After the painting by Guizard. JOAN OF ARC.After the painting by Guizard.JOAN OF ARC.
The situation of Joanna was full of profound suggestions to a heart that listened for the stealthy steps of change and fear that too surely were in motion. But, if the place were grand, the time, the burden of the time, was far more so. The air overhead in its upper chambers was hurtling with the obscure sound; was dark with sullen fermenting of storms that had been gathering for a hundred and thirty years.
It was not wonderful that in such a haunted solitude, with such a haunted heart, Joanna should see angelic visions and hear angelic voices. These voices whispered to her forever the duty, self-imposed, of delivering France. Five years she listened to these monitory voices with internal struggles. At length she could resist no longer. Doubt gave way, and she left her home forever in order to present herself at the dauphin’s court.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Joanna was a girl of natural piety, that saw God in forests, and hills, and fountains, but did not the less seek him in chapels and consecrated oratories. This peasant girl was self-educated through her own meditativeness. If the reader turns to that divine passage in “Paradise Regained,” which Milton has put into the mouth of Christ when first entering the wilderness,—
Oh, what a multitude of thoughts at onceAwakened in me swarm, while I considerWhat from within I feel myself, and hearWhat from without comes often to my ears,Ill sorting with my present state compared!When I was yet a child, no childish playTo me was pleasing; all my mind was setSerious to learn and know, and thence to doWhat might be public good; myself I thoughtBorn to that end—
Oh, what a multitude of thoughts at onceAwakened in me swarm, while I considerWhat from within I feel myself, and hearWhat from without comes often to my ears,Ill sorting with my present state compared!When I was yet a child, no childish playTo me was pleasing; all my mind was setSerious to learn and know, and thence to doWhat might be public good; myself I thoughtBorn to that end—
Oh, what a multitude of thoughts at onceAwakened in me swarm, while I considerWhat from within I feel myself, and hearWhat from without comes often to my ears,Ill sorting with my present state compared!When I was yet a child, no childish playTo me was pleasing; all my mind was setSerious to learn and know, and thence to doWhat might be public good; myself I thoughtBorn to that end—
he will have some notion of the vast reveries which brooded over the heart of Joanna in early girlhood, when the wings were budding that should carry her from Orleans to Rheims; when the golden chariot was dimly revealing itself that should carry her from the kingdom ofFrance Deliveredto the eternal kingdom.
When Joanna appeared, the dauphin had been on the point of giving up the struggle with the English, distressed as they were, and of flying to the south of France. She taught him to blush for such abject counsels. She liberated Orleans, that great city, so decisive by its fate for the issue of the war. Entering the city after sunset, on the 29th of April, she sang mass on Sunday, May 8, for the entire disappearance of the besieging force.
On the 29th of June, she fought and gained over the English the decisive battle of Patay; on the 9th of July, she took Troyes by a coup-de-main from a mixed garrison of English and Burgundians; on the 15th of that month, she carried the dauphin into Rheims; on Sunday, the 17th, she crowned him; and there she rested from her labor of triumph. All that was to be done she had now accomplished; what remained was—to suffer.
But she, the child that, at nineteen, had wrought wonders so great for France, was she not elated? Did she not lose, as men so often have lost, all sobriety of mind when standing upon the pinnacle of success so giddy? Let her enemies declare. During the progress of her movement, and in the center of ferocious struggles, she had manifested the temper of her feelings, by the pity which she had everywhere expressed for the suffering enemy.
She forwarded to the English leaders a touching invitation to unite with the French, as brothers in a common crusade against infidels, thus opening the road for a soldierly retreat. She interposed to protect the captive or the wounded—she threw herself off her horse to kneel by the dying English soldier, and to comfort him with such ministrations, physical or spiritual, as his situation allowed. She sheltered the English, that invoked her aid, in her own quarters.
On the day when she had finished her work, she wept; for she knew that, when her triumphal task was done, her end must be approaching. Her aspirations pointed only to a place, which seemed to her more than usually full of natural piety, as one in which it would give her pleasure to die. And she uttered, between smiles and tears, as a wish that inexpressibly fascinated her heart, a broken prayer that God would return her to the solitudes from which he had drawn her, and suffer her to become a shepherdess once more.
It was a half fantastic prayer, because, from childhood upwards, visions that she had no power to mistrust, and the voices which sounded in her ear forever, had long since persuaded her mind that for her no such prayer could be granted.
All went wrong from this time. More than one military plan was entered upon which she did not approve. At length she was made prisoner by the Burgundians, and finally surrendered to the English.
Now came her trial. Never from the foundations of the earth was there such a trial as this, if it were laid open in all its beauty of defense, and all its hellishness of attack. Oh, child of France! shepherdess, peasant girl! trodden under foot by all around thee, how I honor thy flashing intellect, quick as God’s lightning, and true as God’s lightning to its mark, that ran before France and laggard Europe by many a century, confounding the malice of the ensnarer, and making dumb the oracles of falsehood!
On the Wednesday after Trinity Sunday in 1431, being then about nineteen years of age, the Maid of Arc underwent her martyrdom. She was conducted before midday, guarded by eight hundred spearmen, to a platform of prodigious height, constructed of wooden billets supported by occasional walls of lath and plaster, and traversed by hollow spaces in every direction for the creation of air currents.
What else, I demand, than mere weight of metal, absolute nobility of deportment, broke the vast line ofbattle then arrayed against her? What else but her meek, saintly demeanor won, from the enemies that till now had believed her a witch, tears of rapturous admiration? What else was it but her constancy, united with her angelic gentleness, that drove the fanatic English soldier—who had sworn to throw a fagot on her scaffold, ashistribute of abhorrence, thatdidso, that fulfilled his vow—suddenly to turn away a penitent for life, saying everywhere that he had seen a dove rising upon wings to heaven from the ashes where she had stood?
What else drove the executioner to kneel at every shrine for pardon to his share in the tragedy! And if this were insufficient, then I cite the closing act of her life. The executioner had been directed to apply his torch from below. He did so. The fiery smoke rose in billowing volumes. A Dominican monk was then standing almost at her side. Wrapped up in his sublime office, he saw not the danger, but still persisted in his prayers.
Even then, when the last enemy was racing up the fiery stairs to seize her, even at that moment did this noblest of girls think only for him, the one friend that would not forsake her, and not for herself; bidding him with her last breath to care for his own preservation, but to leave her to God.
The shepherd girl that had delivered France—she, from her dungeon, she, from her duel with fire, as she entered her last dream—saw Domremy, saw the fountain of Domremy, saw the pomp of forests in which herchildhood had wandered. That Easter festival, which man had denied to her languishing heart—that resurrection of springtime, which the darkness of dungeons had intercepted from her, hungering after the glorious liberty of forests—were by God given back into her hands, as jewels that had been stolen from her by robbers.
By special privilege, for her might be created, in this farewell dream, a second childhood, innocent as the first; but not, like that, sad with the gloom of a fearful mission in the rear. This mission had now been fulfilled.
The hatred to herself in all eyes had been faced steadily, had been suffered, had been survived. And in her last fight upon the scaffold she had triumphed gloriously; victoriously she had tasted the stings of death. For all, except this comfort from her farewell dream, she had died—died, amidst the tears of ten thousand enemies—died, amidst the drums and trumpets of armies—died amidst peals redoubling upon peals, volleys upon volleys, from the saluting clarions of martyrs.
From “Biographies.”
A key to the symbols most of which are used in this Reader to indicate the pronunciation of the more difficult words.
A key to the symbols most of which are used in this Reader to indicate the pronunciation of the more difficult words.
Only the most difficult consonants in this Reader are marked with diacritical signs. The following table may prove useful to the teacher for reference and for blackboard work.
Only the most difficult consonants in this Reader are marked with diacritical signs. The following table may prove useful to the teacher for reference and for blackboard work.
Certain vowels, asaande, when obscured and turned toward the neutral form, are italicized. Silent letters are also italicized.
The following is an alphabetical list of the most difficult words used in this Reader.
The less difficult words that have been used in the previous Readers of this series are omitted.
This list may be made the basis of a great variety of exercises in correct pronunciation, distinct enunciation, rapid spelling, language lessons, and review work.
For an explanation of the diacritical marks, see preceding page.
The syllabletionis not re-spelled in this list, but wherever it occurs should be pronouncedshŭn.
ăb hôr´ rĕnçeăb´ sō lūtelȳâ bȳss´ăc çĕs´ sō rĭesăc clâ mā´ tionăc cŏm´ mō dāteăc cȫu´ tẽredăc cū´ mú lā tĕdăd´ â măntâ dieū´ăd´ jú tantsăd ō rā´ tionăd vân´ tá ġĕsăd vẽr´ sĭ tȳAe(ē) ō´ lĭanăf fĭn´ ĭ tiĭesăf flĭc´ tionâ fôre´ said (sĕd)ăl´ ien (yĕn) āteăl lē´ ġiançeăl lé gŏr´ ĭcalăl tẽr´ nátelȳăm băs´ sâ dor (dẽr)ăm bi tious (bĭsh´ ŭs)ăm phĭ thē´ â tẽrăn´ єhō ráġeăn ġĕl´ ĭcăn´ ĭ mā tĕdăn nĭ vẽr´ sá rȳăn noy´ançeăn tăg´ ō nĭstăn´ té chām bẽrăn tĭç´ ĭ pā tĕdăn tiq ui (tĭk´ wĭ) tȳăp´ â thȳăp pḁll´ ĭngăp pâ rā´ tŭsăp pâ rĭ´ tionăp prē ci (shĭ) ā´ tionăp pré hĕn´ sion (shŭn)ăp prĕn´ tĭçeshĭpăp prō´ prĭ átelȳā´ prĭ єŏtärch´ ẽr ȳâ rē´ nâär´ gú mentâr ĭs tŏc´ rá çȳär qué bŭsiērs´ăr rĕst´ ĕdär tĭl´ lẽr ȳăs pīr´antăs pĭ rā´ tionsăs sāil´antsăs sĕm´ blȳăs sō´ ci (shĭ) ā tĕdăs suaged (swājd´)â stẽrn´ăs trŏl´ ō ġẽrsăs trŏn´ ō mẽrĂth é naē´ umăth lĕt´ ĭcăt tĕn´ ú ā tĕdăt´ trĭ būtesḁuthŏr´ ĭ tȳḁux ĭl´ ĭá rĭesăv´ é nūebāil´ĭffbăp tĭs´ malbär bā´ rĭansbăr´ râ cōōnbăr´ rĭ ẽrbăt tăl´ ion (yŭn)băt´ tẽr ĭesbăt´ tlementbēe´ tlĭngbé guīled´bĕl lĭg´ ẽrentbĕn é dĭc´ tionsbĕn é făc´ trĕssbé siē´ ġẽrsbī´ çȳ clebĭg´ ȯt rȳbì ŏg´ râ phȳbĭv´ ouac (wăk)blĕss´ ĕd nĕssboun´ téoŭs lȳbrā´ zier (zhẽr)brĭl´ liant (yant)câ lăm´ ĭ tȳcăn nȯn āde´ca păç´ ĭ tȳcăp tĭv´ ĭ tȳcâ rēered´căr´ rĭ ȯncas (kăzh´) úal tȳcăt´ â phrăctscăt´ â răctcăt´ é єhīs ĭngcăv â liēr´ lȳcăv´ ĭ tĭesçĕl´ ăn dīneçé lĕs´ tial (chal)çĕr´ é mō nȳçẽr tĭf´ ĭ cátechăl´ lĕnġedchăm´ pĭ ȯn ĭngchăp´ laĭnchăr´ ĭ ŏtchăr´ ĭ tâ blechăs´ tĭsementchĭl´ lĭ nĕssєhȳm´ ĭcçī´ phẽrçĩr´ cuĭtçĩr cŭm´ fẽrençeçĩr cŭm scrībedçĭt´ â delclẽr´ ġȳ manclī´ mâtecō ĭn çīde´cŏm´ bătantcŏm mĕnçe´ mentcŏm´ mȯn wĕalthcŏm mū´ nĭ câ tĭvecŏm mūn´ ion (yŭn)cŏm pâr´ á tĭvelȳcŏm pas sion (păsh´ ŭn)cŏm pĕt´ ĭ tors (tẽrs)cŏm plā´ çençecŏm plēte´cŏn çēde´cŏn çĕn´ tẽredcŏn grė gā´ tioncŏn jĕc´ tůrecŏn´ sė quĕnçecŏn sĭs´ tĕn çȳcŏn spĭc´ ůoŭscŏn spĭr´ â çȳcŏn´ stân çȳcŏn strŭc´ tioncŏn´ sŭm mātecŏn tĕmned´cŏn tĕm plā´ tioncŏn tĕnt´ mentcŏn trĭ bū´ tionscŏn vâ lĕs´ çençecŏn vŭl´ sion (shŭn)cō rŏl´ lâcoun´ tẽr feĭtcoun´ tẽr märch ĭngcȫup-dḙ-măincoûr´ tėoŭscȯv´ ĕt ĕdcȯv´ ĕtoŭs nĕsscow´ ard (ẽrd) ĭçecrė dū´ lĭ tȳcrí tē´ rĭ ȯncrȳptcui rass (kwé râs´)cup board (cŭb´ bẽrd)cú pĭd´ ĭ tȳdḁu´ phĭndé çēit´ fŭl lȳdĕç ĭ mā´ tiondė çī´ phẽr â bledé çī´ sĭvedĕc lâ mā´ tiondé fi cien (fĭsh´en) çĭesdé gĕn´ ẽr átedė lĭn ė ā´ tiondé lĭv´ ẽrançedė lū´ sion (zhŭn)dĕm ȫ lĭ´ tiondé pōrt´ mĕntdé scrĭp´ tionsdĕs´ pĭc â bledé tẽr mĭ nā´ tiondí ăm´ é tẽrdĭl´ ĭ ġentdĭ mĭn´ ú tĭvedĭ rĕc´ tiondĭs ăp pēar´dĭṣ ăs´ troŭsdis cern (dĭz zẽrn´) ĭ bledĭs´ çĭ plĭnedĭs côrd´antdĭs coŭr´ á ġĭngdĭs ĕm bärked´dĭ shĕv´eleddĭshŏn´ ored (ẽrd)dĭs pĕns´ ẽrdĭs sĕv´ ẽreddĭs tĭnct´ nĕssdĭs tĭnc´ tiondĭ vẽr´ sion (shŭn)dĭz´ zĭ lȳdō mĭn´ ion (yŭn)dŏn´ á tĭvesdrä´ mâ tĭstdrā´ pẽr ȳdú rā´ tiondȳesĕd´ ĭ fĭçeĕd ĭ tō´ rĭalsĕd ú cā´ tionĕl´ é ġȳĕl´ ō quençeé mẽr´ ġen çȳĕm´ pẽr ors (ẽrs)ĕn snâr´ ẽrĕn vĕl´ ŏpedĕn´ vĭoŭsĕp´ aulĕtteĕp´ ĭ sōdesē quĭ nŏc´ tial (shal)é rŭp´ tionĕs tĭ mā´ tioneú rē´ kâĕx ăġ´gẽr āteĕx ḁl tā´ tionĕx çīte´ mentĕx´ cré mentĕx é cū´ tion ẽrsĕx ĕm´ plá rȳĕx ĕmpt´ĕx ĭs´ tençeĕx pẽrt´ nĕssĕx plō rā´ tionsĕx plō´ sion (zhŭn)ĕx´ quĭ ṣĭteĕx traôr´ dĭ ná rȳĕx ŭl tā´ tionĕx ŭlt´ ĕdfăb´ rĭcfăc´ ŭl tĭesfăg´ ȯtfâ năt´ ĭcfăn tăs´ tĭcfăs´ çĭ nā tĕdfē´al tȳfeign (fān)fé lĭç´ ĭ tȳfẽr mĕnt´ ĭngfĕr´ ule (ĭl)fẽr´ vĕnt lȳfĕs´ tĭ valfeūdsfĭc´ tionfĭ dĕl´ ĭtȳfĭl´ chĕsfĭl´ ial (yal)fŏr´eĭgn ẽrsfŏr´ mĭd â blefôr tĭ fĭ cā´ tionsfoun dā´ tionfrâ tẽr´ nalfrĕn´ zĭedfrĭg´ átefûrzegär´ nẽredgăr´ rĭ sonsgauze (gḁz)glāç´ ĭ ẽrgôr´ geoŭsgrăt ĭ fĭ єā´ tiongrăt´ ĭ fȳ ĭnggrĕn â diēr´griēv´oŭsguīle´ fụlguĭn´ éagy(jí) rā´ tionshăb ĭ tā´ tionhâ bĭt´ úalhăl´ bẽrthăl´ çȳ ȯnhär´ bĭn ġẽrheärt´ ĭ nĕsshĕdge´ rōwhĕr´ald rȳhẽrb´ áġgehĕr´ ō ĭnehĕr´ ō ĭṣmhĭck´ ō rȳhĭll´ ȯckhĭs tŏr´ ĭcalhŏs´ tĕl rĭeshȱus tō´ nĭ âhŭrrähed´hŭr´ rĭ cānehurt´ lĭngī´ çĭ clesĭl lū´ mĭ nā tĕdĭl lū´ sion (zhŭn)ĭl lŭs´ trá tĕdĭm´ áġerȳĭm mē´ dĭ átelȳĭm mŏr tăl´ ĭ tȳĭm pẽarled´ĭm pẽr çĕp´ tĭ blȳĭm pẽr´ tĭ nençeĭm pẽt´ úoŭs lȳĭm pŏs´ sĭ bleĭm prăc´ tĭ câ bleĭm prȱve´ mentĭn ăd vẽrt´entĭn cŏm mū´ nĭ câ bleĭn cŏn vēn´ ience (yens)ĭn crĕd´ ĭ bleĭn cŭm´ bentĭn dĕn tā´ tionĭn´ dĭ gōĭn dĭs´ sōl ú blȳĭn ĕf´ fâ bleĭn ĕf f ĕc´ túalĭn ĕv´ ĭ tâ bleĭn ĕxhậust´ ĭ bleĭn ĕx prĕs´ sĭ blȳĭn fĭn´ ĭ tȳĭn ġé nū´ ĭ tȳĭn ġĕn´ úoŭsĭn hăb´ ĭtantsĭn i ti ate (ĭsh´ ĭ āt)ĭn jŭnc´ tionsĭn sєrōlled´ĭn sĕn´ sĭ bleĭn sĕp´ â râ bleĭn sĭg´ nĭ âĭn stậll´ mentsĭn stĭnc´ tĭvelȳĭn strŭct´ or (ẽr)ĭn tĕg´ rĭ tȳĭn tĕl lĕc´ túalĭn tĕnse´ lȳĭn tẽr çĕpt´ ĕdĭn tẽr fēr´ ĭngĭn´ tẽr lűdeĭn tē´ rĭ or (ẽr)ĭn tẽr mĕd´ dleĭn tẽr mē´ dĭ áteĭn tẽr´ pō lā tĕdĭn tẽr pré tā´ tionĭn tẽr´ prĕt ẽrĭn tẽr rŏg´ â tō rȳĭn tẽr rŭp´ tionĭn tĭ mā´ tionsĭn trĕp´ ĭdĭn văl´ ú â bleĭn vĕnt´ ĭveĭn vĭn´ çĭ bleĭn vĭ tā´ tionsĭr rĕg ú lăr´ ĭ tȳĭr´ rĭ tā tĭngĭ tĭn´ ẽrantjăve´ lĭnsjŏc´ ŭndjŏl lĭ fĭ cā´ tionjū´ bĭ lēejū´ nĭ pẽrkăn gâ rōō´lăm ĕn tā´ tionlăt´ ĭ tūdelĕc´ túr ĭnglēe´ wardlĕg´ â çȳlí brā´ rĭanlieú tĕn´antlīght´en ẽrlīght´ nĭnglĭt´ ẽr â túrelŏn ġĕv´ ĭ tȳlō´ quatlȯve´ lĭ ẽrlȯve´ lĭ nĕsslūt´ â nĭstlȳr´ ĭcmá chin (shēn´)er ȳmâ gi cians (jĭsh´ans)măg nâ nĭm´ ĭ tȳmăl´ â dȳmăn ĭ fĕs tā´ tionmăn´ tel piēçemär´ tyred (tẽrd)mā´ son rȳmēa´ gẽrmé єhăn´ ĭcal lȳmĕd ĭ tā´ tionmĕd´ ĭ tá tĭvenĕssmé dĭç´ ĭ nalmĕm´ ō râ blemĕr´ rĭ mĕntmé trŏp´ ō lĭsmĭ li tia (lĭsh´ â)mĭs´ sĭlemĭz´ zen-tŏpmŏn´ ĭ tō rȳmôrt´ gáġemōuld´ ĕdmoun´ taĭnoŭsmū´ tĭ nȳmȳs tē´ rĭoŭsmȳth ŏl´ ō gȳnăt´ ú ral ĭstné çĕs´ sĭ tȳnō bĭl´ ĭ tŷnō vi ti ate (vĭsh´ ĭ át)nū´ mẽroŭsnŭp´ tial (shal)nûrs´ ẽrȳ mănō bē´ dĭençeŏb lĭt´ ẽr ā tĕdŏb sē´ quĭoŭs nĕssŏb´ stĭ nâ çȳŏc´ cú pântŏc cú pā´ tionō´ dor(dẽr)oŭsŏf fi cious (fĭsh´ ŭs) nĕssŏff´ sprĭngŏm nĭp´ ō tençeō´ pĭ ŭmŏr´ â tō rĭesō rī ĕn´ talôr´ nâ mentôr thŏg´ râ phȳō vẽr whĕlmed´păr´ â grâphpăr´ â pĕtpăr´ â sītepärch´ mentpâ rĭsh´iȯn ẽrspär sĭ mō´ nĭoŭspär´ tĭ clepär tĭc ú lăr´ ĭ tĭespas sion (păsh´ ŭn) átepá tri cian (trĭsh´ ân)pā´ trĭ ŏt ĭsmpḁwn´ brō kẽrpĕaṣ´ant rȳpĕn´ ĭ tĕntpĕn´ nĭ lĕsspẽr chânçe´pẽr fôrm´an çĕspē rĭ ŏd´ ĭcalspẽr´ mâ nent lȳpẽr pĕt´ úalpẽr ruque (rụk´)pẽr´ sé cū tĕdpẽr sȯn ăl´ ĭ tĭespẽr spĭ єăç´ ĭ tȳpẽr sua sion (swā´ zhŭn)pẽr tûrbed´phĭ lŏs´ ō phẽrsphĭl ō sŏph´ ĭcalpĭck´ â nĭn nĭespĭc túr esque (ĕsk´)piērçepĭn´ nâ єlesplāin´ tĭvepō lĭt´ ĭ calpŏl lūt´ ĕdpŏp´ ú láçepŏr´ rĭn ġẽrpŏṣ ses sions (zĕsh´ ŭns)pŏst´ hú moŭsprăc´ tĭsedprăc tĭ´ tion ẽrpraē´ tŏrprāi´ rĭeprĕç´ é dentprē´ çĭnctpré çĭp´ ĭ tā tĕdpré dŏm´ ĭ nantprĕf´ ẽr â blepré lĭm´ ĭ ná rȳprē´ lūdeprĕm´ ĭs ĕspré ṣẽrves´prí mē´ valprŏc lâ mā´ tionprŏd´ ĭ galprō fes sion (fĕsh´ ŭn)prō fi cient (fĭsh´ ĕnt)prŏph´ é sȳprŏs pẽr´ ĭ tȳprŏs´ pẽroŭsprŏv ō cā´ tionpū ĭs´ sançepŭp´ pĕtsquḁd´ rụ pĕdsquḁr´an tine (tēn)răp´ túroŭsrēa´ ṣon â blȳré çĕss´ ĕsrĕç ĭ tā´ tionrĕck´ lĕsslȳrĕc´ ŏm pĕnserĕc´ tĭ tūderé doubt´ â bleré doụbt´ ĕdré dound´ ĭngrē ëch (ĕk´) ōedré gā´ lĭ ârĕg ú lā´ tionré mĕm´ brançeré môrse´ lĕssrĕp â rā´ tionrĕp´ rĭ măndrĕp´ tĭlerĕp ú tā´ tionrē´ quĭ ĕmré quīt´alré ṣĕnt´ mentré ṣĭst´ançerĕṣ´ ō nantré spĕc´ tĭvere veille (rā vā´ yā)rĕv´ ẽrendrē vĭv´ ĭ fīedrĕv ō lū´ tion á rȳrĭd´ ĭ cūleright eous (rī´ chŭs) nĕssrĭg´ or (ẽr)oŭs lȳrō mănçe´săc´ rĭ fice (fīz)sâ găç´ ĭ tȳsăl vā´ tionsăňc´ tĭ tȳsănd´ wĭchsap phire (săf´ fīr)săt´ īr ĭstssєăf´ fōldsscēn´ ẽr ȳsєhĕd´ úlesєhēmesєhŏl´ ar (ẽr) shĭpsєoûrġedsєrĭve´ nẽrsé clū´ sion (zhŭn)sĕc´ ré tá rȳsĕlf-săc´ rĭ fīçesĕn â tō´ rĭalsĕn sĭ bĭl´ ĭ tȳsĕn´ tĭ mentsĕp´ ŭl єhẽrsē´ quĕlsé quĕs´ tẽredsẽr vĭl´ ĭ tȳshīedshȳ´ ĭngsĭm plĭç´ ĭ tȳsĭ mŭl tā´ néoŭssĭn gú lăr´ ĭ tĭessī´ zar (zẽr)sō brį´ é tȳsō çī´ é tȳsŏl´ áçesŏl´ ĕmnsŏl´ ĕm nīzesō lĭl´ ō quȳsō phĭs tĭ cā´ tionsôr´ çẽr ȳsȯv´ ẽreĭgn tȳspē´ cies (shēz)spĕc tā´ tors (tẽrs)spęed´ ĭ lȳspī´ ralstăn´ chions (shŭns)stĕppesstĭm´ ú lá tĭngstrăt´ â ġĕmstú pĕn´ doŭssŭb mĭs´ sĭvesŭb ôr´ dĭ nátesŭb ôr dĭ nā´ tionsŭb tẽr rā´ néansŭb´ tlẽrsŭє ces sion (sĕsh´ ŭn)sŭg ġĕs´ tionsɱm´ mâ rȳsū pẽr flū´ ĭ tĭessú pẽr´ flúoŭssŭ pẽr năt´ ú ralsū pẽr vi sion (vĭzh´ ŭn)sûr rĕn´ dẽr ĭngsûr vey or (vā´ ẽr)sûr vīv´ or (ẽr)sŭs pi cion (pĭsh´ ŭn)sȳl´ lâ blesȳs tĕm ăt´ ĭctăn´ ġĭ bletē´ dĭoŭs nĕssté mĕr´ ĭ tȳtĕmptā´ tionstĕr´ ráç ĕstĕs´ tâ mentthē ō lŏġ´ ĭcalthē´ ō rĭesthrĕat´en ĭngsthrēe´-dĕck ẽrstiērtŏl´ ẽr â bletŏp găl´lanttŏp’ sȳ-tûr´ vȳtrā´ çẽrĭestrăg´ é dȳtrăn´ quĭltrăns fĭg´ úretrăn´ sient (shent)trăv´ ẽrs ĕstrēa´ ṣon â bletrĕs´ passĭngtrī ŭm´ phanttrŏp´ ĭcaltwĭt´ tẽr ĭngŭg´ lĭ nĕssú nan´ ĭ moŭsŭn ăs sūm´ ĭngŭn á váil´ ĭngŭn băr rĭ єāde´ŭn cŏn´ scious (shus) lȳŭn cŏn trōl´ lābleŭn däunt´ ĕdŭn dīght´ŭn dú lā´ tionsŭn dǖ´ tĭ fulŭn fḁl´ tẽr ĭngŭn flĕdġed´ŭn fôr´ tú náteŭn gȯv´ ẽrn â bleū nĭ vẽr´ sĭ tȳŭn ôr´ gan īzedŭn ŭt´ tẽr â bleŭn vā´ rĭedŭp rôar´ ĭoŭsū su (zhǖ´) rĭoŭsŭt´ tẽrançevăn´ quĭsh ĕsvā´ rĭançevâ rī´ é tĭesväunt´ ĭng lȳvē´ hé mentvé lŏç´ ĭ tȳvĕnġe´ançevĕn´ ȯmoŭs.vĕr´ ĭ fīedvẽr mĭl´ ion (yŭn)vĕt´ ẽransví brā´ tionvĭ çīs´ sĭ tūdesvĭg´ or (ẽr)oŭsvīs´ countvī văç´ ĭ tȳvŏl´ leȳsvouch sāfed´vŭl gâr´ ĭ tȳwḁt´ tleswēar´ ĭ nĕsswhêreĭn´work (wûrk´) man shĭpwound (wŏŏnd´) ĕd
Additional Signs Used in the Following List.
Ā´ brâ hămĂb ȳs sĭn´ ĭ âĂg´as siz (sē)Ăl´lé ghĕ nĭesÄn´ dréas Fŭt´ tẽralĂn´ tō nȳĂr´ râ gŏnAus trā´ lĭ âAzōres´Băb´ ȳ lonBăl ĕs tiēr´Băs sä´ nĭ ōBâs tille (tēl´)Bēat´ tȳBĕl shăz´ zarBōn´ â pärteBŏs´ єâ wĕnBū çĕn´ tḁureBûr´ gŭn dȳBüsch´ ĭngCā´ dĭzÇaē´ ṣarCam pagna (Käm pän´ yä)Єär lȳle´Căs´ caCas sius (Kăsh´ ŭs)Єhăl dē´ansЄhrĭs´ tō phẽrЄhrȳs´ ŏs tȯmЄlé ō pā´ trâDī ā´ nâDï ō dä´ tïDí ŏg´ é nēsDō mĭn´ ĭ canDom re my (DŏN remē´)Dú ĕs´ sâĔb ĕn ē´ zẽrÉ ġȳp´ tian (shan)Ĕn tĕp´ fụhlFaust (Foust)Gā´ brĭ ĕlGăl ĭ lē´ ōGā´ zâGĕs´ lẽrĠiŏt´ tōHer(âr) nän´ dō Pĭ zär´ rōĪ rā´ ĭsKnōwlesLä hōre´Lŏr rāine´Lŭck´ nowLú pẽr´ calMâ cḁu´ laȳMadēi´ raMag da len (Mḁd´ lĭn) CŏllĕġeMī´ dasMĭ nō´ râMŏnt´ єälmMŏnt´ morĕn çĭMō rŏc´ єōNâ pō´ lĕ ŏnNĕb ú єhad nĕz´ zarNẽr´ vĭ īNĭn´ é vehŎr´ léansŌ thĕl´ lōPäl´ mäsPär năs´sŭsPâ tāy´Phĭl ĭs´ tĭ âPlā´ tōPŏm´ peȳPōr´ ti (shĭ) âPōr´ tú guēṣeRḁ´ leĭghRăs´ sé lasRḙ ne (nā´)RhēimsRich e lieu (Résh´ ḙ loo)Rich (RĭK´) tẽrRŏss´ bach (bäK)Rŏth´er hamSḁlis´ bur (ber) ȳSăm´ son Ăgon ĭs´ tēṣSär´ tor Ré sär´ tŭsSē´ poySŏc´ râ tēsStōkePō´ ġesTele sile (Tā lā zĭl´)Tém é raire(Tĕm é râire´)Tĕm´ pĕTrăf ăl gär´Troyes (Trwä)TȳreŪ´ rĭ ĕlWĕdneṣ´ dáyWĕst mĭn´ stẽrWords worth (Wûrdz´ wûrth)