The children had never been to London, but they knew the direction in which it lay—beyond the crumbling kitchen-garden wall, where the wall-flowers grew in a proud colony. The sky looked different there, a threatening quality in it. Both snow and thunderstorm came that way, and the dirty sign-post "London Road" outside the lodge-gates was tilted into the air significantly.
They regarded London as a terrible place, though a necessity: Daddy's office was there; Christmas and Birthday presents came from London, but also it was where the Radical govunment lived—an enormous, evil, octopus kind of thing that made Daddy poor. Weeden, too, had been known to say dark things with regard to selling vegetables, hay, and stuff. "What can yer igspect when a Radical govunment's in?" And the fact that neither he nor Daddy did anything to move it away proved what a powerful thing it was, and made them feel something hostile to their happiness dwelt London-way beyond that crumbling wall.
The composite picture grew steadily in their little minds. When ominous clouds piled up on that northern horizon, floating imperceptibly towards them, it was a fragment of London that had broken off and come rolling along to hover above the old Mill House. A very black cloud was the Seat of Govunment.
London itself, however, remained as obstinately remote as Heaven, yet the two visibly connected; for while the massed vapours were part of London, the lanes and holes of blue were certainly the vestibule of Heaven. "His seat is in the Heavens" must mean something, they argued. They were quite sweetly reverent about it. They merely obeyed the symbolism of primitive age.
"I shall go to Heaven," Tim said once, when they discussed dying as if it were a game. He wished to define his position, as it were.
"But you haven't been to London yet," came the higher criticism fromJudy. "London's a metropolis."
Metropolis! It was an awful thing to say, though no one quite knew why. Part of their dread was traceable to this word. Ever since some one had called it "the metropolis" in their hearing, they had associated vague awe with the place. The ending "opolis" sounded to them like something that might come "ontopofus"—and that, again, brought "octopus" into the mind. It seemed reckless to mention London and Heaven together—yet was right and proper at the same time. Both must one day be seen and known, one inevitably as the other. Thus heavenly rights were included in their minds with a ticket to London, far, far away, when they were much, much older. And both trips were dreaded yet looked forward to.
Maria, however, held no great opinion of either locality. She disliked the idea of long journeys to begin with. Having no objection to moving her eyes, she was opposed to moving her body—unless towards an approved certainty. Puddings, bonfires, and laps at story-time were approved certainties; Heaven and London apparently were not. She was contented where she was. "London's a bother," was her opinion: it meant a rush in the hall when the dog-cart was waiting for the train and Daddy was too late to hear about bringing back a new blue eye for a broken doll. And as for the other place—her ultimatum was hardly couched in diplomatic language, to say the least. An eternal Sunday was not her ideal of happiness. Aunt Emily, it was stated, would live in Heaven when she died, and the place had lost its attractiveness in consequence. For Aunt Emily used long words and heard their "Sunday Colics," and the clothes she wore on that seventh workless day reminded them of village funerals or unhappy women who came to see over the house when it was to be let, and asked mysterious questions about something called "the drains." Daddy's top-hat with a black band was another item in the Sunday and Metropolis picture. London and Heaven, as stated, were not looked forward to unreservedly.
There were compensations, though. They knew the joy of deciding who would go there. Stumper, of course, for one: it was the only place he would not come back from: he would be K.C.B. Uncle Felix, too, because it was his original source of origin. Mother repeatedly called him "angel," and even if she hadn't, it was clear he knew all about both places by the way he talked. Stumper's India was not quite believed in owing to the way he described it, but Uncle Felix's London was real and living, while the other marvellous things he told them could only have happened in some kind of heavenly place. His position, therefore, was unshakable, and Mother and Daddy also had immemorial rights. Others of their circle, however, found themselves somewhat equivocally situated. Thompson and Mrs. Horton were uncertain, for since there was "no marriage" there, there could be no families to wait upon and cook for. Weeden, also, was doubtful. Having never been to London, the alternative happiness was not properly within his grasp, whereas the Postman might be transferred from the metropolis to the stars at any minute of the day or night. Those London letters he brought settled his case beyond all argument whatever.
All of which needs mention because there was a place called the End of the World, and the title has of course to do with it. For the End of the World is the hiding-place of Wonder.
Beyond that crumbling kitchen-garden wall was a very delightful bit of the universe. A battered grey fence kept out the road, but there were slits between the boards through which the Passers-by could be secretly observed. All Passers-by were criminals or heroes on their way to mysterious engagements; the majority were disguised; many of them could be heard talking darkly to themselves. They were a queer lot, those Passers-by. Those who camefromLondon were escaping, but those going north were intent upon awful business in the sinister metropolis—explosions, murders, enormous jewel robberies, and conspiracies against the Radicalgovunment. The solitary policeman who passed occasionally was in constant terror of his life. They longed to warn him. Yet he had his other side as well—his questionable side.
This neglected patch of kitchen-garden, however, possessed other claims to charm as well as the tattered fence. It was uncultivated. Some rows of tangled currant bushes offered excellent cover; there was a fallen elm tree whose trunk was "home"; a pile of rubbish that included scrap-iron, old wheel-barrows, broken ladders, spades, and wire-netting, and, chief of all, there was the spot behind the currant bushes where Weeden, the Gardener, burnt dead leaves. It was sad, but mysterious and beautiful too, this burning of the leaves; though, according to Uncle Felix, who gave the Gardener's explanation, it was right and necessary. They loved the smoke, too, hanging in the air above the lawn, with its fragrant smell and shadowy distances:
"Oh, Gardener! How can you let them burn?"
"Because," he explained, "they've 'ad their turn, And nobody wants their shade.
These withered-up messesIs worn-out old dressesI tuck round the bootsOf the shiverin' rootsTill the Spring makes 'em overLike roses and clover—But nobody wants dead leaves, dead leaves,Nor nobody wants their shade!"
A deserted corner, yet crowded gloriously with life. Adventure lurked in every inch. There was danger, too, terror, wonder, and excitement. And since for them it was the beginning of all things, they called it, naturally, The End of the World. To escape to the End of the World, unaccompanied by grown-ups, and, if possible, their whereabouts unknown to anybody, was a daily duty second to no other. It was a duty, wet or fine, they seldom left, neglected.
Besides themselves, two others alone held passes to this sanctuary: Uncle Felix, because he loved to go there (he wrote his adventure stories there, saying anything might happen in such a lonely place), and the Gardener, because he was obliged to. Come-Back Stumper was excluded. They had taken him once, and he had said such an abominable thing that he was never allowed to visit it again. "A messy hole," he called it. Mr. Jinks had never even seen it, but, after his death in the railway accident, his remains, recovered without charge from the Hospital, had been buried somewhere in the scrap-heap. From this point of view alone he knew the End of the World; he was worthy of no other. His epitaph was appalling—too horrible to mention really. Tim composed it, but Uncle Felix distinctly said that it never,nevermust be referred to audibly again:
Here Matthew JinksJust lies and st—
"It'snotnice," he said emphatically, "and you mustn't say it. Always speak well of the dead." And, as they couldn't honestly do that, they obeyed him and left Mr. Jinks in his unhonoured grave, with a broken wheel-barrow for a headstone and a mass of wire-netting to make resurrection difficult. In order to get the disagreeable epitaph out of their minds Uncle Felix substituted a kinder and gentler one, and made them learn it by heart:
Old Jinks lies hereWithout a tear;He meant no wrong,But we didn't get along;So Jinks lies here,And we've nothing more to fear.He's all right:JinksSinksOut of sight!
It was the proud colony of wallflowers that first made Uncle Felix like the place. Their loveliness fluttered in the winds, and their perfume stole down deliciously above the rubbish and neglect. They seemed to him the soul of ruins triumphing over outward destruction. Hence the delicate melancholy in their scent and hence their lofty chosen perch. Out of decay they grew, yet invariably above it. Both sun and stars were in their flaming colouring, and their boldness was true courage. They caught the wind, they held the sunset and the dawn; they turned the air into a shining garden. They stood somehow for a yearning beauty in his own heart that expressed itself in his stories.
"If you pick them," he warned Tim, who climbed like a monkey, and was as destructive as his age, "the place will lose its charm. They grow for the End of the World, and the End of the World belongs to them. This wonderful spot will have no beauty when they're gone." To wear a blossom in the hair or buttonhole was to be protected against decay and ugliness.
Most wonderful of all, however, was the door in the old grey fence; for it was a Gateway, and a Gateway, according to Uncle Felix, was a solemn thing. None knew where it led to, it was a threshold into an unknown world. Ordinary doors, doors in a house, for instance, were not Gateways; they merely opened into rooms and other familiar places. Dentists, governesses, and bedrooms existed behind ordinary, indoor doors; but out-of-doors opened straight into the sky, and in virtue of it were extraordinary. They were Gateways. At the End of the World stood a stupendous, towering door that was a Gateway. Another, even more majestic, rose at the end of life. This door in the grey fence was a solemn, mysterious, and enticing Gateway—into everything worth seeing.
It was invariably kept locked; it led into the high-road that slithered along secretly and sedulously—to London. For the children it was out of bounds. Here the Policeman lived in constant terror of his life, and here went to and fro the strange world of Passers-by. The white road flowed past like a river. It moved. From the lower branches of the horse-chestnut tree they could just see it slide; also when the swing went extra high, and from the end of the prostrate elm. It went in both directions at once. It encircled the globe, going under the sea too. The door leading into it was a quay or port. But the brass knob never turned; the Gardener said there was no key; and from the outer side the handle had long since been removed, lest Passers-by might see it and come in. Even the keyhole had been carefully stuffed up with that stringy stuff the Gardener carried in his pockets.
Till, finally, something happened that made the End of the World seem suddenly a new place. Tim noticed that the stringy stuff had been removed.
The day had been oppressively hot, and tempers had been sorely tried. Mother had gone to lie down with a headache; Aunt Emily was visiting the poor with a basket; Daddy was inaccessible in his study; all Authorities were doing the dull things Authorities have to do. It was September, and the world stood lost in this golden haze of unexpected heat. Very still it stood, the yellow leaves quite motionless and the smoke from the kitchen chimney hanging stiff and upright in the air. There was no breath of wind.
"There's simplynothingto do," the children said—when suddenly Uncle Felix arrived, and their listlessness was turned to life and interest. He had gone up in the morning to London, and the suddenness of his return was part of his prerogative. Stumper, Jinks, and other folk were announced days and days beforehand, but Uncle Felix just—came.
"We'll go to the End of the World," he decided gravely, the moment he had changed. "There's something going on there. Quick!" This meant, as all knew, that he had an idea. They stole out, and no one saw them go. Across the lawn and past the lime trees humming busily with tired bees, they crept beneath the shadow of the big horse-chestnut, where the staring windows of the house could no longer see them. They disappeared. The Authorities might look and call for ever without finding them.
"Slower, please, a little," said Maria breathlessly, and was at once picked up and carried. Moving cautiously through the laurel shrubbery, they left the garden proper with its lawns and flower-beds, and entered the forbidden region at the End of the World. They stood upright. Uncle Felix dropped Maria like a bundle.
"Look!" he said below his breath. "I told you so!"
He pointed. The colony of wallflowers were fluttering in the windless air. Nothing stirred but these. The stillness was unbroken. Sunshine blazed on the rubbish-heap. The currant bushes watched. Deep silence reigned everywhere. But the flowers on the crumbling wall waved mysteriously their coloured banners of alarm.
"It looks different," said Judy in a hushed aside.
"Something's happened," whispered Tim, staring round him.
Maria watched them from the ground, prepared to follow in any direction, but in no hurry until a plan was decided.
"The keyhole!" cried Tim loudly, and at the same moment a huge blackbird flew out of the shrubberies behind them, and flashed across the open space toward the orchard on the other side. It whistled a long, shrill scream of warning. It was bigger by far than any ordinary blackbird.
"Home! Quick! Run for your lives!" cried some one, as they dashed for the safety of the elm tree. Even Maria ran. They scrambled on to the slippery, fallen trunk and gasped for breath as they stood balancing in an uneasy row, all holding hands.
"It was bigger than a hen," exclaimed Judy inconsequently. "It couldn't have come through any keyhole." She stared with inquiring, startled eyes at her brother. The bird and the keyhole were somehow lumped together in her mind.
"They've stopped," observed Maria, and sat down in the comfortable niche between the lopped branch and the trunk. It was true. The wallflowers were as motionless now as painted outlines on a nursery saucer.
"Because we're safe," said Uncle Felix. "It was a warning."
And then all turned their attention to Tim's discovery of the keyhole. For the stuffing had been removed. The white, dusty road gleamed through the hole in a spot of shining white.
"Hush!" whispered their guide. "There's something moving."
"Perhaps it's Jinks in his cemetery," thought Judy after a pause to listen.
"No," said Uncle Felix with decision. "It's outside. It's on the—road!"
His earnestness on these occasions always thrilled them; his gravity and the calm way he kept his head invariably won their confidence.
"The London Road!" they repeated. That meant the world.
"Something going past," he added, listening intently. They listened intently with him. All four were still holding hands.
"The great High Road outside," he repeated softly, while they moved instinctively to the highest part of the tree whence they could see over the fence. They craned their necks. The dusty road was flowing very swiftly, and like a river it had risen. Never before had it been so easily visible. They saw the ruts the carts had made, the hedge upon the opposite bank, the grassy ditch where the hemlock grew in feathery quantities. They even saw loose flints upon the edge. But the actual road was higher than before. It certainly was rising.
"Metropolis!" cried Tim. "I see an eye!"
Some one was looking through the keyhole at them.
"An eye!" exclaimed several voices in a hushed, expectant tone.
There was a pause, during which every one looked at every one else.
"It's probably a tramp," said Uncle Felix gravely. "We'll let him in."
The proposal, however, alarmed them, for they had expected something very different. To stuff the keyhole, run away and hide, or at least to barricade the fence was what he ought to have advised. Instead of this they heard the very opposite. The excitement became intense. For them a tramp meant danger, robbery with violence, intoxication, awful dirt, and an under-the-bed-at-midnight kind of terror. It was so long since they had seen the tramp—their own tramp—that they had forgotten his existence.
"They'll kill us at once," said Maria, using the plural with the comprehensive and anticipatory vision of the child.
"They're harmless as white mice," said her Uncle quickly, "once you know how to treat them, and full of adventures too. I do," he added with decision, referring to the treatment. And he stepped down to unbar the gate.
The children, breathless with interest, watched him go. On the trunk, of course, they felt comparatively safe, for it was "home"; but none the less the "girls" drew up their skirts a little, and Tim felt premonitory thrills run up his spidery legs into his spine. The wallflowers shook their tawny heads as a sudden breath of wind swept past them across the End of the World. It seemed an age before the audacious thing was accomplished and the door swung wide into the road outside. Uncle Felix might so easily have been stabbed or poisoned or suffocated—but instead they saw a shabby, tangled figure come shuffling through that open gate upon a cloud of dust.
"Quick! he's a perjured man!" cried Judy, remembering a newspaper article. "Shut the gate!" She sprang down to help. "He'll be arrested for a highway violence and be incarc-"
There was confusion in her mind. She felt pity for this woebegone shadow of a human being, and terror lest the Policeman, who lived on the white, summery high road, would catch him and send him to the gallows before he was safe inside. Her love was ever with the under dog.
There was a rush and a scramble, the gate was shut, and the Tramp stood gasping before them in the enchanted sanctuary of the End of the World.
"He's ours!" exclaimed Judy. "It's our old tramp!"
"Be very polite to him," Uncle Felix had time to whisper hurriedly, seeing that all three stood behind him. "He's a great Adventurer and a Wanderer too."
He was a grey and nameless creature of shadowy outline and vague appearance. The eye focused him with difficulty. He had an air of a broken tombstone about him, with moss and lichen in wayward patches, for his face was split and cracked, and his beard seemed a continuation of his hair; but he had soft blue eyes that had got lost in the general tangle and seemed to stray about the place and peep out unexpectedly like flowers hiding in a thick-set hedge. The face might be anywhere; he might move suddenly in any direction; he was prepared, as it were, to move forward, sideways, or backwards according as the wind decided or the road appeared—a sort of universal scarecrow of a being altogether.
Yet, for all his forlorn and scattered attitude, there hung about his rags an air of something noble and protective, something strangely inviting that welcomed without criticism all the day might bring. Homeless himself, and with no place to lay his extraordinary body, the birds might have built their nests in him without alarm, or the furry creatures of fields and woods have burrowed among his voluminous misfit-clothing to shelter themselves from rain and cold. He would gladly have carried them all with him, safely hidden from guns or traps or policemen, glad to be useful, and careless of himself. That, at any rate, was the mixed impression that he gave.
"Thank you," he said in a comfortable sort of voice that sounded like wind among telegraph wires on a high road: then added "kindly all."
And instantly the children felt delighted with him; their sympathy was gained; fear vanished; the Policeman, like a scape-goat, took all their sins away. They did not actually move closer to the Tramp but their eyes went nestling in and out among his tattered figure. Judy, however, it was noticeable, looked at him as though spell-bound. To her he was, perhaps, as her Uncle said, the Great Adventurer, the type of romantic Wanderer for ever on the quest of perilous things—a Knight.
It was Uncle Felix who first broke the pause.
"You've come a long way," he suggested.
"Oh, about the same as usual," replied the Tramp, as though all distances and localities were one to him.
"Which means—?"
"From nowhere, and from everywhere."
"And you are going on to—?"
"Always the same place."
"Which is—?"
"The end." He said it in a rumbling voice that seemed to issue from a pocket of the torn old coat rather than from his bearded mouth.
"Oh, dear," sighed Judy, "that is averylong way indeed. But, of course, you never get tired out?" Her eyes were brimmed with admiration.
He shrugged his great loose shoulders. It was odd how there seemed to be another thing within all that baggy clothing and behind the hair. The shaggy exterior covered a slimmer thing that was happy, laughing, dancing to break out. "Not tired out," he said, "a bit sleepy sometimes, p'r'aps." He glanced round him carelessly, his strange eyes resting finally on Judy's face. "But there's lots of beds about," he explained to her, "once you know how to make 'em."
"Yes," the child murmured, with a kind of soft applause, "of course there must be."
"And those wot sleeps in ditches dreams the sweetest—thatIknow."
"They must," agreed Judy, as though grass and dock leaves were familiar to her. "And you get up when you're ready, don't you?"
"That's it," replied the wanderer. "Only you alwaysareready."
"But how do you know the time?" asked Tim.
The Tramp turned round slowly and looked at his questioner.
"Time!" he snorted. And he exchanged a mysterious glance of sympathy with Maria, who lifted her eyes in return, but otherwise made no sign whatever. "Sit quiet like," he added, "and everything worth 'aving comes of itself. That's living that is. The 'ole world belongs to you."
"I've got a watch," said Tim, as though challenged. "I've got an alarum clock too. Only you have to wind them up, of course."
"There you are!" the Tramp exclaimed, "you've got to wind 'em up. They don't go of theirselves, do they?"
"Oh, no."
"I never knew 'appiness until I chucked my watch away," continued the other.
"Yourwatch!" exclaimed Tim.
"Well, not igsackly," laughed the Tramp.
"Oh, he didn't meanthat," Judy put in quickly.
"I was usin' it at the time, any'ow," chuckled their guest, "and wot you're usin' at the time belongs to you. I never knew 'appiness while I kep' it. Watches and clocks only mean 'urry. It's an endless job, tryin' to keep up with 'em. You've got to go so fast for one thing—I never was a sprinter—bah!" he snorted—"there's nothing in it. Life isn't a 'undred yards race. You miss all the flowers on the way at that pace. And what's the prize?" He glanced down contemptuously at his feet. "Worn-out boots. Yer boots wear out—that's all."
He looked round at the children, smiling wonderfully. Maria seemed to understand him best, perhaps. She looked up innocently into his tangled face. "That's it," he said, with another chuckle. "YOU know wot I mean, don't yer, missie?" But Maria made no reply. She merely beamed back at him till her face seemed nothing but a pair of wide blue eyes.
"Stop yer clocks, go slow," the man murmured, half to himself, "and you'll see what I mean. There's twice as much time as before. You can do anything, everything,"—he spread his arms out—"because there's never any 'urry. You'd be surprised."
"You're very hungry, aren't you?" inquired Tim, resenting the man's undue notice of Maria.
The Tramp stared hard into the boy's unwavering eyes. "Always," he said briefly, "but, then, there's always folks to give."
"Rather," exclaimed Judy with enthusiasm, and Tim added eagerly, "I should think so."
They seemed to know all about him, then. Something had entered with him that made common stock of the five of them. It was wonderful of Uncle Felix to have known all this beforehand.
"We're all alive together," murmured the Tramp below his breath, and then Uncle Felix showed another stroke of genius. "We'll make tea out here to-day," he said, "instead of having it indoors. Tim, you run and fetch a tea-pot, a bottle of milk, and some cups and a kettle full of water; put some sugar in your pockets and bring a loaf and butter and a pot of jam. A basket will hold the lot. And while you're gone we'll get the fire going."
"A big knife and some spoons too," Judy cried after his disappearing figure, "and don't let Aunt Emily see you, mind."
The Tramp looked up sharply. "I had an Aunt Emily once," he said behind his hedged-in face. Expecting more to follow, the others waited; but nothing came. There was a little pause.
"Once?" asked Maria, wondering perhaps if there were two such beings in the world at the same time.
The man of journeys nodded.
"Did she mend your clothes and things—and love to care for you?" Judy wished to know.
He shook his tangled head. "She visited the poor," he told them, "and had no time for the likes of me. And one day I fell out of a big hole in my second suit and took to tramping." He rubbed his hands vigorously together in the air. "And here I am."
"Yes," said Maria kindly. "I'm glad."
Meanwhile, Judy having decided to go and help her brother with the tea-things, the others set to work and made a fire. Maria helped with her eyes, picking up an occasional stick as well, but it was the Tramp who really did the difficult part. Only the way he did it made it appear quite easy somehow. He began with the tiniest fire in the world, and the next minute it seemed ready for the kettle, with a cross-bar arranged adroitly over it and a supply of fresh wood in a pile beside it.
"What doyouthink about it?" asked Tim of his sister, as they struggled back with the laden basket. Apparently a deep question of some kind asked for explanation in his mind.
"It's awful that he has no one to care about him," was the girl's reply. "I think he's a very nice man. He looks magnificent and awfully brown."
"That's dirt," said her brother.
"It's travel," she replied indignantly.
The Tramp, when they got back, looked tidier somehow, as though the effect of refined society had already done him good. His appearance was less uncouth, his hair and beard a shade less hay-fieldy. It was possible to imagine what he looked like when he was young—sure sign of being tidy; just as to be very untidy gives an odd hint of what old age will do eventually to face and figure. The Tramp looked younger.
They all made friends in the simple, unaffected way of birds and animals, for at the End of the World there was no such thing as empty formality. The children, supported by the presence of their important uncle, asked questions, this being their natural prerogative; it came to them as instinctively as tapping the lawn for worms comes to birds, or scratching the earth for holes is a sign of health with rabbits. At first shyly—then in a ceaseless, yet not too inquisitive torrent. Questions are the sincerest form of flattery, and the Tramp, accustomed probably to severer questions from people in uniform, was quite delighted. He smiled quietly behind the scenery of his curious great face, but he answered all: where he lived, how he travelled, what friends he had, where he spent Christmas, what barns and ditches and haystacks felt like, anything and everything, even where he meant to be buried when he died. "'ere, where I've lived so 'appily," and he made a wide gesture with one tattered arm to include the earth and sky. He had no secrets apparently; he was glad they should know all. The children had never known such a delightful creature in their lives before.
"And you eat anything?" inquired Tim, "anything you can, I mean?"
"Anything you canget, he means," corrected Judy softly.
He gave an unexpected answer. "I swallow sunsets, and I bite the moon;I nibble stars. I never need a spoon."
He said it as naturally as a duchess describing her latest diet at a smart dinner-party, with an air, too, as of some great personage disguised on purpose so that he might enjoy the simple life.
"That rhymes," stated Maria.
"So does this," he replied; "I live on open hair and bits of bread; the sunlight clothes me, and I lay me 'ead—"
The hissing of the kettle interrupted him. "Water's boiling," cried Uncle Felix; "hand round the cups and cut the loaf." A cup was given to each. The tea was made.
"Do you take sugar, please?" asked Judy of the guest. The quietness of her voice made it almost tender. Such a man, moreover, might despise sweet things. But he said he did.
"Two lumps?" she asked, "or one?"
"Five, please," he said.
She was far too polite to show surprise at this, nor at the fact that he stirred his tea with a little bit of stick instead of with a spoon. She remembered his remark that he had no use for spoons. Tim, saying nothing, imitated all he did as naturally as though he had never done otherwise in his life before. They enjoyed their picnic tea immensely in this way, seated in a row upon the comfortable elm tree, gobbling, munching, drinking, chattering. The Tramp, for all his outward roughness, had the manners of a king. He said what he thought, but without offence; he knew what he wanted, yet without greed or selfishness. He had that politeness which is due to alert perception of every one near him, their rights and claims, their likes and dislikes; for true politeness is practically an expansion of consciousness which involves seeing the point of view of every one else—at once. A tramp, accustomed to long journeys, big spaces, obliged ever to consider the demands of impetuous little winds, the tastes of flowers, the habits and natural preferences of animals, birds, and insects, develops this bigger sense of politeness that crowds in streets and drawing-rooms cannot learn. Unless a tramp takes note ofall, he remains out of touch with all, and therefore is uncomfortable.
"Is everything all right?" asked Uncle Felix presently, anxious to see that he was well provided for.
"Everything, thank you," the wanderer replied, "and, if you don't mind, I'll 'ave my supper here later too. I've brought it with me." And out of one capacious pocket he produced—a bird. "It's a chickin," he informed them, as they stared with wide-opened eyes. Maria was the first to go on eating her slice of bread and jam. Unordinary things seemed to disturb her less than ordinary ones. Somehow it seemed quite natural that he should go about with a bird for supper in his pocket.
"However did you get it—in there?" asked Tim, modifying his sentence just in time to avoid inquisitive rudeness.
"It gave itself to me," he replied. "That kind of things 'appens sometimes when you're tramping.Theyknow," he added significantly. "You see, it's my birthday to-day, and something like this always 'appens on my birthday. Last time it was a fish. I fell into the stream and went right under. When I got out on to the bank again I found a trout in my pocket. The time before I slept beside a haystack, and when I awoke at sunrise I felt something warm and soft against my face like feathers. Itwasfeathers. There was a 'en's nest two inches from my nose, and six nice eggs in it all ready for my birthday breakfast. I only ate four of them. You should never take all the heggs out of a nest." He looked round at the group and smiled. "But I think the chickin's best of all," he told them, "and next year I expect a turkey, or a bit of bacon maybe."
"You never, never grow old, do you?" Judy asked. Her admiration was no longer concealed. It seemed she saw him differently a little from the others.
"Oh, jest a nice age," he said.
"You seem to know so much," she explained her question, "everything."
He laughed behind his tea-cup as he fingered the chicken on his lap.
"As to that," he murmured, "there's only a few things worth knowing. If you can just forget the rest, you're all right."
"I see," she replied beneath her breath. "But—but it's got to be plucked and cleaned and cooked first, hasn't it?"
"The chickin?" he laughed. "Oh, dear me, no! Cooked, yes, but not plucked or cleaned in the sense you mean. That's what they do in 'ouses. Out here we have a better way. We just wrap it up in clay and dig a 'ole and light a fire on top, and in a 'arf hour it's ready to eat, tender, juicy, and sweet as a bit of 'oneycomb. Break open the ball of clay, and the feathers all come away wiv it." And then he produced from another pocket a fat, thick roll of yellow butter, freshly made apparently, for it was wrapped in a clean white cloth.
They stared at that for a long time without a word.
"They go together," he explained, and the explanation seemed sufficient as well as final. "And they come together too," he added with a smile.
"Did the butter give itself to you as well as the chicken?" inquired Judy. The Tramp nodded in the affirmative as he placed it beside him on the trunk ready for use later. And everybody felt in the middle of a delightful mystery. All were the same age together. Bird and butter, sun and wind, flowers and children, tramp and animals—all seemed merged in a jolly company that shared one another's wants and could supply them. The wallflowers wagged their orange-bonneted heads, the wind slipped sighing with delicious perfumes from the trees, the bees were going home in single file, and the sun was sinking level with the paling top—when suddenly there came a disturbing element into the scene that made their hearts beat faster with one accord. It was a sound.
A muffled, ominous beat was audible far away, but slowly coming nearer. As it approached it changed its character. It became sharper and more distinct. Something about the measured intervals between its tapping repetitions brought a threatening message of alarm. Every one felt the little warning and looked up. There was anxiety. The sound jarred unpleasantly upon the peace of the happy company. They listened. It was footsteps on the road outside.
Uncle Felix paused over his last bit of bread and jam, Tim and Judy cocked their ears up. Maria's eyes stood still a moment in the heavens, and the Tramp stopped eating. He picked up the butter and replaced it carefully in his pocket.
"I know those steps," he murmured half to himself and half to the others. "They're all over the world. They follow me wherever I go. I hear 'em even in me sleep." He sighed, and the tone of his voice was weary and ill at ease.
"How horrid for you," said Judy very softly.
"It keeps me moving," he muttered, trying to conceal all signs of face behind hair and beard, which he pulled over him like a veil. "It's the Perliceman."
"The Policeman!" they echoed, staring.
"But he can't find you here!"
"He'll never see you!"
"You're quite safe inside the fence with us, for this is the End of theWorld, you know."
"He's not afraid—never!" exclaimed Judy proudly.
"He goes everywhere and sees everything," whispered the Tramp. "He's been following me since time began. So far he has not caught me up, but his boots are so much bigger than my own—the biggest, strongest boots in the world—that in the hend he is bound to get me."
"But you've done nothing," said Judy.
The wanderer smiled. "That's why," he said, holding up a warning finger. "It's because I do nothing. 'ush!" he whispered. The steps came nearer, and he lowered his voice so that the end of the sentence was not audible.
"'ide me," he said in a whisper. And he waved his arms imploringly, like the branches of some wind-hunted tree.
There was a tarpaulin near the rubbish-heap, and some sacking used for keeping the vegetables warm at night. "That'll do," he said, pointing. "Quick!—Good-bye!" In a moment he was beneath the spread black covering, the children were sitting on its edges, quietly eating more bread and jam, and looking as innocent as stars. Uncle Felix poked the fire busily, a grave and anxious look upon his face.
The steps came nearer, paused, came on again then finally stopped outside the gate. The flowing road that bore them ceased running past in its accustomed way. The evening stopped still too. The silence could be heard. The setting sun looked on. Upon the crumbling wall the orange flowers shook their little warning banners.
And there came a tapping on the wooden gate.
No one moved.
The tapping was repeated. There was a sound of drums about it. The round brass handle turned. The door pushed open, and in the empty space appeared—the Policeman.
"Good evening," he said in a heavy, uncompromising way. He looked enormous, framed there by the open gate, the white road behind him like a sheet. He looked very blue—a great towering shadow against the sunlight. It was very clear that heknewhe was a policeman and could think of nothing else. He was dressed up for the part, and received many shillings a week from a radculgovunment to look like that. It would have been a dereliction of duty to forget it. He was stuffed with duty. His brass buttons shone.
"Goodevening," he repeated, as no one spoke.
"Goodevening," replied Uncle Felix calmly. The Policeman accentuated the word "evening," but Uncle Felix emphasised the adjective "good." From the very beginning the two men disagreed. "This is private property, very private indeed. We are having tea, in fact, privately, upon our own land."
"No property is private," returned the Policeman, "and to the Law no thing nor person either."
For a moment the children felt afraid. It seemed incredible that UncleFelix could be arrested, and yet things had an appearance of it.
"Kindly close the gate so that we cannot be overheard," he said firmly, "and then be good enough to state your business here." He did not offer him a seat; he did not suggest a cup of tea; he spoke like a brave man who expected danger but was prepared to meet it.
The Policeman stepped back and closed the gate. He then stepped forward again a little nearer than before. From a pocket, hitherto invisible inside his belt, he drew forth a crumpled notebook and a stub of pencil. He was very dignified and very grave. He took a deep breath, held the paper and pencil ready to use, expanded his chest till it resembled a toy balloon in the Park, and said:
"I am looking for a man." He paused, then added: "Have you seen a man about?"
"About what?" asked Uncle Felix innocently.
"About fifty or thereabouts," replied the other. "Disguised in rags and a wig of hair and a false beard."
"What has he done?" It was like a game of chess, both opponents well matched. Uncle Felix was too big to be caught napping by clever questions that hid traps. The children felt the danger in the air, and watched their uncle with quivering admiration. Only their uncle stood alone, whereas behind the Policeman stretched a line of other policemen that reached to London and was in touch with the Government itself.
"What has he done?" repeated their champion.
"He's disappeared," came the deep-voiced answer.
"There's no crime in that," was the comment, given flatly.
"But he's disappeared with"—the Policeman consulted his notebook a moment—"a chicken and a roll of butter what don't belong to him—"
"Rollandbutter, did you say?"
"No, sir, rollofbutter was what I said." He spoke respectfully, but was grave and terrible. "He is a thief."
"A thief!"
"He lives nowhere and has no home. You see, sir, duty is duty, and we're expected to run in people who live nowhere and have no homes."
"Which road did he take?" Uncle Felix clearly was pretending in order to gain time.
The man of law looked puzzled. "It was a roll of butter and a bird, sir," he said, consulting his book again, "and my duty is to run him in—"
"The moment you run into him."
"Precisely," replied the blue giant. "And, having seen him come in here some time ago, I now ask you formally whether you have seen him too, and I call upon you to show me where he's hiding." He thrust one huge foot forward and held his notebook open with the pencil ready. "Anything you say will be used against you later, remember. You must all be witnesses."
"Ifyou find him," put in Uncle Felix dryly.
"WhenI find him," said the other. And his eye wandered over to the tarpaulin that was spread out beside the rubbish-heap. For it had suddenly moved.
Everybody had seen that movement. There was no disguising it. Feeling uncomfortable the Tramp had shifted his position. He probably wanted air.
"I saw it move," the Policeman growled, moving a step towards the rubbish-heap. "He's under there all right enough, and the sooner he comes out the better for him. That's all I've got to say."
It was a most disagreeable and awkward moment. No one knew quite what was best to do. Maria turned her eyes as innocently upon the tarpaulin as she could manage, but it was obvious what she was really looking at. Her brother held his breath and stared, expecting a pistol might appear and some one be shot dead with a marvellous aim, struck absolutely in the mathematical centre of the heart. Uncle Felix, upon whom fell the burden of rescue or defence, sat there with a curious look upon his face. For a moment it seemed he knew not what to do.
The Policeman, approaching still nearer to the tarpaulin, glared at him.
"You're an accessory," he said sternly, "both before and after the fact."
"I didn't say hewasn'tthere."
"You didn't say hewas," was the severe retort. It was unanswerable.
"He'll hang by the neck till he's dead," thought Tim, "and afterwards they'll bury the body in a lime-kiln so that even his family can't visit the grave." He looked wildly about him, thinking of possible ways of escape he had read or heard about, and his eye fell upon his sister Judy.
Now Judy was a queer, original maid. She believed everything in the world. She believed not only what was told her but also what she thought. And among other things she believed herself to be very beautiful, though in reality she was the ugly duckling of the brood. "All God has made is beautiful," Aunt Emily had once reproved her, and, since God had made everything, everything must be beautiful. It was. God had made her too, therefore she was simply lovely. She enjoyed numerous romances; one romance after another flamed into her puzzled life, each leaving her more lovely than it found her. She was also invariably good. To be asked if she was good was a blundering question to which the astonished answer was only an indignant "Of course." And, similarly, all she loved herself was beautiful. Her romances had included gardeners and postmen, stable-boys and curates, age of no particular consequence provided they stimulated her creative imagination. And the latest was—the Tramp.
Something about the woebegone figure of adventure had set on fire her mother instinctandher sense of passionate romance. She saw him young, without the tangled beard, without the rags, without the dilapidated boots. She saw him in her mind as a warrior hero, storming difficulty, despising danger, wandering beneath the stars, a being resplendent as a prince and fearless as a deity. He was a sun of the morning, and the dawn was in his glorious blue eyes.
And Tim now saw that this sister of his, alone of all the party, was about to do something unexpected. She had left her place upon the fallen trunk and stepped up in front of the Policeman.
"Stand aside, missy," this individual said, and his voice was rough, his gesture very decided. It was, in fact, his "arresting" manner. He was about to do his duty.
"Just wait a moment," said Judy calmly; and she placed herself directly in his path, her legs apart, her arms akimbo on her hips. "You say the man you want to find is old and ragged and looks like a tramp?"
"That's it," replied the Policeman, greatly astonished, and pausing a moment in spite of himself. "You'll see him in a moment. Jest help me to lift a corner o' this 'ere tarpaulin, and I'll show him to you." He pushed her deliberately aside.
"All right," said Judy, her eyes shining brilliantly, her gestures touched with a confidence that surprised everybody into silence, "but first I want to tell you that the person underneath this old sheet thing is not a tramp at all—"
"You don't say so," interrupted the other, half impudently, half sarcastically. "What is he then, I'd like to know?"
The girl drew herself up and looked the great blue figure straight in the eyes.
"He's my brother," she said, in a clear strong voice, "and he's not a thief."
"Your brother!" repeated the man, a trifle taken aback. He guffawed.
"He's young and noble," she went on, half singing the words in her excitement and belief, "and he's dressed all in gold. He walks like wind about the world, has curly hair, and wears a sword of silver. He's simply beautiful, and he'sgot no beard at all!"
"And he's your brother, is he?" cried the Policeman, laughing rudely, "and he jest wears all that get-up for fun, don't he?" And he stooped down and pulled the tarpaulin violently to one side.
"He is my brother, and I love him, and he is beautiful," she answered, dancing lightly round him and flinging her arms in the air to the complete amazement of policeman, Uncle Felix, and her brother and sister into the bargain. "There! You can see for yourself!"
The Policeman stood aghast and stared. He drew a long, deep breath; he whistled softly; he pushed his big, spiked helmet back. He staggered. "Seems there's a mistake," he stammered stupidly, "a kind of mistake somewhere, as it were. I—" He stuck fast. He wiped his lips with his thick brown hand.
"A mistake everywhere, I think," said Uncle Felix sternly. "Your mistake."
The two men faced each other, for Uncle Felix had risen to his feet. The children held back and stared in silence. They were not quite sure what it was they saw. On Judy's face alone was a radiant confidence.
For, in place of the bedraggled and unkempt figure that had crawled beneath the sheet ten minutes before, there rose before them all apparently a tall young stripling, clean and white and shining as a fair Greek god. His hair was curly, he was dressed in gold, a silver sword hung down beside him, and his beardless face and beauty in it that made it radiant as a glad spring day. The sunlight was very dazzling just at that moment.
"You said," continued Uncle Felix, in a voice of deadly quiet, "that the man you wanted had a wig of hair and a beard—a false beard?"
The Policeman stared as though his eyes would drop out upon the tarpaulin. But he said no word. He consulted his note-book in a dazed, flustered kind of way. Then he looked up nervously at the astonishing figure of the "Tramp." Then he looked back at his book again.
"And old?" said Uncle Felix.
"And old," repeated the officer thickly, poring over the page.
"About fifty, I think, you mentioned?"
"'Bout fifty—did I?" He said it faintly, like a man not sure of a lesson he ought to know by heart.
"Disguised into the bargain!" Uncle Felix raised his voice till it seemed to thunder out the words.
"Them was my instructions, sir," the man was heard to mumble sulkily.
Uncle Felix, to the children's immense delight and admiration, took a step nearer to the man of law. The latter moved slowly backwards, glancing half fiercely, half suspiciously at the glorious figure of the person he had expected to arrest as a dangerous thief and tramp.
"And, following what you stupidly call your instructions," cried Uncle Felix, looking sternly at him, "you have broken in our gate, trespassed on our private property, disturbed our guests, and removed forcibly our tarpaulin from its rightful place."
The crestfallen and amazed Policeman gasped and raised his hands with a gesture of despair. He looked like a ruined man. Had there been a handkerchief in his bulging coat, he must have cried.
"And you call yourself an Officer of the Law?" boomed the Defender of Personal Liberty. He went still nearer to him. His voice, to the children, sounded simply magnificent. "A uniformed and salaried representative of the Government of England!"
"Oo calls me orl that?" asked the wretched man in a trembling tone. "I gets twenty-five shillings a week, and that's orl I know."
There came a pause then, while the men faced each other.
"Uncle, let him go, please," said Judy. "He couldn't help it, you know.And he's a married man with a family, I expect. Some day—"
A forgiving smile softened the features of both men at these gentle words.
"This time, then," said Uncle Felix slowly, "I won't report you; but don't let it occur again as long as you live. A day will come, perhaps, when you will understand. And here," he added, holding out his hand with something in it, "is another shilling to make it twenty-six. I advise you—if you're still open to friendly advice—to buy a pair of glasses with it."
The discredited official took the shilling meekly and pocketed it with his note-book. He cast one last hurried glance of amazement and suspicion at the man who had been beneath the tarpaulin, and began to slink back ignominiously towards the gate. At the last minute he turned.
"Goodevenin'," he said, as he vanished into the road.
"Goodevening," Uncle Felix answered him, as he closed the gate behind him.
Then, how it happened no one knew exactly. Judy, walking up to the shining figure, took him by the hand and led him slowly through the gate on to the long white road. There was a blaze of sunset pouring through the trees and the shafts of slanting light made it difficult to see what every one was doing. In the general commotion he somehow vanished. The gate was closed. Judy stood smiling and triumphant just inside upon the mossy path.
"You saved his life," said some one.
"It's all right," she said—and burst into tears.
But children are not much impressed by the tears of others, knowing too well how easily they are produced and stopped. Tim went burrowing to find the bird, and Maria just mentioned that the Tramp had taken the butter away in his pocket. By the time this fact was thoroughly established the group was ready to leave, the tea-things all collected, the fire put out, and the sun just dipping down below the top of the old grey fence.
Then, and not till then, did the affair of the Tramp come under discussion. What seemed most puzzling was why the Policeman had not arrested him after all. They could not make it out at all; it seemed a mystery. There was something quite unusual about it altogether. Uncle Felix and Judy had been wonderful, but—
"Did you see him blink," said Tim, "when Judy went up and gave it him hot?"
"Yes," observed Maria, who had done nothing herself but stare. "I did."
The brother, however, was not so sure. "I think he really believed her," he declared with assurance, proud of her achievement. "He really saw him young and with a sword and curly hair and all that."
Judy looked at him with surprise. Her tears had ceased flowing by this time.
"Of course," she said. "Didn'tyou?" There was pain in her voice in addition to blank astonishment.
"Of course we did," said Uncle Felix quickly with decision. "Of course we did."
As they went into the house, however, Uncle Felix lingered behind a moment as though he had forgotten something. His face wore a puzzled expression. He seemed a little bewildered. He walked into the hat-rack first, then into the umbrella-stand, then stopped abruptly and put his hand to his head.
"Headache?" asked Tim, who had been watching him.
His uncle did not hear the question, at least he did not answer. Instead he pulled something hurriedly out of his waistcoat pocket, held it to his ear, listened attentively a moment, and then gave a sudden start.
"What is it, Uncle?"
"Oh, nothing," was the reply; "my watch has stopped, that's all." He stood still a moment or two, reflecting deeply. His eyebrows went up and down. He pursed his lips. "Odd," he continued, half to himself; "I'm sure I wound it up last night…!" he added, "it's going again now. It stopped—only for a moment!"
"Aha," said Tim significantly, and looked about him. He waited breathlessly for something more to happen. But nothing did happen—just then.
Only, when at last Uncle Felix looked down, their eyes met and a flash of knowledge too enormous ever to be forgotten passed noiselessly between the two of them.
"Perhaps…!" murmured his uncle.
"I wonder…!"
That was all.
Adventure means saying Yes, and being careless; children say Yes to everything and are very careless indeed: even their No is usually a Yes, inverted or deferred. "I won't play," parsed by a psychologist, means "I'll play when I'm ready." The adventurous spirit accepts what offers regardless of consequences; he who hesitates and thinks is but a Policeman who prevents adventure. Now everything offers itself to children, because they rightly think that everything belongs to them. Life is conditionless, if only people would let them accept it as it is. "Don't think; accept!" expresses the law of their swift and fluid being. They act on it. They take everything they can—get. But it is the Policeman who adds the "get," changing the whole significance of life with one ugly syllable.
Each of the children treasured an adventure of its very own; an adventure-in-chief, that could not possibly have happened to anybody else in the world. These three survivals in an age when education considers childhood a disease to be cured as hurriedly as possible—took their adventure the instant that it came, and each with a complete assurance that it was unique. To no one else in the world could such a thing have happened, least of all to the other two. Each took it characteristically, according to his or her individual nature—Judy, with a sense of Romance called deathless; Tim, with a taste for Poetic Drama, a dash of the supernatural in it; and Maria, with a magnificent inactivity that ruled the world by waiting for things to happen, then claiming them as her own. Her masterly instinct for repose ran no risk of failure from misdirected energy. And to all three secrecy, of course, was essential: "Don't never tell the others, Uncle! Promise faithfully!"
For to every adventure Uncle Felix acted as audience, atmosphere, and chorus. He watched whatever happened—audience; believed in its reality—atmosphere; and explained without explaining away—chorus. He had the unusual faculty of being ten years young as well as forty years old, and a real adventure was not possible without him.
The secrecy, of course, was not preserved for long; sooner or later the glory must be shared so that "the others" knew and envied. For only then was the joy complete, the splendour properly fulfilled. And so the old tired world went round, and life grew more and more wonderful every day. For children are an epitome of life—a self-creating universe.
That week was a memorable one for several reasons. Daddy, overworked among his sealing-wax, went for a change to Switzerland, taking Mother with him; Aunt Emily, in her black silk dress that crackled with disapproval, went to Tunbridge Wells—an awful place in another century somewhere; and Uncle Felix was left behind to "take charge of ''em'"—"'em" being the children and himself. It was evidence of monumental trust and power, placing him in their imaginations even above the recognised Authorities. His sway was never for a moment questioned.
"No lessons, then!" he had insisted as a condition of acceptance, and after much confabulation the point was yielded with reluctance. It was to be a fortnight's holiday all round. They had the house and grounds entirely to themselves, and with the departure of the elders a sheet was pulled by some one off the world, a curtain rolled away, another drop-scene fell, the word No disappeared. They saw invisible things.
Another reason, however, made the week memorable—the daisies. It was extraordinary. The very day after the grown-ups left the daisies came. Like thousands of small white birds, with bright and steady eyes, they arrived and settled, thick and plentiful. They appeared in sheets and crowds upon the grass, all of their own accord and unexplained. In a night the lawns turned white. It seemed a prearranged invasion. Judy, first awake that morning, looked out of her window to watch a squirrel playing, and noticed them. Then she told the others, and Maria, one eye above the blankets, ejaculated "Ah!" She claimed the daisies too.
Now, whereas a single daisy has no smell and seems a common, unimportant thing, a bunch of several hundred holds all the perfume of the spring. No flowers lie closer to the soil or bring the smell of earth more sweetly to the mind; upon the lips and cheeks they are as soft as a kitten's fur, and lie against the skin closer than tired eyelids. They are the common people of the flower world, yet have, in virtue of that fact, the beauty and simplicity of the common people. They own a subdued and unostentatious strength, are humble and ignored, are walked upon, unnoticed, rarely thought about and never praised; they are cut off in early youth by mowing machines; yet their pain in fading is unreported, their little sufferings unsung. They cling to earth, and never aspire to climb, but they hold the sweetest dew and nurse the tiniest little winds imaginable. Their patience is divine. They are proud to be the carpet for all walking, running things, and in their universal service is their strength. The rain stays longer with them than with grander flowers, and the best sunlight goes to sleep among them in great pools of fragrant and delicious heat. The daisies are a stalwart little people altogether.
But they have another quality as well—something elfin, wayward, mischievous. They peep and whisper. It is said they can cast spells. To sleep upon a daisied lawn is to run a certain risk. There is this hint of impudence in their attitude, half audacity, half knavery, that shows itself a little in the way they stare unwinkingly all day at everything above them—at the stately things that tower proudly in the air—then just shut up at sunset without a word of explanation or apology. They see everything, but keep their opinions to themselves. Because people notice them so little, and even tread upon their tiny and inquiring faces, they are up to things all the time—undiscovered things. They know, it is said, the thoughts of Painted Ladies and Clouded Brimstones, as well as the intentions of the disappearing golden flies; why wind often runs close to the ground when the tree-tops are without a single breath; but, also, they know what is going onbelowthe surface. They live, moreover, in every country of the globe, and their system of intercommunication is so perfect that even birds and flying things can learn from it. They prove their breeding by their perfect taste in dress, the well-bred ever being inconspicuous; and their simplicity conceals enormous, undecipherable wonder. One daisy out of doors is worth a hundred shelves of text-books in the house. Their mischief, moreover, is not revenge, though some might think it so—but a natural desire to be recognised and thought and talked about a little. Daisies, in a word, are—daisies.
And it was by way of the daisies that Judy's great adventure came to her, the particular adventure that was her very own. For she had deep sympathy with flowers, a sympathy lacking in her brother and sister, and it was natural that her adventure in chief should come that way. She could play with flowers for long periods at a time; she knew their names and habits; she picked them gently, without cruelty, and never merely for the "fun" of picking them; while the way she arranged them about the house proved that she understood their silent, inner natures, their likes and dislikes—in a word, their souls. For Judy connected them in her mind with birds. Born in the air, they seemed to her.
As has been seen, she was the first to notice the arrival of the daisies. From the bedroom window she waved her arm to them, and showed plainly the pleasure that she felt. They arrived in troops and armies. Risen to the surface of the lawn like cream, she saw them staring with suspicious innocence at the sky. They stared ather.
"Just when the others have gone away!" was her instant thought, though unexpressed in words. There was meaning somewhere in this calculated arrival.
"Theyarealive," she asked that afternoon, "aren't they? But why do they all shut up at night? Who—" she changed the word—"what closes them?"
She was alone with Uncle Felix, and they had chosen with great difficulty a spot where they could lie down without crushing a single flower with their enormous bodies. After considerable difficulty they had found it. Having done a great many things since lunch—a feast involving several second helpings—they were feeling heavy and exhausted. So Judy chose this moment for her simple question. The world required explanation.
"There's life in everything," he mumbled, with his face against the grass, "everything that grows, especially." And having said it, he settled down comfortably again to doze. His pipe was out. He felt rather like a log.
"But stopping growing isn't dying," she informed him sharply.
"Oh, no," he agreed lazily, "you're alive for a long time after that."
"Youstopped growing before I was born."
"And I'm not quite dead yet."
"Exactly," she said, "so daisiesarealive."
It was absurd to think of dozing at such a time. He rolled round heavily and gazed at her through half-closed eyelids. "A daisy breathes," he murmured, "and drinks and eats; sap circulates in its little body. Probably it feels as well. Delicate threads like nerves run through it everywhere. It knows when it is being picked or walked on. Oh, yes, a daisy is alive all right enough." He sighed like a big dog that has just shaken a fly off its nose and lies waiting for the next attack. It came at once.
"But who knows it?" she asked. "I mean—there's no good in being alive unless some one else knows it too!"
Then he sat up and stared at her. Judy, he remembered, knew a lot of things she could tell to no one, not even to herself—and this seemed one of them. The question was a startling one.
"An intellectual mystic at twelve!" he gasped. "How on earth did you manage it?"
"I may be a mystillectual insect," she replied, proud of the compliment. "But what's the good of being alive, even like a daisy, unless others know it—us, for instance?"
He still stared at her, sitting up stiffly, and propped by his hands upon the grass behind him. After prolonged reflection, during which he closed his eyes and opened them several times in succession, sighing laboriously while he did so, low mumbled words became audible.
"Forgive my apparent slowness," he said, "but I feel like a mowing-machine this afternoon. I want oiling and pushing. The answer to your inquiry, however, is as follows: We could—ifwe took the trouble."
"Could know that daisies are alive?" she cried.
His great head nodded.
"If we thought about them very hard indeed," he went on, "and for a very, very long time we could feel as they feel, and so understand them, and know exactlyhowthey are alive."
And the way he said it, the grave, thoughtful, solemn way, convinced her, who already was convinced beforehand.