Lucia lay back in her chair, wondering, not at Edith, but at herself. Her cousin's visit had been so far effectual that it had made her aware of the attitude of her own mind. If she had been told beforehand that she could be happy in a Bloomsbury boarding-house, or within any reasonable distance of such people as Miss Bishop and Mr. Soper, the thing would have appeared to her absurd. And yet it was so. She was happy among these dreadful people, as she had not been happy at Hampstead among the cultured and refined. But when she came to examine into the nature of this happiness she found that it contained no positive element; that it consisted mainly of relief, relief from the strain of an incessant anxiety and uncertainty. That the strain had been divided between her and Horace had only made it worse, for she had had the larger share of the anxiety, he of the uncertainty. Not that he was more uncertain than in the old days at Harmouth. He was less so. But she had never been anxious then. For after all they had understood each other; and apparently it was the understanding now that failed. Yet Horace had been right when he told himself that Lucia would never imply anything, infer anything, claim anything, take anything for granted on the sanction of that understanding. She would not have hurried by a look or word the slow movements of the love which somehow he had led her to believe in. Love between man and woman to her mind was a sort of genius; and genius, as she said long ago to poor Rickman, must always have about it a divine uncertainty. Yes, love too was the wind of the divine spirit blowing where it listeth, the kindling of the divine fire. She had waited for it patiently, reverently, not altogether humbly, but with a superb possession of her soul. Better to wait for years than rush to meet it, and so be tossed by the wind and shrivelled by the fire. Then, when the crash came five years ago, though she could hardly conceive it as altering her cousin's attitude, she knew that it must alter hers. The understanding had been partly a family affair; and her side of the family was now involved in debt and poverty and dishonour. When the debts were paid off, and the poverty reduced and the honour redeemed, it would be time to re-consider the understanding. But, as it was just possible that Horace, if not exactly fascinated by her debts and all the rest of it, might feel that these very things bound him, challenged him in some sort to protection, Lucia withdrew herself from the reach of the chivalrous delivering arm. She took her stand, not quite outside the circle of the cousinly relation, but on the uttermost fringe and verge of it, where she entered more and more into her own possession. They met; they wrote long letters to each other all about art and literature and philosophy, those ancient unimpassioned themes; for, if Lucia assumed nothing herself she allowed Horace to assume that whatever interested him must necessarily interest her. In short, perceiving the horrible situation in which poor Horace had been left by that premature understanding, she did everything she could to help him out of it.
And she succeeded beyond her own or Horace's expectation.
After three years' hard work, when all the debts were paid, and she was independent, Lucia thought she might now trust herself to stay with Horace in his house at Hampstead. She had stayed there already with Edith when Horace was away, but that was different. And at first all was well; that is to say, there was no anxiety and no uncertainty. The calm and successful critic ofThe Museionknew his own mind; and Lucia said to herself that she knew hers. The understanding between them was perfect now. They were simply first cousins; each was the other's best friend; and they could never be anything else. She stood very much nearer to the heart of the circle, in a place where it was warm and comfortable and safe. If Horace could only have let her stay there, all would have been well still. But a mature Lucia, a Lucia entirely self-possessed, calm and successful, too, in her lesser way; a Lucia without any drawbacks, and almost to his mind as uncertain as himself; a Lucia who might be carried off any day before his eyes by some one of the many brilliant young men whom it was impossible not to introduce to her, proved fatally disturbing to Horace Jewdwine. And it was then that the anxiety and uncertainty began.
They were at their height in the sixth year, when Lucia broke down and came to Hampstead to recover. Fate (not Lucia, of course; you could not think such things about Lucia) seemed anxious to precipitate matters, and Jewdwine in his soul abhorred precipitancy. Edith, too, was secretly alarmed, and Lucia could read secrets. But it was to avoid both a grossly pathetic appeal to the emotions and an appearance of collusion with the intrigues of Fate that Lucia had feigned recovery and betaken herself to Sophie in Tavistock Place, before, and (this was subtlety again), well before the return of Horace from his holiday. And if the awful reflection visited her that this step might prove to be a more importunate appeal than any, to be a positive forcing of his hand, Edith had dissipated it by showing very plainly that the appeal was to their pride and not their pity.
Lucia did not consider herself by any means an object of pity. She was happy. The absence of intolerable tension was enough to make her so. As for the society she was thrown with, after the wear of incessant subtleties and uncertainties there was something positively soothing in straightforward uninspired vulgarity. These people knew their own minds, if their minds were not worth knowing; and that was something. It seemed to her that her own mind was growing healthier every day; till, by the time Edith visited her, there was no need to feign recovery, for recovery had come. And with it had come many benign and salutary things; the old delicious joy of giving pleasure; a new sense of the redeeming and atoning pathos of the world; all manner of sweet compunctions and tender tolerances; the divine chance, she told herself, for all the charities in which she might have failed. There had come Sophie. And there had come, at last, in spite of everything, Keith Rickman.
As for Keith Rickman, her interest in him was not only a strong personal matter, but it had been part of the cool intellectual game she had played, for Horace's distraction and her own deception; a game which Horace, with his subterfuges and suppressions, had not played fair. But when, seeking to excuse him, she began to consider the possible motives of her cousin's behaviour, Lucia was profoundly disturbed.
It had come to this: if Horace had cared for her he might have had a right to interfere. But he did not care. Therefore, no interference, she vowed, should come between her and her friendship for the poet who had honoured her by trusting her. She could not help feeling a little bitter with Horace for the harm he had done her, or rather, might have done her in Keith Rickman's eyes.
For all that she had now to make amends.
Meanwhile the Beaver, like a sensible Beaver, went on calmly furnishing her house. She thoroughly approved of Keith's acquaintance with Miss Harden, as she approved of everything that gave importance to the man she was going to marry. If she had not yet given a thought to his work, except as a way (rather more uncertain and unsatisfactory than most ways) of making money, she thought a great deal of the consideration it brought him with that lady. She was prouder of Keith now than she ever had been before. But the Beaver was before all things a practical person; and she had perceived further that for Keith to make up to people like Miss Harden was one of the surest and quickest means of getting on. Hitherto she had been both distressed and annoyed by his backwardness in making up to anybody. And when Keith told her that he wanted to pay some attention to his editor's cousin, if she was a little surprised at this unusual display of smartness (for when had Keith been known to pay attention to any editors, let alone their cousins?), she accepted the explanation as entirely natural. She was wide awake now to the importance ofMetropolisand Mr. Jewdwine. By all means, then, let him cultivate Mr. Jewdwine's cousin. And if there had been no Mr. Jewdwine in the case, Flossie would still have smiled on the acquaintance; for it meant social advancement, a step nearer Kensington. So nobody was more delighted than Flossie when Miss Harden invited Keith to tea in her own room, especially as she was always included in the invitation.
It was Miss Bishop, primed with all the resources of her science, who looked upon these advances with alarm. It struck Miss Bishop that Miss Harden and Mr. Rickman were going it pretty strong. She wouldn't have liked those goings on if she'd been Flossie. You might take it from her that gentlemen never knew their own minds when there were two to choose from; and Miss Bishop hadn't a doubt that it was a toss-up between Flossie and Miss Harden. Miss Harden would be willing enough; anybody could see that. Ladies don't keep on asking gentlemen to have tea with them alone in their rooms if they're not up to something.
It was not only Miss Bishop's fatal science that led her to these conclusions, but the still more fatal prescience of love. When Flossie was once securely married to Mr. Rickman the heart of Spinks would turn to her for consolation, that she knew. It was a matter of common experience that gentlemen's hearts were thus caught on the rebound. But if that Miss Harden carried off Rickman, there would be nothing left for Flossie but to marry Spinks, for the preservation of her trousseau and her dignity. Therefore Miss Bishop was more than ever set on Flossie's marrying Mr. Rickman.
They were turning over the trousseau, the trousseau which might play such a disastrous part in the final adjustment of Flossie's mind.
"Your dresses are orfully smart and that," said Ada; "and yet somehow they don't seem to do you justice. It would have been worth your while to go to a tip-top dressmaker, my dear. You'd have a better chance than that Miss Harden any day. No, I don't like you in that powder blue; I don't, really." Miss Bishop was nothing if not frank.
"I never go wrong about a colour," said Flossie passionately.
"No. It isn't the colour. It's the cut. It makes her look as if she 'ad a better figure than you; and that's nonsense. You've got a bust, and she hasn't. Gentlemen don't care to look at a girl who's as flat as two boards back and front. That's what I say, it's the cut that gives her her style."
"No, it isn't. It isn't her clothes at all; it's the way she carries them. She may look as if she was well dressed; but she isn't."
"Anyhow I like that coat of hers better than yours."
"It hasn't got the new sleeves," said Flossie, fondling her powder-blue.
It was this immobile complacency of hers in the face of his own profound and sundering agitations that stirred in Rickman the first stinging of remorse. For he could see that the poor Beaver, with her blind and ineradicable instinct, was going on building—you couldn't call them castles in the air—but houses such as Beavers build, houses of mud in running water. Her ceaseless winding in and out of shops, her mad and furious buying of furniture, her wild grasping at any loose articles that came in her way, from rugs to rolling-pins, appeared to him as so many futile efforts to construct a dam. Over and over again the insane impulse came on him to seize her little hands and stop her; to tell her that it was no good, that the absurd thing could never stand, that he alone knew the strength of the stream, its sources and its currents. But he hadn't the heart to tell her, and the Beaver went on constructing her dam, without knowing that it was a dam, because she was born with the passion thus to build.
She could not see that anything had happened, and Heaven forbid that he should let her see. He might abandon hope, but the Beaver he could not abandon. That was not to be thought of for an instant. He was too deeply pledged for that. Lest he should be in danger of forgetting, it was brought home to him a dozen times a day.
The very moment when Flossie was making that triumphant display of her wedding finery he had caught a glimpse of her (iniquitously) as he passed her room on his way to Spinks's. She was standing, a jubilant little figure, in the line of the half-open door, shaking out and trailing before her some white, shiny, frilly thing, the sight of which made him shudder for the terror, and sigh for the pity of it. And the girls' laughter and the banging of the door as he went by, what was it but a reminder of the proprieties and decencies that bound him? A hint that he had pledged himself thrice over by that unlawful peep?
It seemed to him that was the beginning of many unlawful glimpses, discoveries of things he ought never to have seen. Was it that he was more quick to see? Or that Flossie was less careful than she had been? Or was it simply the result of living in this detestable boarding-house, where, morally speaking, the doors were never shut? Propinquity, that had brought them together, had done its best for Flossie and its worst. It had revealed too little and too much. He had only to forget her for a week, to come back and see her as she really was; to wonder what he had ever seen in her. Her very prettiness offended him. Her flagrantly feminine contours, once admired, now struck him as exaggerated, as an emphasis of the charm which is most subduing when subdued. As for her mind, good Heavens! Had it taken him five years to discover that her mind was acul de sac? When he came to think of it, he had to own that intellectually, conversationally even, he had advanced no farther with her than on the first day of their acquaintance. There was something compact and immovable about Flossie. In those five years he had never known her change or modify an opinion of people or of things. And yet Flossie was not stupid, or if she were her stupidity was a force; it had an invincible impetus and sweep, dragging the dead weight of character behind it. It was beginning to terrify him. In fact he was becoming painfully sensitive to everything she said or did. Her little tongue was neither sharp nor hard, and yet it hurt him every time it spoke. It did not always speak good grammar. Sometimes, in moments of flurry or excitement, an aspirate miscarried. Happily those moments were rare; for at bottom Flossie's temperament was singularly calm. Remembering his own past lapses, he felt that he was the last person to throw a stone at her; but that reflection did not prevent a shudder from going down his back every time it happened. And if her speech remained irreproachable, the offending strain ran through all her movements. He disliked the way she walked, and the way she sat down, the way she spread her skirts or gathered them, the way she carried her body and turned her head, the way her black eyes provoked a stare and then resented it, her changes of posture under observation, the perpetual movement of her hands that were always settling and resettling her hat, her hair, her veil; all the blushings and bridlings, the pruderies and impertinences of the pretty woman of her class, he disliked them all. He more than disliked, he distrusted her air of over-strained propriety. He detected in it the first note of falseness in her character. In a thousand little things her instincts, her perceptions were at fault.
This was disagreeably borne in upon him that first Saturday after Lucia's arrival, when he and Flossie were in the train going down to Ealing. The compartment was packed with City men (how he wished Flossie would turn her head and not her eyes if she must look at them!); and as they got in at Earl's Court, one of them, a polite person, gave up his seat to the lady. Flossie turned an unseeing eye on the polite person, and took his seat with a superb pretence of having found it herself after much search. And when Rickman said "Thanks" to the polite person her indignant glance informed him that she had expected support in her policy of repudiation.
"My dear Beaver," he said as he helped her on to the platform at Ealing, "when you take another person's seat the least you can do is to say Thank you."
"Ineverspeak to gentlemen in trains and buses. That's the way they always begin."
"Good Heavens, the poor man was only being civil."
"Thank you. I've gone about enough to know what 'is kind of civility means. I wasn't going to lay myself open to impertinence."
"I should have thought you'd gone about enough to know the difference."
Flossie said nothing. She was furious with him for his failure to defend her from the insulting advances of the City gentleman. But perhaps she would hardly have taken it so seriously, if it had not been significant to her of a still more intolerable desertion. Ada Bishop had said something to her just before they started, something that had been almost too much even for Flossie's complacency.
"I'm glad," she still heard Ada saying, "you're going to take him out all day. If I were you I shouldn't let him see too much of that Miss Harden."
There hadn't been much to take hold of in Ada's words, but Ada's manner had made them unmistakable; and from that moment a little worm had begun to gnaw at Flossie's heart.
And he, as he looked at her with that strange new sight of his that was already bringing sorrow to them both, he said to himself that he supposed it was her "going about," her sad acquaintance with unlovely manners, that had made her as she was. Only how was it that he had never noticed it before? Poor little girl; it was only last Saturday when they had come back from looking over the house at Ealing that, drawing upon all the appropriate resources of natural history, he had called her a little vesper Vole, because she lived in a Bank and only came out of it in the evening. What Flossie called him that time didn't matter; it was her parsimony in the item of endearments that provoked him to excesses of the kind. And now the thought of those things made him furious; furious with himself; furious with Fate for throwing Flossie in his way; furious with Flossie for being there. And when he was ready to damn her because she was a woman, he melted, and could have wept because she was a Beaver. Poor little girl; one day to be called a vesper Vole, the next to be forgotten altogether, the next to be remembered after this fashion.
And so they went on silently together, Flossie in pain because of the little worm gnawing at her heart, he thinking many things, sad and bitter and tender things, of the woman walking by his side. From time to time she looked at him as she had looked at those City gentlemen, not turning her head, but slewing the large dark of her eye into its corner. Presently she spoke.
"You don't seem to have very much to say for yourself to-day."
"To-day? I'm not given to talking very much at any time."
"Oh, come, you don't seem to have any difficulty in talking to Miss Harden. I've heard you. Wot a time you did sit yesterday. And you were up there an hour or more before I came, I know."
"Three quarters of an hour, to be strictly accurate."
"Well, that was long enough, wasn't it?"
"Quite long enough for all I had to say."
Now that was playing into Flossie's hands, for it meant that he had had nothing to say after her arrival. And she was sharp enough to see it.
"That's all very well, Keith," said she, apparently ignoring her advantage, "but Ada says they'll be talking if she keeps on asking you up there just when she's all by herself. It's not the thing to do. I wouldn't do it if it was me, no more would Ada."
"My dear child, Miss Harden may do a great many things that you and Ada mayn't. Because, you see, she knows how to do them and you don't."
"Oh well, if you're satisfied. But it isn't very nice for me to 'ave you talked about, just when we're going to be married, is it?"
"I think you needn't mind Ada. Miss Harden knows that Ihaveto see her sometimes, and that I can't very well see her in any other way. And I think you might know it too."
"Oh, don't you go thinking I'm jealous. I knowyou'reall right."
"If I'm all right, who's wrong?"
"Well—of course I understand what you want withher; but I can't see what she wants with you."
"Youlittlefool. What should she want, except to help me?"
Flossie said nothing to that, for indeed her mind had not formulated any clear charge against Miss Harden. Keith had annoyed her and she wanted to punish him a little. She was also curious to see in what manner the chivalry that had deserted her would defend Miss Harden.
He stood still and looked at her with brilliant, angry eyes.
"You don't understand a great deal, Flossie; but there's one thing youshallunderstand—You are not to say these things about Miss Harden. Not that you'll do her any harm, mind, by saying them. Think for one minute who and what she is, and you'll see that the only person you are harming is yourself."
Flossie did think for a minute, and remembered that Lucia was the daughter of a baronet and the cousin of an editor; and she did see that this time she had gone a bit too far.
"And in injuring yourself, you know, you injure me," he said more gently. "I don't know whether that will appeal at all to you."
It did appeal to her in the sense in which her practical mind understood that injury.
"Do you really think she'll be able to help you to a good thing?"
He laughed aloud. "I think she'll help me to many good things. She has done that already.
"Oh, well then, I suppose it's all right."
Though he said it was all right he knew that it was all wrong; that she was all wrong too. He wondered again how it was that he had never noticed it before. It seemed to him now that he must always have seen it, and that he had struggled not to see it, as he was struggling now.
Struggle as he would, he knew that he was only putting off the inevitable surrender. Putting off the moment that must face him yet, at some turning of the stair or opening of a door, as they went from room to room of the house that, empty, had once seemed to him desirable, and now, littered with the solid irrevocable results of Flossie's furnishing, inspired him with detestation and despair. How could he ever live in it? He and his dream, the dream that Lucia had told him was divorced from reality? She had told him too that his trouble all lay there, and he remembered that then as now she had advised a reconciliation. But better a divorce than reconciliation with any of the realities that faced him now. Better even illusion than these infallible perceptions. Better to be decently, charitably blind where women are concerned, than to see them so; to see poor Flossie as she was, a reality divorced from any dream.
A foolish train of thought that. As if he were only a dreamer. As if it were a dream that had to do with it. As if his dream had not long ago loved, followed, and embraced a divine reality. As if it had ever fallen away after that one superb act of reconciliation.
He had done poor Flossie some injustice. She suffered in his eyes because she came short, not of the dream, but of the reality. To be placed beside Lucia Harden would have been a severe test for any woman; but for Flossie it was cruelty itself. He had never subjected her to that, not even in thought; for he felt that the comparison, cruel to one woman, was profanation to the other. It was only feminine Fate who could be so unkind as to put those two side by side, that he might look well, and measure his love for Flossie by his love for Lucia, seeing it too as it was. Maddox had not been far wrong there. For anything spiritual in that emotion, he might as well have gone back to Poppy Grace. Better; since between him and Flossie that gross tie, once formed, could not be broken. Better; since there had at least been no hypocrisy in his relations with the joyous Poppy. Better anything than this baseness skulking under the superstition of morality. If a man has no other feeling for an innocent woman than that, better that a mill-stone should be hanged about his neck than that he should offend by marrying her.
And yet there had been something finer and purer in this later love than in the first infatuation of his youth. On that day, seven days ago, the last day it had to live, he had been touched by something more sacred, more immortal than desire. There had been no illusion in the poetry that clothed the figure of a woman standing in an empty room, dearer to her than the bridal chamber; a woman whose face grew soft as her instinct outran the bridal terror and the bridal joy, divining beyond love the end that sanctifies it.
But beyond all that again he could see that, whereas the love of all other women had torn him asunder, the love of Lucia made him whole. Poppy had drawn him by his senses; Flossie by his senses and his heart; Lucia held him by his senses, his heart, his intellect, his will, by his spirit, by his genius, by the whole man. Long after his senses had renounced their part in her, the rest of him would cling to her, satisfied and appeased. And but for Flossie it would have been so even now. Though his senses had rest in Lucia's presence, their longing for her was reawakened, not only by the thought of his approaching marriage, but by the memory of that one moment when he had realized the mystery of it, the moment of poor Flossie's transfiguration, when he had seen through the thick material veil, deep into the spiritual heart of love. With Lucia the veil had been transparent from the first. It was not with her as it was with those women who must wait for the hour of motherhood to glorify them. Of those two years of his betrothal what was there that he would care to keep? Only one immortal moment, that yet knew of the mortality before and after it. While of the last seven days Lucia had made a whole heavenly procession of ascending hours, every moment winged with the immortal fire. Flying moments; but flame touched flame in flying, and they became one life.
But he was going to marry Flossie.
And she, the child that was to have borne the burden of his genius and his passion, poor little blameless victim of the imagination that glorifies desire, how would it be with her in this empty house, empty of the love she had looked for and would never find? How would it be with him? Had he pledged himself to a life of falsehood, and had he yet to know what torment awaited him at the hands of the avenging truth? Truth, as he had once defined it, was the soul of the fact. It was the fact that he was going to marry Flossie; but it was not the truth. Only love could have given it a soul and made it true. If he was bound to maintain that it had a soul when it hadn't, that was where the falseness would come in.
Yet no. He might go mad by thinking about it, but life after all was simpler than thought. Things righted themselves when you left off thinking about them. He would be unhappy; but that could only make Flossie unhappy if she cared for him. And in a year's time, when he had left off thinking, she would have left off caring. He had shrewdly divined that what Flossie chiefly wanted was to have children; or if she did not want it, Nature wanted it for her, which came to the same thing. As for mating her to a man of genius, that was just Nature's wanton extravagance. Maddox had once said that any man would have done as well, perhaps better; Flossie wouldn't care. Well, he would give her children, and she would care for them. Indeed, he sincerely hoped that for him she would not care. It would make things simpler. Maddox, he remembered, had also said that she was the sort of woman who would immolate her husband for her children; whereas Poppy—but then, Maddox was a beast.
It never occurred for a moment to him to throw Flossie over. That, he had settled once for all, could not now be done. Circumstances conspired to make the thing irrevocable. Her utter dependence on him, the fact that she had no home but the one he offered her, no choice between marriage and earning her own living in a way she hated, the flagrant half-domestic intimacy in which they had been living, more than all, the baseness of his past love, and the inadequacy of his present feeling for her, both calling on him to atone, all these things made a promise of marriage as binding as the actual tie. Their engagement might possibly have been broken off at any of its earlier stages without profound dishonour. It was one thing to jilt a girl within a decent interval of the first congratulations; another thing altogether to abandon her with her trousseau on her hands. It had gone so far that his failure at the last moment would be the grossest insult he could offer her.
Gross indeed; yet not so gross but that he could think of one still grosser—to let her marry him when he had no feeling to offer her but such indifference as marriage deepens to disgust, or such disgust as it tones down into indifference. Would he go on shuddering and wincing as he had shuddered and winced to-day? Passion that might have condoned her failings was out of the question; but would it be possible to keep up the decent appearance of respect?
And yet he was going to marry her.
That was impressed on him by Flossie's voice saying that if he wouldn't decide which of those two rooms was to betheirroom, she must. Because the men wanted to put up the bedstead.
It was an intimation that he was bound to her, not by any fine ties of feeling or of honour, but by a stout unbreakable chain of material facts. He looked out of the window. The vans were unloading in the street. It seemed to him that there was something almost grossly compromising in the wash-stand, dumped down there in the garden; and as the bedstead was being borne into the house in portions, reverentially, processionally, he surrendered before that supreme symbol of finality. As he had made his bed, he must lie; even if it was a brass bed with mother-o'-pearl ornaments; and he refused to listen to the inner voice which suggested that the bed was not made yet, it was not even paid for, and that he would be a fool to lie on it. He turned sad eyes on the little woman so flushed and eager over her packages. He had committed himself more deeply with every purchase they had made that day. How carefully he had laboured at his own destruction.
He had gone so far with these absurd reflections, that when Flossie exclaimed, "There, after all I've forgotten the kitchen hammer," his nerves relaxed their tension, and he experienced a sense of momentary but divine release. And when she insisted on repairing her oversight as they went back, he felt that the kitchen hammer had clinched the matter; and that if only they had not bought it he might yet be free.
There was something in the Beaver's building, after all.
He did not appear that evening, not even to listen to Lucia's music, for his misery was heavy upon him. Mercifully, he was able to forget it for a while in attending to the work that waited for him; an article forThe Planetto be written; proofs to correct and manuscripts to look through forMetropolis; all neglected till the last possible moment, which moment had now come. For once he reaped the benefit of his reckless habits of postponement.
But four hours saw him through it; and midnight recalled him to his care. Instead of undressing he refilled his lamp, made up his fire, and drew his chair to the hearth. There was a question, put off, too, like his work, from hour to hour, and silenced by the scuffling, meaningless movements of the day. It related to the promise he had made to Lucia Harden at the end of their last interview. He had then said to her that, since she desired it, she should know what it was that she had done for him. Hitherto he had determined that she should not know it yet; not know it till death had removed from her his embarrassing, preposterous personality. The gift of knowledge that she might have refused from the man, she could then accept from the poet. The only condition that honour, that chivalry insisted on was the removal of the man. But there were other ways of getting rid of a man besides the clumsy device of death. Might he not be considered to have effaced himself sufficiently by marriage? As far as Lucia was concerned he could see very little difference between the two processes; in fact, marriage was, if anything, the safer. For the important thing was that she should know somehow; that he should hand over his gift to her before it was too late. And suppose—suppose he should fail to remove himself in time? Beholding the years as they now stretched before him, it seemed to him that he would never die.
There was another consideration which concerned his honour, not as a man but as a poet. He knew what it was in him to do. The nature of the gift was such that if he brought it to her to-day she would know that he had given her his best; if he kept it till to-morrow it would be his best no longer. Besides, it was only a gift when you looked at it one way. He was giving her (as he believed) an immortal thing; but its very immortality gave it a certain material value. The thing might be sold for much, and its price might go far towards covering that debt he owed her, or it might be held by her as a sort of security. He could see that his marriage would be a hindrance to speedy payment on any other system.
He rose, unlocked a drawer, and took from it the manuscript of the nine and twenty sonnets and the sealed envelope that contained his testament concerning them. He had looked at them but once since he had put them away three years ago, and that was on the night of his engagement. Looking at them again he knew he was not mistaken in his judgement, when calmly, surely, and persistently he had thought of the thing as immortal. But according to another condition that his honour had laid down, its immortality depended upon her. At this point honour itself raised the question whether it was fair to throw on her the burden of so great a decision? She might hesitate to deny him so large a part of his immortality, and yet object to being so intimately, so personally bound up with it. He could see her delicate conscience straining under the choice.
But surely she knew him well enough to know that he had left her free? She would know that he could accept nothing from her pity, not even a portion of his immortality. She would trust his sincerity; for that at any rate had never failed her. And since what he had written he had written, she would see that unless he destroyed it with his own hands the decision as to publication must rest with her. It concerned her so intimately, so personally, that it could not be given to the world without her consent. Whether what he had written should have been written was another matter. If she thought not, if her refinement accused him of a sin against good taste, that would only make his problem simpler. Even if her accusation remained unspoken, he would know it, he would see it, through whatever web her tenderness wrapped round it. His genius would contend against her judgement, would not yield a point to her opinion, but his honour would take it as settling the question of publication. In no case should she be able to say or think that he had used his genius as a cover for a cowardly passion, or that by compelling her admiration he had taken advantage of her pride.
But would she say it or think it? Not she. He knew her. And if his knowledge had brought much misery, it brought consolation too. Where Lucia was concerned he had never been sustained by any personal conceit; he had never walked vainly in the illusion of her love. At that supreme point his imagination had utterly broken down; he had never won from it a moment's respite from his intolerable lucidity. There was a certain dignity about his despair, in that of all the wonderful web of his dreams he had made no fine cloak to cover it. It shivered and suffered in a noble nakedness, absolutely unashamed. But one thing he knew also, that if Lucia did not love him, she loved his genius. Even when lucidity made suffering unendurable, he had still the assurance that his genius would never suffer at her hands. For did she not know that God gives the heart of a poet to be as fuel to his genius, for ever consumed and inconsumable? That of all his passions his love is the nearest akin to the divine fire? She of all women would never deny him the eternal right to utterance.
Neither could she well find fault with the manner of it. He went through the sonnets again, trying to read them with her woman's eyes. There was nothing, nothing, not an image, not a word that could offend. Here was no "flaming orgy of individuality." He had chosen purposely the consecrated form that pledged him to perfection, bound him to a magnificent restraint.
There still remained the scruple as to the propriety of choosing this precise moment for his gift. It was over-ridden by the invincible desire to give, the torturing curiosity to know how she would take it.
One more last scruple, easily disposed of. In all this there was no disloyalty to the woman he was going to make his wife. For the Sonnets belonged to the past in which she had no part, and to the future which concerned her even less.
The next day, then, at about five o'clock, the time at which Lucia had told him she would be free, he came to her, bringing his gift with him.
Lucia's face gladdened when she saw the manuscript in his hand; for though they had discussed very freely what he had done once, he had been rather sadly silent, she thought, as to what he was doing now. He had seemed to her anxious to avoid any question on the subject. She had wondered whether his genius had been much affected by his other work; and had been half afraid to ask lest she should learn that it was dead, destroyed by journalism. She had heard so much of the perils of that career, that she had begun to regret her part in helping him to it. So that her glance as it lighted on the gift was, he thought, propitious.
He drew up his chair near her (he had not to wait for any invitation to do that now), and she noticed the trembling of his hands as he spread the manuscript on his knees. He had always been nervous in approaching the subject of his poems, and she said to herself, "Has he not got over that?"
Apparently he had not got over it; for he sat there for several perceptible moments sunk in the low chair beside her, saying nothing, only curling and uncurling the sheets with the same nervous movement of his hand. She came to his help smiling.
"What is it? New poems?"
"No, I don't think I can call them new. I wrote them four or five years ago."
He saw that some of the gladness died out of her face, and he wondered why.
"Were you going to read them to me?"
"Good Heavens, no." He laughed the short laugh she had heard once or twice before that always sounded like a sob.
"I don't want to read them to you. I want to give them to you—"
"To read?" She held out her hand.
"Yes, to read, of course, but not now."
The hand was withdrawn, evidently with some distressing consciousness of its precipitancy.
"You said the other night that you would have been glad to know that you had done something for me; and somehow I believe you meant it."
"I did, indeed."
"If you read these things you will know. There's no other way in which I could tell you; for you will see that they are part of what you did for me."
"I don't understand."
"You will, though, when you've read them. That," he said meditatively, "is why I don't want you to read them now." But then it struck him that he had blundered, introducing a passionate personal revelation under the dangerous veil of mystery. He had not meant to say, "What you have done for me was to make me love you," but, "I have done a great thing, and what you did for me was to make me do it." For all that she should know, or he acknowledge, the passion was the means, not the end.
"I don't want to be cryptic, and perhaps I ought to explain a little. I meant that you'll see that they're the best things I've written, and that I should not have written them if it had not been for you. I don't know whether you'll forgive me for writing them, but I think you will. Because you'll understand that I had to."
"Have you published any of them?"
It seemed to him that the question was dictated by a sudden fear.
"Rather not. I want to talk to you about that later on, when you've read them."
"When will you want them back?"
"I don't want them back at all. I brought them for you to keep."
"To keep?"
"Yes, if you care for them."
"But this is the original manuscript?" She was most painfully aware of the value of the thing.
He smiled. "Yes, I couldn't give you a copy, because there isn't one."
"What a reckless person you are. I must make a copy, then, and keep that."
"That would spoil my pleasure and my gift, too. It's only valuable because it's unique."
"Whatever it is it's sure to be that."
"I don't mean in that way altogether—" he hesitated, for he had touched a part of his subject which had to be handled gently; and he was aware that in handling it at all he was courting rejection of the gift.
"And you are going to leave it with me now?"
"Yes."
She did not look up, but kept her eyes fixed on the sheets that lay in her lap, her hands lightly covering them. Was it possible that her finger-tips had caught the secret of the page beneath them and that their delicate nerves had already carried it to her brain? Was she considering what she was to do?
"You will see that one page is left blank; I couldn't fill it up till I knew whether you would accept the dedication."
"I?" She looked up. She was no doubt surprised; but he thought he could read something in her look that was deeper and sweeter than surprise.
"If you could, it would give me great pleasure. It's the only acknowledgement I can make for all your kindness."
"Please, please don't talk of my kindness."
"I won't. If it were any other book, it might be merely a question of acknowledgement, but this book belongs to you."
"Are you quite sure—" She was about to question his right to offer it, which was as good as questioning his honour, as good as assuming that—She paused, horrified as she realized what it was that she had almost assumed. Kitty had often told her that she erred through excess of subtlety. It wouldn't have mattered with anybody less subtle than Keith Rickman; but he would see it all. He did.
"Quite sure that I oughtn't to offer it to anybody else? I am quite sure. It was written four years ago, before—before I knew anybody else. It has nothing to do with anybody else, it couldn't have been dedicated to anybody else. If you don't accept it—"
"But I do." Her eagerness was the natural recoil from her hesitation. She was so anxious to atone for that shocking blunder she had made.
"I say, how you do take things on trust."
"Some things."
"But you mustn't. You can't accept the dedication of a book you haven't read. Do you know, now I come to think of it, you've always taken me on trust? Do you remember when first I came to you—it's more than five years ago—you took me on trust then?" (Their talk had a way of running to this refrain of 'Do you remember?') "Do you remember how you said,' I must risk it'?"
"Yes, I remember how I insisted on keeping you, and how very unwilling you were to be kept."
"Do you mind telling me what made you want to keep me? You didn't know me in the least, you know."
"I wanted to keep youbecauseyou didn't want to stay. I knew then that I could trust you. But I confess that most people might not have seen it in that way."
"Well, I can't let you take these sonnets on trust. For this time, your principle doesn't apply, you see. You can't say you're accepting this dedication because I don't want to give it to you." Though he laughed he rose and backed towards the door, suddenly anxious to be gone.
"Isn't it enough that I want to accept it?"
He shook his head, still backing, and at the door he paused to speak. "You've accepted nothing—as yet."
"Of course," she said to herself, "it would have been wiser to have read them first. But I can trust him."
But as she was about to read them a knock, a familiar knock at the door interrupted her. "Kitty!"
She laid the manuscript hastily aside, well out of Kitty's roving sight. She had noticed how his hands had trembled as he brought it; she did not notice that her own shook a little in thus putting it away from her.
Kitty Palliser, up in town for a week, had come less on her own account than as an impetuous ambassador from the now frantic Edith. She too was prepared to move heaven and earth, if only she could snatch her Lucy from Tavistock Place. But her anxiety was not wholly on Lucia's account, as presently appeared.
"How can you stand it for a minute?" said she.
"I'm standing it very well indeed."
"But what on earth do you find to do all day long, when," said Kitty severely, "you'renottalking to young Rickman?"
"All day long I go out, or lie down and read, or talk to Sophie."
"And in the evenings?"
"In the evenings sometimes I make an old man happy by playing."
"And I expect you're making a young man unhappy by playing, too—a very dangerous game."
"Kitty, that young man is perfectly happy. He's going to be married."
"All the worse. Then you'll make a young woman unhappy as well. This little game would be dangerous enough with a man of your own set. It isn't fair to play it with him, Lucy, when you know the rules and he doesn't."
"I assure you, Kitty, he knows them as well as you or I do; better."
"I doubt it." Kitty's eyes roamed round the room (they had not lost their alert and hungry look) and they took in the situation at a glance. That move in the game would never have been made if he had known the rules. How could she let him make it?
"Really, Lucy, for a nice woman you do the queerest things."
"And, really, Kitty, for a clever woman, you say the stupidest. You're getting like Edith."
"I am not like Edith. I only say stupid things. She thinks them. What's more, in thinking them she only thinks of herself and her precious family. I'm thinking of you, dear, and"—Kitty's voice grew soft—"and of him. You ought to think of him a little too."
"Idothink of him. I've been thinking of him all the time."
"I know you have. But don't let him suffer because of the insanely beautiful way you have of thinking."
There was a pause, in which it was evident to Kitty that Lucia was thinking deeply, and beautifully too.
"Have I made him suffer? I'm afraid I did once. He was valuable, and I damaged him."
"Yes; and ever since you've been trying to put him together again; in your own way, not his. That's fatal."
Lucia shook her head and followed her own train of thought. "Kitty, to be perfectly honest, I think—I'm not sure, but I think—from something he said to-day that you were right about him once. I mean about his beginning to care too much. I'm afraid it was so, at Harmouth, towards the end. But it isn't so any more. He tried to tell me just now. He did it beautifully; as if he knew that that would make me happier. At least I think that's what he meant. He didn't say much, but I'm sure he was thinking about his marriage."
"Heaven help his wife then—if he got as far as that. I suppose you take a beautiful view of her, too? Drop it, for goodness' sake, drop it."
"Not I. It would mean dropping him. It's all right, Kitty. You don't know the ways of poets."
"Perhaps not. But I know the ways of men."
Though Kitty had not accomplished her mission she so far prevailed that she carried her Lucy off to dinner.
It was somewhere towards midnight, when all the house was quiet, that Lucia first looked into Keith Rickman's sonnets. She had been led to expect something in the nature of a personal revelation, and the first sonnet struck the key-note, gave her the clue.