CHAPTER XXVI.

UBJECTED as I have been in the last three hours to distress and turmoil, I was delighted to find mademoiselle asleep, and to behold her peaceful face. Gazing at it, and noting the happy smile which unconsciously lingered on her lips, I could not but feel that, despite the hideous revelations which lay before her, her lot was an enviable one, allied as it promised to be with that of one of such high principles as the marquis. Though I am old now and have had my day, the love of the innocent and pure is sacred to me, and in this case it certainly has the charm of a spotless lily blooming in the jaws of hell.

As it was late and I was almost exhausted, I began to think of rest. But my uneasiness in regard to madame would not let me sleep till I had made another visit to her room. So, leaving the gentle sleeper lapped in serenest dreams, I proceeded to descend once more. As I passed the great clock on the stairs, I noticed that it was almost midnight and began to hasten my steps, when I heard a loud knock at the front door.

This is not an infrequent sound with us, but it greatly startled me this night. I even remember pausing and looking helplessly up and down the hall, as if it were a question whether I should obey the unwelcome summons. But such knocking as speedily followed could not be long ignored. So, subduing my impatience, I hastened to the door, and unlocking it, threw it open. A gust of rain and wind greeted me.

This was my first surprise, for I had not even noticed that the weather was unpleasant, so completely had I been absorbed by what had been going on in the house. My next was the bearing and appearance of the stranger who demanded my hospitality. For though both face and form were unknown to me, there was that in his aspect which stirred recollections not out of keeping with the unhappy subject then occupying all mythoughts. Yet I could not speak his name, or put into words the anticipations that vaguely agitated me, and led him through the hall and into the comfortable sitting room so lately vacated by the marquis, with no more distinct impression in my mind than that something was about to happen which would complete rather than interrupt the horrors of this eventful night.

And when the light fell full upon him, and I could see his eager eyes, this feeling increased, and no sooner had his cloak fallen from his shoulders and his hat left his head, than I recognized the prominent jaw and earnest face, and putting no curb on my impetuosity, I exclaimed at once, and without a doubt:

"Mr. Felt!"

The utterance of this name seemed to cause no surprise to my new guest.

"The same," he replied; "and you are Mrs. Truax, of course. Mr. Tamworth has described you to me, also this inn, till I feel as if I knew its every stone. I did not wish to visit it, but I could not help myself. An unknown influence has been drawing me here for days, and though I resisted it with all my strength, it finally became sopowerful that I rose from my bed at night, saddled my horse, and started in this direction. I have been twenty hours on the road, but part of these I have spent in the thicket just over against you on the opposite side of the road. For the sight of the house awakened in my mind such a disturbance that I feared to show myself at the door. A voice out of the air seemed to cry, 'Not yet! not yet!' Nevertheless I could not go back nor leave the spot, which, once seen, possessed for me a fatal fascination."

I was speechless. Good God! were the old psychological influences at work, and had they acted upon him at forty miles distance?

"You come from Albany?" I at last stammered forth. "You must have had a wet time of it; it storms heavily, I see."

"Storms?" he repeated, glancing at the cloak he had thrown off. "Great Heaven! my cloak is saturated, and I did not even know it rained. A touch of the old spell," he murmured. "Something is about to happen to me; something has drawn me with purpose to this house."

I felt awe-struck. Would he guess next what that something was?

"At eleven o'clock," he went on, with the abstracted air of one recalling an experience, "I felt a pang shoot through my breast. I had been looking steadfastly at these walls, and somewhere about the building a light seemed to go out, for a pall of darkness suddenly settled upon it, simultaneously with the cessation of that imaginary cry which had hitherto detained me. Where was that light, Mrs. Truax, and what has happened here that I should feel myself called upon to cross this threshold to-night?"

I did not answer at once, for I was trembling. Was I to be subjected to another such an ordeal as I had experienced earlier in the evening and be forced to prepare, by such means as lay in my power, a much abused man for a most dreadful revelation? It began to look so.

"What has called me here?" he repeated. "Danger to her or death to him? They are thousands of miles away, and Tamworth could not have yet reached them, but peril of some deadly nature menaces them, I know. A stroke has gone home to him or her, and it is in this place I am to learn it; is it not so, Mrs. Truax?"

"Perhaps," I tremblingly assented. "There isa gentleman here from France who may be able to tell you something of the man and the woman you mean. Would it affect you very much to hear disastrous news of them?"

"I cannot say," he answered; "it should not. Mr. Tamworth tells me that he has acquainted you with the story of my life. Do you think I should feel overwhelmed at any retribution following a crime that was committed almost as much against me as against the pure and noble being who was the visible sufferer?"

"I shrink from answering," I returned; "the human heart is a curious thing. If he alone were to suffer—"

"Ah, he!" was the bitter ejaculation.

"Or if she," I proceeded, "were bound by no ties appealing to the sympathies! But she is a mother—"

"Good God!"

I had not thought it would affect him so, and stood appalled.

"A mother!" he repeated; "she! she! the tigress, the heartless one, with no more soul than the naked dagger I should have plunged into her breast and did not! Great Heaven! and thischild has lived, I suppose; is grown up and—and—"

"Is the sweetest, purest, most unworldly of beautiful women that these eyes have ever rested upon."

I thought he would spring upon me, he leaned forward with so much impetuosity.

"How do you know?" he asked, and my heart stood still at the question.

"Because I have seen her," I presently rejoined. "Because I have had opportunities for studying her heart. She is called Honora, and she is like Miss Dudleigh, only more beautiful and with more claims to what is called character."

He did not seem to take in my words.

"You have been to France?" he declared.

"No," I corrected; "Miss Urquhart has been here."

He fell back, then started forward again, opened his lips and stared wildly, half fearfully about the room.

"Here?" he repeated, evidently overcome at the idea. "Why did they send her here? I should as soon have expected them to send her into the murk of the bottomless pit. A girl, an innocent girl, you say, and sent here?"

"They had reason; besides, she did not come alone."

This time he understood me.

"Oh!" he shrieked, "she in the house. I might have known it," he went on more calmly; "I did, only I would not believe it. Her crime has drawn her to the place of its perpetration. She could not resist the magnetic influence which all places of blood have upon the guilty. She has come back! And he?"

I shook my head.

"The man had less courage," I declared. "Perhaps because he was more guilty; perhaps because he had less love."

"Love?"

"It was love for the daughter which drew the mother here, not the spell of her crime or the accusing spirit of the dead. The woman who wronged you has some heart; she was willing to risk detection, and with it her reputation and life, to see if by any possibility she could venture to give happiness to the one being whom she really loves."

"Explain; I do not understand. How could she hope to find happiness for her child here?"

"By settling the question which evidently tortured her. By determining once for all whether the crime of sixteen years back had ever been discovered, and if she found it had not, to satisfy at once her own pride and her daughter's heart by giving that daughter to as noble a gentleman as ever carried a sword."

"And they are here now?"

"They are here."

"And she has discovered—"

"The futility of all her hopes."

He drew back, and his heavy breath echoed in deep pants through the room.

"What an end for Marah Leighton!" he gasped.

"What an end! And she is here!" he went on, after a moment of silent emotion—"under this roof! No wonder I felt myself called hither. And she knows her crime is detected? How came she to know this? Did you recognize her and tell her?"

"I recognized her and told her. There was no other course. We met in the secret chamber, whither she had come to make her own terrible investigations; and the sight of her there, on the spot where she had left the innocent to die, wastoo much for my sense of justice. I accused her to her face, and she crouched before me as under the lash. There was no possibility of denial after that, and she now lies—"

"Wait!" he cried, catching me painfully by the arm. "When was this day? To-day—to-night?"

"Not two hours ago."

His brow took on a look of awe.

"You see," he murmured, "she has power over me yet. When her hope broke, something snapped within me here. I abhor her, but I feel her grief. She was once all the world to me."

I recognized his right to emotion, and did not profane it by any words of mine. Instead of that I sought to leave him, but he would not let me go till he had asked me another question.

"And the daughter?" he urged. "Does she know of the opprobrium which must fall upon her head?"

"She sleeps," I replied, "with a smile of the shyest delight upon her lips. Her lover has followed her to this place, and the last words she heard to-night were those of his devotion. Her suffering must come to-morrow; yet it will be mitigated, for he will not forsake her, whatevershame may follow his loyalty. I have his word for that."

"Then the earth holds two lovers," was Mark Felt's rejoinder. "I thought it held but one." And with a sigh he let go my arm and turned to the window, with its background of driving rain and pitiless flashes of lightning.

I took the opportunity to excuse myself for a few minutes, and hurrying again into the hall, hastened, with nervous fear and an agitation greatly heightened by the unexpected interview I had just been through, to the now oft-opened door leading into the oak parlor.

I found it closed but not locked, and pushing it open, listened for a moment, then took a glance within. All was quiet and ghostly. A single candle guttering on the table at one end of the room lent a partial light by which I could discern the funereal bed and the other heavy and desolate-looking articles of furniture with which the room was encumbered. Honora's flowers, withering on the window seat, spoke of tender hopes not yet vanished from her tender dreams, but elsewhere all was hard, all was dreary, all was inexorably forbidding and cold. I shuddered as Ilooked, and shuddered still more as I approached the bed and paused firmly before it.

"Madame Letellier"—it was the only name by which I could bring myself to address her at that instant—"there is one gleam of brightness in your sky. The marquis knows the story of your guilt, yet consents to marry your daughter."

I received no reply.

Shaken by fresh doubts, and moved by an inexplicable terror, I stood still for a moment gathering up my strength, then I repeated my words, this time with sharp emphasis and scarcely concealed importunity.

"Madame," said I, "the marquis knows your guilt, yet consents to marry your daughter."

But the silence within remained unbroken, and not a movement displaced the somber falling curtains.

Agitated beyond endurance, I stretched forth my hands and drew those curtains aside. An unexpected sight met my eyes. There was no madame there; the bed was empty.

My eyes turned immediately in the direction of the secret chamber. Its entrance was closed, but I knew she was hidden there as well as if the door had been open and I had seen her.

What should I do? For a moment I hesitated, then I rushed from the room and hastened back to Mr. Felt. I found him standing with his face to the door, eagerly awaiting my return.

"What has happened?" he asked, importunately. "Your face is as pale as death."

"Because death is in the house. Madame—"

"Ah!"

"Lies not in her bed, nor is she to be found in her room. There is another place, however, in which instinct tells me we shall find her, and if we do, we shall find her dead!"

"In her daughter's room? At her daughter's bedside?"

"No; in the secret chamber."

He gazed at me with wild and haggard aspect.

"You are right," he hoarsely assented. "Let us go; let us seek her; it may not be too late."

The entrance to this hidden room was closed, as I have said, and as I had never assisted at its opening, I did not know where to find the hidden spring by means of which the panel was moved. We had, therefore, to endure minutes of suspense while Mr. Felt fumbled at the wainscoting. The candle I held shook with my agitation, and though I had heard nothing of the storm before, it seemed now as if every gust which came swooping down upon the house tore its way through my shrinking consciousness with a force and menace that scattered the last remnant of self-possession. Not an instant in the whole terrible day had been more frightful to me, no, not the moment when I first heard the sliding of this very panel and the sound of her crawling form approaching me through the darkness. The vivid flashes of lightning that shot every now and then through the cracks of the closely shuttered window, making a skeleton of its framework, added not a little to its terror, there being no other light in the room save that and the flickering, almost dying flame, with which I strove to aid Mr. Felt's endeavors and only succeeded in lighting up his anxious and heavily bedewed forehead.

"Oh, oh!" was my moan; "this is terrible! Let us quit it or go around to my own room, where there is an open door."

But he did not hear me. His efforts had become frantic, and he tore at the wainscoting as if he would force it open by main strength.

"You cannot reach her that way," I declared. "Perhaps my hand may be more skillful. Let me try."

But he only increased his efforts. "I am coming, Marah; I am coming!" he called, and at once, as if guided by some angel's touch, his fingers slipped upon the spring. Immediately it yielded, and the opening so eagerly sought for was made.

"Go in," he gasped, "go in."

And so it was that the fate which had forced me against my will, and in despite of such intense shrinking, to pass so frequently into that hideous spot, where death held its revel and Nemesis awaited her victim, drove me thither once again, and, as I now hope, for the last time. For, there upon the floor, and almost in the same spot where we had found lying the remains of innocentHonora Urquhart, we saw, as my premonition had told me we should, the outstretched form of the unhappy being who had usurped her place in life, and now, in retribution of that act, had laid her head down upon the same couch in death. She was pulseless and quite cold. Upon her mouth her left hand lay pressed, as if, with her last breath, she sought to absorb the pure kiss which had been left there by the daughter she so much loved.

Did Marah Leighton will the coming of her old lover to my inn on that fatal night? That is the question I asked, when, with the first breaking of the morning light, I discovered lying on the table under an empty phial, a letter addressed, not to her husband, nor to her child, but to him, Mark Felt. It is a question that will never be answered, but I know that he comforts himself with the supposition, and allows the trembling hope to pass, at times, across his troubled spirit, that in the bitterness of those last hours some touch of the divine mercy may have moved her soul and made her fitter for his memory to dwell upon.

The letter I afterward read. It was as follows:

To the Man Who Gave All, Bore All, and Reaped Nothing but Suffering:

I am not worthy to write you, even with the prospect of death before me. But an influence I do not care to combat drives me to make you, of all men, the confidant of my remorse.I did not perish sixteen years ago in the Hudson River. I lived to share in and profit by a crime that has left an indelible stain upon my life and an ineffaceable darkness within my soul. You know, or soon will know, what that crime was and how we prospered in it. Daring as it was dreadful, I heard its fearful details planned by his lips, without a shudder, because I was mad in those days, mad for wealth, mad for power, mad for adventure. The only madness I did not feel was love. This I say to comfort a pride that must have been sorely wounded in those days, as sorely wounded as your heart.Edwin Urquhart could make my eyes shine and my blood run swiftly, but not so swiftly as to make me break my troth with you, had he not sworn to me that through him I should gain what moved me more than any man's love. How he was to accomplish this I could not see in the beginning, and was so little credulous of his being able to keep his oaths that I let myself be drawn by you almost to the church door.But I got no further. There in the crowd he stood with a command in his eyes which forbade any further advance. Though I comprehended nothing then, I obeyed his look and went back, for my heart was not in any marriage, and it was in the hopes to which his looks seemed to point. Later he told me what those hopes were. He had been down to Long Island, and, while there, had chanced to hear in some tavern of the Happy-Go-Lucky Inn and its secret chamber, and he saw, or thought he saw, how he could make me his without losing the benefit of an alliance with Miss Dudleigh. And I thought I saw also, and entered into his plans, though they comprised crime and entailed horrorsupon me from which woman naturallyshrinks. I was hard as the nether millstone of which the Bible speaks, and went determinedly on in the path of dissimulation and crime which had been marked out for me, till we came to this inn. Then, owing, perhaps, to my long imprisonment in the dreadful box, I began to feel qualms of physical fear and such harrowing mental forebodings that more than once during that terrible evening I came near shouting for release.But I was held back by apprehensions as great as any from which a premature release from my place of hiding could have freed me. I dared not face Honora, and I dared not subject Edwin Urquhart to the consequences of a public recognition of our perfidy, and so I let my opportunity go by, and became the sharer, as I was already the instigator, of the unheard-of crime by which I became, in the eyes of the world, his wife.What I suffered during its perpetration no word of mine can convey. I cringed to her moans; I shook under the blow that stifled them. And when all was over, and the bolts which confined me were shot back, and I found myself once more on my feet and in the free air of this most horrible of rooms, I looked about, not for him, but her, and when I did not see her or any token of her death, I was seized by such an agony of revulsion that I uttered a great and irrepressible cry which filled the house, and brought more than one startled inquirer to our door.For retribution and remorse were already busy within me, and in the lurking shadows about the fireplace I thought I saw the long and narrow slit made by the half-closed panel standing openbetween me and the secret place of her entombment. And though it was but an optical delusion, the panel being really closed, it might as well have been the truth, for I have never been able to rid myself of the sight of that chimerical strip of darkness, with its suggestions of guilt and death. It haunted my vision; it ruined my life; it destroyed my peace. If I shut my eyes at night, it opened before me. If I arrayed myself in jewels and rich raiment, and paused to take but a passing look at myself in the glass, this horror immediately came between me and my own image, blotting the vision of wealth from my eyes; so that I went into the homes of the noble or the courts of the king a clouded, miserable thing, seeing nothing but that black and narrow slit closing upon youth and beauty and innocence forever and forever and forever.My child came. Ah! that I should have to mention her here! I do it in penance; I do it in despair; since with her my heart woke, and for her that heart is now broken, never to be healed again. Oh, if the knowledge of my misery wakens in you one thought that is not of revenge, cast a pitying eye upon this darling one, left in a hateful country without friends, without lover, without means. For friends and lover and means will all leave her with the revelations which the morning will bring, and unless Heaven is merciful to her innocence as it has been just to my guilt, she will have no other goal before her than that which has opened its refuge to me.As for her father, let Heaven deal with him. He gave me this darling child; so I may not curse him, even if I cannot bless.Marah.

I am not worthy to write you, even with the prospect of death before me. But an influence I do not care to combat drives me to make you, of all men, the confidant of my remorse.

I did not perish sixteen years ago in the Hudson River. I lived to share in and profit by a crime that has left an indelible stain upon my life and an ineffaceable darkness within my soul. You know, or soon will know, what that crime was and how we prospered in it. Daring as it was dreadful, I heard its fearful details planned by his lips, without a shudder, because I was mad in those days, mad for wealth, mad for power, mad for adventure. The only madness I did not feel was love. This I say to comfort a pride that must have been sorely wounded in those days, as sorely wounded as your heart.

Edwin Urquhart could make my eyes shine and my blood run swiftly, but not so swiftly as to make me break my troth with you, had he not sworn to me that through him I should gain what moved me more than any man's love. How he was to accomplish this I could not see in the beginning, and was so little credulous of his being able to keep his oaths that I let myself be drawn by you almost to the church door.

But I got no further. There in the crowd he stood with a command in his eyes which forbade any further advance. Though I comprehended nothing then, I obeyed his look and went back, for my heart was not in any marriage, and it was in the hopes to which his looks seemed to point. Later he told me what those hopes were. He had been down to Long Island, and, while there, had chanced to hear in some tavern of the Happy-Go-Lucky Inn and its secret chamber, and he saw, or thought he saw, how he could make me his without losing the benefit of an alliance with Miss Dudleigh. And I thought I saw also, and entered into his plans, though they comprised crime and entailed horrorsupon me from which woman naturallyshrinks. I was hard as the nether millstone of which the Bible speaks, and went determinedly on in the path of dissimulation and crime which had been marked out for me, till we came to this inn. Then, owing, perhaps, to my long imprisonment in the dreadful box, I began to feel qualms of physical fear and such harrowing mental forebodings that more than once during that terrible evening I came near shouting for release.

But I was held back by apprehensions as great as any from which a premature release from my place of hiding could have freed me. I dared not face Honora, and I dared not subject Edwin Urquhart to the consequences of a public recognition of our perfidy, and so I let my opportunity go by, and became the sharer, as I was already the instigator, of the unheard-of crime by which I became, in the eyes of the world, his wife.

What I suffered during its perpetration no word of mine can convey. I cringed to her moans; I shook under the blow that stifled them. And when all was over, and the bolts which confined me were shot back, and I found myself once more on my feet and in the free air of this most horrible of rooms, I looked about, not for him, but her, and when I did not see her or any token of her death, I was seized by such an agony of revulsion that I uttered a great and irrepressible cry which filled the house, and brought more than one startled inquirer to our door.

For retribution and remorse were already busy within me, and in the lurking shadows about the fireplace I thought I saw the long and narrow slit made by the half-closed panel standing openbetween me and the secret place of her entombment. And though it was but an optical delusion, the panel being really closed, it might as well have been the truth, for I have never been able to rid myself of the sight of that chimerical strip of darkness, with its suggestions of guilt and death. It haunted my vision; it ruined my life; it destroyed my peace. If I shut my eyes at night, it opened before me. If I arrayed myself in jewels and rich raiment, and paused to take but a passing look at myself in the glass, this horror immediately came between me and my own image, blotting the vision of wealth from my eyes; so that I went into the homes of the noble or the courts of the king a clouded, miserable thing, seeing nothing but that black and narrow slit closing upon youth and beauty and innocence forever and forever and forever.

My child came. Ah! that I should have to mention her here! I do it in penance; I do it in despair; since with her my heart woke, and for her that heart is now broken, never to be healed again. Oh, if the knowledge of my misery wakens in you one thought that is not of revenge, cast a pitying eye upon this darling one, left in a hateful country without friends, without lover, without means. For friends and lover and means will all leave her with the revelations which the morning will bring, and unless Heaven is merciful to her innocence as it has been just to my guilt, she will have no other goal before her than that which has opened its refuge to me.

As for her father, let Heaven deal with him. He gave me this darling child; so I may not curse him, even if I cannot bless.

Marah.

October23, 1791.

I have seen one bright thing to-day, and that was the faint and almost unearthly gleam which shot for a moment from beneath Honora's falling lids as I told her what love was and how the marquis only awaited her permission to speak to assure her of his boundless affection and his undying purpose to be true to her even to the point of assuming her griefs and taking upon himself the protection of her innocence.

If it had not been for this, I should have felt that the world was too dark to remain in, and life too horrible to be endured.

November30, 1791.

I thought that when Honora Urquhart left my house to be married to M. De Fontaine, in the church below the hill, peace would return to us once more.

But there is no peace. This morning another horrible tragedy defiled my doorstep.

I was sitting in the open porch waiting for the mail coach, for it seemed to me that it was about time I received some word from Mr. Tamworth. It was yet some minutes before the time when therumble of the coach is usually heard, and I was brooding, as was natural, over the more than terrible occurrences of the last few weeks, when I heard the clatter of horses' hoofs, and looking up and down the road, saw a small party of men approaching from the south. As they came nearer, I noticed that one of the riders was white-haired and presumably aged, and was interesting myself in him, when he came near enough for me to distinguish his features, and I perceived it was no other than Mr. Tamworth.

Rising in perturbation, I glanced at the men behind and abreast of him, and saw that one of these rode with lowered head and oppressed mien, and was just about to give that person a name in my mind when the horse he bestrode suddenly reared, bolted, and dashed forward to where I sat, flinging his rider at the very threshold of my house, where he lay senseless as the stone upon which his head had fallen.

For an instant both his companions and myself paused aghast at a sight so terrible and bewildering; then, amid cries from the road and one wild shriek from within, I rushed forward, and turning over the head, looked upon the face of the fallenman. It was not a new one to me. Though changed and seamed and white now in death, I recognized it at once. It was that of Edwin Urquhart.

. . . . . . . . .

This noon I took down the sign which has swung for twenty years over my front door. "Happy-Go-Lucky" is scarcely the name for an inn accursed by so many horrors.

February3, 1792.

This week I have fulfilled the threat of years ago. I have had the oak parlor and its hideous adjunct torn from my house.

Now, perhaps, I can sleep.

March16.

News from Honora. The distant relative who succeeded to the estates and the title of the Marquis de la Roche-Guyon has fallen a victim to the guillotine. Would this have been the fate of Honora's husband had he forsaken her and returned home? There is reason to believe it. At all events, she finds herself greatly comforted by this news for the sacrifice which her husbandmade to his love, and no longer regrets the exile to which he has been forced to submit for her sake. Wonderful, wonderful Providence! I view its workings with renewed awe every day.

September5, 1795.

I have been from home. I have been on a visit to New York. I have tasted of change, of brightness, of free and cheerful living, and I can settle down now in this old and fast-decaying inn with something else to think about than ruin and fearful retribution.

I have been visiting Madame De Fontaine. She wished me to come, I think, that I might see how amply her married life had fulfilled the promise of her courtship days. Though she and her noble husband live in peaceful retirement, and without many of the appurtenances of wealth, they find such resources of delight in each other's companionship that it would be hard for the most exacting witness of their mutual felicity to wish them any different fate, or to desire for them any wider field of social influence.

The marquis—I shall always call him thus—has found a friend in General Washington, and thoughhe is never seen at the President's receptions, or mingles his voice in the councils of his adopted country, there are evidences constantly appearing of the confidence reposed in him by this great man, which cannot but add to the exile's contentment and satisfaction.

Honora has developed into a grand beauty. The melancholy which her unhappy memories have necessarily infused into her countenance have given depth to her expression, which was always sweet, and frequently touching. She looks like a queen, but like a queen who has known not only grief, but love. There is nothing of despair in her glance, rather a lofty hope, and when her affections are touched, or her enthusiasm roused, she smiles with such a heavenly brightness in her countenance, that I think there is no fairer woman in the world, as I am assured there is none worthier.

Her husband agrees with me in this opinion, and is so happy that she said to me one day:

"I sometimes wonder how my heart succeeds in holding the joy which Heaven has seen fit to grant me. In it I read the forgiveness of God for the unutterable sins of my parents; and thoughthe shadows will come, and do come, whenever I think upon the past, or see a face which, like yours, recalls memories as bitter as ever overwhelmed an innocent girl in her first youth, I find that with every year of love and peaceful living the darkness grows less, as if, somewhere in the boundless heavens, the mercy of God was making itself felt in the heart of her who once called herself my mother."

And hearing her speak thus, I felt my own breast lose something of the oppression which had hitherto weighed it down. And as the days passed, and I experienced more and more of the true peace that comes with perfect love and perfect trust, I found my tears turned to rejoicing and the story of my regrets into songs of hope.

And so I have come back comforted and at rest. If there are yet ghosts haunting the old inn, I do not see them, and though its walls are dismantled, its custom gone, and its renown a thing of the past, I can still sit on its grass-grown doorstep and roam through its fast-decaying corridors without discovering any blacker shadow following in my wake than that of my own figure, bent now with age, and only held upright by the firmness of thelittle cane with which I strive to give aid to my tottering and uncertain steps.

The grace of God has fallen at last upon the Happy-Go-Lucky Inn.

The Happy-Go-Lucky Inn

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"The most fascinating, engrossing and picturesque of the season's novels."—Boston Herald."'Beverly' is altogether charming—almost living flesh and blood."—Louisville Times."Better than 'Graustark'."—Mail and Express."A sequel quite as impossible as 'Graustark' and quite as entertaining."—Bookman."A charming love story well told."—Boston Transcript.

HALF A ROGUE. By Harold MacGrath. With illustrations and inlay cover picture by Harrison Fisher.

"Here are dexterity of plot, glancing play at witty talk, characters really human and humanly real, spirit and gladness, freshness and quick movement. 'Half a Rogue' is as brisk as a horseback ride on a glorious morning. It is as varied as an April day. It is as charming as two most charming girls can make it. Love and honor and success and all the great things worth fighting for and living for the involved in 'Half a Rogue.'"—Phila. Press.

THE GIRL FROM TIM'S PLACE. By Charles Clark Munn. With illustrations by Frank T. Merrill.

"Figuring in the pages of this story there are several strong characters. Typical New England folk and an especially sturdy one, old Cy Walker, through whose instrumentality Chip comes to happiness and fortune. There is a chain of comedy, tragedy, pathos and love, which makes a dramatic story."—Boston Herald.

THE LION AND THE MOUSE. A story of American Life. By Charles Klein, and Arthur Hornblow. With illustrations by Stuart Travis, and Scenes from the Play.

The novel duplicated the success of the play; in fact the book is greater than the play. A portentous clash of dominantpersonalitiesthat form the essence of the play are necessarily touched upon but briefly in the short space of four acts. All this is narrated in the novel with a wealth of fascinating and absorbing detail, making it one of the most powerfully written and exciting works of fiction given to the world in years.

THE AFFAIR AT THE INN. By Kate Douglas Wiggin. With illustrations by Martin Justice.

"As superlatively clever in the writing as it is entertaining in the reading. It is actual comedy of the most artistic sort, and it is handled with a freshness and originality that is unquestionably novel."—Boston Transcript."A feast of humor and good cheer, yet subtly pervaded by special shades of feeling, fancy, tenderness, or whimsicality. A merry thing in prose."—St. Louis Democrat.

ROSE O' THE RIVER. By Kate Douglas Wiggin. With illustrations by George Wright.

"'Rose o' the River,' a charming bit of sentiment, gracefully written and deftly touched with a gentle humor. It is a dainty book—daintily illustrated."—New York Tribune."A wholesome, bright, refreshing story, an ideal book to give a young girl."—Chicago Record-Herald."An idyllic story, replete with pathos and inimitable humor. As story-telling it is perfection, and as portrait-painting it is true to the life."—London Mail.

TILLIE: A Mennonite Maid. By Helen R. Martin. With illustrations by Florence Scovel Shinn.

The little "Mennonite Maid" who wanders through these pages is something quite new in fiction. Tillie is hungry for books and beauty and love; and she comes into her inheritance at the end. "Tillie is faulty, sensitive, big-hearted, eminently human, and first, last and always lovable. Her charm glows warmly, the story is well handled, the characters skilfully developed."—The Book Buyer.

LADY ROSE'S DAUGHTER. By Mrs. Humphry Ward. With illustrations by Howard Chandler Christy.

"The most marvellous work of its wonderful author."—New York World."We touch regions and attain altitudes which it is not given to the ordinary novelist even to approach."—London Times."In no other story has Mrs. Ward approached the brilliancy and vivacity of Lady Rose's Daughter."—North American Review.

THE BANKER AND THE BEAR. By Henry K. Webster.

"An exciting and absorbing story."—New York Times."Intensely thrilling in parts, but an unusually good story all through. There is a love affair of real charm and most novel surroundings, there is a run on the bank which is almost worth a year's growth, and there is all manner of exhilarating men and deeds which should bring the book into high and permanent favor."—Chicago Evening Post.

LAVENDER AND OLD LACE. By Myrtle Reed.

A charming story of a quaint corner of New England where bygone romance finds a modern parallel. One of the prettiest, sweetest, and quaintest of old-fashioned love stories * * * A rare book, exquisite in spirit and conception, full of delicate fancy, of tenderness, of delightful humor and spontaneity. A dainty volume, especially suitable for a gift.

DOCTOR LUKE OF THE LABRADOR. By Norman Duncan. With a frontispiece and inlay cover.

How the doctor came to the bleak Labrador coast and there in saving life made expiation. In dignity, simplicity, humor, in sympathetic etching of a sturdy fisher people, and above all in the echoes of the sea,Doctor Lukeis worthy of great praise. Character, humor, poignant pathos, and the sad grotesque conjunctions of old and new civilizations are expressed through the medium of a style that has distinction and strikes a note of rare personality.

THE DAY'S WORK. By Rudyard Kipling. Illustrated.

TheLondon Morning Postsays: "It would be hard to find better reading * * * the book is so varied, so full of color and life from end to end, that few who read the first two or three stories will lay it down till they have read the last—and the last is a veritable gem * * * contains some of the best of his highly vivid work * * * Kipling is a born story-teller and a man of humor into the bargain.

ELEANOR LEE. By Margaret E. Sangster. With a frontispiece.

A story of married life, and attractive picture of wedded bliss * * * an entertaining storyofa man's redemption through a woman's love * * * no one who knows anything of marriage or parenthood can read this story with eyes that are always dry * * * goes straight to the heart of every one who knows the meaning of "love" and "home."

THE COLONEL OF THE RED HUZZARS. By John Reed Scott. Illustrated by Clarence F. Underwood.

"Full of absorbing charm, sustained interest, and a wealth of thrilling and romantic situations. So naively fresh in its handling, so plausible through its naturalness, that it comes like a mountain breeze across the far-spreading desert of similar romances."—Gazette-Times, Pittsburg. "A slap-dashing day romance."—New York Sun.

THE FAIR GOD; OR, THE LAST OF THE TZINS. By Lew Wallace. With illustrations by Eric Pape.

"The story tells of the love of a native princess for Alvarado, and it is worked out with all of Wallace's skill * * * it gives a fine picture of the heroism of the Spanish conquerors and of the culture and nobility of the Aztecs."—New York Commercial Advertiser."Ben Hursold enormously, but The Fair God was the best of the General's stories—a powerful and romantic treatment of the defeat of Montezuma by Cortes."—Athenæum.

"Ben Hursold enormously, but The Fair God was the best of the General's stories—a powerful and romantic treatment of the defeat of Montezuma by Cortes."—Athenæum.

THE CAPTAIN OF THE KANSAS. By Louis Tracy.

A story of love and the salt sea—of a helpless ship whirled into the hands of cannibal Fuegians—of desperate fighting and tender romance, enhanced by the art of a master of story telling who describes with his wonted felicity and power of holding the reader's attention * * * filled with the swing of adventure.

A MIDNIGHT GUEST. A Detective Story. By Fred M. White. With a frontispiece.

The scene of the story centers in London and Italy. The book is skilfully written and makes one of the most baffling, mystifying, exciting detective stories ever written—cleverly keeping the suspense and mystery intact until the surprising discoveries which precede the end.

THE HONOUR OF SAVELLI. A Romance. By S. Levett Yeats. With cover and wrapper in four colors.

Those who enjoyed Stanley Weyman'sA Gentleman of Francewill be engrossed and captivated by this delightful romance of Italian history. It is replete with exciting episodes, hair-breadthescapes, magnificent sword-play, and deals with the agitating times in Italian history when Alexander II was Pope and the famous and infamous Borgias were tottering to their fall.

SISTER CARRIE. By Theodore Drieser. With a frontispiece, and wrapper in color.

In all fiction there is probably no more graphic and poignant study of the way in which man loses his grip on life, lets his pride, his courage, his self-respect slip from him, and, finally, even ceases to struggle in the mire that has engulfed him. * * * There is more tonic value in Sister Carrie than in a whole shelfful of sermons.

THE SHUTTLE, By Frances Hodgson Burnett

With inlay cover in colors by Clarence F. Underwood.

This great international romance relates the story of an American girl who, in rescuing her sister from the ruins of her marriage to an Englishman of title, displays splendid qualities of courage, tact and restraint. As a study of American womanhood of modern times, the character of Bettina Vanderpoel stands alone in literature. As a love story, the account of her experience is magnificent. The masterly handling, the glowing style of the book, give it a literary rank to which very few modern novels have attained.

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