Chapter 14

*“A distinctive up-to-date book.”

*“Is full of curious and interesting reading.”

Capen, Edward Warren.Historical development of the poor law of Connecticut.*$3.50. Macmillan.

Volume XXII. of the “Columbia university studies.” An historical study of the treatment of the poor in Connecticut from the earliest colonial period to the present day, in which the town system of relief is considered as opposed to the state and county systems. There is an excellent bibliography, and there are indexes covering not only the subjects treated but the decisions and statutes cited.

“The history is interestingly set forth, each statement of fact is verified by references.”

“In his present monograph Dr. Capen has provided us not only with a most exhaustive exposition of the development of the law from early colonial days, but also with a useful commentary on its workings, pointing out clearly its advantages and defects.”

*Capen, Oliver Bronson.Country homes of famous Americans.**$5. Doubleday.

“The profusion of pictures large and small with which the book is embellished ... throws a welcome light upon the surroundings of many of our celebrated men, representing, as Mr. T. W. Higginson says in his introduction, ‘not merely the tastes and habits of the man’s household, but the private background of his public life.’ Not all the houses chosen are of equal interest, nor are their owners of equal celebrity.... In all, the homes of eighteen men are chosen, including those of Lee at Arlington, of Jefferson at Monticello, Lowell’s Elmwood, Longfellow’s Craigie house, and Madison’s Montpelier.”—Nation.

*“There has, of late, been much journeying (on paper) to the homes of great men, but none of these journeys has ended in such a fortunate meeting of text and pictures as have those of Mr. Capen.”

*Capes, Bernard.Lohengrin. $2. Page.

“This is the third of a series of romances founded on the themes of grand operas.... The illustrations, in black and white, are by Sarcadi Pogany, and fancifully, yet not without plenty of vigor and action, depict the dramatic incidents of the legend, which is repeated in description and dialogue and dramatic succession in the form of the modern historical romance.”—N. Y. Times.

*“Mr. Capes tells his story well and strongly, his descriptions are vivid and significant, and all the drama of the story clearly brought out. But because you are writing of distant days, need your style be such ‘genuine antique’ stuff as this?”

*“This is monstrous fine writing; so fine that for the life of us we cannot tell whether it is meant to be in blank verse or not. Much of it is; some of it is not; and the mixture is merely annoying. There are, too, the inevitable lapses of one who sets out to play a part without conviction.”

Capwell, Irene Stoddard.Mrs. Alderman Casey. 75c. Fenno.

In rich Irish brogue the wife of Alderman Casey tells of her experiences in trying to keep up with the social aspirations of her pretty daughter, Mary Ann, who in the end forsakes tennis clubs, Browning clubs, summer hotels and euchre parties for Tom Donovan, the pride of the police force.

*Carey, Rosa Nouchette.Household of Peter: a novel. (†)$1.50. Lippincott.

“A story of life in a small English country town. Peter is a young doctor, and his household consists of himself, his three sisters, and a faithful serving-woman. There is the usual complement of nobility and gentry.”—Outlook.

*“Altogether this is a soothing and cheerful story.”

*“Peter’s household is a wholesome, affectionate set of folks; but at times they are tiresome, and their conversations are too long drawn out.”

Carl, Katherine A.With the empress dowager.**$2. Century.

Miss Carl, thru the influence of Mrs. Conger, wife of the United States minister, was called to Pekin in the summer of 1903 to paint a portrait of the empress dowager. She remained eleven months, and painted four portraits one of which was exhibited at the St. Louis exposition, and during all this time she lived at the Chinese court, and came in daily contact with the empress dowager and the court ladies. She gives a simple, straightforward account of her unique experiences, telling with frank enthusiasm all about her life and the life of those around her in the summer and the winter palaces, until her readers also come under the spell of the empress dowager’s fascinating personality and come to see the Chinese social customs and religious rites in all their picturesque dignity.

*“There is much entertaining tittle-tattle in the volume about Chinese court life, but Her Majesty is lost in the distant perspective.” H. E. Coblentz.

“Unfortunately Miss Carl is not an observer or a writer; she was very greatly affected by the divinity that hedges royalty; and her book of more than 300 pages is much such a record as a school girl with an easy pen might send to an admiring club of friends.”

*“Her book is of great interest.”

“It is believed that the present volume contains the first accurate and satisfactory information concerning the personal appearance and characteristics of an interesting imperial personage.”

Carling, John R.Weird picture. (†)$1.50. Little.

A story concerned mainly with the machinations of an Italian artist whose madness and villainy actuate him to follow the Giotto method of stabbing his model to produce a realistic picture. There are some weird effects, exciting discoveries, and thru it all runs the romance of a matter-of-fact Englishman and his beautiful cousin.

“A well conceived and constructed story, which contains some crisp dialogue and characterization.”

“Those whose blood is yet uncurdled and whose detective sense has never been baffled by literary mystery might try this.”

“The plot is absorbing and well-concealed.”

Carlyle, R. W., and Carlyle, A. J.History of mediaeval political theory in the West. 3v. v. I.**$3.50. Putnam.

“The object of the joint authors of the present work is to carry in several volumes the history of political theory down to the early seventeenth century.... It is to be strictly a ‘history of theory, not of institutions.’ ... Part I or the introduction of the work devotes two chapters to the political theory of Cicero and Seneca.... Part II is devoted to the political theory of the Roman lawyers.... Part III has for its subject the political theory of the New Testament and the Fathers.... Part IV, the political theory of the ninth century.... Each chapter and each part is followed by a very useful summary, and at the foot of each page are given very lengthy extracts from the sources.”—Am. Hist. R.

“The author of the present volume has brought to his work a thorough knowledge of the early church writers ... and has succeeded in expressing himself in such admirable and lucid English, free from all philosophical abstractions and obscurities, that at no time does his exposition fail to instruct and to interest the reader. This clearness is largely due to the admirable arrangement of the subject-matter and to the method of treatment. No claim could be made that the author has discovered any new theories or new theorists, but he has certainly put many matters in a new light. Throughout his work he seldom shows any familiarity with the researches of modern scholars in the field of political theory, and with but few exceptions he never refers to any secondary authorities. This is a glaring and inexcusable fault in an otherwise highly meritorious work.” James Sullivan.

Carlyle, Thomas.French revolution.*$1.50. Macmillan.

Three volumes uniform with “Bohn’s historical library,” edited by John Holland Rose. The text and foot notes of the author are reproduced verbatim, and there are in addition notes by the editor which supplement the text with more modern information. There is an introduction, and there are appendices and numerous illustrations.

“An excellent library edition.”

Carlyle, Thomas.Oliver Cromwell; with a selection from his letters and speeches.*60c. McClurg.

“An abridged and newly edited volume of Carlyle’s Cromwell.” It is uniform with “Standard biographies.”

Carman, Albert Richardson.Ethics of imperialism; an enquiry whether Christian ethics and imperialism are antagonistic.**$1. Turner, H. B.

“This is a defense of imperialism by a very radical method of discrediting altruism as an ethical ideal and extolling egoism, personal and national, as the best of all possible principles. This, of course, leads to extreme libertarian views of social policy.”—Ind.

Reviewed by John J. Halsey.

*Carman, (William) Bliss.Poems. 2v.*$10. Page.

This sumptuous edition has been compiled from Mr. Carman’s various published works, and includes a number of poems which have seen print in magazines but have never before appeared in book form.

*“His work is done so much in the open, his qualities are so frankly and immediately affirmed in it, he is so free from subtleties and intricacies of meaning, that the province of thereviewer properly ends with pointing the way to his books as a source of many kinds of intellectual and emotional pleasure—all wholesome, rich, and strong.” Elisabeth Luther Carey.

*“He has a true gift of song, an artist’s joy in beautiful words, and that passion for the moods of Nature which of itself transmutes verse into poetry. His defect is to fall occasionally into facile jingles, and now and then into inapposite conceits.”

*Carman, (William) Bliss.Poetry of life.**$1.50. Page.

A volume of essays which contains besides the title essay, The purpose of poetry; How to judge poetry; The poet in the commonwealth; The poet in modern life; The defence of poetry; Distaste for poetry; Longfellow; Emerson; Mr. Riley’s poetry; Mr. Swinburne’s poetry; The rewards of poetry; Cheerful pessimism; Masters of the world; The poetry of to-morrow; The permanence of poetry.

*“That Mr. Carman is a master of a stimulating style in verse and prose alike is evidenced by this sane, hopeful, yet discriminating study of varied phases of art and life.”

*“Its value is permanent by reason of the broadly comprehensive treatment which he has given to the subject of poetry in its larger aspects. I am not sure but he is at his best as a critic.” Jessie B. Rittenhouse.

Carnegie, Andrew.James Watt.**$1.40. Doubleday.

Mr. Carnegie has woven into his biography of the inventor of the steam-engine, out of which he made his fortune, his own philosophy of success, drawing upon his personal experience to point the morals found in his hero’s life.

“In Mr. Carnegie he has found a worthy and sympathetic biographer.”

“The wonderful career of James Watt is here ably retold by a most appreciative countryman with a wealth of comment bearing on or suggested by Watt’s life or inventions, which is scarcely less interesting than the narrative itself.”

“It is in the expression of the author’s views of life and the world that the work’s value mainly lies, for as a biography, it adds naught to the store of available information. Extremely interesting and helpful.”

“Its lively, not to say jerky, style would hardly be a sufficient inducement to read this book. The preface names two highly competent engineers as having revised the technical passages, but here and there a sentence may be found to which they can hardly have lent their deliberate approval.”

“Mr. Carnegie has written a really helpful book, and one which is especially helpful to the young man entering into life’s battles.”

“There is a good deal of useful information in the book, but the best feature of it is the romantic cast that the author has given to an intrinsically dry subject.”

“Mr. Carnegie’s book is of the kind to put in the hands of a promising boy. It will stimulate him to work, but not at the expense of the simple moralities and pleasures of a well-regulated life.”

*Carpenter, Joseph Estlin.James Martineau: theologian and teacher.*$2.50. Am. Unitar.

A book written “at the invitation of the British and Foreign Unitarian association, to describe the life and work of Dr. Martineau in briefer compass than was possible to his first biographers.... Professor Carpenter has had the advantage of the use of certain additional letters which have become available since the publication of the Life and has utilized other papers and correspondence hitherto unused.... The result is an exceedingly valuable ‘study,’ in which the incidents of the life and the characteristics of the man and the thinker are made to throw light upon one another in a way which is possible only to one who, having mastered every detail of his subject, is able to select the essential and significant elements in every case.”—Hibbert J.

*“It is difficult to imagine any class of readers who will easily set down this biography when once they have opened it. The stress of interest will indeed vary, but the admirable lucidity of Mr. Carpenter’s arrangement will render the process of skipping easy and comparatively safe.” Philip H. Wicksteed.

*“The book is written in a style which, while it gives the impression of perfect accuracy, is yet so clear and graceful that the reader is never either puzzled or wearied.” James Seth.

*“It is an original study, based to some extent on new materials, and everywhere showing care and ripe reflection.”

*“Appearing in Dr. Martineau’s centenary year, it is a timely and permanent memorial of a spiritual leader unsurpassed in the English speaking world.”

*“This admirable work is a worthy memorial of a great man. His development is traced with such skill that Mr. Carpenter makes us realize the continual interplay of the outer and inner life. We see in these pages the organic growth, not only of a great intellect but of a great moral force.”

Carpenter, Rt. Rev. William Boyd, bp. of Ripon.Witness to the influence of Christ; being the William Belden Noble lectures for 1904.**$1.10. Houghton.

Six lectures entitled—Two aspects of Christ’s influence; Christ the perfect type of consciousness; Christ the teacher of principles; Christ the law of the soul; Christ verified in experience; Christ as authority.

“The thought is worthy and is set forth with exceptional literary skill, with recurring pregnant expressions of much suggestiveness.”

*“Exhibits his well-known versatility and literary skill.”

“A happy combination of poetic feeling and logical clearness characterizes the entire argument.”

Carr, Clark.Illini. $2. McClurg.

“A story of the prairies, written from the memories of over half a century lived in Illinois. The author has endeavored to present his views of the position and influence of Illinois among the states, to give an estimate of events, and of those Illinoisans who were conspicuous actors in them, from 1850, the year in which the Fugitive-slave law was enacted, to the opening of the Civil war.”—Bookm.

“Is a pleasant combination of history, biography, and romance.”

“The story is not sufficiently interesting to have any advantage over the ordinary historical form.”

Carroll, John S.Exiles of eternity: an exposition of Dante’s Inferno.*$3. Gorham.

“‘Exiles of eternity’ is an exposition canto by canto, in a simple, popular, yet thoroughly literary style, reaching the aim of bringing before the reader, who may or not be acquainted with the Italian language, the general scope of Dante’s ethical teaching as studied from a broad Anglican point of view, not uncolored by an intense poetical appreciation. This exposition is preceded by a brief sketch of the poet.” (N. Y. Times). The book makes no attempt at special research from original sources, hence there are reproduced several errors of earlier commentators. The author states, however, that his purpose is rather to present his subject in its “broad outlines” than to go into those “mere niceties, ingenuities and intricacies of interpretation” which too often lead Dante scholars astray.

“Characterized by broad general reading among English and American commentators rather than by special research. An English reader who wishes to make the acquaintance of the ‘Inferno’ through a broad and pleasant way with Dante’s ethical rules of action brought strictly up to date, cannot do better than to read Mr. Carroll’s book.”

Carryl, Guy Wetmore.The garden of years, and other poems.**$1.50. Putnam.

A volume of genuine poetic value, posthumously published, is the gift of Guy Wetmore Carryl to the literature of our time. “In the long poem which lends its title to the present collection, we have a true love poem marked by exquisite feeling and rare felicitous grace of execution. We may but say retrospectively, using Mr. Stedman’s so fitly characterizing words,—‘Still in the strength of youth, he seemed quite equal to either experiences or work, and likely to take his fill of both.’” (Critic).

“Its varied but everywhere irrefragable proofs of poetship. There is abundant evidence in ‘The garden of years’ that Guy Carryl had received the muse’s accolade; and we might add, that, in his own range of inspiration and execution, this young Lycidas ‘hath not left his peer.’” E. M. T.

“It is a volume of manly sentiment embodied in facile and vigorous measures.”

Carson, Thomas G.Man’s responsibility; or, How and why the Almighty introduced evil upon the earth.**$1. Putnam.

“All of Mr. Carson’s argument is to the effect that phrenology is an exact and useful science, and that it should be used in the government of the world and the reclamation of mankind.”—N. Y. Times.

Carter, A. Cecil, ed. Kingdom of Siam.**$2. Putnam.

A volume prepared by native Siamese in connection with the commission to the St. Louis exposition. “The materials used by the author are largely furnished by high officials in different departments of government service.” (N. Y. Times). The view of Siam includes a sketch of King Chulalongkorn, and his son, the Prince Maha Vajiravudh, a description of Siam itself,—“the Land of the White Elephant,” a summary of its resources, and a glimpse of the capital city, Bangkok, where modern invention has given crowning touches to the city’s mechanism. The chapter on agriculture is perhaps the best in the book. There are many illustrations, chiefly, however, of temples and public buildings.

“The style will not interest the general reader.”

“Well-written and skilfully arranged work.”

“It contains everything that a stranger needs to know of a fascinating country. The book has no literary endeavor manifest in its pages, being rather a complete handbook of the kingdom, with numerous illustrations of persons and places,—an encyclopedia in little.” Wallace Rice.

Carter, Thomas.Shakespeare and the Holy Scriptures, with the version he used.*$3. Dutton.

“Following the plays of Shakespeare in the probable order of their composition, Dr. Carter exhibits the extent to which Biblical ideas and phraseology appear in them. Citations from Shakespeare are from the text of the First folio, published in 1623; citations from the Bible are from the Genevan version (edition of 1598), the popular version of that time, and from the Genevan New Testament of 1557. ‘No writer,’ says Dr. Carter, ‘has assimilated the thoughts and reproduced the words of the Holy Scripture more copiously.’”—Outlook.

“In consequence of this fatal want of judgment, the book may be pronounced to be practically valueless.”

“To say the best for it, it is a curious book and a monument of industry.”

“Dr. Carter proves a parallelism between Shakespeare and the Bible abundantly sufficient for his purpose, and need not have overloaded his book with much that is conjectural and doubtful.”

“Dr. Carter’s book, in fact, though it displays a minute familiarity with the text of the Bible and puts before the student the full materials for judging for himself, is an absurd overstatement.”

*“Enough has been said to show that this large book, notwithstanding the labour spent upon it, is entirely useless for its main purpose; while for the further purpose of estimating Shakespeare’s knowledge of the Bible it is almost as useless, since nine-tenths of the parallels suggested are not parallels at all.”

Cartwright, Julia (Mrs. Henry Ady).Life and art of Botticelli.*$4. Dutton.

This is an expansion of a study published a year or so ago, and is copiously illustrated with reproductions from the famous works of the painter. “This clear narrative restates the results of modern research and gives a trustworthy account of the Florentine painter’s career. What he owed to Savonarola and Dante is set forth in straightforward fashion, and his works are surveyed in chronological order, one by one.” (Atlan.)

Reviewed by Royal Cortissoz.

“Her work forms ... a homogeneous whole, that is, however, somewhat marred here and there by certain strange mannerisms.”

“A notable contribution to the descriptive literature of art. The author is evidently steeped in artist-lore, and in this handsome volume has presented a treatise of an art school as well as a biography of Botticelli.”

Carver, Thomas Nixon.The distribution of wealth.**$1.50. Macmillan.

In treating the value-and-distribution problem, “Professor Carver has earned high praise in that he has, with perfect clearness, defined precisely his point of view, systematically presented his doctrinal position, and carried it out with consistent argument.” The relation between values and distributive shares is traced out by Professor Carver as follows: “The value of the agent is determined by the value of the product. But what determines the value of the product? The relative want. And what determines the relative want? The relative supply. And what determines the relative supply? The cost of production. And what determines the cost of production? The value of the agents employed. And what determines the value of the agents? The value of the product; etc., etc.” The foregoing questions are discussed and answered. The law of diminishing returns is made the central feature of the theory of distribution. The author “pronounces strongly in favor of preserving the distinction between land and capital both for static and dynamic purposes; he sees, indeed, as bearing upon the relations of land and capital to cost, no significance in the distinction between static and dynamic.” Quotations from J. Pol. Econ.

“The reader has only to study a few pages before the earnestness with which the subjects are expounded infects him. The exposition is clear, and occasionally graphic representations are given to make it impossible for the student to escape comprehension.”

“The work under consideration is admirable as a theoretical discussion in that it is centralized about the shares in distribution, preceded by what the author considers necessary by way of introduction, namely ‘value,’ ‘diminishing returns,’ and ‘forms of wealth and income.’ The concrete is everywhere uppermost throughout the book. The style is characterized by a certain vivacity which greatly enlivens the discussion and claims the attention of the reader whether he agrees or disagrees with the conclusions.” J. E. Conner.

“The book is in the main a clear and careful restatement of the prevalent ideas on the theory of distribution as now accepted. The book is moderate in tone and in conclusions.” H. Parker Willis.

“The power and significance of the work. Too much can hardly be said in commendation of the book for its clarity and simplicity of style, its skill and effectiveness of statement, and its logical and attractive arrangement of material. It seems worth while to express forthwith the conviction that Professor Carver’s theoretical position is untenable, for the reason that he attempts to make of value and distribution two distinct problems.” H. J. Davenport.

*Gary, Elisabeth Luther.Novels of Henry James: a study.**$1.25. Putnam.

“An attractive volume illustrated with a new portrait of Mr. James and an etching of his home at Rye in England; and supplemented by a bibliography zealously compiled by Mr. Frederick A. King.... Miss Carey ... reviews all his work from the beginning; traces his development step by step, and treats in separate chapters of the power of his imagination and the value of his philosophy.”—N. Y. Times.

*“If there is weakness anywhere in this interesting and luminous study it is in the chapter on ‘Philosophy.’ One wishes that more expansion of Mr. James’s moral and psychologic messages had been included.” Annie Russell Marble.

*“A remarkably interesting and well-rounded piece of contemporary criticism.”

Castaigne, Andre.Fata Morgana.†$1.50. Century.

This romance of art student life in Paris easily draws into one circle a circus rider, the daughter of a Chicago millionaire, the Duke of Morgana, the various critics, models, artists and poets of greater or lesser degree. The setting is Bohemian rather than artistic, and the characters are often coarse. The career of Phil Longwell, a young American painter, is followed through years of struggle from the time when he first falls in love with Hella, the pretty circus-girl friend of his boyhood, to the time when he wins honors, success and the admiration of the young American heiress. His paintings of the Fata Morgana, its strange legend and the simple faith of the people of Morgana, form striking contrast to the cynicism of Parisian life. The book is illustrated by the author.

“Unquestionably the plot is thin and the construction faulty. Is a typical artist’s book, full of life and colour.”

“Charming as is Monsieur Castaigne’s narrative, the chief interest will probably centre in the illustrations. In it the layman ... will find a rich store of interest and entertainment.”

“No less striking in plot than in title, it rests the reader wearied of stereotyped and hackneyed situations.”

*Castle, Mrs. Agnes (Sweetman), and Castle, Edgerton.Heart of Lady Anne.†$1.50. Stokes.

In the time of powder, masks and patches, Squire Day married the spoiled beauty, Lady Anne, and the story of her heart is the story of how she chafed at life on her young husband’s estate, how she went up to London as guest of Lady Kilcroney, who was Kitty Bellairs, and how she encountered the scheming, cruel world of fashion which taught her that her husband, who knew how to reveal himself as an heroic figure at the critical moment in each of her sad experiences, and who even aroused her jealousy toward the last, was the real master of the situation and of her heart.

*“A tale in Dresden china, so dainty and clever as fully to satisfy the taste for Dresden, but arousing no very strong feeling.”

*“No authors know better how to use romance than Mr. and Mrs. Castle, and none can give the air of this artificial century with so excellent a grace.”

*“Dainty bit of eighteenth century romancing.”

*“‘Tis a beguiling tale.”

*“Has quite the dash of the authors’ earlier stories.”

*“Has, in a less degree, the sparkle and liveliness of the authors’ former work.”

Castle, Agnes, and Castle, Egerton.Rose of the world.†$1.50. Stokes.

“The story opens in India, where the reader has a glimpse of official English life. The tragedy of widowhood descends upon a girl wife, who lives to realize the meaning of her sorrow.”—Outlook.

“This is, perhaps, the finest book that Mr. and Mrs. Egerton Castle have as yet produced—daring, original, moving. The plot is developed with that reticence which is the soul of art; the tension is relieved by delightful touches of humor, charming descriptions of scenery, clever character-drawing.”

“If this is not the best of their novels, it takes high rank among them.”

“At one stroke a delicate psychological study is metamorphosed into a Wilkie Collins melodrama.” Frederic Taber Cooper.

“As a piece of story-telling, it is almost good. Only, unfortunately, the heroine does not in the least belong to this era of the world.”

“The charm is essentially one of style, for the plot is not remarkable, and the situations verge upon the melodramatic.” W. M. Payne.

“In this second and more critical reading the careful workmanship of the writers is everywhere apparent.” Herbert W. Horwill.

“A tale which, had it but broken off 100 pages from the end, might have ranked with the few things which bear reading more than once.”

“In their latest book they have lost none of their brilliancy of description.”

“The tale is well written, with touches of comedy in minor characters.”

“A story that is touched by a rosy glamor and strengthened by apt characterization.”

“The story, in fact, for all its wildness, claims attention as a serious study in character, while the events are sensational enough to attract the unpsychological.”

*Castle, Frank.Machine construction and drawing.*$1.25. Macmillan.

“The author first describes the necessary drawing instruments, and explains their use. He then sets out in detail, with proportional dimensions, various forms of common fastenings, such as rivets, bolts, keys, etc. Then come some chapters containing examples of mill work, followed by others dealing with steam-engine details. The final chapter gives a short account of the physical properties of materials used in construction. Sets of useful exercises occur at intervals, and a few calculations of strengths are given.... The drawings which abound throughout the work represent good practice, are fully dimensioned, very clearly printed, and will be appreciated, by teachers and students alike.”—Nature.

*“While not free from minor defects, the book can be cordially recommended for use in drawing classes, and to young engineers who are seeking after knowledge on which to base subsequent work in machine design.”

Casual essays of The Sun; editorial articles on many subjects, clothed with the philosophy of the light side of things. $1.50. Priv. ptd.

Extracts from the editorial pages of the New York Sun, which “touch lightly upon many subjects—upon the passing of the negro minstrel and the banjo, upon mince pie, ... famous men and institutions ... upon college yells, hairpins, Solomon, and the impropriety of addressing the president of the United States as ‘Excellency.’ There is some delectable and curious matter about poets old and new.... You may find also essays on English and reformed manners of spelling it, ... essays upon women of all ages, upon sweethearts and loves, essays upon mothers-in-law, and even essays upon the cup that cheers.” (N. Y. Times.)

“One likes to save it for the choice hours, when one is really alone.” Edward Fuller.

“There is no evidence that the writer is restrained by any limitations of conscience, consistency or charity from putting down anything interesting or amusing that comes into his head.”

“There is much excellent fooling here.”

Catch words of cheer, compiled by Sara A. Hubbard.**$1. McClurg.

Printed in dark green ink with green marginal decorations and a touch of red in the headings, this attractive little volume pleases the eye, while the catch words culled from St. Paul, Cicero, Maeterlinck, Carlyle, Tennyson, Shakespeare, Helen Keller, Ruskin, Goethe, Longfellow, and a host of other writers of all ages, are wisely chosen to bring help and comfort. There is a quotation for each day of the year.

*“An excellent combination of high seriousness and enlivening humor.”

*“A collection of bright, comforting, helpful sayings.”

Cather, Willa Sibert.Troll garden.†$1.25. McClure.

Seven short stories of artist life, emotional psychological, and pathetic, under the titles: Flavia and her artists, The sculptor’s funeral, The garden lodge, A death in the desert, The marriage of Phædra, A Wagner matinee, and Paul’s case.

“Is a collection of freak stories that are either lurid, hysterical or unwholesome, and that remind one of nothing so much as the colored supplement to the Sunday papers. The ‘purple patches’ of learning in the book, like the thrills, seem sewed on here and there, with one eye closed to get the effect.” Bessie du Bois.

*“There is real promise in these half-dozen stories. Miss Cather has sincerity and no small degree of insight.”

“Taken as a whole, the book indicates more than usual talent for close delineation.”


Back to IndexNext