Judy's expression was distraught and puzzled. Maria's eyes were closed so tightly that her entire face seemed closed. The pause drew out.
"Yes, but where does everything come from?" inquired Tim calmly.
He valued the lengthy explanation at just exactly—nothing!
"Because there simply must be a beginning somewhere," added Judy.
They were at the starting-point again. They had merely made a circle.
And Uncle Felix found himself in difficulties of his own creating. Where everything came from puzzled him as much as it puzzled the children, or the looper caterpillar that was now crawling from his flannel collar to his neck and contemplating the thicket of his dense back hair. Why ask these terrible questions? he thought, as he looked around at the sunshine and the trees. Life would be no happier if he knew. Since everything was already here, going along quite pleasantly and usefully, it really couldn't help matters much to know precisely where it all came from. Possibly not. But it would have helped him enormously in his relations with the children—his particular world at the moment—if he could have provided them with a satisfactory explanation. And he knew quite well what they expected from him. That dreadful "Some Day" hung in the balance between success and failure.
And it was then that assistance came from a most unlikely quarter—from Maria. There was no movement in the stolid head. The eyes merely rolled round like small blue moons upon the expanse of the expressionless face. But the lips parted and she spoke. She asked a question. And her question shifted the universe back upon its ultimate foundations. It set a problem deeper far than the mere origin of everything. It touched thecause.
"Why?" she inquired blandly.
It seemed a bomb-shell had fallen among them. Maria had closed her eyes again. Her face was calm as a cabbage, still as a mushroom in a storm. She claimed the entire discussion somehow as her own. Yet she had merely exercised her prerogative of being herself. Having gone into the root of the matter with a monosyllable, she retired again into her eternal centre. She had nothing more to offer—at the moment.
Why?
They had never thought of Why there should be anything. It was far more interesting than Where. Why was a deeper question than whence. It made them feel more important, for one thing. Somebody—but Somebody who was not there—owed them a proper explanation about it. The burden of apology or excuse was lifted instantly from Uncle Felix's shoulders, for, obviously, he had nothing to do with the reason for their being in the world.
Without a moment's hesitation he flung his arms out, let the pipe fall from his lips, and—burst into song:
Why should there be anything?Why should we be here?It isn't where we come from,But why should we appear?It's really inexplicable,Extr'ordinary, queer:Whyshouldwe come and talk a bit,And then—just disappear?
"Why, why, why?" shouted the two elder children. The air was filled with flying "whys." They tried to sing the verse.
"Let's dance it," cried Judy, leaping to her feet. "Give us the wordsagain, please." She picked up the clock and plumped it down intoMaria's uncertain lap. "You beat time," she ordered. "It's the tune of'Onward Christian Soldiers.'"
Maria, disinclined to budge unless obliged to, did nothing.
"It's a beastly tune," Tim supported her. "I hate those Sunday hymn tunes. They're not real a bit."
He watched Judy and his Uncle capering hand in hand among the flower-beds. He didn't feel like dancing himself. He looked at the clock that, like Maria and himself, refused to go. He looked at Maria, fastened immovably upon the lawn. The clock lay glittering in the sunshine. Maria sat like a shining ball beside it. He felt the afternoon was a failure somewhere. Things weren't going quite as he wanted, the clock wasn't going either. And when they did go they went of their own accord, independent of himself, of his direction, guidance, wishes. He was out of it. This wasnotthe time to dance. What was the meaning of it all? It had to do somehow with the clock that wouldn't go. It had to do with Maria, who wouldn't budge. The clock had stopped of its own accord. That lay at the bottom of it all, he felt. Some day things would be different, more satisfactory—more real…. Some day!
And strange, new ideas, very vague and dim, very far away, very queer, and very wonderful, poured through his searching, questioning little mind.
"Beat time!" shouted Judy to her motionless sister. "I told you to beat time. You're doing nothing. You never do!"
Tim stood watching them, while the words rang on in his head: "You are doing nothing! You never do!" How wonderful it was! Maria never did anything, yet was always thereineverything. And the others—how funny they were, too! They looked like an elephant and a bird, he thought, for Judy hopped and fluttered, while his Uncle moved heavily, making holes in the soft lawn with his great feet. "Beat time, beat time!" cried Judy at intervals.
What a queer phrase it was—tobeattime. Why beat it? It wasn't there unless it was beaten. Poor Time; and Maria refused to beat it. His eye wandered from Maria to the dancers, and a kind of reverie stole over him. What was the use of dancing unless there was something to dance round? Maria was round; why didn't they dance round her? His thoughts returned to Maria. How funny Maria was! She just sat there doing nothing at all. Maria was dull and unenterprising, yet somehow everything came round to her in the end. It was just because she waited, she never hurried. She was a sort of centre. Only it must be rather stupid just to be a centre. Then, suddenly, two ideas struck him at the same instant, scattering his dreamy state of reverie. The first was—Everything comes from a centre like Maria;that'swhere everything comes from! The second, bearing no apparent relation to it, found expression in words:
He cried out: "I know what! Let's go to the End of the World and make a fire and burn things!"
And he looked at Maria as though he had discovered America.
"Beat time, oh,dobeat time," cried Judy breathlessly.
"We're going to make a fire," he shouted; "there's lots of things to burn." He looked about him as though to choose a place. But he couldn't find one. He pointed vaguely, first at Maria, as though she was the thing to burn, and then at the landscape generally. "Then you can danceroundit," he added convincingly to clinch the matter.
But the bird and the elephant continued their gymnastic exercises on the lawn, while Maria turned her eyes without moving her head and watched them too.
Then, while the tune of "Onward Christian Soldiers" filled the air, Tim and Maria began an irrelevant argument about things in general. Tim, at least, told her things, while she laid the clock down upon the grass and listened. But the flood of language rolled off her as minutes roll from the face of the sun, producing no effect. There was wonder in her big blue eyes, wonder that never seemed to end. But minutes don't decrease merely because the rising and setting of the sun sends them flying, and there are not fewer words in a boy's vocabulary merely because he uses up a lot in saying things. Both words and minutes seemed a circle without beginning or end. It was most odd and strange—this feeling of endlessness that was everywhere in the air. And, long before Tim had got even to the middle of his enormous speech, he had forgotten all about the fire, forgotten about dancing, about burning things, forgotten about everything everywhere, because his roving eye had fallen again upon the—clock. The clock absorbed his interest. It lay there glittering in the sunshine beside Maria. It wasn't going; Maria wasn't going either. It had stopped. He realised abruptly, realised it without rhyme or reason, that a stopped clock, a clock that isn't going, was a—mystery.
And the tide of words dried up in him; he choked; something was wrong with the universe; for if the clock stopped—hisclock—time—time must—he was unable to think it out—but time must surely get muddled and go wrong too.
And he moved over to Maria just as she was about to burst into tears. He sat down beside her. At the same moment Judy and Uncle Felix, thinking a quarrel was threatening, stopped their dancing, and joined the circle too. They stood with arms akimbo, panting, silent, waiting for something to happen so that they could interfere and set it right again.
But nothing did happen. There was deep silence only. The slanting sunshine lay across the lawn, the wind passed sighing through the lime trees, and the clock stared up into their faces, motionless, a blank expression on it—stopped. They formed a circle round it. No one moved or spoke. There was a queer, deep pause. The sun watched them; the sky was listening; the entire afternoon stood still. Something else beside the clock, it seemed, was slowing up.
"To-morrow's Sunday. Time's getting awfully short," was in the air inaudibly.
"Let's sit down," whispered Tim, already seated himself, but anxious to feel the others close. Judy and Uncle Felix obeyed. They all sat round in a circle, staring at the shining disc of the motionless, stopped clock. It might have been a Lucky Bag by the way they watched it with expectant faces.
But Maria also was in that circle, sitting calmly in its centre.
Then Uncle Felix cautiously lifted the glittering round thing and held it in his hand. He put his ear down to listen. He shook his head.
"It hasn't gone since this time yesterday," said Tim in a low tone. "That's twenty-four hours," he added, calculating it on the fingers of both hands.
"A whole day," murmured Judy, as if taken by surprise somehow; "a day and a night, I mean."
She exchanged a glance of significant expectation with her brother, but it was at their uncle they looked the moment after, because of the strange and sudden sound that issued from his lips. For it was like a cry, and his face wore a flushed and curious expression they could not fathom. The face and the cry were signs of something utterly unusual. He was startled—out of himself. A marvellous idea had evidently struck him. "It's either something," thought Judy, "or else he's got a pain." But Tim's mind was quicker. "He's got it," the boy decided, meaning, "We've got it out of him at last!" Their manoeuvres had taken so long of accomplishment that their original purpose had almost been forgotten.
"A day, a whole day," Uncle Felix was mumbling to himself in a dazed kind of happy way, "an entire day, I do declare!" He looked round solemnly, yet with growing excitement, into the children's faces. "Twenty-four hours! An entire day," he went on, half beneath his breath.
"Some day;of course…" Tim said in a low voice, catching the mood of wonder, while Judy added, equally stirred up, "A day will come…" and then Uncle Felix, breaking out of his queer reverie with an effort, raised his voice and looked as if the end of the world had come.
"But do you realise what it means?" he asked them sharply. "D'you understand what's happened?"
He drew a long, deep breath that quivered with suppressed amazement, and waited several seconds for their answers—in vain. The children gazed at him without uttering a word; they made no movement either. The arresting tone of his voice and a certain huge expression in his eyes made everything in the world seem different. It was a moment of real life; he had discovered something stupendous. But, explanation being beyond them, they attempted no immediate answer to his question. The pressure of interest blocked every means of ordinary expression known to them.
Then Uncle Felix spoke again; his big eyes fixed Tim piercingly like a pin. "When did it stop?" he inquired gravely. He meant to make quite sure of his discovery before revealing it. There must be no escape, no slip, no carelessness. "When did it stop, I ask you, Tim?" he repeated.
Tim was a trifle vague. "I was asleep," he whispered. "When I woke up—it wasn't going."
"You wound it?"
"Oh, yes, I wound it right enough."
"What time was it?"
"The clock—or the day, Uncle?" He was confused a little; he wished to be awfully accurate.
Uncle Felix explained that he desired to know what time the clock had stopped. The importance of the answer could be judged by the intentness of his expression while he waited.
"The finger-hands were at four," said the boy at length.
Uncle Felix gave a jump. "Ha, ha!" he exclaimed triumphantly, "then it stopped of its own accord!" They could have screamed with excitement, though without the least idea what they were excited about. You could have heard a butterfly breathing.
"It stopped at dawn!" he continued, louder.
"Dawn!" piped Tim, unable to think of anything else, but obliged to utter something.
"Dawn, yes," cried Uncle Felix louder still. "It stopped of its own accord at dawn! Just at the beginning of a new day it stopped! It's marvellous! Don't you see? It's marvellous!"
"Goodness!" cried Judy, her mind obfuscated, yet thrilled with a transport of inexplicable delight. "It's marvellous!"
"I say!" Tim shouted, dropping his voice suddenly because he too was at a loss for any more intelligible relief in words.
They sat and stared at their amazing uncle. There was a hush upon the entire universe; there was marvel, mystery, but at first there was also muddle. They waited, holding their breath with difficulty. Some one, it seemed, must either explode or—or something else, they knew not exactly what. It would hardly have surprised them if Judy had suddenly flown through the air, Tim vanished down a hole, or Maria gleamed at them from the inside of a quivering bubble of soap. There was this kind of intoxicating feeling, delicious and intense. Even To-morrow mightnotbe Sunday after all: it felt strange and wonderful enough for that!
The possibility thatSome Daywas coming—was close at hand—had in some mysterious way become a probability. It was clear at last why Uncle Felix had been so heavy and preoccupied.
"You see what's happened?" he continued after the long pause. "You see what it all means—this strange stopping of the clock—at Dawn?"
They admitted nothing; the least mistake on their part might prevent, might spoil or cripple it. The depth and softness of his tone warned them. They stared and waited. He gathered them closer to him with both arms. Even Maria wriggled slightly nearer—an inch or so.
"It means," he said in still lower tones, "the calendar,"—then stopped abruptly to examine the effect upon them.
Now, ordinarily, they knew quite well what a calendar was; but this new, strange emphasis he put upon it robbed the word suddenly of all its original meaning. Their minds went questioning at once:
"Whatisa calendar?" asked Judy carefully—"exactly?" she added, to make her meaning absolutely clear. It sounded almost like a nonsense word.
"Exactly," he repeated cautiously, yet with some great emotion working in him, "what is a calendar? That's the whole question. I'll try and tell you what a calendar is." He drew a deeper breath, a great effort being evidently needed. "A calendar," he went on, while the word sounded less real each time it was uttered, "is an invention of clever, scientific men to note the days as they pass; it records the passing days. It's a plan to measure Time. It's made of paper and has the date and the name of the day stamped in ink on separate sheets. When a day has passed you tear off a sheet. That day is done with—gone. There are three hundred and sixty-five of these separate sheets in a year. It's just an invention of scientific men to measure the passing of—Time, you see?"
They said they saw.
"Another invention," he resumed, his face betraying more and more emotion, "is a clock. A clock is just a mechanical invention that ticks off the movements of the sun into seconds and minutes and hours. Both clocks and calendars, therefore, are mere measuring tricks. Time goes on, or does not go on, just the same, whether you possess these inventions or whether you do not possess them. Both clocks and calendars go at the same rate whether Time goes fast or slow. See?"
A tremendous discovery began to poke its nose above the edge of their familiar world. But they could not pull it up far enough to "see" as yet. Uncle Felix continued to pull it up for them. That he, too, was muddled never once occurred to them.
"Scientific men, like all other people, are not always to be relied upon," he went on. "They make mistakes like—you, or Thompson, or Mrs. Horton, or—or even me. Clocks, we all know, are full of mistakes, and for ever going wrong. But the same thing has happened to calendars as well. Calendars are notoriously inaccurate; they simply cannot be depended upon. No calendar has ever been entirely veracious, nor ever will be. Like elastic, they are sometimes too long and sometimes too short—imperfectly constructed."
He paused and looked at them. "Yes," they said breathlessly, aware dimly that accustomed foundations were already sliding from beneath their feet.
"Half the calendars of the world are simply wrong," he continued, more boldly still, "and the people who live by them are in a muddle consequently—a muddle about Time. England is no exception to the rest. Is it any wonder that Time bothers us in the way it does—always time to do this, or time to do that, or not time enough to finish, and so on?"
"No," they said promptly, "it isn't."
"Of course," he resumed. "Well, sometimes a nation finds out its mistake and alters its calendar. Russia has done this; the Russian New Year and Easter are not the same as ours. Pope Gregory, the thirteenth, ordered that the day after October 4, 1582, should be called October 15. He called it the Gregorian Calendar; but there are lots of other calendars besides—there's the Jewish and Mohammedan, and a variety of calendars in the East. All of them can't be right. The result is that none of them are right, and the world is in confusion. Some calendars mark off too many days, others mark off too few. Half the world is ahead of Time, and the other half behind it. The Governments know this quite well, but they dare not say anything, because their officials are muddled enough as it is. There is everywhere this fearful rush and hurry to keep up with Time. All are terrified of being late—too late or too early."
"Naturally."
"And the extraordinary result of all these mistakes," he went on marvellously, "is simply this: that a considerable amount of Time has never been recorded at all by any of them. There are a lot of extra days, unused, unrecorded days, still at large—if only we could find them."
"Extra Days!" they gasped. Tim and Judy's mouths were open now, and slowly opening wider every minute. Only Maria's mouth kept closed. Her great blue eyes were closed as well. She looked as if she could have told them all this in a couple of words!
"Knocking about on the loose," he explained further, then paused and stared into the upturned faces; "sort of escaped days that have never been torn off calendars or ticked away by clocks—unused, unfilled, unlived—slipped out of Time, that is—"
"Then when Daddy said, 'A day is coming,' and all that—?" Tim managed to squeeze out as though the pain of the excitement hurt his lips.
"Of course," replied Uncle Felix, nodding his great head, "of course. Sooner or later one of these lost Extra Days is bound to crop up. And what's more—" he glanced down significantly at the stopped alarum-clock—"I think—"
He broke off in the middle of the sentence. They all stood up. Tim picked up the clock and handed it to his uncle, who held it tightly against his chest a moment, then put it into his capacious pocket.
"I think," he went on enormously, "it's come!"
An entire minute passed without a sound.
"We can fill it with anything we like?" asked Judy, overawed a little.
"Anything we like," came the sublime reply.
"And do things over and over again—sort of double—and no hurry?" Tim whispered.
"Anything, anywhere, anyhow, and no end to it all," he answered gloriously. "No hurry either!" It was too much to think about all at once, too big to realise. They all sat down again beside Maria, who had not moved an inch in any direction at all. She was a picture of sublime repose.
"We have only got to find it, then climb into it, then sail away," murmured Uncle Felix, with a strange catch in his breath they readily understood.
"When will it begin?" both children asked in the same breath.
"At dawn," he said.
"To-morrow morning?"
"At dawn to-morrow morning."
"But to-morrow's Sunday," they objected.
"To-morrow's—an Extra Day," he said amazingly.
They hesitated a moment, stared, frowned, smiled, then opened their eyes and mouths still wider than before.
"Oh, like that!" they exclaimed.
"Like that, yes," he said finally. "It means getting in behind Time, you see. There's no Time in an Extra Day because it's never been recorded by calendar or clock. And that means getting behind the great hurrying humbug of a thing that blinds and confuses everybody all the world over—it means getting closer to the big Reality that—"
He broke off sharply, aware that his own emotion was carrying him out of his depth, and out of their depth likewise. He changed the sentence: "We shall be in Eternity," he whispered very softly, so softly that it was scarcely audible perhaps.
And it was then that Maria, still seated solidly upon the lawn, looked up and asked another baffling and unexpected question. For this washerprivate and particular adventure: and, living ever at the centre of the circle, Maria claimed even Eternity as especially her own. Her question was gigantic. It was infinitely bigger than her original question, "Why?" It was the greatest question in the universe, because it answered itself adequately at once. It was the question the undying gods have flung about the listening cosmos since Time first began its tricky cheating of delight—and still fling into the echoing hearts of men and children everywhere. The stars and insects, the animals and birds, even the stones and flowers, all keep the glorious echo flying.
"Why not?" she asked.
It was unanswerable.
They went into the house as though wafted—thus does a shining heart deduct bodily weight from life's obstructions; they had their tea; after tea they played games as usual, quite ordinary games; and in due course they went to bed. That is, they followed a customary routine, feeling it was safer. To do anything unusual just then might attract attention to their infinite Discovery and so disturb its delicate equilibrium. Its balance was precarious. Once an Authority got wind of anything, the Extra Day might change its course and sail into another port. Aunt Emily, even from a distance…! In any case, they behaved with this intuitive sagacity which obviated every risk—by taking none.
Yet everything was different. Behind the routine lay the potent emphasis of some strange new factor, as though a lofty hope, a brave ideal, had the power of transmuting common duties into gold and crystal. This new factor pushed softly behind each little customary act, urging what was commonplace over the edge into the marvellous. The habitual became wonderful. It felt like Christmas Eve, like the last night of the Old Year, like the day before the family moved for the holidays to the sea—only more so. Even To-morrow-will-be-Sunday had entirely disappeared. A thrill of mysterious anticipation gilded everything with wonder and beauty that were impossible, yet true. Some Day,theThing that Nobody could Understand—Somebody—was coming at last.
Uncle Felix was in an extraordinary state; his acts were normal enough, but his speech betrayed him shamefully; they had to warn him more than once about it. He seemed unable to talk ordinary prose, saying that "Everythingoughtto rhyme, At such a time," and, instead of walking like other people, his feet tried to keep in time with his language. "But you don't understand," he replied to Tim's grave warnings; "you don't understand what a gigantic discovery it is. Why, the whole world will thank us! The whole world will get its breath back! The one thing it's always dreaded more than anything else—being too late—will come to an end! We ought to dance and sing—"
"Oh, please hush!" warned Judy. "Aunt Emily, you know—" Even atTunbridge Wells Aunt Emily might hear and send a telegram with No in it.
"Has it lost its breath?" Tim asked, however. But, though it was in the middle of tea, Uncle Felix could not restrain himself, and burst into one of his ridiculous singing fits, instead of answering in a whisper as he should have done. "Burst" described it accurately. And his feet kept time beneath the table. It was the proper place for Time, he explained.
The clocks are stopped, the calendars are wrong, Time holds gigantic finger-hands Before his guilty face. Listen a moment! I can hear the song That no one understands—
"It's the blue dragon-fly," interrupted Tim, remembering the story of long ago.
"It's the Night-Wind—out by day," cried Judy.
"It's both and neither," sang the man,"This song I hear. It first beganBefore the hurrying raceOf ticking, and of tearing pagesDeafened the breathless ages:It is the happy singingOf wind among the riggingOf our Extra Day!"
"It's something anyhow," decided Judy, rather impressed by her uncle's fit of bursting.
And, somehow, Dawn was the password and Tomorrow the key. No one knew more than that. It had to do with Time, for Uncle Felix had taken the stopped clock to his room and hidden it there lest somebody like Jackman or Thompson should wind it up. Later, however, he gave it for safer keeping to Maria, because she moved so rarely and did so little that was unnecessary that she seemed the best repository of all. Also, this washerparticular adventure, and what risk there was belonged properly to her. But beyond this they knew nothing, and they didn't want to know. In the immediate future, just before the gateway of To-morrow's dawn, a great gap lay waiting, a gap they had discovered alone of all the world. The scientists had made a mistake, the Government had been afraid to deal with it, the rest of the world lay in ignorance of its very existence even. It satisfied all the conditions of real adventure, since it was unique, impossible, and had never happened to any one before. They, with Uncle Felix, had discovered it. It belonged to them entirely—the most marvellous secret that anybody could possibly imagine. Maria, they took for granted, would share it with them. A hole in Time lay waiting to receive them. ADay Will Comeat last was actually coming.
"We'd better pack up," said Judy after tea. She said it calmly, but the voice had a whisper of intense expectancy in it.
"Pack up nothing," Uncle Felix reproved her quickly. "The important thing is—don't wind up. Just go on as usual. It will be best," he added significantly, "if you all hand over your timepieces to me at once." And, without a word, they recognised his wisdom and put their treasures into his waistcoat pockets—watches of silver, tin, and gunmetal. His use of the strange word "timepieces" was convincing. The unusual was in the air.
"There's Thompson's and Jackman's and Mrs. Horton's," Judy reminded him, her eyes shining like polished door-knobs.
"Too wrong to matter," decided Uncle Felix. "They're always slow or fast."
"Then there's the kitchen clock," Tim mentioned; "the grandfather thing."
Uncle Felix reflected a moment. His reply was satisfactory and conclusive:
"I'll go down to-night," he explained in a low voice, "when the servants are in bed. I'll take the weights off."
Judy and Tim appreciated the seriousness of the occasion more than ever.
"Into Mrs. Horton's kitchen?" they whispered.
"Into Mrs. Horton's kitchen," he agreed, beneath his breath.
Maria, meanwhile, said nothing. Her eyes kept open very wide, but no audible remark got past her lips. She paid no attention to the singing nor to the whispered conversation; she ate an enormous tea, finishing up all the cakes that the others neglected in their excitement and preoccupation; but she appeared as calm and unconcerned as the tea-cosy that concealed the heated, stimulating teapot beneath it. She looked more circular and globular than ever. Even the knowledge that this was the eve of her own particular adventure did not rouse her. Her expression seemed to say, "I neverhavebelieved in Time; at the centre whereIlive, clocks and calendars are not recognised"; and later, when Judy blew the candle out and asked as usual, "Are you all right, Maria?" her reply came floating across the darkened room without the smallest alteration in tone or accent: "I'm alright." The stopped alarum-clock was underneath her pillow; Uncle Felix had tucked them up, each in turn; everything was all right. She fell asleep, the others fell asleep, Time also fell asleep.
And above the Old Mill House that warm June night the darkness kept the secret faithfully, yet offered little signs and hints to those who did not sleep too heavily. The feeling that something or somebody was coming hung in the very air; there was a gentle haze beneath the stars; and a breeze that passed softly through the lime trees dropped semi-articulate warnings. There were curious, faint echoes flying between the walls and the Wood without a Centre; the daisies heard them and opened half an eyelid; the Night-Wind whispered and sighed as it bore them to and fro. Maria's question entered the dream of the entire garden: "Why not? Why not? Why not?"
An owl in the barn beyond the stables heard the call and took it up, and told it to some swallows fast asleep below the eaves, who woke with sudden chattering and mentioned it to a robin in the laurel shrubberies below. The robin pretended not to be at all surprised, but felt it a duty to inform a coot who lived a quarter of a mile away among the reeds of the lower pond. When it returned from its five-minute flight, the swallows had gone to sleep again, and only the owl went on hooting softly through the summer darkness. "It really needn't go on so long about it," thought the robin, then fell asleep again with its head between exactly the same feathers as before. But the news had been distributed; the garden was aware; the birds, as natural guardians of the dawn, had delivered the message as their duty was. "Why not? Why not?" hummed all night long through the dreams of the Mill House garden. Weeden turned in his sleep and sighed with happiness.
Nothing could now prevent it; a day was coming at last, an extra, unused, unrecorded day. The immemorial expectancy of childhood, the universal anticipation, the promise that something or somebody was coming—all this would be fulfilled. This promise is really but the prelude to creation. God felt it before the world appeared. And children have stolen it from heaven. Conceived of wonder, born of hope, and realised by belief, it is the prerogative of all properly-beating hearts. Everything living feels it, and—everything lives. The Postman; the Figure coming down the road; the Visitor on the pathway; the Knock upon the door; even the Stranger in the teacup—all are embodiments of this exquisite scrap of heaven, divine expectancy. It may be Christmas, it may be only To-morrow, but equally it may be the End of the World. Something is coming—into the heart—something satisfying. It is the eternal beginning. It is the—dawn.
Long after the children had retired to bed Uncle Felix sat up alone in the big house thinking. He made himself cosy in the library, meaning to finish a chapter of the historical novel he had sadly neglected these past days, and he set himself to the work with a will. But, try as he would, the story would not run; he fixed his mind upon the scene in vain; he concentrated hard, visualised the place and characters as his habit was, reconstructed the incidents and conversation exactly as though he had seen them happen and remembered them—but the imagination that should have given them life failed to operate. It became a mere effort of invention. The characters would not talk of their own accord; the incidents did not flow in a stream as when he worked successfully; life was not in them. He began again, wrote and rewrote, but failed to seize the atmosphere of reality that alone could make them interesting. Interest—he suddenly realised it—had vanished. He felt no interest in the stupid chapter. He tore it up—and knew it was the right thing to do, because he heard the characters laughing.
"I'm not in the mood," he reflected. "It's artificial. William Smith of Peckham would skip this chapter. There's something bigger in me. I wonder…!"
He lit his pipe and sat by the open window, watching the stars and sniffing the scented summer night. He let his thoughts go wandering as they would, and the moment he relaxed attention a sense of pleasant relief stole over him. He discovered how great the effort had been. He also discovered the reason. It offered itself in a flash to his mind that was no longer blocked by the effort and therefore unreceptive.
"A man can't live adventure and write it too," he, realised sharply. "He writes what he would like to live. I'm living adventure. The desire to live it vicariously by writing it has left me. Of course!"
It was a sweet and rich discovery—that the adventures of the last ten days had been so real and meant so much to him. No man of action, leading a deep, full life of actual experience, felt the need of scribbling, painting, fiddling. "Glorious, by Jove!" he exclaimed between great puffs of smoke. "I've struck a fact!" He had been so busily creating these last days that he had lost the yearning to describe merely what others did. The children had caught him body and soul in their eternal world of wonder and belief. Judy and Tim had taught him this.
Yet, somehow, it was the inactive, calm Maria who loomed up in his thoughts as the principal enchantress. Maria's apparent inactivity was a blind; she did not do very much in the sense of rushing helter-skelter after desirable things, but she obtained them nevertheless. She got in their way so that they ran into her—then she claimed them. She knew beforehand, as it were, the way they would take. She was always there when anything worth happening was about. And though she spoke so little—during a general conversation, for instance—she said so much. At the end of all the talk, it was always Maria who had said the important thing. Her "why" and "why not" that very afternoon were all that he remembered of the intricate and long discussion. It left the odd impression on his mind that talk, all the world over, said one thing only; that the millions of talkers on the teeming earth, eagerly chattering in many languages, said one and the same thing only. Therewasonly one thing to be said.
That is—they were all trying to say it. Mariahadsaid it….
A whirring moth flew busily past the open window and vanished into the night. He thought of his own books; for writers, painters, preachers, musicians, these were trying to say it too. "If I could describe that moth exactly," he murmured to himself, "give the sensation of its flight, its unconscious attraction to the light, its plunge back into the darkness, its precise purpose in the universe, its marvellous aim and balance—its life, I could—er—"
The thought broke off with a jagged end. With a leap then it went on again:
"Touch reality," and he heard his own voice saying it. He had uttered it aloud. The sound had an odd effect upon him. He realised the uselessness of words. No words touched reality. To be known, reality had to be lived, experienced. Maria managed this in some extraordinary way. She had reality…. Time did not humbug her. Nor did space…. Goodness!
The moth whirred into the room, softly banging itself against the ceiling, and through the smoke from his pipe he saw that a dozen more were doing the same thing with tireless energy. They felt or saw the light; all obeyed the one driving desire to get closer into it. He saw millions and millions of people, the whole world over, rushing about on two legs and behaving similarly. How they did run about and fuss, to be sure! What was it all about? What were they after? People had to earn their living, of course, but it seemed more than that, for all were after something, and the faster they went the better pleased they were. Apparently they thought speed was of chief importance—as though speed killed Time. They banged themselves into obstacles everywhere; they screamed and disagreed, and accused each other of lying and being blind, but the thing they were after either hid itself remarkably well, or went at incredible speed, for no one ever came up with it or found it. Time invariably blocked them. Only one or two—Maria sort of people—sat still and waited….
He watched them all and wondered. One rushed up to an office in a train, while another built the train he rushed in; one wore black and preached a sermon, another wore blue and guarded a street, a third wore red and killed, a fourth wore very little and danced; all in the end were nothing and—disappeared. Some lived in a room and read hundreds of books; another wrote them; one spent his days examining the stars through a telescope, another hurried off to find the Poles; hundreds were digging into the ground, ferreting in the air or under the water. A large number fed animals, then killed and cooked them when they had been fed enough. Hens laid eggs and eggs produced hens that laid more eggs. There were always thousands hurrying along the roads, then coming back again. The millions of living beings were everywhere extremely busy after something, yet hardly any two of them agreed exactly what it was they sought. There were sects, societies, religions by the score, each one cocksure it knew and had found Reality, yet proving by the continuous busy searching that it had not found it. Yet all, oddly enough, fitted in together fairly well, as in a gigantic Dance, though obviously none knew exactly what the tune was, nor who played it. Would they never know? Would all die before they found it? Were they all after the same thing, or after a lot of different things? And why, in the name of goodness, couldn't they all agree about it? Wasn't it, perhaps, that they looked in different ways—all for the same thing? Surely the world had existed long enough forthatto be settled finally—Reality! Time prevented always….
A moth fell with a soft and disconcerting plop upon the top of his head, cannonaded thence against the window-sill, and shot out into the night again. He came back with a start tohisreality: that he had promised the children an Extra Day, that for twenty-four hours, in spite of the paradox, Time should cease its driving hurry—and that, for the moment at any rate, he was very sleepy and must go upstairs to bed.
He rose, shook himself free of the curious reverie with a mighty yawn, and looked at the gold watch from his waistcoat pocket. Out came a number of other timepieces with it! And it was then that the personality of Maria entered the room, and stood beside him, and said distinctly, "This ismyparticular adventure, please remember."
And he understood that whatever happened, it would happen according to the gospel of Maria. Getting behind Time meant getting a little nearer to Reality, one stage nearer at any rate. It meant entering the region where she dwelt so serenely. It was her doing, and not his. He realised in a flash that in her quiet way she was responsible and had drawn them in, seduced them. All gravitated to her and into her mysterious circle. Maria claimed them. It was certainly her particular adventure. Only she would share it with them all.
He looked at his watch a second time, and found that it was later than he had supposed—eleven o'clock. In the act of winding it, however, he paused; something he had forgotten came back to him, and a curious smile broke over his face. He stroked his beard, glanced at the ceiling where the moths still banged and buzzed, then strolled over to the open window, and said "Hm!" He put his head and shoulders out into the air. And then he again said "Hm—m—m"—only longer than the first time. It seemed as if some one answered him. That "Hm" floated off to some one who was listening for it. Perhaps it was an echo that came floating back. Perhaps it wasn't.
But any grown-up person who hesitates in an empty room of a country house at eleven o'clock at night and murmurs "Hm" into the open air is not in an ordinary state of mind. The normal thing is to put the lights out and go up more or less briskly to bed. Uncle Felix was no exception to this rule. His emotions, evidently, were not quite normal.
He listened. The night was very still. The stars, like a shower of golden rain arrested in full flight, paused in a flock and looked at him, but in so deliberate a way that he was conscious of being looked at. It was rather a delightful sensation, he thought; never before had they seemed so intimate, so interested in his life. He was aware that a friendly relationship existed between him and those far, bright, twinkling eyes. "Hm" he murmured softly once again, then heard a sound of wings rush whirring past his face, and next a chattering of birds somewhere overhead among the heavy eaves. "So I'm not the only one awake," he thought, and, for some odd reason, felt rather pleased about it. "Sounds like swallows. I wonder!"
But he saw no movement anywhere; no wind stirred the ivy on the wall, the limes were motionless, the earth asleep. Even the stream beyond the laurel shrubberies ran silently. Dimly he made out the garden lying at attention, the flower-beds like folded hands upon its breast; and further off, the big untidy elms in pools of deeper shadow, their outlines blurred as dreams blur the mind. Yet, though he could detect no slightest movement, he was keenly aware that other things beside the stars were looking at him. The night was full of carefully-screened eyes, all fixed upon him. Framed in the lighted window, he was so easily visible. Night herself, calm and majestic, gazed down upon him through wide-open lids that filled the entire sky. He felt the intentness of her steadfast gaze, and paused. He stopped. It seemed that everything stopped too. So striking, indeed, was the sensation, that he gave expression to it half aloud:
"It's slowing up," he murmured, "stopping!… I do believe! Hm!…"
There was no answer this time, no sign of echo anywhere, but he heard an owl calling its muffled note from the Wood without a Centre.
"It's probably seen me too," he thought, and then it also stopped.
He waited a moment, hoping it would begin again, for he loved the atmosphere of childhood that the sound invoked in him. But the flutey call was not repeated. He drew his head in, closed and bolted the window, fastened the shutters carefully and pulled the curtains over; then he extinguished the lamps, lit his candle, and moved out softly into the hall on his way upstairs. And for the first time in his life he felt that in shutting the window he had not shut the beauty out. The beauty of that watching, listening night had not gone away from him by closing down the shutters. It was not lost. It stopped there. This novel realisation was very queer and very exquisite. Regret did not operate.
And he went along the passage, murmuring "Hm" over and over to himself, for there seemed nothing more adequate that he could think of. The servants had long since gone to bed; he alone was awake in the whole big house. He moved cautiously down the long corridor towards the green baize doors, fully aware that it was not the proper way upstairs. He pushed them, and they swung behind him with a grunt that repeated itself several times, lessening and shortening until it ended in an abrupt puffing sound—and he found himself in a chilly corridor of stone. It was very dark; the candle threw the shadow of his hand down the gaping length in front of him. He went stealthily a few steps further, then stopped opposite a closed door of white. For a moment he held his breath, examining the panels by the light of the raised candle; then turned the knob of brass, threw it wide open, and found himself—in Mrs. Horton's kitchen.
The room was very warm. There was the curious, familiar smell of brooms and aprons, of soap and soda, flavoured with brown sugar, treacle, and a dash of toast and roasted coffee. The ashes still glowed between the bars of the range like a grinning mouth. He put the candle down and looked about him nervously. There was an awful moment when he thought a great six-foot cook, with red visage and bare arms, would rise and strike him with a ladle or a rolling-pin. In the faint light he made out the white deal table in the centre, the rows of pots and pans gleaming in mid-air, dish-cloths hanging on a string to dry, layers of plates of various sizes on the shelves, and jugs suspended by their handles at an angle ready for pouring out. He saw the dresser with its huge, capacious drawers—the only drawers in the world that opened easily, and were deep enough to be of value.
Also—there was a sound, the sound all kitchens have, steadily tapping, clicking, ticking. He turned; he saw the familiar object whence the sound proceeded. At the end of the great silent room, upright like a sentry placed against the wall, stiff and rigid, he saw a figure with a round and pallid face, staring solemnly at him through the gloom. He stiffened and stood rigid too, listening to the tapping noise that issued from its hollow interior of wood and iron. Watching him with remorseless mien, the kitchen clock asked him for the password. "Why not? Why not?" its ticking said distinctly.
The warmth was comforting. He sat down on the white deal table, knowing himself an intruder, but boldly facing the tall monster that guarded the deserted room and challenged him. "Youhaven't stopped," he answered in his beard. "Why not?" And as he said it, a new expression stole upon its hardened countenance, the challenge melted, the obdurate stare relaxed. The quaint, grandfatherly aspect of benevolence shone over it like a smile; it looked not only kind, but contrite. He saw it as it used to be, ages and ages ago, when he was a boy, sliding down the banisters towards it, or towards its counterpart in the hall. It winked.
The ticking, too, became less aggressive and relentless, less sure of itself, almost as though it were slowing up. There was a plaintive note behind the metallic sharpness. The great kitchen clock also was aware of a conspiracy hatching against Time….
And as he sat and listened to the machinery tapping away the seconds, he heard a similar tapping in his brain that swung gradually into rhythm with the clock. A pendulum in his mind was swinging, each swing a little shorter than the one before; and he remembered that a dozen pendulums in a room, starting at different lengths, ended by swinging all together. "We're slowing up together—stopping!" murmured the two pendulums. "Why not? Why not? Why not?…"
Presently both would cease, yet ceasing would be the beginning, not the end. A state without end or beginning would supervene. Ticking meant time, and time meant becoming; but beyond becoming lay the bottomless sea of being, which was eternity. Maria floated there—calm, quiet, serene, little globular Maria, circular, the perfect form.
The Kitchen Spell rolled in upon him, smothering mind and senses.
It came at first so gradually he hardly noticed it, but it rose and rose and rose, till at length he sat dipped to the eyes in it, and then finally his eyes went under too. He was immersed, submerged. The parochial vanished; he swam in the universal. He felt drowsy, soothed, and very happy; his heart beat differently. Consciousness ran fluttering along the edge of something hard that hitherto had seemed an unsurpassable barrier. The barrier melted and let him through.
He rubbed his eyes and started. "That's the clock in Mrs. Horton's kitchen," he tried to say, but the words had an empty and ridiculous sound, as if there was no meaning in them. They flew about him in the air like little butterflies trying to settle. They settled on one meaning, only to flit elsewhere the next minute and settle on another meaning. They could mean anything and everything. They did mean everything. They meantonething. Finally they settled back into his heart. And their meaning caught him by the throat in a most delicious way. The air was full of tiny fluttering wings; he heard pattering feet and little voices; hair tied with coloured ribbons brushed his cheeks; and laughing, mischievous eyes like stars floated loose about the ceiling. The Kitchen Spell grew mighty—irresistible… rising over him out of a timeless Long Ago.
From the direction of the ghostly towel-horse it seemed to come. But beyond the towel-horse was the window, and beyond the window lay the open fields, and beyond the fields lay miles and miles of country asleep beneath the stars; and this country stretched without a break right up to the lonely wolds of distant Yorkshire where an old grey house contained another kitchen, silent and deserted in the night. All the empty kitchens of England were at this moment in league together, but this old Yorkshire kitchen was the parent of them all—and thence the Spell first issued. It was his own childhood kitchen.
And Uncle Felix travelled backwards against the machinery of Time that cheats the majority so easily with its convention of moving hands and ticking voice and bullying, staring visage. He slid swiftly down the long banister-descent of years and reached in a flash that old sombre Yorkshire kitchen, and stood, four-foot nothing, face smudged and fingers sticky, beside the big deal table with the dying embers in the grate upon his right. His heart was beating. He could just reach the juicy cake without standing on a chair. He ate the very slice that he had eaten forty years ago. Itwaspossible to have your cake and eat it too!…
He gulped it down and sucked the five fingers of each hand in turn—then turned to attack the staring monster that had tried to make him believe it was impossible. He crossed the stone floor on tiptoe, but with challenge in his heart, looked straight into its humbugging big face, opened its carefully buttoned jacket—and took off the weights.
"Hm!" he murmured, with complacent satisfaction that included victory,"I've stopped you!"
There was a curious, long-drawn sound as the machinery ran down; the chains quivered, then hung motionless. There was disaster in the sound, but laughter too—the laughter of the culprit caught in the act, unmasked, exposed at last. "But I've had a good time these last hundred years," he seemed to hear, with the obvious answer this insolence suggested: "Caught! You're It!"—in a tone that was not wholly unlike Maria's.
He turned and left the kitchen as stealthily as he had entered it. He went along the cold stone corridor, through the green baize doors, and so up the softly carpeted stairs to his bedroom. He undressed and rolled solemnly between the sheets. He sighed deeply, but he did not move again. He fell instantly into the right position for sleep.
But while he slept, the timeless night brought up its mystery. Moored outside against the walls an Extra Day lay swinging from the stars. The waves of Time washed past its sides, yet could not move it. The wind was in the rigging; it lay at anchor, filling the sky with a beauty of eternity. And above the old Mill House the darkness, led by the birds, flowed on to meet the quivering Dawn.
The day was hardly born, and still unsure of itself, when a robin with its tail cocked up stood up alertly on the window-sill of Uncle Felix's bedroom, peeped in through the open sash, and noticed the objects in front of it with a certain deliberation.
These objects were half in shadow, but, unlike those it was most familiar with, they did not move in the breeze that stirred the world outside. The robin had just swung up from a lilac branch below. Its toes were spread to their full extent for balancing purposes. It peeped busily in all directions. Then, suddenly, a big object at the far end of the darkened room moved slowly underneath a mass of white, as Uncle Felix, aware that some one was watching him, rolled over in his bed, opened his sleepy eyes, and stared. At the same moment the robin twitched, and fixed its brilliant glance upon him. It had found the particular object that it sought.
Uncle Felix, somewhat dazed by sleep and dreams, saw the tight, fat body of the bird outlined against the open sky, but thought at first it was an eagle or a turkey, until perspective righted itself, and enabled him to decide that it was a robin only. He saw its scut tail pointing. And, from the attitude of the bird, of its cocked-up tail, the angle of its neck and head, to say nothing of the inquisitive way it peeped sideways at him over the furniture, he realised that it had come in with a definite purpose—a purpose that concerned himself. In a word, it had something to communicate.
"Odd!" he thought drowsily, as he met its piercing eye. "A robin in my room at dawn! I wonder what it's up to?"
Then, remembering vaguely that he expected somebody or something out of the ordinary, he made a peculiar noise that seemed to meet the case: he tried to whistle at it. But his lips, being rather dry, made instead a hissing sound that would have frightened most robins out of the room at once. On this particular bird, however, the effect was just the opposite. It hopped self-consciously on to the dressing-table, fluttered next to the arm-chair, and the same second dropped out of sight behind the end of the four-poster bed. It acted, that is, with decision; it was making distinct advances.
He sat up then in order to see it better, and discovered it perched saucily upon the toe of his evening shoe, looking deliberately into his face as it rose above the bed-clothes.
"Come along," he said, making his voice as soft as possible, "and tell me what you want."
His expression tried to convey that he was harmless, and he smiled to counteract the effect of his bristling hair which stuck out at right angles as it only can stick out on waking. He felt complimented by the visit of the bird, and did not wish to frighten it. But the Robin, accustomed to seeing scarecrows in the dawn, showed not the slightest fear; on the contrary, it showed interest and a simple, innocent affection too. It fluttered up on to the rail between the bed-posts, almost within reach of his stretched-out hand; its flexible toes clutched the bar as though it were a twig; it moved first two inches to the right, then two inches to the left again, then held steady. It next flicked its tail, and cocked its small head sideways, as if about to deliver a speech or message it had learned by heart; stared intently into the bearded human visage close in front of it; abruptly opened its wings; whirred them with a rapidity that made a sound like a shower of peas striking a taut sheet; and then, with a single, exquisitely-chosen curve—vanished through the open window and was gone.
"Well," murmured the confused and astonished man, "if anything means anything, that does. Only, I wonder what itdoesmean!"
He was a little startled, and he remained in a sitting position for some minutes, staring at the open window, and hoping the robin would return. Somehow he did not think it would, but he hoped it might. The robin, however, made no sign. And, meanwhile, the dawn slipped higher up the sky, showing the groups of trees with greater sharpness. A draught of morning air came in.
"The dawn!" he thought; "how marvellous! Perhaps the robin came to show me that." He sniffed the fresh perfume of dew and leaves and earth that rise for a moment with the early light, then fade away. "Or that!" he added, pausing to enjoy the delicate fragrance. "But for the bird I should have slept, and missed them both. I wonder!"
He wished he were dressed and out upon the lawn; but the bed was enticing, and it was no easy thing to get up and wash and put on eleven separate articles of clothing. What a pity he was not dressed like a bird in one garment only! What a pity he could not wash himself by flying through a rushing shower of sweet rain! By the time his clothes were on, and he had made his way downstairs, and unlocked the big chained doors, all this strange, wild emotion would have evaporated. If only he could have landed with a single curve among the flower-beds, as the robin did! Besides, he would feel hungry, and a worm…!
The warmth of the bed crept upwards towards his eyes; the eyelids dropped of their own accord; his weight sank slowly downwards; the pillow was smooth as cream. He remembered Judy saying once that, if a war came, she would go out and "soothe pillows." A pillow was, indeed, a very soothing thing. His head sank backwards into a mass of feathery sensations like a flock of dreams. He drew a long, deep breath. He began to forget a number of things, and to remember a number of other things. They mingled together, they became indistinguishable. What were they? He could make a selection—choose those he liked best, and leave the others—couldn't he? Why not, indeed? Why not?
One was that the clocks had stopped for twenty-four hours and that an extra, unused day was dawning; another, that To-day was Sunday. He could make his choice. Yet all days, surely, were unused till they came! True; but clocks decreed and regulated their length.ThisExtra Day, having been overlooked long ago, was beyond the reach of measuring clocks. No clocks had ever ticked it into passing. It could never pass. Only the present passed. The Past, to which this day belonged, remained where it was, endless, beginningless, self-repeating. He chose it without more ado. And the robin had come to mention something about it. Its small round body was full, its head tight packed with what it had to tell. It was bursting with information. But what—?
And then he realised abruptly another thing: Ithaddelivered its message.
The presence of the bird had announced a change of conditions in the room, a change in his heart and brain as well. But how? He was too drowsy to decide quite; yet in some way the robin had brought in with it the dawn of an unusual day, a kind of bird-day, light as a feather, swift as a flashing wing, spontaneous—air, freedom, escape, sweet brilliance, a thing of flowers, winds, and beauty, a thing of innocence and captivating loveliness, a happy, dancing day. He felt a new sort of knowledge pass darting through him, a new point of view, almost a bird's-eye aspect of old familiar things—joy. That neat, sharp beak had pricked his imagination into swifter life. The meaning of the bird's announcement flowed with delicate power all through his drowsy body. It summed itself up in this:—Somebody, Something, long expected, at last was coming….
And then he incontinently fell asleep. He lost consciousness. But, while he lay heavily upon his soothing pillow, the marvellous Dawn slid higher up the sky, and the robin popped up once upon the window-sill again, glanced sideways at him with approval, then flashed away so close above the soaking lawn that the dew-drops quivered as it passed. Apparently, it was satisfied.
At the same moment, in another part of the old house, Tim found his sleep disturbed in a similar fashion; a shrill twittering beneath the eaves mingled with his dreams. He shook a toe and wrinkled up his nose. He woke. His bedroom, being on the top floor, was lighter than those below; there were no trees to cast shadows or obstruct the dawn.
Tim rubbed his eyes, yawned, scratched, then pattered over to the window to see what all the noise was about. In his night-shirt he looked like a skinny bird with folded wings of white, as he leaned forward and stuck his head out into the morning air. Upon the strip of back-lawn below, the swallows, who had been chattering so loudly overhead, stood in an active group. Clutching the cold iron bars, and resting his chin upon the topmost one, he watched them. He had never before seen swallows on the ground like that; he associated them with the upper sky. It was odd to see them standing instead of flying; their behaviour seemed not quite normal; there was commotion of an unusual kind among them. A grey cat, stalking them warily down the stable path, came near yet did not trouble them; they felt no alarm. They strutted about like a lot of black-frocked parsons at a congress; they looked as if they had hands tucked behind their pointed coat-tails. They were talking among themselves—discussing something. And from time to time they shot upward glances at the window just above them—at himself.
"I believe they want me to look at something or other," the boy thought vaguely. It seemed as if he had picked them out of a dream and put them there upon the lawn. He felt dazed and happy; he had been dreaming of curious wild things. Where was he? What had happened? "It feels just like something coming," he decided, "or somebody. Some one's about in the grounds, perhaps…!"
It was very exciting to be awake at such an unearthly hour; the sun was still below the edge of the gigantic earth! A great, slow thrill stole up into his heart. He noticed the streaks of colour in the sky, and felt the chilly wind. "It's sunrise!" he exclaimed, rubbing one naked foot against the other; "that's what it is. And I'm up to see it!"
The thrill merged into a deep, huge sense of wonder that enthralled him. At the same moment the swallows, disturbed by his voice, looked up with one accord, then rose in a single sweep and whirled off into the upper air, wings faintly tinged with gold. They scattered. Tim watched them for a little while, dimly aware that he watched something "perfectly magnificent." His eyes followed one bird after another, caught in a sudden little rapture he could not understand… then turned and saw his bed, flushed with early pink, across the room. With a running jump he landed among the sheets, rolled himself up into a ball, and promptly fell asleep again. It was not yet four o'clock.
Across the landing, meanwhile, Judy, wakened by a brush of feathery wind, was at her window too. She felt very sure of something, although she didn't in the least know what. It was the same thing that Tim and Uncle Felix knew, only they knew they didn't know it, whereas she didn't know she knew it. Her knowledge, therefore, was greater than theirs.
The room was touched with soft grey light; it was to the west, and the night still clung about the furniture. Like a ball in a saucer, Maria lay asleep in bed against the opposite wall, her neutrality to all that was going on absolute as usual. But Judy did not wake her, she preferred to live alone; she knew that she was alive in her night-gown between night and morning, and that was an unusual pleasure she wished to enjoy without interference. For months she had not waked before half-past seven. The excitement of the unfamiliar was in her heart. She had caught the earth asleep—surprised it. For the first time in her life she saw "the Earth." She discovered it.
She knelt on a chair beside the open window, peering out, and as she did so, a strange, wild cry came sounding through the stillness. It was like a bugle-call, but she knew no human lips had made it. She glanced quickly in the direction whence it came—the pond—and the next instant the reeds about the edge parted and the thing that had emitted the curious wild cry emerged plainly into view. It was a pompous-looking creature. It came out waddling.
"It's the up-and-under bird," exclaimed Judy in a whisper. "Something's happening!"
It was a water-fowl, a creature whose mysterious habit of living upon the surface of the pond as well as underneath made the children's nick-name a necessity. And now it was attempting a raid on land as well. But land was not its natural place. Something certainly had happened, or was going to happen.
"It's a snopportunity," decided Judy instantly. Far more than an opportunity, a snopportunity was something to be snapped up quickly, the sort of thing that ordinarily happened behind one's back, usually discovered too late to be made use of. "I've caught it!" She remembered that the clocks had stopped, yet not knowing why she remembered it. It was the thing she didn't know she knew. She knew it before it happened. That was a snopportunity.
She watched the heavy bird for a considerable time as it slowly appropriated the land it had no right to. It moved, she thought, like a twisted drum on very short drumsticks. It had a water-logged appearance. It was bird and fish ordinarily, but now it was pretending to be animal as well—a thing that flew, swam, walked. Its webbed feet patted the ground complacently. It came laboriously towards the wall of the house, then halted. It paused a moment, then turned its eyes up, while Judy turned hers down. The pair of creatures looked at one another steadily for several seconds.
"You're not out for nothing," exclaimed Judy audibly. "So now I know!"
The reply was neither in the affirmative nor in the negative. The up-and-under bird said nothing. It made no sign. It just turned away, stalked heavily back across the lawn without once looking either to right or left, launched itself upon the water, uttered its queer bugle-call for the last and second time, and promptly disappeared below. The tilt of its vanishing tail expressed sublime indifference to everything on land. And Judy, reflecting vaguely that she, too, was something of an up-and-under creature, followed its example, though without the same dispatch or neatness of execution. She tumbled sideways into bed and disappeared beneath the sheets, aware that the bird had left her richer than it found her. It had communicated something that lay beyond all possible explanation. She had no tail, nor did she express indifference. On the contrary, she hugged herself, making sounds of pleasurable anticipation in her throat that lay plunged among depths of soothing pillows.
It seems, then, that the entire household, the important portion of it, at any rate, had been duly notified that something unusual was afoot, and that the dawn of the day just breaking through a ghostly sky was distinctly out of the ordinary. The birds, always the first to wake, and provided with the most sensitive apparatus for recording changes, had caught the mysterious whisper from the fading night; they had instantly communicated it to the best of their ability to their established friends. The robin, the swallows, and the up-and-under bird, having accomplished their purpose, disappeared from view in order to attend to breakfast and the arrangement of their own subsequent adventures. Earth, air, and water had delivered messages. The news had been flashed. Those who deserved it had been warned. The day could now begin.
Maria, alone, meanwhile, slept on soundly, secure in that stodgy immobility that takes no risks. Oblivious, apparently, of all secret warnings of excitement or alarm, she lay in a tight round ball, inactive, undisturbed. Even her breathing revealed her peculiar idiosyncrasy: no actual movement on her surface was discernible. Her breathing involved the least possible disturbance of the pink and white contours that bulged the sheets and counterpane. Her face was calm, expressionless, and even dull, yet wore a certain look as though she knew so much that she had no need to maintain her position by the least assertion. Exertion would have been a denial of her right to exist. And exist she certainly did. The weight of her personality lent balance to the quivering uncertainty of this mysterious dawn. Maria remained an unassailable reality, an immovable centre round which anything might happen, yet never end, and certainly no disaster come. And Judy, glancing at her as she disappeared below her own sheets, noted this fact without understanding that she did so. This was another aspect of the thing she didn't know she knew.
"Maria's asleep," she felt, "so there's no need to get up yet. It's all right!" In spite of the marvellous thing she knew was coming, that is, she felt herself anchored safely to the firm reality of calm Maria, soundly, peacefully asleep. And five minutes later she was in the same desirable condition herself.
But, hardly were they all asleep, than a figure none of them had noticed, yet all perhaps had vaguely felt, rose out of the little ditch this side of the laurel shrubberies, and advanced slowly towards the old Mill House. The shape was shadowy and indeterminate at first; it might have been a bush, a sheaf of straw, a clump of high-grown weeds, for birds fluttered just above it, and the swallows darted down without alarm. A shaggy thing, it seemed part of the natural landscape.