The Project Gutenberg eBook ofThe Divine Fire

The Project Gutenberg eBook ofThe Divine FireThis ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.Title: The Divine FireAuthor: May SinclairRelease date: November 9, 2004 [eBook #13996]Most recently updated: October 28, 2024Language: EnglishCredits: E-text prepared by Suzanne Shell, Project Gutenberg Beginners Projects,*** START OF THE PROJECT GUTENBERG EBOOK THE DIVINE FIRE ***

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Divine FireAuthor: May SinclairRelease date: November 9, 2004 [eBook #13996]Most recently updated: October 28, 2024Language: EnglishCredits: E-text prepared by Suzanne Shell, Project Gutenberg Beginners Projects,

Title: The Divine Fire

Author: May Sinclair

Release date: November 9, 2004 [eBook #13996]Most recently updated: October 28, 2024

Language: English

Credits: E-text prepared by Suzanne Shell, Project Gutenberg Beginners Projects,

*** START OF THE PROJECT GUTENBERG EBOOK THE DIVINE FIRE ***

The Project Gutenberg eBook, The Divine Fire, by May Sinclair

1905.

Mr. OWEN SEAMAN inPunchsays:—"Miss Sinclair is always quietly sure of herself. That is why she will not be hurried, but moves through her gradual scheme with so leisured a serenity; why her style, fluent and facile, never forces its natural eloquence; why her humour plays with a diffused light over all her work and seldom needs the advertisement of scintillating epigrams. Judged by almost every standard to which a comedy like this should be referred, I find her book, 'The Divine Fire' the most remarkable that I have read for many years."

BY THE SAME AUTHORTWO SIDES OF A QUESTIONSecond Impression. Cr. 8vo. 6/-.

BOOK IDISJECTA MEMBRA POETAECHAPTER ICHAPTER IICHAPTER IIICHAPTER IVCHAPTER VCHAPTER VICHAPTER VIICHAPTER VIIICHAPTER IXCHAPTER XCHAPTER XICHAPTER XIICHAPTER XIII

BOOK IILUCIA'S WAYCHAPTER XIVCHAPTER XVCHAPTER XVICHAPTER XVIICHAPTER XVIIICHAPTER XIXCHAPTER XXCHAPTER XXICHAPTER XXIICHAPTER XXIIICHAPTER XXIVCHAPTER XXVCHAPTER XXVICHAPTER XXVIICHAPTER XXVIIICHAPTER XXIXCHAPTER XXXCHAPTER XXXICHAPTER XXXIICHAPTER XXXIIICHAPTER XXXIVCHAPTER XXXVCHAPTER XXXVI

BOOK IIITHE HOUSE OF BONDAGECHAPTER XXXVIICHAPTER XXXVIIICHAPTER XXXIXCHAPTER XLCHAPTER XLICHAPTER XLIICHAPTER XLIIICHAPTER XLIVCHAPTER XLVCHAPTER XLVICHAPTER XLVIICHAPTER XLVIIICHAPTER XLIXCHAPTER LCHAPTER LICHAPTER LIICHAPTER LIIICHAPTER LIVCHAPTER LVCHAPTER LVICHAPTER LVIICHAPTER LVIIICHAPTER LIXCHAPTER LXCHAPTER LXI

BOOK IVTHE MAN HIMSELFCHAPTER LXIICHAPTER LXIIICHAPTER LXIVCHAPTER LXVCHAPTER LXVICHAPTER LXVIICHAPTER LXVIIICHAPTER LXIXCHAPTER LXXCHAPTER LXXICHAPTER LXXIICHAPTER LXXIIICHAPTER LXXIVCHAPTER LXXVCHAPTER LXXVICHAPTER LXXVIICHAPTER LXXVIIICHAPTER LXXIX

Horace Jewdwine had made the most remarkable of his many remarkable discoveries. At least he thought he had. He could not be quite sure, which was his excuse for referring it to his cousin Lucia, whose instinct (he would not call it judgement) in these matters was infallible—strangely infallible for so young a girl. What, he wondered, would she say to Savage Keith Rickman?

On Saturday, when he first came down into Devonshire, he would have been glad to know. But to-day, which was a Tuesday, he was not interested in Rickman. To eat strawberries all morning; to lie out in the hammock all afternoon, under the beach-tree on the lawn of Court House; to let the peace of the old green garden sink into him; to look at Lucia and forget, utterly forget, about his work (the making of discoveries), that was what he wanted. But Lucia wanted to talk, and to talk about Rickman earnestly as if he were a burning question, when even lying in the hammock Jewdwine was so hot that it bothered him to talk at all.

He was beginning to be sorry that he had introduced him—the exciting topic, that is to say, not the man; for Rickman you could scarcely introduce, not at any rate to Lucia Harden.

"Well, Lucia?" He pronounced her name in the Italian manner, "Loo-chee-a," with a languid stress on the vowels, and his tone conveyed a certain weary but polite forbearance.

Lucia herself, he noticed, had an ardent look, as if a particularly interesting idea had just occurred to her. He wished it hadn't. An idea of Lucia's would commit him to an opinion of his own; and at the moment Jewdwine was not prepared to abandon himself to anything so definite and irretrievable. He had not yet made up his mind about Rickman, and did not want to make it up now. Certainty was impossible owing to his somewhat embarrassing acquaintance with the man. That, again, was where Lucia had come in. Her vision of him would be free and undisturbed by any suggestion of his bodily presence.

Meanwhile, Rickman's poem, or rather the first two Acts of his neo-classic drama,Helen in Leuce, lay on Lucia's lap. Jewdwine had obtained it under protest and with much secrecy. He had promised Rickman, solemnly, not to show it to a soul; but he had shown it to Lucia. It was all right, he said, so long as he refrained from disclosing the name of the person who had written it. Not that she would have been any the wiser if he had.

"And it was you who discovered him?" Her voice lingered with a peculiarly tender and agreeable vibration on the "you." He closed his eyes and let that, too, sink into him.

"Yes," he murmured, "nobody else has had a hand in it—as yet."

"And what are you going to do with him now you have discovered him?"

He opened his eyes, startled by the uncomfortable suggestion. It had not yet occurred to him that the discovery of Rickman could entail any responsibility whatever.

"I don't know that I'm going to do anything with him. Unless some day I use him for an article."

"Oh, Horace, is that the way you treat your friends?"

He smiled. "Yes Lucy, sometimes, when they deserve it."

"You haven't told me your friend's name?"

"No. I betrayed his innocent confidence sufficiently in showing you his play. I can't tell you his name."

"After all, his name doesn't matter."

"No, it doesn't matter. Very likely you'll hear enough of it some day. You haven't told me what you think of him."

"I don't know what I think—But then, I don't know him."

"No," he said, roused to interest by her hesitation, "you don't know him. That's the beauty of it."

She gave the manuscript back into his hands. "Take him away. He makes me feel uncomfortable."

"To tell the truth, Lucy, he makes me feel uncomfortable, too."

"Why?"

"Well, when you think you've got hold of a genius, and you take him up and stake your reputation on him—and all the time you can't be sure whether it's a spark of the divine fire or a mere flash in the pan. It happens over and over again. The burnt critic dreads the divine fire."

His eyes were fixed on the title page as if fascinated by the words,Helen in Leuce.

"But this is not bad—it'snotbad for two and twenty."

"Only two and twenty?"

"That's all. It looks as if he were made for immortality."

She turned to him that ardent gaze which made the hot day hotter.

"Dear Horace, you're going to do great things for him."

The worst of having a cousin who adores you is that magnificence is expected of you, regularly and as a matter of course. He was not even sure that Lucia did not credit him with power to work miracles. The idea was flattering but also somewhat inconvenient.

"I don't know about great things. I should like to do something. The question is what. He's a little unfortunate in—in his surroundings, and he's been ill, poor fellow. If one could give him a change. If one were only rich and could afford to send him abroad for a year. Ihadthought of asking him down to Oxford."

"And why didn't you?"

"Well, you know, one gets rather crowded up with things in term time."

Lucia looked thoughtfully at the refined, luxurious figure in the hammock. Horace was entitled to the hammock, for he had been ill. He was entitled also to the ministrations of his cousin Lucia. Lucia spent her time in planning and doing kind things, and, from the sudden luminous sweetness of her face, he gathered that something of the sort was in preparation now.

It was. "Horace," she said, "would you like to ask him here?"

"No, Lucy, I wouldn't. I don't think it would do."

"But why not—if he's your friend?"

"If he's my friend."

"Yousaidhe was your friend. You did, you know." (Another awkward consequence of a cousin's adoration; she is apt to remember and attach importance to your most trivial utterances.)

"Pardon me, I said he was my find."

"Where did you find him?"

"I found him in the City—in a shop."

She smiled at the rhythmic utterance. The tragedy of the revelation was such that it could be expressed only in blank verse.

"The shop doesn't matter."

"No, but he does. You couldn't stand him, Lucia. You see, for one thing, he sometimes drops his aitches."

"Well, if he does,—he'll be out all day, and there's the open country to drop them in. I really don't mind, if you'd like to ask him. Do you think he'd like to be asked?"

"There's no possible doubt about that."

"Then ask him. Ask him now. You can't do it when father's not at home."

Jewdwine repressed a smile. Even now, from the windows of the east wing, there burst, suddenly, the sound of fiddling, a masterly fiddling inspired by infernal passion, controlled by divine technique. It was his uncle, Sir Frederick, and he wished him at the devil. If all accounts were true, Sir Frederick, when not actually fiddling, was going there with a celerity that left nothing to be desired; he was, if you came to think of it, a rather amazing sort of chaperone.

And yet, but for that fleeting and tumultuous presence, Horace himself would not be staying at Court House. Really, he reflected. Lucia ought to get some lady to live with her. It was the correct thing, and therefore it was not a little surprising that Lucia did not do it. An expression of disapproval passed over his pale, fastidious face.

"Father won't mind," she said.

"No, but I should." He said it in a tone which was meant to settle the question.

She sat still, turning over the pages of the manuscript which she had again taken on her lap.

"I suppose he is very dreadful. Still, I think we ought to do something for him."

"And what would you propose to do?"

There was an irritating smile on her cousin's face. He was thinking, "So she wants to patronize him, does she?"

He did not say what he thought; with Lucia that was unnecessary, for she always knew. He only said, "I don't exactly see you playing Beatrice to his Dante."

Lucia coloured, and Horace felt that he had been right. The Hardens had always been patronizing; his mother and sister were the most superbly patronizing women he knew. And Rickman might or might not be a great man, but Lucia, even at three and twenty, was a great lady in her way. Why shouldn't she patronize him, if she liked? And he smiled again more irritatingly than ever. Nobody could be more irritating than this Oxford don when he gave his mind to it.

"Lucy—if you only knew him, I don't think you'd suggest my bringing him down here."

He was smiling still, while his imagination dallied with the monstrous vision.

"I wouldn't have suggested it," she said coldly, "if I hadn't thought you'd like it."

Horace felt a little ashamed of himself. He knew he had only to think about Lucia in her presence to change the colour on her cheeks, and his last thought had left a stain there like the mark of a blow. Never had he known any woman so sensitive as his cousin Lucia.

"So I should like it, dear, if it were possible, or rather ifhewere not impossible. His manners have not that repose which distinguishes hisHelen. Really, for two and twenty, he is marvellously restrained."

"Restrained? Do you think so?"

"Certainly," he said, his thought gaining precision in opposition to her vagueness, "hisHelenis pure Vere de Vere. You might read me some of it."

She read, and in the golden afternoon her voice built up the cold, polished marble of the verse. She had not been able to tell him what she thought of Rickman; but her voice, in its profound vibrations, made apparent that which she, and she only, had discerned in him, the troubled pulse of youth, the passion of the imprisoned and tumultuous soul, the soul which Horace had assured her inhabited the body of an aitchless shopman. Lucia might not have the intuition of genius, but she had the genius of intuition; she had seen what the great Oxford critic had not been able to see.

The sound of the fiddling ceased as suddenly as it had begun; and over the grey house and the green garden was the peace of heaven and of the enfolding hills.

Jewdwine breathed a sigh of contentment at the close of the great chorus in the second Act. After all, Rickman was the best antidote to Rickman.

But Lucia was looking ardent again, as if she were about to speak.

"Don't, Lucy," he murmured.

"Don't what?"

"Don't talk any more about him now. It's too hot. Wait till the cool of the evening."

"I thought you wanted me to play to you then."

Jewdwine looked at her; he noted the purity of her face, the beautiful pose of her body, stretched in the deck-chair, her fine white hands and arms that hung there, slender, inert and frail. He admired these things so much that he failed to see that they expressed not only beauty but a certain delicacy of physique, and that her languor which appealed to him was the languor of fatigue.

"You might play to me, now," he said.

She looked at him again, a lingering, meditative look, a look in which, if adoration was quiescent, there was no criticism and no reproach, only a melancholy wonder. And he, too, wondered; wondered what she was thinking of.

She was thinking a dreadful thought. "Is Horace selfish? Is Horace selfish?" a little voice kept calling at the back of her brain and would not be quiet. At last she answered it to her own satisfaction. "No, he is not selfish, he is only ill."

And presently, as if on mature consideration, she rose and went into the house.

His eyes followed, well pleased, the delicate undulations of her figure.

Horace Jewdwine was the most exacting, the most fastidious of men. His entire nature was dominated by the critical faculty in him; and Lucia satisfied its most difficult demands. Try as he would, there was really nothing in her which he could take exception to, barring her absurd adoration of his uncle Frederick; and even that, when you came to think of it, flowed from the innocence which was more than half her charm. He could not say positively wherein her beauty consisted, therefore he was always tempted to look at her in the hope of finding out. There was nothing insistent and nothing obvious about it. Some women, for instance, irritated your admiration by the capricious prettiness of one or two features, or fatigued it by the monotonous regularity of all. The beauty of others was vulgarized by the flamboyance of some irrelevant detail, such as hair. Lucia's hair was merely dark; and it made, as hair should make, the simplest adornment for her head, the most perfect setting for her face. As for her features, (though it was impossible to think of them, or anything about her as incorrect) they eluded while they fascinated him by their subtlety. Lucia's beauty, in short, appealed to him, because it did not commit him to any irretrievable opinion.

But nothing, not even her beauty, pleased him better than the way in which she managed her intellect, divining by some infallible instinct how much of it was wanted by any given listener at a given time. She had none of the nasty tricks that clever women have, always on the look out to go one better, and to catch you tripping. Her lucidity was remarkable; but it served to show up other people's strong points rather than her own. Lucia did not impress you as being clever, and Jewdwine, who had a clever man's natural distaste for clever women, admired his cousin's intellect, as well he might, for it was he who had taught her how to use it. Her sense of humour, too (for Lucia was dangerously gifted), that sense which more than any of her senses can wreck a woman—he would have liked her just as well if she had had none; but some, no doubt, she needed, if only to save her from the situations to which her kindness and her innocence exposed her; and she had just the right amount and no more. Heavens! Supposing, without it, she had met Keith Rickman and had yielded to the temptation to be kind to him! Even in the heat Jewdwine shivered at the thought.

He put it from him, he put Rickman altogether from his mind. It was not to think about Rickman that he came down to Court House. On a day as hot as this, he wanted nothing but to keep cool. The gentle oscillation of the hammock in the green shadows of the beech-tree symbolized this attitude towards Rickman and all other ardent questions.

Still, it was not disagreeable to know that if he could only make up his mind to something very definite and irretrievable indeed, Court House would one day be his. It was the only house in England that came up to his idea of what a country house should be. A square Tudor building with two short, gable-ended wings, thrown out at right angles to its front; three friendly grey walls enclosing a little courtyard made golden all day long with sunshine from the south. Court House was older than anything near it except Harmouth Bridge and the Parish Church. Standing apart in its own green lands, it looked older than the young red earth beneath it, a mass upheaved from the grey foundations of the hills. Its face, turned seawards, was rough and pitted with the salt air; thousands upon thousands of lichens gave it a greenish bloom, with here and there a rusty patch on groin and gable. It contained the Harden Library,theHarden Library, one of the finest private collections in the country. It contained also his cousin Lucia.

He had always loved Court House, but not always his cousin Lucia. The scholarly descendant of a long line of scholars, Jewdwine knew that he had been a favourite with his grandfather, Sir Joseph Harden, the Master of Lazarus, he was convinced (erroneously) that he was a Harden by blood and by temperament, and of course if he had only been a Harden by name, and not a Jewdwine, Court House and the great Harden Library would have been his instead of his cousin Lucia's. He knew that his grandfather had wished them to be his. Lucia's mother was dead long ago; and when his uncle Sir Frederick definitely renounced the domestic life, Lucia and Lucia alone stood between him and the inheritance that should have been his. This hardly constituted a reason for being fond of Lucia.

His grandfather had wished him to be fond of her. But not until Jewdwine was five and twenty and began to feel the primordial manhood stirring in his scholarly blood did he perceive that his cousin Lucia was not a hindrance but a way. The way was so obvious that it was no wonder that he did not see it all at once. He did not really see it till Sir Joseph sent for him on his death-bed.

"There's been some mistake, Horace," Sir Joseph had then said. "Your mother should have been the boy and your uncle Frederick the girl. Then Lucia would have been a Jewdwine, and you a Harden."

And Horace had said, "I'm afraid I can't be a Harden, sir; but is there any reason why Lucia—?"

"I was coming to that," said Sir Joseph. But he never came to it. Horace, however, was in some way aware that the same idea had occurred to both of them. Whatever it was, the old man had died happy in it.

There was no engagement, only a something altogether intangible and vague, understood to be an understanding. And Lucia adored him. If she had not adored him he might have been urged to something irretrievable and definite. As it was, there was no need, and nothing could have been more soothing than the golden concord of that understanding.

Needless to say if Lucia had been anybody but Lucia, such a solution would have been impossible. He was fastidious. He would not have married a woman simply because his grandfather wished it; and he could not have married a woman simply because she inherited property that ought to have been his. And he could not have married any woman who would have suspected him of such brutality. He could only marry a woman who was consummately suitable to him, in whom nothing jarred, nothing offended; and his cousin Lucia was such a woman. The very fact that she was his cousin was an assurance of her rightness. It followed that, love being the expression of that perfect and predestined harmony, he could only marry for love. Not for a great estate, for Court House and the Harden Library. No, to do him justice, his seeking of Lucia was independent of his reflection that these things would be added unto him. Still, once married to Lucia, there was only Sir Frederick and his infernal fiddle between him and ultimate, inviolable possession; and Sir Frederick, to use his own phrase, had "about played himself out." From what a stage and to what mad music!

From the east wing came the sound, not of his uncle's fiddle, but of the music he desired, the tremendous and difficult music that, on a hot July afternoon, taxed the delicate player's strength to its utmost. Lucia began with Scarlatti and Bach; wandered off through Schumann into Chopin, a moonlit enchanted wilderness of sound; paused, and wound up superbly with Beethoven, the "Sonata Appassionata."

And as she came back to him over the green lawn she seemed to Jewdwine to be trailing tumultuous echoes of her music; the splendour and the passion of her playing hung about her like a luminous cloud. He rose and went to meet her, and in his eyes there was a light, a light of wonder and of worship.

"I think," she said, "you do look a little happier."

"I am tolerably happy, thanks."

"So am I."

"Yes, butyoudon't look it. What are you thinking of?"

She turned, and they walked together towards the house.

"I was thinking—it's quite cool, now, Horace—of what you said—about that friend of yours."

"Lucy! Was I rude? Did I make you unhappy?"

"Not you. Don't you see that it's just because I'm happy that I want to be kind to him?"

"Just like your sweetness. But, dear child, you can't be kind to everybody. It really doesn't do."

She said no more; she had certainly something else to think about.

That was on a Tuesday, a hot afternoon in July, eighteen ninety-one.

It was Wednesday evening in April, eighteen ninety-two. Spring was coming up on the south wind from the river; spring was in the narrow streets and in the great highway of the Strand, and in a certain bookseller's shop in the Strand. And it was Easter, not to say Bank Holiday, already in the soul of the young man who sat there compiling the Quarterly Catalogue. For it was in the days of his obscurity.

The shop, a corner one, was part of a gigantic modern structure, with a decorated façade in pinkish terra-cotta, and topped by four pinkish cupolas. It was brutally, tyrannously imposing. It towered above its neighbours, dwarfing the long sky-line of the Strand; its flushed cupolas mocked the white and heavenly soaring of St. Mary's. Whether you approached it from the river, or from the City, or from the west, you could see nothing else, so monstrous was it, so flagrant and so new. Though the day was not yet done, the electric light streamed over the pavement from the huge windows of the ground floor; a coronal of dazzling globes hung over the doorway at the corner; there, as you turned, the sombre windows of the second-hand department stretched half way down the side street; here, in the great thoroughfare, the newest of new books stood out, solicitous and alluring, in suits of blazing scarlet and vivid green, of vellum and gilt, of polished leather that shone like amber and malachite and lapis lazuli.

Within, a wall broken by a wide and lofty arch divided the front from the back shop. On the right of the arch was the mahogany pew of the cashier, on the left, a tall pillar stove radiating intolerable heat. Four steps led through the arch into the back shop, the floor of which was raised in a sort of platform. On the platform was a table, and at the table sat the young man compiling the Quarterly Catalogue.

Front shop and back shop reeked with the smells of new mahogany, dust, pillar-stove, gum, hot-pressed paper and Russia leather. He sat in the middle of them, in an atmosphere so thick that it could be seen hanging about him like an aura, luminous in the glare of the electric light. His slender, nervous hands worked rapidly, with a business-like air of dexterity and dispatch. But every now and then he raised his head and stared for quite a long time at the round, white, foolish face of the clock, and whenever he did this his eyes were the eyes of a young man who has no adequate sense of his surroundings.

The remarkable thing about the new shop was that already, like a bar or a restaurant, it drew to it a certain group of young men, punctually, irresistibly. A small group—you could almost count them on the fingers of one hand—they came from Fleet Street, from the Temple, from the Junior Journalists' Club over the way. They were never seen looking in at the windows or hanging about the counter; they were not the least bit of good to the shop, those customers. But they were evidently some good to the young man. Whatever they did or did not do, they always ended by drifting to the platform, to his table. They sat on it in friendly attitudes and talked to him.

He was so glad to be talked to, so frankly, engagingly, beautifully glad, that the pathos of it would have been too poignant, the obligation it almost forced on you too unbearable, but for his power, his monstrous, mysterious, personal glamour.

It lay partly, no doubt, in his appearance; not, no, not at all, in his make-up. He wore, like a thousand city clerks, a high collar, a speckled tie, a straight, dark blue serge suit. But in spite of the stiffness thus imposed on him, he had, unaccountably, the shy, savage beauty of an animal untamed, uncaught. He belonged to the slender, nervous, fair type; but the colour proper to it had been taken out of him by the shop. His head presented the utmost clearness of line compatible with irregularity of outline; and his face (from its heavy square forehead to its light square jaw) was full of strange harmonies, adjustments, compensations. His chin, rather long in a front view, rather prominent in profile, balanced the powerful proportions of his forehead. His upper lip, in spite of its slender arch, betrayed a youthful eagerness of the senses; but this effect was subtilized by the fineness of his lower lip, and, when they closed, it disappeared in the sudden, serious straightening of the lines. Even his nose (otherwise a firm feature, straight in the bridge and rather broad at the end) became grave or eager as the pose of the head hid or revealed the nostrils. He had queer eyes, of a thick dark blue, large, though deep set, showing a great deal of iris and very little white. Without being good-looking he was good to look at, when you could look long enough to find all these things out. He did not like being looked at. If you tried to hold him that way, his eyes were all over the place, seeking an escape; but they heldyou, whether you liked it or not.

It was uncanny, that fascination. If he had chosen to exert it in the interests of his shop he could presumably have cleaned those friendly young men out any day. But he never did exert it. Surrounded by wares whose very appearance was a venal solicitation, he never hinted by so much as the turn of a phrase that there was anything about him to be bought. And after what had passed between them, they felt that to hint it themselves—to him—would have been the last indelicacy. If they ever asked the price of a book it was to propitiate the grim grizzled fellow, so like a Methodist parson, who glared at them from the counter.

They kept their discovery to themselves, as if it had been something too precious to be handled, as if its charm, the poetry, the pathos of it must escape under discussion. But any of them who did compare notes agreed that their first idea had been that the shop was absurdly too big for the young man; their next that the young man was too big for the shop, miles, oh miles too big for it; their final impression being the tragedy of the disproportion, the misfit. Then, sadly, with lowered voices, they admitted that he had one flaw; when the poor fellow got excited, don't you know, he sometimes dropt—no—no, he skipped—his aitches. It didn't happen often, but they felt it terrible that it should happen at all—to him. They touched it tenderly; if it was not exactly part of his poetry it was part of his pathos. The shop was responsible for it. He ought never, never to have been there.

And yet, bad as it was, they felt that he must be consoled, sustained by what he knew about himself, what it was inconceivable that he should not know.

He may, indeed, have reflected with some complacency that in spite of everything, his great classic drama,Helen in Leuce, was lying finished in the dressing-table drawer in his bedroom, and that for the last month those very modern poems that he calledSaturnaliahad been careering through the columns ofThe Planet. But at the moment he was mainly supported by the coming of Easter.

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