Eve’s artistic sense is deeply offended by the bizarre, not to say early-Victorian, markings of the cows; however, a judicious application of paints transformed them into ornamental as well as useful members of the community. Farmer Giles’s hair is, you will observe, rising in horror and pushing his hat of his head. (Eve can’t draw cows’ legs; hasn’t she got out of it cleverly?)
Eve’s artistic sense is deeply offended by the bizarre, not to say early-Victorian, markings of the cows; however, a judicious application of paints transformed them into ornamental as well as useful members of the community. Farmer Giles’s hair is, you will observe, rising in horror and pushing his hat of his head. (Eve can’t draw cows’ legs; hasn’t she got out of it cleverly?)
Eve’s artistic sense is deeply offended by the bizarre, not to say early-Victorian, markings of the cows; however, a judicious application of paints transformed them into ornamental as well as useful members of the community. Farmer Giles’s hair is, you will observe, rising in horror and pushing his hat of his head. (Eve can’t draw cows’ legs; hasn’t she got out of it cleverly?)
Eve’s artistic sense is deeply offended by the bizarre, not to say early-Victorian, markings of the cows; however, a judicious application of paints transformed them into ornamental as well as useful members of the community. Farmer Giles’s hair is, you will observe, rising in horror and pushing his hat of his head. (Eve can’t draw cows’ legs; hasn’t she got out of it cleverly?)