[Contents]XXINo HandicapBlackWhite1.C 4. “Komoku.”2.E 3.3.J 3. “Sangen basami.” This move attacks the white stone but not so directly as the preceding variation. It is the invention of Honinbo Dosaku.4.R 4. White takes advantage of his opportunity and plays in another corner.5.D 3.6.E 4.7.B 6.8.J 5.9.M 3. It will be seen in this variation that the stones are played farther apart than in the preceding “Joseki.”10.H 3.11.H 2.12.H 4.13.D 8. This is an important move for Black.14.O 3.15.M 5.16.L 4. “Nozoku.” It threatens Black’s connection on lines M and 3.17.L 3. If Black defends at M 4, White replies at K 2.18.G 2.[162]19.J 2.20.L 5.21.M 4.22.P 5.This “Joseki” really deals with two corners.
[Contents]XXINo HandicapBlackWhite1.C 4. “Komoku.”2.E 3.3.J 3. “Sangen basami.” This move attacks the white stone but not so directly as the preceding variation. It is the invention of Honinbo Dosaku.4.R 4. White takes advantage of his opportunity and plays in another corner.5.D 3.6.E 4.7.B 6.8.J 5.9.M 3. It will be seen in this variation that the stones are played farther apart than in the preceding “Joseki.”10.H 3.11.H 2.12.H 4.13.D 8. This is an important move for Black.14.O 3.15.M 5.16.L 4. “Nozoku.” It threatens Black’s connection on lines M and 3.17.L 3. If Black defends at M 4, White replies at K 2.18.G 2.[162]19.J 2.20.L 5.21.M 4.22.P 5.This “Joseki” really deals with two corners.
[Contents]XXINo HandicapBlackWhite1.C 4. “Komoku.”2.E 3.3.J 3. “Sangen basami.” This move attacks the white stone but not so directly as the preceding variation. It is the invention of Honinbo Dosaku.4.R 4. White takes advantage of his opportunity and plays in another corner.5.D 3.6.E 4.7.B 6.8.J 5.9.M 3. It will be seen in this variation that the stones are played farther apart than in the preceding “Joseki.”10.H 3.11.H 2.12.H 4.13.D 8. This is an important move for Black.14.O 3.15.M 5.16.L 4. “Nozoku.” It threatens Black’s connection on lines M and 3.17.L 3. If Black defends at M 4, White replies at K 2.18.G 2.[162]19.J 2.20.L 5.21.M 4.22.P 5.This “Joseki” really deals with two corners.
[Contents]XXINo HandicapBlackWhite1.C 4. “Komoku.”2.E 3.3.J 3. “Sangen basami.” This move attacks the white stone but not so directly as the preceding variation. It is the invention of Honinbo Dosaku.4.R 4. White takes advantage of his opportunity and plays in another corner.5.D 3.6.E 4.7.B 6.8.J 5.9.M 3. It will be seen in this variation that the stones are played farther apart than in the preceding “Joseki.”10.H 3.11.H 2.12.H 4.13.D 8. This is an important move for Black.14.O 3.15.M 5.16.L 4. “Nozoku.” It threatens Black’s connection on lines M and 3.17.L 3. If Black defends at M 4, White replies at K 2.18.G 2.[162]19.J 2.20.L 5.21.M 4.22.P 5.This “Joseki” really deals with two corners.
XXI
No HandicapBlackWhite1.C 4. “Komoku.”2.E 3.3.J 3. “Sangen basami.” This move attacks the white stone but not so directly as the preceding variation. It is the invention of Honinbo Dosaku.4.R 4. White takes advantage of his opportunity and plays in another corner.5.D 3.6.E 4.7.B 6.8.J 5.9.M 3. It will be seen in this variation that the stones are played farther apart than in the preceding “Joseki.”10.H 3.11.H 2.12.H 4.13.D 8. This is an important move for Black.14.O 3.15.M 5.16.L 4. “Nozoku.” It threatens Black’s connection on lines M and 3.17.L 3. If Black defends at M 4, White replies at K 2.18.G 2.[162]19.J 2.20.L 5.21.M 4.22.P 5.This “Joseki” really deals with two corners.
No Handicap
BlackWhite1.C 4. “Komoku.”2.E 3.3.J 3. “Sangen basami.” This move attacks the white stone but not so directly as the preceding variation. It is the invention of Honinbo Dosaku.4.R 4. White takes advantage of his opportunity and plays in another corner.5.D 3.6.E 4.7.B 6.8.J 5.9.M 3. It will be seen in this variation that the stones are played farther apart than in the preceding “Joseki.”10.H 3.11.H 2.12.H 4.13.D 8. This is an important move for Black.14.O 3.15.M 5.16.L 4. “Nozoku.” It threatens Black’s connection on lines M and 3.17.L 3. If Black defends at M 4, White replies at K 2.18.G 2.[162]19.J 2.20.L 5.21.M 4.22.P 5.
This “Joseki” really deals with two corners.