FILIPPINO LIPPI

1452-1519. Pupil of Verrocchio.Florence.Uffizi, 1252. Adoration of Magi (unfinished). Begun in 1481.London.Burlington House, Diploma Gallery. Large Cartoon for Madonna with St. Anne.Milan.S. Maria delle Grazie, Refectory. Fresco: Last Supper.Paris.1265. Annunciation. E.1598. Madonna with St. Anne (unfinished).1599. “La Vierge aux Rochers.”1601. “La Gioconda.”Rome.Vatican, Pinacoteca. St. Jerome, (unfinished).Note:—An adequate conception of Leonardo as an artist can be obtained only by an acquaintance with his drawings, many of the best of which are reproduced in Dr. J. P. Richter’s “Literary Works of Leonardo da Vinci,” and in B. Berenson’s “Drawings of the Florentine Painters.”FILIPPINO LIPPI1457-1504. Pupil of Botticelli; influenced by Amico di Sandro, and very slightly by Piero di Cosimo.Berlin.78a.Allegory of Music. L.96. Crucifixion with Virgin and St. Francis. L.101. Madonna.Fragment of Fresco: Head of Youth in black cap, with brown curls.Bologna.S. Domenico, Chapel R. of High Altar. Marriage of St. Catherine. 1501.Copenhagen.Meeting of Joachim and Anne. L.Florence.Academy, 89. St. Mary of Egypt.91. St. Jerome.93. The Baptist.98. Deposition (finished by Perugino).Pitti, 336. Allegorical Subject.Uffizi, 286. Fresco: Portrait of Himself. E.1167. Fresco: Old Man. E.1257. Adoration of Magi. 1496.1268. Madonna and Saints. 1486.Palazzo Corsini.Tondo: Madonna and Angels. E.Mr. Herbert P. Horne.Christ on Cross. L.Palazzo Torrigiani.Bust of Youth.S. Ambrogio, Niche L.Monochromes: Angels, and medallions inpredella. L.Badia.Vision of St. Bernard with Piero di Francesco del Pugliese as Donor. Soon after 1480.Carmine, Brancacci Chapel.Completion of Masaccio’s Frescoes. 1484. Angel delivering St. Peter; Paul visiting Peter in Prison; Peter and Paul before the Proconsul; Martyrdom of Peter; (in the “Raising of the King’s Son”) the group of four men on the extreme L.; the Boy; and eight men and a child in a row.S. Maria Novella, Strozzi Chapel.Frescoes: Episodes from Lives of Evangelist and St. Philip, etc. Finished 1502.S. Spirito.Madonna and Saints, with Tanai di Nerli and his Wife.Villa Reale di Poggio a Cajano(near Florence),Porch. Fragment of Fresco.Genoa.Palazzo Bianco, Sala V, 30. Madonna and Saints. 1503.Kiel.Prof. Martius.Madonna.Lewes (Sussex).Mr. E. P. Warren.Tondo: Holy Family and St. Margaret.London.293. Madonna with SS. Jerome and Dominic.927. Angel adoring.Mr. Robert Benson.Dead Christ.Sir Henry Samuelson.Moses striking the Rock. Adoration of Golden Calf.Sir Julius Wernher.Madonna. L.Lucca.S. Michele, first Altar R.SS. Helena, Jerome, Sebastian, and Roch. E.Naples.Annunciation, with Baptist and St. Andrew. E.New Haven (U. S. A.).Jarves Collection, 81. Christ on Cross.Oxford.Christ Church Library.Centaur; on back, unfinished allegorical figures.Prato.Municipio, 16. Madonna with Baptist and St. Stephen. 1503.Fresco inTabernacle on Street Corner: Madonna and Saints. 1498.Rome.S. Maria sopra Minerva, Caraffa Chapel.Annunciation. Frescoes: Triumph of St. Thomas Aquinas; Assumption of Virgin. 1489-1493.St. Petersburg.Stroganoff Collection. Annunciation. L.Strasburg.University Gallery, 214. Head of Angel (a fragment).Venice.Seminario, 15. Christ and the Samaritan Woman.17. “Noli me Tangere.”Vienna.Herr Eugen von Miller Aicholz.Christ on Cross.FRA FILIPPO LIPPI.1406-1469. Pupil of Lorenzo Monaco and follower of Masaccio; influenced by Fra Angelico.Ashridge Park (Berkhampstead).Earl Brownlow.Madonna.Berlin.58. Madonna.69. Madonna adoring Child.95. “Madonna della Misericordia.”95b.Predella: Miraculous Infancy of a Saint.Florence.Academy, 55. Madonna and Saints.62. Coronation of Virgin. 1441.79. Virgin adoring Child.82. Nativity. E.86.Predelle: S. Frediano changing the Course of the Serchio; Virgin receiving the Announcement of her Death; St. Augustine in his Study.263. Gabriel and Baptist.264. Madonna and St. Antony Abbot.Pitti, 343. Madonna. 1442.Uffizi, 1307. Madonna.Palazzo Alessandri.St. Antony Abbot and a Bishop. SS. Lawrence, Cosmas, and Damian and Donors.Palazzo Riccardi (Prefecture).Madonna.S. Lorenzo, Martelli Chapel.Annunciation, andPredelle.London.248. Vision of St. Bernard. 1447.666. Annunciation. E.667. Seven Saints. E.Lyons.M. Edouard Aynard.Predella: St. Benedict and Novice.Munich.1005. Annunciation. E.1006. Madonna.Oxford.University Galleries, 12. Meeting of Joachim and Anne.Paris.1344. Madonna and Angels. 1437.Prato.Duomo, Choir.Frescoes: Lives of St. Stephen and the Baptist (assisted by Fra Diamante). 1452-1464.R. Transept.Fresco: Death of St. Bernard (the upper part by Fra Diamante). Ordered 1450.Richmond (Surrey).Sir Frederick Cook.Tondo: Adoration of Magi. E. SS. Michael and Antony Abbot. 1457.Rome.Lateran, 65. Triptych: Coronation, Saints and Donors (the angels are, in execution at least, by another hand, probably Fra Diamante’s).Prince Doria.Annunciation.Mr. Ludwig Mond.Annunciation and Donors.Spoleto.Duomo, Apse.Frescoes: Life of Virgin (chiefly by Fra Diamante). Left unfinished at death.Turin.Accademia Albertina, 140, 141. The Four Church Fathers.LORENZO MONACO.About 1370-1425. Follower of Agnolo Gaddi and the Sienese.Altenburg.Lindenau Museum, 23. Crucifixion withSS. Francis, Benedict, and Romuald. E.90. Flight into Egypt.Bergamo.Morelli, 10. Dead Christ.Berlin.1110. Madonna with Baptist and St. Nicholas. E.Print Room.Illuminations: Visitation. Journey of Magi.Von Kaufmann Collection.St. Jerome. Nativity.Brant Broughton (Lincolnshire).Rev. Arthur F. Sutton.Miracles of St. Benedict.Brunswick.SS. Stephen, Dominic, Francis, and Lawrence. E.Cambridge.Fitzwilliam Museum, 555. Madonna and two Angels.Cassel.478. King David.Copenhagen.Thorwaldsen Museum, i. Madonna.Empoli.Opera del Duomo, 20. Triptych. 1404.Fiesole.S. Ansano(to be transferred to Museo). Christ on Cross between Mary, John, and Francis.Florence.Academy, 143. Annunciation.144. Life of St. Onofrio.145. Nativity.146. Life of St. Martin.166. Three Pinnacles above Fra Angelico’s Deposition.Bargello. Codex X, Miniatures. 1412-1413.Uffizi, 39. Adoration of Magi (Annunciation and Prophets in frame by Cosimo Rosselli).40.Pietà. 1404.41. Triptych: Madonna and Saints. 1410.42. Madonna with Baptist and St. Paul. 1309. Coronation and Saints. 1413.Museo di San Marco.11, 12, 13. Crucifixion with Mary and John.Biblioteca Laurenziana.Miniatures. 1409.Hospital (S. Maria Nuova), over Door in a Corridor.Fresco: Fragment of aPietà. E.Mr. Charles Loeser.Crucifixion.S. Croce, Refectory, 6. St. James enthroned.S. Giovanni dei Cavalieri.Crucifix; Mary; John.S. Giuseppe.Crucifix.Chiostro degli Oblati (25 Via S. Egidio).Frescoes:Pietà, with Symbols of Passion; Christ and Apostles; Agony in Garden.S. Trinita, Bartolini Chapel.Altarpiece: Annunciation andPredelle. L. Frescoes: Life of Virgin. L.Gloucester.Highnam Court, Sir Hubert Parry, 49. Adoration of Magi; Visitation.London.215, 216. Various Saints. 1897. Coronation of Virgin.Mr. Henry Wagner.Legend of S. Giovanni Gualberto.Milan.Comm. Benigno Crespi.Small Shrine with Madonna and Saints.Cav. Aldo Noseda.Madonna. 1405.Munich.Lotzbeck Collection, 96. St. Peter enthroned. E.New Haven (U. S. A.).Jarves Collection, 18. Crucifixion.Parcieux (near Trévoux).La Grange Blanche, M. Henri Chalandon.Three Panels with Saint and Prophet in each.Paris.1348. Agony in Garden; Three Marys at Tomb. 1408.Posen.Raczynski Collection.Adoration of Magi.Richmond (Surrey).Sir Frederick Cook.Madonna.Rome.Vatican, Museo Cristiano, Case C, II.Crucifixion.Case S, III.Fragment ofPredella: St. Antony Abbot visited by Madonna. XI. Benedict calling a dead Friar to life, and Demon tempting another Friar.Siena.157. Triptych: Madonna and Saints. E.Turin.Museo Civico, 3023. Madonna with Baptist and old Saint (on Glass). 1408.Washington (U. S. A.).Mr. Victor G. Fischer.Madonna and two Angels. E.BASTIANO MAINARDI.About 1450-1513. Pupil and imitator of his brother-in-law, Domenico Ghirlandajo.Altenburg.Lindenau Museum, 102. Bust of Woman.Berlin.77. Madonna.83. Portrait of Young Woman.85. Portrait of a Cardinal.86. Portrait of Young Man.Boston (U. S. A.).Mrs. Quincy A. Shaw.Madonna adoring Child.Cologne.522. Madonna and five Saints.Dresden.16Tondo: Nativity.Florence.Uffizi, 1315. St. Peter Martyr between SS. James and Peter.Bargello, Chapel.Fresco: Madonna. 1490.Palazzo Torrigiani.Tondo: Madonna and two Angels.S. Croce, Baroncelli Chapel.Fresco: Virgin giving Girdle to St. Thomas.Chiesa di Orbetello, R. Wall.Fresco: Madonna and two Cherubim (SS. Andrew and Dionysus, etc., by another Ghirlandajesque hand).Brozzi(near Florence),Fattoria Orsini.Frescoes: Nativity (Cf.Dresden16); Saints.Hamburg.Weber Collection, 30. Madonna.Hildesheim.1134.Tondo: Madonna.Locko Park (near Derby).Mr. Drury-Lowe.Replicas of Berlin Portraits, Nos. 83 and 86.London.1230. Bust of Young Woman.Sir Henry Howorth.Madonna and three Angels adoring Child.Mr. George Salting.Bust of Young Man.Longleat (Warminster).Marquess of Bath.Madonna, four Saints,Putti, and Angels.Lyons.M. Edouard Aynard.St. Stephen.Milan.Comm. Benigno Crespi.Two panels with Men and Women Worshippers.Munich.1012, 1013. SS. Lawrence and Catherine of Siena (soon after 1494).1014. Madonna and Donor.1015. SS. George and Sebastian.Münster i./W.Kunstverein, 32. Marriage of St. Catherine.Oxford.University Museum, 21. SS. Bartholomew and Julian.Palermo.Baron Chiaramonte Bordonaro, 98. Madonna with SS. Paul and Francis. 1506.Paris.1367.Tondo: Madonna with infant John and Angels.Comtesse Arconati-Visconti.Busts of Man and Woman (free replicas of Berlin, Nos. 83 and 86).Philadelphia.Mr. John G. Johnson.Madonna with SS. Sebastian and Appolonia.Rome.Vatican, Museo Cristiano, Case O, XVI.Tondo: Nativity.Count Gregori Stroganoff.Three Saints.San Gemignano.Municipio, 8 and 9.Tondi: Madonnas.Ospedale di S. Fina.Frescoes in Vaulting.Via S. Giovanni.Fresco: Madonna and Cherubim.S. Agostino, R. Wall.SS. Nicholas of Bari, Lucy, and Augustine.Ceiling.Frescoes: The four Church Fathers.L. Wall.Frescoes for Tomb of Fra Domenico Strambi. 1487.Collegiata, Chapel of S. Fina.Frescoes in Ceiling.Chapel of S. Giovanni.Annunciation. 1482.Sacristy.Madonna in Glory, and Saints.Monte Oliveto, Chapel R.Madonna with SS. Bernard and Jerome. 1502.Siena.Palazzo Saracini, 205. Bust of Young Woman in Red.Vienna.Harrach Collection, 314. Nativity (replica of Dresden, 16).Prince Liechtenstein.Madonna and infant John.MASACCIO.1401-1428. Pupil of Masolino; influenced by Brunellesco and Donatello.Berlin.58a.Adoration of Magi. Probably 1426.58b.Martyrdom of St. Peter and Baptist. Probably 1426.58c.A Birth Plate.58d.Four Saints. Probably 1426.Boston (U. S. A.).Mrs. J. L. Gardner.Profile of Young Man.Brant Broughton (Lincolnshire).Rev. Arthur F. Sutton.Madonna enthroned on high Seat with two Angels below worshipping and two others seated playing on Lutes. Probably 1426.Florence.Academy, 73. Madonna with St. Anne. E.Carmine, Brancacci Chapel.Frescoes: Expulsion from Paradise; Tribute Money; SS. Peter and John healing the Sick with their Shadows; St. Peter Baptising; SS. Peter and John distributing Alms; Raising of the King’s Son (except the Son, a Child, andeight Figures of same group, as well as four figures on extreme left, all of which are by Filippino Lippi, while the fourth head of this group is again by Masaccio).S. Maria Novella, Wall R. of Entrance.Fresco: Trinity with Virgin and St. John and Donor and his Wife.Montemarciano (Val d’Arno Superiore).Oratorio.Fresco: Madonna with Michael and Baptist. E.Naples.Crucifixion. Probably 1426.Pisa.Sala VI, 27. St. Paul. Probably 1426.Strasburg.University Gallery, 211. Resurrected Christ (?). E.Vienna.Count Lanckoronski.St. Andrew. Probably 1426.MASOLINO.1384-after 1435.Bremen.Kunsthalle, 164. Madonna. 1423.Castiglione d’Olona.Church.Frescoes: Life of Virgin.Baptistery.Frescoes: Life of Baptist.Palazzo Castiglione.Frescoes: A Landscape and Friezes.Empoli.Duomo, Baptistery.Fresco:Pietà.S. Stefano.Fresco in an Arch: Madonna and Angels. Probably 1424.Florence.Carmine, Brancacci Chapel.Frescoes: Preaching of St. Peter; Raising of Tabitha and Healing of Cripple; Fall of Adam and Eve.Munich.1019. Madonna and Angels.Naples.Christ receiving Virgin in Paradise.Founding of S. Maria Maggiore.Rome.Vatican, Museo Cristiano, Case P, V.Predella: Dormition (?).Case R, II.Crucifixion (in part?).S. Clemente.Frescoes: Episodes from Lives of SS. Ambrose and Catherine of Alexandria; Crucifixion (some of these frescoes are completely repainted).Scotland.Gosford House, Earl of Wemyss.Annunciation.Todi.S. Fortunato, fourth Chapel R.Fresco: Madonna with two Angels.MICHELANGELO BUONARROTI.1475-1564. Pupil of Ghirlandaio; influenced by the works of Jacopo della Quercia, Donatello, and Signorelli.Florence.Uffizi, 1139.Tondo: Holy Family.London.790. Deposition (unfinished).Rome.Vatican, Sixtine Chapel.Frescoes: On Ceiling, 1508-1512.W. Wall.Last Judgment. 1534-1541.Cappella Paolina.Frescoes: Conversion of Paul; Martyrdom of St. Peter. L.SCULPTURE.Berlin.Small Marble Apollo.Bologna.S. Domenico.S. Petronio; An Angel (for Ark of St. Dominic). 1494.Bruges.Notre Dame.Madonna. Finished before August, 1506.Florence.Academy.David. 1504. Life size model of reclining Male Figure.Court.St. Matthew. 1504.Bargello.Bacchus. E. Bust of Brutus.Tondo, Relief: Madonna. Apollo.Court.Victory.Boboli Gardens, Grotto.Four unfinished Figures.Casa Buonarroti.Reliefs: Centaurs and Lapithæ. E. Madonna. E.Duomo, Behind High Altar.Pietà. L.S. Lorenzo, New Sacristy.Madonna; Tombs of Lorenzo dei Medici, Duke of Urbino, and Giuliano, Duke of Nemours. Left unfinished 1534.London.Burlington House, Diploma Gallery.Tondo, Relief: Madonna.Victoria and Albert Museum.Cupid.Beit Collection.Young Athlete (bronze).Milan.Prince Trivulzio.Small Slave (bronze).Paris.Room of Renaissance Sculpture.Two Slaves.Rome.Palazzo Rondanini.Pietà(unfinished). L.S. Maria sopra Minerva.Christ with Cross. Finished 1521.St. Peter’s.Pietà. 1499.S. Pietro in Vincoli.Moses, Rachel, and Leah.St. Petersburg.Crouching Boy.MONACO seeLORENZO.ANDREA ORCAGNA AND HIS BROTHERS.Andrea, 1308(?)-1368. Pupil of Andrea Pisano; follower of Giotto; influenced by Ambrogio Lorenzetti of Siena.Of the brothers, Nardo, who died in 1365, was scarcely his inferior.The only painting certainly from Andrea’s hand is the altarpiece at S. Maria Novella. The frescoes in the same church are probably by Nardo.Budapest.50. Madonna and Angels.Florence.Academy, 14. Vision of St. Bernard and Saints.40. Trinity with Evangelist and St. Romuald. 1365.Uffizi, 10. St. Bartholomew and Angel (?). E.29. Coronation of the Virgin.Third Tuscan Room.20. St. Matthew Triptych. Begun in 1367.Mr. B. Berenson.St. Benedict receiving a Novice.Badia, Cappella Bonsi.Descent of Holy Spirit.S. Croce, Sacristy.Madonna with SS. Gregory and Job. 1365.S. Maria Novella, L. Transept.Altarpiece. 1357. Frescoes: Paradise; Last Judgment; Hell.Cloister.Frescoes: Annunciation to Joachim and Anne; Meeting of Same; Birth of Virgin; Presentation of Virgin in Temple;Full length figures of Saints.Certosa(near Florence),Chapel.Madonna.London.569-578. Coronation and Saints, with nine smaller panels representing the Trinity, Angels, and Gospel Scenes.New Haven (U. S. A.).Jarves Collection, 25. Baptist.26. St. Peter.Palermo.Baron Chiaramonte-Bordonaro.Madonna.SCULPTURE (by Andrea).Berlin.Von Kaufmann Collection.Head of female Saint.Florence.Bargello.139. Angel playing Viol.Or San Michele.Tabernacle. Finished 1359.FRANCESCO PESELLINO.1422-1457. Pupil possibly of his grandfather, Giuliano Pesello; follower of Fra Angelico, Masaccio and Domenico Veneziano, but chiefly of Fra Filippo Lippi.Altenburg.Lindenau Museum, 96. SS. Jerome and Francis.Bergamo.Morelli, 9. Florentine arraigned before a Judge.11. Story of Griselda.Berlin.Small Crucifixion.Boston (U. S. A.).Mrs. J. L. Gardner.TwoCassonepanels: Triumphs of Petrarch.Chantilly.Musée Condé, 11. Madonna and Saints.12. Adoration of Magi. (?).Empoli.Opera del Duomo, 24. Madonna and Saints.Florence.Academy, 72.Predelle: Nativity; Martyrdom of SS. Cosmas and Damian; Miracle of St. Antony of Padua.Gloucester.Highnam Court, Sir Hubert Parry, 95. Annunciation.London.Col. G. L. Holford, Dorchester House.Madonna and Saints.Milan.Poldi-Pezzoli, 436. Annunciation (early XVI century copy).587.Pietà.Paris.1414.Predelle: Miracle of SS. Cosmas and Damian; St. Francis receiving the Stigmata.Rome.Prince Doria.Predelle: Pope Sylvester before Constantine; Pope Sylvester subduing Dragon.Wantage.Lockinge House, Lady Wantage.TwoCassonepanels: Story of David.PIER DI COSIMO.1462-1521. Pupil of Cosimo Rosselli; influenced by Verrocchio, Signorelli, Filippino, Leonardo, and Credi.Berlin.107. Venus, Cupid, and Mars.204. Adoration of Shepherds.Von Kaufmann Collection.Prometheus Myth (Cf.Strasburg).Borgo San Lorenzo (Mugello).Chiesa del Crocifisso.Madonna with St. Thomas and Baptist.Chantilly.Musée Condé, 13. “La Bella Simonetta.”Dresden.20. Holy Family and Angels.Dulwich.Head of Young Man.Fiesole.S. Francesco.Coronation of Virgin (in part). L.Florence.Pitti, 370. Head of a Saint.Uffizi. Immaculate Conception.82, 83, 84. Story of Perseus and Andromeda.1312. Rescue of Andromeda.3414. Portrait of “Caterina Sforza” (?).Magazine.Tondo: Madonna with infant John. L.Innocenti, Gallery.Holy Family and Saints.S. Lorenzo, R. Transept.Madonna and Saints adoring Child.Glasgow.Mr. William Beattie.Tondo: Madonna with the two Holy Children embracing.The Hague.254, 255. Giuliano di Sangallo and his Father.Harrow-on-the-Hill.Rev. J. Stogdon.Large Nativity with three Saints and three Donors (?). E.Tondo: Madonna and Angels.London.698. Death of Procris.895. Portrait of Man in Armour.Hertford House.Triumph of Venus (?).Mr. Robert Benson.Hylas and the Nymphs. E. Portrait of Clarissa Orsini (?).Earl of Plymouth.Head of Young Man.Mr. Charles Ricketts.Combat of Centaurs and Lapithæ (Cf.New York).Mr. A. E. Street.Tondo: Madonna adoring Child.Lyons.M. Edouard Aynard.Tondo: Madonna with Lamb.Milan.Borromeo.Madonna. L.Prince Trivulzio.Madonna and Angels. L.New Haven (U. S. A.).Jarves Collection, 68. Lady holding Rabbit.Newlands Manor (Hampshire).Col. Cornwallis West.Visitation.New York.Metropolitan Museum.The Hunt. Return from the Hunt (Cf. Mr. Ricketts,London).Oxford.Christ Church Library, 2.Tondo:Pietà. L.Paris.1274. The Young Baptist.1416. Coronation of Virgin. L.1662. Madonna.Philadelphia.Mr. John G. Johnson.Bust of Physician. Portrait of Man. 1512. Madonna (fragment).Rome.Borghese.329. Judgment of Solomon.335. Holy Family L. (?).343.Tondo: Madonna and Angels adoring Child.Corsini.Magdalen.Pietà.Vatican, Sixtine Chapel.Fresco: Destruction of Pharaoh. 1482.Scotland.(Glasgow, Cf.Glasgow).Cawder House (Bishopbriggs, near Glasgow), Capt. Archibald Stirling.Madonna and infant John.Gosford House, Earl of Wemyss.Bust of Man.Newbattle Abbey (Dalkeith), Marquess of Lothian.Mythological Scene.Siena.Monastero del Santuccio, Altar L.Nativity.Stockholm.Royal Gallery.Madonna.Strasburg.University Gallery, 216a.Madonna.216b.Prometheus Myth (Cf. Von Kaufmann Collection,Berlin).Vienna.Harrach Collection, 136. Holy Family and Angels. L.Prince Liechtenstein.Madonna and infant John. L.Tondo: Landscape with Water, etc.Worksop (Nottinghamshire).Clumber Park, Duke of Newcastle.Altarpiece withPredelle: Madonna with St. Peter and Baptist and kneeling Ecclesiastic.PIER FRANCESCO FIORENTINO.Known to have been active during the last three decades of the fifteenth century. Pupil possibly of Fra Angelico or Benozzo Gozzoli; influenced by Neri di Bicci; eclectic imitator of Alesso Baldovinetti, Fra Filippo, and Pesellino. Some of the best of the following are copies of the two last and of Compagno di Pesellino.Altenburg.Lindenau Museum, 97. Madonna with infant John.Bergamo.Morelli, 36. SS. Jerome and Francis (version of Pesellino at Altenburg).Berlin.71a.Madonna against Rose-hedge (version of M. Aynard’s Compagno di Pesellino).Brussels.Madonna.Budapest.55. Madonna and infant John.Cambridge (U. S. A.).Fogg Museum.Madonna.Castelnuovo di Val d’Elsa.S. Barbara, High Altar.Madonna and Saints surrounded by Frescoes.First Altar R.Madonna and Saints.Certaldo.Palazzo dei Priori, Lower Floor.Fresco:Pietà. 1484. Fresco: Incredulity of Thomas.Upper Floor.Fresco: Madonna. 1495.Cappella del Ponte d’Agliena.Frescoes: Tobias and Angel. St. Jerome.Cleveland (U. S. A.).Holden Collection, 8. Madonna adoring Child.Colle di Val d’Elsa.Palazzo Antico del Comune.Altarpiece: Madonna and four Saints,Predelle, etc. Madonna with SS. Bernardino, Antony Abbot, Magdalen, and Catherine.Via Gozzina.Tabernacle, Fresco: Madonna and two Bishops.Via S. Lucia.Frescoes in Tabernacle: Annunciation and various fragments.Detroit (U. S. A.).4. Madonna adoring Child.Dijon.Donation Jules Maciet.Madonna and infant John.Eastnor Castle (Ledbury).Lady Henry Somerset.Madonna against Rose-hedge (version of M. Aynard’s Compagno di Pesellino at Lyons).Empoli.Opera del Duomo, 22. Madonna and four Saints.30. Madonna.Englewood (New Jersey, U. S. A.).Mr. D. F. Platt.Madonna with Angel and infant John.Florence.Uffizi, 61. Madonna and Angels (copied from Compagno di Pesellino formerly in Hainauer Collection, Berlin).Bargello, Carrand Collection, 15. Madonna with infant John.Cenacolo di S. Appolonia.Nativity.Mr. Edmund Houghton.Madonna adoring Child.Conte Serristori.Madonna.S. Francesco delle Stimate.Madonna.S. Giovannino dei Cavalieri, Sacristy.Madonna.Frankfort a./M.Städelinstitut,10. Madonna and Angels.Frome (Somerset).Mells Park, Lady Horner.Madonna, Saints, and Angels.Gloucester.Highnam Court, Sir Hubert Parry.48. Madonna with infant John (Cf. Herr Brachts’ Compagno di Pesellino, Berlin).56. Madonna, with two Angels.Göttingen.University Gallery,226. Copy of Fra Filippo’s Annunciation (in the Doria Gallery, Rome).Gubbio.Pinacoteca, 49. Madonna and infant John.Hamburg.Weber Collection, 22. Madonna and St. Catherine against Rose-hedge.Harrow-on-the-Hill.Rev. J. Stogdon.Madonna and infant John (after Fra Filippo).Hatfield.Warren Wood, Mr. Charles Butler.Two Madonnas.Le Mans.Musée, 407. Madonna.Lille.Musée, 21. Madonna and Angel.929. Procris and Cephalus (?).930. Scene in Temple (?).Liverpool.Walker Art Gallery, 19. Head of Woman (possibly copy of lost portrait of Lucrezia Buti by Fra Filippo).23. Madonna and Angels.London.1199. Madonna, infant John, and Angels.Victoria and Albert Museum.Fresco: Baptist and St. Dorothy.Ionides Bequest.Madonna (version of M. Aynard’s Compagno di Pesellino at Lyons).Mr. Charles Butler.Madonna.Mr. William E. Grey.Madonna and infant John (after Fra Filippo).Mrs. Louisa Herbert.Madonna in Landscape.Lady Horner.Nativity.Montefortino (near Amandola, Marches).Municipio.Madonna with Tobias and two Archangels. 1497.Narbonne.Musée, 243.Tondo: Madonna and Angels adoring Child.New Haven (U. S. A.).Jarves Collection.61. Madonna; St. Catherine, and Angels (perhaps after a lost Filippo).Palermo.Baron Chiaramonte Bordonaro, 54. Madonna and Angels.Parcieux (near Trévoux).La Grange Blanche, M. Henri Chalandon.Madonna and two Angels.Paris.Mme. Edouard André.Madonna with Baptist and Angels. Painted Flower background to Desideriesque gesso relief of Madonna.M. Léon Bonnat.Madonna and Angels.M. Henri Heugel.Madonna and infant John (after Fra Filippo).Pavia.Galleria Malaspina, 25. Madonna with SS. Catherine and Antony Abbot.Perugia.Marchese Meniconi Bracceschi.Madonna and infant John (after Fra Filippo).Philadelphia.Mr. John G. Johnson.Madonna with two Angels. Madonna against Rose-hedge (version of M. Aynard’s Compagno di Pesellino at Lyons).Elkins Park, Mr. Peter Widener.Madonna against Rose-hedge (version of M. Aynard’s Compagno di Pesellino at Lyons).Richmond (Surrey).Sir Frederick Cook.Madonna.San Gemignano.Municipio, Pinacoteca.Madonna between two kneeling Saints. 1477.Sala del Giudice Conciliatore.Fresco: Trinity and small scenes from sacred Legends. 1497.Tower.Fresco: Madonna.S. Agostino, first Altar R.Madonna and Saints. 1494.Collegiata, Nave.Monochrome Frescoes: Ten Disciples in medallions, and two smaller Busts; decoration ofPuttiand Garlands. 1474-1475.Over Triumphal Arch.Fresco: Dead Christ. 1474-1475.L. Aisle, Spandrils of Arches.Frescoes: Abraham and six Prophets.L. Wall.Fresco: Adam and Eve driven forth from Paradise (original fresco of Taddeo di Bartolo restored by Pier Francesco).Cloister.Fresco: Dead Christ. 1477.S. Jacopo, Pillar R.Fresco: St. James.S. Lucia, Behind High Altar.Fresco: Crucifixion. E.Cappella di Monte(near San Gemignano). Madonna with SS. Antony Abbot and Bartholomew. 1490.S. Maria Assunta a Pancole(near San Gemignano). Madonna.Pieve di Ulignano(near San Gemignano). Madonna with SS. Stephen and Bartholomew.Siena.149-152. Triumphs of Petrarch.209. Nativity.Sinalunga (Val di Chiana).S. Martino, Sacristy.Tondo: Madonna and infant John.Todi.Pinacoteca.Madonna.Vienna.Faniteum (über St. Veit).Fresco: Madonna with Bishop and St. Christina. 1485.Count Lanckoronski.Madonna against Rose-hedge.Volterra.Municipio.Fresco: Crucifixion.Oratorio di S. Antonio.Nativity.THE POLLAJUOLI.

1452-1519. Pupil of Verrocchio.

Note:—An adequate conception of Leonardo as an artist can be obtained only by an acquaintance with his drawings, many of the best of which are reproduced in Dr. J. P. Richter’s “Literary Works of Leonardo da Vinci,” and in B. Berenson’s “Drawings of the Florentine Painters.”

1457-1504. Pupil of Botticelli; influenced by Amico di Sandro, and very slightly by Piero di Cosimo.

1406-1469. Pupil of Lorenzo Monaco and follower of Masaccio; influenced by Fra Angelico.

About 1370-1425. Follower of Agnolo Gaddi and the Sienese.

About 1450-1513. Pupil and imitator of his brother-in-law, Domenico Ghirlandajo.

1401-1428. Pupil of Masolino; influenced by Brunellesco and Donatello.

1384-after 1435.

1475-1564. Pupil of Ghirlandaio; influenced by the works of Jacopo della Quercia, Donatello, and Signorelli.

Andrea, 1308(?)-1368. Pupil of Andrea Pisano; follower of Giotto; influenced by Ambrogio Lorenzetti of Siena.Of the brothers, Nardo, who died in 1365, was scarcely his inferior.The only painting certainly from Andrea’s hand is the altarpiece at S. Maria Novella. The frescoes in the same church are probably by Nardo.

Andrea, 1308(?)-1368. Pupil of Andrea Pisano; follower of Giotto; influenced by Ambrogio Lorenzetti of Siena.

Of the brothers, Nardo, who died in 1365, was scarcely his inferior.

The only painting certainly from Andrea’s hand is the altarpiece at S. Maria Novella. The frescoes in the same church are probably by Nardo.

1422-1457. Pupil possibly of his grandfather, Giuliano Pesello; follower of Fra Angelico, Masaccio and Domenico Veneziano, but chiefly of Fra Filippo Lippi.

1462-1521. Pupil of Cosimo Rosselli; influenced by Verrocchio, Signorelli, Filippino, Leonardo, and Credi.

Known to have been active during the last three decades of the fifteenth century. Pupil possibly of Fra Angelico or Benozzo Gozzoli; influenced by Neri di Bicci; eclectic imitator of Alesso Baldovinetti, Fra Filippo, and Pesellino. Some of the best of the following are copies of the two last and of Compagno di Pesellino.

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