peculiar "despair of the inanimate" takes the form of mud or sand or refuse or water or dead planetary bodies or empty space.
To other natures it may take the form of those innumerable off-shoots of economic necessity, which are not themselves necessary either to human life or human welfare but which are the arbitrary creations of economic avarice divorced from necessity and indulged in out of an inert hatred of what is beautiful and real. Any labour, whether mental or physical, which directly satisfies the economic needs of humanity carries with it the unfathomable thrill of creative happiness. But when we come to consider those innumerable forms of financial and commercial enterprise which in no way satisfy human needs but exist only for the sake of exploitation we find ourselves confronted by a weight of unreal soulless hideousness which by reason of the fact that it is deliberately protected by organized society is a more devastating example of "the thing which is in the way" than any amount of mud and litter and refuse and excremental debris. For this unproductive commercialism, this "unreal reality" projected by the malignant power which resists creation, is not only an obscene outrage to the aesthetic sense; it is actually an assassination of life. When, therefore, a philosopher who uses the complex vision of the soul as his organ of research is asked the question, "where are we to look for the type of human being most entirely evil?" the answer which he is compelled to give is not a little surprising to many minds.
For there are many minds whose physiological timidity corrupts their judgment, and who lack the clairvoyance to unmask with infallible certainty that look of sneering apathy which is the pure expression of malice. And to such minds some wretched devil of a criminal, driven to crime by an insane perversion of the creative instinct—for creation and destruction are not the true opposites—might easily seem the ultimate embodiment of evil.
Whereas the particular type of human being from whom the philosopher of the complex vision would draw his standard of evil would be a type very different from any perverted type even from those whose mania might take the form of erotic cruelty. It would be a type whose recurrent "evil" would take the form of a sneering and malignant inertness, the form of a cold and sarcastic disparagement of all intense feeling. It would be a type entirely obsessed by "the illusion of dead matter"; not so much the "illusion of dead matter" where Nature is concerned, but where the economic struggle has resulted in some unnecessary and purely commercial activity, altogether divorced from the basic necessities of human life. A person of this type would, in his evil moods, be more completely dominated by a malignant resistance to every movement of the creative spirit than any other type, unless it were perhaps one whom the heavy brutality of "officialdom" had blunted into inhuman callousness.
Compared with persons such as these, by whom no actual positive "wickedness" may have ever been perpetrated, the confessed criminal or the acknowledged pervert remains far less committed to the depths of evil. For in persons who have habitually lent themselves to "the illusion of dead matter," whether in regard to Nature or in regard to commercial or financial exploitation, there occurs a kind of "death-in-life" which gives the sneering malignity of the abyss its supreme opportunity, whereas in the souls of those who have committed "crimes," or have been guilty of passionate cruelty, there may easily remain a vivid and sensitive response to some form of reality or beauty, or self-annihilating love.
For "the illusion of dead matter" is the most formidable expression of evil which we know; and it can only be destroyed by the magic of that creative spirit whose true "opposite" is not hatred or cruelty or violence or destruction, but the motiveless power of a deadly obscurantism.
CHAPTER XII.
PAIN AND PLEASURE
Since neither pleasure nor pain can be experienced without consciousness; and since consciousness finds its substratum not in the body but in the soul; we are driven to the conclusion that what we call the capacity of the body for pleasure and pain is really the capacity of the soul for pleasure and pain. But the capacity of the soul for pleasure and pain is not confined to its functioning through the body. Sensation, that is to say, the use of the bodily senses, gives the soul one particular form of pain and one particular form of pleasure; but that the soul possesses other forms of pleasure and pain independently of the body is proved by the psychological fact that intense bodily pain is sometimes accompanied by intense spiritual pleasure and intense bodily pleasure is sometimes accompanied by intense spiritual pain.
What is called "the pursuit of pleasure," that rationalistic abstraction from our real psychological experience, that abstraction which has been made the basis of the false philosophy called "hedonism," cannot stand for a moment against the revelation of the complex vision. Under certain rare and morbid conditions, when reason and sensation, in their conspiracy of assassination, have usurped for a while the whole field of consciousness, such a "pursuit of pleasure" may become a dominant motive. But even under these conditions there often comes a shifting of the stage according to which the pleasure-seeker, sick to death of pleasure, deliberately "pursues" pain.
If it be said that this change is no real change because what is then pursued is the pleasure of "contrast" or even "the pleasure of pain," the retort to such reasoning can only be that in this case the whole hedonistic theory has been given up; for what is really then "pursued" is neither pleasure nor pain but the sensation of novelty or the sensation of new experience.
Pleasure and pain are emotionalized sensations accompanying various physical and mental states. The psychological truth about their "pursuit" is simply that we "pursue" certain objects or conditions because of their immediate attractiveness or "attractive terribleness," and that the accompanying pleasure becomes first a kind of orchestral background to our pursuit; and then, later, becomes, by the action of the law of association, part and parcel of the thing's attractiveness or "attractive terribleness." Thus what really occurs is precisely opposite to the hedonist's contention. For the thing "pursued" swallows up and appropriates to itself the pleasure and pain of the pursuit; and, by the law of association, becomes more vividly, even than at the start the motive force which lures us.
The most ghastly, the most obscene, the most intolerable thing in the world is when the pain of pure sensation, the pain of the body, is accentuated to such a pitch of atrocious suffering that the other attributes of the soul are annihilated; and the humanity of the person thus suffering is temporarily destroyed; so that what "lives" at such a moment is not a person at all but an incarnate pain.
That this ultimate ghastliness, this dehumanization by pain, can only occur where the aboriginal malice of the soul has previously weakened the soul's independent life, is proved by the fact that the most atrocious tortures have been successfully endured, even unto the point of death, by such as have been martyrs for an idea. And the reason of this endurance, the reason why, in the case of such martyrizing, the victim has been able to resist dehumanization is found in the fact that the soul's creative energy or the power of love has been so great that it has been able to assert its independence of bodily torment, even to the last moment of human identity.
Since pain and pleasure, although so often the direct evocation of the soul's attribute of bodily sensation, are always composed of the primordial "stuff" of emotion; and since emotion is a projection of the soul independently of the body, it is natural that the soul should, in the reverse manner, colour its emotion with the memory of sensation. Thus it follows that although it is possible for the soul, when its emotional feeling is outraged or excited, to experience pain or pleasure apart from sensation, there is usually present in such an emotional pain or pleasure a residual element of sensation; for the soul is not a thing which simply "possesses" certain functions; but a thing which is present in some degree or other in all its various aspects of energy.
What we call "memory" is nothing more than the plastic consciousness of personal identity and continuity. And when once the pain or pleasure of a bodily sensation has been lodged in the soul, that pain or pleasure becomes an integral portion of the soul's life, to be worked upon and appropriated for good or evil by the soul's intrinsic duality.
Thus although the creative energy in the soul, emerging from fathomless abysses, can enable the soul to endure until death the most infernal torments, the fact remains that since the attribute of sensation, which depends entirely upon the existence of the bodily senses, is one of the soul's basic attributes and has its ground in the very substratum of the soul, the sensations of pain and pleasure whether coloured by emotion and imagination or left "pure" in the clear element of consciousness, are sensations from which the soul cannot escape.
From this we are forced to conclude that to affirm that the soul can remain wholly untouched and unaffected by bodily pain or pleasure is ridiculous. Bodily pain and pleasure are the soul's pain and pleasure; because the attribute of sensation, through which the bodily senses feed the soul, is not the body's attribute of sensation but the soul's attribute of sensation.
To say, therefore, that the soul can "conquer" the body or be "indifferent" to the body is as ridiculous as to say that the body can "conquer" the soul or be "indifferent" to the soul. The fact that the attribute of sensation is a basic attribute of the soul and that the attribute of sensation is dependent upon the bodily senses must inevitably imply that the pressure or impact of the bodily senses descend to the profoundest depths of the soul.
The thing that "conquers" pain in the invincible martyr is love, or "the energy of creation," in the soul. The abysmal struggle is not between the soul and the body or between the flesh and the spirit, but between the power of life and love, in the body and the soul together, and the power of death or malice, in the body and the soul together.
What we are compelled to assume with regard to those "sons of the universe," whose existence affords a basis for the objectivity of the "ultimate ideas," is that, with them, what I have called "the eternal idea of the body" takes the place in their complex vision of our actual physical body. Their complex vision must be regarded, if our philosophy is to remain boldly and shamelessly anthropomorphic, as possessing, even as our own, the basic attribute of sensation.
But since their essential invisibility, and consequent upon this their ubiquity under the dominant categories of time and place, precludes any possibility of their incarnation, we are compelled to postulate that their complex vision's attribute of sensation, in the absence of any bodily senses, finds its contact with "the objective mystery" and with the objective "universe" in some definite and permanent "intermediary" which serves in their case the same primal necessity as is served in our case by the human body.
If no such "intermediary" existed for them, we should be compelled to relinquish the idea that they possessed a complex vision at all, for not only the attribute of sensation, but the attribute of emotion also, demands for its activity something that shall represent the human body and occupy in their objective "universe" the place occupied by our physical bodies in our "universe."
As we have already shown, this primary demand for the "eternalizing of flesh and blood" is a demand which springs from the profoundest depths of the soul, for it is a demand which springs from the creative energy itself, the eternal protagonist in the world-drama. We must conclude, therefore, that although these super-human children of Nature cannot in the ordinary sense incarnate themselves in flesh and blood they can and do appropriate to themselves out of the surrounding body of the ether, and out of the body of any other living thing they approach, a certain attenuated essence of flesh and blood which, though invisible to us, supplies with them the place of our human body. This, therefore, is the "intermediary" which, in the "invisible companions" of our planetary struggle, occupies the place which is occupied by the physical element in our human life. And this is evoked by nothing less than that "eternal idea of the body," or "that eternal idea of flesh and blood," which the creative energy of love demands. A very curious and interesting possibility follows from this assumption; namely, that by a process which might be called a process of "spiritual vampirizing" the same creative passion which demands satisfaction in the eternalizing of "the idea of the body" actually suffers, by means of its vivid sympathy with living bodies, the very pains and pleasures through which these bodies pass.
The possibility that "the invisible companions," or in more traditional language that the "immortal gods," should be driven by the passion of their creative love, to suffer vicarious pain and pleasure through the living bodies of all organic existences, is a possibility that derives a certain support from two considerations, both of which are drawn directly from human experiences. It is certainly a matter of common human experience to be conscious, for good and for evil, of a kind of obsession of one's body by some sort of spiritual power. We may regard these moments of obsession, with their consequent exhilaration or profound gloom, as due purely to the activity of our own soul; and doubtless very often this is the explanation of them. But it is conceivable also that such obsessions are actually due to the presence near us and around us of the "high immortal ones."
That when we experience this "spiritual vampirizing" of our mortal bodies by immortal companions, such an obsession is not necessarily "for good," is a thing inevitably implied in our primary conception of personality. For although a purely demonic personality is an impossibility, owing to the fact that personality is, in itself, an achieved triumph over evil, it must still remain true that the eternal duality of creation and "what resists creation" must find an arena in the soul of an "immortal" even as it finds an arena in the soul of a "mortal."
Therefore we are driven to regard it as no fantastic speculation but as only too reasonable a possibility, that when a physical depression takes possession of us it is due to this "spiritual vampirizing," in an evil sense, by the power of some immortal whose "malice" at that particular moment has overcome "love." But just as the power of physical pain may be dominated and overcome by the energy of love arising from the depths of our own soul, so this vampirizing by the malice of an "invisible companion," may be dominated and overcome by the energy of love from the depths of our own soul.
It may indeed be regarded as certain that it is when the malice in our own soul is in the ascendant, rather than the love, that we fall victims to this kind of obsession. For evil eternally attracts evil; and it is no wild nor erratic fancy to maintain that the malice in the human soul naturally draws to itself by an inevitable and tragic reciprocity the malice in the souls of the "immortal companions."
The second consideration derived from human experience which supports this view of the vicarious pain and pleasure experienced by the gods through the bodies of all organic entities is the psychological fact of our own attitude towards plants and animals. Any sensitive person among us will not hesitate to admit that in watching animals suffer, he has sufferedwithsuch animals; or again, that in watching a branch torn from its trunk, leaving an open wound out of which the sap oozes, he has sufferedwiththe suffering of the tree. And just as the phenomenon of bodily obsession by some immortal god may be either "for good" or "for evil" as our own soul dictates, so the sympathy which we feel for plants and animals may be either "for good" or "for evil."
And this also applies to the relation between these bodiless "immortals" and the bodies of all organic planetary life. According to the revelation of the complex vision, with its emphasis upon the ultimate duality as the supreme secret of life, both pain and pleasure are instruments, in the hands of love, for rousing the soul out of that sleep of death or semi-death which is the abysmal enemy.
The philosophies which oppose pain to pleasure, and insist upon the "good" of pain and the "evil" of pleasure, are no less misleading than the philosophies which oppose flesh to spirit, or matter to mind, calling the one "good" and the other "evil." Such philosophies have permitted that basic attribute of the complex vision which we call conscience to usurp the place occupied, in the total rhythm, by imagination; with the result of a complete falsifying of the essential values.
In a question of such deadly import as this, we have, more than ever, to make our appeal to those rare moments of illumination which we have attained when the rhythmic intensity of the arrow-point of thought was most concentrated and piercing. And the testimony of these moments is given with no uncertain sound. In the great hours of our life, and I think all human experiences justify this statement, both pain and pleasure are transcended and flung into a subordinate and irrelevant place. Something which it is very difficult to describe, a kind of emotion which resembles happiness, flows through us; so that pain and pleasure seem to come and go almost unremarked, like dark and light shadows flung upon some tremendous water-fall.
What we are compelled to recognize, therefore, is that pain and pleasure are both instruments of the creative power of life. They only become evil or are used for purposes of evil, when, by reason of some fatal weakening in the other attributes of the soul, the purely sensational element in them dominates the emotional and they become something most horribly like living entities—entities with bodies composed of the vibrations of torment and souls composed of the substance of torment—and succeed in annihilating the very features of humanity.
Pain and pleasure are not identical with the unfathomable duality which descends into the abyss; for pain and pleasure are definitely and quite unmistakenly fathomable; though, as the gods know well, few enough of the sons of mortals reach the limit of them. They are fathomable; for carried to a certain pitch of intensity they end in ecstasy or they end in death. They are fathomable; for even in the souls of "the immortals" they are only instruments of life warring against death. They are fathomable; because they have one identical root; and this root is the ecstasy of the rhythm of the complex vision which transcends and surpasses them both.
The hideous symbol of "hell" is the creation of the false philosophy which makes the eternal duality resolve itself into flesh and spirit or into soul and body. The power of love renders this symbol meaningless and abortive; for personality is the supreme victory of life over what resists life; and consequently where personality exists "hell" cannot exist; for personality is the scope and boundary of all we know. The symbol of "Satan" also is rendered meaningless by the philosophy of the complex vision; unless such a symbol is used to express those appalling moments when the evil in the soul attracts to itself and associates with itself the evil in the soul of some immortal god.
But just as no mortal can be more evil than good, so also no immortal can be more evil than good, that is to say intrinsically and over a vast space of time. Momentarily and for a limited space of time it is obvious that the human soul can be more evil than good; and by a reasonable analogy it is only too probable that the same thing applies to the invisible sons of the universe. But the philosophy of the complex vision has no place for devils or demons in its world; for the simple reason that at the very moment any soul did become intrinsically and unchangeably evil, at that same moment it would vanish into nothingness, since existence is the product of the struggle between good and evil.
If any soul, whether mortal or immortal, became entirely and absolutely good, it would instantaneously vanish into nothingness. For the life of no kind of living soul is thinkable or conceivable apart from the unfathomable duality. The false philosophy which finds its ideal in an imaginary "parent" of the universe whose goodness is absolute is a philosophy conceived under the furtive influence of the power of evil. For the essence of the power of evil is opposition to the movement of life; and no false ideal has ever done so much injury to the free expansion of life as has been done by this conception of a "parent" of the universe who is a spirit of "absolute goodness."
It is entirely in accordance with the unfathomable cunning of the power of malice that the supreme historic obstacle to the power of love in the human soul should be this conception of a "parent" of the universe, possessed of absolute goodness. In the deepest and most subtle way does this conception oppose itself to the creative energy of love. The creative energy of love demands an indetermined and malleable future. It demands an enemy with which to struggle. It demands the freedom of the individual will. Directly that ancient and treacherous phantom, the "inscrutable mystery"behindthe "universe," is allowed to become an object of thought; directly this mystery is allowed to take the shape of a "parent of things" who is to be regarded as "absolutely good," then, at that very moment, the eternal duality ceases to be "eternal" and ceases to be a "duality."
Good and evil become the manifestations of the same inscrutable power. Love and malice become interchangeable names of little meaning. Satan becomes as significant a figure as Christ. All distinctions are then blurred and blotted out. The aesthetic sense is made of no account; or becomes a matter of accidental fancy. Imagination is left with nothing to work upon. The rhythm of the complex vision is broken to pieces. All is permitted. Nothing is forbidden. The universe is reduced to an indiscriminate and formless mass of excremental substance. Indiscriminately we have to swallow the "universe" or indiscriminately we have to let the "universe" alone. There is no longer a protagonist in the great drama, for there is no longer an antagonist. Indeed there is no longer any drama. Tragedy is at an end; and Comedy is at an end. All is equal. Nothing matters. Everything is at once good and evil, beautiful and hideous, true and false. Or rather nothing is beautiful, nothing is true. The "parent of the universe" has satisfied his absolute "goodness" by swallowing up the universe; and there is nothing left for the miserable company of mortal souls to do but to bow their resigned heads and cry "Om! Om!" out of the belly of that unutterable "universal," which by becoming "everything" has become nothing.
This conception of a universal being of "absolute goodness" looms like a colossal corpse in front of all living movement. If instead of "absolute goodness" we say "absolute love," the falseness and deadliness of this conception appears even more unmistakable. For love is the prerogative of personality alone. Apart from personality we cannot conceive of love. And we cannot conceive of personality without the struggle between love and malice. "Absolute love" is a contradiction in terms; for it is the nature of love to be perpetually overcoming malignant opposition; and, in this overcoming, to be perpetually approximating to a far-off ideal which can never be completely reached.
Devils and demons, or elemental entities of unredeemed evil, are unreal enough; and in their unreality dangerous enough to the creative spirit; but far more unreal and far more dangerous than any devil, is this conception of an absolute being whose "goodness" is of so spurious a nature that it obliterates all distinction. This conception of "a parent of the universe" who is responsible for the "eternal duality," but in whom the "eternal duality" is reconciled, blots out all hope for mortal or immortal souls. Between the soul of a man and the soul of an immortal god, as for instance between the soul of a man and the soul of Christ, there may be passionate and enduring love. But between the soul of a man, in whom love is desperately struggling with malice, and this monstrous being in whom love and malice have arrived at some unthinkable reconciliation, there can be no love. There can be nothing but indignant unbelief alternating with profound aversion. Towards any being in whose nature love has been reconciled to malice, the true to the false, the beautiful to the hideous, the good to the evil, there can be no alternative to unbelief, except unmitigated hostility.
It is especially in connection with the atrocious cruelty of physical pain that our conscience and our tastes—unless perverted by some premature metaphysical synthesis or by some morbid religious emotion—reluct at the conception of a "parent" of the universe. Personal love, since it is continually being roused to activity by pain and is continually being expressed through pain and in spite of pain, has come to find in pain, perhaps even more than in pleasure, its natural accomplice. Through the radiant well-being which results from pleasure, love pours forth its influence with a sun-like sweetness and profusion. But from the profound depths of pain, love rises like silence out of a deep sea; and no path of moonlight upon any ocean reaches so far an horizon.
And it is because of this intimate association of love with pain that it is found to be impossible to love any living being who has not experienced pain. Pain can be entirely sensational; and in this case it needs a very passion of love to prevent it becoming obscene and humiliating. But it also can be entirely emotional; in which case it results directly from the struggle of malice with love. When pain is a matter of sensation or of sensationalized emotion, it depends for its existence upon the body. But when pain is entirely emotional it is independent of the body and is a condition of the soul.
As a condition of the soul pain is inevitably associated with the struggle between love and malice. For in proportion as love overcomes malice, pain ceases, and in proportion as malice overcomes love, pain ceases. A human being entirely free from emotional pain is a human being in whom love has for the moment completely triumphed; or a human being in whom malice has for the moment completely triumphed. There is an exultation of love which fills the soul with irresistible magnetic power, so that it can redeem the universe. There is also an exultation of malice which fills the soul with irresistible magnetic power, so that it can corrupt the universe. In both these extreme cases—and they are cases of no unfrequent occurrence in all deep souls—emotional pain ceases to exist.
Emotional pain is the normal condition of the human soul; because the normal condition of the human soul is a wavering and uncertain struggle between love and malice; but although love may overcome malice, or malice may overcome love, with relative completeness, they neither of them can overcome the other with absolute completeness. There must always remain in the depths of the soul a living potentiality; which is the love or the malice which has been for the moment relatively overcome by its opposite. And just as pain can be both emotional and sensational so pleasure can be both emotional and sensational. Pleasure, like pain, can be a thing of bodily sensation alone; in which case it tends to become a thing of degrading and humiliating reality. A human entity entirely obsessed by physical pleasure is a revolting and obscene spectacle. Even with animals it is only when their sensation of pleasure is in some degree emotionalized that we can endure to contemplate it with sympathy.
The soul of an animal is capable of being "de-animalized" in just as horrible a way by a pure sensation as the soul of a man is capable of being "de-humanized" by a pure sensation. The sexual sensation of pleasure carried to the extreme limit "de-animalizes" animals as it "de-humanizes" human beings; because it drowns the consciousness of personality. There is an ecstasy when personality loses itself and finds itself again in a deeper personality. There is also an ecstasy where personality loses itself in pure sensation. In the region of sexual sensation, just as in the region of sexual emotion, it is love alone which is able to hold fast to personality in the midst of ecstasy; or which is able to merge personality in a deeper personality.
It is because of love's intimate association with pain that we are unable, except under the morbid pressure of some metaphysical or religious illusion, to regard the imaginary "parent of the universe" with anything but hostility. Both pain and pleasure are associated with the unfathomable duality. And although the unfathomable duality descends into abysses beyond the reach of both of these, yet we cannot conceive of either of them existing apart from this struggle.
But there can be no duality, as there can be no struggle, in the soul of a being in whom love has absolutely overcome malice. Therefore in such a soul there can be no pain. And for a soul incapable of feeling pain we can feel no love. It is of course obvious that this whole problem is an imaginary one. We are not really confronted with the alternative of loving or hating the unruffled soul of this absolute one. And we are not confronted with this problem for the simple reason that such a soul does not exist. And it does not exist because every soul, together with the "universe" created by every soul, depends for its existence upon this ultimate struggle.
It is from a consideration of the nature of pain and pleasure that we attain the clue to the ultimate duality. Pain and pleasure are conditions of the soul; conditions which have a definite and quite fathomable limit. Malice and love are conditions of the soul; conditions which have no definite limit, but which descend into unfathomable depths. Extremity of malice sinks down to an abyss where pain and pleasure are lost and merged in one another. Extremity of love sinks down to an abyss where pain and pleasure are lost and merged in one another. But just as, apart from the individual soul which is their possessor, pain and pleasure have no existence at all; so, apart from the individual soul which is the arena of their struggle, malice and love have no existence at all. Because we speak of pain and pleasure as if they were "things in themselves" and of malice and love as if they were "things in themselves" this can never mean more than that they are eternal conditions of the soul which is their habitation.
Apart from a personal soul, "love" has no meaning and cannot be said to exist. Apart from a personal soul, "life" has no meaning and cannot be said to exist. There is no such thing as the "love-force" or the "life-force," any more than there is such a thing as the "malice-force" or the "death-force," apart from some personal soul. The "life-force" is a condition of the soul which carried to an extreme limit results in ecstasy. The "death-force" is a condition of the soul which carried to an extreme limit results in ecstasy. Beyond these two ecstasies there is nothing but total annihilation; which would simply mean that the soul had become absolutely "good" or absolutely "evil."
What we call the "death-force" in the soul does not imply real death, until it has reached a limit beyond ecstasy. It implies a malignant resistance to life which may be carried to a point of indescribable exultation. As I have already hinted there is a profound association between the duality of love and malice and the duality of pain and pleasure. But it would be false to our deepest experience to say that love implies pleasure and that malice implies pain. As a matter of fact, they both imply a thrilling and ecstatic pleasure, in proportion as the equilibrium between them, the balance of the wavering struggle between them, is interrupted by the relative victory of either the one or the other.
The relative victory of malice or of the "death-force" over love or over the "life-force" is attended by exquisite and poignant pleasure, a pleasure which culminates in unutterable ecstasy. The shallow ethical thinkers who regard "evil" as a negation are obviously thinkers whose consciousness has never penetrated into the depths of their own souls. Pain and pleasure for such thinkers must be entirely sensationalized. They cannot have experienced, to any profound depth, the kind of pain and pleasure which are purely emotional.
The condition of the soul which gives itself up to the "death-force" or to the malignant power which resists creation may be sometimes a condition of thrilling and exultant pleasure. As we have already indicated, the normal condition of the soul, wavering and hesitating between good and evil, is liable to be changed into a profound melancholy, when it is confronted by the "illusion of dead matter." But, as we have also discovered, if, in the soul thus contemplating the "illusion of dead matter," evil is more potent than good, there may be a thrilling and exquisite pleasure.
The "death-force" in our own soul leaps in exultation to welcome the "death illusion" in material objects. Upon this illusion, which it has itself projected, it rejoices to feed. There is a "sweet pain" in the melancholy it thus evokes; a "sweet pain" that is more delicate than any pleasure; and it is a mistake to assume that even the insanity which this aberration may result in is necessarily an insanity of distress. It may be an insanity of ecstasy. All this is profoundly associated with the aesthetic sense; and we may note that the diabolical exultation with which many great artists and writers fling themselves upon the obscene, the atrocious, the cruel and the abominable, and derive exquisite pleasure from representing these things is not an example of the love in them overcoming the malice but an example of the "death-force" in them leaping to respond to the death-force in the universe.
It is just here that we touch one of the profoundest secrets of the aesthetic sense. I refer to that condition of the soul when the creative energy which is life and love, suffers an insidious corruption by the power which resists creation and which is malice and death. This psychological secret, although assuming an aesthetic form, is closely associated with the sexual instinct.
The sexual instinct, which is primarily creative, may easily, by the insidious corruption of the power which resists creation, become a vampirizing force of destruction. It may indeed become something worse than destruction. It may become an abysmal and unutterable "death-in-life." That voluptuous "pleasure in cruelty" which is an intrinsic element of the sexual instinct may attach itself to "the pleasure in death" which is the intrinsic emotion of the aboriginal inert malice; or rather the "pleasure in death" of the adversary of creation may insidiously associate itself with the "pleasure in cruelty" of the sexual instinct and make of "this energy of cruelty" a new and terrible emotion which is at once cruel and inert.
All this were mere fantastic speculation if it lacked touch with direct experience. But direct experience, if we have any psycho-clairvoyance at all, bears unmistakable witness to what I have been saying. If one glances at the expression in the countenance of any human soul who is deriving pleasure from the spectacle of suffering and who, under the pressure of this queer fusion of the aesthetic sense with the abysmal malice, is engaged in vampirizing the victim of such suffering one will observe a very curious and very illuminating series of revelations.
One will observe, for instance, the presence of demonic energy and of magnetic dominance in such a countenance; but parallel with this and simultaneously with this, one will observe an expression of unutterable sadness, a sadness which is inert and death-like, a sadness which has the soulless rigidity and the frozen immobility of a corpse. We are thus justified, by an impression of direct experience, in our contention that the peculiar pleasure which many artists derive from the contemplation of suffering and from the contemplation of what is atrocious, obscene, monstrous and revolting, is the result of a corruption of both the sexual instinct and the aesthetic sense by the abysmal malice.
For the pleasure which such souls derive from the contemplation of suffering is identical with the pleasure they derive from contemplating the "illusion of dead matter." Philosophers who give themselves up to the profoundest pessimism do not do so, as a rule, under the influence of love. The only exceptions to this are rare cases when preoccupation with suffering does not spring from a furtive enjoyment of the spectacle of suffering but from an incurable pity for the victims of suffering. Such exceptions are far more rare than is usually supposed, because the self-preservative hypocrisy of most pessimists enables them to conceal their voluptuousness under the mask of pity.
Nor must we hide from ourselves the fact that even pity, which in its pure form is the very incarnation of love, has a perverted form in which it lends itself to every kind of subterranean cruelty. Our psychological insight does not amount to very much if it does not recognize that there is a form of pity which enhances the pleasure of cruelty. There may indeed be discovered, when we dig deep enough into the abysses of the soul, an aspect of pity which thrills us with a most delicate sensation of tenderness and yet which remains an aspect of pity by no means incompatible with the fact that we continue the process of causing pain to the object of such tenderness.
Of all human emotions the emotion of pity is capable of the most divergent subtleties. The only kind of pity which is entirely free from the ambiguous element of "pleasure in cruelty" is the pity which is only another name for love, when love is confronted by suffering. There is such a thing as a suppressed envy of "the pleasure of cruelty" manifested in the form of moral indignation against the perpetrator of such cruelty.