[Contents]IVNo HandicapBlackWhite1.E 16. “Takamoku.”2.C 16.3.D 14.4.E 17.5.D 16. Black threatens to break into the corner.6.D 17.7.C 17.Black repeats his threat; in reality it is a sacrificed stone.8.B 17.[148]9.C 18. This stone may be lost, but it aids Black in attacking from the outside.10.B 18. White must play here to save his stones.11.C 15.12.B 16.13.F 17.14.D 18.15.E 18.16.C 19. Takes two.17.G 16.This is an old “Joseki” which used to be popular; it fell into disuse and was revived by Murase Shuho. It is good enough for White if he has an outlying stone or two in the neighborhood, otherwise it is bad play for White.[147]Plate 22Plate 22
[Contents]IVNo HandicapBlackWhite1.E 16. “Takamoku.”2.C 16.3.D 14.4.E 17.5.D 16. Black threatens to break into the corner.6.D 17.7.C 17.Black repeats his threat; in reality it is a sacrificed stone.8.B 17.[148]9.C 18. This stone may be lost, but it aids Black in attacking from the outside.10.B 18. White must play here to save his stones.11.C 15.12.B 16.13.F 17.14.D 18.15.E 18.16.C 19. Takes two.17.G 16.This is an old “Joseki” which used to be popular; it fell into disuse and was revived by Murase Shuho. It is good enough for White if he has an outlying stone or two in the neighborhood, otherwise it is bad play for White.[147]Plate 22Plate 22
[Contents]IVNo HandicapBlackWhite1.E 16. “Takamoku.”2.C 16.3.D 14.4.E 17.5.D 16. Black threatens to break into the corner.6.D 17.7.C 17.Black repeats his threat; in reality it is a sacrificed stone.8.B 17.[148]9.C 18. This stone may be lost, but it aids Black in attacking from the outside.10.B 18. White must play here to save his stones.11.C 15.12.B 16.13.F 17.14.D 18.15.E 18.16.C 19. Takes two.17.G 16.This is an old “Joseki” which used to be popular; it fell into disuse and was revived by Murase Shuho. It is good enough for White if he has an outlying stone or two in the neighborhood, otherwise it is bad play for White.[147]Plate 22Plate 22
[Contents]IVNo HandicapBlackWhite1.E 16. “Takamoku.”2.C 16.3.D 14.4.E 17.5.D 16. Black threatens to break into the corner.6.D 17.7.C 17.Black repeats his threat; in reality it is a sacrificed stone.8.B 17.[148]9.C 18. This stone may be lost, but it aids Black in attacking from the outside.10.B 18. White must play here to save his stones.11.C 15.12.B 16.13.F 17.14.D 18.15.E 18.16.C 19. Takes two.17.G 16.This is an old “Joseki” which used to be popular; it fell into disuse and was revived by Murase Shuho. It is good enough for White if he has an outlying stone or two in the neighborhood, otherwise it is bad play for White.[147]Plate 22Plate 22
IV
No HandicapBlackWhite1.E 16. “Takamoku.”2.C 16.3.D 14.4.E 17.5.D 16. Black threatens to break into the corner.6.D 17.7.C 17.Black repeats his threat; in reality it is a sacrificed stone.8.B 17.[148]9.C 18. This stone may be lost, but it aids Black in attacking from the outside.10.B 18. White must play here to save his stones.11.C 15.12.B 16.13.F 17.14.D 18.15.E 18.16.C 19. Takes two.17.G 16.This is an old “Joseki” which used to be popular; it fell into disuse and was revived by Murase Shuho. It is good enough for White if he has an outlying stone or two in the neighborhood, otherwise it is bad play for White.[147]Plate 22Plate 22
No Handicap
BlackWhite1.E 16. “Takamoku.”2.C 16.3.D 14.4.E 17.5.D 16. Black threatens to break into the corner.6.D 17.7.C 17.Black repeats his threat; in reality it is a sacrificed stone.8.B 17.[148]9.C 18. This stone may be lost, but it aids Black in attacking from the outside.10.B 18. White must play here to save his stones.11.C 15.12.B 16.13.F 17.14.D 18.15.E 18.16.C 19. Takes two.17.G 16.
This is an old “Joseki” which used to be popular; it fell into disuse and was revived by Murase Shuho. It is good enough for White if he has an outlying stone or two in the neighborhood, otherwise it is bad play for White.[147]
Plate 22Plate 22
Plate 22