"To cast the kingdoms oldInto another mould."
"To cast the kingdoms oldInto another mould."
Destructive work has still to be done, and its most terrible energy is to be displayed in the future, when all opposition shall be withered into nothingness by the brightness of His presence. There are two kinds of breaking: a merciful one, when His love shatters our pride and breaks into penitence the earthen vessels of our hearts; and a terrible one, when the weight of His sceptre crushes, and His hand casts down in shivers "vessels of wrath, fitted to destruction."
We have listened to three voices, and now, in vv. 10-12, the poet speaks in solemn exhortation: "Be wise now, ye kings." The "now" is argumentative, not temporal. It means "since things are so." The kings addressed are the rebel monarchs whose powerseems so puny measured against that of "my King." But not only these are addressed, but all possessors of power and influence. Open-eyed consideration of the facts is true wisdom. The maddest thing a man can do is to shut his eyes to them and steel his heart against their instruction. This pleading invitation to calm reflection is the purpose of all the preceding. To draw rebels to loyalty, which is life, is the meaning of all appeals to terror. God and His prophet desire that the conviction of the futility of rebellion with a poor "ten thousand" against "the king of twenty thousands" should lead to "sending an embassage" to sue for peace. The facts are before men, that they may be warned and wise.
The exhortation which follows in vv. 11, 12 points to the conduct which will be dictated by wise reception of instruction. So far as regards ver. 11 there is little difficulty. The exhortation to "serve Jehovah with fear and rejoice with trembling" points to obedience founded on awe of God's majesty,—the fear which love does not cast out, but perfect; and to the gladness which blends with reverence, but is not darkened by it. To love and cleave to God, to feel the silent awe of His greatness and holiness giving dignity and solemnity to our gladness, and from this inmost heaven of contemplation to come down to a life of practical obedience—this is God's command and man's blessedness.
The close connection between Jehovah and Messiah in the preceding sections, in each of which the dominion of the latter is treated as that of the former and rebellion as against both at once, renders it extremely improbable that there should be no reference to the King in this closing hortatory strophe. The view-point of the psalm, if consistently retained throughout, requiressomething equivalent to the exhortation to "kiss the Son" in token of fealty, to follow, "serve Jehovah." But the rendering "Son" is impossible. The word so translated isBar, which is the Aramaic forson, but is not found in that sense in the Old Testament except in the Aramaic of Ezra and Daniel and in Prov. xxxi. 2, a chapter which has in other respects a distinct Aramaic tinge. No good reason appears for the supposition that the singer here went out of his way to employ a foreign word instead of the usualBen. But it is probably impossible to make any good and certain rendering of the existing text. The LXX. and Targum agree in rendering, "Take hold of instruction," which probably implies another reading of Hebrew text. None of the various proposed translations—e.g.,Worship purely, Worship the chosen One—are without objection; and, on the whole, the supposition of textual corruption seems best. The conjectural emendations of Grätz,Hold fast by warning, or reproof; Cheyne's alternative ones,Seek ye His face("Book of Psalms," adopted from Brüll) orPut on [again] His bonds("Orig. of Psalt.," p. 351, adopted from Lagarde), and Hupfeld's (in his translation)Cleave to Him, obliterate the reference to the King, which seems needful in this section, as has been pointed out, and depart from the well-established meaning of the verb—namely, "kiss." These two considerations seem to require that a noun referring to Messiah, and grammatically object of the verb, should stand in the place occupied bySon. The Messianic reference of the psalm remains undimmed by the uncertainty of the meaning of this clause.
The transition from the representative of Jehovah to Jehovah Himself, which takes place in the next clause, is in accordance with the close union between themwhich has marked the whole psalm. It is henceforth Jehovah only who appears till the close. But the anger which is destructive, and which may easily flash out like flames from a furnace mouth, is excited by opposition to Messiah's kingdom, and the exclusive mention of Jehovah in these closing clauses makes the picture of the anger the more terrible.
But since the disclosure of the danger of perishing "in [or as to] the way" or course of rebellious conduct is part of an exhortation, the purpose of which is that the threatened flash of wrath may never need to shoot forth, the psalmist will not close without setting forth the blessed alternative. The sweet benediction of the close bends round to the opening words of the companion psalm of prelude, and thus identifies the man who delights in the law of Jehovah with him who submits to the kingdom of God's Anointed. The expression "put their trust" literally means to take refuge in. The act of trust cannot be more beautifully or forcibly described than as the flight of the soul to God. They who take shelter in God need fear no kindling anger. They who yield to the King are they who take refuge in Jehovah; and such never know aught of His kingdom but its blessings, nor experience any flame of His wrath, but only the happy glow of His love.
1 Jehovah, how many are my oppressors!Many are rising against me.2 Many are saying to my soul,There is no salvation for him in God. Selah.3 And yet Thou, Jehovah, art a shield round me;My glory, and the lifter up of my head.4 With my voice to Jehovah I cry aloud,And He answers me from His holy mountain. Selah.5 I laid myself down and slept;I awaked; for Jehovah upholds me.6 I am not afraid of ten thousands of people,Who round about have set themselves against me.7 Arise, Jehovah; save me, my God:For Thou hast smitten all my enemies [on] the cheek-bone;The teeth of the wicked Thou hast broken.8 To Jehovah belongs salvation:Upon Thy people be Thy blessing. Selah.
Another pair of psalms follows the two of the Introduction. They are closely connected linguistically, structurally, and in subject. The one is a morning, the other an evening hymn, and possibly they are placed at the beginning of the earliest psalter for that reason. Ewald and Hitzig accept the Davidic authorship, though the latter shifts the period in David's life at which they were composed to the mutiny of his men at Ziklag (1 Sam. xxx.). Cheyne thinks that "you will find no situation which corresponds to these psalms," though you "search the story of David's lifefrom end to end." He takes the whole of the Psalms from iii. to xvii., excepting viii., xv., xvi., as a group, "the heart utterances of the Church amidst some bitter persecution"—namely, "the period when faithful Israelites were so sorely oppressed both by traitors in their midst and by Persian tyrants" ("Orig. of Psalt.," pp. 226, 227). But correspondences of the two psalms with David's situation will strike many readers as being at least as close as that which is sought to be established with the "spiritual kernel of the nation during the Persian domination," and the absence of more specific reference is surely not unnatural in devout song, however strange it would be in prosaic narrative. We do not look for mention of the actual facts which wring the poet's soul and were peculiar to him, but are content with his expression of his religious emotions, which are common to all devout souls. Who expects Cowper to describe his aberrations of intellect in the "Olney Hymns"? But who cannot trace the connection of his pathetic strains with his sad lot? If ever a seeming reference to facts is pointed out in a so-called Davidic psalm, it is brushed aside as "prosaic," but the absence of such is, notwithstanding, urged as an argument against the authorship. Surely that is inconsistent.
This psalm falls into four strophes, three of which are marked by Selah. In the first (vv. 1, 2) the psalmist recounts his enemies. If we regard this as a morning psalm, it is touchingly true to experience that the first waking thought should be the renewed inrush of the trouble which sleep had for a time dammed back. His enemies are many, and they taunt him as forsaken of God. Surely it is a strong thing to say that there is no correspondence here with David's situation during Absalom's revolt. It was no partial conspiracy, butpractically the nation had risen against him, "ut totidem fere haberet hostes quot subditos" (Calvin).
Shimei's foul tongue spoke the general mind: "The Lord hath delivered the kingdom into the hand of Absalom" (2 Sam. xvi. 8). There had been sin enough in the king's recent past to give colour to the interpretation of his present calamity as the sign of his being forsaken of God. The conviction that such was the fact would swell the rebel ranks. The multitude has delight in helping to drown a sinking man who has been prosperous. The taunt went deep, for the Hebrew has "to my soul," as if the cruel scoff cut like a knife to the very centre of his personality, and wounded all the more because it gave utterance to his own fears. "The Lord hath bidden him," said David about Shimei's curses. But the psalmist is finding refuge from fears and foes even in telling how many there are, since he begins his complaint with "Jehovah." Without that word the exclamations of this first strophe are the voice of cowardice or despair. With it they are calmed into the appeal of trust.
The Selah which parts the first from the second strophe is probably a direction for an instrumental interlude while the singer pauses.
The second strophe (vv. 3, 4) is the utterance of faith, based on experience, laying hold of Jehovah as defence. By an effort of will the psalmist rises from the contemplation of surrounding enemies to that of the encircling Jehovah. In the thickest of danger and dread there is a power of choice left a man as to what shall be the object of thought, whether the stormy sea or the outstretched hand of the Christ. This harassed man flings himself out of the coil of troubles round about him and looks up to God. He sees in Him preciselywhat he needs most at the moment, for in that infinite nature is fulness corresponding to all emptiness of ours. "A shield around me," as He had promised to be to Abraham in his peril; "my glory," at a time when calumny and shame were wrapping him about and his kingdom seemed gone; "the lifter up of my head," sunk as it is both in sadness and calamity, since Jehovah can both cheer his spirit and restore his dignity. And how comes this sudden burst of confidence to lighten the complaining soul? Ver. 4 tells. Experience has taught him that as often as he cries to Jehovah he is heard. The tenses in ver. 4 express a habitual act and a constant result. Not once or twice, but as his wont, he prays, and Jehovah answers. The normal relation between him and Jehovah is that of frank communion; and since it has long been so and is so now, even the pressure of present disaster does not make faith falter. It is hard to begin to trust when in the grip of calamity, but feet accustomed to the road to God can find it in the dark. There may be an allusion to David's absence from sanctuary and ark in ver. 4. The expectation of being answered "from His holy hill" gains in pathetic force when the lovely scene of submissive sacrifice in which he sent back the Ark is recalled (2 Sam. xv. 25). Though he be far from the place of prayer, and feeling the pain of absence, the singer's faith is not so tied to form as to falter in the assurance that his prayer is heard. Jehovah is shield, glory, and strengthener to the man who cries to Him, and it is by means of such crying that the heart wins the certitude that He is all these. Again the instruments sound and the singer pauses.
The third strophe (vv. 5, 6) beautifully expresses the tranquil courage which comes from trust. Sincesleeping and safe waking again in ordinary circumstances is no such striking proof of Divine help that one in the psalmist's situation would be induced to think especially of it and to found his confidence on it, the view is to be taken that the psalmist in ver. 5 is contemplating the experience which he has just made in his present situation. "Surrounded by enemies, he was quite safe under God's protection and exposed to no peril even in the night" (Riehm, in Hupfeldin loc.). Surely correspondence with David's circumstances may be traced here. His little band had no fortress in Mahanaim, and Ahithophel's counsel to attack them by night was so natural that the possibility must have been present to the king. But another night had come and gone in safety, disturbed by no shout of an enemy. The nocturnal danger had passed, and day was again brightening.
They were safe because the Keeper of Israel had kept them. It is difficult to fit this verse into the theory that here the persecuted Israelitish Church is speaking, but it suits the situation pointed to in the superscription. To lie down and sleep in such circumstances was itself an act of faith, and a sign of the quiet heart which faith gives. Like Christ on the hard wooden "pillow" during the storm, or like Peter sleeping an infant's sleep the night before his purposed execution, this man can shut his eyes and quiet himself to slumber, though "ten thousands have set themselves against him." They ring him round, but cannot reach him through his shield. Ver. 6 rises to bold defiance, the result of the experience in ver. 5. How different the tone of reference to the swarms of the enemy here and in ver. 1! There the psalmist was counting them and cowering before them; here their very number is an element in his triumphant confidence. Courage comesfrom thinking of the one Divine Ally, before whom myriads of enemies are nothing. One man with God to back him is always in the majority. Such courage, based on such experience and faith, is most modest and reasonable, but it is not won without an effort of will, which refuses to fear, and fixes a trustful gaze not on peril, but on the protector. "I will not be afraid" speaks of resolve and of temptations to fear, which it repels, and from "the nettle danger plucks the flower"trustand the fruitsafety. Selah does not follow here. The tone of the strophe is that of lowly confidence, which is less congruous with an instrumental interlude than are the more agitated preceding strophes. The last strophe, too, is closely connected with the third, since faith bracing itself against fear glides naturally into prayer.
The final strophe (vv. 7, 8) gives the culmination of faith in prayer. "Arise, Jehovah," is quoted from the ancient invocation (Num. x. 35), and expresses in strongly anthropomorphic form the desire for some interposition of Divine power. Fearlessness is not so complete that the psalmist is beyond the need of praying. He is courageous because he knows that God will help, but he knows, too, that God's help depends on his prayer. The courage which does not pray is foolish, and will break down into panic; that which fears enough to cry "Arise, Jehovah," will be vindicated by victory. This prayer is built on experience, as the preceding confidence was. The enemies are now, according to a very frequent figure in the Psalter, compared to wild beasts. Smiting on the cheek is usually a symbol of insult, but here is better taken in close connection with the following "breaking the teeth." By a daring image Jehovah is represented as dealing the beasts of prey, who prowl round the psalmist withopen mouth, the buffets which shatter their jaws and dislodge their teeth, thus making them powerless to harm him. So it has been in the past, and that past is a plea that so it will be now. God will be but doing as He has done, if now He "arise." If He is to be true to Himself, and not to stultify His past deliverances, He must save his suppliant now. Such is the logic of faith, which is only valid on the supposition that God's resources and purpose are inexhaustible and unchangeable. The whole ends with confident anticipation of an answer. "Salvation belongeth unto Jehovah." The full spiritual meaning of that salvation was not yet developed. Literally, the word means "breadth," and so, by a metaphor common to many languages, deliverance as an act, and well-being or prosperity as a state. Deliverance from his enemies is the psalmist's main idea in the word here. It "belongs to Jehovah," since its bestowal is His act. Thus the psalmist's last utterance of trust traverses the scoff which wounded him so much (ver. 2), but in a form which beautifully combines affiance and humility, since it triumphantly asserts that salvation is in God's power, and silently implies that what is thus God's "to will and do" shall certainly be His suppliant's to enjoy.
Intensely personal as the psalm is, it is the prayer of a king; and rebels as the bulk of the people are ("ten thousands of the people"), they are still God's. Therefore all are included in the scope of his pitying prayer. In other psalms evil is invoked on evil-doers, but here hate is met by love, and the self-absorption of sorrow counteracted by wide sympathy. It is a lower exemplification of the same spirit which breathed from the lips of the greater King the prayer, "Father, forgive them, for they know not what they do."
1 When I cry answer me, O God of my righteousness; Thou hast in straits made space for me:Be gracious to me and hear my prayer.2 Sons of men! how long shall my glory be mocked, [in that] ye love vanity,[And] seek after a lie? Selah.3 But know that Jehovah has set apart as His own him whom He favours:Jehovah hears when I cry to Him.4 Stand in awe, and sin not:Speak in your hearts on your beds, and be silent. Selah.5 Sacrifice sacrifices of righteousness,And trust on Jehovah.6 Many are saying, Who will let us see good?Lift Thou upon us the light of Thy face, O Jehovah.7 Thou hast given gladness in my heart,More than in the time of their corn and their wine [when] they abound.8 In peace will I lie down and at once sleep:For Thou, Jehovah, in [my] loneliness, makest me dwell in safety.
Psalms iii. and iv. are a pair. They are similar in expression (my glory, there be many which say, I laid me down and slept), in the psalmist's situation, and in structure (as indicated by theSelahs). But they need not be cotemporaneous, nor need the superscription of Psalm iii. be extended to Psalm iv. Their tone is different, the fourth having little reference to the personal danger so acutely felt in Psalm iii., and being mainly a gentle, earnest remonstrance with antagonists, seeking to win them to a better mind. The strophicaldivision into four parts of two verses each, as marked by the Selahs, is imperfectly carried out, as in Psalm iii., and does not correspond with the logical division—a phenomenon which occurs not infrequently in the Psalter, as in all poetry, where the surging thought or emotion overleaps its bounds. Dividing according to the form, we have four strophes, of which the first two are marked by Selah; dividing by the flow of thought, we have three parts of unequal length—prayer (ver. 1), remonstrance (vv. 2-5), communion and prayer (vv. 6-8).
The cry for an answer by deed is based on the name and on the past acts of God. Grammatically, it would be possible and regular to render "my God of righteousness,"i.e., "my righteous God"; but the pronoun is best attached to "righteousness" only, as the consideration that God is righteous is less relevant than that He is the source of the psalmist's righteousness. Since He is so, He may be expected to vindicate it by answering prayer by deliverance. He who feels that all good in himself comes from God may be quite sure that, sooner or later, and by some means or other, God will witness to His own work. To the psalmist nothing was so incredible as that God should not take care of what He had planted, or let the springing crop be trodden down or rooted up. The Old Testament takes prosperity as the Divine attestation of righteousness; and though they who worship the Man of Sorrows have new light thrown on the meaning of that conception, the substance of it remains true for ever. The compellation "God of my righteousness" is still mighty with God. The second ground of the prayer is laid in the past deeds of God. Whether the clause "Thou hast in straits made space for me" be taken relatively or not, it appeals to former deliverances as reasons for man's prayer and for God'sact. In many languages trouble and deliverance are symbolised by narrowness and breadth. Compression is oppression. Closely hemmed in by crowds or by frowning rocks, freedom of movement is impossible and breathing is difficult. But out in the open, one expatiates, and a clear horizon means an ample sky.
The strophe division keeps together the prayer and the beginning of the remonstrance to opponents, and does so in order to emphasise the eloquent, sharp juxtaposition of God and the "sons of men." The phrase is usually employed to mean persons of position, but here the contrast between the varying height of men's molehills is not so much in view as that between them all and the loftiness of God. The lips which by prayer have been purged and cured of quivering can speak to foes without being much abashed by their dignity or their hatred. But the very slight reference to the psalmist's own share in the hostility of these "sons of men" is noticeable. It is their false relation to God which is prominent throughout the remonstrance; and that being so, "my glory," in ver. 2, is probably to be taken, as in iii. 3, as a designation of God. It is usually understood to mean either personal or official dignity, but the suggested interpretation is more in keeping with the tone of the psalm. The enemies were really flouting God and turning that great name in which the singer gloried into a jest. They were not therefore idolaters, but practical heathen in Israel, and their "vanity" and "lies" were their schemes doomed to fail and their blasphemies. These two verses bring most vividly into view the contrast between the psalmist clinging to his helping God and the knot of opponents hatching their plans which are sure to fail.
The Selah indicates a pause in the song, as if tounderscore the question "How long?" and let it soak into the hearts of the foes, and then, in vv. 3 and 4, the remonstrating voice presses on them the great truth which has sprung anew in the singer's soul in answer to his prayer, and beseeches them to let it stay their course and still their tumult. By "the godly" is meant, of course the psalmist. He is sure that he belongs to God and is set apart, so that no real evil can touch him; but does he build this confidence on his own character or on Jehovah's grace? The answer depends on the meaning of the pregnant word rendered "godly," which here occurs for the first time in the Psalter. So far as its form is concerned, it may be either active, one who showschesed(lovingkindness or favour), or passive, one to whom it is shown. But the usage in the Psalter seems to decide in favour of the passive meaning, which is also more in accordance with the general biblical view, which traces all man's hopes and blessings, not to his attitude to God, but to God's to him, and regards man's love to God as a derivative, "Amati amamus, amantes amplius meremur amari" (Bern). Out of His own deep heart of love Jehovah has poured His lovingkindness on the psalmist, as he thrillingly feels, and He will take care that His treasure is not lost; therefore this conviction, which has flamed up anew since the moment before when he prayed, brings with it the assurance that He "hears when I cry," as he had just asked Him to do. The slight emendation, adopted by Cheyne from Grätz and others, is tempting, but unnecessary. He would read, with a small change which would bring this verse into parallelism with xxxi. 22, "See how passing great lovingkindness Jehovah hath shown me"; but the present text is preferable, inasmuch as what we should expect tobe urged upon the enemies is not outward facts, but some truth of faith neglected by them. On such a truth the singer rests his own confidence; such a truth he lays, like a cold hand, on the hot brows of the plotters, and bids them pause and ponder. Believed, it would fill them with awe, and set in a lurid light the sinfulness of their assault on him. Clearly the rendering "Be ye angry" instead of "Stand in awe" gives a less worthy meaning, and mars the picture of the progressive conversion of the enemy into a devout worshipper, of which the first stage is the recognition of the truth in ver. 3; the second is the awestruck dropping of the weapons, and the third is the silent reflection in the calm and solitude of night. The psalm being an evening song, the reference to "your bed" is the more natural; but "speak in your hearts"—what? The new fact which you have learned from my lips. Say it quietly to yourselves then, when forgotten truths blaze on the waking eye, like phosphorescent writing in the dark, and the nobler self makes its voice heard. "Speak ... and be silent," says the psalmist, for such meditation will end the busy plots against him, and in a wider application "that dread voice," heard in the awed spirit, "shrinks the streams" of passion and earthly desires, which otherwise brawl and roar there. Another strain of the "stringed instruments" makes that silence, as it were, audible, and then the remonstrance goes on once more.
It rises higher now, exhorting to positive godliness, and that in the two forms of offering "sacrifices of righteousness," which here simply means those which are prescribed or which are offered with right dispositions, and of trusting in Jehovah—the two aspects of true religion, which outwardly is worship and inwardlyis trust. The poet who could meet hate with no weapon but these earnest pleadings had learned a better lesson than "the hate of hate, the scorn of scorn, the love of love," and anticipated "bless them which curse you." The teacher who thus outlined the stages of the way back to God as recognition of His relation to the godly, solitary meditation thereon, forsaking of sin and hushing of the Spirit thereby, and finally worship and trust, knew the discipline for rebellious souls.
Ver. 6 seems at first sight to belong more closely to what follows than to what precedes, and is taken by those who hold the Davidic authorship as addressed to his followers beginning to despond. But it may be the continuance of the address to the enemies, carrying on the exhortation to trust. The sudden appearance of the plural "us" suggests that the psalmist associates himself with the persons whom he has been addressing, and, while he glances at the vain cries of the "many," would make himself the mouthpiece of the nascent faith which he hopes may follow his beseechings. The cry ofthe manywould, in that case, have a general reference to the universal desire for "good," and would pathetically echo the hopelessness which must needs mingle with it, so long as the heart does not know who is the only good. The passionate weariness of the question, holding a negation in itself, is wonderfully contrasted with the calm prayer. The eyes fail for want of seeing the yearned-for blessing; but if Jehovah lifts the light of His face upon us, as He will certainly do in answer to prayer, "in His light we shall see light." Every good, however various, is sphered in Him. All colours are smelted into the perfect white and glory of His face.
There is no Selah after ver. 6, but, as in iii. 6, one is due, though omitted.
Vv. 7 and 8 are separated from ver. 6 by their purely personal reference. The psalmist returns to the tone of his prayer in ver. 1, only that petition has given place, as it should do, to possession and confident thankfulness. The many ask, Who?; he prays, "Lord." They have vague desires after God; he knows what he needs and wants. Therefore in the brightness of that Face shining on him his heart is glad. The mirth of harvest and vintage is exuberant, but it is poor beside the deep, still blessedness which trickles round the heart that craves most the light of Jehovah's countenance. That craving is joy and the fruition is bliss. The psalmist here touches the bottom, the foundation fact on which every life that is not vanity must be based, and which verifies itself in every life that is so based. Strange and tragic that men should forget it and love vanity which mocks them, and, though won, still leaves them looking wearily round the horizon for any glimmer of good! The glad heart possessing Jehovah can, on the other hand, lay itself down in peace and sleep, though foes stand round. The last words of the psalm flow restfully like a lullaby. The expression of confidence gains much if "alone" be taken as referring to the psalmist. Solitary as he is, ringed round by hostility as he may be, Jehovah's presence makes him safe, and being thus safe, he is secure and confidant. So he shuts his eyes in peace, though he may be lying in the open, beneath the stars, without defences or sentries. The Face brings light in darkness, gladness in want, enlargement in straits, safety in peril, and any and every good that any and every man needs.
1 Give ear to my words, Jehovah;Consider my meditation.2 Listen to the voice of my crying, my King and my God,For to Thee do I make supplication.3 Jehovah, in the morning Thou shalt hear my voice;In the morning will I order my [prayer] to Thee and keep watch.4 For not a God delighting in wickedness art Thou;Evil cannot sojourn with Thee.5 Fools cannot stand before Thine eyes;Thou hatest all workers of iniquity.6 Thou destroyest the speakers of falsehood;The man of blood and deceit Jehovah loathes.7 But I, in the multitude of Thy loving-kindness I dare come into Thy house;I dare fall prostrate before Thy holy temple in Thy fear.8 Jehovah, lead me in Thy righteousness, because of them that are spies on me;Make Thy way level before me.9 For in his mouth is nothing trustworthy;Their inward part is destruction;An open grave is their throat;Their tongue they smooth.10 Hold them guilty, Jehovah: let them fall by their own schemes;In the multitude of their transgressions strike them down, for they have rebelled against Thee.11 Then shall all those who take refuge in Thee be glad;For ever shall they shout for joy, since Thou dost shelter them;And they that love Thy name shall exult in Thee.12 For Thou dost bless the righteous;Jehovah, as with a shield, with favour dost Thou compass him about.
The reference to the temple in ver. 7 is not conclusive against the Davidic authorship of this psalm, since the same word is applied in 1 Sam. i.9 and iii. 3 to the house of God in Shiloh. It means a palace, and may well be used for any structure, even if a hair tent, in which God dwelt. No doubt it is oftenest used for the Solomonic temple, but it does not necessarily refer to it. Its use here, then, cannot be urged as fatal to the correctness of the superscription. At the same time, it does create a certain presumption against it. But there is nothing in the psalm to determine its date, and its worth is quite independent of its authorship. The psalmist is surrounded by foes, and seeks access to God. These are constant features of the religious life, and their expression here fits as closely to the present time as to any past.
The psalm falls into two main parts: vv. 1-7 and 8-12. The former division deals with the inner side of the devout life, its access to God, to whom sinful men cannot approach, the latter with the outward side, the conduct, "the way" in which the psalmist seeks to be led, and in which sinful men come to ruin because they will not walk. Naturally the inward comes first, for communion with God in the secret place of the Most High must precede all walking in His way and all blessed experience of His protection, with the joy that springs from it. These two halves of the psalm are arranged in inverted parallelism, the first verse of the second part (ver. 8) corresponding to the last verse of the first (ver. 7) and being, like it, purely personal; vv. 9 and 10 corresponding similarly to vv. 4-6 and, like them, painting the character and fate of evil-doers; and, finally, vv. 11, 12, answering to vv. 1-3 and representing the blessedness of the devout soul, as in the one case led and protected by God and therefore glad, and in the other abiding in His presence. The whole is a prayerful meditation on the inexhaustibletheme of the contrasted blessedness of the righteous and misery of the sinner as shown in the two great halves of life: the inward of communion and the outward of action.
In the first part (vv. 1-7) the central thought is that of access to God's presence, as the desire and purpose of the psalmist (1-3), as barred to evil-doers (4-6), and as permitted to, and embraced as his chief blessing by, the singer (7). The petition to be heard in vv. 1 and 2 passes into confidence that he is heard in ver. 3. There is no shade of sadness nor trace of struggle with doubt in this prayer, which is all sunny and fresh, like the morning sky, through which it ascends to God. "Consider [or Understand] my meditation"—the brooding, silent thought is spread before God, who knows unspoken desires, and "understands thoughts afar off." The contrast between "understanding the meditation" and "hearkening to the voice of my cry" is scarcely unintentional, and gives vividness to the picture of the musing psalmist, in whom, as he muses, the fire burns, and he speaks with his tongue, in a "cry" as loud as the silence from which it issued had been deep. Meditations that do not pass into cries and cries which are not preceded by meditations are alike imperfect. The invocation "my King" is full of meaning if the singer be David, who thus recognises the delegated character of his own royalty; but whoever wrote the psalm, that expression equally witnesses to his firm grasp of the true theocratic idea.
Noteworthy is the intensely personal tone of the invocation in both its clauses, as in the whole of these first verses, in every clause of which "my" or "I" occurs. The poet is alone with God and seeking to clasp still closer the guiding hand, to draw still nearerto the sweet and awful presence where is rest. The invocation holds a plea in itself. He who says, "My King and my God," urges the relation, brought about by God's love and accepted by man's faith, as a ground for the hearing of his petition. And so prayer passes into swift assurance; and with a new turn in thought, marked by the repetition of the name "Jehovah" (ver. 3), he speaks his confidence and his resolve. "In the morning" is best taken literally, whether we suppose the psalm to have been composed for a morning song or no. Apparently the compilers of the first Psalter placed it next to Psalm iv., which they regarded as an evening hymn, for this reason. "I will lay me down and sleep" is beautifully followed by "In the morning shalt Thou hear my voice." The order of clauses in ver. 3 is significant in its apparent breach of strict sequence, by which God's hearing is made to precede the psalmist's praying. It is the order dictated by confidence, and it is the order in which the thoughts rise in the trustful heart. He who is sure that God will hear will therefore address himself to speak. First comes the confidence, and then the resolve. There are prayers wrung from men by sore need, and in which doubt causes faltering, but the happier, serener experience is like that of this singer. He resolves to "order" his prayer, using there the word employed for the priest's work in preparing the materials for the morning sacrifice. Thus he compares his prayer to it, and stands at the same level as the writer of Psalm iv., with whose command to "offer the sacrifices of righteousness" this thought again presents a parallel.
A psalmist who has grasped the idea that the true sacrifice is prayer is not likely to have missed the cognate thought that the "house of the Lord," ofwhich he will presently speak, is something other than any material shrine. But to offer the sacrifice is not all which he rejoices to resolve. He will "keep watch," as Habakkuk said that he would do, on his watch-tower; and that can only mean that he will be on the outlook for the answer to his prayer, or, if we may retain the allusion to sacrifice, for the downward flash of the Divine fire, which tells his prayer's acceptance. Many a prayer is offered, and no eyes afterwards turned to heaven to watch for the answer, and perhaps some answers sent are like water spilled on the ground, for want of such observance.
The confidence and resolve ground themselves on God's holiness, through which the necessary condition of approach to Him comes to be purity—a conviction which finds expression in all religions, but is nowhere so vividly conceived or construed as demanding such stainless inward whiteness as in the Psalter. The "for" of ver. 4 would naturally have heralded a statement of the psalmist's grounds for expecting that he would be welcomed in his approach, but the turn of thought, which postpones that, and first regards God's holiness as shutting out the impure, is profoundly significant. "Thou art not a God that hath pleasure in wickedness" means more than the simple "Thou hast not pleasure" would do; it argues from the character of God, and glances at some of the foul deities whose nostrils snuff up sensual impurity as acceptable sacrifice. The one idea of absolute contrariety between God and evil is put in a rich variety of shapes in vv. 4-6, which first deal with it negatively in three clauses (not a God;not dwell;not stand in Thy sight) and then positively in other three (hatest;shalt destroy;abhorreth). "Evil shall not sojournwith Thee." The verb is to be taken in its full meaning of sojourning as a guest-friend, who has the right to hospitality and defence. It thus constitutes the antithesis to ver. 7. Clearly the sojourning does not mean access to the temple, but abiding with God. The barriers are of the same nature as the communion which they hinder, and something far deeper is meant than outward access to any visible shrine. No one sojourned in the temple. In like manner, the "standing in Thy sight" is a figure drawn from courts, reminding us of "my King" in ver. 2 and suggesting the impossibility of evil or its doers approaching the Divine throne.
But there is more than a negative side to the relation between God and evil, which the psalm goes on to paint in sombre colours, for God not only does not delight in sin, but hates it with a hatred like the physical loathing of some disgusting thing, and will gather all His alienation into one fatal lightning bolt. Such thoughts do not exhaust the truth as to the Divine relation to sin. They did not exhaust the psalmist's knowledge of that relation, and still less do they exhaust ours, but they are parts of the truth to-day as much as then, and nothing in Christ's revelation has antiquated them.
The psalmist's vocabulary is full of synonyms for sin, which witness to the profound consciousness of it which law and ritual had evoked in devout hearts. First, he speaks of it in the abstract, as "wickedness" and "evil." Then he passes to individuals, of whom he singles out two pairs, the first a more comprehensive and the second a more specific designation. The former pair are "the foolish" and "workers of iniquity." The word for "foolish" is usually translated by the moderns"arrogant," but the parallelism with the general expression "workers of iniquity" rather favours a less special meaning, such as Hupfeld's "fools" or the LXX.'s "transgressors." Only in the last pair are special forms of evil mentioned, and the two selected are significant of the psalmist's own experience.Liarsandmen of blood and craftare his instances of the sort of sinners most abominable to God. That specification surely witnesses to his own sufferings from such.
In ver. 7 the psalmist comes back to the personal reference, contrasting his own access to God with the separation of evil-doers from His presence. But he does not assert that he has the right of entrance because he is pure. Very strikingly he finds the ground of his right of entry to the palace in God's "multitude of mercy," not in his own innocence. Answering to "in Thy righteousness" is "in Thy fear." The one phrase expresses God's disposition to man which makes access possible, the other man's disposition to God which makes worship acceptable. "In the multitude of Thy mercy" and "in Thy fear," taken together, set forth the conditions of approach. Having regard to ver. 4, it seems impossible to restrict the meaning of "Thy house" to the material sanctuary. It is rather a symbol of communion, protection, and friendship. Does the meaning pass into the narrower sense of outward worship in the material "temple" in the second clause? It may be fairly taken as doing so (Hupfeld). But it may be maintained that the whole verse refers to the spiritual realities of prayer and fellowship, and not at all to the externalities of worship, which are used as symbols, just as in ver. 3 prayer is symbolised by the morning sacrifice. But probably it is better to suppose that the psalmist's faith, thoughnot tied to form, was fed by form, and that symbol and reality, the outward and the inward worship, the access to the temple and the approach of the silent soul to God, are fused in his psalm as they tended to be in his experience. Thus the first part of the psalm ends with the psalmist prostrate (for so the word for "worship" means) before the palace sanctuary of his King and God. It has thus far taught the conditions of approach to God, and given a concrete embodiment of them in the progress of the singer's thoughts from petition to assurance and from resolve to accomplishment.
The second part may be taken as his prayer when in the temple, whether that be the outward sanctuary or no. It is likewise a further carrying out of the contrast of the condition of the wicked and of the lovers of God, expressed in terms applying to outward life rather than to worship. It falls into three parts: the personal prayer for guidance in life, the contemplation of evil-doers, and the vehement prayer for their destruction, corresponding to vv. 4-6, and the contrasted prayer for the righteous, among whom he implies his own inclusion.
The whole of the devout man's desires for himself are summed up in that prayer for guidance. All which the soul needs is included in these two: access to God in the depths of still prostration before His throne as the all-sufficient good for the inner life; guidance, as by a shepherd, on a plain path, chosen not by self-will but by God, for the outward. He who has received the former in any degree will in the same measure have the latter. To dwell in God's house is to desire His guidance as the chief good. "In Thy righteousness" is capable of two meanings: it may eitherdesignate the path by which the psalmist desired to be led, or the Divine attribute to which he appealed. The latter meaning, which is substantially equivalent to "because Thou art righteous," is made more probable by the other instances in the psalm of a similar use of "in" (in the multitude of Thy mercy;in Thy fear;in the multitude of their transgressions). His righteousness is manifested in leading those who seek for His guidance (compare Psalm xxv. 8; xxxi. 1, etc.). Then comes the only trace in the psalm of the presence of enemies, because of whom the singer prays for guidance. It is not so much that he fears falling into their hands as that he dreads lest, if left to himself, he may take some step which will give them occasion for malicious joy in his fall or his calamity. Wherever a man is earnestly God-fearing, many eyes watch him, and gleam with base delight if they see him stumble. The psalmist, whether David or another, had that cross to carry, like every thorough-going adherent of the religious ideal (or of any lofty ideal, for that matter); and his prayer shows how heavy it was, since thoughts of it mingled with even his longings for righteousness. "Plain" does not meanobvious, butlevel, and may possibly include both freedom from stumbling-blocks ("Lead us not into temptation") and from calamities, but the prevalent tone of the psalm points rather to the former. He who knows his own weaknesses may legitimately shrink from snares and occasions to fall, even though, knowing the wisdom of his Guide and the help that waits on his steps, he may "count it all joy" when he encounters them.
The picture of the evil-doers in ver. 9 is introduced, as in ver. 4, with a "for." The sinners here are evidently theenemiesof the previous verse. Their sinsare those of speech; and the force of the rapid clauses of the picture betrays how recently and sorely the psalmist had smarted from lies, flatteries, slanders, and all the rest of the weapons of smooth and bitter tongues. He complains that there is no faithfulness or steadfastness in "his mouth"—a distributive singular, which immediately passes into the plural—nothing there that a man can rely on, but all treacherous. "Their inward part is destruction." The other rendering, "engulfing ruin" or "a yawning gulf," is picturesque; butdestructionis more commonly the meaning of the word and yields a vigorous sense here. They plot inwardly the ruin of the men whom they flatter. The figure is bold. Down to this pit of destruction is a way like an open sepulchre, the throat expanded in the act of speech; and the falsely smoothed tongue is like a slippery approach to the descent (so Jennings and Lowe). Such figures strike Western minds as violent, but are natural to the East. The shuddering sense of the deadly power of words is a marked characteristic of the Psalter. Nothing stirs psalmists to deeper indignation than "God's great gift of speech abused," and this generation would be all the better for relearning the lesson.
The psalmist is "in the sanctuary," and there "understands their end," and breaks into prayer which is also prophecy. The vindication of such prayers for the destruction of evil-doers is that they are not the expressions of personal enmity ("They have rebelled against Thee"), and that they correspond to one side of the Divine character and acts, which was prominent in the Old Testament epoch of revelation, and is not superseded by the New. But they do belong to that lower level; and to hesitate to admit their imperfection from the Christian point of view is to neglect the plainteaching of our Lord, who built His law of the kingdom on the declared relative imperfection of the ethics of the Old. Terrible indeed are the prayers here.Hold them guilty—that is, probably, treat them as such by punishing;let them fall;thrust them out—from Thy presence, if they have ventured thither, or out into the darkness of death. Let us be thankful that we dare not pray such prayers, but let us not forget that for the psalmist not to have prayed them would have indicated, not that he had anticipated the tenderness of the Gospel, but that he had failed to learn the lesson of the law and was basely tolerant of baseness.
But we come into the sunshine again at the close, and hear the contrasted prayer, which thrills with gladness and hope. "When the wicked perish there is shouting." The servants of God, relieved from the incubus and beholding the fall of evil, lift up their praises. The order in which the designations of these servants occur is very noteworthy. It is surely not accidental that we have them first described as "those that trust in Thee," then as "all them that love Thy name," and finally as "the righteous." What is this sequence but an anticipation of the evangelical order? The root of all is trust, then love, then righteousness. Love follows trust. "We have known and believed the love which God hath to us." Righteousness follows trust and love, inasmuch as by faith the new life enters the heart and inasmuch as love supplies the great motive for keeping the commandments. So root, stem, and flower are here, wrapped up, as it were, in a seed, which unfolds into full growth in the New Testament. The literal meaning of the word rendered "put their trust" is "flee as to a refuge," and that beautifully expresses the very essence of the act of faith; while thesame metaphor is carried on in "defendest," which literally meanscoverest. The fugitive who shelters in God is covered by the shadow of His wing. Faith, love, and righteousness are the conditions of the purest joy. Trust is joy; love is joy; obedience to a loved law is joy. And round him who thus, in his deepest self, dwells in God's house and in his daily life walks, with these angels for his companions, on God's path, which by choice he has made his own, there is ever cast the broad buckler of God's favour. He is safe from all evil on whom God looks with love, and he on whom God so looks is he whose heart dwells in God's house and whose feet "travel on life's common way in cheerful godliness."
1 Jehovah, not in Thine anger do Thou correct me,And not in Thy hot wrath do Thou chastise me.2 Be gracious to me, Jehovah, for I am withered away;Heal me, Jehovah, for my bones are dismayed:3 And my soul is sorely dismayed;And Thou, Jehovah—how long?4 Return, Jehovah, deliver my soul;Save me for the sake of Thy loving-kindness.5 For in death there is no remembrance of Thee;In Sheol who gives thee thanks?6 I am wearied out with my groaning;Every night I make my bed swim;With my tears I melt away my couch.7 My eye is wasted with trouble;It is aged because of all my oppressors.8 Depart from me, all ye workers of iniquity,For Jehovah has heard the voice of my weeping.9 Jehovah has heard my supplication;Jehovah will accept my prayer.10 Ashamed and sore dismayed shall be all my enemies;They shall turn back, shall be ashamed in a moment.
The theme and progress of thought in this psalm are very common, especially in those attributed to David. A soul compassed by enemies, whose hate has all but sapped the life out of it, "catches at God's skirts and prays," and thence wins confidence which anticipates deliverance and victory. There are numerous variations of thisleitmotif, and each of the psalms which embody it has its own beauty, its owndiscords resolved into its own harmonies. The representation of the trouble of spirit as producing wasting of the body is also frequent, and is apparently not to be taken as metaphor, though not to be pressed, as if the psalmist were at once struck with the two calamities of hostility and disease, but the latter is simply the result of the former, and will disappear with it. It is needless to look for a historical occasion of the psalm, but to an ear that knows the tones of sorrow, or to a heart that has itself uttered them, the supposition that in these pathetic cries we hear only a representative Israelite bewailing the national ruin sounds singularly artificial. If ever the throb of personal anguish found tears and a voice, it does so in this psalm. Whoever wrote it wrote with his blood. There are in it no obvious references to events in the recorded life of David, and hence the ascription of it to him must rest on something else than the interpretation of the psalm. The very absence of such allusions is a fact to be dealt with by those who deny the accuracy of the attribution of authorship. But, however that question may be settled, the worth of this little plaintive cry depends on quite other considerations than the discovery of the name of the singer or the nature of his sorrow. It is a transcript of a perennial experience, a guide for a road which all feet have to travel. Its stream runs turbid and broken at first, but calms and clears as it flows. It has four curves or windings, which can scarcely be called strophes without making too artificial a framework for such a simple and spontaneous gush of feeling. Still the transitions are clear enough.
In vv. 1-3 we have a cluster of sharp, short cries to God for help, which all mean the same thing. Ineach of these the great name of Jehovah is repeated, and in each the plea urged is simply the sore need of the suppliant. These are no "vain repetitions," which are pressed out of a soul by the grip of the rack; and it is not "taking the name of the Lord in vain" when four times in three short verses the passionate cry for help is winged with it as the arrow with its feather. Two thoughts fill the psalmist's consciousness, or rather one thought—the Lord—and one feeling—his pains. In ver. 1 the Hebrew makes "in Thine anger" and "in Thine hot wrath" emphatic by setting these two phrases between the negative and the verb: "Not in Thine anger rebuke me; not in Thy heat chasten me." He is willing to submit to both rebuke and chastisement; but he shrinks appalled from that form of either which tends to destruction, not to betterment. There are chastisements in tenderness, which express God's love, and there are others which manifest His alienation and wrath. This psalmist did not think that all Divine retribution was intended for reformation. To him there was such a thing as wrath which slew. Jeremiah has the same distinction (x. 24), and the parallel has been made an argument for the later date of the psalm. Cheyne and others assume that Jeremiah is the original, but that is simple conjecture, and the prophet's conspicuous fondness for quotations from older authors makes the supposition more probable that the psalm is the earlier. Resignation and shrinking blend in that cry, in which a heart conscious of evil confesses as well as implores, recognises the justice and yet deprecates the utmost severity of the blow. He who asks, "Not in Thine anger rebuke me," thereby submits tolovingchastisement.
Then follow in vv. 2 and 3 three short petitions,which are as much cries of pain as prayers, and as much prayers as cries of pain. In the two former the prayer is put first, and its plea second; in the last the order is reversed, and so the whole is, as it were, enclosed in a circlet of prayer. Two words make the petition in each clause, "Have mercy on me, Jehovah" (tastelessly corrected by Grätz into "Revive me"), and "Heal me, Jehovah." The third petition is daring and pregnant in its incompleteness. In that emphatic "And Thou, Jehovah," the psalmist looks up, with almost reproach in his gaze, to the infinite Personality which seems so unaccountably passive. The hours that bring pain are leaden-footed, and their moments each seem an eternity. The most patient sufferer may cry, "How long?" and God will not mistake the voice of pain for that of impatience. This threefold prayer, with its triple invocation, has a triple plea, which is all substantially one. His misery fills the psalmist's soul, and he believes that God will feel for him. He does not at first appeal to God's revealed character, except in so far as the plaintive reiteration of the Divine name carries such an appeal, but he spreads out his own wretchedness, and he who does that has faith in God's pity. "I am withered away," like a faded flower. "My bones are vexed";—the physical effects of his calamity, "bones" being put for the whole body, and regarded as the seat of sensibility, as is frequently the usage. "Vexed" is too weak a rendering. The idea is that of the utmost consternation. Not only the body, but the soul, partakes in the dismay. The "soul" is even more shaken than the "bones"; that is to say, mental agitation rather than physical disease (and the latter as the result of the former) troubles the psalmist. We can scarcely failto remember the added sanctity which these plaintive words have received, since they were used by the Prince of sufferers when all but in sight of the cross.
The next turn of thought includes vv. 4, 5, and is remarkable for the new pleas on which it rests the triple prayer, "Return; deliver; save." God is His own motive, and His self-revelation in act must always be self-consistent. Therefore the plea is presented, "for Thy loving-kindness' sake." It beseeches Him to be what He is, and to show Himself as still being what He had always been. The second plea is striking both in its view of the condition of the dead and in its use of that view as an argument with God. Like many other psalmists, the writer thinks of Sheol as the common gathering-place of the departed, a dim region where they live a poor shadowy life, inactive, joyless, and all but godless, inasmuch as praise, service, and fellowship with Him have ceased.
That view is equally compatible with the belief in a resurrection and the denial of it, for it assumes continued individual consciousness. It is the prevailing tone in the Psalter and in Job and Ecclesiastes. But in some psalms, which embody the highest rapture of inward and mystical devotion, the sense of present union with God bears up the psalmist into the sunlight of the assurance that against such a union death can have no power, and we see the hope of immortality in the very act of dawning on the devout soul. May we not say that the subjective experience of the reality of communion with God now is still the path by which the certainty of its perpetuity in a future life is reached? The objective proof in the resurrection of Jesus Christ is verified by this experience. The psalmists had not the former, but, having the latter, they attained to atall events occasional confidence in a blessed life beyond. But the tone of such triumphant glimpses as xvi. 10, xvii. 15, xlix. 15, lxxiii. 24, is of a higher mood than that of this and other psalms, which probably represent the usual view of devout Hebrews.
The fact, as it appeared to those at the then stage of revelation, that remembrance and praise of God were impossible in Sheol, is urged as a plea. That implies the psalmist's belief that God cared for men's praise—a thought which may be so put as to make Him an almighty Selfishness, but which in its true aspect is the direct inference from the faith that He is infinite Love. It is the same sweet thought of Him which Browning has when he makes God say, "I miss my little human praise." God's joy in men's praise is joy in men's love and in their recognition of His love.
The third turn of feeling is in vv. 6 and 7. The sense of his own pains which, in the two previous parts of the psalm, had been contending with the thought of God, masters the psalmist in these dreary verses, in which the absence of the name of God is noteworthy as expressive of his absorption in brooding over his misery. The vehemence of the manifestations of sorrow and the frankness of the record of these manifestations in the song are characteristic of the emotional, demonstrative Eastern temperament, and strike our more reticent dispositions as excessive. But however expressed in unfamiliar terms, the emotion which wails in these sad verses is only too familiar to men of all temperaments. All sad hearts are tempted to shut out God and to look only at their griefs. There is a strange pleasure in turning round the knife in the wound and recounting the tokens of misery. This man feels some ease in telling how he had exhausted his strength with groaningand worn away the sleepless night with weeping. Night is ever the nurse of heavy thought, and stings burn again then. The hyperbolical expressions that he had set his bed afloat with his tears and "melted" it (as the word means) are matched by the other hyperboles which follow, describing the effect of this unmeasured weeping on his eyes. He had wept them away, and they were bleared and dim like those of an old man. The cause of this passion of weeping is next expressed, in plain words, which connect this turn of the thought with the next verses, and seem to explain the previously mentioned physical pains as either metaphorical or consequent on the hostility of "mine adversaries."
But even while thus his spirit is bitterly burying itself in his sorrows the sudden certainty of the answer to his prayer flashes on him. "Sometimes a light surprises," as Cowper, who too well knew what it was to be worn with groaning, has sung. That swift conviction witnesses its origin in a Divine inspiration by its very suddenness. Nothing has changed in circumstances, but everything has changed in aspect. Wonder and exultation throb in the threefold assurance that the prayer is heard. In the two former clauses the "hearing" is regarded as a present act; in the latter the "receiving" is looked for in the future. The process, which is usually treated as one simple act, is here analysed. "God has heard; therefore God will receive"—i.e., answer—"my weeping prayer." Whence came that confidence but from the breath of God on the troubled spirit? "The peace of God" is ever the reward of submissive prayer. In this confidence a man can front the close-knit ring of enemies, of whatever sort they be, and bid them back. Theirtriumphant dismissal is a vivid way of expressing the certainty of their departure, with their murderous hate unslaked and baulked. "Mine enemies" are "workers of iniquity." That is a daring assumption, made still more remarkable by the previous confession that the psalmist's sorrow was God's rebuke and chastening. But a man has the right to believe that his cause is God's in the measure in which he makes God's cause his. In the confidence of prayer heard, the psalmist can see "things that are not as though they were," and, though no change has passed on the beleaguering hosts, triumphs in their sure rout and retreat. Very significantly does he predict in ver. 10 the same fate for them which he had bewailed as his own. The "dismay" which had afflicted his soul shall pass to them ("sore vexed"). Since God "returns" (ver. 4), the enemy will have to "return" in baffled abandonment of their plans, and be "ashamed" at the failure of their cruel hopes. And all this will come as suddenly as the glad conviction had started up in the troubled heart of the singer. His outward life shall be as swiftly rescued as his inward has been. One gleam of God's presence in his soul had lit its darkness, and turned tears into sparkling homes of the rainbow; one flash of that same presence in his outward life shall scatter all his foes with like swiftness.