Chapter 3

PLATE 5. ARMES SYMBOLIQUES DE LA VILLE DE PARIS. (D.21.) THIRD STATE. 53/8× 43/8in.

PLATE 6. LE STRYGE. (D.23.) EIGHTH STATE. 6¾ × 5⅛ in.

PLATE 7. LE PETIT PONT. (D.24.) FIFTH STATE. 10¼ × 7½ in.

PLATE 8. L’ARCHE DU PONT NOTRE-DAME. (D.25.) THIRD STATE. 6 × 7¾ in.

PLATE 9. LA GALERIE NOTRE-DAME. (D.26.) THIRD STATE. 11⅛ × 615/16in.

PLATE 10. LA RUE DES MAUVAIS GARÇONS (D.27.) THIRD STATE. 5 × 37/8in.

PLATE 11. LA TOUR DE L’HORLOGE. (D.28.) THIRD STATE. 105/16× 7¼ in.

PLATE 12. TOURELLE DE LA RUE DE LA TIXÉRANDERIE. (D.29.) SECOND STATE. 9¾ × 53/16in.

PLATE 13. SAINT-ÉTIENNE-DU-MONT. (D.30.) FIFTH STATE. 9¾ × 5⅛ in.

PLATE 14. LA POMPE NOTRE-DAME. (D.31.) NINTH STATE. 6¾ × 97/8in.

PLATE 15. LA PETITE POMPE. (D.32.) SECOND STATE. 4¼ x 3¼ in.

PLATE 16. LE PONT-NEUF. (D.33.) EIGHTH STATE. 73/16× 7¼ in.

PLATE 17. LE PONT-AU-CHANGE. (D.84.) SECOND STATE. 6⅛ × 131/16in.

PLATE 18. LE PONT-AU-CHANGE. (D.34.) NINTH STATE. 6¼ × 131/16in.

PLATE 19. L’ESPÉRANCE. (D.35.) (VERS DESTINÉS À ACCOMPAGNER LE PONT-AU-CHANGE.) 2½ × 5in.

PLATE 20. LA MORGUE. (D. 36.) THIRD STATE. 9⅛ × 8⅛ in.

PLATE 21. L’HÔTELLERIE DE LA MORT. (D.37.) TWO PLATES EACH 4¾ × 13/8in.

PLATE 22. L’ABSIDE DE NOTRE-DAME DE PARIS. (D.38.) FOURTH STATE. 6½ × 11¾ in.

PLATE 23. TOMBEAU DE MOLIÈRE. (D.40.) SECOND STATE. 25/8× 2¾ in.

PLATE 24. CHARLES MERYON, 1858. BY LÉOPOLD FLAMENG. 8¾ × 10¾ in.

PLATE 25. TOURELLE DE LA RUE DE L’ÉCOLE-DE-MÉDECINE. (D.41.) SIXTH STATE. 83/8× 53/16in.

PLATE 26. TOURELLE DE LA RUE DE L’ÉCOLE-DE-MÉDECINE. (D.41) NINTH STATE. 83/8× 53/16in.

PLATE 27. RUE DES CHANTRES. (D.42.) FIRST STATE. 11¾ × 57/8in.

PLATE 28. RUE DES CHANTRES. (D.42.) FOURTH STATE. 11¾ × 57/8in.

PLATE 29. COLLÈGE HENRI IV. (D.48.) SIXTH STATE. 115/8× 187/8in.

PLATE 30. BAIN-FROID CHEVRIER. (D. 44.) FOURTH STATE. 5⅛ × 55/8in.

PLATE 31. LE MINISTÈRE DE LA MARINE. (D. 45.) FIRST STATE. 65/8× 5¾ in.

PLATE 32. LE MINISTÈRE DE LA MARINE. (D. 45.) FIFTH STATE. 65/8× 5¾ in.

PLATE 33. LE PONT-NEUF ET LA SAMARITAINE (D. 46.) THIRD STATE. 511/16× 8 in.

PLATE 34. LE PONT-AU-CHANGE VERS 1784, D’APRÈS NICOLLE. (D. 47.) THIRD STATE. 55/16× 93/8in.

PLATE 36. LA SALLE DES PAS-PERDUS À L’ANCIEN PALAIS-DE-JUSTICE. (D. 48.) FOURTH STATE. 105/8× 17⅛ in.

PLATE 36. RUE PIROUETTE AUX HALLES. (D. 49.) THIRD STATE. 6⅛ × 49/16in.

PLATE 37. PARTIE DE LA CITÉ VERS LA FIN DU XVIIe SIÈCLE. (D. 51.) SEVENTH STATE. 6 × 125/8in.

PLATE 38. L’ANCIEN LOUVRE, D’APRÈS UNE PEINTURE DE ZEEMAN. (D. 53.) FIFTH STATE. 65/8× 10½ in.

PLATE 39. PORTE D’UN ANCIEN COUVENT À BOURGES. (D. 54.) SECOND STATE. 65/8x 4¾ in.

PLATE 40. RUE DES TOILES À BOURGES. (D. 55.) FIFTH STATE. 8½ × 4¾ in.

PLATE 41. ANCIENNE HABITATION À BOURGES. (D. 56.) FOURTH STATE. 95/8x 57/16in.

PLATE 42. ENTRÉE DU COUVENT DES CAPUCINS À ATHÈNES. (D. 61.) THIRD STATE. 75/8× 5 in.

PLATE 43. NOUVELLE-CALÉDONIE. GRANDE CASE INDIGÈNE SUR LE CHEMIN DE BALLADE À POEPO. (D. 67.) FOURTH STATE. 55/8× 9¾ in.

PLATE 44. OCÉANIE, PECHE AUX PALMES. (D. 68.) FOURTH STATE. 6¼ × 13¼ in.

PLATE 45. LA CHAUMIÈRE DU COLON. (D. 72.) THIRD STATE. 3⅛ × 3 in.

PLATE 46. PRÔ-VOLANT DES ÎLES MULGRAVE. (D. 74.) FIFTH STATE. 5¾ × 3⅛ in.

PLATE 47. L. J.-MARIE BIZEUL. (D.83.) FOURTH STATE 6½ × 45/8in.

FOOTNOTES:[1]In each case the dimensions given are those of the original plate, and not of the subject or engraved surface.[2]A list of the contents of the set, “Eaux-Fortes sur Paris,” may be found useful; it is as follows:—A.Meryon’s portrait by Bracquemond.1.The title.2.Dedication to R. Zeeman.3.Porte du Palais de Justice (frontispiece).4.Verses, “Qu’âme pure gémisse.”5.Arms of the City of Paris.6.Le Stryge (numbered 1).7.Le Petit Pont (numbered 2).8.L’Arche du Pont Notre-Dame (numbered 3).9.La Galerie Notre-Dame (numbered 4).10.La Rue des Mauvais Garçons.11.La Tour de l’Horloge (numbered 5).12.Tourelle de la rue de la Tixéranderie (numbered 6).13.St. Etienne-du-Mont (numbered 7).14.La Pompe Notre-Dame (numbered 8).15.La Petite Pompe.16.Le Pont-Neuf (numbered 9).17.Le Pont-au-Change (numbered 10).18.Verses, “L’Espérance.”19.La Morgue (numbered 11).20.Verses, “L’Hôtellerie de la Mort.”21.L’Abside de Notre-Dame (numbered 12).22.Tombeau de Molière.[3]This portrait is extremely rare, as only ten impressions were taken; it has been reproduced by heliogravure. The impression reproduced in this book is in the collection of the author.[4]When states are not mentioned it is to be understood that there is only one state.

FOOTNOTES:

[1]In each case the dimensions given are those of the original plate, and not of the subject or engraved surface.

[2]A list of the contents of the set, “Eaux-Fortes sur Paris,” may be found useful; it is as follows:—A.Meryon’s portrait by Bracquemond.1.The title.2.Dedication to R. Zeeman.3.Porte du Palais de Justice (frontispiece).4.Verses, “Qu’âme pure gémisse.”5.Arms of the City of Paris.6.Le Stryge (numbered 1).7.Le Petit Pont (numbered 2).8.L’Arche du Pont Notre-Dame (numbered 3).9.La Galerie Notre-Dame (numbered 4).10.La Rue des Mauvais Garçons.11.La Tour de l’Horloge (numbered 5).12.Tourelle de la rue de la Tixéranderie (numbered 6).13.St. Etienne-du-Mont (numbered 7).14.La Pompe Notre-Dame (numbered 8).15.La Petite Pompe.16.Le Pont-Neuf (numbered 9).17.Le Pont-au-Change (numbered 10).18.Verses, “L’Espérance.”19.La Morgue (numbered 11).20.Verses, “L’Hôtellerie de la Mort.”21.L’Abside de Notre-Dame (numbered 12).22.Tombeau de Molière.

[2]A list of the contents of the set, “Eaux-Fortes sur Paris,” may be found useful; it is as follows:—

A.Meryon’s portrait by Bracquemond.

[3]This portrait is extremely rare, as only ten impressions were taken; it has been reproduced by heliogravure. The impression reproduced in this book is in the collection of the author.

[4]When states are not mentioned it is to be understood that there is only one state.

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