FOOTNOTES:

It amounted, perhaps, to two Yorkshires in extent. A naturally opulent country of fertile meadows, shipping capabilities, metalliferous hills, and at this time, in consequence of the Dutch-Spanish war, and the multitude of Protestant refugees, it was getting filled with ingenious industries, and rising to be what it still is, the busiest quarter of Germany. A country lowing with kine; the hum of the flax-spindle heard in its cottages in those old days—"much of the linen called Hollands is made in Jülich, and only bleached, stamped, and sold by the Dutch," says Büsching. A country in our days which is shrouded at short intervals with the due canopy of coal-smoke, and loud with sounds of the anvil and the loom.

The lawyers took two hundred and six years to settle the question concerning this Duchy, and the thing Johann Sigismund had claimed legally in 1609 was actually handed over to Johann Sigismund's descendant in the seventh generation. "These litigated duchies are now the Prussian provinces, Jülich, Berg, Cleve, and the nucleus of Prussia's possessions in the Rhine country."

X. George Wilhelm. Read pp. 325 to 327 (231, 233) on this Elector and German Protestantism, now fallen cold, and somewhat too little dangerous. But George Wilhelm is the only weak prince of all the twelve. For another example how the heart and life of a country depend upon its prince, not on its council, read this, of Gustavus Adolphus, demanding the cession of Spandau and Küstrin:

Which cession Kurfürst George Wilhelm, though giving all his prayers to the good cause, could by no means grant. Gustav had to insist, with more and more emphasis, advancing at last with military menace upon Berlin itself. He wasmet by George Wilhelm and his Council, "in the woods of Cöpenick," short way to the east of that city; there George Wilhelm and his Council wandered about, sending messages, hopelessly consulting, saying among each other, "Que faire? ils ont des canons." For many hours so, round the inflexible Gustav, who was there like a fixed mile-stone, and to all questions and comers had only one answer.

On our special question of war and its consequences, read this of the Thirty Years' one:

But on the whole, the grand weapon in it, and towards the latter times, the exclusive one, was hunger. The opposing armies tried to starve one another; at lowest, tried each not to starve. Each trying to eat the country or, at any rate, to leave nothing eatable in it; what that will mean for the country we may consider. As the armies too frequently, and the Kaiser's armies habitually, lived without commissariat, often enough without pay, all horrors of war and of being a seat of war, that have been since heard of, are poor to those then practised, the detail of which is still horrible to read. Germany, in all eatable quarters of it, had to undergo the process; tortured, torn to pieces, wrecked, and brayed as in a mortar, under the iron mace of war. Brandenburg saw its towns seized and sacked, its country populations driven to despair by the one party and the other. Three times—first in the Wallenstein-Mecklenburg times, while fire and sword were the weapons, and again, twice over, in the ultimate stages of the struggle, when starvation had become the method—Brandenburg fell to be the principal theatre of conflict, where all forms of the dismal were at their height. In 1638, three years after that precious "Peace of Prag,"... the ravages of the starving Gallas and his Imperialists excelled all precedent,... men ate human flesh, nay, human creatures ate their own children. "Que faire? ils ont des canons!"

"We have now arrived at the lowest nadir point" (says Carlyle) "of the history of Brandenburg under the Hohenzollerns." Is this then all that Heavy Peg and our nine Kurfürsts have done for us?

Carlyle does not mean that; but even he, greatest of historians since Tacitus, is not enough careful to mark for us the growth of national character, as distinct from the prosperity of dynasties.

A republican historian would think of this development only, and suppose it to be possible without any dynasties.

Which is indeed in a measure so, and the work now chiefly needed in moral philosophy, as well as history, is an analysis of the constant and prevalent, yet unthought of, influences, which, without any external help from kings, and in a silent and entirely necessary manner, form, in Sweden, in Bavaria, in the Tyrol, in the Scottish border, and on the French sea-coast, races of noble peasants; pacific, poetic, heroic, Christian-hearted in the deepest sense, who may indeed perish by sword or famine in any cruel thirty years' war, or ignoble thirty years' peace, and yet leave such strength to their children that the country, apparently ravaged into hopeless ruin, revives, under any prudent king, as the cultivated fields do under the spring rain. How the rock to which no seed can cling, and which no rain can soften, is subdued into the good ground which can bring forth its hundredfold, we forget to watch, while we follow the footsteps of the sower, or mourn the catastrophes of storm. All this while, the Prussian earth—the Prussian soul—has been thus dealt upon by successive fate; and now, though laid, as it seems, utterly desolate, it can be revived by a few years of wisdom and of peace.

Vol. I. Book III. Chap, xviii.—The Great Elector, Friedrich Wilhelm. Eleventh of the dynasty:—

There hardly ever came to sovereign power a young man of twenty under more distressing, hopeless-looking circumstances. Political significance Brandenburg had none; a mere Protestant appendage, dragged about by a Papist Kaiser. His father's Prime Minister, as we have seen, was in the interest of his enemies; not Brandenburg's servant, but Austria's. The very commandants of his fortresses, Commandant of Spandau more especially, refused to obey FriedrichWilhelm on his accession; "were bound to obey the Kaiser in the first place."For twenty years past Brandenburg had been scoured by hostile armies, which, especially the Kaiser's part of which, committed outrages new in human history. In a year or two hence, Brandenburg became again the theatre of business, Austrian Gallas advancing thither again (1644) with intent "to shut up Torstenson and his Swedes in Jutland." Gallas could by no means do what he intended; on the contrary, he had to run from Torstenson—what feet could do; was hunted, he and his Merode Brüder (beautiful inventors of the "marauding" art), till they pretty much all died (crepirten) says Köhler. No great loss to society, the death of these artists, but we can fancy what their life, and especially what the process of their dying, may have cost poor Brandenburg again!Friedrich Wilhelm's aim, in this as in other emergencies, was sun-clear to himself, but for most part dim to everybody else. He had to walk very warily, Sweden on one hand of him, suspicious Kaiser on the other: he had to wear semblances, to be ready with evasive words, and advance noiselessly by many circuits. More delicate operation could not be imagined. But advance he did; advance and arrive. With extraordinary talent, diligence, and felicity the young man wound himself out of this first fatal position, got those foreign armies pushed out of his country, and kept them out. His first concern had been to find some vestige of revenue, to put that upon a clear footing, and by loans or otherwise to scrape a little ready-money together. On the strengthof which a small body of soldiers could be collected about him, and drilled into real ability to fight and obey. This as a basis: on this followed all manner of things, freedom from Swedish-Austrian invasions, as the first thing. He was himself, as appeared by-and-by, a fighter of the first quality, when it came to that; but never was willing to fight if he could help it. Preferred rather to shift, manœuvre, and negotiate, which he did in most vigilant, adroit, and masterly manner. But by degrees he had grown to have, and could maintain it, an army of twenty-four thousand men, among the best troops then in being.

For twenty years past Brandenburg had been scoured by hostile armies, which, especially the Kaiser's part of which, committed outrages new in human history. In a year or two hence, Brandenburg became again the theatre of business, Austrian Gallas advancing thither again (1644) with intent "to shut up Torstenson and his Swedes in Jutland." Gallas could by no means do what he intended; on the contrary, he had to run from Torstenson—what feet could do; was hunted, he and his Merode Brüder (beautiful inventors of the "marauding" art), till they pretty much all died (crepirten) says Köhler. No great loss to society, the death of these artists, but we can fancy what their life, and especially what the process of their dying, may have cost poor Brandenburg again!

Friedrich Wilhelm's aim, in this as in other emergencies, was sun-clear to himself, but for most part dim to everybody else. He had to walk very warily, Sweden on one hand of him, suspicious Kaiser on the other: he had to wear semblances, to be ready with evasive words, and advance noiselessly by many circuits. More delicate operation could not be imagined. But advance he did; advance and arrive. With extraordinary talent, diligence, and felicity the young man wound himself out of this first fatal position, got those foreign armies pushed out of his country, and kept them out. His first concern had been to find some vestige of revenue, to put that upon a clear footing, and by loans or otherwise to scrape a little ready-money together. On the strengthof which a small body of soldiers could be collected about him, and drilled into real ability to fight and obey. This as a basis: on this followed all manner of things, freedom from Swedish-Austrian invasions, as the first thing. He was himself, as appeared by-and-by, a fighter of the first quality, when it came to that; but never was willing to fight if he could help it. Preferred rather to shift, manœuvre, and negotiate, which he did in most vigilant, adroit, and masterly manner. But by degrees he had grown to have, and could maintain it, an army of twenty-four thousand men, among the best troops then in being.

To wear semblances, to be ready with evasive words, how is this, Mr. Carlyle? thinks perhaps the rightly thoughtful reader.

Yes, such things have to be; There are lies and lies, and there are truths and truths. Ulysses cannot ride on the ram's back, like Phryxus; but must ride under his belly. Read also this, presently following:

Shortly after which, Friedrich Wilhelm, who had shone much in the battle of Warsaw, into which he was dragged against his will, changed sides. An inconsistent, treacherous man? Perhaps not, O reader! perhaps a man advancing "in circuits," the only way he has; spirally, face now to east, now to west, with his own reasonable private aim sun-clear to him all the while?

The battle of Warsaw, three days long, fought with Gustavus, the grandfather of Charles XII., against the Poles, virtually ends the Polish power:

Old Johann Casimir, not long after that peace of Oliva, getting tired of his unruly Polish chivalry and their ways, abdicated—retired to Paris, and "and lived much with Ninon de l'Enclos and her circle," for the rest of his life. He used to complain of his Polish chivalry, that there was no solidity in them; nothing but outside glitter, with tumult and anarchic noise; fatal want of one essential talent,the talent of obeying; and has been heard to prophesy that a glorious Republic, persisting in such courses, would arrive at results which would surprise it.Onward from this time, Friedrich Wilhelm figures in the world; public men watching his procedure; kings anxious to secure him—Dutch print-sellers sticking up his portraits for a hero-worshipping public. Fighting hero, had the public known it, was not his essential character, though he had to fight a great deal. He was essentially an industrial man; great in organizing, regulating, in constraining chaotic heaps to become cosmic for him. He drains bogs, settles colonies in the waste places of his dominions, cuts canals; unweariedly encourages trade and work. The Friedrich Wilhelm's Canal, which still carries tonnage from the Oder to the Spree, is a monument of his zeal in this way; creditable with the means he had. To the poor French Protestants in the Edict-of-Nantes affair, he was like an express benefit of Heaven; one helper appointed to whom the help itself was profitable.He munificently welcomed them to Brandenburg; showed really a noble piety and human pity, as well as judgment; nor did Brandenburg and he want their reward. Some twenty thousand nimble French souls, evidently of the best French quality, found a home there; made "waste sands about Berlin into potherb gardens;" and in spiritual Brandenburg, too, did something of horticulture which is still noticeable.

Onward from this time, Friedrich Wilhelm figures in the world; public men watching his procedure; kings anxious to secure him—Dutch print-sellers sticking up his portraits for a hero-worshipping public. Fighting hero, had the public known it, was not his essential character, though he had to fight a great deal. He was essentially an industrial man; great in organizing, regulating, in constraining chaotic heaps to become cosmic for him. He drains bogs, settles colonies in the waste places of his dominions, cuts canals; unweariedly encourages trade and work. The Friedrich Wilhelm's Canal, which still carries tonnage from the Oder to the Spree, is a monument of his zeal in this way; creditable with the means he had. To the poor French Protestants in the Edict-of-Nantes affair, he was like an express benefit of Heaven; one helper appointed to whom the help itself was profitable.He munificently welcomed them to Brandenburg; showed really a noble piety and human pity, as well as judgment; nor did Brandenburg and he want their reward. Some twenty thousand nimble French souls, evidently of the best French quality, found a home there; made "waste sands about Berlin into potherb gardens;" and in spiritual Brandenburg, too, did something of horticulture which is still noticeable.

Now read carefully the description of the man, p. 352 (224-5); the story of the battle of Fehrbellin, "the Marathon of Brandenburg," p. 354 (225); and of the winter campaign of 1679, p. 356 (227), beginning with its week's marches at sixty miles a day; his wife, as always, being with him;

Louisa, honest and loving Dutch girl, aunt to our William of Orange, who trimmed up her own "Orange-burg" (country-house), twenty miles north of Berlin, into a little jewel of the Dutch type, potherb gardens, training-schools for young girls, and the like, a favorite abode of hers when she was at liberty for recreation. But her life was busy and earnest; she was helpmate, not in name only, to an ever busy man. They were married young; a marriage of love withal. Young Friedrich Wilhelm's courtship; wedding in Holland; the honest, trustful walk and conversation of the two sovereign spouses, their journeyings together, their mutual hopes, fears, and manifold vicissitudes, till death, with stern beauty, shut it in; all is human, true, and wholesome in it, interesting to look upon, and rare among sovereign persons.

Louisa died in 1667, twenty-one years before her husband, who married again—(little to his contentment)—died in 1688; and Louisa's second son, Friedrich, ten years old at his mother's death, and now therefore thirty-one, succeeds, becoming afterwards Friedrich I. of Prussia.

And here we pause on two great questions. Prussia is assuredly at this point a happier and better country than it was, when inhabited by Wends. But is Friedrich I. a happier and better man than Henry the Fowler? Have all these kings thus improved their country, but never themselves?Is this somewhat expensive and ambitious Herr, Friedrich I. buttoned in diamonds, indeed the best that Protestantism can produce, as against Fowlers, Bears, and Red Beards? Much more, Friedrich Wilhelm, orthodox on predestination; most of all, his less orthodox son;—have we, in these, the highest results which Dr. Martin Luther can produce for the present, in the first circles of society? And if not, how is it that the country, having gained so much in intelligence and strength, lies more passively in their power than the baser country did under that of nobler men?

These, and collateral questions, I mean to work out as I can, with Carlyle's good help;—but must pause for this time; in doubt, as heretofore. Only of this one thing I doubt not, that the name of all great kings, set over Christian nations, must at last be, in fufilment, the hereditary one of these German princes, "Rich in Peace;" and that their coronation will be with Wild olive, not with gold.

FOOTNOTES:[142]The late Sir Herbert Edwardes.[143]I would much rather print these passages of Carlyle in large golden letters than small black ones; but they are only here at all for unlucky people who can't read them with the context.

[142]The late Sir Herbert Edwardes.

[143]I would much rather print these passages of Carlyle in large golden letters than small black ones; but they are only here at all for unlucky people who can't read them with the context.

ETHICS OF THE DUST.LECTURE I.PAGEThe Valley of Diamonds11LECTURE II.The Pyramid Builders21LECTURE III.The Crystal Life31LECTURE IV.The Crystal Orders43LECTURE V.Crystal Virtues56LECTURE VI.Crystal Quarrels70LECTURE VII.Home Virtues82LECTURE VIII.Crystal Caprice98LECTURE IX.Crystal Sorrows111LECTURE X.The Crystal Rest125Notes143Fiction—Fair and Foul153ELEMENTS OF DRAWING.LETTER I.On First Practice233LETTER II.Sketching From Nature293LETTER III.On Colour and Composition331Appendix: Things To Be Studied403

ELEMENTS OF DRAWING.FIGUREPAGE1.Squares2372.Gradated Spaces2413.Outline of Letter2454.Outline of Bough of Tree2485.Charred Log2576.Shoot of Lilac2727.Leaf2748.Bough of Phillyrea2759.Spray of Phillyrea27610.Trunk of Tree, by Titian28411.Sketch from Raphael28512.Outlines of a Ball28713.Woodcut of Durer's28914, 15, 16.Masses of Leaves290,29117, 18, 19.Curvatures in Leaves295,29620.From an Etching, by Turner29721.Alpine Bridge30722.Alpine Bridge as it Appears at Various Distances30823.Outlines Expressive of Foliage31424.Shoot of Spanish Chestnut31525.Young Shoot of Oak31626, 27, 28.Woodcuts after Titian321,32229.Diagram of Window33930.Swiss Cottage35531.Groups of Leave35032.Painting, by Turner36133.Sketch on Calais Sands, by Turner36534.Drawing of an Ideal Bridge, by Turner36935.Profile of the Towers of Ehrenbreitstein37036.Curves37137, 38, 39.Curves Found in Leaves37240.Outlines of a Tree Trunk37341-44.Tree Radiation374,37545, 46.Woodcuts of Leaf37647.Leaf of Columbine37848.Top of an Old Tower385

Old Lecturer (of incalculable age)Florrie, on astronomical evidence presumed to beaged 9.Isabel" 11.May" 11.Lily" 12.Kathleen" 14.Lucilla" 15.Violet" 16.Dora (who has the keys and is housekeeper)" 17.Egypt (so called from her dark eyes)" 17.Jessie (who somehow always makes the room look brighter when she is in it)" 18.Mary (of whom everybody, including the Old Lecturer, is in great awe)" 20.

I have seldom been more disappointed by the result of my best pains given to any of my books, than by the earnest request of my publisher, after the opinion of the public had been taken on the 'Ethics of the Dust,' that I would "write no more in dialogue!" However, I bowed to public judgment in this matter at once, (knowing also my inventive powers to be of the feeblest,); but in reprinting the book, (at the prevailing request of my kind friend, Mr. Henry Willett,) I would pray the readers whom it may at first offend by its disconnected method, to examine, nevertheless, with care, the passages in which the principal speaker sums the conclusions of any dialogue: for these summaries were written as introductions, for young people, to all that I have said on the same matters in my larger books; and, on re-reading them, they satisfy me better, and seem to me calculated to be more generally useful, than anything else I have done of the kind.

The summary of the contents of the whole book, beginning, "You may at least earnestly believe," at p. 130, is thus the clearest exposition I have ever yet given of the general conditions under which the Personal Creative Power manifests itself in the forms of matter; and the analysis of heathen conceptions of Deity, beginning at p. 131, and closing at p. 138, not only prefaces, but very nearly supersedes, all that in more lengthy terms I have since asserted, or pleaded for, in 'Aratra Pentelici,' and the 'Queen of the Air.'

And thus, however the book may fail in its intention of suggesting new occupations or interests to its younger readers, I think it worth reprinting, in the way I have also reprinted 'Unto this Last,'—page for page; that the students of my more advanced works may be able to refer to these as the original documents of them; of which the most essential in this book are these following.

I. The explanation of the baseness of the avaricious functions of the Lower Pthah, p. 39, with his beetle-gospel, p. 41, "that a nation can stand on its vices better than on its virtues," explains the main motive of all my books on Political Economy.

II. The examination of the connexion between stupidity and crime, pp. 57-62, anticipated all that I have had to urge in Fors Clavigera against the commonly alleged excuse for public wickedness,—"They don't mean it—they don't know any better."

III. The examination of the roots of Moral Power, pp. 90-92, is a summary of what is afterwards developed with utmost care in my inaugural lecture at Oxford on the relation of Art to Morals; compare in that lecture, §§ 83-85, with the sentence in p. 91 of this book, "Nothing is ever done so as really to please our Father, unless we would also have done it, though we had had no Father to know of it."

This sentence, however, it must be observed, regards only the general conditions of action in the children of God, in consequence of which it is foretold of them by Christ that they will say at the Judgment, "When saw we thee?" It does not refer to the distinct cases in which virtue consists in faith given to command, appearing to foolish human judgment inconsistent with the Moral Law, as in the sacrifice of Isaac; nor to those in which any directly-given command requires nothing more of virtue than obedience.

IV. The subsequent pages, 92-97, were written especially to check the dangerous impulses natural to the minds of many amiable young women, in the direction of narrow and selfish religious sentiment: and they contain, therefore, nearly everything which I believe it necessary that young people should be made to observe, respecting the errors of monastic life. But they in nowise enter on the reverse, or favourable side: of which indeed I did not, and as yet do not, feel myself able to speak with any decisiveness; the evidence on that side, as stated in the text, having "never yet been dispassionately examined."

V. The dialogue with Lucilla, beginning at p. 63, is, to my own fancy, the best bit of conversation in the book, and the issue of it, at p. 67, the most practically and immediately useful. For on the idea of the inevitable weakness and corruption of human nature, has logically followed, in our daily life, the horrible creed of modern "Social science," that all social action must be scientifically founded on vicious impulses. But on the habit of measuring and reverencing our powers and talents that we may kindly use them, will be founded a true Social science, developing, by the employment of them, all the real powers and honourable feelings of the race.

VI. Finally, the account given in the second and third lectures, of the real nature and marvellousness of the laws of crystallization, is necessary to the understanding of what farther teaching of the beauty of inorganic form I may be able to give, either in 'Deucalion,' or in my 'Elements of Drawing.' I wish however that the second lecture had been made the beginning of the book; and would fain now cancel the first altogether, which I perceive to be both obscure and dull. It was meant for a metaphorical description of the pleasures and dangers in the kingdom of Mammon, or ofworldly wealth; its waters mixed with blood, its fruits entangled in thickets of trouble, and poisonous when gathered; and the final captivity of its inhabitants within frozen walls of cruelty and disdain. But the imagery is stupid and ineffective throughout; and I retain this chapter only because I am resolved to leave no room for any one to say that I have withdrawn, as erroneous in principle, so much as a single sentence of any of my books written since 1860.

One license taken in this book, however, though often permitted to essay-writers for the relief of their dulness, I never mean to take more,—the relation of composed metaphor as of actual dream, pp. 23 and 104. I assumed, it is true, that in these places the supposed dream would be easily seen to be an invention; but must not any more, even under so transparent disguise, pretend to any share in the real powers of Vision possessed by great poets and true painters.

Brantwood:10th October, 1877.

The following lectures were really given, in substance, at a girls' school (far in the country); which in the course of various experiments on the possibility of introducing some better practice of drawing into the modern scheme of female education, I visited frequently enough to enable the children to regard me as a friend. The lectures always fell more or less into the form of fragmentary answers to questions; and they are allowed to retain that form, as, on the whole, likely to be more interesting than the symmetries of a continuous treatise. Many children (for the school was large) took part, at different times, in the conversations; but I have endeavoured, without confusedly multiplying the number of imaginary[144]speakers, to represent, as far as I could, the general tone of comment and enquiry among young people.

It will be at once seen that these Lectures were not intended for an introduction to mineralogy. Their purpose was merely to awaken in the minds of young girls, who were ready to work earnestly and systematically, a vital interest in the subject of their study. No science can be learned in play; but it is often possible, in play, to bring good fruit out of past labour, or show sufficient reasons for the labour of the future.

The narrowness of this aim does not, indeed, justify the absence of all reference to many important principles of structure, and many of the most interesting orders of minerals; but I felt it impossible to go far into detail without illustrations; and if readers find this book useful, I may, perhaps, endeavour to supplement it by illustrated notes of the more interesting phenomena in separate groups of familiar minerals;—flints of the chalk;—agates of the basalts;—and the fantastic and exquisitely beautiful varieties of the vein-ores of the two commonest metals, lead and iron. But I have always found that the less we speak of our intentions, the more chance there is of our realizing them; and this poor little book will sufficiently have done its work, for the present, if it engages any of its young readers in study which may enable them to despise it for its shortcomings.

Denmark Hill:Christmas, 1865.

FOOTNOTES:[144]I do not mean, in saying 'imaginary,' that I have not permitted to myself, in several instances, the affectionate discourtesy of some reminiscence of personal character; for which I must hope to be forgiven by my old pupils and their friends, as I could not otherwise have written the book at all. But only two sentences in all the dialogues, and the anecdote of 'Dotty,' are literally 'historical.'

[144]I do not mean, in saying 'imaginary,' that I have not permitted to myself, in several instances, the affectionate discourtesy of some reminiscence of personal character; for which I must hope to be forgiven by my old pupils and their friends, as I could not otherwise have written the book at all. But only two sentences in all the dialogues, and the anecdote of 'Dotty,' are literally 'historical.'

A very idle talk, by the dining-room fire, after raisin-and-almond time.

Old Lecturer; Florrie, Isabel, May, Lily,andSibyl.

Old Lecturer(L.). Come here, Isabel, and tell me what the make-believe was, this afternoon.

Isabel(arranging herself very primly on the foot-stool). Such a dreadful one! Florrie and I were lost in the Valley of Diamonds.

L. What! Sindbad's, which nobody could get out of?

Isabel. Yes; but Florrie and I got out of it.

L. So I see. At least, I see you did; but are you sure Florrie did?

Isabel. Quite sure.

Florrie(putting her head round from behindL.'ssofa-cushion). Quite sure. (Disappears again.)

L.I think I could be made to feel surer about it.

(Florriereappears, givesL.a kiss, and again exit.)

L.I suppose it's all right; but how did you manage it?

Isabel. Well, you know, the eagle that took up Sindbad was very large—very, very large—the largest of all the eagles.

L.How large were the others?

Isabel. I don't quite know—they were so far off. But this one was, oh, so big! and it had great wings, as wide as—twice over the ceiling. So, when it was picking up Sindbad, Florrie and I thought it wouldn't know if we got on its back too: so I got up first, and then I pulled up Florrie, and we put our arms round its neck, and away it flew.

L.But why did you want to get out of the valley? and why haven't you brought me some diamonds?

Isabel. It was because of the serpents. I couldn't pick up even the least little bit of a diamond, I was so frightened.

L.You should not have minded the serpents.

Isabel. Oh, but suppose that they had minded me?

L.We all of us mind you a little too much, Isabel, I'm afraid.

Isabel. No—no—no, indeed.

L.I tell you what, Isabel—I don't believe either Sindbad, or Florrie, or you, ever were in the Valley of Diamonds.

Isabel. You naughty! when I tell you we were!

L.Because you say you were frightened at the serpents.

Isabel. And wouldn't you have been?

L.Not at those serpents. Nobody who really goes into the valley is ever frightened at them—they are so beautiful.

Isabel(suddenly serious). But there's no real Valley of Diamonds, is there?

L.Yes, Isabel; very real indeed.

Florrie(reappearing). Oh, where? Tell me about it.

L.I cannot tell you a great deal about it; only I know it is very different from Sindbad's. In his valley, there was only a diamond lying here and there; but, in the real valley, there are diamonds covering the grass in showers every morning, instead of dew: and there are clusters of trees, which look like lilac trees; but, in spring, all their blossoms are of amethyst.

Florrie. But there can't be any serpents there, then?

L.Why not?

Florrie. Because they don't come into such beautiful places.

L.I never said it was a beautiful place.

Florrie. What! not with diamonds strewed about it like dew?

L.That's according te your fancy, Florrie. For myself, I like dew better.

Isabel. Oh, but the dew won't stay; it all dries!

L.Yes; and it would be much nicer if the diamonds driedtoo, for the people in the valley have to sweep them off the grass, in heaps, whenever they want to walk on it; and then the heaps glitter so, they hurt one's eyes.

Florrie. Now you're just playing, you know.

L.So are you, you know.

Florrie. Yes, but you mustn't play.

L.That's very hard, Florrie; why mustn't I, if you may?

Florrie. Oh, I may, because I'm little, but you mustn't, because you're—(hesitates for a delicate expression of magnitude).

L.(rudely taking the first that comes). Because I'm big? No; that's not the way of it at all, Florrie. Because you're little, you should have very little play; and because I'm big I should have a great deal.

IsabelandFlorrie(both). No—no—no—no. That isn't it at all. (Isabelsola, quoting Miss Ingelow.) 'The lambs play always—they know no better.' (Putting her head very much on one side.) Ah, now—please—please—tell us true; we want to know.

L.But why do you want me to tell you true, any more than the man who wrote the 'Arabian Nights?'

Isabel. Because—because we like to know about real things; and you can tell us, and we can't ask the man who wrote the stories.

L.What do you call real things?

Isabel. Now, you know! Things that really are.

L.Whether you can see them or not?

Isabel. Yes, if somebody else saw them.

L.But if nobody has ever seen them?

Isabel(evading the point.) Well, but, you know, if there were a real Valley of Diamonds, somebodymusthave seen it.

L.You cannot be so sure of that, Isabel. Many people go to real places, and never see them; and many people pass through this valley, and never see it.

Florrie. What stupid people they must be!

L.No, Florrie. They are much wiser than the people who do see it.

May. I think I know where it is.

Isabel. Tell us more about it, and then we'll guess.

L.Well. There's a great broad road, by a river-side, leading up into it.

May(gravely cunning, with emphasis on the last word). Does the road really goup?

L.You think it should go down into a valley? No, it goes up; this is a valley among the hills, and it is as high as the clouds, and is often full of them; so that even the people who most want to see it, cannot, always.

Isabel. And what is the river beside the road like?

L.It ought to be very beautiful, because it flows over diamond sand—only the water is thick and red.

Isabel. Red water?

L.It isn't all water.

May. Oh, please never mind that, Isabel, just now; I want to hear about the valley.

L.So the entrance to it is very wide, under a steep rock; only such numbers of people are always trying to get in, that they keep jostling each other, and manage it but slowly. Some weak ones are pushed back, and never get in at all; and make great moaning as they go away: but perhaps they are none the worse in the end.

May. And when one gets in, what is it like?

L.It is up and down, broken kind of ground: the road stops directly; and there are great dark rocks, covered all over with wild gourds and wild vines; the gourds, if you cut them, are red, with black seeds, like water-melons, and look ever so nice; and the people of the place make a red pottage of them: but you must take care not to eat any if you ever want to leave the valley (though I believe putting plenty of meal in it makes it wholesome). Then the wild vines have clusters of the colour of amber; and the people of the country say they are the grape of Eshcol; and sweeter than honey; but, indeed, if anybody else tastes them, they are like gall. Then there are thickets of bramble, so thorny that they would be cut away directly, anywhere else; but here they are covered with little cinque-foiled blossoms of pure silver; and, for berries, they have clusters of rubies. Dark rubies, which you only see are red after gathering them. But you mayfancy what blackberry parties the children have! Only they get their frocks and hands sadly torn.

Lily. But rubies can't spot one's frocks as blackberries do?

L.No; but I'll tell you what spots them—the mulberries. There are great forests of them, all up the hills, covered with silkworms, some munching the leaves so loud that it is like mills at work; and some spinning. But the berries are the blackest you ever saw; and, wherever they fall, they stain a deep red; and nothing ever washes it out again. And it is their juice, soaking through the grass, which makes the river so red, because all its springs are in this wood. And the boughs of the trees are twisted, as if in pain, like old olive branches; and their leaves are dark. And it is in these forests that the serpents are; but nobody is afraid of them. They have fine crimson crests, and they are wreathed about the wild branches, one in every tree, nearly; and they are singing serpents, for the serpents are, in this forest, what birds are in ours.

Florrie. Oh, I don't want to go there at all, now.

L.You would like it very much indeed, Florrie, if you were there. The serpents would not bite you; the only fear would be of your turning into one!

Florrie. Oh, dear, but that's worse.

L.You wouldn't think so if you really were turned into one, Florrie; you would be very proud of your crest. And as long as you were yourself (not that you could get there if you remained quite the little Florrie you are now), you would like to hear the serpents sing. They hiss a little through it, like the cicadas in Italy; but they keep good time, and sing delightful melodies; and most of them have seven heads, with throats which each take a note of the octave; so that they can sing chords—it is very fine indeed. And the fire-flies fly round the edge of the forests all the night long; you wade in fire-flies, they make the fields look like a lake trembling with reflection of stars; but you must take care not to touch them, for they are not like Italian fireflies, but burn, like real sparks.

Florrie. I don't like it at all; I'll never go there.

L.I hope not, Florrie; or at least that you will get out again if you do. And it is very difficult to get out, for beyond these serpent forests there are great cliffs of dead gold, which form a labyrinth, winding always higher and higher, till the gold is all split asunder by wedges of ice; and glaciers, welded, half of ice seven times frozen, and half of gold seven times frozen, hang down from them, and fall in thunder, cleaving into deadly splinters, like the Cretan arrowheads; and into a mixed dust of snow and gold, ponderous, yet which the mountain whirlwinds are able to lift and drive in wreaths and pillars, hiding the paths with a burial cloud, fatal at once with wintry chill, and weight of golden ashes. So the wanderers in the labyrinth fall, one by one, and are buried there:—yet, over the drifted graves, those who are spared climb to the last, through coil on coil of the path;—for at the end of it they see the king of the valley, sitting on his throne: and beside him (but it is only a false vision), spectra of creatures like themselves, set on thrones, from which they seem to look down on all the kingdoms of the world, and the glory of them. And on the canopy of his throne there is an inscription in fiery letters, which they strive to read, but cannot; for it is written in words which are like the words of all languages, and yet are of none. Men say it is more like their own tongue to the English than it is to any other nation; but the only record of it is by an Italian, who heard the King himself cry it as a war cry, 'Pape Satan, Pape Satan Aleppe.'[145]

Sibyl. But do they all perish there? You said there was a way through the valley, and out of it.

L.Yes; but few find it. If any of them keep to the grass paths, where the diamonds are swept aside; and hold their hands over their eyes so as not to be dazzled, the grass paths lead forward gradually to a place where one sees a little opening in the golden rocks. You were at Chamouni last year, Sibyl; did your guide chance to show you the pierced rock of the Aiguille du Midi?

Sibyl. No, indeed, we only got up from Geneva on Mondaynight; and it rained all Tuesday; and we had to be back at Geneva again, early on Wednesday morning.

L.Of course. That is the way to see a country in a Sibylline manner, by inner consciousness: but you might have seen the pierced rock in your drive up, or down, if the clouds broke: not that there is much to see in it; one of the crags of the aiguille-edge, on the southern slope of it, is struck sharply through, as by an awl, into a little eyelet hole; which you may see, seven thousand feet above the valley (as the clouds flit past behind it, or leave the sky), first white, and then dark blue. Well, there's just such an eyelet hole in one of the upper crags of the Diamond Valley; and, from a distance, you think that it is no bigger than the eye of a needle. But if you get up to it, they say you may drive a loaded camel through it, and that there are fine things on the other side, but I have never spoken with anybody who had been through.

Sibyl. I think we understand it now. We will try to write it down, and think of it.

L.Meantime, Florrie, though all that I have been telling you is very true, yet you must not think the sort of diamonds that people wear in rings and necklaces are found lying about on the grass. Would you like to see how they really are found?

Florrie. Oh, yes—yes.

L.Isabel—or Lily—run up to my room and fetch me the little box with a glass lid, out of the top drawer of the chest of drawers. (Race betweenLilyandIsabel.)

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