[265]Miss Plumptre.
[265]Miss Plumptre.
This name is in the church of England calendar and the almanacs.
The character of Magdalen is ably vindicated from the common and vulgar imputation by the illustrious Lardner, in a letter to the late Jonas Hanway, wherein he urges on the eminent philanthropist, the manifest impropriety of calling a receptacle for female penitents by the name of Magdalen.
Sainte Beaume near Marseilles is a vast cavity in a mountain, thence called themountain of the Sainte Beaume. Here Mary Magdalen has been reputed to have secluded herself during the latter years of her life, and to have died. The spot is considered as holy ground; and in former times the pilgrimages undertaken to it from very distant parts, occasioned the cavern to be converted into a chapel dedicated to the Magdalen. About the end of the thirteenth century, a convent of Dominican friars was built close to the cavern, and the chapel was from that time served by the monks of the convent. Afterwards anhospice, or inn, for the accommodation of pilgrims, and travellers, was added, and in this state it remained till the revolution.
Miss Plumptre describes an interesting visit toSainteBeaume:—
From Nans we soon began to ascend the lesser mountains, which form the base of the principal one, and, after pursuing a winding path for a considerable distance, came to a plain called the Plan d’Aulps, at the foot of the great mountain. The whole side of this latter is covered with wood, except an interval in one spot, which presents to the eye an enormous rock, almost perpendicular. As this opened upon us in crossing the plain, monsieurB——,who was acquainted with the spot, said, “Now you can see the convent.” We looked around, but saw no signs of a habitation: “No,” said he, “you must not look round, you must look upwards against the rock.” We did so, and to our utter astonishment descried it about halfway up this tremendous precipice; appearing, when beheld in this point of view, as if it had no foundation, but was suspended against the rock, like any thing hung upon a nail or peg. The sensation excited by the idea of a human habitation in such a place was very singular; it was a mixture of astonishment mingled with awe, and an involuntary shuddering, at the situation of persons living in a spot which had the appearance of being wholly inaccessible: it seemed as if the house could have been built only by magic, and that by magic alone the inhabitants could have been transported into it.
Having crossed the plain, we entered the wood through which the pathway that leads up to the grotto and the convent winds. A more complete or sublime scene of solitude can scarcely be conceived. Though great numbers of the trees were cut down during the revolution, sufficient still remain to form a thick shade.
On arriving at the convent, we found that the appearance we had observed from below, was a deception occasioned by the distance; that it was built on a narrow esplanade on the rock, which just afforded room for the building and a walk before it, guarded on the side of the precipice by a parapet. It was indeed a formidable sight to look over this upon the precipice below. Both the convent and the inn were pillaged in the revolution, and little more than their shells remain.
The grotto is a fine specimen of the wild features of nature. The roof is a natural vault, and the silence of the place is only interrupted by the dripping of water from the roof at the further end, into a basin formed by the rock, which receives it below. This water is remarkably clear and limpid, and is warm in winter, but very cold in summer. It is considered of great efficacy in the cure of diseases, from the miraculous powers with which it is endowed through the sanctity of the place. The cures it performs are confined, therefore, to those who have faith enough to rely upon its efficacy. The great altar of the chapel was very magnificent, all of marble, enclosed within an iron balustrade. The iron is gone, but most of the marble remains, though much broken and scattered about; and what appeared remarkable was that a great manyfleurs-de-lysin mosaic, with which the altar was decorated, were left untouched. Behind the altar is a figure in marble of the Magdalen, in a recumbent posture, with her head resting upon her right hand.
Another point of the mountain, directly above the grotto of the Sainte Beaume, is called St. Pilon: it is nearly six hundred feet higher than the esplanade on which the convent stands, and between two-thirds and three-quarters of an English mile perpendicular height above the level of the sea. It is said, that while the Magdalen was performing her penitence in the grotto, she was constantly carried up to St. Pilon by angels seven times a day to pray; and in aftertimes a chapel in form of a rotunda was erected there in commemoration of this circumstance; butthis is now destroyed. Very small models of it in bone, containing a chaplet and crucifix, used to be made at the convent, which were purchased by visiters.
Among the illustrious visiters to Sainte Beaume, were Francis I., with his mother, the queen his first wife, and the duchess of Alençon his sister. In commemoration of this visit, which was in 1516, a statue of Francis was erected in the grotto: it remained there nearly to the time of the revolution. In 1517, the duchess of Mantua, accompanied by a numerous train of attendants, made a pilgrimage thither, as she was passing through Provence; sixteen years afterwards it was visited by Eleanor of Austria, second wife to Francis, with the dauphin and the dukes of Orleans and Angoulême. In 1660 it was honoured with the presence of Louis XIV., his mother, the duke of Anjou, and the numerous train by whom they were attended in their progress through the south.
Since this period it does not appear that any persons of note visited the shrine from devotional motives; but it has always been a great object of the devotion of the Provençeaux, particularly of the lower class. It was often made a part of the marriage contract among them, that the husband should accompany the wife in a pilgrimage thither, within the first year after they were married; but even if no express stipulation was made, the husband who did not do so was thought to have failed very much in the attention and regard due to his wife. Whitsun week was the usual time for making these visits, and all the avenues to the grotto were at this time thronged with company, as if it had been a fair. All the way from Nans to the grotto are little oratories by the road side at certain distances, in which there used to be pictures of the Magdalen’s history.
Among the most illustrious guests the grotto ever received, must be reckoned Petrarch. He went at the solicitation of Humbert, dauphin of the Viennois, and of cardinal Colonna, very much against his own inclination. In a letter which he wrote thirty-four years afterwards to his intimate friend Philip of Cabassole, bishop of Cavaillon, he says, “We passed three days and three nights in this holy and horrible cavern. Wearied with the society of persons whom I had accompanied spite of myself, I often wandered alone into the neighbouring forest. I had even recourse to my usual remedy for chasing the ennui which arises from being in company not perfectly agreeable to me. My imagination at such moments recurs to my absent friends, and represents them as if present with me: though my acquaintance with you was not then of long standing, yet you came to my assistance; I fancied that you were seated by me in the grotto, and invited me to write some verses in honour of the holy penitent, towards whom you had always a particular devotion; when I immediately obeyed, and wrote such as first occurred.” The verses are little more than a poetical description of the place.
A carmelite friar of the seventeenth century, whose name was Jean Louis Barthelemi, but who always called himself Pierre de St. Louis, determined to amuse his solitary hours with writing a poem upon some illustrious saint. He hesitated awhile between Elias, whom he considered as the founder of his order, and Mary Magdalen, a female with whom he had been enamoured before his retirement. Love at length decided the question, and he composed a poem in twelve books, which he entitled, “The Magdalenéïde, or Mary Magdalen at the Desert of the Sainte Beaume in Provence, a Spiritual and Christian Poem.” This work cost five years of close application, and came forth one of the most whimsical effusions that ever flowed from the pen of pious extravagance. Some idea of it may be collected from a few extracts literally translated.
Having treated at large of the Magdalen’s irregular conduct in the early part of her life, and of her subsequent conversion, he says, “But God at length changed this coal into a ruby, this crow into a dove, this wolf into a sheep, this hell into a heaven, this nothing into something, this thistle into a lily, this thorn into a rose, this sin into grace, this impotence into power, this vice into virtue, this caldron into a mirror.” Again, speaking of the thirty years which she is reputed to have passed in the grotto and the woods adjoining, deploring the sins of her youth,he says, “The woods might make her pass for a Hamadryad, her tears might make her to be thought a Naiad;—come then, ye curious, and you may behold an aquatic nymph in the midst of a forest.” And again, in a panegyric upon her penitence, is the following very extraordinary passage: “While she occupies herself in expatiating the offences of herpreteritetime, which was butimperfect, thefutureis destined to repair the loss;—thepresentis such that it isindicativeof a love which mounts to theinfinitive, and in a degree alwayssuperlative, turning against herself theaccusative.” The poet concludes his work by saying, “If you desire grace and sweetness in verses, in mine will you find them; and if you seek ingenious thoughts, you will find that the points of these are not blunted.”
Mean Temperature 62·47.
Died, at Elderslie, on the twenty-third of July, 1826, Hugh Shaw, at the great age of 113 years. Till within the previous eighteen months he walked every Saturday to Paisley, and returned, a distance of seven miles. While able to go about, he had no other means of support than what he collected by begging from door to door. After his confinement to the house, he was supported by private bounty. Previous to the last three weeks of his life, he was able to leave his bed every day. Latterly he was blind and deaf. He is said to have left strict charges that, as he had never received parish relief, he should be buried without its aid, even if he were interred without a coffin. His funeral was attended by a number of respectable inhabitants of Paisley, and by a party of the forty-second regiment, wherein he hadserved.[266]
Mean Temperature 64·25.
[266]Scotch paper.
[266]Scotch paper.
The following communication was received too late for insertion on the fifteenth of the month, under whichdaythe reader will be pleased to consider it to belong.
For the Every-Day Book.
July 15.
On the fifteenth of July, 1757, a violent shock of an earthquake was felt on the western part of Cornwall. Its operations extended from the islands of Scilly, as far east as Leskeard, and as far as Camelford north. The noise exceeded that of thunder; the tremours of the earth were heard and seen in different mines, particularly the following:—In Carnoth Adit in St. Just, the shock was felt eighteen fathoms deep; and in Boseadzhil Downs mine, thirty fathoms. At Huel-rith mine in the parish of Lelant, the earth moved under the miners, quick, and with a trembling motion. In Herland mine, in the parish of Gwinear, the noise was heard sixty fathoms deep. In Chace-water mine, near Redruth, at seventy fathoms deep, a dull and rumbling sound. The effect on the miners may easily be conceived; they are generally a very superstitious race ofmen.[267]
“Hurling matches” are peculiar to Cornwall. They are trials of skill between two parties, consisting of a considerable number of men, forty to sixty aside, and often between two parishes. These exercises have their name from “hurling” a wooden ball, about three inches diameter, covered with a plate of silver, which is sometimes gilt, and has commonly a motto—“Fair play is good play.” The success depends on catching the ball dexterously when thrown up, ordealt, and carrying it off expeditiously, in spite of all opposition from the adverse party; or, if that be impossible, throwing it into the hands of a partner, who, in his turn, exerts his efforts to convey it to his own goal, which is often three or four miles’ distance. This sport therefore requires a nimble hand, a quick eye, a swift foot, and skill in wrestling; as well as strength, good wind, and lungs. Formerly it waspractised annually by those who attended corporate bodies in surveying the bounds of parishes; but from the many accidents that usually attended that game, it is now scarcely ever practised. Silver prizes used to be awarded to the victor in the games.
The mode of wrestling in Cornwall is very different from that of Devonshire, the former is famous in the “hug,” the latter in kicking shins. No kicks are allowed in Cornwall, unless the players who are in the ring mutually agree to it. A hat is thrown in as a challenge, which being accepted by another, the combatants strip and put on a coarse loose kind of jacket, of which they take hold, and of nothing else: the play then commences. To constitute a fair fall, both shoulders must touch the ground, at, or nearly, the same moment. To guard against foul play, to decide on the falls, and manage the affairs of the day, four or sixsticklers(as the umpires are called) are chosen, to whom all these matters are left.
In the “Cornish hug,” Mr. Polwhele perceived the Greek palæstral attitudes finely revived; two Cornishmen in the act of wrestling, bear a close resemblance to the figures on old gems and coins.
The athletic exercise of wrestling thrives in the eastern part of Cornwall, particularly about Saint Austle and Saint Columb. At the latter place resides Polkinhorne, the champion of Cornwall, and by many considered to be entitled to the championship of the four western counties. He keeps a respectable inn there, is a very good-looking, thick-set man—still he does not look the man he is—“he has that within him that surpasses show.” A contest between him and Cann, the Devonshire champion, was expected to take place in the course of this summer; much “chaffing” passed between them for some time in the country papers, but it appears to be “no go;” no fault of the Cornish hero, “who was eager for the fray”—the Devonshire lad showed the “white feather” it is acknowledged by all. Polkinhorne has not practised wrestling for several years past; while Cann has carried off the prize at every place in Devon that he “showed” at. They certainly are both “good ones.” Parkins, a friend of the Cornish hero, is a famous hand at these games; and so was James Warren, of Redruth, till disabled in February, 1825, by over exertion on board the Cambria brig, bound for Mexico—the vessel that saved the crew and passengers of the Kent East Indiaman. He has been in a very ill state of health ever since; the East India Company and others have voted him remuneration, and many of the sufferers have acknowledged their debt of gratitude to him for saving their lives.
With a view of maintaining the superiority in amusements in which the Cornish delight, John Knill, Esq. of great eminence at St. Ives, bequeathed the income of an estate to trustees, that the same might be distributed in a variety of prizes, to those who should excel in racing, rowing, and wrestling. These games he directed should be held every fifth year for ever, around a mausoleum which he erected in 1782, on a high rock near the town of St. Ives.
The first celebration took place in July, 1801, when, according to the will of the founder, a band of virgins, all dressed in white, with four matrons, and a company of musicians, commenced the ceremony by walking in pairs to the summit of the hill, where they danced, and chanted a hymn composed for the purpose round the mausoleum, in imitation of druids around the cromlechs of the departed brave. Ten guineas were expended in a dinner at the town, of which six of the principal inhabitants partook. Some idea of the joyous scene may be conceived by reading an account of an eye-witness.
“Early in the morning the roads from Helston, Truro, and Penzance were lined with horses and vehicles of every description, while thousands of travellers on foot poured in from all quarters till noon, when the assembly formed. The wrestlers entered the ring; the troop of virgins, dressed in white, advanced with solemn step to the notes of harmony; the spectators ranged themselves along the hills; at length the mayor of St. Ives appeared in his robes of state. The signal was given; the flags were displayed in waving splendour from the towers of the castle; the sight was grand. Here the wrestlers exerted their sinewy strength; there the rowers in their various dresses of blue, white, and red, urged the gilded prows of their boats through the sparkling waves—the dashing of oars—the songs of the virgins—all joined to enliven the picture. The ladies and gentlemen of Penzance returned to an elegant dinner at the Unionhotel, and a splendid ball concluded the evening entertainments.”
These games were again celebrated in 1806, 1811, 1816, and 1821, with increased fervour and renewed admiration.
The following chorus was sung by thevirgins:—
Quit the bustle of the bay,Hasten, virgins, come away;Hasten to the mountain’s browLeave, oh! leave St. Ives below;Haste to breathe a purer air,Virgins fair, and pure as fair.Quit St. Ives and all her treasures,Fly her soft voluptuous pleasures;Fly her sons, and all the wilesLurking in their wanton smilesFly her splendid midnight-halls,Fly the revels of her balls;Fly, oh! fly the chosen seat,Where vanity and fashion meet.Hither hasten; form the ring,Round the tomb in chorus sing,And on the loft mountain’s brow, aptly dight,Just as we should be—all in white,Leave all our baskets and our cares below.
Quit the bustle of the bay,Hasten, virgins, come away;Hasten to the mountain’s browLeave, oh! leave St. Ives below;Haste to breathe a purer air,Virgins fair, and pure as fair.Quit St. Ives and all her treasures,Fly her soft voluptuous pleasures;Fly her sons, and all the wilesLurking in their wanton smilesFly her splendid midnight-halls,Fly the revels of her balls;Fly, oh! fly the chosen seat,Where vanity and fashion meet.Hither hasten; form the ring,Round the tomb in chorus sing,And on the loft mountain’s brow, aptly dight,Just as we should be—all in white,Leave all our baskets and our cares below.
Quit the bustle of the bay,Hasten, virgins, come away;Hasten to the mountain’s browLeave, oh! leave St. Ives below;Haste to breathe a purer air,Virgins fair, and pure as fair.Quit St. Ives and all her treasures,Fly her soft voluptuous pleasures;Fly her sons, and all the wilesLurking in their wanton smilesFly her splendid midnight-halls,Fly the revels of her balls;Fly, oh! fly the chosen seat,Where vanity and fashion meet.Hither hasten; form the ring,Round the tomb in chorus sing,And on the loft mountain’s brow, aptly dight,Just as we should be—all in white,Leave all our baskets and our cares below.
The celebration of the foregoing game falls in this year, 1826. Should any thing particular transpire more than the foregoing, you shall hear from
Sam Sam’s Son.
July 20, 1826.
Mean Temperature 63·70.
[267]Friday, July 15, 1757, about seven in the evening, a smart shock of an earthquake was felt at Falmouth, attended with great noise, which almost every one heard, and saw the windows and things in the houses in motion. As the shock did not last above half a minute, the people were not sensible what it was till afterwards. It was thought to come from the south-west and to go eastward.—Gentleman’s Magazine.
[267]Friday, July 15, 1757, about seven in the evening, a smart shock of an earthquake was felt at Falmouth, attended with great noise, which almost every one heard, and saw the windows and things in the houses in motion. As the shock did not last above half a minute, the people were not sensible what it was till afterwards. It was thought to come from the south-west and to go eastward.—Gentleman’s Magazine.
This name in the calendar refers to St. James the Great, who was so called “either because he was much older than the other James, or because our Lord conferred upon him some peculiar honours andfavours.”[268]He was put to death under Herod.
A new piece under the title of “The Death Fetch, or the Student of Gottingen,” was brought out on this day in 1826, at the English Opera-house, in the Strand. The following notice of its derivation, with remarks on the tendency of the representation, appeared in the “Times” the next morning:—“It is a dramatic resurrection of the story of ‘The Fetches,’ which is to be found in the ‘Tales of the O’Hara Family,’ and has been introduced to the stage by Mr. Benham, the author of those tales. Considering that it is exceedingly difficult, through the medium of a dramatic entertainment, to impress the minds of an audience with those supernatural imaginings, which each individual may indulge in while reading a volume of the mysterious and wonderful, we think Mr. Benham has manifested considerable adroitness in adapting his novel to the stage. We think, at the same time, that his abilities might have been much better employed. The perpetuation of the idea of such absurd phantasies as fetches and fairies—witches and wizards—is not merely ridiculous, but it is mischievous. There was scarcely a child (and we observed many present) who last night witnessed the ‘fetch’ ordoubleof the Gottingen student and his mistress, and who recollects the wild glare of Miss Kelly’s eye, (fatuity itself, much less childhood, would have marked it,) that will not tremble and shudder when the servant withdraws the light from the resting-place of the infant. Such scenes cannot be useful to youth; and, leaving the skill of the actor out of the question, we know not how they can give pleasure to age. This theatre was ostensibly instituted as a sort of stay and support to legitimate ‘English opera;’ and we feel convinced that one well-written English opera, upon the model of the old schooll—that school so well described by general Burgoyne, in his preface to his own excellent work, ‘The Lord of the Manor,’ would do more credit to the proprietor of this theatre, and bring more money to his treasury, than ‘a wilderness ofFrankensteinsandFetches.’”
Rightly ordered minds will assent to the observations in the “Times.” Every correct thinker, too, is aware that from causes very easily to be discovered, but not necessary to trace, the “regular houses” must adopt degrading and mischievous representations or close their doors. Nor is any accession to our “stock plays” to be expected; for if perchance a piece of sterling merit were written, its author would be lamentably ignorant of “the business of the stage” were he to thinkof “offering it.” The “regular drama” is on its last legs.
Leaving the fable of the play of the “Death Fetch” altogether, and merely taking its name for the purpose of acquainting the reader with the attributes of a “fetch,” recourse is had in the outset to the “Tales of the O’Hara Family.” The notions of such of the good people of Ireland, as believe at this time in that “airy thing,” are set forth with great clearness by the author of that work, who is a gentleman of the sister kingdom with well-founded claims to distinction, as a man of genius and literary ability. The following is extracted preparatory to other authorities regarding “fetches” in general.
I was sauntering in hot summer weather by a little stream that now scarce strayed over its deep and rocky bed, often obliged to glance and twine round some large stone, or the trunk of a fallen tree, as if exerting a kind of animated ingenuity to escape and pursue its course. It ran through a valley, receding in almost uniform perspective as far as the eye could reach, and shut up at its extremity by a lofty hill, sweeping directly across it. The sides of the valley bore no traces of cultivation. Briers and furze scantily clothed them; while, here and there, a frittered rock protruded its bald forehead through the thin copse. No shadow broke or relieved the monotonous sheet of light that spread over every object. The spare grass and wild bushes had become parched under its influence; the earth, wherever it was seen bare, appeared dry and crumbling into dust; the rocks and stones were partially bleached white, or their few patches of moss burnt black or deep red. The whole effect was fiercely brilliant, and so unbroken, that a sparrow could not have hopped, or a grass-mouse raced across, even in the distance, without being immediately detected as an intrusion upon the scene.
The desertion and silence of the place, sympathized well with its lethargic features. Not a single cabin met my eye through the range of the valley; over head, indeed, the gables of one or two peeped down, half hidden by their sameness of colour with the weather-tanned rocks on which they hung, or with the heather that thatched them; but they and their inmates were obviously unconnected with the solitude in which I stood, their fronts and windows being turned towards the level country, and thence the paths that led to them must also have diverged. No moving thing animated my now almost supernatural picture; no cow, horse, nor sheep, saunteringly grazed along the margin of my wizard stream. The very little birds flew over it, I conveniently thought, with an agitated rapidity, or if one of them alighted on the shrivelled spray, it was but to look round for a moment with a keen mistrustful eye; and then bound into its fields of air, leaving the wild branch slightly fluttered by his action. If a sound arose, it was but what its own whispering waters made; or the herdsboy’s whistle faintly echoed from far-off fields and meadows; or the hoarse and lonesome caw of the rook, as he winged his heavy flight towards more fertile places.
Amid all this light and silence, a very aged woman, wildly habited, appeared, I know not how, before me. Her approach had not been heralded by any accompanying noise, by any rustle among the bushes, or by the sound of a footstep; my eyes were turned from the direction in which she became visible, but again unconsciously recurring to it, fixed on the startling figure.
She was low in stature, emaciated, and embrowned by age, sun, or toil, as it might be; her lank white hair hung thickly at either side of her face; a short red mantle fell loosely to her knees; under it a green petticoat descended to within some inches of her ankles; and her arms, neck, head, and feet, were bare. There she remained, at the distance of only about twenty yards, her small grey eyes vacantly set on mine; and her brows strenuously knit, but, as I thought, rather to shadow her sight from the sun, than with any expression of anger or agitation. Her look had no meaning in it; no passion, no subject. It communicated nothing with which my heart or thought held any sympathy; yet it was long, and deep, and unwincing. After standing for some time, as if spell-bound by her gaze, I felt conscious of becoming uneasy and superstitious in spite of myself; yet my sensation was rather caused by excitement than by fear, and saluting the strange visitant, I advanced towards her. She stood on a broad slab in the centre of the bed of thestream, but which was now uncovered by the water. I had to step from stone to stone in my approach, and often wind round some unusually gigantic rock that impeded my direct course; one of them was, indeed, so large, that when I came up to it, my view of the old woman was completely impeded. This roused me more: I hastily turned the angle of the rock; looked again for her in the place she had stood—but she was gone.—My eye rapidly glanced round to detect the path she had taken. I could not see her.
Now I became more disturbed. I leaned my back against the rock, and for some moments gazed along the valley. In this situation, my eye was again challenged by her scarlet mantle glittering in the sunlight, at the distance of nearly a quarter of a mile from the spot where she first appeared. She was once more motionless, and evidently looked at me. I grew too nervous to remain stationary, and hurried after her up the stony bed of the stream.
A second time she disappeared; but when I gained her second resting-place, I saw her standing on the outline of the distant mountain, now dwindled almost to the size of a crow, yet, boldly relieved against the back-ground of white clouds, and still manifested to me by her bright red mantle. A moment, and she finally evaded my view, going off at the other side of the mountain. This was not to be borne: I followed, if not courageously, determinedly. By my watch, to which I had the curiosity and presence of mind to refer, it took me a quarter of an hour to win the summit of the hill; and she, an aged woman, feeble and worn, had traversed the same space in much less time. When I stood on the ridge of the hill, and looked abroad over a widely-spreading country, unsheltered by forest, thicket, or any other hiding-place, I beheld her not.
Cabins, or, to use the more poetical name, authorized by the exquisite bard of “O’Connor’s child,”sheelings, were now abundantly strewed around me, and men, women, and children, at work in the fields, one and all assured me no such person had, that day, met their notice, and added, it was impossible she could have crossed without becoming visible to them. I never again beheld (excepting in my dreams) that mysterious visitant, nor have ever been able to ascertain who or what she was.
After having spoken to the peasants, I continued my walk, descending the breast of the mountain which faced the valley, but now avoiding the latter, and sauntering against the thready current of the stream, with no other feeling that I can recollect, but an impatience to ascertain its hidden source. It led me all round the base of the hill. I had a book in my pocket, with which I occasionally sat down, in an inviting solitude; when tired of it, I threw pebbles into the water, or traced outlines on the clouds; and the day insensibly lapsed, while I thus rioted in the utter listlessness of, perhaps, a diseased imagination.
Evening fell. I found myself, in its deepest shades, once more on the side of the mountain opposite that which turned towards the valley. I sat upon a small knoll, surrounded by curves and bumps, wild and picturesque in their solitude. I was listening to the shrill call of the plover, which sounded far and faint along the dreary hills, when a vivid glow of lightning, followed by a clattering thundercrash, roused me from my reverie. I was glad to take shelter in one of the cabins, which I have described as rather numerously strewed in that direction.
The poor people received me with an Irishcead mille phalteagh—“a hundred thousand welcomes”—and I soon sat in comfort by a blazing turf fire, with eggs, butter, and oaten bread, to serve my need as they might.
The family consisted of an old couple, joint proprietors of my house of refuge; a son and daughter, nearly full grown; and a pale, melancholy-looking girl of about twenty years of age, whom I afterwards understood to be niece to the old man, and since her father’s death, under his protection. From my continued inquiries concerning my witch of the glen, our conversation turned on superstitions generally. With respect to the ancient lady herself, the first opinion seemed to be—“the Lord only knows what she was:”—but a neighbour coming in, and reporting the sudden illness of old Grace Morrissy, who inhabited a lone cabin on the edge of the hill, my anecdote instantly occurred to the auditory, one and all; and now, with alarmed and questioning eyes, fixed on each other, they concluded I had seen her “fetch:” and determined amongst themselves that she was to die before morning.
The “fetch” was not entirely new to me, but I had never before been affordedso good an opportunity of becoming acquainted with its exact nature and extent among the Irish peasantry. I asked questions, therefore, and gathered some—to me—valuable information.
In Ireland, a “fetch” is the supernatural fac-simile of some individual, which comes to ensure to its original a happy longevity, or immediate dissolution; if seen in the morning the one event is predicted; if in the evening, the other.
During the course of my questions, and of the tales and remarks to which they gave rise, I could observe that the pale, silent girl, listened to all that was said with a deep, assenting interest: or, sighing profoundly, contributed only a few melancholy words of confirmation. Once, when she sighed, the old man remarked—“No blame to you, Moggy mavourneen, fur it’s you that lives to know it well, God help you, this blessed night.” To these words she replied with another long-drawn aspiration, a look upwards, and an agitation of feature, which roused my curiosity, if not my sympathy, in no ordinary degree. I hazarded queries, shaped with as much delicacy as I could, and soon learned that she had seen, before his death, the “fetch” of her beloved father. The poor girl was prevailed on to tell her own story; in substance asfollows:—
Her father had, for some days, been ill of a fever. On a particular evening, during his illness, she had to visit the house of an acquaintance at a little distance, and for this purpose, chose a short cut across some fields. Scarcely arrived at the stile that led from the first into the second field, she happened to look back, and beheld the figure of her father rapidly advancing in her footsteps. The girl’s fear was, at first, only human; she imagined that, in a paroxysm, her father had broken from those who watched his feverish bed; but as she gazed, a consciousness crept through her, and the action of the vision served to heighten her dread. It shook its head and hand at her in an unnatural manner, as if commanding her to hasten on. She did so. On gaining the second stile, at the limit of the second field, she again summoned courage to look behind, and again saw the apparition standing on the first stile she had crossed, and repeating its terrible gesticulations. Now she ran wildly to the cottage of her friend, and only gained the threshold when she fainted. Having recovered, and related what she saw, a strong party accompanied her by a winding way, back to her father’s house, for they dared not take that one by which she had come. When they arrived, the old man was a corpse; and as her mother had watched the death-struggle during the girl’s short absence, there could be no question of his not having left his bed in the interim.
The man who had come into us, and whom my humble host called “gossip,” now took up the conversation, and related, with mystery and pathos, the appearance to himself of the “fetch” of an only child. He was a widower, though a young man, and he wept during the recital. I took a note of his simple narrative, nearly in his own words; and a rhyming friend has since translated them into metre.
The mother died when the child was born,And left me her baby to keep;I rocked its cradle the night and morn,Or, silent, hung o’er it to weep’Twas a sickly child through its infancy,Its cheeks were so ashy pale;Till it broke from my arms to walk in gleeOut in the sharp fresh gale.And then my little girl grew strong,And laughed the hours away;Or sung me the merry lark’s mountain song,Which he taught her at break of day.When she wreathed her hair in thicket bowers,With the hedge-rose and hare-bell, blue;I called her my May, in her crown of flowers,And her smile so soft and new.And the rose, I thought, never shamed her cheek,But rosy and rosier made it;And her eye of blue did more brightly break,Through the blue-bell that strove to shade it.One evening I left her asleep in her smiles,And walked through the mountains, lonely;I was far from my darling, ah! many long miles,And I thought of her, and her only;She darkened my path like a troubled dream,In that solitude far and drear;I spoke to my child! but she did not seemTo hearken with human ear;She only looked with a dead, dead eye,And a wan, wan cheek of sorrow—I knew her “fetch!” she was called to die,And she died upon the morrow.
The mother died when the child was born,And left me her baby to keep;I rocked its cradle the night and morn,Or, silent, hung o’er it to weep’Twas a sickly child through its infancy,Its cheeks were so ashy pale;Till it broke from my arms to walk in gleeOut in the sharp fresh gale.And then my little girl grew strong,And laughed the hours away;Or sung me the merry lark’s mountain song,Which he taught her at break of day.When she wreathed her hair in thicket bowers,With the hedge-rose and hare-bell, blue;I called her my May, in her crown of flowers,And her smile so soft and new.And the rose, I thought, never shamed her cheek,But rosy and rosier made it;And her eye of blue did more brightly break,Through the blue-bell that strove to shade it.One evening I left her asleep in her smiles,And walked through the mountains, lonely;I was far from my darling, ah! many long miles,And I thought of her, and her only;She darkened my path like a troubled dream,In that solitude far and drear;I spoke to my child! but she did not seemTo hearken with human ear;She only looked with a dead, dead eye,And a wan, wan cheek of sorrow—I knew her “fetch!” she was called to die,And she died upon the morrow.
The mother died when the child was born,And left me her baby to keep;I rocked its cradle the night and morn,Or, silent, hung o’er it to weep
’Twas a sickly child through its infancy,Its cheeks were so ashy pale;Till it broke from my arms to walk in gleeOut in the sharp fresh gale.
And then my little girl grew strong,And laughed the hours away;Or sung me the merry lark’s mountain song,Which he taught her at break of day.
When she wreathed her hair in thicket bowers,With the hedge-rose and hare-bell, blue;I called her my May, in her crown of flowers,And her smile so soft and new.
And the rose, I thought, never shamed her cheek,But rosy and rosier made it;And her eye of blue did more brightly break,Through the blue-bell that strove to shade it.
One evening I left her asleep in her smiles,And walked through the mountains, lonely;I was far from my darling, ah! many long miles,And I thought of her, and her only;
She darkened my path like a troubled dream,In that solitude far and drear;I spoke to my child! but she did not seemTo hearken with human ear;
She only looked with a dead, dead eye,And a wan, wan cheek of sorrow—I knew her “fetch!” she was called to die,And she died upon the morrow.
Our young readers are required to observe that these “Tales of the O’Hara Family” are merely tales, invented to amuse the mind, or create wonder. Yet things of this sort are still believed by ignorant people, and in the dark ages they were credited, or affected to be credited, by those who ought to have known better. Mr. Brand has heaped together a great many of these superstitions.
Besides general notices of death, certain families were reputed to have particular warnings; some by the appearance of a bird, and others by the figure of a tall woman in white, who shrieked about the house. This in Ireland is called thebanshee, or “the shrieking woman.”
In some of the great families an admonishing demon or genius was supposed to be a visiter. The family of Rothmurchas is alleged to have had thebodack au dun, “the ghost of the hill;” and the Kinchardines “the spectre of the bloody hand.” Gartinberg-house was said to have been haunted by Bodach Gartin, and Tulloch Gorms byMaug Monlack, or “the girl with the hairy left hand.”
The highlanders, like the Irish, imagined their deaths to have been foretold by the cries of thebenshi, or “the fairies’ wife,” along the paths that their funerals were to take.
In Wales—the exhalations in churchyards, called corpse candles, denoted coming funerals. Very few of the good people of Carmarthen died without imagining they saw their corpse candles, or death-lights.
In Northumberland, the vulgar saw theirwaff, or “whiff,” as a death token, which is similar to the Scotchwraith, or the appearance of a living person to himself or others.
In some parts of Scotland, the “fetch” was called thefye. It was observed to a woman in her ninety-ninth year, that she could not long survive. “Aye,” said she, with great indignation, “whatfye-tokendo you see about me?” This is quoted by Brand from the “Statistical Account of Scotland,” vol. xxi. p. 150; and from the same page he cites an anecdote to show with what indifference death is sometimes contemplated.
James Mackie, by trade a wright, was asked by a neighbour for what purpose he had some fine deal in his barn. “It is timber for my coffin,” quoth James. “Sure,” replies the neighbour, “you mean not to make your own coffin. You have neither resolution nor ability for the task.” “Hout away man,” says James, “if I were once begun, I’ll soon ca’t by hand.” The hand, but not the heart, failed him, and he left the task of making it to a younger operator.
This anecdote brought to Mr. Brand’s remembrance what certainly happened in a village in the county of Durham, where it is the etiquette for a person not to go out of the house till the burial of a near relation. An honest simple countryman, whose wife lay a corpse in his house, was seen walking slowly up the village: a neighbour ran to him, and asked “Where in heaven, John, are you going?” “To the joiner’s shop,” said poor John, “to see them make my wife’s coffin; it will be a little diversion for me.”
In Cumberland,wraithsare calledswarths, and in other places “fetches.” Their business was to appear at the moment preceding the death of the person whose figure they assumed. “Sometimes,” says Brand, “there is a greater interval between the appearance and the death.”
According to Dr. Jamieson, the appearance of thewraithwas not to be taken as indicating immediate death, “although, in all cases, it was viewed as a premonition of the disembodied state.” The season of the day wherein it was seen, was understood to presage the time of the person’s departure. If early in the morning, it was a token of long life and even old age; if in the evening, it indicated that death was at hand.
A worthy old lady of exceeding veracity, frequently acquainted the editor of theEvery-Day Bookwith her supposed superhuman sights. They were habitual to her. One of these was of an absent daughter, whom she expected on a visit, but who had not arrived, when she left her chamber to go to a lower part of the house. She was surprised on meeting her on the stairs, for she had not heard the street door opened. She expressed her surprise, the daughter smiled and stood aside to let her mother pass, who naturally as she descended, reachedout her hand to rest it on her daughter’s arm as assistance to her step; but the old lady mistook and fell to the bottom of the stairs. In fact her daughter was not there, but at her own home. The old lady lived some years after this, and her daughter survived her; though, according to her mother’s imagination and belief, she ought to have died in a month or two.
In 1823, the editor of this work being mentally disordered from too close application, left home in the afternoon to consult a medical friend, and obtain relief under his extreme depression. In Fleet-street, on the opposite side of the way to where he was walking, he saw a pair of legs devoid of body, which he was persuaded were his own legs, though not at all like them. A few days afterwards when worse in health, he went to the same friend for a similar purpose, and on his way saw himself on precisely the same spot as he had imagined he had seen his legs, but with this difference that the person was entire, and thoroughly a likeness as to feature, form, and dress. The appearance seemed as real as his own existence. The illusion was an effect of disordered imagination.
Mean Temperature 64·20.