AMERICA.

Plate 10.

The English and American card of the present day differs slightly from those in use in France. The latter have discarded obsolete costumes and fanciful devices when designing the figures of the court cards, and the dresses are modernized, the faces are shaded, and the whole figure looks more like a pretty picture than the cherished card dear to the heart of the Englishman, whose Kings are dressed somewhat after the fashion of Henry the Eighth, the Queens like his mother, Elizabeth of York, and the Knaves in the costume adopted by the lower classes in the days of Chaucer.

It is perhaps to the overthrow of the court-card family during the French Revolution that this radical change in their costumes is due. When the monarchs of the suits were beheaded and their places taken by the sages, philosophers, etc., ofthe day, it was natural that the obsolete costumes should disappear with them, and that when the royalties of card-land returned to their thrones, the card-maker should adopt the costumes then in fashion in which to clothe the royal family. There having been no such disaster in England, the Kings of the cards have peacefully ruled for several hundred years, clad in the garments of their ancestors, which have only become quainter and more peculiar with the lapse of years, so that now they are often merely lines and dots, and are hardly to be recognized as ermine-trimmed garments which were originally covered with correct heraldic devices.

Plate 11.

The first introduction of cards into England (for it has never been claimed that they were invented there) is a matter of dispute; but it is probable that they were known in that country soon after the Second Crusade, at the latter end of the thirteenth century. A passage has been found in the Wardrobe Rolls of Edward the First (1278) which is pointed to by some writers who wish to prove that cards were adopted in England before they were known in other countries; and they claim that this is the earliest mention of a game of cards in any authenticated register. In thisaccount is recorded the following passage: “Waltero Sturton ad opus regis ad ludendum adQuatuor Regesviii. s. vd.” But it by no means follows that “Four Kings” meant cards; it might have been any game, and may have been intended for Chess played with four armies, each one headed by a king,—a game which is by no means obsolete, and which has already been described. Edward the First had served in Syria for five years before his accession to the throne of England, and some writers assert that he brought cards home with him; but Chaucer, who died in 1400, never mentions cards, although in enumerating the amusements of the day he says,—

“They dancen and they play at chess and tables.”

The year 1465 is the earliest date at which any positive mention is made of cards in England, and this was in a law which forbade their use except at certain specified times and seasons.

It is probable that cards first made their way into the country from Spain, as the oldest packs which have been found in England bear the symbols ofcups,money,maces,swords; and the wordspade(the Spanish name for one of their suits)seems to have become attached to the Frenchpiqueafter the cards of the latter nation became domiciled in the British Isles.

Mr. Singer, quoting from another author, says that “there is little doubt but that the cards used during the reign of Philip and Mary and probably the more early part of Elizabeth’s were Spanish, though they were afterwards changed for the French, being of a more simple figure and more easily imported.” The wars between England and France, during which the army of the former nation were in their sister country, may have led to the adoption of the French card; but it is strange that the costumes on the English cards should date from an earlier period than the reign of Mary or Elizabeth.

“Queen Elizabeth as well as her sister Mary,” says Mr. Chatto, “was a card-player,” and lost her temper over the game, in which she did not resemble Queen Anne of Austria, of whom one of her ladies-in-waiting, Madame de Motteville, says: “She played like a queen, without passion of greed or gain.” During Elizabeth’s reign, in 1582, the Master of the Revels was commanded “to show on St. Stephen’s day at night before her Majestyat Wyndesore a Comodie or Morral devised on a game of the cardes,” to be performed by the children of her Majesty’s Chapel. In the comedy “Alexander and Campaspe,” which was shown by the same children at Windsor before the Queen, was the following pretty little song, quoted by Mr. Chatto:—

“Cupid and my Campaspe playedAt cards for kisses. Cupid paid.He stakes his quiver, bow, and arrows,His mother’s doves, and team of sparrows;Loses them too; then down he throwsThe coral of his lip, the roseGrowing on ’s cheek (but none knows how);With these the chrystal on his browAnd then the dimple of his chin;—All these did my Campaspe win.At last he set her both his eyes.She won, and Cupid blind doth rise.Oh, Love, has she done this to thee?What shall, alas! become of me?”

“Cupid and my Campaspe played

At cards for kisses. Cupid paid.

He stakes his quiver, bow, and arrows,

His mother’s doves, and team of sparrows;

Loses them too; then down he throws

The coral of his lip, the rose

Growing on ’s cheek (but none knows how);

With these the chrystal on his brow

And then the dimple of his chin;—

All these did my Campaspe win.

At last he set her both his eyes.

She won, and Cupid blind doth rise.

Oh, Love, has she done this to thee?

What shall, alas! become of me?”

“It is probable that Primero was one of the earliest games of cards played in England,” says Mr. Singer; “and it continued to be the most fashionable one throughout the reigns of Henry the Eighth, Edward the Sixth, Mary, Elizabeth, and James.” Shakspeare makes Falstaff say,—

“I never prospered since I forswore myself at Primero;”

showing that it was a well known game at that period. “An alteration or improvement of this game became,” says the same author, “known as El Hombre (The man), or Ombre, which is the national game of Spain.” It was played generally by three persons, at small three-cornered tables; and these little card-tables are frequently found among collections of old furniture.

That Ombre, or its successor, Quadrille, was a fashionable game at no very ancient period, is proved by the inimitable description given in Cranford of the card-parties held in that mildewed little place. It says: “The drawing-rooms contained small tables, on which were displayed a kaleidoscope, conversation cards, puzzle cards (tied together to an interminable length with faded pink satin ribbon). The card-table was an animated scene to watch,—four old ladies’ heads, with niddle-noddling caps all nearly meeting over the middle of the table in their eagerness to whisper quick enough and loud enough, ‘Basto, madam, you have Spadille, I believe.’”

Plate 12.

A game much in favour among the common folks at the latter end of the sixteenth century was, says Singer, “an old one called Trump, which was probably the Triumfo of the Spaniards and Italians.” In that amusing performance “Gammer Gurton’s Needle,” first acted in 1561, Dame Chat says to Diccon,—

“We sat attrumpman by the fire;”

and afterward to her maid she says,—

“There are fivetrumpsbesides the Queen.”

Trump bore some resemblance to Whist or Ruff (another name for that game); and it is noticeable that these two words should still be used in playing Whist, and that both of them signify the same thing. We are told by Mr. Singer that Whist and Honours (alias Slam) were games commonly known in all parts of England, and that “every child of eight years old has competent knowledge in that recreation.”

In a book published in 1787, called “The Complete Gamester,” by Richard Seymour, Esq., we find the following sentence: “Whist, vulgarly calledWhisk, is said to be a very ancient game among us, and the foundation of all English games upon the cards.” It was probably invented about the period of Charles the Second. Its original name was Whist, or the Silent game. It isbelieved that “it was not played upon principles until about 1736; before that time it was chiefly confined to servants’ halls. The rules laid down by the gentlemen who frequented the Crown Coffee House in Bedford Row were: ‘To play from a straight suit; to study your partner’s hand as much as your own; never to force your partner unnecessarily, and to attend to the score.’” At one time it was usual to deal four cards together. Horace Walpole, writing in 1767 from Paris, says: “The French have adopted the two dullest things the English have,—Whist and Richardson’s novels.”

The Whist-players of the last century would be astonished to see the developments a hundred years have made in this game. At the present time the books which have been written on it alone would fill a small book-case,—the one by “Cavendish,” who is the acknowledged authority on the game, having reached its seventeenth edition; and it has become so complicated that its rules require profound study, and so fashionable that teachers of its mysteries have sprung up in all directions. Several ladies have adopted the profession of Whist-teachers, and have found it a most profitable one. One person hasreduced the system of teaching it to a science, and has also invented an arrangement by which “a singleton” can play a four-handed game of Whist. This is done by placing an ingenious combination of letters and figures on the backs of the ordinary playing-cards, which can be sorted according to these instead of being dealt in the usual way. The cards having been sorted are placed face downward on the table, and then turned up in regular order exactly as if played by four persons. As they have been arranged so as to illustrate certain styles of play or exemplify well known rules, the games they play are not only most amusing, but also instructive. The credit of this novel invention is due to Mr. Frederic Foster, a well known teacher of the noble game of Whist; and his pack is known as the “Self-playing Cards.”

The national games of the different countries are said to be: Italy,Minchiate; Germany,Landsknechtspiel, or Lansquenet; France,Piquet; Spain,El Hombre; America,Poker.

THE history of Playing-cards would be incomplete without some reference to their introduction into America, and a slight sketch of the games most in favour in that country. History tells us that Columbus carried cards with him in his ship on the voyage of discovery in 1492, and that his sailors employed every spare moment playing with them, until their superstitious fancies persuaded them that this impious practice was the cause of the long voyage and contrary winds which alarmed them so greatly. During the frenzy caused by this panic, they flung overboard their Jonahs (the cards). Their safe arrival at what they believed to be the Promised Land caused them to forget their fears, and they soon regretted the rashness with which they had sacrificed their beloved amusement; so with considerable ingenuity they made for themselves new packs from the leaves of the copas-tree. Tradition states that the sacrificed cards had been made of leather. The introduction of cards into America, their first makers, and the materialsused, are therefore matters of history, and call for no research or speculation.

Plate 13.

A few years after the discovery of America, another history relates that on the conquest of Mexico, and during the captivity of her unfortunate king, Montezuma, he was deeply interested in watching the games of cards played by the conquerors in his presence.

The Spanish marks of suits are now to be found on the cards used in Mexico; but the inhabitants of that country are gradually adopting the French marks used in their sister republic, the United States, and the old cards will soon be as obsolete as their forefathers, the Tarots.

In those parts of the United States that were first settled by religious fanatics it would be useless to search for any record of cards, as they were looked upon with horror by both the Puritans and the Quakers, and together with all games, such as Chess, Draughts, etc., were considered inventions of the Evil One, and their use was sternly forbidden; and it is more than probable that the famous “Mayflower,” which seems to have contained enough furniture (judging from the alleged specimens preserved) to have filledan ordinary-sized town, did not contain one card-table or pack of playing-cards. It was natural, however, that some amusement should be craved by the younger members of society, and that games which were considered more harmless than the “Devil’s books” (as cards were named by the Puritans) should have been sought for and discovered. Among these were the various kinds of instructive cards which had been invented so many years previously by the Franciscan friar, and which had met with so much favour in parts of Europe. These cards taught various branches of science to the player, and were very numerous; and packs of them by degrees forced their way into different places where the wicked French cards, with their royal dames and kings and their scampish knaves,—whose names alone were synonymous with wrongdoing, gambling, and thieving,—and the innocent-looking but bad little pips, were strictly forbidden.

Plate 14.

One quaint pack of Educational Cards, which seems to have been made in America and probably in New York, has been carefully preserved for nearly one hundred years, and is most valuable as giving specimens of the cards used at that time. This pack is now owned by Dr. Richard Derby, a descendant of the Lloyd who was granted the manor of Lloyd’s Neck, which was one of the original manors (or grants of land) held under the English in the colony of New York; and these cards are preserved in the family mansion on Lloyd’s Neck, Long Island. Tied in a pack by a crumpled green ribbon,—which tradition declares was a garter,—on the back of the Knave of Diamonds is written in faded ink this inscription,—

To Angelina Lloyd, from her affectionate Uncle,Henry Lloyd.February 13th, 1795.

To Angelina Lloyd, from her affectionate Uncle,

Henry Lloyd.February 13th, 1795.

The cards (which are wonderfully fresh) are printed on coarse, thick pasteboard, guiltless of enamelled surface or diapered back. The descriptive matter is printed with fine type on each card, which has either a distinguishing pip containing a number on each left-hand upper corner, or in a lozenge is a letter, K, Q, or J, which takes the place of the figure usually placed on the court cards of each suit.

The suits represent the four quarters of the globe. Clubs contain a history of Africa (thename being printed across the surface of the cornered Ace),—its area, inhabitants, products, commerce, customs, etc.; all this valuable but obsolete information being crowded on the surface of the ten pip cards of the suit. The “J” (Jack) shows the principal islands which surround the continent; the “Q” (Queen) tells the quarter of the globe to which Africa belongs, with various statistics; and the “K” (King), the kingdoms or governments into which it is divided. The same formula is adopted on the other cards,—the Spades being devoted to Asia, the Hearts to Europe, and the Diamonds to America. Among the statements on the cards we find, on the Four of Diamonds: “The Dutch first planted colonies in New York, but these usurpers were obliged to own the right of the English to the land.” On the “J” (Jack), among other islands mentioned, it states that “Long Island is 140 miles by 10. The middle is sandy.... The place called Lloyd’s Neck, from its situation and fertility, is or might be made a paradise” (and this sentence probably led to the purchase and preservation of these precious cards). The chief towns of America and theirpopulation were given as follows: Mexico, 150,000; Lima, 60,000; Quito, 60,000; Cusco, 42,000; Panama and Philadelphia, 42,000; New York, 23,000; Boston, 19,000; Newport, 6,000.

Plate 15.

What manner of game was played with these instructive cards is not now known. They were probably valued only as a book would have been which contained interesting information in a condensed form; and it is more than probable, from the excellent state of preservation in which they were found, that they were looked upon with awe by Miss Angelina, preserved with care, but never played with.

A letter from a sprightly young lady quoted in the “Republican Court,” written during a visit to the Van Hornes of New York, which was probably about 1783, says: “All is a dead calm until thecardsare introduced, when you see pleasure dancing in the eyes of all the matrons, and they seem to gain new life.” But what were the favourite games of the dames of that city? She does not mention.

What has been called the national game of the United States, and the one at present in fashion among many classes of society, although perhapsnot among the most refined and cultivated, is Poker. This game has its advocates, and a historiette of its own which is too widely known to require further comment here.

Among the terms used in playing it, and peculiar to it, areblind, which is supposed to have been derived from “bind;”straddle, which means to cover both theblindand theante. The latter word may have been derived from the Frenchentrer, to enter; as toanteis to enter the game by paying the stakes required.

Euchre, Commerce, Piquet, Bezique, and Whist are general favourites; and they have superseded the old-fashioned games of Brag (the father of Poker), Pope Joan, and others dear to the hearts of our grandmothers.

Plate 16.

Among other ingenious means of evading the religious scruples that forbade playing-cards, some publisher hit upon the scheme of introducing to the public what he called “Yankee Notions.” These were cards covered with distinctive symbols and marks of suits, and were accompanied by a small book of rules which has been embodied in an American edition of Hoyle for playing with them, and which contained the following preface:—

“Believing that a settled prejudice exists with a large class of the community against the old-fashioned cards, the publisher has issued an entirely new style, to the introduction of which into every family circle there cannot possibly be the least objection. These cards and the games adapted to them are calculated to discipline and exercise the mind.”

There are fifty cards in the pack, composed of five different suits; namely, Faces, Flags, Eagles, Stars, and Shields, “the honour cards being called the upper ten.”

The directions for dealing, cutting, etc. are given, and are exactly the same as those in common use among all card-players, be they bent on gambling or only on innocent amusement.

The publisher goes on to state that “many things will serve for counters, as kernels of corn, or coffee, or old cards cut up.For those who prefer something better the publisher of these cards has provided an ample supply at a small expense.”

The difference between this pack and the ordinary cards generally played with seems to be only in the symbols which have been placed on them. The Flags, Eagles, etc., take the place of the Hearts,Diamonds, Spades, and Clubs. To an unprejudiced mind the substitution of one symbol for another would not be sufficient to excuse the use of the “Yankee Notions” in places where ordinary playing-cards were regarded with disfavour. Sums of money might be as well staked and lost on Flags and Eagles as on Hearts and Diamonds, if the players were inclined to gamble on a game; and the term “to throw” or “to pass,” which in the rules is employed instead of “to deal,” might soothe the scruples of some minds, although the action in both cases were the same. That these games might be gambling, is proved by the suggestion about the counters.

Plate 17.

The publisher of the “Yankee Notions” gives in his book of rules many games which could be played with his cards, one of which bears the ominous name of “Bunkum.” Another game called “John Smith” is played under some droll rules. Among others is one which states that “the holder of Mrs. Smith, who is always anxious to recall her truant husband John to her side,” must recite certain verses when she calls for him, “thinking him perhaps in doubtful company; and the position of John is one ofdread, thinking he will be caught and possiblyCaudled. The holder of Mrs. Smith will anxiously watch for the first opportunity to get the lead and call for her man John; for when she calls, John must go. She may say,—

‘Come forth, great John,Thou paragon!My voice I’m sure you know.’

‘Come forth, great John,

Thou paragon!

My voice I’m sure you know.’

He may reply,—

‘I know that voice,I’ve got no choice;’Tis hard, but I must go.’”

‘I know that voice,

I’ve got no choice;

’Tis hard, but I must go.’”

The game resembles in many respects the kindred one of “Dr. Busby,” in which the four suits contain only face and no pip cards. The suits being divided into four families, and the object of the game being to collect all the families in one hand by asking for each card by name from the right-hand neighbour, any mistake in naming over or “calling” for the cards causes the “call” to pass to the neighbour on the left, who then endeavours to ask for all the cards from the person who had been previously playing. This innocent game requires no counters, cannot possibly be used for gambling, and is an excellent exercise for the memory.

That cards were fashionable in some localities of the United States during the past century is proved not only by the invitations issued on the backs of playing-cards (of which specimens exist), and which have been already described, but also by the existence of numerous beautiful Japanese or Chinese lacquer counter-boxes which may be found any day carefully treasured in many families.

These boxes, which were originally imported especially for the person who ordered them, are usually of black and gold lacquer, oval in shape and covered with graceful arabesques of leaves and tendrils, which surround the initial letter of the owner’s name, which was not only painted on the cover of the large box, but was also on each one of the tiny “fish boxes” contained inside of it. These strangely shaped little receptacles fitted compactly into the large boxes, and could be removed and replaced at pleasure. The centre of the box contained a number of small trays, especially designed for the favourite and at one time fashionable game of “Pope Joan.” Each tray bore on its bottom a quaint figure painted in lacquer, which represented the Chinese idea of an ordinary court card; and this tray, according to the rulesof the game, was to contain the counters when the players went through the customary formula and paid one to the Knave, two to the Queen, three to the King, four to the Ace, and five to “Pope Joan,” which was represented by thenine of Diamonds. These convenient little trays were almost a necessity when playing this game; but substitutes were often ingeniously contrived by taking from an extra pack the necessary cards and bending their sides up until they would hold the counters without spilling them all over the table.

The counters, or “fish” (as our grandmothers called them), which were imported in these foreign boxes were made of small bits of mother of pearl which were of different sizes. Some of them were round, some oval, and some long, slender, and shaped somewhat like their namesakes the fish. They were usually engraved with quaint devices, a circular space being left in the centre of the counter intended to contain the initial letter of the owner’s name, which was designed so as to match that placed on the boxes.

One set of counters in particular were imported by a naval officer for his family, and were small circular disks of pearl on which strange figureswere painted in bright colours. These figures have become obliterated in the course of years. They came from their foreign home in a small round ivory box which contained only a limited number. They were always used for counters, but they may have been intended by the manufacturer for a game by themselves; and they somewhat resemble those described by Mr. Chatto, which he classed among the cards. Unfortunately nothing remains of the original pictures, and only a few dabs of colour now stain the tiny pearl disks, the outlines of the devices having been entirely obliterated.

Another most beautiful set of Chinese counters is contained in an ivory box. They are curiously carved with minute figures in low relief, and when first taken from their box were in regular order, and it seemed as if their pictured sides could relate a history. Unfortunately, the one hundred and sixty odd pieces soon became hopelessly mixed; and the tale they could have told was never related, and is now lost forever.

Plate 18.

Besides the cards introduced into North America by Columbus and his sailors or by the emigrants to various parts of the country, strange gambling instruments or sticks which may be called cards have been found among the Indians of southeastern Alaska and Queen Charlotte’s Islands. These original and peculiar implements are made by the natives for their own use, and are of two kinds,—one set being beautifully carved with strange devices of birds, animals, men, etc.; the other set simply marked by lines of red or black paint rudely smeared on their rounded surface, but which are quite distinct enough to distinguish at a glance one from the other. The same game seems to be played with either the carved or painted set, although one seems to be only numbered, and the other to have no numbers and to rely on the carvings to represent the value of the stick.

From what source these Indians derived their “cards” will probably never be known. Taking into account the difference between cardboard and cubes of wood, there is more than a fancied resemblance between these rude toys and the cards of Asia, and this may point to the original source. It is certain that they were not derived from the Spaniards or other emigrants who settled on the eastern coast of America and moved towardthe west, as the emblems have nothing in common with European cards, whereas the cards used by the Apache Indians of Arizona show their derivation from the Spanish cards at once. These Indians make for themselves cards from deerskin, on which they paint in two colours—namely, red and blue—theOros,Denari,Espadas, andCopasof the Spanish emblems. These deerskin cards are practically imperishable, as even the very rough usage which they undoubtedly have cannot destroy them; and they are greatly prized by their owners, who can seldom be induced to part with them. There are several packs of these cards in the National Museum at Washington, and one in the Museum at Boston.

Plate 19.

A complete set of Haida gambling-sticks is also to be found in the National Museum; and casts of the carvings have been carefully taken on plaster, which displays the shape of the figures more plainly than the curved surfaces of the sticks can do. Thirty-two of these cubes compose “a pack,” and these are contained in a leather pouch. The game is usually played by a number of persons, who squat on the ground in a circle around the dealer, who places the sticks in front of him under a pile of shavings or shredded cedar bark, and draws them out with great ceremony and hands them to the players, who receive them with grunts, cries, and other uncouth noises. Each stick has its value; and they are passed with great rapidity from one to the other, the players staking considerable amounts on the game.

These cubes are made of spruce, about six inches long and half an inch thick; on them patterns of birds, animals, fish, men, and other devices are cut. The designs necessarily adapt themselves to the curved surfaces, and on some are repeated, so that when the stick is held upright the same pattern is seen back to back. This arrangement is almost always followed, although there are exceptions to the rule. What the designs mean and what their value is no one seems to know, but it is quite evident that they are Totemic devices; and these gambling-sticks are probably the most peculiar contrivances that have ever been invented to take the place of the pictured cards or the graven chessmen, and though not to be considered as a link between the two, certainly contain characteristics peculiar to both.

They may be classed into suits, which can be divided as follows:Figures,Devices,Animals,Fish,Birds, andReptilesorInsects.

The suit of Figures has eight sticks. The first one is a man crowned, and holding in his right hand a fan, which seems to be a strange attribute when the climate of Queen Charlotte’s Islands is considered. The carving on the second cube resembles that of a man seated, and leaning his chin on his hands, his elbows resting on his knees. Two semicircles over the head may represent a hat; fifteen notches placed on each side of this figure may show its value. Number three displays a seated figure, with what seems to be the soles of its feet turned outward; four circles cut beside the figure may denote its worth. The fourth cube represents a seated figure in profile, with one hand spread out to show the thumb and four fingers. This stick has no marks to denote its value, unless four notches deeply cut in its back may take their place. The fifth stick is an interesting one, as it seems intended to show both the face and back of the figure. Over the head are two semicircles resembling those on number two. The hands hang on each side, eachone having but three fingers and a thumb. The carvings on number six contain devices which resemble the lotus-flower. In a circle is a human face, the head surmounted by the semicircular cap. Number seven shows two grinning faces without bodies, but with arms and large hands displayed with the palms out. Two large chevrons divide these devices, which are cut across the stick, and not, as the others are, up and down its length. The eighth carving represents a hand with four well-shaped fingers and a thumb. Certain notches and cuts which surround the hand are undecipherable.

Plate 20.

The eight succeeding cubes contain strange devices, which seem to represent fingers, eyes, teeth, etc., but which are confused and meaningless to the uninitiated. Number seventeen, on the contrary, shows a spirited and lifelike carving of a beaver; and the next one a strange-looking monster, with a large mouth and huge teeth. The nineteenth cube has on it the head of some unrecognizable beast with a very long snout; and the twentieth, a ferocious-looking, large-mouthed animal. In cubes twenty-one, twenty-two, twenty-three, and twenty-four the carvings resemble fish;twenty-two, in particular, shows a clever representation of a huge fish, and also a duck. Twenty-five, twenty-six, twenty-seven, and twenty-eight call to mind birds; the twenty-sixth cube, in particular, showing most plainly the head, wings, and claws of what may be intended for an eagle. The stick which is numbered twenty-eight has on it a carving of a bird perched beside a nest which contains four fledglings.

The last four sticks are as well carved and deeply cut as any of the others in the pack, number twenty-nine bearing a spirited cut of a beetle; but the others cannot be as easily deciphered. The carvings of the beaver, the eagle, and the beetle represent these creatures in an erect or upright attitude, instead of the one natural to the animal. Whether this has some peculiar significance or not remains to be proved.

Plate 21.

The “gambling-sticks” used by the Alaska Indians closely resemble those already described; and they also have two kinds of “sticks,” some of them carved and some painted. There are fifty-four cubes in the painted pack, some of them perfectly plain or unpainted; two more plain sticks have notched ends, which probably increases their value. Fourteen of the sticks have stripes painted on them, but these are so faint and blurred as to be almost unnoticeable. None of this set are notched. Three sticks are striped with black bars, one, two, and three in number; five sticks have red bands. Another set of six sticks have red and black stripes, numbering from one to eight. All these sticks are notched at one end, and, besides the bars, have on them smears of red or black paint. The game played with the painted sticks appears to be the same as that played with the carved ones; and the former are also kept in a leather pouch, which is bound or tied with a leather thong.

IT is to Japan that we must turn when we wish to find the most dainty and original of Playing-cards. This interesting nation have devised for themselves the symbols that they use, which are so unique that they bear no features in common with those of any other country, if we except one device which may be an accidental one, and which will hereafter be mentioned; otherwise the Japaneseplaying-cards differ completely from those of other places, except that they are painted on pasteboard and highly glazed or varnished.

Those writers who trace in European and other cards a resemblance to the classes of society into which the world is divided, and promulgate the opinion that the four suits commonly seen represent them,—namely, the Cup or Priest, the Sword or Soldier, Money the Merchant, and Maces the Artisan,—would find it impossible to divide the Japanese cards in this way, as they belong distinctly to a new set of ideas, and seem to have been originated in the Islands, where alone they are used, and do not show, as those of other nations do, some mark or device which betrays to the student an inherited symbol which may be traced to the original Oriental card.

Japanese cards are of the same shape as those used by the French and other European nations, but are very much smaller than ordinary cards, being a little more than two inches long by one broad. They are made of pasteboard, on the back of which black paper has been carefully pasted over the edges of the cards so as to leave a narrow rim to form a frame on the face of thecard. The symbols are stencilled, and the whole card varnished or enamelled, so that they are extremely slippery.

Plate 22.

Forty-nine in number, they are divided into twelve suits of four each, with one card which is a trifle smaller than the others, and which has a plain white face and is used as a “Joker.” On the other cards are painted flowers or emblems appropriate to the twelve months of the year; each card is distinct and different from its fellows, even when bearing the same emblem, and they can be easily distinguished and classified not only by the design they bear, but also by a character or letter which marks nearly every card, and which seems to denote the vegetable that represents the month.

January is marked by pine-trees, two of the cards showing them against a lurid sky. On the third the pine stands out on a grayish background; and the fourth has a setting sun flecked with light clouds, the pines barely indicated in front of it, and the larger part of the card being covered with the figure of a white-bodied, red-eyed stork. February displays as her emblem a plum-blossom; the four cards devoted to the month bearing the flower in various positions. March has a red cherry-blossom, and April the hanging tendrils of the wisteria vine; and on one of the cards belonging to this month there is a wee yellow-bird which is flying across its surface under a red cloud. For May there are four beautiful blue irises, with long spiky leaves; one card showing in its corner part of a dock and the water, from which the flower is lifting its lovely head. June is represented by blood-red peonies, one of the cards having two yellow butterflies hovering over the flowers. On July’s cards star-shaped leaves, some yellow, some red, and some black, are scattered over their surfaces. These leaves resemble those of the maple-trees. On one of the cards belonging to this July suit a deer stands under the branches of this tree; and it is this deer that is the one device which may be found on cards belonging to other nations. Some packs of Chinese cards have deer on one of their cards, and in ancient Spanish packs animals resembling deer can be seen, although they are usually represented with one straight horn something like a unicorn, which fabulous animal has been retained in Spanish cards to this day.

Plate 23.

August has four pictures of grass-covered mountains. In three of them there is a cloudy blue sky, and the fourth shows the sun looking hot and sultry, beaming down on the treeless elevation. Three birds fly across the sky on one of these cards. September bears the Mikado’s flower,—a party-coloured yellow and red chrysanthemum; October a “Hägi” with red or green leaves, and on one card is a yellow boar trotting along under the spreading branches of the tree.

November shows on one card willow-trees sharply defined against a leaden sky. The willows on the fellow cards look wind-tossed, and a long-tailed bird skims across the sky. A third card is covered with inky clouds and torrents of rain, with strange zigzags shooting over its surface looking like forked lightning. The fourth card of this suit bears the quaint figure of a man rushing under the willow-trees through the storm and dropping his sandals in his haste, his head covered by a huge yellow umbrella and surrounded by streaks of lightning, with the rain streaming down on his unprotected body.

December carries the Imperial Japanese plant,Kĭrĭ; and over one of the flowers hovers a beautiful red-crested pheasant with silver wings.

The chrysanthemum is the Mikado’s plant, and the Kĭrĭ the national flower of Japan. The favourite game at present seems to be like Casino, in which any card of a set can take up any other card, but each one has a particular value in the final count. An infinite variety of games may be played with these cards, as there is a shade of difference in each one, and to the accustomed eye they are as easy to sort as the European ones. There is a great difference in the style and finish of Japanese cards. Some of them are carefully executed and highly varnished; but other packs are roughly stencilled and show but little glaze. The “Joker” is not necessarily part of the pack, and does not accompany each one.

Plate 24.

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