INDEX FOR VOLUME XAAbdallah(Bournoville and Paulli),152.Academicism (French, Italian),171.Academies of dancing,151f;(Egyptian),17;(Chinese),31f,34;(Cadiz, Spain),46f;(Greek),71;(French),86f,94f,99,105,151;(Russian),90f,105;(Copenhagen Ballet School),165;(College of Rhythmic Gymnastics, Hellerau),234ff.Accentuation,238.Accompaniment (in Spanish dances),211.Accordion (in English folk-dance),116f.Ach, du lieber Augustin,131.Acting (in relation to ballet),250,252.Adam, Charles-Adolphe (as ballet composer),151,152,158.Æschylus,55,66.African Bantu,iii.African guitar,47.Ai Ouchnem,105.Akté, Aino,205.Albinus (Roman consul),76.Alexander I, Czar of Russia,131,181.Alexis Mihailowitch, Czar,179.Algiers,21.All in a Garden Green(British folk-dance),120.Allan, Maud,201,206.Allard, Mlle. (ballet dancer),101.Allemande,144,146.Alliamatula (Roman dancer),77.Almeiis,18,21ff.Amaterasu (Japanese deity),35f.America (future of dancing in),261f.American Indians,iv,38f.Ammon, Temple of (Egyptian school of dancing in),17.Anabasis(quoted),55f.Andalusia (folk-dancing),106,107f.Andersen, Hans Christian,167.Androgeonia (Greek hero),54.Angerstein, Wilhelm (cited),128f.Anglin, Mlle. (ballet dancer),91.Anna, Empress of Russia,90.Anna Ivanovna, Empress of Russia,179.Anne of Denmark (English Queen, patron of the masque),83,84,119.[d’]Annunzio, Gabriele,165.Antagonism to dancing (of Western Church),9,103,129;(of Roman consuls),76.Antoine et Cléopatre(ballet),102.Aphrodite,61,67,69,70;(compared to Venera),24;(mysteries),61.Apollo,54,56,57,59,69f;(mysteries),61.Apostles,80.[L’]Après-midi d’un Faun, (Debussy),232.Arabesques (in Egyptian dances),18;(in French ballet step),95.Arabia (Stomach Dance),3,22;(Graveyard Dance),21;(Axis Dance),22;(character of dancing),46ff;(influence of, on Spanish dances),112.‘Arabian Nights,’226.Aragon (folk-dancing),107f.Arcadia,55,57,60.Architecture,235,265;(development of, synchronous with dancing),46;(American),263.Areja, Francesca,180.Arensky, Anton Stephanovich,183,224.Ariadne,56.Aristides,54.Aristophanes (cited),52,55,61.‘Ark of the Covenant,’iii,10,43.Arkona(Hartmann),152.Armenia (folk-dancing),138f.Artemis,iv,64.Arts (primitive, in India),24;(common basis of),235.Asparazases (Indian nymphs),26.Aspasia (Greek dancer),54,70,94.Assemblé (French ballet step),95,98.Astafieva, Seraphine,220,221,224.Astral Dance (Egyptian),iv,13f,63.Athenæus (quoted),55,60;(cited),59.Athens (dancing at festivals),53;(theatre of Dionysius),64f;(Mænad Dance),69.Auber, Daniel-Esprit,103.Augustus (Roman Emperor),73,75.Aulos (Greek flute),58.Austria,102.L’Autômne Bacchanale,186,187.Auvergne (folk-dancing),121.Axis Dance(Arabian),22.BBaba Yaga(Russian ballet),152,179.Bacchanalian dance,65.Bacchus (Greek and Roman god),54,65,69,74;(Roman orgies),75f.Bach, Johann Sebastian, v,102f;(bourrées),121;(courantes),145.Bacon, Sir Francis (cited on masques),83.Bagpipes (in Morris dance),115;(in English Sword Dance),116;(in Irish jig),120;(in Roumanian folk-dance),137.Baken Amen (Egyptian tablet),20.Bakst, Léon,183.Balakireff, Mily Alexejevich,104,152,171,181,231f,256.Ballerina’s tunic,215.Ballet (origin),8,10;(18th cent.),14;(Russian),23,170ff;(French),86ff;(defined by Noverre),89;(Italian),124;(classic),151ff;(Danish),162ff;(plots),163.Ballet des Ardents(French court dance),81.Ballet du Carrousel(performed at Tuileries),86f.Ballet slipper,216.Ballotté,98.Barefoot dancing,197,201.Barrett, S. A. (cited on plot ofDream Dance),39.Barrison, Gertrude,203.[Le] Basque (French ballet dancer),87.Bathyllus (Roman dancer),73,74f.Battements,95.Bayaderes,25,27,28.[Les] Bayederes(French ballet),153.Beauchamp (director of French Academy of Dancing),87.Beaugrand, Leontine (ballerina),159f.Beck, Hans (Danish ballet dancer),164.Beerbohm, Max (quoted on Genée),167f.Beethoven, v,102f,200,206.Begutcheff (director of Moscow ballet),177.Bekeffy,182.Belle Fatma [La] (20th cent. Egyptian dancer),22.Bellicrepa saltatio (Roman dance),73.Bells (in Morris Dance),114.Benares,25.Benois,183,226,229,230.Benserade,86.Berlin,203f.Berlin Museum (painting of Sword Dance),115f.Bernay, Mlle. (ballerina),159.Berri, Duchess de,81.Bibasis (Greek dance),61,62.Bible (cited),19; (quoted),43,44.Bilibin,183.Birds (courtship dances of),6.Björnson, Björnstjerne,104.Blache (ballet composer),102.Black Forest (dance of the),130.Blasis,91,102;(quoted on Bolero),109.Bogdanova (ballerina),151,183.Bohemia (folk-dancing). SeeSlavic folk-dances.Bolero (Spanish folk-dance),50,109,112.Bondina (Andalusian folk-dance),106.Borodine, Alexander,171,228,256.Botta, Bergonzio, di,81f.Botticelli,45.Bournoville, Antoine August,104,151,152,162f,164f,166,168,169.Bourrée,121f.Boyars,141,178.Boys (training of, as dancers),183.Brahma,25.Brahma und Bayaderen(German ballet),164.Brahminism (relation to dancing),25ff.Brahms, Johannes,125,254.Brandenburg, Hans,202.Brass instruments (in 15th cent. Italian ballet),82f.Brass plates (Indian),27.Breobrashenskaya,183,185,188.Breton dances,121.Brisé (ballet-step),98.British Museum,18,20.Buckingham House (British folk-dance),120.Buddhism,36.Bugaku Dance(Japanese),38.Bulgaria (folk-dancing). SeeSlavic folk-dances.Burchard, Bishop of Worms,129.Burette (cited on Greek dance),63.Buriat dances (compared to American Indian),39.Butterfly Dance,192.Byzantium (painting of Hebrew dancing),44;(influence of, in Lithuanian folk-dance),135f;(influence on Russian ballet),188.CCabriole (in Egyptian dance),20;(in Bibasis),62;(French ballet step),95.Cachucha (Spanish folk-dance),111,156.Cadiz, Spain (centre of ancient dancing),10;(dancers from, in Rome),76.Calcutta,25.Caligula (Roman emperor),76.Calumet (American Indian),39.Calzvaro,34f.Camargo, Mlle. (French ballet dancer),94,99,100.Canaries(English and German social dance),150.[The]Caprices of Galatea(ballet by Noverre),90,99.Carmencita (Spanish dancer),210.[Le]Carnaval de Venise(French ballet),94,153.Caroles (mediæval dances),81.Carpæa (Greek dance),55f.Caryatis (Spartan dance),54f.Castanets (in Spanish folk-dance),106,107,110,112.Castil-Blaze, François-Henri-Josef, quoted (on mediæval strolling ballet),80f;(on French ballet),93;(on Camargo),100;(on origin of waltz),131.Castor and Pollux,54.Catherine the Great,141.Caucasia (folk-dancing),140.Cerezo, Sebastian (Spanish dancer),109.Cerito, Fanny (ballerina),158f.Cervantes (cited on Chaconne),145.Chaconne (Italian and Spanish social dance),145f.Changement de pied,98.Charles I, King of England,84.Charles II, King of England,119,145.Chassé (ballet step),94,95.Cheremias (Spanish instruments),79.China,3,9,30ff;(attitude of moralists in, toward dancing),30;(court dancing),32;(musical instruments),32;(dancing of, adopted in Japan),36.Chinese Wedding(ballet by Calzevaro),34f.Chippewas,39.Chironomia (in Greek choreography),71.Choirs (in Egyptian temples),17.Chopin, Frédéric,136,200,206,221.Choral dances (of Russian peasants),177f.Choreographic principle (vs. dramatic),251.Choreography (Chinese),30;(mediæval),78ff;(in 17th cent. France),87f;(French development),94f;(influence of democracy),102;(Finnish),133;(naturalistic school),195ff;(plastomimic),247ff.Chorley, Henry Fothergill (quoted on Elssler),156.Chorovody (Russian ballad folk-dance),140f.Chrisis(ballet),206,207f.Christian moralists (antagonism to dancing),9.See alsoChurch, Roman.Chronos,59.Chrotal (Greek instrument),58.Church, Roman (hostility to dancing),81,103,129;(dancing in, during Middle Ages),78,79f.Cicero (quoted),72.[La]Cinquantaine(French ballet),91.Clary(French ballet),94.Classics, musical (dance music by), v.[The]Clemency of Titus(ballet by Noverre),90.Cleonica (Greek dancer),70.Cleopatra (as dancer),17f.Cleopatra(ballet),23.Cléopatre(ballet),223ff.Clermont, Comte de,100.Clothing (decorative purpose of, for the dance),6.Collins, Lottie,189,192f.Comédie Française,101.Confucius,33;(honored in Japanese dance),38.Coördination (of intellect and nerves),238.Copenhagen School,151.Coperario, John,84.Copiola, Galeria (Roman dancer),77.Coppélia(ballet),160,166f,175.Cordax (Greek Satyr dance),61,63f.Corkscrew (folk-dance),134f.Corpus Christi (festival of, with church dancing),78f.Corsaire(French ballet),152.Corybantes,54.Cosiers (Spanish church dancers),79f.Cossack folk-dances,2.Costume. SeeDress.Cotillion,122.Country Dance (English),113,115.Coupé (in Egyptian dance),20.Coupé dessous (ballet-step),95.Coupé lateral (ballet-step),95.Courante,86,87f,145f.Court ballets (French),83.Court dancing (in China),32f;(at Jerusalem),43,44;(in Seville),47;(in England),83ff;(in France),86f,121f;(in Germany),129;(in Russia),141f.See alsoSocial dancing.Courtship dances (of birds),6.Covent Garden (Mlle. Sallé at),99.Craig, Gordon (cited on French ballet),214.Crane Dance(Greek),69.Crete,54.Crimea (folk-dancing),140.Crowne, John,83.Cupid and Bacchus(French ballet),87.Curetes (Cretan dancers),54.Cybele,54.Cyclops,59.Cymbals (in Greek dances),71.Czardas (Hungarian folk-dance),125f.DDaedulus,53.Dalcroze. SeeJacques-Dalcroze.Daldans (Swedish folk-dance),134.Dance music (classical), v.Dance of Baskets (in Eleusinian mysteries),68.Dance of Feathers (Chinese court dance),33.Dance of the Five Senses (modern Indian dance),209.Dance of the Flag (Chinese dance),33.Dance of the Four Dimensions (Egyptian dance),16.Dance of the Glasses (pseudo-Egyptian dance),22.Dance of the Golden Calf,44.Dance of Greeting (Arabian),49.Dance of Humanity (Chinese dance),33.Dance of Innocence(Greek),iv.Dance of the Knees (in Dionysian Mysteries),68f.Dance of the Mystic Bird (Chinese),33.Dance principles,2.Dancing defined,2.Dancing girls (Greek),57.Dancing Mandarins,34.‘Dancing the music,’248.Danish ballet (influence on Russian),164f.Dansomanie[La] (French ballet),92,131.Dante (cited),iii.Daphnis and Chloë,68.Dargason (British folk-dance),120.Dargomijsky, Alexander Sergeyevitch,104,181.Dauberval,89,91,101.Daughter of the Pharaoh(ballet),21.Davenant, Sir William,84.David, King of Israel,10,43,44.Davillier, Baron, quoted (on mediæval church dance),79;(on Spanish folk-dance),106;(on Seguidilla),110f.Death Dance (Fakir dance compared to),28.[The]Death of Ajax(ballet by Noverre),90.Debussy, Claude,232.Degeneration (of ballet),189ff.Delians,59.Delibes, Léo,151,152,167.Delicias caditanas (Cadiz dancers in Rome),77.Delphic Festivals,69.Delsarte, François Alexandre,207,211f,214.Demetrius,67,69;(Mysteries),61.Demi-cabriole (ballet-step),95.Demi-coupé (ballet-step),95.Democracy (effect of, on choreography),102.Democratic basis of dancing,171.Denmark (folk-dancing),134;(ballet),162ff;(influence on Russian ballet),169.[Le]Déserteur(French ballet),92.Desmond, Olga,22,193,212.Despreaux (Parisian ballet dancer),101.Desrat (cited on Eleusinian Mysteries),67.Devadazis (Indian temple dancers),26.Devil’s Dance (Finnish folk-dance),133Diaghileff, Warslof,219f.Diaghileff ballet,176,185,200.Diana (Greek goddess),54.Didelot, Charles-Louis,151,154,161,164f,180f.Diodorus (cited),13.Dionysian Mysteries,61,68.Dionysius of Syracuse,54.Dionysos,56,67,69,74.Dipoda (Greek dance),61.Dohnányi, Ernst von,166.Dohrn, Wolf and Harald,234.Dolci (painting of Salome dance),45.Dominique (Parisian harlequin),100.Don Juan(French ballet),102.‘Don Quixote,’145.Doré (painting of church dancing in Seville),79.Dorians,60.Dostoievsky,104.Drama (influenced by Russian ballet),176.Dramatic principle (against choreographic),251.Dream Dance(American Indians),38ff.Drehtanz,129.Dresden,234.Dress (in Greek dancing),66;(of dancers in Seville Cathedral),79;(in English masques),84;(in 18th cent. ballet),89f;(in ballet during French Revolution),94;(in Spanish folk-dances),112f;(of Morris dancers),115;(in English Sword dance),116;(in Hungarian folk-dance),125;(in Esthonian folk-dance),127f;(in Dutch folk-dances),135;(in Slavic dances),137;(in Minuet),147.Drigo,186.Drum (Egyptian),22;(Indian),27;(Chinese),32;(Japanese),38;(American Indian),39f;(inLou Gue),81;(in Armenian folk-dance),138.Drury Lane,102.Dryad[The] (ballet),167.Dryads,80.Dubois, Théodore,151.Duncan, Elizabeth,201.Duncan, Isadora,22,187,197ff,204,206,211,212,213,214,244,247;(quoted),196f;(compared with St. Denis),210;(influence in Russia),218f;(pupils),248.Duncan School,197f,248.Duport (Paris ballet dancer),91,101f.Dupré (French ballet dancer),87.Dutch folk-dancing,135.Dynamic expression,240.EEar-training (in Jacques-Dalcroze School),240.Education (necessity of, for Greek dancers),65;(liberal, of ballet dancers),172f.Edward VII, King of England,201.Egg Dance (Dutch folk-dance),135.Egypt (temple dancing),iv,8,15ff;(musical instruments),8;(relation of dancing and religion),9,247,262;(secular dancing),15ff,20f;(influence of, in modern choreography),22;(influence of, on Hebrew dancing),43f;(worship of Pan),57;(strophic principle in choreography of),63;(history of, in Greek education),65;(influence of, on Spanish dances),112.Egyptian Wedding Scenes (pseudo-Egyptian dance),22.Electricity,190.Eleusinian Mysteries,67f.Elisseieff, Prof, (cited on Egyptian dancing),21.Elizabeth, Queen of England,84,145,150.Ellis, Havelock, quoted (on American Indian dances),iv;(on relation of rhythm to life),vi;(on modern Spanish dances),211.Elssler, Fanny,151,155ff.Emerson, Ralph Waldo (quoted on Elssler),155.Emmanuel (cited on Greek choreography),70.Emmeleia (Greek dance),iv,61,62f.Endymatia (Greek dance),61.England (folk-dancing),113;(waltz),131f;(social dancing),150.English Cathedrals (rhythmic ritual used in),viii.Entrechat,98;(in Egyptian dance),20.Erfurt,129.Esclatism (Greek gymnastics),71.[La]Esmeralda(Perrot and Pugni),152.Esthonian folk-dances,121,126f.Eugenius IV,78f.Eurhythmics (of Jacques-Dalcroze),234ff.Excelsior(ballet),152.FFabiol (in Spanish dance),79f.Fackeltanz,128,130.Fakir dances,28f.Falkenfleth, Haagen (quoted on Jörgen-Jensen),165.Fandango (Spanish folk-dance),50,105,106f,112.Farandole (French folk-dance),121;(as court dance),122.[La]Farandole(Dubois),152.[La] Farruca (Spanish folk-dance),111.Fauns,80.Faust(ballet by Perrot),158.Feodorova, Sophie,221,224.Ferrabosco, Alfonso,84.Festen i Albano(Danish ballet),163.Festival of the Sacred Bull (Egyptian),15f.Festival of the Supreme Being (French strolling ballet),93f.Festivals (Roman),74,75f.Finland (folk-dances),2,121,132;(compared to American Indian dances),39;(rune tunes),63;(horn dance),117;(naturalistic school),205.Fiorella(ballet),163f.Fire Bird[The],231.Fire Dance,192.Fleure (ballet step),98.Fleury (quoted),101.Flitch, J. E. Crawford, quoted (on Fuller),190f.Floralia (Roman festivals),75.Flore et Zéphire(French ballet),152,154.Florence (court ballet),90;(folk-dance),124.Flower Dance,192.Flute (in Egyptian dance music),iv,8;(in Indian dance music),27;(in Chinese dance music),32;(in Japanese dance music),38;(in American Indian dance music),41;(in Arabian dance music),49;(in Greek dance music),56,58f,61,70;(in Roman dance music),74,76;(in 15th cent. Italian ballet),82.Fokina, Vera,171,220,221,224.Fokine,vi,219f,220,228,231,244.Folk-dances,266;(rel. to sex instinct), v;(Spanish),105ff;(Italian),122ff;(German),128f;(Finnish),132f;(Scandinavian),133;(Dutch),135;(Lithuanian),135f;(Polish),136;(Slavic),136ff;(Armenian),138f;(Russian),139ff,171.Folk-songs,265;(Russian),183.Forlana (Italian folk-dance),124.Fouetté (French ballet step),97.Fouetté pirouette (in Egyptian dances),18.Fountain of Magic Dances (in Eleusinian Mysteries),67.Fox Dance (Greek),69.France (rhythmic church ritual),iii-f,81;(folk-dancing),2,121ff,262;(court dancing),10;(grand court ballets),83,86ff,247;(democratic influence),102;(waltz),131;(influence of, on Russian ballet),171;(naturalistic school),205.French Academy of Dancing,94f,99,105.French ballet,86ff;(modern criticism of),214ff.French Revolution,92,93f,148.Froehlich (Danish composer),163.Fuentes (cited on Seguidilla),109f.Fuller, Loie,189,190ff.Fuller, Margaret (quoted on Elssler),155.Funeral dances (Japanese),36;(Greek),54.GGade, Niels W.,133,151.Gaita (Spanish instrument),106.Galcotti (ballet composer),152.Galeazzo, Visconti, Duke of Milan,10,81.Galen (quoted),54.Galeotti, Vincenzo Tomaselli,162.Galicia (church dancing),78;(folk-dancing),106.Galliard,149f.Gardel, Maximilian (ballet composer),14,89,91,131,148,151,162.[El] Garrotin (Spanish folk-dance),111.Gautier, Théophile,152,158;(quoted on Elssler),157.Gavotte,70,86,148.Gedeonoff,181.Geltzer (Russian ballet dancer),185.Genée, Adeline,151,167.Generalization, theory of (in ballet),216f.Germany, v;(folk-dancing),128f;(the waltz),131f;(social dancing),150;(influence of Duncan),201.Gesture (relation between, and music),240.See alsoPantomime.Ghiselle(French ballet),152,158.Ghost Dance (American Indian dance),38,40f.Gia (Chinese dance),32.Gilchrist, Connie,189.Glazounoff, Alexander Constantovich,183,186,224.Glière, Reinhold,206,207,254,259.Glinka, Mikail Ivanovich,104,181,224,254.Glissade (ballet-step),97f.Gluck, Christoph Willibald,102f,121,148,152,200.Gogol,104,171.Golden Calf (in mediæval ballet),80.Goulu [La] (ballet dancer),192.Grahn, Lucile (ballerina),163f.Grand ballets (of French court),83,86ff.Gratiereness Hulding(Danish ballet),162.Graveyard Dance(Oriental),21f.Gravity (in naturalistic dancing),196f,215.Greece (philosophers of, quoted on dancing),iii;(religious dancing),iv,9,10,52ff,59;(writers of, cited on Spanish dancing),46f;(its choreography),52–71;(festival dancing),54f;(folk-dancing),121.Greek dancing (modern ‘revivals’ of),195f;(Jacques-Dalcroze system),245,247.Greek Church (dancing in),iii.Greek Mysteries,61.Gregory, Johann (ballet master in Russia),179.Gretchaninoff, Alexander,255.Gretna Green(ballet),152.Grétry, André Erneste Modeste,148.Griboyedoff, Teleshova,178.Grieg, Edvard,104,133,201,205,206.Grisi, Carlotta,151,158.Grouping (decorative),235.Guerrero, Rosario,210.Guild dances (German),129.Guillaume Tell(French ballet),92.Guimard, Madeleine (French ballet dancer),91,94,99,100f.Guitar (Egyptian),8;(African),47;(in Spanish folk-dance),107,110.Gustave Vasa(French ballet),102.Gymnastics (rhythmic),234ff.Gymnopædia,59f.HHailii (Finnish folk-dance),133.Handel, George Frederick,99;(bourées),121;(courantes),145.Harlequin, Parisian (Dominique),100.Harp (in Egyptian dance music),8;(in American Indian dance music),41;(in Greek dance music),53,56;(in Roman dance music),76;(in Esthonian folk-dance music),127;(in Finnish dance music),133.Hartmann, Johann Peter Emil,133,151,152,163.Hatton (English dancer),150.Hawasis,20f.Haydn, Joseph, v.Hebrews,iii,43ff.See alsoJewish Marriage Dances, etc.Helen of Sparta,iv.Hellerau (College of Rhythmic Gymnastics),234ff.Hempua (Finnish folk-dance),133.Henri IV, King of France (patron of dancing),86.Henrietta Maria, Queen of England,84.Henry VII, King of England,84.Herculaneum,57.Hercules in Love(French ballet),87.Hermes, Egyptian god (Thoth),13.Héro et Leandre(French ballet),94.Herodotus (cited),13.Hesiod (cited),52,65.Heteræ (Greek),69,70.Hieroglyphs,12ff.High Kickers,189.Highland Fling (Scotch folk-dance),118.Hilferding,180.Hincks, Marcella A. (cited on Japanese dancing),35.Historical Ballet (Chinese),33.Homer (cited),52,53f,56f,57,65.Hoppe, Johann Ferdinand,164.Hora (Roumanian folk-dance),137f.Horace (cited),72.Horatii(French ballet),90.Hormos (Greek dance),61,64.Horn (in Finnish dance music),133.Horn Dance (English folk-dance),117f.Hornpipe (Scotch folk-dance),119.Hovey, Mrs. Richard,195f,212,214.Huang-Ta,30.Humpty-Dumpty(ballet),190.Hungary (folk-dancing),2,124ff.Hymn to Apollo,56.Hymnea(Greek dance),61.Hyporchema(Greek dance),55,59.IIbsen, Henrik,104.Idealism (classic),157.Ilia Murometz (Russian folk-dance),140.Iliad (cited),53f,127.Impatiencem (17th-cent. ballet),87.Imperial Ballet School (Russian),90f,105,172,181.Imperial Dramatic Dancing School (Russian),180.Improvisation (course in Jacques-Dalcroze school),240.India (relation of dancing and religion),9;(choreographic art),24ff;(effect of music on dancing),25;(dances of, in European imitation),209.Indians. SeeAmerican Indian.Indulgences (sold by clergy for dancing),81.Ingham, Ethel (quoted),234f.Ingham, Percy B. (quoted),242.Innocence, Dance of (Egyptian),iv.Innsbruck,129.Instruments (in Egyptian dance music),8,16.Ionic Movements,56.Iphigenia in Aulis(Gluck),152.Ippolitoff-Ivanoff, Mikail Mikailovitch,256.Ireland (folk-dancing),119f.Irvin, Beatrice,206.Isabella of Aragon,81.Isis cult,15f.Istomina (Russian ballerina),178,181.Italy, v,102;(folk-dances),2,122ff;(court dancing),10;(mediæval strolling ballets),80f;(influence on Russian ballet),171.‘Ivan the Terrible’ (Russian folk-dance),140,141.Ives, Simon (composer of masque music),83.Ivi-Men (Chinese dance),32.JJack Sheppard(ballet),190.Jacques-Dalcroze, Émile,234ff,247,249;(eurhythmics of, compared with Greek dancing),71.Jacques-Dalcroze School,197f,200.Jaernefelt, Armas,205.[El]Jaleo(Spanish folk-dance),111.James I, King of England,84.Japan (pantomimic character of dancing),3;(dance of, adopted in China),33f;(funeral dances),35ff;(European choreographic imitations),208;(folk-dances),262.[de]Jaulnaye(cited on Roman dancers),73.Java (pantomimic choreography),3.Jerusalem, Temple of,44.Jeté,94,95;(in Egyptian dance),20;(in Bibasis),62.Jewish marriage dances (in Morocco),44.Jewish moralists (antagonism to dancing),9.Jig (Irish folk-dance),119f.Jota (Spanish dance),50,105,107f.Jones, Inigo, English architect,83,84.Jonson, Ben,83,84.Jörgen-Jensen, Elna (ballet dancer),165ff.Judgment of Paris[The] (ballet by Noverre),90.Jupiter,54.Juvenal,74.KKaakuria (Finnish folk-dance),133.Kaara Jaan (Esthonian folk-dance),126f.Kagura (Japanese dance),38.Kaiterma (Cossack dance),140.Kalevala,257.Kalewipoeg,121,127.Kalmuk dances (compared to American Indian dances),39.Kamarienskaya (Russian folk-dance),140,142.Karsavina, Tamara,171,176,183,188,220,221,222,226,227f,229,231,248.Kasatchy (Russian folk-dance),140,141f.Kia-King(ballet by Titus),34.Kinney, Troy and Margaret West (quoted on Arabian dances),47ff;(quoted onFandango),107f;(quoted onLa Farruca),111;(quoted on modern Spanish dances),210f.Kirchoff (cited on Greek dance),63.Kolla (Slavic folk-dance),137.Kolossova, Eugeny,179.Kon-Fu-Tse (Chinese moralist),30.Kosloff (Russian ballet dancer),221.Kostroma (folk-dancing in),140.Kreutzer, Rodolphe,102.Krohn, [Dr.] Ilmari,132.Kshesinskaya, Mathilda,151,179,183,185,188.Kshesinsky, Felix,182.Kuljak (Esthonian folk-dance),126f.Kuula, Toiwo,205.Kyasht, Lydia,185,188.LLacedæmonian dance,59f.See alsoSpartan dance.Lada,244,253ff.Lancelot (quoted),137f.Lande (ballet director),180.Lange-Müller, Wilhelm,205.Laniere, Nicholas,84.Lanner, Katty,159.Lantern Festival (in China),35.Larcher, Pierre J.,163.Laurette(ballet),152.Lawes, William,83.‘Leap with Torches’ (in Eleusinian mysteries),67.Légende de Joseph(Strauss),232.Leggatt,182.Leicester, Earl of,150.Lesginka (Cossack dance),140.Lessing,161.Lessogoroff,180.Lettish folk-dances,121.Levinsohn, A. (quoted on Duncan School),198;(quoted on the old ballet),215.Liadova (ballerina),151.Ligne, Princess de,100.Li-Kaong-Ti (Chinese monarch),31.Lily(ballet by San-Leon),34f.Lind, Letti,189.Liszt, Franz,125.Lithuania (folk-dancing),121,135f.Little Mermaid[The] (ballet),167.Littré (cited),88.Livingston (cited),iii.Livry, Emma,159.Livy (cited),74.Locatelli, Pietro,180.Lopokova, Lydia,183,185,188.Loti, Pierre (cited on Indian dancing),28.Lou Gue(mediæval ballet),80f.Louis XIV,86f,145.Louis XV,86f,88,145,147,148.Louis, Pierre,207.Love’s Triumph Callipolis(masque by Ben Jonson),84.Lubke (cited on ballet dancing),173.Lucas et Laurette(French ballet),94.Lucceia (Roman dancer),77.Lucian (quoted),iii;(cited),14,52,54,63,64,65.Ludiones (Roman bards),74.Lully, Jean-Baptiste,86,87;(sarabandes),147;(gavottes),148.Lupercalia (Roman festival),75.Lutes (in 15th cent. Italian ballet),82Lyre,iv;(Egyptian),8,13;(Hebrew),44;(in Greek dance music),57,58;(in 15th cent. Italian ballet),82.‘Lysistrata’ (comedy by Aristophanes),61.Lysistrata (Greek dance),61.MMacDowell, Edward,254,256.MacDowell Festival (Peterboro, N. H.),117.Mænad Dance (Greek),69.Maeterlinck, Maurice,257f.Mahabharata (Indian epic),127.Maillard, Mlle. (ballet dancer),92.Malakavel(French ballet),102.[La] Mancha (its folk-dances),109.Mandarin dances (Chinese),34.Maneros (dancing Pharaoh),13.Marathon games,54.Marie Antoinette,148.Marriage ceremonies, masques performed at,83.See alsoJewish marriage dances.Mars,74.Mars et Venus(French ballet),153.Marseillaise(ballet),92f.Martial (cited),77.Masai (war dancing),5.Masque of Beauty(Ben Jonson),83.Masque of Blackness(Ben Jonson),83.Masque of Cassandra,86.Masque of Castillo(John Crowne).83Masque of Owles,84.Masques (English),83.Mathematics (relation of, to dancing and architecture),vi.Mauri, Rosetta (ballerina),159.Mazurka,136.Mediævalism (relation to dancing), v.See alsoMiddle Ages.Medici, Catherine de’,10,86,121.Mek na snut (Egyptian pirouette),20.Melartin, Erik,205.Melkatusta (Finnish folk-dance),132.Memphis (temple dances to Osiris),15f.Merchant Taylor’s Hall (masques performed at),83.Merikanto,205.Messertanz (of Nuremberg),129.Mexicans,iii.Meyerbeer, Giacomo,103,151.Miassine, Leonide,232.Middle Ages (choreography of),78ff,247.Milan School,151.Military dance. SeeWar dance.Milon (French composer and ballet master),91,94,101.Mimii (Roman dancers),74.Minerva,54.Minuet (comparison of, to Greek dances),70;(inLou Gue),80;(in 17th-cent. French court),86,147f.Miriam (Biblical character),19.Mirror Dance,192.Mohammedans,21.Molière,86.Mongolian tribes (dancing of, compared with Indians),28;(use of Pyrrhic dance by),60.Monteverdi,82.Moors,46;(influence of, on Spanish dances),50f,105,106,112.Mordkin, Mikail,185,187,220,221,222,248.Moreau (painting of Salome dance),45.Morocco (Almeiis dancing),21.Morris Dances,113ff.Moscow (Imperial Ballet School),172;(opera house),175.Moses,43,44.Moujiks,172,178.Mount Ida,54.Moussorgsky, Modest,104,171,181,224.Movement (rel. to sound),238.Mozart, v,101,102f,206.Müller, Max (cited),60,62.Munich (guild dance),129.Muravieva (ballerina),151.Murcia (folk-dances of),106.Muses (Egyptian),13;(Greek),10,54,57.Museums. SeeBritish Museum,Petrograd Museum,Naples Museum.Music (of Japanese),38;(in Greek dances),58;(influenced by Russian ballet),176;(as underlying principle of dancing),198;(in relation to eurhythmics),235,236f,242;(relation to gesture),240,248;(in rel. to modern ballet),249ff;(syncopated, of America),265.Musical notation (Arabic),17,47;(Egyptian),17;(Spanish),17;(Chinese),33.Muyniera (Galician folk-dance),106.Mysteries. SeeEleusinian Mysteries,Dionysian Mysteries.Mysteries of Demetrius,69.NNaples Museum,69.Napoleon,102,148.Nationalism (expressed in folk-dancing),3,113;(rel. to arts),104ff;(in Scandinavia),104;(in Russia),104f;(in Irish folk-dance),119f;(in Finnish folk-dances),132f.Naturalistic School,195ff,232f.Nature (expression of, in dancing),196.Nausicaa,52.Nautch Dance,209.Nautch girls,26.Naxos,54.Neo-Hellenism,245.Neoptolemus,60.Nero,74,75.Nicomedes of Pithynia,55.Nielsen, Augusta,164.Nijinsky, Waslaw,220,221,222,224,226,229,248.Nijny Novgorod,140.Nile (centre of ancient dancing),10.Nina(French ballet),94.Notation. SeeMusical notation.Noverre, Jean Georges,vi,10,87,89,91,99,151,152,180,196.Novikoff (Russian ballet dancer),185.Novitzkaya (ballerina),151,181.Nude Bayaderes,189.Nudity (in Egyptian dances),18;(in Greek dances),54f;(in modern degenerate dances),193.Nuitter, Charles Louis Étienne (as ballet composer),151,152.Numa (mythical founder of Roman sacred dance),10,73.Nuremberg (its guild dance),129.Nut Cracker Suite(Tschaikowsky),185.Nymphs, dances of (in Dionysian Mysteries),68f.OOberammergau Passion Play (comparison with Chinese ‘Historical Ballet’),33.Obertass (Polish dance),136.Oboe (in Indian dance),27.Odyssey (cited),52.[L’]Oiseau de Feu(ballet),231.Ojibways,39.Olaf den Hellige(Danish ballet),163.Olympic games,54.Opera (influenced by Russian ballet),176;(in rel. to modern ballet),265.Opera houses,175.See alsoParis Opéra;Moscow (opera house).[L’]Oracle(ballet),92.‘Oranges and Lemons’ (British folk-dance),120.‘Orchestra’ (in Greek dance),63.Orchestration (in 15th-cent. ballets),82.Orient, dancing in,3.See alsoChina,India,Japan, etc.Oriental dances (European imitations),208f.Orpheus’ Descent into Hell(ballet by Noverre),90.Orpheus and Euridice(17th-cent. ballet),179.Osiris cult,15f.Ostrovsky,104f,171,177.[La] Otero (Spanish dancer),210,211.Owl Dance (Greek),69.PPaësiello, Giovanni, v.Paimensoitaja (Finnish folk-dance),133.Painting,235;(influenced by Russian ballet),176;(in relation to eurhythmics),239.Pallas,74,75.Pan (Greek and Egyptian deity),57;(Roman),74.Pantin (amateur stage at),101.Pantomime (in Chinese dancing),31ff;(in Japanese dancing),36ff;(in American Indian dances),41f;(Arabian),47f;(Roman),74,76f;(mediæval sacred),81;(in Spanish folk-dance),111;(in Roumanian folk-dance),138;(in Salome dance),191;(used by Duncan),199;(in rel. to music),249.[Le]Papillon(ballet),159,186.Paris (Italian court pantomime introduced),10;(‘Fatima’ sensation),22;(ecclesiastical attitude toward dancing),81;(18th-cent. ballet),91;(popularity of thePsycheballet),92;(Camargo),100;(Taglioni),153.Paris Opéra,91,100.Paris School,151.Pas bourrée,97.Pas coupé,95.Pas d’allemande,20.Pas de basque,97;(in Passepied),149.Pas de bourrée emboîté,97.Pas de cheval (in Egyptian dances),18.Pas marché,95.Pas sauté,98.Passepied,149.Paul, Adolf,257.Paul, Czar,178f,181.Paul et Virginie(French ballet),92.Paulli, Simon Holger,152.Pavana (Murcian folk-dance),106.Pavane,70;(characteristics),87;(in 17th-cent. French court),86,144.Pavilion d’Armide(ballet),226,229.Pavlowa, Anna,vi,171,175f,183,185,186f,187,215,220,222,247.Pecour (ballet dancer),87,88.Peer Gynt Suite(as ballet),201.[La]Peri(ballet),158.Pericles,70.Perrot (ballet dancer and composer),152,154,158.Persian Graveyard Dance,21.Peter the Great,179.Petipa, Marius,vi,21,151,159,182f,196,219;(quoted on Petrograd Imperial Ballet School),173f.Petipa school,185.Petit battements,95.[Les]Petits Riens(Noverre and Mozart),91.Petrograd (Museum),13;(Imperial Ballet School),172;(opera house),175.Petrouchka(Stravinsky),229ff.Pharaohs (dancing in the court of),17.Philip of Macedonia,55.Philippus (Roman consul),76.Philosophic symbolism (in Indian dance),29.Phœnicians,57.Physical exercises,239.Pipe (Egyptian),8,18.Pipes (inGraveyard Dance),22;(in 15th-cent. Italian ballet),82.Pirouette,94,97,150,163;(in Egyptian dancing),18,20.Plaasovaya (Russian folk-dance),140.Plastomimic choreography,247ff.Plato (quoted),iv;(cited),52,58,67,69.Plots (for ballets),250.Plutarch (cited),iv,14,45,67.Poetry,235.Pointes,163,215.Poland (folk-dancing),136.Pollux,54.Polo (Moorish dance),106.Polonaise (Polish folk-dance),136.Polowetsi dance (Cossack),140.Portugal (mediæval strolling ballets),80f.Positions. SeeSteps.Poushkin,178.Prévost, Mme.,100.Priapus,54.Price, Waldemar (Danish ballet dancer),164.Primitive dances (rel. to sexual selection),6.Primitive peoples,3ff.Prince Igor,228.Professional dancing,7;(Egyptian),18.Provence,80f,122,131.Prussia (Fackeltanz),128.Pskoff,140.Psyche(French ballet),92.Psychology,1ff,24,45,136,139.Pugni, Cesare (ballet composer),152.Pygmalion and Galatea(ballet),99.Pylades (Roman dancer),73,74f.Pyrrhic dance,60f.Pythian games,54.QQuadrille (French social dance),122.Quintilian (quoted),72.RRabinoff, Max,188.Racial characteristics,11.‘Ragtime,’263.Rainbow Dance,192.Ramble (Indian goddess of dancing),24f.Realism,157,249f.Réception d’une jeune Nymphe à la Court de Terpsichore,152.Reed pipes. SeePipes.Reger, Max,205.Regnard (quoted),88.Reinach, Théodore (cited on Greek arts),69.René of Provence (author of mediæval ballet),80.Reno (painter of Salome dance),45.Rheinländer (German dance),131.Rhythm,1,2;(in naturalistic dancing),196,198;(as basis of all arts),235;(in Jacques-Dalcroze system),239,244;(in ballet),250.Rhythmic gymnastics,234ff,240,249.Richelieu,86,100.Rigaudon,148f.Rimsky-Korsakoff, Nicolai,151,152,171,183,224,226,254.Rinaldo and Armida(ballet by Noverre),90,99.Risti Tants (Esthonian folk-dance),126ff.Robert of Normandie(ballet),164.Robespierre,93.Robinson, Louis (cited on dance instinct),3.Rodin (quoted),196.Romaika (Slavic folk-dance),137.Rome (dancing in),3,72ff,247;(sacred dancing),9;(imitation of Greek dances),10;(Pyrrhic dance),60.Roman Church. SeeChurch.Romulus,73.Rondes (similarity to Eleusinian Mysteries),67;(French folk-dance),121.Roses of Love(ballet by Noverre),90.Rossini,101,103,151.Rouen,100.Roumania (folk-dance),137f.Round. SeeRonde.Royal Academy of Dancing (French),86.Rubinstein, Anton,183,256;(composed ‘Tarantella’),124.Rubinstein, Ida,45.Ruggera (Italian folk-dancing),124.Rune tunes (Finnish),63.Russia (Imperial Ballet),92;(influence of, on choreography),102;(nationalistic tendencies),104f;(folk-dancing),139ff,262;(influences on ballet),169;(ballets of opera house),175;(influence of Duncan school),200,206,218f.Russian Imperial Ballet School,90f,105,172.Russian Imperial Dramatic Dancing School,180.Ruthenia (folk-dancing). SeeSlavic folk-dances.SSacchetto, Rita,203,212.Sacre du Printemps(Stravinsky),231.Sacred dancing (in rel. to folk-lore),9;(Egyptian),15;(Indian),26;(Japanese),38;(American Indian),39,41f;(Greek),59,67ff;(Roman),73f.Sadler, Michael T. H. (quoted on Jacques-Dalcroze School),235f.Sahara Graveyard Dance,21.Sailor’s Dance (Dutch),135.St. Basil (cited),iii.St. Carlos (celebrated by strolling ballet),80.St. Denis, Ruth,208,212.Saint-Léon,159.St. Matthew (quoted),44.St. Petersburg (court ballet),90,161.See alsoPetrograd.Saint-Saëns, Camille,186.St. Vitus’ Dance,129.Sakuntala(French ballet),152.Sallé, Mlle.,94,99,100.Salmacida Spolia(Sir William Davenant),84.Salome dances,44f,191.Salome(Richard Strauss),45.Saltarello(Italian folk-dance),124.Sangalli, Rita,159.Sappho,70,94.Sarabande,146.Sarasate, Pablo,108.Satyr Dance (in Dionysian Mysteries),68,69.Sauvages de la Mer du Sud, [Les] (French ballet),94.Savage peoples. SeePrimitive peoples.Savinskaya,206.Saxony (folk-dancing),130.Scaliger, Joseph Justa (cited),54.Scandinavia (folk-dances),2,133;(nationalistic tendencies),104f;(waltz),131;(naturalistic school),205.Schafftertanz (of Munich),129.Scheherezade(Rimsky-Korsakoff),152,226.Schiller,166,250.Schirjajeff,182.Schliemann (Egyptologist), cited,17.Schmoller (Saxonian folk-dance),130.Schnitzler, Arthur,166.Schönberg, Arnold,205.Schools of dancing, (Petipa),185;(Duncan),197;(Jacques-Dalcroze),197f.SeeAcademies.Schopenhauer (cited),250;(quoted),64.Schleiftänze,129.Schreittänze.129.Schubert, Franz,103f,254.Scotch Reel,118f.Scotland (folk-dancing),118f.Scribe, Eugène.103.Schuhplatteltanz (Bavarian folk-dance),129f.Schumann, Robert,206.Sculpture (in rel. to dancing),173,196,235.Seguidilla (Spanish dance),50.Sensationalism,190.Seroff, Alexander Nikolayevitch,104,171,181.Serpentine Dance,189,190f.Servia (folk-dancing).SeeSlavic folk-dances.Setche, Egyptologist (cited),14.Seville (church dancing),iv,78;(court dancing),47.Sex instinct (in rel. to folk-dancing), v,11,134,139.Shakespeare (cited on the jig),119.Sharp, Cecil (quoted on Morris dances),113f.Shean Treuse (Scotch folk-dance),118.Shintoism (Japanese religion),36.Shirley, James,83.Sibelius, Jean,205,254,256,257f.Siberia (folk-dancing),140.Siciliana (Italian folk-dance),124.[Le]Sicilien(ballet),153.Sieba(ballet),152.Siebensprung (Swabian folk-dance),130.Singing (in Finnish dances),133.Singing ballet,177f.Singing Sirens,57.Skirt Dance,189,212.Skoliasmos (in Dionysian mysteries),68f.Skralat (Swedish folk-dance),133.Slavic folk-dances,136ff.Sleeping Beauty(Tschaikowsky),152,185.Snake dances (Lithuanian),135;(American Indian),38,41,135.Snegourotchka(Rimsky-Korsakoff). SeeSnow Maiden.Snow Maiden(Rimsky-Korsakoff),152,177,183f.Social dancing (Greek),54f;(Polish),136;(in 17th cent.),144ff.See alsoCourt dancing.Socrates,54,56.Sokolova (ballerina),151,183.Solomon, Hebrew king,43,44.Sophocles,62.Sound (in relation to movement),238[La]Source(Delibes),152.Spain (religious dancing),iv;(folk-dancing),2,105ff,210ff;(choreographic art of Moors),46,50f;(mediæval strolling ballets),80f.Spartan dance,54f,60.Spectre de la Rose(ballet),221,223,229.Spendiaroff,256.Spinning top principle,216.Stage dancing (in Middle Ages),81,148.See alsoProfessional dancing.Steps,2;(in American Indian dances),42;(in courante),88;(in classic French ballet),95f;(Bolero),109;(Seguidilla),110;(Hungarian folk-dances),125f;(Rigaudon),149;(Bournoville’s reform),163.Stephania (Roman dancer),77.Stewart-Richardson, Lady Constance,206.Stockholm (ballet dancing),161.Stockholm school,151.Stomach Dance(Arabian dance),3,21,22.Stone Age,5.Stramboe, Adolph F.,164.Strassburg,129.Strauss, Johann,132.Strauss, Richard,204f,232.Stravinsky, Igor,185,229ff.Strindberg, August,165.String instruments (Indian),27.Strolling ballets (mediæval),80f;(in French Revolution),93f.Strophic principle,63.Stuck (painter of Salome dance),45.Stuttgart (court),90,153.Subra, Mlle. (ballerina),159.Su-Chu-Fu (dancing academy),34.Suetonius (cited),76.Sun’s Darling(English masque),84.Svendsen, Johann,133,205.Svetloff (cited),218.Swan, The(Saint-Saëns),186.Swanhilde(ballet),167.Swan Lake(Russian ballet),152,184f.Swabia (folk-dancing),130.Sweden (influence on Russian ballet),169.See alsoScandinavia.Sword Dance (English),21,33,113,115ff.La Sylphide(Delibes),152,153,154,156,163.[Les]Sylphides,175,221.Sylvia(Delibes),152.Symbolism (in Indian dancing),29,263f;(in Hungarian folk-dancing),126;(in Lada’s dances),254f;(in modern ballet),258,265.Symons, Arthur (quoted),264f.Symphonic music (as basis for dancing),200,206.Syrinx (Egyptian instrument),iv.Szolo (Hungarian folk-dance),126.TTabor (in Morris dance),115.Tacitus (cited),76.Taglioni, Maria,11,151,152ff,156,157,193.Taglioni, Salvatore,151,152,161.Ta-gien (Chinese dance),32.Ta-gu (Chinese dance),32.Ta-knen (Chinese dance),32.Talmud,43.Ta-mao (Chinese dance),32.Tambourine (in Hebrew dance),19;(in Indian dance),27;(with bells, Chinese),32;(in Greek dances),71;(in Spanish dance),79f,106;(in Tarantella),122.Taneieff, Sergei Ivanovich,224.Tarantella (Italian folk-dance),122ff.Tartar tribes,140.Tascara (Spanish folk-dance),111f.Taubentanz (Black Forest),130.Ta-u (Chinese dance),32.Tcherepnin,185,226,229.Technique (Duncan),199;(instrumental),237;(eurhythmic),239.Telemachus,53.Telemaque(French ballet),92.Teleshova (ballerina),151,181.Telethusa (Roman dancer),77.Tempe Restored(Aurelian Townsend),84f.Temple dancing (Hebraic),43,44;(Greek),54f;(Esthonian),127.See alsoSacred dancing.Terpsichore,10,57.Terpsichore(ballet by Handel),99.Teu-Kung (Chinese dancing teacher),31.Thackeray (quoted on Taglioni),154.Thales,59.Théatre des Arts,92.Theatre of Dionysius,64f.Thebes,19.Theseus,iv,54,69.They (Chinese monarch),30.Tiberius (Roman emperor),76.Tichomiroff,221.Time,240f.Time-marker (in Greek dancing),70f.Time-values,241.Titans,59.Titus (Roman emperor),34.Toe-dance,215.Toledo (church dancing),iv,78.Toreadoren(ballet),164.Torra (Murcian folk-dance),106.Tourdion (social dance),150.Townsend, Aurelian,84f.Trepak (Russian folk-dance),140.Trescona (Florentine folk-dance),124.Triangle (in English Horn dance),117.Tripoli (Almeiis dancers in),21.Triumph of Love,87.Triumph of Peace(James Shirley),83.Trouhanova, Natasha,45,244,256f.Trumpets (in 15th-cent. Italian ballet),82.Tschaikowsky, Peter Ilyitch,104,151,152,171,177,183,184,185.Tshamuda (Indian goddess),26.Tuileries,87.Tunic, ballerina’s,215.Tunis (Almeiis dancers in),21.Turgenieff,104,171;(quoted on Elssler),155f.Tuta,215.UUchtomsky, Prince (cited),28.U-gientze (Chinese dance),32.Ulysses,52.Urbino, Duke of,80.VVafva Vadna (Swedish folk-dance),133f.Valdemar(Danish ballet),163,164.Valencia,iv,78,107f.Valencian Bishop (advocate of dancing),78.Valentine, Gwendoline (ballet dancer),206.Vanka (Cossak dance),140.Van Staden (Colonel),179.Vaudoyer, J. L.,229.Vaughan, Kate (ballet dancer),193.Veie de Noue(inLou Gue),80.Veils (used in Greek dancing),66,70.Venera (Indian goddess),24.[La]Ventana(ballet),166.Venus of Cailipyge,76f.Verbunkes(Hungarian folk-dance),126.[La]Vestale(ballet),153.Vestris brothers,91,101,148,151,162.Viennese court,90.Viennese School,151.Villiani, Mme. (ballet dancer),22,193.Vingakersdans (Swedish folk-dance),134.Violin (in 15th-cent. Italian ballet),82;(in Spanish folk-dance),107.Vision of Salome (ballet),201.Vocal ballets,177f.Vocal music (dependence of dancing upon),8;(in Greek dances),58.Voisins, Comte Gilbert des,154.Volga,140.Volinin (Russian ballet dancer),185,187,248.Volkhonsky, Prince Serge (quoted),197f,212f,215ff,232,249.Voltaire (cited),99.Volte(French folk-dance),131.Vuillier (quoted on Spanish temple dancing),79f.Vulcan,53.Vulture Dance (Greek),69.WWagnerian operas,63.Waldteufel,132.Waltz,131f.Walzer,131.War-dances (primitive),5f;(Pyrrhic),60;(Roman),73;(Hungarian),126.Warsaw (opera house),175.Weber, Carl Maria von,91,103,229.Weber, Louise,192.Weiss, Mme.,159.Wellman, Christian,180.Whistles (in American Indian dances),41;(in Morris dance),115.Whitehall (masques performed at),83.Wiesenthal, Elsa and Grete,202f,212.Wilhelm II,130.Wilkinson, Sir Gardner, on Egypt (cited),18f;(quoted),20f.Women (earliest appearance of, in ballet),87.Wood-wind instruments (Indian),27.Wsevoloshky,183.Würtemberg (folk-dancing),130.XXenophon (quoted),55f.Xeres,iv.YYorkshire (English sword dance of),116.Yu-Wang (Chinese emperor),33.ZZarzuela (Spanish comic opera),63f,106.Zeus,59.Zorongo (Spanish folk-dance),111.Zulus (war dances of),5.Zunfttänze,129.Zwölfmonatstanz (Würtemberg),130.
INDEX FOR VOLUME XAAbdallah(Bournoville and Paulli),152.Academicism (French, Italian),171.Academies of dancing,151f;(Egyptian),17;(Chinese),31f,34;(Cadiz, Spain),46f;(Greek),71;(French),86f,94f,99,105,151;(Russian),90f,105;(Copenhagen Ballet School),165;(College of Rhythmic Gymnastics, Hellerau),234ff.Accentuation,238.Accompaniment (in Spanish dances),211.Accordion (in English folk-dance),116f.Ach, du lieber Augustin,131.Acting (in relation to ballet),250,252.Adam, Charles-Adolphe (as ballet composer),151,152,158.Æschylus,55,66.African Bantu,iii.African guitar,47.Ai Ouchnem,105.Akté, Aino,205.Albinus (Roman consul),76.Alexander I, Czar of Russia,131,181.Alexis Mihailowitch, Czar,179.Algiers,21.All in a Garden Green(British folk-dance),120.Allan, Maud,201,206.Allard, Mlle. (ballet dancer),101.Allemande,144,146.Alliamatula (Roman dancer),77.Almeiis,18,21ff.Amaterasu (Japanese deity),35f.America (future of dancing in),261f.American Indians,iv,38f.Ammon, Temple of (Egyptian school of dancing in),17.Anabasis(quoted),55f.Andalusia (folk-dancing),106,107f.Andersen, Hans Christian,167.Androgeonia (Greek hero),54.Angerstein, Wilhelm (cited),128f.Anglin, Mlle. (ballet dancer),91.Anna, Empress of Russia,90.Anna Ivanovna, Empress of Russia,179.Anne of Denmark (English Queen, patron of the masque),83,84,119.[d’]Annunzio, Gabriele,165.Antagonism to dancing (of Western Church),9,103,129;(of Roman consuls),76.Antoine et Cléopatre(ballet),102.Aphrodite,61,67,69,70;(compared to Venera),24;(mysteries),61.Apollo,54,56,57,59,69f;(mysteries),61.Apostles,80.[L’]Après-midi d’un Faun, (Debussy),232.Arabesques (in Egyptian dances),18;(in French ballet step),95.Arabia (Stomach Dance),3,22;(Graveyard Dance),21;(Axis Dance),22;(character of dancing),46ff;(influence of, on Spanish dances),112.‘Arabian Nights,’226.Aragon (folk-dancing),107f.Arcadia,55,57,60.Architecture,235,265;(development of, synchronous with dancing),46;(American),263.Areja, Francesca,180.Arensky, Anton Stephanovich,183,224.Ariadne,56.Aristides,54.Aristophanes (cited),52,55,61.‘Ark of the Covenant,’iii,10,43.Arkona(Hartmann),152.Armenia (folk-dancing),138f.Artemis,iv,64.Arts (primitive, in India),24;(common basis of),235.Asparazases (Indian nymphs),26.Aspasia (Greek dancer),54,70,94.Assemblé (French ballet step),95,98.Astafieva, Seraphine,220,221,224.Astral Dance (Egyptian),iv,13f,63.Athenæus (quoted),55,60;(cited),59.Athens (dancing at festivals),53;(theatre of Dionysius),64f;(Mænad Dance),69.Auber, Daniel-Esprit,103.Augustus (Roman Emperor),73,75.Aulos (Greek flute),58.Austria,102.L’Autômne Bacchanale,186,187.Auvergne (folk-dancing),121.Axis Dance(Arabian),22.BBaba Yaga(Russian ballet),152,179.Bacchanalian dance,65.Bacchus (Greek and Roman god),54,65,69,74;(Roman orgies),75f.Bach, Johann Sebastian, v,102f;(bourrées),121;(courantes),145.Bacon, Sir Francis (cited on masques),83.Bagpipes (in Morris dance),115;(in English Sword Dance),116;(in Irish jig),120;(in Roumanian folk-dance),137.Baken Amen (Egyptian tablet),20.Bakst, Léon,183.Balakireff, Mily Alexejevich,104,152,171,181,231f,256.Ballerina’s tunic,215.Ballet (origin),8,10;(18th cent.),14;(Russian),23,170ff;(French),86ff;(defined by Noverre),89;(Italian),124;(classic),151ff;(Danish),162ff;(plots),163.Ballet des Ardents(French court dance),81.Ballet du Carrousel(performed at Tuileries),86f.Ballet slipper,216.Ballotté,98.Barefoot dancing,197,201.Barrett, S. A. (cited on plot ofDream Dance),39.Barrison, Gertrude,203.[Le] Basque (French ballet dancer),87.Bathyllus (Roman dancer),73,74f.Battements,95.Bayaderes,25,27,28.[Les] Bayederes(French ballet),153.Beauchamp (director of French Academy of Dancing),87.Beaugrand, Leontine (ballerina),159f.Beck, Hans (Danish ballet dancer),164.Beerbohm, Max (quoted on Genée),167f.Beethoven, v,102f,200,206.Begutcheff (director of Moscow ballet),177.Bekeffy,182.Belle Fatma [La] (20th cent. Egyptian dancer),22.Bellicrepa saltatio (Roman dance),73.Bells (in Morris Dance),114.Benares,25.Benois,183,226,229,230.Benserade,86.Berlin,203f.Berlin Museum (painting of Sword Dance),115f.Bernay, Mlle. (ballerina),159.Berri, Duchess de,81.Bibasis (Greek dance),61,62.Bible (cited),19; (quoted),43,44.Bilibin,183.Birds (courtship dances of),6.Björnson, Björnstjerne,104.Blache (ballet composer),102.Black Forest (dance of the),130.Blasis,91,102;(quoted on Bolero),109.Bogdanova (ballerina),151,183.Bohemia (folk-dancing). SeeSlavic folk-dances.Bolero (Spanish folk-dance),50,109,112.Bondina (Andalusian folk-dance),106.Borodine, Alexander,171,228,256.Botta, Bergonzio, di,81f.Botticelli,45.Bournoville, Antoine August,104,151,152,162f,164f,166,168,169.Bourrée,121f.Boyars,141,178.Boys (training of, as dancers),183.Brahma,25.Brahma und Bayaderen(German ballet),164.Brahminism (relation to dancing),25ff.Brahms, Johannes,125,254.Brandenburg, Hans,202.Brass instruments (in 15th cent. Italian ballet),82f.Brass plates (Indian),27.Breobrashenskaya,183,185,188.Breton dances,121.Brisé (ballet-step),98.British Museum,18,20.Buckingham House (British folk-dance),120.Buddhism,36.Bugaku Dance(Japanese),38.Bulgaria (folk-dancing). SeeSlavic folk-dances.Burchard, Bishop of Worms,129.Burette (cited on Greek dance),63.Buriat dances (compared to American Indian),39.Butterfly Dance,192.Byzantium (painting of Hebrew dancing),44;(influence of, in Lithuanian folk-dance),135f;(influence on Russian ballet),188.CCabriole (in Egyptian dance),20;(in Bibasis),62;(French ballet step),95.Cachucha (Spanish folk-dance),111,156.Cadiz, Spain (centre of ancient dancing),10;(dancers from, in Rome),76.Calcutta,25.Caligula (Roman emperor),76.Calumet (American Indian),39.Calzvaro,34f.Camargo, Mlle. (French ballet dancer),94,99,100.Canaries(English and German social dance),150.[The]Caprices of Galatea(ballet by Noverre),90,99.Carmencita (Spanish dancer),210.[Le]Carnaval de Venise(French ballet),94,153.Caroles (mediæval dances),81.Carpæa (Greek dance),55f.Caryatis (Spartan dance),54f.Castanets (in Spanish folk-dance),106,107,110,112.Castil-Blaze, François-Henri-Josef, quoted (on mediæval strolling ballet),80f;(on French ballet),93;(on Camargo),100;(on origin of waltz),131.Castor and Pollux,54.Catherine the Great,141.Caucasia (folk-dancing),140.Cerezo, Sebastian (Spanish dancer),109.Cerito, Fanny (ballerina),158f.Cervantes (cited on Chaconne),145.Chaconne (Italian and Spanish social dance),145f.Changement de pied,98.Charles I, King of England,84.Charles II, King of England,119,145.Chassé (ballet step),94,95.Cheremias (Spanish instruments),79.China,3,9,30ff;(attitude of moralists in, toward dancing),30;(court dancing),32;(musical instruments),32;(dancing of, adopted in Japan),36.Chinese Wedding(ballet by Calzevaro),34f.Chippewas,39.Chironomia (in Greek choreography),71.Choirs (in Egyptian temples),17.Chopin, Frédéric,136,200,206,221.Choral dances (of Russian peasants),177f.Choreographic principle (vs. dramatic),251.Choreography (Chinese),30;(mediæval),78ff;(in 17th cent. France),87f;(French development),94f;(influence of democracy),102;(Finnish),133;(naturalistic school),195ff;(plastomimic),247ff.Chorley, Henry Fothergill (quoted on Elssler),156.Chorovody (Russian ballad folk-dance),140f.Chrisis(ballet),206,207f.Christian moralists (antagonism to dancing),9.See alsoChurch, Roman.Chronos,59.Chrotal (Greek instrument),58.Church, Roman (hostility to dancing),81,103,129;(dancing in, during Middle Ages),78,79f.Cicero (quoted),72.[La]Cinquantaine(French ballet),91.Clary(French ballet),94.Classics, musical (dance music by), v.[The]Clemency of Titus(ballet by Noverre),90.Cleonica (Greek dancer),70.Cleopatra (as dancer),17f.Cleopatra(ballet),23.Cléopatre(ballet),223ff.Clermont, Comte de,100.Clothing (decorative purpose of, for the dance),6.Collins, Lottie,189,192f.Comédie Française,101.Confucius,33;(honored in Japanese dance),38.Coördination (of intellect and nerves),238.Copenhagen School,151.Coperario, John,84.Copiola, Galeria (Roman dancer),77.Coppélia(ballet),160,166f,175.Cordax (Greek Satyr dance),61,63f.Corkscrew (folk-dance),134f.Corpus Christi (festival of, with church dancing),78f.Corsaire(French ballet),152.Corybantes,54.Cosiers (Spanish church dancers),79f.Cossack folk-dances,2.Costume. SeeDress.Cotillion,122.Country Dance (English),113,115.Coupé (in Egyptian dance),20.Coupé dessous (ballet-step),95.Coupé lateral (ballet-step),95.Courante,86,87f,145f.Court ballets (French),83.Court dancing (in China),32f;(at Jerusalem),43,44;(in Seville),47;(in England),83ff;(in France),86f,121f;(in Germany),129;(in Russia),141f.See alsoSocial dancing.Courtship dances (of birds),6.Covent Garden (Mlle. Sallé at),99.Craig, Gordon (cited on French ballet),214.Crane Dance(Greek),69.Crete,54.Crimea (folk-dancing),140.Crowne, John,83.Cupid and Bacchus(French ballet),87.Curetes (Cretan dancers),54.Cybele,54.Cyclops,59.Cymbals (in Greek dances),71.Czardas (Hungarian folk-dance),125f.DDaedulus,53.Dalcroze. SeeJacques-Dalcroze.Daldans (Swedish folk-dance),134.Dance music (classical), v.Dance of Baskets (in Eleusinian mysteries),68.Dance of Feathers (Chinese court dance),33.Dance of the Five Senses (modern Indian dance),209.Dance of the Flag (Chinese dance),33.Dance of the Four Dimensions (Egyptian dance),16.Dance of the Glasses (pseudo-Egyptian dance),22.Dance of the Golden Calf,44.Dance of Greeting (Arabian),49.Dance of Humanity (Chinese dance),33.Dance of Innocence(Greek),iv.Dance of the Knees (in Dionysian Mysteries),68f.Dance of the Mystic Bird (Chinese),33.Dance principles,2.Dancing defined,2.Dancing girls (Greek),57.Dancing Mandarins,34.‘Dancing the music,’248.Danish ballet (influence on Russian),164f.Dansomanie[La] (French ballet),92,131.Dante (cited),iii.Daphnis and Chloë,68.Dargason (British folk-dance),120.Dargomijsky, Alexander Sergeyevitch,104,181.Dauberval,89,91,101.Daughter of the Pharaoh(ballet),21.Davenant, Sir William,84.David, King of Israel,10,43,44.Davillier, Baron, quoted (on mediæval church dance),79;(on Spanish folk-dance),106;(on Seguidilla),110f.Death Dance (Fakir dance compared to),28.[The]Death of Ajax(ballet by Noverre),90.Debussy, Claude,232.Degeneration (of ballet),189ff.Delians,59.Delibes, Léo,151,152,167.Delicias caditanas (Cadiz dancers in Rome),77.Delphic Festivals,69.Delsarte, François Alexandre,207,211f,214.Demetrius,67,69;(Mysteries),61.Demi-cabriole (ballet-step),95.Demi-coupé (ballet-step),95.Democracy (effect of, on choreography),102.Democratic basis of dancing,171.Denmark (folk-dancing),134;(ballet),162ff;(influence on Russian ballet),169.[Le]Déserteur(French ballet),92.Desmond, Olga,22,193,212.Despreaux (Parisian ballet dancer),101.Desrat (cited on Eleusinian Mysteries),67.Devadazis (Indian temple dancers),26.Devil’s Dance (Finnish folk-dance),133Diaghileff, Warslof,219f.Diaghileff ballet,176,185,200.Diana (Greek goddess),54.Didelot, Charles-Louis,151,154,161,164f,180f.Diodorus (cited),13.Dionysian Mysteries,61,68.Dionysius of Syracuse,54.Dionysos,56,67,69,74.Dipoda (Greek dance),61.Dohnányi, Ernst von,166.Dohrn, Wolf and Harald,234.Dolci (painting of Salome dance),45.Dominique (Parisian harlequin),100.Don Juan(French ballet),102.‘Don Quixote,’145.Doré (painting of church dancing in Seville),79.Dorians,60.Dostoievsky,104.Drama (influenced by Russian ballet),176.Dramatic principle (against choreographic),251.Dream Dance(American Indians),38ff.Drehtanz,129.Dresden,234.Dress (in Greek dancing),66;(of dancers in Seville Cathedral),79;(in English masques),84;(in 18th cent. ballet),89f;(in ballet during French Revolution),94;(in Spanish folk-dances),112f;(of Morris dancers),115;(in English Sword dance),116;(in Hungarian folk-dance),125;(in Esthonian folk-dance),127f;(in Dutch folk-dances),135;(in Slavic dances),137;(in Minuet),147.Drigo,186.Drum (Egyptian),22;(Indian),27;(Chinese),32;(Japanese),38;(American Indian),39f;(inLou Gue),81;(in Armenian folk-dance),138.Drury Lane,102.Dryad[The] (ballet),167.Dryads,80.Dubois, Théodore,151.Duncan, Elizabeth,201.Duncan, Isadora,22,187,197ff,204,206,211,212,213,214,244,247;(quoted),196f;(compared with St. Denis),210;(influence in Russia),218f;(pupils),248.Duncan School,197f,248.Duport (Paris ballet dancer),91,101f.Dupré (French ballet dancer),87.Dutch folk-dancing,135.Dynamic expression,240.EEar-training (in Jacques-Dalcroze School),240.Education (necessity of, for Greek dancers),65;(liberal, of ballet dancers),172f.Edward VII, King of England,201.Egg Dance (Dutch folk-dance),135.Egypt (temple dancing),iv,8,15ff;(musical instruments),8;(relation of dancing and religion),9,247,262;(secular dancing),15ff,20f;(influence of, in modern choreography),22;(influence of, on Hebrew dancing),43f;(worship of Pan),57;(strophic principle in choreography of),63;(history of, in Greek education),65;(influence of, on Spanish dances),112.Egyptian Wedding Scenes (pseudo-Egyptian dance),22.Electricity,190.Eleusinian Mysteries,67f.Elisseieff, Prof, (cited on Egyptian dancing),21.Elizabeth, Queen of England,84,145,150.Ellis, Havelock, quoted (on American Indian dances),iv;(on relation of rhythm to life),vi;(on modern Spanish dances),211.Elssler, Fanny,151,155ff.Emerson, Ralph Waldo (quoted on Elssler),155.Emmanuel (cited on Greek choreography),70.Emmeleia (Greek dance),iv,61,62f.Endymatia (Greek dance),61.England (folk-dancing),113;(waltz),131f;(social dancing),150.English Cathedrals (rhythmic ritual used in),viii.Entrechat,98;(in Egyptian dance),20.Erfurt,129.Esclatism (Greek gymnastics),71.[La]Esmeralda(Perrot and Pugni),152.Esthonian folk-dances,121,126f.Eugenius IV,78f.Eurhythmics (of Jacques-Dalcroze),234ff.Excelsior(ballet),152.FFabiol (in Spanish dance),79f.Fackeltanz,128,130.Fakir dances,28f.Falkenfleth, Haagen (quoted on Jörgen-Jensen),165.Fandango (Spanish folk-dance),50,105,106f,112.Farandole (French folk-dance),121;(as court dance),122.[La]Farandole(Dubois),152.[La] Farruca (Spanish folk-dance),111.Fauns,80.Faust(ballet by Perrot),158.Feodorova, Sophie,221,224.Ferrabosco, Alfonso,84.Festen i Albano(Danish ballet),163.Festival of the Sacred Bull (Egyptian),15f.Festival of the Supreme Being (French strolling ballet),93f.Festivals (Roman),74,75f.Finland (folk-dances),2,121,132;(compared to American Indian dances),39;(rune tunes),63;(horn dance),117;(naturalistic school),205.Fiorella(ballet),163f.Fire Bird[The],231.Fire Dance,192.Fleure (ballet step),98.Fleury (quoted),101.Flitch, J. E. Crawford, quoted (on Fuller),190f.Floralia (Roman festivals),75.Flore et Zéphire(French ballet),152,154.Florence (court ballet),90;(folk-dance),124.Flower Dance,192.Flute (in Egyptian dance music),iv,8;(in Indian dance music),27;(in Chinese dance music),32;(in Japanese dance music),38;(in American Indian dance music),41;(in Arabian dance music),49;(in Greek dance music),56,58f,61,70;(in Roman dance music),74,76;(in 15th cent. Italian ballet),82.Fokina, Vera,171,220,221,224.Fokine,vi,219f,220,228,231,244.Folk-dances,266;(rel. to sex instinct), v;(Spanish),105ff;(Italian),122ff;(German),128f;(Finnish),132f;(Scandinavian),133;(Dutch),135;(Lithuanian),135f;(Polish),136;(Slavic),136ff;(Armenian),138f;(Russian),139ff,171.Folk-songs,265;(Russian),183.Forlana (Italian folk-dance),124.Fouetté (French ballet step),97.Fouetté pirouette (in Egyptian dances),18.Fountain of Magic Dances (in Eleusinian Mysteries),67.Fox Dance (Greek),69.France (rhythmic church ritual),iii-f,81;(folk-dancing),2,121ff,262;(court dancing),10;(grand court ballets),83,86ff,247;(democratic influence),102;(waltz),131;(influence of, on Russian ballet),171;(naturalistic school),205.French Academy of Dancing,94f,99,105.French ballet,86ff;(modern criticism of),214ff.French Revolution,92,93f,148.Froehlich (Danish composer),163.Fuentes (cited on Seguidilla),109f.Fuller, Loie,189,190ff.Fuller, Margaret (quoted on Elssler),155.Funeral dances (Japanese),36;(Greek),54.GGade, Niels W.,133,151.Gaita (Spanish instrument),106.Galcotti (ballet composer),152.Galeazzo, Visconti, Duke of Milan,10,81.Galen (quoted),54.Galeotti, Vincenzo Tomaselli,162.Galicia (church dancing),78;(folk-dancing),106.Galliard,149f.Gardel, Maximilian (ballet composer),14,89,91,131,148,151,162.[El] Garrotin (Spanish folk-dance),111.Gautier, Théophile,152,158;(quoted on Elssler),157.Gavotte,70,86,148.Gedeonoff,181.Geltzer (Russian ballet dancer),185.Genée, Adeline,151,167.Generalization, theory of (in ballet),216f.Germany, v;(folk-dancing),128f;(the waltz),131f;(social dancing),150;(influence of Duncan),201.Gesture (relation between, and music),240.See alsoPantomime.Ghiselle(French ballet),152,158.Ghost Dance (American Indian dance),38,40f.Gia (Chinese dance),32.Gilchrist, Connie,189.Glazounoff, Alexander Constantovich,183,186,224.Glière, Reinhold,206,207,254,259.Glinka, Mikail Ivanovich,104,181,224,254.Glissade (ballet-step),97f.Gluck, Christoph Willibald,102f,121,148,152,200.Gogol,104,171.Golden Calf (in mediæval ballet),80.Goulu [La] (ballet dancer),192.Grahn, Lucile (ballerina),163f.Grand ballets (of French court),83,86ff.Gratiereness Hulding(Danish ballet),162.Graveyard Dance(Oriental),21f.Gravity (in naturalistic dancing),196f,215.Greece (philosophers of, quoted on dancing),iii;(religious dancing),iv,9,10,52ff,59;(writers of, cited on Spanish dancing),46f;(its choreography),52–71;(festival dancing),54f;(folk-dancing),121.Greek dancing (modern ‘revivals’ of),195f;(Jacques-Dalcroze system),245,247.Greek Church (dancing in),iii.Greek Mysteries,61.Gregory, Johann (ballet master in Russia),179.Gretchaninoff, Alexander,255.Gretna Green(ballet),152.Grétry, André Erneste Modeste,148.Griboyedoff, Teleshova,178.Grieg, Edvard,104,133,201,205,206.Grisi, Carlotta,151,158.Grouping (decorative),235.Guerrero, Rosario,210.Guild dances (German),129.Guillaume Tell(French ballet),92.Guimard, Madeleine (French ballet dancer),91,94,99,100f.Guitar (Egyptian),8;(African),47;(in Spanish folk-dance),107,110.Gustave Vasa(French ballet),102.Gymnastics (rhythmic),234ff.Gymnopædia,59f.HHailii (Finnish folk-dance),133.Handel, George Frederick,99;(bourées),121;(courantes),145.Harlequin, Parisian (Dominique),100.Harp (in Egyptian dance music),8;(in American Indian dance music),41;(in Greek dance music),53,56;(in Roman dance music),76;(in Esthonian folk-dance music),127;(in Finnish dance music),133.Hartmann, Johann Peter Emil,133,151,152,163.Hatton (English dancer),150.Hawasis,20f.Haydn, Joseph, v.Hebrews,iii,43ff.See alsoJewish Marriage Dances, etc.Helen of Sparta,iv.Hellerau (College of Rhythmic Gymnastics),234ff.Hempua (Finnish folk-dance),133.Henri IV, King of France (patron of dancing),86.Henrietta Maria, Queen of England,84.Henry VII, King of England,84.Herculaneum,57.Hercules in Love(French ballet),87.Hermes, Egyptian god (Thoth),13.Héro et Leandre(French ballet),94.Herodotus (cited),13.Hesiod (cited),52,65.Heteræ (Greek),69,70.Hieroglyphs,12ff.High Kickers,189.Highland Fling (Scotch folk-dance),118.Hilferding,180.Hincks, Marcella A. (cited on Japanese dancing),35.Historical Ballet (Chinese),33.Homer (cited),52,53f,56f,57,65.Hoppe, Johann Ferdinand,164.Hora (Roumanian folk-dance),137f.Horace (cited),72.Horatii(French ballet),90.Hormos (Greek dance),61,64.Horn (in Finnish dance music),133.Horn Dance (English folk-dance),117f.Hornpipe (Scotch folk-dance),119.Hovey, Mrs. Richard,195f,212,214.Huang-Ta,30.Humpty-Dumpty(ballet),190.Hungary (folk-dancing),2,124ff.Hymn to Apollo,56.Hymnea(Greek dance),61.Hyporchema(Greek dance),55,59.IIbsen, Henrik,104.Idealism (classic),157.Ilia Murometz (Russian folk-dance),140.Iliad (cited),53f,127.Impatiencem (17th-cent. ballet),87.Imperial Ballet School (Russian),90f,105,172,181.Imperial Dramatic Dancing School (Russian),180.Improvisation (course in Jacques-Dalcroze school),240.India (relation of dancing and religion),9;(choreographic art),24ff;(effect of music on dancing),25;(dances of, in European imitation),209.Indians. SeeAmerican Indian.Indulgences (sold by clergy for dancing),81.Ingham, Ethel (quoted),234f.Ingham, Percy B. (quoted),242.Innocence, Dance of (Egyptian),iv.Innsbruck,129.Instruments (in Egyptian dance music),8,16.Ionic Movements,56.Iphigenia in Aulis(Gluck),152.Ippolitoff-Ivanoff, Mikail Mikailovitch,256.Ireland (folk-dancing),119f.Irvin, Beatrice,206.Isabella of Aragon,81.Isis cult,15f.Istomina (Russian ballerina),178,181.Italy, v,102;(folk-dances),2,122ff;(court dancing),10;(mediæval strolling ballets),80f;(influence on Russian ballet),171.‘Ivan the Terrible’ (Russian folk-dance),140,141.Ives, Simon (composer of masque music),83.Ivi-Men (Chinese dance),32.JJack Sheppard(ballet),190.Jacques-Dalcroze, Émile,234ff,247,249;(eurhythmics of, compared with Greek dancing),71.Jacques-Dalcroze School,197f,200.Jaernefelt, Armas,205.[El]Jaleo(Spanish folk-dance),111.James I, King of England,84.Japan (pantomimic character of dancing),3;(dance of, adopted in China),33f;(funeral dances),35ff;(European choreographic imitations),208;(folk-dances),262.[de]Jaulnaye(cited on Roman dancers),73.Java (pantomimic choreography),3.Jerusalem, Temple of,44.Jeté,94,95;(in Egyptian dance),20;(in Bibasis),62.Jewish marriage dances (in Morocco),44.Jewish moralists (antagonism to dancing),9.Jig (Irish folk-dance),119f.Jota (Spanish dance),50,105,107f.Jones, Inigo, English architect,83,84.Jonson, Ben,83,84.Jörgen-Jensen, Elna (ballet dancer),165ff.Judgment of Paris[The] (ballet by Noverre),90.Jupiter,54.Juvenal,74.KKaakuria (Finnish folk-dance),133.Kaara Jaan (Esthonian folk-dance),126f.Kagura (Japanese dance),38.Kaiterma (Cossack dance),140.Kalevala,257.Kalewipoeg,121,127.Kalmuk dances (compared to American Indian dances),39.Kamarienskaya (Russian folk-dance),140,142.Karsavina, Tamara,171,176,183,188,220,221,222,226,227f,229,231,248.Kasatchy (Russian folk-dance),140,141f.Kia-King(ballet by Titus),34.Kinney, Troy and Margaret West (quoted on Arabian dances),47ff;(quoted onFandango),107f;(quoted onLa Farruca),111;(quoted on modern Spanish dances),210f.Kirchoff (cited on Greek dance),63.Kolla (Slavic folk-dance),137.Kolossova, Eugeny,179.Kon-Fu-Tse (Chinese moralist),30.Kosloff (Russian ballet dancer),221.Kostroma (folk-dancing in),140.Kreutzer, Rodolphe,102.Krohn, [Dr.] Ilmari,132.Kshesinskaya, Mathilda,151,179,183,185,188.Kshesinsky, Felix,182.Kuljak (Esthonian folk-dance),126f.Kuula, Toiwo,205.Kyasht, Lydia,185,188.LLacedæmonian dance,59f.See alsoSpartan dance.Lada,244,253ff.Lancelot (quoted),137f.Lande (ballet director),180.Lange-Müller, Wilhelm,205.Laniere, Nicholas,84.Lanner, Katty,159.Lantern Festival (in China),35.Larcher, Pierre J.,163.Laurette(ballet),152.Lawes, William,83.‘Leap with Torches’ (in Eleusinian mysteries),67.Légende de Joseph(Strauss),232.Leggatt,182.Leicester, Earl of,150.Lesginka (Cossack dance),140.Lessing,161.Lessogoroff,180.Lettish folk-dances,121.Levinsohn, A. (quoted on Duncan School),198;(quoted on the old ballet),215.Liadova (ballerina),151.Ligne, Princess de,100.Li-Kaong-Ti (Chinese monarch),31.Lily(ballet by San-Leon),34f.Lind, Letti,189.Liszt, Franz,125.Lithuania (folk-dancing),121,135f.Little Mermaid[The] (ballet),167.Littré (cited),88.Livingston (cited),iii.Livry, Emma,159.Livy (cited),74.Locatelli, Pietro,180.Lopokova, Lydia,183,185,188.Loti, Pierre (cited on Indian dancing),28.Lou Gue(mediæval ballet),80f.Louis XIV,86f,145.Louis XV,86f,88,145,147,148.Louis, Pierre,207.Love’s Triumph Callipolis(masque by Ben Jonson),84.Lubke (cited on ballet dancing),173.Lucas et Laurette(French ballet),94.Lucceia (Roman dancer),77.Lucian (quoted),iii;(cited),14,52,54,63,64,65.Ludiones (Roman bards),74.Lully, Jean-Baptiste,86,87;(sarabandes),147;(gavottes),148.Lupercalia (Roman festival),75.Lutes (in 15th cent. Italian ballet),82Lyre,iv;(Egyptian),8,13;(Hebrew),44;(in Greek dance music),57,58;(in 15th cent. Italian ballet),82.‘Lysistrata’ (comedy by Aristophanes),61.Lysistrata (Greek dance),61.MMacDowell, Edward,254,256.MacDowell Festival (Peterboro, N. H.),117.Mænad Dance (Greek),69.Maeterlinck, Maurice,257f.Mahabharata (Indian epic),127.Maillard, Mlle. (ballet dancer),92.Malakavel(French ballet),102.[La] Mancha (its folk-dances),109.Mandarin dances (Chinese),34.Maneros (dancing Pharaoh),13.Marathon games,54.Marie Antoinette,148.Marriage ceremonies, masques performed at,83.See alsoJewish marriage dances.Mars,74.Mars et Venus(French ballet),153.Marseillaise(ballet),92f.Martial (cited),77.Masai (war dancing),5.Masque of Beauty(Ben Jonson),83.Masque of Blackness(Ben Jonson),83.Masque of Cassandra,86.Masque of Castillo(John Crowne).83Masque of Owles,84.Masques (English),83.Mathematics (relation of, to dancing and architecture),vi.Mauri, Rosetta (ballerina),159.Mazurka,136.Mediævalism (relation to dancing), v.See alsoMiddle Ages.Medici, Catherine de’,10,86,121.Mek na snut (Egyptian pirouette),20.Melartin, Erik,205.Melkatusta (Finnish folk-dance),132.Memphis (temple dances to Osiris),15f.Merchant Taylor’s Hall (masques performed at),83.Merikanto,205.Messertanz (of Nuremberg),129.Mexicans,iii.Meyerbeer, Giacomo,103,151.Miassine, Leonide,232.Middle Ages (choreography of),78ff,247.Milan School,151.Military dance. SeeWar dance.Milon (French composer and ballet master),91,94,101.Mimii (Roman dancers),74.Minerva,54.Minuet (comparison of, to Greek dances),70;(inLou Gue),80;(in 17th-cent. French court),86,147f.Miriam (Biblical character),19.Mirror Dance,192.Mohammedans,21.Molière,86.Mongolian tribes (dancing of, compared with Indians),28;(use of Pyrrhic dance by),60.Monteverdi,82.Moors,46;(influence of, on Spanish dances),50f,105,106,112.Mordkin, Mikail,185,187,220,221,222,248.Moreau (painting of Salome dance),45.Morocco (Almeiis dancing),21.Morris Dances,113ff.Moscow (Imperial Ballet School),172;(opera house),175.Moses,43,44.Moujiks,172,178.Mount Ida,54.Moussorgsky, Modest,104,171,181,224.Movement (rel. to sound),238.Mozart, v,101,102f,206.Müller, Max (cited),60,62.Munich (guild dance),129.Muravieva (ballerina),151.Murcia (folk-dances of),106.Muses (Egyptian),13;(Greek),10,54,57.Museums. SeeBritish Museum,Petrograd Museum,Naples Museum.Music (of Japanese),38;(in Greek dances),58;(influenced by Russian ballet),176;(as underlying principle of dancing),198;(in relation to eurhythmics),235,236f,242;(relation to gesture),240,248;(in rel. to modern ballet),249ff;(syncopated, of America),265.Musical notation (Arabic),17,47;(Egyptian),17;(Spanish),17;(Chinese),33.Muyniera (Galician folk-dance),106.Mysteries. SeeEleusinian Mysteries,Dionysian Mysteries.Mysteries of Demetrius,69.NNaples Museum,69.Napoleon,102,148.Nationalism (expressed in folk-dancing),3,113;(rel. to arts),104ff;(in Scandinavia),104;(in Russia),104f;(in Irish folk-dance),119f;(in Finnish folk-dances),132f.Naturalistic School,195ff,232f.Nature (expression of, in dancing),196.Nausicaa,52.Nautch Dance,209.Nautch girls,26.Naxos,54.Neo-Hellenism,245.Neoptolemus,60.Nero,74,75.Nicomedes of Pithynia,55.Nielsen, Augusta,164.Nijinsky, Waslaw,220,221,222,224,226,229,248.Nijny Novgorod,140.Nile (centre of ancient dancing),10.Nina(French ballet),94.Notation. SeeMusical notation.Noverre, Jean Georges,vi,10,87,89,91,99,151,152,180,196.Novikoff (Russian ballet dancer),185.Novitzkaya (ballerina),151,181.Nude Bayaderes,189.Nudity (in Egyptian dances),18;(in Greek dances),54f;(in modern degenerate dances),193.Nuitter, Charles Louis Étienne (as ballet composer),151,152.Numa (mythical founder of Roman sacred dance),10,73.Nuremberg (its guild dance),129.Nut Cracker Suite(Tschaikowsky),185.Nymphs, dances of (in Dionysian Mysteries),68f.OOberammergau Passion Play (comparison with Chinese ‘Historical Ballet’),33.Obertass (Polish dance),136.Oboe (in Indian dance),27.Odyssey (cited),52.[L’]Oiseau de Feu(ballet),231.Ojibways,39.Olaf den Hellige(Danish ballet),163.Olympic games,54.Opera (influenced by Russian ballet),176;(in rel. to modern ballet),265.Opera houses,175.See alsoParis Opéra;Moscow (opera house).[L’]Oracle(ballet),92.‘Oranges and Lemons’ (British folk-dance),120.‘Orchestra’ (in Greek dance),63.Orchestration (in 15th-cent. ballets),82.Orient, dancing in,3.See alsoChina,India,Japan, etc.Oriental dances (European imitations),208f.Orpheus’ Descent into Hell(ballet by Noverre),90.Orpheus and Euridice(17th-cent. ballet),179.Osiris cult,15f.Ostrovsky,104f,171,177.[La] Otero (Spanish dancer),210,211.Owl Dance (Greek),69.PPaësiello, Giovanni, v.Paimensoitaja (Finnish folk-dance),133.Painting,235;(influenced by Russian ballet),176;(in relation to eurhythmics),239.Pallas,74,75.Pan (Greek and Egyptian deity),57;(Roman),74.Pantin (amateur stage at),101.Pantomime (in Chinese dancing),31ff;(in Japanese dancing),36ff;(in American Indian dances),41f;(Arabian),47f;(Roman),74,76f;(mediæval sacred),81;(in Spanish folk-dance),111;(in Roumanian folk-dance),138;(in Salome dance),191;(used by Duncan),199;(in rel. to music),249.[Le]Papillon(ballet),159,186.Paris (Italian court pantomime introduced),10;(‘Fatima’ sensation),22;(ecclesiastical attitude toward dancing),81;(18th-cent. ballet),91;(popularity of thePsycheballet),92;(Camargo),100;(Taglioni),153.Paris Opéra,91,100.Paris School,151.Pas bourrée,97.Pas coupé,95.Pas d’allemande,20.Pas de basque,97;(in Passepied),149.Pas de bourrée emboîté,97.Pas de cheval (in Egyptian dances),18.Pas marché,95.Pas sauté,98.Passepied,149.Paul, Adolf,257.Paul, Czar,178f,181.Paul et Virginie(French ballet),92.Paulli, Simon Holger,152.Pavana (Murcian folk-dance),106.Pavane,70;(characteristics),87;(in 17th-cent. French court),86,144.Pavilion d’Armide(ballet),226,229.Pavlowa, Anna,vi,171,175f,183,185,186f,187,215,220,222,247.Pecour (ballet dancer),87,88.Peer Gynt Suite(as ballet),201.[La]Peri(ballet),158.Pericles,70.Perrot (ballet dancer and composer),152,154,158.Persian Graveyard Dance,21.Peter the Great,179.Petipa, Marius,vi,21,151,159,182f,196,219;(quoted on Petrograd Imperial Ballet School),173f.Petipa school,185.Petit battements,95.[Les]Petits Riens(Noverre and Mozart),91.Petrograd (Museum),13;(Imperial Ballet School),172;(opera house),175.Petrouchka(Stravinsky),229ff.Pharaohs (dancing in the court of),17.Philip of Macedonia,55.Philippus (Roman consul),76.Philosophic symbolism (in Indian dance),29.Phœnicians,57.Physical exercises,239.Pipe (Egyptian),8,18.Pipes (inGraveyard Dance),22;(in 15th-cent. Italian ballet),82.Pirouette,94,97,150,163;(in Egyptian dancing),18,20.Plaasovaya (Russian folk-dance),140.Plastomimic choreography,247ff.Plato (quoted),iv;(cited),52,58,67,69.Plots (for ballets),250.Plutarch (cited),iv,14,45,67.Poetry,235.Pointes,163,215.Poland (folk-dancing),136.Pollux,54.Polo (Moorish dance),106.Polonaise (Polish folk-dance),136.Polowetsi dance (Cossack),140.Portugal (mediæval strolling ballets),80f.Positions. SeeSteps.Poushkin,178.Prévost, Mme.,100.Priapus,54.Price, Waldemar (Danish ballet dancer),164.Primitive dances (rel. to sexual selection),6.Primitive peoples,3ff.Prince Igor,228.Professional dancing,7;(Egyptian),18.Provence,80f,122,131.Prussia (Fackeltanz),128.Pskoff,140.Psyche(French ballet),92.Psychology,1ff,24,45,136,139.Pugni, Cesare (ballet composer),152.Pygmalion and Galatea(ballet),99.Pylades (Roman dancer),73,74f.Pyrrhic dance,60f.Pythian games,54.QQuadrille (French social dance),122.Quintilian (quoted),72.RRabinoff, Max,188.Racial characteristics,11.‘Ragtime,’263.Rainbow Dance,192.Ramble (Indian goddess of dancing),24f.Realism,157,249f.Réception d’une jeune Nymphe à la Court de Terpsichore,152.Reed pipes. SeePipes.Reger, Max,205.Regnard (quoted),88.Reinach, Théodore (cited on Greek arts),69.René of Provence (author of mediæval ballet),80.Reno (painter of Salome dance),45.Rheinländer (German dance),131.Rhythm,1,2;(in naturalistic dancing),196,198;(as basis of all arts),235;(in Jacques-Dalcroze system),239,244;(in ballet),250.Rhythmic gymnastics,234ff,240,249.Richelieu,86,100.Rigaudon,148f.Rimsky-Korsakoff, Nicolai,151,152,171,183,224,226,254.Rinaldo and Armida(ballet by Noverre),90,99.Risti Tants (Esthonian folk-dance),126ff.Robert of Normandie(ballet),164.Robespierre,93.Robinson, Louis (cited on dance instinct),3.Rodin (quoted),196.Romaika (Slavic folk-dance),137.Rome (dancing in),3,72ff,247;(sacred dancing),9;(imitation of Greek dances),10;(Pyrrhic dance),60.Roman Church. SeeChurch.Romulus,73.Rondes (similarity to Eleusinian Mysteries),67;(French folk-dance),121.Roses of Love(ballet by Noverre),90.Rossini,101,103,151.Rouen,100.Roumania (folk-dance),137f.Round. SeeRonde.Royal Academy of Dancing (French),86.Rubinstein, Anton,183,256;(composed ‘Tarantella’),124.Rubinstein, Ida,45.Ruggera (Italian folk-dancing),124.Rune tunes (Finnish),63.Russia (Imperial Ballet),92;(influence of, on choreography),102;(nationalistic tendencies),104f;(folk-dancing),139ff,262;(influences on ballet),169;(ballets of opera house),175;(influence of Duncan school),200,206,218f.Russian Imperial Ballet School,90f,105,172.Russian Imperial Dramatic Dancing School,180.Ruthenia (folk-dancing). SeeSlavic folk-dances.SSacchetto, Rita,203,212.Sacre du Printemps(Stravinsky),231.Sacred dancing (in rel. to folk-lore),9;(Egyptian),15;(Indian),26;(Japanese),38;(American Indian),39,41f;(Greek),59,67ff;(Roman),73f.Sadler, Michael T. H. (quoted on Jacques-Dalcroze School),235f.Sahara Graveyard Dance,21.Sailor’s Dance (Dutch),135.St. Basil (cited),iii.St. Carlos (celebrated by strolling ballet),80.St. Denis, Ruth,208,212.Saint-Léon,159.St. Matthew (quoted),44.St. Petersburg (court ballet),90,161.See alsoPetrograd.Saint-Saëns, Camille,186.St. Vitus’ Dance,129.Sakuntala(French ballet),152.Sallé, Mlle.,94,99,100.Salmacida Spolia(Sir William Davenant),84.Salome dances,44f,191.Salome(Richard Strauss),45.Saltarello(Italian folk-dance),124.Sangalli, Rita,159.Sappho,70,94.Sarabande,146.Sarasate, Pablo,108.Satyr Dance (in Dionysian Mysteries),68,69.Sauvages de la Mer du Sud, [Les] (French ballet),94.Savage peoples. SeePrimitive peoples.Savinskaya,206.Saxony (folk-dancing),130.Scaliger, Joseph Justa (cited),54.Scandinavia (folk-dances),2,133;(nationalistic tendencies),104f;(waltz),131;(naturalistic school),205.Schafftertanz (of Munich),129.Scheherezade(Rimsky-Korsakoff),152,226.Schiller,166,250.Schirjajeff,182.Schliemann (Egyptologist), cited,17.Schmoller (Saxonian folk-dance),130.Schnitzler, Arthur,166.Schönberg, Arnold,205.Schools of dancing, (Petipa),185;(Duncan),197;(Jacques-Dalcroze),197f.SeeAcademies.Schopenhauer (cited),250;(quoted),64.Schleiftänze,129.Schreittänze.129.Schubert, Franz,103f,254.Scotch Reel,118f.Scotland (folk-dancing),118f.Scribe, Eugène.103.Schuhplatteltanz (Bavarian folk-dance),129f.Schumann, Robert,206.Sculpture (in rel. to dancing),173,196,235.Seguidilla (Spanish dance),50.Sensationalism,190.Seroff, Alexander Nikolayevitch,104,171,181.Serpentine Dance,189,190f.Servia (folk-dancing).SeeSlavic folk-dances.Setche, Egyptologist (cited),14.Seville (church dancing),iv,78;(court dancing),47.Sex instinct (in rel. to folk-dancing), v,11,134,139.Shakespeare (cited on the jig),119.Sharp, Cecil (quoted on Morris dances),113f.Shean Treuse (Scotch folk-dance),118.Shintoism (Japanese religion),36.Shirley, James,83.Sibelius, Jean,205,254,256,257f.Siberia (folk-dancing),140.Siciliana (Italian folk-dance),124.[Le]Sicilien(ballet),153.Sieba(ballet),152.Siebensprung (Swabian folk-dance),130.Singing (in Finnish dances),133.Singing ballet,177f.Singing Sirens,57.Skirt Dance,189,212.Skoliasmos (in Dionysian mysteries),68f.Skralat (Swedish folk-dance),133.Slavic folk-dances,136ff.Sleeping Beauty(Tschaikowsky),152,185.Snake dances (Lithuanian),135;(American Indian),38,41,135.Snegourotchka(Rimsky-Korsakoff). SeeSnow Maiden.Snow Maiden(Rimsky-Korsakoff),152,177,183f.Social dancing (Greek),54f;(Polish),136;(in 17th cent.),144ff.See alsoCourt dancing.Socrates,54,56.Sokolova (ballerina),151,183.Solomon, Hebrew king,43,44.Sophocles,62.Sound (in relation to movement),238[La]Source(Delibes),152.Spain (religious dancing),iv;(folk-dancing),2,105ff,210ff;(choreographic art of Moors),46,50f;(mediæval strolling ballets),80f.Spartan dance,54f,60.Spectre de la Rose(ballet),221,223,229.Spendiaroff,256.Spinning top principle,216.Stage dancing (in Middle Ages),81,148.See alsoProfessional dancing.Steps,2;(in American Indian dances),42;(in courante),88;(in classic French ballet),95f;(Bolero),109;(Seguidilla),110;(Hungarian folk-dances),125f;(Rigaudon),149;(Bournoville’s reform),163.Stephania (Roman dancer),77.Stewart-Richardson, Lady Constance,206.Stockholm (ballet dancing),161.Stockholm school,151.Stomach Dance(Arabian dance),3,21,22.Stone Age,5.Stramboe, Adolph F.,164.Strassburg,129.Strauss, Johann,132.Strauss, Richard,204f,232.Stravinsky, Igor,185,229ff.Strindberg, August,165.String instruments (Indian),27.Strolling ballets (mediæval),80f;(in French Revolution),93f.Strophic principle,63.Stuck (painter of Salome dance),45.Stuttgart (court),90,153.Subra, Mlle. (ballerina),159.Su-Chu-Fu (dancing academy),34.Suetonius (cited),76.Sun’s Darling(English masque),84.Svendsen, Johann,133,205.Svetloff (cited),218.Swan, The(Saint-Saëns),186.Swanhilde(ballet),167.Swan Lake(Russian ballet),152,184f.Swabia (folk-dancing),130.Sweden (influence on Russian ballet),169.See alsoScandinavia.Sword Dance (English),21,33,113,115ff.La Sylphide(Delibes),152,153,154,156,163.[Les]Sylphides,175,221.Sylvia(Delibes),152.Symbolism (in Indian dancing),29,263f;(in Hungarian folk-dancing),126;(in Lada’s dances),254f;(in modern ballet),258,265.Symons, Arthur (quoted),264f.Symphonic music (as basis for dancing),200,206.Syrinx (Egyptian instrument),iv.Szolo (Hungarian folk-dance),126.TTabor (in Morris dance),115.Tacitus (cited),76.Taglioni, Maria,11,151,152ff,156,157,193.Taglioni, Salvatore,151,152,161.Ta-gien (Chinese dance),32.Ta-gu (Chinese dance),32.Ta-knen (Chinese dance),32.Talmud,43.Ta-mao (Chinese dance),32.Tambourine (in Hebrew dance),19;(in Indian dance),27;(with bells, Chinese),32;(in Greek dances),71;(in Spanish dance),79f,106;(in Tarantella),122.Taneieff, Sergei Ivanovich,224.Tarantella (Italian folk-dance),122ff.Tartar tribes,140.Tascara (Spanish folk-dance),111f.Taubentanz (Black Forest),130.Ta-u (Chinese dance),32.Tcherepnin,185,226,229.Technique (Duncan),199;(instrumental),237;(eurhythmic),239.Telemachus,53.Telemaque(French ballet),92.Teleshova (ballerina),151,181.Telethusa (Roman dancer),77.Tempe Restored(Aurelian Townsend),84f.Temple dancing (Hebraic),43,44;(Greek),54f;(Esthonian),127.See alsoSacred dancing.Terpsichore,10,57.Terpsichore(ballet by Handel),99.Teu-Kung (Chinese dancing teacher),31.Thackeray (quoted on Taglioni),154.Thales,59.Théatre des Arts,92.Theatre of Dionysius,64f.Thebes,19.Theseus,iv,54,69.They (Chinese monarch),30.Tiberius (Roman emperor),76.Tichomiroff,221.Time,240f.Time-marker (in Greek dancing),70f.Time-values,241.Titans,59.Titus (Roman emperor),34.Toe-dance,215.Toledo (church dancing),iv,78.Toreadoren(ballet),164.Torra (Murcian folk-dance),106.Tourdion (social dance),150.Townsend, Aurelian,84f.Trepak (Russian folk-dance),140.Trescona (Florentine folk-dance),124.Triangle (in English Horn dance),117.Tripoli (Almeiis dancers in),21.Triumph of Love,87.Triumph of Peace(James Shirley),83.Trouhanova, Natasha,45,244,256f.Trumpets (in 15th-cent. Italian ballet),82.Tschaikowsky, Peter Ilyitch,104,151,152,171,177,183,184,185.Tshamuda (Indian goddess),26.Tuileries,87.Tunic, ballerina’s,215.Tunis (Almeiis dancers in),21.Turgenieff,104,171;(quoted on Elssler),155f.Tuta,215.UUchtomsky, Prince (cited),28.U-gientze (Chinese dance),32.Ulysses,52.Urbino, Duke of,80.VVafva Vadna (Swedish folk-dance),133f.Valdemar(Danish ballet),163,164.Valencia,iv,78,107f.Valencian Bishop (advocate of dancing),78.Valentine, Gwendoline (ballet dancer),206.Vanka (Cossak dance),140.Van Staden (Colonel),179.Vaudoyer, J. L.,229.Vaughan, Kate (ballet dancer),193.Veie de Noue(inLou Gue),80.Veils (used in Greek dancing),66,70.Venera (Indian goddess),24.[La]Ventana(ballet),166.Venus of Cailipyge,76f.Verbunkes(Hungarian folk-dance),126.[La]Vestale(ballet),153.Vestris brothers,91,101,148,151,162.Viennese court,90.Viennese School,151.Villiani, Mme. (ballet dancer),22,193.Vingakersdans (Swedish folk-dance),134.Violin (in 15th-cent. Italian ballet),82;(in Spanish folk-dance),107.Vision of Salome (ballet),201.Vocal ballets,177f.Vocal music (dependence of dancing upon),8;(in Greek dances),58.Voisins, Comte Gilbert des,154.Volga,140.Volinin (Russian ballet dancer),185,187,248.Volkhonsky, Prince Serge (quoted),197f,212f,215ff,232,249.Voltaire (cited),99.Volte(French folk-dance),131.Vuillier (quoted on Spanish temple dancing),79f.Vulcan,53.Vulture Dance (Greek),69.WWagnerian operas,63.Waldteufel,132.Waltz,131f.Walzer,131.War-dances (primitive),5f;(Pyrrhic),60;(Roman),73;(Hungarian),126.Warsaw (opera house),175.Weber, Carl Maria von,91,103,229.Weber, Louise,192.Weiss, Mme.,159.Wellman, Christian,180.Whistles (in American Indian dances),41;(in Morris dance),115.Whitehall (masques performed at),83.Wiesenthal, Elsa and Grete,202f,212.Wilhelm II,130.Wilkinson, Sir Gardner, on Egypt (cited),18f;(quoted),20f.Women (earliest appearance of, in ballet),87.Wood-wind instruments (Indian),27.Wsevoloshky,183.Würtemberg (folk-dancing),130.XXenophon (quoted),55f.Xeres,iv.YYorkshire (English sword dance of),116.Yu-Wang (Chinese emperor),33.ZZarzuela (Spanish comic opera),63f,106.Zeus,59.Zorongo (Spanish folk-dance),111.Zulus (war dances of),5.Zunfttänze,129.Zwölfmonatstanz (Würtemberg),130.