LVIII.

{5238}

After all, Miss Triscoe did not go with March; she preferred to sleep. The imperial party was to arrive at half past seven, but at six the crowd was already dense before the station, and all along the street leading to the Residenz. It was a brilliant day, with the promise of sunshine, through which a chilly wind blew, for the manoeuvres. The colors of all the German states flapped in this breeze from the poles wreathed with evergreen which encircled the square; the workmen putting the last touches on the bronzed allegory hurried madly to be done, and they had, scarcely finished their labors when two troops of dragoons rode into the place and formed before the station, and waited as motionlessly as their horses would allow.

These animals were not so conscious as lions at the approach of princes; they tossed and stamped impatiently in the long interval before the Regent and his daughter-in-law came to welcome their guests. All the human beings, both those who were in charge and those who were under charge, were in a quiver of anxiety to play their parts well, as if there were some heavy penalty for failure in the least point. The policemen keeping the people, in line behind the ropes which restrained them trembled with eagerness; the faces of some of the troopers twitched. An involuntary sigh went up from the crowd as the Regent's carriage appeared, heralded by outriders, and followed by other plain carriages of Bavarian blue with liveries of blue and silver. Then the whistle of the Kaiser's train sounded; a trumpeter advanced and began to blow his trumpet as they do in the theatre; and exactly at the appointed moment the Emperor and Empress came out of the station through the brilliant human alley leading from it, mounted their carriages, with the stage trumpeter always blowing, and whirled swiftly round half the square and flashed into the corner toward the Residenz out of sight. The same hollow groans of Ho-o-o-ch greeted and followed them from the spectators as had welcomed the Regent when he first arrived among his fellow-townsmen, with the same effect of being the conventional cries of a stage mob behind the scenes.

The Emperor was like most of his innumerable pictures, with a swarthy face from which his blue eyes glanced pleasantly; he looked good-humored if not good-natured; the Empress smiled amiably beneath her deeply fringed white parasol, and they both bowed right and left in acknowledgment of those hollow groans; but again it seemed, to March that sovereignty, gave the popular curiosity, not to call it devotion, a scantier return than it merited. He had perhaps been insensibly working toward some such perception as now came to him that the great difference between Europe and America was that in Europe life is histrionic and dramatized, and that in America, except when it is trying to be European, it is direct and sincere. He wondered whether the innate conviction of equality, the deep, underlying sense of a common humanity transcending all social and civic pretences, was what gave their theatrical effect to the shows of deference from low to high, and of condescension from high to low. If in such encounters of sovereigns and subjects, the prince did not play his part so well as the people, it might be that he had a harder part to play, and that to support his dignity at all, to keep from being found out the sham that he essentially was, he had to hurry across the stage amidst the distracting thunders of the orchestra. If the star staid to be scrutinized by the soldiers, citizens, and so forth, even the poor supernumeraries and scene-shifters might see that he was a tallow candle like themselves.

In the censorious mood induced by the reflection that he had waited an hour and a half for half a minute's glimpse of the imperial party, March now decided not to go to the manoeuvres, where he might be subjected to still greater humiliation and disappointment. He had certainly come to Wurzburg for the manoeuvres, but Wurzburg had been richly repaying in itself; and why should he stifle half an hour in an overcrowded train, and struggle for three miles on foot against that harsh wind, to see a multitude of men give proofs of their fitness to do manifold murder? He was, in fact, not the least curious for the sight, and the only thing that really troubled him was the question of how he should justify his recreance to his wife. This did alloy the pleasure with which he began, after an excellent breakfast at a neighboring cafe, to stroll about the streets, though he had them almost to himself, so many citizens had followed the soldiers to the manoeuvres.

It was not till the soldiers began returning from the manoeuvres, dusty-footed, and in white canvas overalls drawn over their trousers to save them, that he went back to Mrs. March and Miss Triscoe at the Swan. He had given them time enough to imagine him at the review, and to wonder whether he had seen General Triscoe and the Stollers there, and they met him with such confident inquiries that he would not undeceive them at once. He let them divine from his inventive answers that he had not gone to the manoeuvres, which put them in the best humor with themselves, and the girl said it was so cold and rough that she wished her father had not gone, either. The general appeared just before dinner and frankly avowed the same wish. He was rasping and wheezing from the dust which filled his lungs; he looked blown and red, and he was too angry with the company he had been in to have any comments on the manoeuvres. He referred to the military chiefly in relation to the Miss Stollers' ineffectual flirtations, which he declared had been outrageous. Their father had apparently no control over them whatever, or else was too ignorant to know that they were misbehaving. They were without respect or reverence for any one; they had talked to General Triscoe as if he were a boy of their own age, or a dotard whom nobody need mind; they had not only kept up their foolish babble before him, they had laughed and giggled, they had broken into snatches of American song, they had all but whistled and danced. They made loud comments in Illinois English—on the cuteness of the officers whom they admired, and they had at one time actually got out their handkerchiefs. He supposed they meant to wave them at the officers, but at the look he gave them they merely put their hats together and snickered in derision of him. They were American girls of the worst type; they conformed to no standard of behavior; their conduct was personal. They ought to be taken home.

Mrs. March said she saw what he meant, and she agreed with him that they were altogether unformed, and were the effect of their own ignorant caprices. Probably, however, it was too late to amend them by taking them away.

“It would hide them, at any rate,” he answered. “They would sink back into the great mass of our vulgarity, and not be noticed. We behave like a parcel of peasants with our women. We think that if no harm is meant or thought, we may risk any sort of appearance, and we do things that are scandalously improper simply because they are innocent. That may be all very well at home, but people who prefer that sort of thing had better stay there, where our peasant manners won't make them conspicuous.”

As their train ran northward out of Wurzburg that afternoon, Mrs. March recurred to the general's closing words. “That was a slap at Mrs. Adding for letting Kenby go off with her.”

She took up the history of the past twenty-four hours, from the time March had left her with Miss Triscoe when he went with her father and the Addings and Kenby to see that church. She had had no chance to bring up these arrears until now, and she atoned to herself for the delay by making the history very full, and going back and adding touches at any point where she thought she had scanted it. After all, it consisted mainly of fragmentary intimations from Miss Triscoe and of half-uttered questions which her own art now built into a coherent statement.

March could not find that the general had much resented Burnamy's clandestine visit to Carlsbad when his daughter told him of it, or that he had done more than make her promise that she would not keep up the acquaintance upon any terms unknown to him.

“Probably,” Mrs. March said, “as long as he had any hopes of Mrs. Adding, he was a little too self-conscious to be very up and down about Burnamy.”

“Then you think he was really serious about her?”

“Now my dear! He was so serious that I suppose he was never so completely taken aback in his life as when he met Kenby in Wurzburg and saw how she received him. Of course, that put an end to the fight.”

“The fight?”

“Yes—that Mrs. Adding and Agatha were keeping up to prevent his offering himself.”

“Oh! And how do you know that they were keeping up the fight together?”

“How do I? Didn't you see yourself what friends they were? Did you tell him what Stoller had, said about Burnamy?”

“I had no chance. I don't know that I should have done it, anyway. It wasn't my affair.”

“Well, then, I think you might. It would have been everything for that poor child; it would have completely justified her in her own eyes.”

“Perhaps your telling her will serve the same purpose.”

“Yes, I did tell her, and I am glad of it. She had a right to know it.”

“Did she think Stoller's willingness to overlook Burnamy's performance had anything to do with its moral quality?”

Mrs. March was daunted for the moment, but she said, “I told her you thought that if a person owned to a fault they disowned it, and put it away from them just as if it had never been committed; and that if a person had taken their punishment for a wrong they had done, they had expiated it so far as anybody else was concerned. And hasn't poor Burnamy done both?”

As a moralist March was flattered to be hoist with his own petard, but as a husband he was not going to come down at once. “I thought probably you had told her that. You had it pat from having just been over it with me. When has she heard from him?”

“Why, that's the strangest thing about it. She hasn't heard at all. She doesn't know where he is. She thought we must know. She was terribly broken up.”

“How did she show it?”

“She didn't show it. Either you want to tease, or you've forgotten how such things are with young people—or at least girls.”

“Yes, it's all a long time ago with me, and I never was a girl. Besides, the frank and direct behavior of Kenby and Mrs. Adding has been very obliterating to my early impressions of love-making.”

“It certainly hasn't been ideal,” said Mrs. March with a sigh.

“Why hasn't it been ideal?” he asked. “Kenby is tremendously in love with her; and I believe she's had a fancy for him from the beginning. If it hadn't been for Rose she would have accepted him at once; and now he's essential to them both in their helplessness. As for Papa Triscoe and his Europeanized scruples, if they have any reality at all they're the residuum of his personal resentment, and Kenby and Mrs. Adding have nothing to do with their unreality. His being in love with her is no reason why he shouldn't be helpful to her when she needs him, and every reason why he should. I call it a poem, such as very few people have the luck to live out together.”

Mrs. March listened with mounting fervor, and when he stopped, she cried out, “Well, my dear, I do believe you are right! It is ideal, as you say; it's a perfect poem. And I shall always say—”

She stopped at the mocking light which she caught in his look, and perceived that he had been amusing himself with her perennial enthusiasm for all sorts of love-affairs. But she averred that she did not care; what he had said was true, and she should always hold him to it.

They were again in the wedding-journey sentiment in which they had left Carlsbad, when they found themselves alone together after their escape from the pressure of others' interests. The tide of travel was towards Frankfort, where the grand parade was to take place some days later. They were going to Weimar, which was so few hours out of their way that they simply must not miss it; and all the way to the old literary capital they were alone in their compartment, with not even a stranger, much less a friend to molest them. The flying landscape without was of their own early autumnal mood, and when the vineyards of Wurzburg ceased to purple it, the heavy after-math of hay and clover, which men, women, and children were loading on heavy wains, and driving from the meadows everywhere, offered a pastoral and pleasing change. It was always the German landscape; sometimes flat and fertile, sometimes hilly and poor; often clothed with dense woods, but always charming, with castled tops in ruin or repair, and with levels where Gothic villages drowsed within their walls, and dreamed of the mediaeval past, silent, without apparent life, except for some little goose-girl driving her flock before her as she sallied out into the nineteenth century in search of fresh pasturage.

As their train mounted among the Thuringian uplands they were aware of a finer, cooler air through their open window. The torrents foamed white out of the black forests of fir and pine, and brawled along the valleys, where the hamlets roused themselves in momentary curiosity as the train roared into them from the many tunnels. The afternoon sunshine had the glister of mountain sunshine everywhere, and the travellers had a pleasant bewilderment in which their memories of Switzerland and the White Mountains mixed with long-dormant emotions from Adirondack sojourns. They chose this place and that in the lovely region where they lamented that they had not come at once for the after-cure, and they appointed enough returns to it in future years to consume all the summers they had left to live.

{5249}

It was falling night when they reached Weimar, where they found at the station a provision of omnibuses far beyond the hotel accommodations. They drove first to the Crown-Prince, which was in a promising state of reparation, but which for the present could only welcome them to an apartment where a canvas curtain cut them off from a freshly plastered wall. The landlord deplored the fact, and sent hospitably out to try and place them at the Elephant. But the Elephant was full, and the Russian Court was full too. Then the landlord of the Crown-Prince bethought himself of a new hotel, of the second class, indeed, but very nice, where they might get rooms, and after the delay of an hour, they got a carriage and drove away from the Crown-Prince, where the landlord continued to the last as benevolent as if they had been a profit instead of a loss to him.

The streets of the town at nine o'clock were empty and quiet, and they instantly felt the academic quality of the place. Through the pale night they could see that the architecture was of the classic sentiment which they were destined to feel more and more; at one point they caught a fleeting glimpse of two figures with clasped hands and half embraced, which they knew for the statues of Goethe and Schiller; and when they mounted to their rooms at the Grand-Duke of Saxe-Weimar, they passed under a fresco representing Goethe and four other world-famous poets, Shakspere, Milton, Tasso, and Schiller. The poets all looked like Germans, as was just, and Goethe was naturally chief among them; he marshalled the immortals on their way, and Schiller brought up the rear and kept them from going astray in an Elysium where they did not speak the language. For the rest, the hotel was brand-new, of a quite American freshness, and was pervaded by a sweet smell as of straw matting, and provided with steam-radiators. In the sense of its homelikeness the Marches boasted that they were never going away from it.

In the morning they discovered that their windows looked out on the grand-ducal museum, with a gardened space before and below its classicistic bulk, where, in a whim of the weather, the gay flowers were full of sun. In a pleasant illusion of taking it unawares, March strolled up through the town; but Weimar was as much awake at that hour as at any of the twenty-four, and the tranquillity of its streets, where he encountered a few passers several blocks apart, was their habitual mood. He came promptly upon two objects which he would willingly have shunned: a 'denkmal' of the Franco-German war, not so furiously bad as most German monuments, but antipathetic and uninteresting, as all patriotic monuments are; and a woman-and-dog team. In the shock from this he was sensible that he had not seen any woman-and-dog teams for some time, and he wondered by what civic or ethnic influences their distribution was so controlled that they should have abounded in Hamburg, Leipsic, and Carlsbad, and wholly ceased in Nuremberg, Ansbach, and Wurzburg, to reappear again in Weimar, though they seemed as characteristic of all Germany as the ugly denkmals to her victories over France.

{5251}

The Goethe and Schiller monument which he had glimpsed the night before was characteristic too, but less offensively so. German statues at the best are conscious; and the poet-pair, as the inscription calls them, have the air of showily confronting posterity with their clasped hands, and of being only partially rapt from the spectators. But they were more unconscious than any other German statues that March had seen, and he quelled a desire to ask Goethe, as he stood with his hand on Schiller's shoulder, and looked serenely into space far above one of the typical equipages of his country, what he thought of that sort of thing. But upon reflection he did not know why Goethe should be held personally responsible for the existence of the woman-and-dog team. He felt that he might more reasonably attribute to his taste the prevalence of classic profiles which he began to note in the Weimar populace. This could be a sympathetic effect of that passion for the antique which the poet brought back with him from his sojourn in Italy; though many of the people, especially the children, were bow-legged. Perhaps the antique had: begun in their faces, and had not yet got down to their legs; in any case they were charming children, and as a test of their culture, he had a mind to ask a little girl if she could tell him where the statue of Herder was, which he thought he might as well take in on his ramble, and so be done with as many statues as he could. She answered with a pretty regret in her tender voice, “That I truly cannot,” and he was more satisfied than if she could, for he thought it better to be a child and honest, than to know where any German statue was.

{5255}

He easily found it for himself in the place which is called the Herder Platz after it. He went into the Peter and Paul Church there; where Herder used to preach sermons, sometimes not at all liked by the nobility and gentry for their revolutionary tendency; the sovereign was shielded from the worst effects of his doctrine by worshipping apart from other sinners in a glazed gallery. Herder is buried in the church, and when you ask where, the sacristan lifts a wooden trap-door in the pavement, and you think you are going down into the crypt, but you are only to see Herder's monumental stone, which is kept covered so to save it from passing feet. Here also is the greatest picture of that great soul Luke Kranach, who had sincerity enough in his paining to atone for all the swelling German sculptures in the world. It is a crucifixion, and the cross is of a white birch log, such as might have been cut out of the Weimar woods, shaved smooth on the sides, with the bark showing at the edges. Kranach has put himself among the spectators, and a stream of blood from the side of the Savior falls in baptism upon the painter's head. He is in the company of John the Baptist and Martin Luther; Luther stands with his Bible open, and his finger on the line, “The blood of Jesus cleanseth us.”

Partly because he felt guilty at doing all these things without his wife, and partly because he was now very hungry, March turned from them and got back to his hotel, where she was looking out for him from their open window. She had the air of being long domesticated there, as she laughed down at seeing him come; and the continued brilliancy of the weather added to the illusion of home.

It was like a day of late spring in Italy or America; the sun in that gardened hollow before the museum was already hot enough to make him glad of the shelter of the hotel. The summer seemed to have come back to oblige them, and when they learned that they were to see Weimar in a festive mood because this was Sedan Day, their curiosity, if not their sympathy, accepted the chance gratefully. But they were almost moved to wish that the war had gone otherwise when they learned that all the public carriages were engaged, and they must have one from a stable if they wished to drive after breakfast. Still it was offered them for such a modest number of marks, and their driver proved so friendly and conversable, that they assented to the course of history, and were more and more reconciled as they bowled along through the grand-ducal park beside the waters of the classic Ilm.

{5259}

The waters of the classic Ilm are sluggish and slimy in places, and in places clear and brooklike, but always a dull dark green in color. They flow in the shadow of pensive trees, and by the brinks of sunny meadows, where the after-math wanders in heavy windrows, and the children sport joyously over the smooth-mown surfaces in all the freedom that there is in Germany. At last, after immemorial appropriation the owners of the earth are everywhere expropriated, and the people come into the pleasure if not the profit of it. At last, the prince, the knight, the noble finds, as in his turn the plutocrat will find, that his property is not for him, but for all; and that the nation is to enjoy what he takes from it and vainly thinks to keep from it. Parks, pleasaunces, gardens, set apart for kings, are the play-grounds of the landless poor in the Old World, and perhaps yield the sweetest joy of privilege to some state-sick ruler, some world-weary princess, some lonely child born to the solitude of sovereignty, as they each look down from their palace windows upon the leisure of overwork taking its little holiday amidst beauty vainly created for the perpetual festival of their empty lives.

March smiled to think that in this very Weimar, where sovereignty had graced and ennobled itself as nowhere else in the world by the companionship of letters and the arts, they still were not hurrying first to see the palace of a prince, but were involuntarily making it second to the cottage of a poet. But in fact it is Goethe who is forever the prince in Weimar. His greatness blots out its history, his name fills the city; the thought of him is its chiefest imitation and largest hospitality. The travellers remembered, above all other facts of the grand-ducal park, that it was there he first met Christiane Vulpius, beautiful and young, when he too was beautiful and young, and took her home to be his love, to the just and lasting displeasure of Fran von Stein, who was even less reconciled when, after eighteen years of due reflection, the love of Goethe and Christiane became their marriage. They, wondered just where it was he saw the young girl coming to meet him as the Grand-Duke's minister with an office-seeking petition from her brother, Goethe's brother author, long famed and long forgotten for his romantic tale of “Rinaldo Rinaldini.”

They had indeed no great mind, in their American respectability, for that rather matter-of-fact and deliberate liaison, and little as their sympathy was for the passionless intellectual intrigue with the Frau von Stein, it cast no halo of sentiment about the Goethe cottage to suppose that there his love-life with Christiane began. Mrs. March even resented the fact, and when she learned later that it was not the fact at all, she removed it from her associations with the pretty place almost indignantly.

In spite of our facile and multiple divorces we Americans are worshipers of marriage, and if a great poet, the minister of a prince, is going to marry a poor girl, we think he had better not wait till their son is almost of age. Mrs. March would not accept as extenuating circumstances the Grand-Duke's godfatherhood, or Goethe's open constancy to Christiane, or the tardy consecration of their union after the French sack of, Weimar, when the girl's devotion had saved him from the rudeness of the marauding soldiers. For her New England soul there were no degrees in such guilt; and, perhaps there are really not so many as people have tried to think, in their deference to Goethe's greatness. But certainly the affair was not so simple for a grand-ducal minister of world-wide renown, and he might well have felt its difficulties, for he could not have been proof against the censorious public opinion of Weimar, or the yet more censorious private opinion of Fran von Stein.

On that lovely Italo-American morning no ghost of these old dead embarrassments lingered within or without the Goethe garden-house. The trees which the poet himself planted flung a sun-shot shadow upon it, and about its feet basked a garden of simple flowers, from which the sweet lame girl who limped through the rooms and showed them, gathered a parting nosegay for her visitors. The few small livingrooms were above the ground-floor, with kitchen and offices below in the Italian fashion; in one of the little chambers was the camp-bed which Goethe carried with him on his journeys through Italy; and in the larger room at the front stood the desk where he wrote, with the chair before it from which he might just have risen.

All was much more livingly conscious of the great man gone than the proud little palace in the town, which so abounds with relics and memorials of him. His library, his study, his study table, with everything on it just as he left it when

“Cadde la stanca mana”

are there, and there is the death-chair facing the window, from which he gasped for “more light” at last. The handsome, well-arranged rooms are full of souvenirs of his travel, and of that passion for Italy which he did so much to impart to all German hearts, and whose modern waning leaves its records here of an interest pathetically, almost amusingly, faded. They intimate the classic temper to which his mind tended more and more, and amidst the multitude of sculptures, pictures, prints, drawings, gems, medals, autographs, there is the sense of the many-mindedness, the universal taste, for which he found room in little Weimar, but not in his contemporaneous Germany. But it is all less keenly personal, less intimate than the simple garden-house, or else, with the great troop of people going through it, and the custodians lecturing in various voices and languages to the attendant groups, the Marches had it less to themselves, and so imagined him less in it.

{5266}

All palaces have a character of tiresome unlivableness which is common to them everywhere, and very probably if one could meet their proprietors in them one would as little remember them apart afterwards as the palaces themselves. It will not do to lift either houses or men far out of the average; they become spectacles, ceremonies; they cease to have charm, to have character, which belong to the levels of life, where alone there are ease and comfort, and human nature may be itself, with all the little delightful differences repressed in those who represent and typify.

As they followed the custodian through the grand-ducal Residenz at Weimar, March felt everywhere the strong wish of the prince who was Goethe's friend to ally himself with literature, and to be human at least in the humanities. He came honestly by his passion for poets; his mother had known it in her time, and Weimar was the home of Wieland and of Herder before the young Grand-Duke came back from his travels bringing Goethe with him, and afterwards attracting Schiller. The story of that great epoch is all there in the Residenz, told as articulately as a palace can.

There are certain Poets' Rooms, frescoed with illustrations of Goethe, Schiller, and Wieland; there is the room where Goethe and the Grand-Duke used to play chess together; there is the conservatory opening from it where they liked to sit and chat; everywhere in the pictures and sculptures, the engraving and intaglios, are the witnesses of the tastes they shared, the love they both had for Italy, and for beautiful Italian things. The prince was not so great a prince but that he could very nearly be a man; the court was perhaps the most human court that ever was; the Grand-Duke and the grand poet were first boon companions, and then monarch and minister working together for the good of the country; they were always friends, and yet, as the American saw in the light of the New World, which he carried with him, how far from friends! At best it was make-believe, the make-believe of superiority and inferiority, the make-believe of master and man, which could only be the more painful and ghastly for the endeavor of two generous spirits to reach and rescue each other through the asphyxiating unreality; but they kept up the show of equality faithfully to the end. Goethe was born citizen of a free republic, and his youth was nurtured in the traditions of liberty; he was one of the greatest souls of any time, and he must have known the impossibility of the thing they pretended; but he died and made no sign, and the poet's friendship with the prince has passed smoothly into history as one of the things that might really be. They worked and played together; they dined and danced, they picnicked and poetized, each on his own side of the impassable gulf; with an air of its not being there which probably did not deceive their contemporaries so much as posterity.

A part of the palace was of course undergoing repair; and in the gallery beyond the conservatory a company of workmen were sitting at a table where they had spread their luncheon. They were somewhat subdued by the consciousness of their august environment; but the sight of them was charming; they gave a kindly interest to the place which it had wanted before; and which the Marches felt again in another palace where the custodian showed them the little tin dishes and saucepans which the German Empress Augusta and her sisters played with when they were children. The sight of these was more affecting even than the withered wreaths which they had left on the death-bed of their mother, and which are still mouldering there.

This was in the Belvedere, the country house on the height overlooking Weimar, where the grand-ducal family spend the month of May, and where the stranger finds himself amid overwhelming associations of Goethe, although the place is so full of relics and memorials of the owners. It seemed in fact to be a storehouse for the wedding-presents of the whole connection, which were on show in every room; Mrs. March hardly knew whether they heightened the domestic effect or took from it; but they enabled her to verify with the custodian's help certain royal intermarriages which she had been in doubt about before.

{5269}

Her zeal for these made such favor with him that he did not spare them a portrait of all those which March hoped to escape; he passed them over, scarcely able to stand, to the gardener, who was to show them the open-air theatre where Goethe used to take part in the plays.

The Natur-Theater was of a classic ideal, realized in the trained vines and clipped trees which formed the coulisses. There was a grassy space for the chorus and the commoner audience, and then a few semicircular gradines cut in the turf, one alcove another, where the more honored spectators sat. Behind the seats were plinths bearing the busts of Goethe, Schiller, Wieland, and Herder. It was all very pretty, and if ever the weather in Weimar was dry enough to permit a performance, it must have been charming to see a play in that open day to which the drama is native, though in the late hours it now keeps in the thick air of modern theatres it has long forgotten the fact. It would be difficult to be Greek under a German sky, even when it was not actually raining, but March held that with Goethe's help it might have been done at Weimar, and his wife and he proved themselves such enthusiasts for the Natur-Theater that the walnut-faced old gardener who showed it put together a sheaf of the flowers that grew nearest it and gave them to Mrs. March for a souvenir.

They went for a cup of tea to the cafe which looks, as from another eyebrow of the hill, out over lovely little Weimar in the plain below. In a moment of sunshine the prospect was very smiling; but their spirits sank over their tea when it came; they were at least sorry they had not asked for coffee. Most of the people about them were taking beer, including the pretty girls of a young ladies' school, who were there with their books and needle-work, in the care of one of the teachers, apparently for the afternoon.

Mrs. March perceived that they were not so much engaged with their books or their needle-work but they had eyes for other things, and she followed the glances of the girls till they rested upon the people at a table somewhat obliquely to the left. These were apparently a mother and daughter, and they were listening to a young man who sat with his back to Mrs. March, and leaned low over the table talking to them. They were both smiling radiantly, and as the girl smiled she kept turning herself from the waist up, and slanting her face from this side to that, as if to make sure that every one saw her smiling.

Mrs. March felt her husband's gaze following her own, and she had just time to press her finger firmly on his arm and reduce his cry of astonishment to the hoarse whisper in which he gasped, “Good gracious! It's the pivotal girl!”

At the same moment the girl rose with her mother, and with the young man, who had risen too, came directly toward the Marches on their way out of the place without noticing them, though Burnamy passed so near that Mrs. March could almost have touched him.

She had just strength to say, “Well, my dear! That was the cut direct.”

She said this in order to have her husband reassure her. “Nonsense! He never saw us. Why didn't you speak to him?”

“Speak to him? I never shall speak to him again. No! This is the last of Mr. Burnamy for me. I shouldn't have minded his not recognizing us, for, as you say, I don't believe he saw us; but if he could go back to such a girl as that, and flirt with her, after Miss Triscoe, that's all I wish to know of him. Don't you try to look him up, Basil! I'm glad-yes, I'm glad he doesn't know how Stoller has come to feel about him; he deserves to suffer, and I hope he'll keep on suffering: You were quite right, my dear—and it shows how true your instinct is in such things (I don't call it more than instinct)—not to tell him what Stoller said, and I don't want you ever should.”

She had risen in her excitement, and was making off in such haste that she would hardly give him time to pay for their tea, as she pulled him impatiently to their carriage.

At last he got a chance to say, “I don't think I can quite promise that; my mind's been veering round in the other direction. I think I shall tell him.”

“What! After you've seen him flirting with that girl? Very well, then, you won't, my dear; that's all! He's behaving very basely to Agatha.”

“What's his flirtation with all the girls in the universe to do with my duty to him? He has a right to know what Stoller thinks. And as to his behaving badly toward Miss Triscoe, how has he done it? So far as you know, there is nothing whatever between them. She either refused him outright, that last night in Carlsbad, or else she made impossible conditions with him. Burnamy is simply consoling himself, and I don't blame him.”

“Consoling himself with a pivotal girl!” cried Mrs. March.

“Yes, with a pivotal girl. Her pivotality may be a nervous idiosyncrasy, or it may be the effect of tight lacing; perhaps she has to keep turning and twisting that way to get breath. But attribute the worst motive: say it is to make people look at her! Well, Burnamy has a right to look with the rest; and I am not going to renounce him because he takes refuge with one pretty girl from another. It's what men have been doing from the beginning of time.”

“Oh, I dare say!”

“Men,” he went on, “are very delicately constituted; very peculiarly. They have been known to seek the society of girls in general, of any girl, because some girl has made them happy; and when some girl has made them unhappy, they are still more susceptible. Burnamy may be merely amusing himself, or he may be consoling himself; but in either case I think the pivotal girl has as much right to him as Miss Triscoe. She had him first; and I'm all for her.”

{5277}

Burnamy came away from seeing the pivotal girl and her mother off on the train which they were taking that evening for Frankfort and Hombourg, and strolled back through the Weimar streets little at ease with himself. While he was with the girl and near her he had felt the attraction by which youth impersonally draws youth, the charm which mere maid has for mere man; but once beyond the range of this he felt sick at heart and ashamed. He was aware of having used her folly as an anodyne for the pain which was always gnawing at him, and he had managed to forget it in her folly, but now it came back, and the sense that he had been reckless of her rights came with it. He had done his best to make her think him in love with her, by everything but words; he wondered how he could be such an ass, such a wicked ass, as to try making her promise to write to him from Frankfort; he wished never to see her again, and he wished still less to hear from her. It was some comfort to reflect that she had not promised, but it was not comfort enough to restore him to such fragmentary self-respect as he had been enjoying since he parted with Agatha Triscoe in Carlsbad; he could not even get back to the resentment with which he had been staying himself somewhat before the pivotal girl unexpectedly appeared with her mother in Weimar.

It was Sedan Day, but there was apparently no official observance of the holiday, perhaps because the Grand-Duke was away at the manoeuvres, with all the other German princes. Burnamy had hoped for some voluntary excitement among the people, at least enough to warrant him in making a paper about Sedan Day in Weimar, which he could sell somewhere; but the night was falling, and there was still no sign of popular rejoicing over the French humiliation twenty-eight years before, except in the multitude of Japanese lanterns which the children were everywhere carrying at the ends of sticks. Babies had them in their carriages, and the effect of the floating lights in the winding, up-and-down-hill streets was charming even to Burnamy's lack-lustre eyes. He went by his hotel and on to a cafe with a garden, where there was a patriotic, concert promised; he supped there, and then sat dreamily behind his beer, while the music banged and brayed round him unheeded.

Presently he heard a voice of friendly banter saying in English, “May I sit at your table?” and he saw an ironical face looking down on him. “There doesn't seem any other place.”

“Why, Mr. March!” Burnamy sprang up and wrung the hand held out to him, but he choked with his words of recognition; it was so good to see this faithful friend again, though he saw him now as he had seen him last, just when he had so little reason to be proud of himself.

March settled his person in the chair facing Burnamy, and then glanced round at the joyful jam of people eating and drinking, under a firmament of lanterns. “This is pretty,” he said, “mighty pretty. I shall make Mrs. March sorry for not coming, when I go back.”

“Is Mrs. March—she is—with you—in Weimar?” Burnamy asked stupidly.

March forbore to take advantage of him. “Oh, yes. We saw you out at Belvedere this afternoon. Mrs. March thought for a moment that you meant not to see us. A woman likes to exercise her imagination in those little flights.”

“I never dreamed of your being there—I never saw—” Burnamy began.

“Of course not. Neither did Mrs. Etkins, nor Miss Etkins; she was looking very pretty. Have you been here some time?”

“Not long. A week or so. I've been at the parade at Wurzburg.”

“At Wurzburg! Ah, how little the world is, or how large Wurzburg is! We were there nearly a week, and we pervaded the place. But there was a great crowd for you to hide in from us. What had I better take?” A waiter had come up, and was standing at March's elbow. “I suppose I mustn't sit here without ordering something?”

“White wine and selters,” said Burnamy vaguely.

“The very thing! Why didn't I think of it? It's a divine drink: it satisfies without filling. I had it a night or two before we left home, in the Madison Square Roof Garden. Have you seen 'Every Other Week' lately?”

“No,” said Burnamy, with more spirit than he had yet shown.

“We've just got our mail from Nuremberg. The last number has a poem in it that I rather like.” March laughed to see the young fellow's face light up with joyful consciousness. “Come round to my hotel, after you're tired here, and I'll let you see it. There's no hurry. Did you notice the little children with their lanterns, as you came along? It's the gentlest effect that a warlike memory ever came to. The French themselves couldn't have minded those innocents carrying those soft lights on the day of their disaster. You ought to get something out of that, and I've got a subject in trust for you from Rose Adding. He and his mother were at Wurzburg; I'm sorry to say the poor little chap didn't seem very well. They've gone to Holland for the sea air.” March had been talking for quantity in compassion of the embarrassment in which Burnamy seemed bound; but he questioned how far he ought to bring comfort to the young fellow merely because he liked him. So far as he could make out, Burnamy had been doing rather less than nothing to retrieve himself since they had met; and it was by an impulse that he could not have logically defended to Mrs. March that he resumed. “We found another friend of yours in Wurzburg: Mr. Stoller.”

“Mr. Stoller?” Burnamy faintly echoed.

“Yes; he was there to give his daughters a holiday during the manoeuvres; and they made the most of it. He wanted us to go to the parade with his family but we declined. The twins were pretty nearly the death of General Triscoe.”

Again Burnamy echoed him. “General Triscoe?”

“Ah, yes: I didn't tell you. General Triscoe and his daughter had come on with Mrs. Adding and Rose. Kenby—you remember Kenby, On the Norumbia?—Kenby happened to be there, too; we were quite a family party; and Stoller got the general to drive out to the manoeuvres with him and his girls.”


Back to IndexNext