Long afterwards, in 1880, Adams happened to be living again in London for a season, when James Russell Lowell was transferred there as Minister; and as Adams's relations with Lowell had become closer and more intimate with years, he wanted the new Minister to know some of his old friends. Bright was then in the Cabinet, and no longer the most radical member even there, but he was still a rare figure in society. He came to dinner, along with Sir Francis Doyle and Sir Robert Cunliffe, and as usual did most of the talking. As usual also, he talked of the things most on his mind. Apparently it must have been some reform of the criminal law which the Judges opposed, that excited him, for at the end of dinner, over the wine, he took possession of the table in his old way, and ended with a superb denunciation of the Bench, spoken in his massive manner, as though every word were a hammer, smashing what it struck:--
"For two hundred years, the Judges of England sat on the Bench, condemning to the penalty of death every man, woman, and child who stole property to the value of five shillings; and, during all that time, not one Judge ever remonstrated against the law. We English are a nation of brutes, and ought to be exterminated to the last man."
As the party rose from table and passed into the drawing-room, Adams said to Lowell that Bright was very fine. "Yes!" replied Lowell, "but too violent!"
Precisely this was the point that Adams doubted. Bright knew his Englishmen better than Lowell did--better than England did. He knew what amount of violence in language was necessary to drive an idea into a Lancashire or Yorkshire head. He knew that no violence was enough to affect a Somersetshire or Wiltshire peasant. Bright kept his own head cool and clear. He was not excited; he never betrayed excitement. As for his denunciation of the English Bench, it was a very old story, not original with him. That the English were a nation of brutes was a commonplace generally admitted by Englishmen and universally accepted by foreigners; while the matter of their extermination could be treated only as unpractical, on their deserts, because they were probably not very much worse than their neighbors. Had Bright said that the French, Spaniards, Germans, or Russians were a nation of brutes and ought to be exterminated, no one would have found fault; the whole human race, according to the highest authority, has been exterminated once already for the same reason, and only the rainbow protects them from a repetition of it. What shocked Lowell was that he denounced his own people.
Adams felt no moral obligation to defend Judges, who, as far as he knew, were the only class of society specially adapted to defend themselves; but he was curious--even anxious--as a point of education, to decide for himself whether Bright's language was violent for its purpose. He thought not. Perhaps Cobden did better by persuasion, but that was another matter. Of course, even Englishmen sometimes complained of being so constantly told that they were brutes and hypocrites, although they were told little else by their censors, and bore it, on the whole, meekly; but the fact that it was true in the main troubled the ten-pound voter much less than it troubled Newman, Gladstone, Ruskin, Carlyle, and Matthew Arnold. Bright was personally disliked by his victims, but not distrusted. They never doubted what he would do next, as they did with John Russell, Gladstone, and Disraeli. He betrayed no one, and he never advanced an opinion in practical matters which did not prove to be practical.
The class of Englishmen who set out to be the intellectual opposites of Bright, seemed to an American bystander the weakest and most eccentric of all. These were the trimmers, the political economists, the anti-slavery and doctrinaire class, the followers of de Tocqueville, and of John Stuart Mill. As a class, they were timid--with good reason--and timidity, which is high wisdom in philosophy, sicklies the whole cast of thought in action. Numbers of these men haunted London society, all tending to free-thinking, but never venturing much freedom of thought. Like the anti-slavery doctrinaires of the forties and fifties, they became mute and useless when slavery struck them in the face. For type of these eccentrics, literature seems to have chosen Henry Reeve, at least to the extent of biography. He was a bulky figure in society, always friendly, good-natured, obliging, and useful; almost as universal as Milnes and more busy. As editor of theEdinburgh Reviewhe had authority and even power, although theReviewand the whole Whig doctrinaire school had begun--as the French say--to date; and of course the literary and artistic sharpshooters of 1867--like Frank Palgrave--frothed and foamed at the mere mention of Reeve's name. Three-fourths of their fury was due only to his ponderous manner. London society abused its rights of personal criticism by fixing on every too conspicuous figure some word or phrase that stuck to it. Every one had heard of Mrs. Grote as "the origin of the word grotesque." Every one had laughed at the story of Reeve approaching Mrs. Grote, with his usual somewhat florid manner, asking in his literary dialect how her husband the historian was: "And how is the learned Grotius?" "Pretty well, thank you, Puffendorf!" One winced at the word, as though it were a drawing of Forain.
No one would have been more shocked than Reeve had he been charged with want of moral courage. He proved his courage afterwards by publishing the "Greville Memoirs," braving the displeasure of the Queen. Yet theEdinburgh Reviewand its editor avoided taking sides except where sides were already fixed. Americanism would have been bad form in the liberalEdinburgh Review; it would have seemed eccentric even for a Scotchman, and Reeve was a Saxon of Saxons. To an American this attitude of oscillating reserve seemed more eccentric than the reckless hostility of Brougham or Carlyle, and more mischievous, for he never could be sure what preposterous commonplace it might encourage.
The sum of these experiences in 1863 left the conviction that eccentricity was weakness. The young American who should adopt English thought was lost. From the facts, the conclusion was correct, yet, as usual, the conclusion was wrong. The years of Palmerston's last Cabinet, 1859 to 1865, were avowedly years of truce--of arrested development. The British system like the French, was in its last stage of decomposition. Never had the British mind shown itself sodécousu--so unravelled, at sea, floundering in every sort of historical shipwreck. Eccentricities had a free field. Contradictions swarmed in State and Church. England devoted thirty years of arduous labor to clearing away only a part of thedébris.A young American in 1863 could see little or nothing of the future. He might dream, but he could not foretell, the suddenness with which the old Europe, with England in its wake, was to vanish in 1870. He was in dead-water, and the parti-colored, fantastic cranks swam about his boat, as though he were the ancient mariner, and they saurians of the prime.
MINISTER ADAMS'S success in stopping the rebel rams fixed his position once for all in English society. From that moment he could afford to drop the character of diplomatist, and assume what, for an American Minister in London, was an exclusive diplomatic advantage, the character of a kind of American Peer of the Realm. The British never did things by halves. Once they recognized a man's right to social privileges, they accepted him as one of themselves. Much as Lord Derby and Mr. Disraeli were accepted as leaders of Her Majesty's domestic Opposition, Minister Adams had a rank of his own as a kind of leader of Her Majesty's American Opposition. Even theTimesconceded it. The years of struggle were over, and Minister Adams rapidly gained a position which would have caused his father or grandfather to stare with incredulous envy.
This Anglo-American form of diplomacy was chiefly undiplomatic, and had the peculiar effect of teaching a habit of diplomacy useless or mischievous everywhere but in London. Nowhere else in the world could one expect to figure in a rôle so unprofessional. The young man knew no longer what character he bore. Private secretary in the morning, son in the afternoon, young man about town in the evening, the only character he never bore was that of diplomatist, except when he wanted a card to some great function. His diplomatic education was at an end; he seldom met a diplomat, and never had business with one; he could be of no use to them, or they to him; but he drifted inevitably into society, and, do what he might, his next education must be one of English social life. Tossed between the horns of successive dilemmas, he reached his twenty-sixth birthday without the power of earning five dollars in any occupation. His friends in the army were almost as badly off, but even army life ruined a young man less fatally than London society. Had he been rich, this form of ruin would have mattered nothing; but the young men of 1865 were none of them rich; all had to earn a living; yet they had reached high positions of responsibility and power in camps and Courts, without a dollar of their own and with no tenure of office.
Henry Adams had failed to acquire any useful education; he should at least have acquired social experience. Curiously enough, he failed here also. From the European or English point of view, he had no social experience, and never got it. Minister Adams happened on a political interregnum owing to Lord Palmerston's personal influence from 1860 to 1865; but this political interregnum was less marked than the social still-stand during the same years. The Prince Consort was dead; the Queen had retired; the Prince of Wales was still a boy. In its best days, Victorian society had never been "smart." During the forties, under the influence of Louis Philippe, Courts affected to be simple, serious and middle class; and they succeeded. The taste of Louis Philippe wasbourgeoisbeyond any taste except that of Queen Victoria. Style lingered in the background with the powdered footman behind the yellow chariot, but speaking socially the Queen had no style save what she inherited. Balmoral was a startling revelation of royal taste. Nothing could be worse than the toilettes at Court unless it were the way they were worn. One's eyes might be dazzled by jewels, but they were heirlooms, and if any lady appeared well dressed, she was either a foreigner or "fast." Fashion was not fashionable in London until the Americans and the Jews were let loose. The style of London toilette universal in 1864 was grotesque, like Monckton Milnes on horseback in Rotten Row.
Society of this sort might fit a young man in some degree for editing Shakespeare or Swift, but had little relation with the society of 1870, and none with that of 1900. Owing to other causes, young Adams never got the full training of such style as still existed. The embarrassments of his first few seasons socially ruined him. His own want of experience prevented his asking introductions to the ladies who ruled society; his want of friends prevented his knowing who these ladies were; and he had every reason to expect snubbing if he put himself in evidence. This sensitiveness was thrown away on English society, where men and women treated each others' advances much more brutally than those of strangers, but young Adams was son and private secretary too; he could not be as thick-skinned as an Englishman. He was not alone. Every young diplomat, and most of the old ones, felt awkward in an English house from a certainty that they were not precisely wanted there, and a possibility that they might be told so.
If there was in those days a country house in England which had a right to call itself broad in views and large in tastes, it was Bretton in Yorkshire; and if there was a hostess who had a right to consider herself fashionable as well as charming, it was Lady Margaret Beaumont; yet one morning at breakfast there, sitting by her side--not for his own merits--Henry Adams heard her say to herself in her languid and liberal way, with her rich voice and musing manner, looking into her tea-cup: "I don't think I care for foreigners!" Horror-stricken, not so much on his own account as on hers, the young man could only execute himself as gaily as he might: "But Lady Margaret, please make one small exception for me!" Of course she replied what was evident, that she did not call him a foreigner, and her genial Irish charm made the slip of tongue a happy courtesy; but none the less she knew that, except for his momentary personal introduction, he was in fact a foreigner, and there was no imaginable reason why she should like him, or any other foreigner, unless it were because she was bored by natives. She seemed to feel that her indifference needed a reason to excuse itself in her own eyes, and she showed the subconscious sympathy of the Irish nature which never feels itself perfectly at home even in England. She, too, was some shadowy shade un-English.
Always conscious of this barrier, while the war lasted the private secretary hid himself among the herd of foreigners till he found his relations fixed and unchangeable. He never felt himself in society, and he never knew definitely what was meant as society by those who were in it. He saw far enough to note a score of societies which seemed quite independent of each other. The smartest was the smallest, and to him almost wholly strange. The largest was the sporting world, also unknown to him except through the talk of his acquaintances. Between or beyond these lay groups of nebulous societies. His lawyer friends, like Evarts, frequented legal circles where one still sat over the wine and told anecdotes of the bench and bar; but he himself never set eyes on a judge except when his father took him to call on old Lord Lyndhurst, where they found old Lord Campbell, both abusing old Lord Brougham. The Church and the Bishops formed several societies which no secretary ever saw except as an interloper. The Army; the Navy; the Indian Service; the medical and surgical professions; City people; artists; county families; the Scotch, and indefinite other subdivisions of society existed, which were as strange to each other as they were to Adams. At the end of eight or ten seasons in London society he professed to know less about it, or how to enter it, than he did when he made his first appearance at Miss Burdett Coutts's in May, 1861.
Sooner or later every young man dropped into a set or circle, and frequented the few houses that were willing to harbor him. An American who neither hunted nor raced, neither shot nor fished nor gambled, and was not marriageable, had no need to think of society at large. Ninety-nine houses in every hundred were useless to him, a greater bore to him than he to them. Thus the question of getting into--or getting out of--society which troubled young foreigners greatly, settled itself after three or four years of painful speculation. Society had no unity; one wandered about in it like a maggot in cheese; it was not a hansom cab, to be got into, or out of, at dinner-time.
Therefore he always professed himself ignorant of society; he never knew whether he had been in it or not, but from the accounts of his future friends, like General Dick Taylor or George Smalley, and of various ladies who reigned in the seventies, he inclined to think that he knew very little about it. Certain great houses and certain great functions of course he attended, like every one else who could get cards, but even of these the number was small that kept an interest or helped education. In seven years he could remember only two that seemed to have any meaning for him, and he never knew what that meaning was. Neither of the two was official; neither was English in interest; and both were scandals to the philosopher while they scarcely enlightened men of the world.
One was at Devonshire House, an ordinary, unpremeditated evening reception. Naturally every one went to Devonshire House if asked, and the rooms that night were fairly full of the usual people. The private secretary was standing among the rest, when Mme. de Castiglione entered, the famous beauty of the Second Empire. How beautiful she may have been, or indeed what sort of beauty she was, Adams never knew, because the company, consisting of the most refined and aristocratic society in the world, instantly formed a lane, and stood in ranks to stare at her, while those behind mounted on chairs to look over their neighbors' heads; so that the lady walked through this polite mob, stared completely out of countenance, and fled the house at once. This was all!
The other strange spectacle was at Stafford House, April 13, 1864, when, in a palace gallery that recalled Paolo Veronese's pictures of Christ in his scenes of miracle, Garibaldi, in his gray capote over his red shirt, received all London, and three duchesses literally worshipped at his feet. Here, at all events, a private secretary had surely caught the last and highest touch of social experience; but what it meant--what social, moral, or mental development it pointed out to the searcher of truth--was not a matter to be treated fully by a leader in theMorning Postor even by a sermon in Westminster Abbey. Mme. de Castiglione and Garibaldi covered, between them, too much space for simple measurement; their curves were too complex for mere arithmetic. The task of bringing the two into any common relation with an ordered social system tending to orderly development--in London or elsewhere--was well fitted for Algernon Swinburne or Victor Hugo, but was beyond any process yet reached by the education of Henry Adams, who would probably, even then, have rejected, as superficial or supernatural, all the views taken by any of the company who looked on with him at these two interesting and perplexing sights.
From the Court, or Court society, a mere private secretary got nothing at all, or next to nothing, that could help him on his road through life. Royalty was in abeyance. One was tempted to think in these years, 1860-65, that the nicest distinction between the very best society and the second-best, was their attitude towards royalty. The one regarded royalty as a bore, and avoided it, or quietly said that the Queen had never been in society. The same thing might have been said of fully half the peerage. Adams never knew even the names of half the rest; he never exchanged ten words with any member of the royal family; he never knew any one in those years who showed interest in any member of the royal family, or who would have given five shillings for the opinion of any royal person on any subject; or cared to enter any royal or noble presence, unless the house was made attractive by as much social effort as would have been necessary in other countries where no rank existed. No doubt, as one of a swarm, young Adams slightly knew various gilded youth who frequented balls and led such dancing as was most in vogue, but they seemed to set no value on rank; their anxiety was only to know where to find the best partners before midnight, and the best supper after midnight. To the American, as to Arthur Pendennis or Barnes Newcome, the value of social position and knowledge was evident enough; he valued it at rather more than it was worth to him; but it was a shadowy thing which seemed to vary with every street corner; a thing which had shifting standards, and which no one could catch outright. The half-dozen leaders and beauties of his time, with great names and of the utmost fashion, made some of the poorest marriages, and the least showy careers.
Tired of looking on at society from the outside, Adams grew to loathe the sight of his Court dress; to groan at every announcement of a Court ball; and to dread every invitation to a formal dinner. The greatest social event gave not half the pleasure that one could buy for ten shillings at the opera when Patti sang Cherubino or Gretchen, and not a fourth of the education. Yet this was not the opinion of the best judges. Lothrop Motley, who stood among the very best, said to him early in his apprenticeship that the London dinner and the English country house were the perfection of human society. The young man meditated over it, uncertain of its meaning. Motley could not have thought the dinner itself perfect, since there was not then--outside of a few bankers or foreigners--a good cook or a good table in London, and nine out of ten of the dinners that Motley ate came from Gunter's, and all were alike. Every one, especially in young society, complained bitterly that Englishmen did not know a good dinner when they ate it, and could not order one if they were givencarte blanche.Henry Adams was not a judge, and knew no more than they, but he heard the complaints, and he could not think that Motley meant to praise the Englishcuisine.
Equally little could Motley have meant that dinners were good to look at. Nothing could be worse than the toilettes; nothing less artistic than the appearance of the company. One's eyes might be dazzled by family diamonds, but, if an American woman were present, she was sure to make comments about the way the jewels were worn. If there was a well-dressed lady at table, she was either an American or "fast." She attracted as much notice as though she were on the stage. No one could possibly admire an English dinner-table.
Least of all did Motley mean that the taste or the manners were perfect. The manners of English society were notorious, and the taste was worse. Without exception every American woman rose in rebellion against English manners. In fact, the charm of London which made most impression on Americans was the violence of its contrasts; the extreme badness of the worst, making background for the distinction, refinement, or wit of a few, just as the extreme beauty of a few superb women was more effective against the plainness of the crowd. The result was mediæval, and amusing; sometimes coarse to a degree that might have startled a roustabout, and sometimes courteous and considerate to a degree that suggested King Arthur's Round Table; but this artistic contrast was surely not the perfection that Motley had in his mind. He meant something scholarly, worldly, and modern; he was thinking of his own tastes.
Probably he meant that, in his favorite houses, the tone was easy, the talk was good, and the standard of scholarship was high. Even there he would have been forced to qualify his adjectives. No German would have admitted that English scholarship was high, or that it was scholarship at all, or that any wish for scholarship existed in England. Nothing that seemed to smell of the shop or of the lecture-room was wanted. One might as well have talked of Renan's Christ at the table of the Bishop of London, as talk of German philology at the table of an Oxford don. Society, if a small literary class could be called society, wanted to be amused in its old way. Sydney Smith, who had amused, was dead; so was Macaulay, who instructed if he did not amuse; Thackeray died at Christmas, 1863; Dickens never felt at home, and seldom appeared, in society; Bulwer Lytton was not sprightly; Tennyson detested strangers; Carlyle was mostly detested by them; Darwin never came to town; the men of whom Motley must have been thinking were such as he might meet at Lord Houghton's breakfasts: Grote, Jowett, Milman, or Froude; Browning, Matthew Arnold, or Swinburne; Bishop Wilberforce, Venables, or Hayward; or perhaps Gladstone, Robert Lowe, or Lord Granville. A relatively small class, commonly isolated, suppressed, and lost at the usual London dinner, such society as this was fairly familiar even to a private secretary, but to the literary American it might well seem perfection since he could find nothing of the sort in America. Within the narrow limits of this class, the American Legation was fairly at home; possibly a score of houses, all liberal, and all literary, but perfect only in the eyes of a Harvard College historian. They could teach little worth learning, for their tastes were antiquated and their knowledge was ignorance to the next generation. What was altogether fatal for future purposes, they were only English.
A social education in such a medium was bound to be useless in any other, yet Adams had to learn it to the bottom. The one thing needful for a private secretary, was that he should not only seem, but should actually be, at home. He studied carefully, and practised painfully, what seemed to be the favorite accomplishments of society. Perhaps his nervousness deceived him; perhaps he took for an ideal of others what was only his reflected image; but he conceived that the perfection of human society required that a man should enter a drawing-room where he was a total stranger, and place himself on the hearth-rug, his back to the fire, with an air of expectant benevolence, without curiosity, much as though he had dropped in at a charity concert, kindly disposed to applaud the performers and to overlook mistakes. This ideal rarely succeeded in youth, and towards thirty it took a form of modified insolence and offensive patronage; but about sixty it mellowed into courtesy, kindliness, and even deference to the young which had extraordinary charm both in women and in men. Unfortunately Adams could not wait till sixty for education; he had his living to earn; and the English air of patronage would earn no income for him anywhere else.
After five or six years of constant practice, any one can acquire the habit of going from one strange company to another without thinking much of one's self or of them, as though silently reflecting that "in a world where we are all insects, no insect is alien; perhaps they are human in parts"; but the dreamy habit of mind which comes from solitude in crowds is not fitness for social success except in London. Everywhere else it is injury. England was a social kingdom whose social coinage had no currency elsewhere.
Englishwomen, from the educational point of view, could give nothing until they approached forty years old. Then they become very interesting--very charming--to the man of fifty. The young American was not worth the young Englishwoman's notice, and never received it. Neither understood the other. Only in the domestic relation, in the country--never in society at large--a young American might accidentally make friends with an Englishwoman of his own age, but it never happened to Henry Adams. His susceptible nature was left to the mercy of American girls, which was professional duty rather than education as long as diplomacy held its own.
Thus he found himself launched on waters where he had never meant to sail, and floating along a stream which carried him far from his port. His third season in London society saw the end of his diplomatic education, and began for him the social life of a young man who felt at home in England--more at home there than anywhere else. With this feeling, the mere habit of going to garden-parties, dinners, receptions, and balls had nothing to do. One might go to scores without a sensation of home. One might stay in no end of country houses without forgetting that one was a total stranger and could never be anything else. One might bow to half the dukes and duchesses in England, and feel only the more strange. Hundreds of persons might pass with a nod and never come nearer. Close relation in a place like London is a personal mystery as profound as chemical affinity. Thousands pass, and one separates himself from the mass to attach himself to another, and so make, little by little, a group.
One morning, April 27, 1863, he was asked to breakfast with Sir Henry Holland, the old Court physician who had been acquainted with every American Minister since Edward Everett, and was a valuable social ally, who had the courage to try to be of use to everybody, and who, while asking the private secretary to breakfast one day, was too discreet to betray what he might have learned about rebel doings at his breakfast-table the day before. He had been friendly with the Legation, in the teeth of society, and was still bearing up against the weight of opinion, so that young Adams could not decline his invitations, although they obliged him to breakfast in Brook Street at nine o'clock in the morning, alternately with Mr. James M. Mason. Old Dr. Holland was himself as hale as a hawk, driving all day bare-headed about London, and eating Welsh rarebit every night before bed; he thought that any young man should be pleased to take his early muffin in Brook Street, and supply a few crumbs of war news for the daily peckings of eminent patients. Meekly, when summoned, the private secretary went, and on reaching the front door, this particular morning, he found there another young man in the act of rapping the knocker. They entered the breakfastroom together, where they were introduced to each other, and Adams learned that the other guest was a Cambridge undergraduate, Charles Milnes Gaskell, son of James Milnes Gaskell, the Member for Wenlock; another of the Yorkshire Milneses, from Thornes near Wakefield. Fate had fixed Adams to Yorkshire. By another chance it happened that young Milnes Gaskell was intimate at Cambridge with William Everett who was also about to take his degree. A third chance inspired Mr. Evarts with a fancy for visiting Cambridge, and led William Everett to offer his services as host. Adams acted as courier to Mr. Evarts, and at the end of May they went down for a few days, when William Everett did the honors as host with a kindness and attention that made his cousin sorely conscious of his own social shortcomings. Cambridge was pretty, and the dons were kind. Mr. Evarts enjoyed his visit but this was merely a part of the private secretary's day's work. What affected his whole life was the intimacy then begun with Milnes Gaskell and his circle of undergraduate friends, just about to enter the world.
Intimates are predestined. Adams met in England a thousand people, great and small; jostled against every one, from royal princes to gin-shop loafers; attended endless official functions and private parties; visited every part of the United Kingdom and was not quite a stranger at the Legations in Paris and Rome; he knew the societies of certain country houses, and acquired habits of Sunday-afternoon calls; but all this gave him nothing to do, and was life wasted. For him nothing whatever could be gained by escorting American ladies to drawing-rooms or American gentlemen to levees at St. James's Palace, or bowing solemnly to people with great titles, at Court balls, or even by awkwardly jostling royalty at garden-parties; all this was done for the Government, and neither President Lincoln nor Secretary Seward would ever know enough of their business to thank him for doing what they did not know how to get properly done by their own servants; but for Henry Adams--not private secretary--all the time taken up by such duties was wasted. On the other hand, his few personal intimacies concerned him alone, and the chance that made him almost a Yorkshireman was one that must have started under the Heptarchy.
More than any other county in England, Yorkshire retained a sort of social independence of London. Scotland itself was hardly more distinct. The Yorkshire type had always been the strongest of the British strains; the Norwegian and the Dane were a different race from the Saxon. Even Lancashire had not the mass and the cultivation of the West Riding. London could never quite absorb Yorkshire, which, in its turn had no great love for London and freely showed it. To a certain degree, evident enough to Yorkshiremen, Yorkshire was not English--or was all England, as they might choose to express it. This must have been the reason why young Adams was drawn there rather than elsewhere. Monckton Milnes alone took the trouble to draw him, and possibly Milnes was the only man in England with whom Henry Adams, at that moment, had a chance of calling out such an un-English effort. Neither Oxford nor Cambridge nor any region south of the Humber contained a considerable house where a young American would have been sought as a friend. Eccentricity alone did not account for it. Monckton Milnes was a singular type, but his distant cousin, James Milnes Gaskell, was another, quite as marked, in an opposite sense. Milnes never seemed willing to rest; Milnes Gaskell never seemed willing to move. In his youth one of a very famous group--Arthur Hallam, Tennyson, Manning, Gladstone, Francis Doyle--and regarded as one of the most promising; an adorer of George Canning; in Parliament since coming of age; married into the powerful connection of the Wynns of Wynstay; rich according to Yorkshire standards; intimate with his political leaders; he was one of the numerous Englishmen who refuse office rather than make the effort of carrying it, and want power only to make it a source of indolence. He was a voracious reader and an admirable critic; he had forty years of parliamentary tradition on his memory; he liked to talk and to listen; he liked his dinner and, in spite of George Canning, his dry champagne; he liked wit and anecdote; but he belonged to the generation of 1830, a generation which could not survive the telegraph and railway, and which even Yorkshire could hardly produce again. To an American he was a character even more unusual and more fascinating than his distant cousin Lord Houghton.
Mr. Milnes Gaskell was kind to the young American whom his son brought to the house, and Mrs. Milnes Gaskell was kinder, for she thought the American perhaps a less dangerous friend than some Englishman might be, for her son, and she was probably right. The American had the sense to see that she was herself one of the most intelligent and sympathetic women in England; her sister, Miss Charlotte Wynn, was another; and both were of an age and a position in society that made their friendship a compliment as well as a pleasure. Their consent and approval settled the matter. In England, the family is a serious fact; once admitted to it, one is there for life. London might utterly vanish from one's horizon, but as long as life lasted, Yorkshire lived for its friends.
In the year 1857, Mr. James Milnes Gaskell, who had sat for thirty years in Parliament as one of the Members for the borough of Wenlock in Shropshire, bought Wenlock Abbey and the estate that included the old monastic buildings. This new, or old, plaything amused Mrs. Milnes Gaskell. The Prior's house, a charming specimen of fifteenth-century architecture, had been long left to decay as a farmhouse. She put it in order, and went there to spend a part of the autumn of 1864. Young Adams was one of her first guests, and drove about Wenlock Edge and the Wrekin with her, learning the loveliness of this exquisite country, and its stores of curious antiquity. It was a new and charming existence; an experience greatly to be envied--ideal repose and rural Shakespearian peace--but a few years of it were likely to complete his education, and fit him to act a fairly useful part in life as an Englishman, an ecclesiastic, and a contemporary of Chaucer.
THE campaign of 1864 and the reëlection of Mr. Lincoln in November set the American Minister on so firm a footing that he could safely regard his own anxieties as over, and the anxieties of Earl Russell and the Emperor Napoleon as begun. With a few months more his own term of four years would come to an end, and even though the questions still under discussion with England should somewhat prolong his stay, he might look forward with some confidence to his return home in 1865. His son no longer fretted. The time for going into the army had passed. If he were to be useful at all, it must be as a son, and as a son he was treated with the widest indulgence and trust. He knew that he was doing himself no good by staying in London, but thus far in life he had done himself no good anywhere, and reached his twenty-seventh birthday without having advanced a step, that he could see, beyond his twenty-first. For the most part, his friends were worse off than he. The war was about to end and they were to be set adrift in a world they would find altogether strange.
At this point, as though to cut the last thread of relation, six months were suddenly dropped out of his life in England. The London climate had told on some of the family; the physicians prescribed a winter in Italy. Of course the private secretary was detached as their escort, since this was one of his professional functions; and he passed six months, gaining an education as Italian courier, while the Civil War came to its end. As far as other education went, he got none, but he was amused. Travelling in all possible luxury, at some one else's expense, with diplomatic privileges and position, was a form of travel hitherto untried. The Cornice invetturawas delightful; Sorrento in winter offered hills to climb and grottoes to explore, and Naples near by to visit; Rome at Easter was an experience necessary for the education of every properly trained private secretary; the journey north byvetturathrough Perugia and Sienna was a dream; the Splügen Pass, if not equal to the Stelvio, was worth seeing; Paris had always something to show. The chances of accidental education were not so great as they had been, since one's field of experience had grown large; but perhaps a season at Baden Baden in these later days of its brilliancy offered some chances of instruction, if it were only the sight of fashionable Europe and America on the race-course watching the Duke of Hamilton, in the middle, improving his social advantages by the conversation of Cora Pearl.
The assassination of President Lincoln fell on the party while they were at Rome, where it seemed singularly fitting to that nursery of murderers and murdered, as though America were also getting educated. Again one went to meditate on the steps of the Santa Maria in Ara Cœli, but the lesson seemed as shallow as before. Nothing happened. The travellers changed no plan or movement. The Minister did not recall them to London. The season was over before they returned; and when the private secretary sat down again at his desk in Portland Place before a mass of copy in arrears, he saw before him a world so changed as to be beyond connection with the past. His identity, if one could call a bundle of disconnected memories an identity, seemed to remain; but his life was once more broken into separate pieces; he was a spider and had to spin a new web in some new place with a new attachment.
All his American friends and contemporaries who were still alive looked singularly commonplace without uniforms, and hastened to get married and retire into back streets and suburbs until they could find employment. Minister Adams, too, was going home "next fall," and when the fall came, he was going home "next spring," and when the spring came, President Andrew Johnson was at loggerheads with the Senate, and found it best to keep things unchanged. After the usual manner of public servants who had acquired the habit of office and lost the faculty of will, the members of the Legation in London continued the daily routine of English society, which, after becoming a habit, threatened to become a vice. Had Henry Adams shared a single taste with the young Englishmen of his time, he would have been lost; but the custom of pounding up and down Rotten Row every day, on a hack, was not a taste, and yet was all the sport he shared. Evidently he must set to work; he must get a new education; he must begin a career of his own.
Nothing was easier to say, but even his father admitted two careers to be closed. For the law, diplomacy had unfitted him; for diplomacy he already knew too much. Any one who had held, during the four most difficult years of American diplomacy, a position at the centre of action, with his hands actually touching the lever of power, could not beg a post of Secretary at Vienna or Madrid in order to bore himself doing nothing until the next President should do him the honor to turn him out. For once all his advisers agreed that diplomacy was not possible.
In any ordinary system he would have been called back to serve in the State Department, but, between the President and the Senate, service of any sort became a delusion. The choice of career was more difficult than the education which had proved impracticable. Adams saw no road; in fact there was none. All his friends were trying one path or another, but none went a way that he could have taken. John Hay passed through London in order to bury himself in second-rate Legations for years, before he drifted home again to join Whitelaw Reid and George Smalley on theTribune.Frank Barlow and Frank Bartlett carried Major-Generals' commissions into small law business. Miles stayed in the army. Henry Higginson, after a desperate struggle, was forced into State Street; Charles Adams wandered about, with brevet-brigadier rank, trying to find employment. Scores of others tried experiments more or less unsuccessful. Henry Adams could see easy ways of making a hundred blunders; he could see no likely way of making a legitimate success. Such as it was, his so-called education was wanted nowhere.
One profession alone seemed possible--the press. In 1860 he would have said that he was born to be an editor, like at least a thousand other young graduates from American colleges who entered the world every year enjoying the same conviction; but in 1866 the situation was altered; the possession of money had become doubly needful for success, and double energy was essential to get money. America had more than doubled her scale. Yet the press was still the last resource of the educated poor who could not be artists and would not be tutors. Any man who was fit for nothing else could write an editorial or a criticism. The enormous mass of misinformation accumulated in ten years of nomad life could always be worked off on a helpless public, in diluted doses, if one could but secure a table in the corner of a newspaper office. The press was an inferior pulpit; an anonymous schoolmaster; a cheap boarding-school but it was still the nearest approach to a career for the literary survivor of a wrecked education. For the press, then, Henry Adams decided to fit himself, and since he could not go home to get practical training, he set to work to do what he could in London.
He knew, as well as any reporter on theNew York Herald,that this was not an American way of beginning, and he knew a certain number of other drawbacks which the reporter could not see so clearly. Do what he might, he drew breath only in the atmosphere of English methods and thoughts; he could breathe none other. His mother--who should have been a competent judge, since her success and popularity in England exceeded that of her husband--averred that every woman who lived a certain time in England came to look and dress like an Englishwoman, no matter how she struggled. Henry Adams felt himself catching an English tone of mind and processes of thought, though at heart more hostile to them than ever. As though to make him more helpless and wholly distort his life, England grew more and more agreeable and amusing. Minister Adams became, in 1866, almost a historical monument in London; he held a position altogether his own. His old opponents disappeared. Lord Palmerston died in October, 1865; Lord Russell tottered on six months longer, but then vanished from power; and in July, 1866, the conservatives came into office. Traditionally the Tories were easier to deal with than the Whigs, and Minister Adams had no reason to regret the change. His personal relations were excellent and his personal weight increased year by year. On that score the private secretary had no cares, and not much copy. His own position was modest, but it was enough; the life he led was agreeable; his friends were all he wanted, and, except that he was at the mercy of politics, he felt much at ease. Of his daily life he had only to reckon so many breakfasts; so many dinners; so many receptions, balls, theatres, and country-parties; so many cards to be left; so many Americans to be escorted--the usual routine of every young American in a Legation; all counting for nothing in sum, because, even if it had been his official duty--which it was not--it was mere routine, a single, continuous, unbroken act, which led to nothing and nowhere except Portland Place and the grave.
The path that led somewhere was the English habit of mind which deepened its ruts every day. The English mind was like the London drawing-room, a comfortable and easy spot, filled with bits and fragments of incoherent furnitures, which were never meant to go together, and could be arranged in any relation without making a whole, except by the square room. Philosophy might dispute about innate ideas till the stars died out in the sky, but about innate tastes no one, except perhaps a collie dog, has the right to doubt; least of all, the Englishman, for his tastes are his being; he drifts after them as unconsciously as a honey-bee drifts after his flowers, and, in England, every one must drift with him. Most young Englishmen drifted to the race-course or the moors or the hunting-field; a few towards books; one or two followed some form of science; and a number took to what, for want of a better name, they called Art. Young Adams inherited a certain taste for the same pursuit from his father who insisted that he had it not, because he could not see what his son thought he saw in Turner. The Minister, on the other hand, carried a sort of æsthetic rag-bag of his own, which he regarded as amusement, and never called art. So he would wander off on a Sunday to attend service successively in all the city churches built by Sir Christopher Wren; or he would disappear from the Legation day after day to attend coin sales at Sotheby's, where his son attended alternate sales of drawings, engravings, or water-colors. Neither knew enough to talk much about the other's tastes, but the only difference between them was a slight difference of direction. The Minister's mind like his writings showed a correctness of form and line that his son would have been well pleased had he inherited.
Of all supposed English tastes, that of art was the most alluring and treacherous. Once drawn into it, one had small chance of escape, for it had no centre or circumference, no beginning, middle, or end, no origin, no object, and no conceivable result as education. In London one met no corrective. The only American who came by, capable of teaching, was William Hunt, who stopped to paint the portrait of the Minister which now completes the family series at Harvard College. Hunt talked constantly, and was, or afterwards became, a famous teacher, but Henry Adams did not know enough to learn. Perhaps, too, he had inherited or acquired a stock of tastes, as young men must, which he was slow to outgrow. Hunt had no time to sweep out the rubbish of Adams's mind. The portrait finished, he went.
As often as he could, Adams ran over to Paris, for sunshine, and there always sought out Richardson in his attic in the Rue du Bac, or wherever he lived, and they went off to dine at the Palais Royal, and talk of whatever interested the students of the Beaux Arts. Richardson, too, had much to say, but had not yet seized his style. Adams caught very little of what lay in his mind, and the less, because, to Adams, everything French was bad except the restaurants, while the continuous life in England made French art seem worst of all. This did not prove that English art, in 1866, was good; far from it; but it helped to make bric-à-brac of all art, after the manner of England.
Not in the Legation, or in London, but in Yorkshire at Thornes, Adams met the man that pushed him furthest in this English garden of innate disorder called taste. The older daughter of the Milnes Gaskells had married Francis Turner Palgrave. Few Americans will ever ask whether any one has described the Palgraves, but the family was one of the most describable in all England at that day. Old Sir Francis, the father, had been much the greatest of all the historians of early England, the only one who was un-English; and the reason of his superiority lay in his name, which was Cohen, and his mind which was Cohen also, or at least not English. He changed his name to Palgrave in order to please his wife. They had a band of remarkable sons: Francis Turner, Gifford, Reginald, Inglis; all of whom made their mark. Gifford was perhaps the most eccentric, but his "Travels" in Arabia were famous, even among the famous travels of that generation. Francis Turner--or, as he was commonly called, Frank Palgrave--unable to work off his restlessness in travel like Gifford, and stifled in the atmosphere of the Board of Education, became a critic. His art criticisms helped to make theSaturday Reviewa terror to the British artist. His literary taste, condensed into the "Golden Treasury," helped Adams to more literary education than he ever got from any taste of his own. Palgrave himself held rank as one of the minor poets; his hymns had vogue. As an art-critic he was too ferocious to be liked; even Holman Hunt found his temper humorous; among many rivals, he may perhaps have had a right to claim the much-disputed rank of being the most unpopular man in London; but he liked to teach, and asked only for a docile pupil. Adams was docile enough, for he knew nothing and liked to listen. Indeed, he had to listen, whether he liked or not, for Palgrave's voice was strident, and nothing could stop him. Literature, painting, sculpture, architecture were open fields for his attacks, which were always intelligent if not always kind, and when these failed, he readily descended to meaner levels. John Richard Green, who was Palgrave's precise opposite, and whose Irish charm of touch and humor defended him from most assaults, used to tell with delight of Palgrave's call on him just after he had moved into his new Queen Anne house in Kensington Square: "Palgrave called yesterday, and the first thing he said was, 'I've counted three anachronisms on your front doorstep.'"
Another savage critic, also a poet, was Thomas Woolner, a type almost more emphatic than Palgrave in a society which resounded with emphasis. Woolner's sculpture showed none of the rough assertion that Woolner himself showed, when he was not making supernatural effort to be courteous, but his busts were remarkable, and his work altogether was, in Palgrave's clamorous opinion, the best of his day. He took the matter of British art--or want of art--seriously, almost ferociously, as a personal grievance and torture; at times he was rather terrifying in the anarchistic wrath of his denunciation. As Henry Adams felt no responsibility for English art, and had no American art to offer for sacrifice, he listened with enjoyment to language much like Carlyle's, and accepted it without a qualm. On the other hand, as a third member of this critical group, he fell in with Stopford Brooke whose tastes lay in the same direction, and whose expression was modified by clerical propriety. Among these men, one wandered off into paths of education much too devious and slippery for an American foot to follow. He would have done better to go on the race-track, as far as concerned a career.
Fortunately for him he knew too little ever to be an art-critic, still less an artist. For some things ignorance is good, and art is one of them. He knew he knew nothing, and had not the trained eye or the keen instinct that trusted itself; but he was curious, as he went on, to find out how much others knew. He took Palgrave's word as final about a drawing of Rembrandt or Michael Angelo, and he trusted Woolner implicitly about a Turner; but when he quoted their authority to any dealer, the dealer pooh-poohed it, and declared that it had no weight in the trade. If he went to a sale of drawings or paintings, at Sotheby's or Christie's, an hour afterwards, he saw these same dealers watching Palgrave or Woolner for a point, and bidding over them. He rarely found two dealers agree in judgment. He once bought a water-color from the artist himself out of his studio, and had it doubted an hour afterwards by the dealer to whose place he took it for framing. He was reduced to admit that he could not prove its authenticity; internal evidence was against it.
One morning in early July, 1867, Palgrave stopped at the Legation in Portland Place on his way downtown, and offered to take Adams to Sotheby's, where a small collection of old drawings was on show. The collection was rather a curious one, said to be that of Sir Anthony Westcomb, from Liverpool, with an undisturbed record of a century, but with nothing to attract notice. Probably none but collectors or experts examined the portfolios. Some dozens of these were always on hand, following every sale, and especially on the lookout for old drawings, which became rarer every year. Turning rapidly over the numbers, Palgrave stopped at one containing several small drawings, one marked as Rembrandt, one as Rafael; and putting his finger on the Rafael, after careful examination; "I should buy this," he said; "it looks to me like one of those things that sell for five shillings one day, and fifty pounds the next." Adams marked it for a bid, and the next morning came down to the auction. The numbers sold slowly, and at noon he thought he might safely go to lunch. When he came back, half an hour afterwards, the drawing was gone. Much annoyed at his own stupidity, since Palgrave had expressly said he wanted the drawing for himself if he had not in a manner given it to Adams, the culprit waited for the sale to close, and then asked the clerk for the name of the buyer. It was Holloway, the art-dealer, near Covent Garden, whom he slightly knew. Going at once to the shop he waited till young Holloway came in, with his purchases under his arm, and without attempt at preface, he said: "You bought to-day, Mr. Holloway, a number that I wanted. Do you mind letting me have it?" Holloway took out the parcel, looked over the drawings, and said that he had bought the number for the sake of the Rembrandt, which he thought possibly genuine; taking that out, Adams might have the rest for the price he paid for the lot--twelve shillings.
Thus, down to that moment, every expert in London had probably seen these drawings. Two of them--only two--had thought them worth buying at any price, and of these two, Palgrave chose the Rafael, Holloway the one marked as Rembrandt. Adams, the purchaser of the Rafael, knew nothing whatever on the subject, but thought he might credit himself with education to the value of twelve shillings, and call the drawing nothing. Such items of education commonly came higher.
He took the drawing to Palgrave. It was closely pasted to an old, rather thin, cardboard mount, and, on holding it up to the window, one could see lines on the reverse. "Take it down to Reed at the British Museum," said Palgrave; "he is Curator of the drawings, and, if you ask him, he will have it taken off the mount." Adams amused himself for a day or two by searching Rafael's works for the figure, which he found at last in the Parnasso, the figure of Horace, of which, as it happened--though Adams did not know it--the British Museum owned a much finer drawing. At last he took the dirty, little, unfinished red-chalk sketch to Reed whom he found in the Curator's room, with some of the finest Rafael drawings in existence, hanging on the walls. "Yes!" said Mr Reed; "I noticed this at the sale; but it's not Rafael!" Adams, feeling himself incompetent to discuss this subject, reported the result to Palgrave, who said that Reed knew nothing about it. Also this point lay beyond Adams's competence; but he noted that Reed was in the employ of the British Museum as Curator of the best--or nearly the best--collection in the world, especially of Rafaels, and that he bought for the Museum. As expert he had rejected both the Rafael and the Rembrandt at first-sight, and after his attention was recalled to the Rafael for a further opinion he rejected it again.
A week later, Adams returned for the drawing, which Mr. Reed took out of his drawer and gave him, saying with what seemed a little doubt or hesitation: "I should tell you that the paper shows a water-mark, which I find the same as that of paper used by Marc Antonio." A little taken back by this method of studying art, a method which even a poor and ignorant American might use as well as Rafael himself, Adams asked stupidly: "Then you think it genuine?" "Possibly!" replied Reed; "but much overdrawn."
Here was expert opinion after a second revise, with help of water-marks! In Adams's opinion it was alone worth another twelve shillings as education; but this was not all. Reed continued: "The lines on the back seem to be writing, which I cannot read, but if you will take it down to the manuscript-room, they will read it for you."
Adams took the sheet down to the keeper of the manuscripts and begged him to read the lines. The keeper, after a few minutes' study, very obligingly said he could not: "It is scratched with an artist's crayon, very rapidly, with many unusual abbreviations and old forms. If any one in Europe can read it, it is the old man at the table yonder, Libri! Take it to him!"
This expert broke down on the alphabet! He could not even judge a manuscript; but Adams had no right to complain, for he had nothing to pay, not even twelve shillings, though he thought these experts worth more, at least for his education. Accordingly he carried his paper to Libri, a total stranger to him, and asked the old man, as deferentially as possible, to tell him whether the lines had any meaning. Had Adams not been an ignorant person he would have known all about Libri, but his ignorance was vast, and perhaps was for the best. Libri looked at the paper, and then looked again, and at last bade him sit down and wait. Half an hour passed before he called Adams back and showed him these lines:--
"Or questo credo ben che una elleriaTe offende tanto che te offese il core.Perche sei grande nol sei in tua volia;Tu vedi e gia non credi il tuo valore;Passate gia son tutte gelosie;Tu sei di sasso; non hai piu dolore."
As far as Adams could afterwards recall it, this was Libri's reading, but he added that the abbreviations were many and unusual; that the writing was very ancient; and that the word he read as "elleria" in the first line was not Italian at all.
By this time, one had got too far beyond one's depth to ask questions. If Libri could not read Italian, very clearly Adams had better not offer to help him. He took the drawing, thanked everybody, and having exhausted the experts of the British Museum, took a cab to Woolner's studio, where he showed the figure and repeated Reed's opinion. Woolner snorted: "Reed's a fool!" he said; "he knows nothing about it; there may be a rotten line or two, but the drawing's all right."
For forty years Adams kept this drawing on his mantelpiece, partly for its own interest, but largely for curiosity to see whether any critic or artist would ever stop to look at it. None ever did, unless he knew the story. Adams himself never wanted to know more about it. He refused to seek further light. He never cared to learn whether the drawing was Rafael's, or whether the verse was Rafael's, or whether even the water-mark was Rafael's. The experts--some scores of them including the British Museum,--had affirmed that the drawing was worth a certain moiety of twelve shillings. On that point, also, Adams could offer no opinion, but he was clear that his education had profited by it to that extent--his amusement even more.
Art was a superb field for education, but at every turn he met the same old figure, like a battered and illegible signpost that ought to direct him to the next station but never did. There was no next station. All the art of a thousand--or ten thousand--years had brought England to stuff which Palgrave and Woolner brayed in their mortars; derided, tore in tatters, growled at, and howled at, and treated in terms beyond literary usage. Whistler had not yet made his appearance in London, but the others did quite as well. What result could a student reach from it? Once, on returning to London, dining with Stopford Brooke, some one asked Adams what impression the Royal Academy Exhibition made on him. With a little hesitation, he suggested that it was rather a chaos, which he meant for civility; but Stopford Brooke abruptly met it by asking whether chaos were not better than death. Truly the question was worth discussion. For his own part, Adams inclined to think that neither chaos nor death was an object to him as a searcher of knowledge--neither would have vogue in America--neither would help him to a career. Both of them led him away from his objects, into an English dilettante museum of scraps, with nothing but a wall-paper to unite them in any relation of sequence. Possibly English taste was one degree more fatal than English scholarship, but even this question was open to argument. Adams went to the sales and bought what he was told to buy; now a classical drawing by Rafael or Rubens; now a water-color by Girtin or Cotman, if possible unfinished because it was more likely to be a sketch from nature; and he bought them not because they went together--on the contrary, they made rather awkward spots on the wall as they did on the mind--but because he could afford to buy those, and not others. Ten pounds did not go far to buy a Michael Angelo, but was a great deal of money to a private secretary. The effect was spotty, fragmentary, feeble; and the more so because the British mind was constructed in that way--boasted of it, and held it to be true philosophy as well as sound method.
What was worse, no one had a right to denounce the English as wrong. Artistically their mind was scrappy, and every one knew it, but perhaps thought itself, history, and nature, were scrappy, and ought to be studied so. Turning from British art to British literature, one met the same dangers. The historical school was a playground of traps and pitfalls. Fatally one fell into the sink of history--antiquarianism. For one who nourished a natural weakness for what was called history, the whole of British literature in the nineteenth century was antiquarianism or anecdotage, for no one except Buckle had tried to link it with ideas, and commonly Buckle was regarded as having failed. Macaulay was the English historian. Adams had the greatest admiration for Macaulay, but he felt that any one who should even distantly imitate Macaulay would perish in self-contempt. One might as well imitate Shakespeare. Yet evidently something was wrong here, for the poet and the historian ought to have different methods, and Macaulay's method ought to be imitable if it were sound; yet the method was more doubtful than the style. He was a dramatist; a painter; a poet, like Carlyle. This was the English mind, method, genius, or whatever one might call it; but one never could quite admit that the method which ended in Froude and Kinglake could be sound for America where passion and poetry were eccentricities. Both Froude and Kinglake, when one met them at dinner, were very agreeable, very intelligent; and perhaps the English method was right, and art fragmentary by essence. History, like everything else, might be a field of scraps, like the refuse about a Staffordshire iron-furnace. One felt a little natural reluctance to decline and fall like Silas Wegg on the golden dust-heap of British refuse; but if one must, one could at least expect a degree from Oxford and the respect of the Athenæum Club.
While drifting, after the war ended, many old American friends came abroad for a holiday, and among the rest, Dr. Palfrey, busy with his "History of New England." Of all the relics of childhood, Dr. Palfrey was the most sympathetic, and perhaps the more so because he, too, had wandered into the pleasant meadows of antiquarianism, and had forgotten the world in his pursuit of the New England Puritan. Although America seemed becoming more and more indifferent to the Puritan except as a slightly rococo ornament, he was only the more amusing as a study for the Monkbarns of Boston Bay, and Dr. Palfrey took him seriously, as his clerical education required. His work was rather an Apologia in the Greek sense; a justification of the ways of God to Man, or, what was much the same thing, of Puritans to other men; and the task of justification was onerous enough to require the occasional relief of a contrast or scapegoat. When Dr. Palfrey happened on the picturesque but unpuritanic figure of Captain John Smith, he felt no call to beautify Smith's picture or to defend his moral character; he became impartial and penetrating. The famous story of Pocahontas roused his latent New England scepticism. He suggested to Adams, who wanted to make a position for himself, that an article in theNorth American Reviewon Captain John Smith's relations with Pocahontas would attract as much attention, and probably break as much glass, as any other stone that could be thrown by a beginner. Adams could suggest nothing better. The task seemed likely to be amusing. So he planted himself in the British Museum and patiently worked over all the material he could find, until, at last, after three or four months of labor, he got it in shape and sent it to Charles Norton, who was then editing theNorth American.Mr. Norton very civilly and even kindly accepted it. The article appeared in January, 1867.
Surely, here was something to ponder over, as a step in education; something that tended to stagger a sceptic! In spite of personal wishes, intentions, and prejudices; in spite of civil wars and diplomatic education; in spite of determination to be actual, daily, and practical, Henry Adams found himself, at twenty-eight, still in English society, dragged on one side into English dilettantism, which of all dilettantism he held the most futile; and, on the other, into American antiquarianism, which of all antiquarianism he held the most foolish. This was the result of five years in London. Even then he knew it to be a false start. He had wholly lost his way. If he were ever to amount to anything, he must begin a new education, in a new place, with a new purpose.
POLITICS, diplomacy, law, art, and history had opened no outlet for future energy or effort, but a man must do something, even in Portland Place, when winter is dark and winter evenings are exceedingly long. At that moment Darwin was convulsing society. The geological champion of Darwin was Sir Charles Lyell, and the Lyells were intimate at the Legation. Sir Charles constantly said of Darwin, what Palgrave said of Tennyson, that the first time he came to town, Adams should be asked to meet him, but neither of them ever came to town, or ever cared to meet a young American, and one could not go to them because they were known to dislike intrusion. The only Americans who were not allowed to intrude were the half-dozen in the Legation. Adams was content to read Darwin, especially his "Origin of Species" and his "Voyage of the Beagle." He was a Darwinist before the letter; a predestined follower of the tide; but he was hardly trained to follow Darwin's evidences. Fragmentary the British mind might be, but in those days it was doing a great deal of work in a very un-English way, building up so many and such vast theories on such narrow foundations as to shock the conservative, and delight the frivolous. The atomic theory; the correlation and conservation of energy; the mechanical theory of the universe; the kinetic theory of gases, and Darwin's Law of Natural Selection, were examples of what a young man had to take on trust. Neither he nor any one else knew enough to verify them; in his ignorance of mathematics, he was particularly helpless; but this never stood in his way. The ideas were new and seemed to lead somewhere--to some great generalization which would finish one's clamor to be educated. That a beginner should understand them all, or believe them all, no one could expect, still less exact. Henry Adams was Darwinist because it was easier than not, for his ignorance exceeded belief, and one must know something in order to contradict even such triflers as Tyndall and Huxley.
By rights, he should have been also a Marxist but some narrow trait of the New England nature seemed to blight socialism, and he tried in vain to make himself a convert. He did the next best thing; he became a Comteist, within the limits of evolution. He was ready to become anything but quiet. As though the world had not been enough upset in his time, he was eager to see it upset more. He had his wish, but he lost his hold on the results by trying to understand them.
He never tried to understand Darwin; but he still fancied he might get the best part of Darwinism from the easier study of geology; a science which suited idle minds as well as though it were history. Every curate in England dabbled in geology and hunted for vestiges of Creation. Darwin hunted only for vestiges of Natural Selection, and Adams followed him, although he cared nothing about Selection, unless perhaps for the indirect amusement of upsetting curates. He felt, like nine men in ten, an instinctive belief in Evolution, but he felt no more concern in Natural than in unnatural Selection, though he seized with greediness the new volume on the "Antiquity of Man" which Sir Charles Lyell published in 1863 in order to support Darwin by wrecking the Garden of Eden. Sir Charles next brought out, in 1866, a new edition of his "Principles," then the highest text-book of geology; but here the Darwinian doctrine grew in stature. Natural Selection led back to Natural Evolution, and at last to Natural Uniformity. This was a vast stride. Unbroken Evolution under uniform conditions pleased every one--except curates and bishops; it was the very best substitute for religion; a safe, conservative, practical, thoroughly Common-Law deity. Such a working system for the universe suited a young man who had just helped to waste five or ten thousand million dollars and a million lives, more or less, to enforce unity and uniformity on people who objected to it; the idea was only too seductive in its perfection; it had the charm of art. Unity and Uniformity were the whole motive of philosophy, and if Darwin, like a true Englishman, preferred to back into it--to reach Goda posteriori--rather than start from it, like Spinoza, the difference of method taught only the moral that the best way of reaching unity was to unite. Any road was good that arrived.
Life depended on it. One had been, from the first, dragged hither and thither like a French poodle on a string, following always the strongest pull, between one form of unity or centralization and another. The proof that one had acted wisely because of obeying the primordial habit of nature flattered one's self-esteem. Steady, uniform, unbroken evolution from lower to higher seemed easy. So, one day when Sir Charles came to the Legation to inquire about getting his "Principles" properly noticed in America, young Adams found nothing simpler than to suggest that he could do it himself if Sir Charles would tell him what to say. Youth risks such encounters with the universe before one succumbs to it, yet even he was surprised at Sir Charles's ready assent, and still more so at finding himself, after half an hour's conversation, sitting down to clear the minds of American geologists about the principles of their profession. This was getting on fast; Arthur Pendennis had never gone so far.
The geologists were a hardy class, not likely to be much hurt by Adams's learning, nor did he throw away much concern on their account. He undertook the task chiefly to educate, not them, but himself, and if Sir Isaac Newton had, like Sir Charles Lyell, asked him to explain for Americans his last edition of the "Principia," Adams would have jumped at the chance. Unfortunately the mere reading such works for amusement is quite a different matter from studying them for criticism. Ignorance must always begin at the beginning. Adams must inevitably have begun by asking Sir Isaac for an intelligible reason why the apple fell to the ground. He did not know enough to be satisfied with the fact. The Law of Gravitation was so-and-so, but what was Gravitation? and he would have been thrown quite off his base if Sir Isaac had answered that he did not know.
At the very outset Adams struck on Sir Charles's Glacial Theory or theories. He was ignorant enough to think that the glacial epoch looked like a chasm between him and a uniformitarian world. If the glacial period were uniformity, what was catastrophe? To him the two or three labored guesses that Sir Charles suggested or borrowed to explain glaciation were proof of nothing, and were quite unsolid as support for so immense a superstructure as geological uniformity. If one were at liberty to be as lax in science as in theology, and to assume unity from the start, one might better say so, as the Church did, and not invite attack by appearing weak in evidence. Naturally a young man, altogether ignorant, could not say this to Sir Charles Lyell or Sir Isaac Newton; but he was forced to state Sir Charles's views, which he thought weak as hypotheses and worthless as proofs. Sir Charles himself seemed shy of them. Adams hinted his heresies in vain. At last he resorted to what he thought the bold experiment of inserting a sentence in the text, intended to provoke correction. "The introduction [by Louis Agassiz] of this new geological agent seemed at first sight inconsistent with Sir Charles's argument, obliging him to allow that causes had in fact existed on the earth capable of producing more violent geological changes than would be possible in our own day." The hint produced no effect. Sir Charles said not a word; he let the paragraph stand; and Adams never knew whether the great Uniformitarian was strict or lax in his uniformitarian creed; but he doubted.
Objections fatal to one mind are futile to another, and as far as concerned the article, the matter ended there, although the glacial epoch remained a misty region in the young man's Darwinism. Had it been the only one, he would not have fretted about it; but uniformity often worked queerly and sometimes did not work as Natural Selection at all. Finding himself at a loss for some single figure to illustrate the Law of Natural Selection, Adams asked Sir Charles for the simplest case of uniformity on record. Much to his surprise Sir Charles told him that certain forms, likeTerebratula,appeared to be identical from the beginning to the end of geological time. Since this was altogether too much uniformity and much too little selection, Adams gave up the attempt to begin at the beginning, and tried starting at the end--himself. Taking for granted that the vertebrates would serve his purpose, he asked Sir Charles to introduce him to the first vertebrate. Infinitely to his bewilderment, Sir Charles informed him that the first vertebrate was a very respectable fish, among the earliest of all fossils, which had lived, and whose bones were still reposing, under Adams's own favorite Abbey on Wenlock Edge.
By this time, in 1867 Adams had learned to know Shropshire familiarly, and it was the part of his diplomatic education which he loved best. Like Catherine Olney in "Northanger Abbey," he yearned for nothing so keenly as to feel at home in a thirteenth-century Abbey, unless it were to haunt a fifteenth-century Prior's House, and both these joys were his at Wenlock. With companions or without, he never tired of it. Whether he rode about the Wrekin, or visited all the historical haunts from Ludlow Castle and Stokesay to Boscobel and Uriconium; or followed the Roman road or scratched in the Abbey ruins, all was amusing and carried a flavor of its own like that of the Roman Campagna; but perhaps he liked best to ramble over the Edge on a summer afternoon and look across the Marches to the mountains of Wales. The peculiar flavor of the scenery has something to do with absence of evolution; it was better marked in Egypt: it was felt wherever time-sequences became interchangeable. One's instinct abhors time. As one lay on the slope of the Edge, looking sleepily through the summer haze towards Shrewsbury or Cader Idris or Caer Caradoc or Uriconium, nothing suggested sequence. The Roman road was twin to the railroad; Uriconium was well worth Shrewsbury; Wenlock and Buildwas were far superior to Bridgnorth. The shepherds of Caractacus or Offa, or the monks of Buildwas, had they approached where he lay in the grass, would have taken him only for another and tamer variety of Welsh thief. They would have seen little to surprise them in the modern landscape unless it were the steam of a distant railway. One might mix up the terms of time as one liked, or stuff the present anywhere into the past, measuring time by Falstaff's Shrewsbury clock, without violent sense of wrong, as one could do it on the Pacific Ocean; but the triumph of all was to look south along the Edge to the abode of one's earliest ancestor and nearest relative, the ganoid fish, whose name, according to Professor Huxley, wasPteraspis,a cousin of the sturgeon, and whose kingdom, according to Sir Roderick Murchison, was called Siluria. Life began and ended there. Behind that horizon lay only the Cambrian, without vertebrates or any other organism except a few shell-fish. On the further verge of the Cambrian rose the crystalline rocks from which every trace of organic existence had been erased.