My lute be as thou wert when thou didst grow,With thy green mother, in some shady grove,When immelodious winds but made thee move,And birds their ramage[83]did on thee bestow.Since that dear voice which did thy sounds approve,Which wont in such harmonious strains to flow,Is reft from earth to join the spheres above,What art thou but a harbinger of woe?Thy pleasing notes be pleasing notes no more,But orphan wailings to the fainting ear,Each stroke a sigh, each sound draws forth a tear;For which be silent as in woods before;Or if that any hand to touch thee deign,Like widowed turtle still her loss complain.
My lute be as thou wert when thou didst grow,With thy green mother, in some shady grove,When immelodious winds but made thee move,And birds their ramage[83]did on thee bestow.Since that dear voice which did thy sounds approve,Which wont in such harmonious strains to flow,Is reft from earth to join the spheres above,What art thou but a harbinger of woe?Thy pleasing notes be pleasing notes no more,But orphan wailings to the fainting ear,Each stroke a sigh, each sound draws forth a tear;For which be silent as in woods before;Or if that any hand to touch thee deign,Like widowed turtle still her loss complain.
His sonnet "In Praise of a Solitary Life" was written, we can well imagine, in his summer boweron the banks of the Esk. It is peculiarly harmonious:
Thrice happy he who by some shady grove,Far from the clamorous world doth live his own,Thou solitary, who is not alone,But doth converse with that eternal love.O how more sweet is bird's harmonious moan,Or the hoarse sobbings of the widowed dove,Than those smooth whisperings near a prince' throne,Which good make doubtful, do the ill approve!O how more sweet is zephyr's wholesome breath,And sighs embalm'd, which new-born flowers unfold,Than that applause vain honor doth bequeath.How sweet are streams, to poison drank in gold!The world is full of horror, troubles, slights:Woods, harmless shades have only true delights.
Thrice happy he who by some shady grove,Far from the clamorous world doth live his own,Thou solitary, who is not alone,But doth converse with that eternal love.O how more sweet is bird's harmonious moan,Or the hoarse sobbings of the widowed dove,Than those smooth whisperings near a prince' throne,Which good make doubtful, do the ill approve!O how more sweet is zephyr's wholesome breath,And sighs embalm'd, which new-born flowers unfold,Than that applause vain honor doth bequeath.How sweet are streams, to poison drank in gold!The world is full of horror, troubles, slights:Woods, harmless shades have only true delights.
The following, "To a Nightingale," is still more beautiful:
Sweet bird! that singst away the early hoursOf winters past or coming, void of care,Well pleased with delights which present are,Fair seasons, budding sprays, sweet-smelling flowers:To rocks, to springs, to rills, from leafy bowers,Thou thy Creator's goodness dost declare,And what dear gifts on thee he did not spare,A stain to human sense in sin that lowers.What soul can be so sick as by thy songs(Attired in sweetness) sweetly is not drivenQuite to forget earth's turmoils, spites and wrongs,And lift a reverend eye and thought to heaven?Sweet, artless songster! thou my mind dost raiseTo airs of spheres—yes, and to angels' lays.
Sweet bird! that singst away the early hoursOf winters past or coming, void of care,Well pleased with delights which present are,Fair seasons, budding sprays, sweet-smelling flowers:To rocks, to springs, to rills, from leafy bowers,Thou thy Creator's goodness dost declare,And what dear gifts on thee he did not spare,A stain to human sense in sin that lowers.What soul can be so sick as by thy songs(Attired in sweetness) sweetly is not drivenQuite to forget earth's turmoils, spites and wrongs,And lift a reverend eye and thought to heaven?Sweet, artless songster! thou my mind dost raiseTo airs of spheres—yes, and to angels' lays.
But we have entered the vale of Roslin, and there, in its beauty, stands the Chapel of Roslin, one of the most exquisite architectural ruins in Scotland. It was founded in 1484, or even earlierthan that, by the Earl of Caithness and Orkney. The whole Chapel is profusely decorated with the most delicate sculpture both within and without. The roof, the capitals, key-stones and architraves, are all overlaid with sculpture, representing foliage and flowers, grotesque figures, sacred history and texts of Scripture. The fine fluted column called the "Apprentice's Pillar," so named from a tradition which no one believes, and which therefore we do not repeat, is exceedingly beautiful, being ornamented with wreaths of foliage and flowers twining around it in spiral columns. So perfect are these alto relievos, that the author of a pamphlet describing them, says that he can liken them to nothing but Brussels lace.
How solemn a thing it is in this chequered light, to wander amid these sounding aisles and ancient monuments! In the vaults beneath lie the Barons of Roslin, all of whom, till the time of James the Seventh, were buried without a coffin, in complete armor. This circumstance, and the vulgar belief that on the night preceding the death of any of these barons, the chapel appeared in flames, has been finely described by Walter Scott, in his touching ballad of Rosabelle.
O listen, listen, ladies gay!No haughty feats of arms I tell;Soft is the note, and sad the lay,That mourns the lovely Rosabelle."Moor, moor the barge, ye gallant crew!And gentle ladye deign to stay!Rest thee in castle Ravensheuch,Nor tempt the stormy Firth to-day."The blackening wave is edged with white,To inch and rock the sea-mews fly;The fishers have heard the water sprite,Whose screams forebode that wreck is nigh."Last night the gifted seer did view,A wet shroud swathed round ladye gay!Then stay thee, fair, in Ravensheuch;Why cross the gloomy Firth to-day?""'Tis not because Lord Lindesay's heir,To-night at Roslin leads the ball,But that my ladye mother there,Sits lonely in her castle hall."'Tis not because the ring they ride—And Lindesay at the ring rides well—But that my sire the wine will chideIf 'tis not filled by Rosabelle."O'er Roslin all that dreary night,A wondrous blaze was seen to gleam,'Twas broader than the watchfire's light,And redder than the bright moonbeam.It glared on Roslin's castled rock,It ruddied all the copsewood glen,'Twas seen from Dryden's grove of oak,And seen from cavern'd Hawthornden.Seem'd all on fire that chapel proud,Where Roslin's chiefs uncoffined lie,Each baron, for a sable shroud,Sheathed in his iron panoply.Seem'd all on fire, within, around,Deep sacristy and altar pale;Shone every pillar, foliage bound,And glimmer'd all the dead men's mail.Blazed battlement and pinnet high,Blazed every rose-carved buttress fair,—So still they blaze, when fate is nighThe lordly line of high St. Clair.There are twenty of Roslin's barons bold,Lie buried within that proud chapelle;Each one the holy vault doth hold—But the sea holds lovely Rosabelle.And each St. Clair was buried there,With candle, with book, and with knell,But the sea caves rung, and the wild winds sung,The dirge of lovely Rosabelle.
O listen, listen, ladies gay!No haughty feats of arms I tell;Soft is the note, and sad the lay,That mourns the lovely Rosabelle.
"Moor, moor the barge, ye gallant crew!And gentle ladye deign to stay!Rest thee in castle Ravensheuch,Nor tempt the stormy Firth to-day.
"The blackening wave is edged with white,To inch and rock the sea-mews fly;The fishers have heard the water sprite,Whose screams forebode that wreck is nigh.
"Last night the gifted seer did view,A wet shroud swathed round ladye gay!Then stay thee, fair, in Ravensheuch;Why cross the gloomy Firth to-day?"
"'Tis not because Lord Lindesay's heir,To-night at Roslin leads the ball,But that my ladye mother there,Sits lonely in her castle hall.
"'Tis not because the ring they ride—And Lindesay at the ring rides well—But that my sire the wine will chideIf 'tis not filled by Rosabelle."
O'er Roslin all that dreary night,A wondrous blaze was seen to gleam,'Twas broader than the watchfire's light,And redder than the bright moonbeam.
It glared on Roslin's castled rock,It ruddied all the copsewood glen,'Twas seen from Dryden's grove of oak,And seen from cavern'd Hawthornden.
Seem'd all on fire that chapel proud,Where Roslin's chiefs uncoffined lie,Each baron, for a sable shroud,Sheathed in his iron panoply.
Seem'd all on fire, within, around,Deep sacristy and altar pale;Shone every pillar, foliage bound,And glimmer'd all the dead men's mail.
Blazed battlement and pinnet high,Blazed every rose-carved buttress fair,—So still they blaze, when fate is nighThe lordly line of high St. Clair.
There are twenty of Roslin's barons bold,Lie buried within that proud chapelle;Each one the holy vault doth hold—But the sea holds lovely Rosabelle.
And each St. Clair was buried there,With candle, with book, and with knell,But the sea caves rung, and the wild winds sung,The dirge of lovely Rosabelle.
We now pass over a bridge of great height, spanning a deep cut in the solid rock, and reach Roslin Castle, with its triple tier of vaults, standing upon a peninsular rock overhanging the romantic glen of the Esk. This castle was, for ages, the seat of the St. Clairs, or Sinclairs, descended from William de Sancto Clare, the son of Waldernus de Clare, who came to England with William the Conqueror, and fought at the battle of Hastings. The enumeration of their titles, says Sir Walter Scott, would take away the breath of a herald. Among others, they were Princes of the Orcades, Dukes of Oldenburgh, Lord Admirals of the Scottish Seas, Grand Justiciaries of the kingdom, Wardens of the border, Earls of Caithness, titularies of more than fifty baronies, patrons and Grand Masters of Masonry in Scotland, &c. &c.
Of the grandeur and opulence of the family, some conception may be derived from the following description, given in a manuscript in the "Advocate's Library," of the state maintained by William St. Clare, founder of the chapel.—"About that time (1440) the town of Roslin, being next to Edinburgh and Haddington in East Lothian, became very populous by the great concourse of all ranks and degreesof visitors that resorted to this Prince, at his palace of the Castle of Roslin; for he kept a great court, and was royally served at his own table, in vessels of gold and silver, Lord Dirleton being his master of the household, Lord Borthwick his cup-bearer, and Lord Fleming his carver, &c. He had his halls and other apartments richly adorned with embroidered hangings. He flourished in the reigns of James the First and Second. His princess, Elizabeth Douglass, was served by seventy-five gentlewomen, whereof fifty-three were daughters of noblemen, all clothed in velvets and silks, with their chains of gold and other ornaments, and was attended by two hundred riding gentlemen in all her journeys; and if it happened to be dark when she went to Edinburgh, where her lodgings were at the foot of Blackfriars' Wynd, eighty lighted torches were carried before her."
The old castle is almost entirely gone, and the present structure is a comparatively modern one. It belongs to the Earl of Rosslyn, descended from a collateral branch of the St. Clair family.
It is interesting to think of the magnificent old barons who kept state in the mouldering castles which everywhere adorn the Scottish landscape. Some of them were noble specimens of humanity, but the greater proportion of them were but splendid barbarians. They led a sort of rude animal life, and were distinguished chiefly for their towering pride and ungovernable passion. The following story of a hunting match between King Robert Bruce and Sir William St. Clair, throws aninteresting light on the spirit of the age and the history of the St. Clair family. "The king had been repeatedly baulked by a fleet white deer which he had started in his hunt among the Pentland Hills; and having asked an assembled body of his nobles whether any dogs in their possession could seize the game that had escaped the royal hounds, Sir William St. Clair promptly offered to pledge his head that two favorite dogs of his called 'Help and Hold,' would kill the deer before she crossed the March burn. The king instantly accepted the knight's bold and reckless offer, and promised himself to give the forest of Pentland Moor in guerdon of success. A few slow hounds having been let loose to beat up the deer, and the king having taken post on the best vantage-ground for commanding a view of the chase, Sir William stationed himself in the fittest position for slipping his dogs, and in the true style of a Romanist, who asks a blessing upon a sin, and supposes the giver of the blessing to be a creature, earnestly prayed to St. Katherine to give the life of the deer to his dogs. Away now came the raised deer, and away in full chase went Sir William on a fleet-footed steed; and hind and hunter arrived neck and neck at the critical March burn. Sir William threw himself in a desperate fling from his horse into the stream; 'Hold,' just at this crisis of fate, stopped the deer in the brook, and 'Help' the next instant came up, drove back the chase, and killed her on the winning side of the stream. The king, who had witnessed the nicely poised result, came speedily down fromhis vantage-ground, embraced Sir William, and granted him, in free forestry, the lands of Logan House, Kirkton, and Carncraig. Sir William, in gratitude for the fancied interference of St. Katherine in his favor, built the chapel of St. Katherine in the Hopes. The tomb of the wildly adventurous knight who was so canine in his nature as to reckon his life not too high a pledge for the fleetness and fierceness of his dogs, is still to be seen in Roslin chapel; and it very properly represents the sculpture of his armed person to be attended by a greyhound, as a joint claimant of the honor and fame of his exploits."
In the neighboring moor of Roslin is the scene of a great battle, in 1302, in which the Scottish army gained, in one day, three successive victories, a circumstance touchingly referred to byDelta, Dr. Moir of Musselburgh, author of 'Casa Wappy,' 'Wee Willie,' and many other exquisite contributions to Blackwood's Magazine.
"Three triumphs in a day!Three hosts subdued by one!Three armies scattered like the spray,Beneath one summer sunWho pausing 'mid this solitudeOf rocky streams and leafy trees,—Who, gazing o'er this quiet wood,Would ever dream of these?Or have a thought that ought intrudeSave birds and humming bees?"
"Three triumphs in a day!Three hosts subdued by one!Three armies scattered like the spray,Beneath one summer sunWho pausing 'mid this solitudeOf rocky streams and leafy trees,—Who, gazing o'er this quiet wood,Would ever dream of these?Or have a thought that ought intrudeSave birds and humming bees?"
How delightful, as we wander amid these hoary ruins and leafy bowers, so still and beautiful under the rich light of a summer noon, to think that theold stormy times of feudal warfare have passed away forever, and that peace, with balmy wing, is brooding over this and other Christian lands.
But in this everyday life, the wants of nature must be met. Let us hie then to the village inn, just beyond the chapel. With our keen appetites, a snug dinner there will relish better than the most splendid banquet of the St. Clairs.
Ramble through the Fields—Parish Schools—Recollections of Dominie Meuross—The South Esk—Borthwick and Crichtoun Castles—Newbattle Abbey—Dalkeith—Residence of the Duke of Buccleugh—"Scotland's Skaith," by Hector Macneil—His Character and Writings—Extracts from the "History of Will and Jean."
Ramble through the Fields—Parish Schools—Recollections of Dominie Meuross—The South Esk—Borthwick and Crichtoun Castles—Newbattle Abbey—Dalkeith—Residence of the Duke of Buccleugh—"Scotland's Skaith," by Hector Macneil—His Character and Writings—Extracts from the "History of Will and Jean."
Recrossing the North Esk, we ramble through the country in a north-easterly direction, passing through highly cultivated farms, with large comfortable homesteads. The fields everywhere are filled with laborers, hoeing, ploughing, and weeding, most of them cheerful as larks, and making the woods ring with 'whistle and song.' That plain but substantial edifice, under the shadow of the great oak tree hard by the old church, is a parish school-house, in which perhaps are gathered some fifty or sixty boys and girls, from all ranks of society, plying their mental tasks, under the supervision of an intelligent schoolmaster. Every morning in that school-house the Word of God is reverently read, and earnest prayer offered, exerting upon all minds a healthful moral influence, and producing impressions of a religious kind, which may last forever. Any boy may be fitted for college, or for commercial pursuits, in such a school, and the expense to the parent will be next to nothing. What then must be the amount of goodaccomplished by the combined influence of all the parish schools in Scotland, equally endowed, and supplied with adequate teachers? Popular education has made great advances in Scotland within a few years. The greatest zeal for learning exists among the people, and they require no compulsive acts, as in Germany, to induce them to send their children to school. Not to be able to read and write is regarded, in Scotland, as a great disgrace; and hence the poorest people are equally ready with the rich to avail themselves of the benefits of instruction. Good teachers are uniformly secured, because they receive an ample compensation, and none but well-educated and truly moral men would be accepted. In this respect their situation is greatly superior to that of parish schoolmasters in Germany or in the United States. On this subject, Kohl, the German traveller, mentions an amusing conversation which he had with the parish schoolmaster at Muthil. Having stated to the latter that the situation of Scottish teachers was far superior to that of teachers in his country, he inquired what was the average pay of schoolmasters there.
"It varies a good deal," was the reply of Kohl. "Some have a hundred, some a hundred and fifty, but many no more than fifty dollars."
"How many pounds go to a dollar?" asked he.
"Seven dollars go to a pound."
"What!" he exclaimed, springing up from his chair, "do you mean to tell me that they pay a schoolmaster withseven poundsa year?"
"Even so," was the reply, "seven pounds; but how much then do they get with you?"
"I know no one who has less than from forty to fifty pounds in all Scotland; but the average is seventy or eighty pounds; and many go as high as a hundred and fifty pounds."
"What!" cried Kohl, springing up in his turn, "a hundred and fifty pounds! that makes one thousand and fifty dollars. Abaronwould be satisfied in Germany with such a revenue as that; and do you mean to say that there are schoolmasters who grumble at it?"
"Yes," said he; "but recollect how dear things are with us. Sugar costs eighteenpence a pound; coffee two shillings; chocolate is still dearer, and tea not much cheaper. And then how dear are good beef, and pork, and plums, and puddings, and everything else!"
"I could not deny this," adds Kohl; "but I thought that our poor schoolmasters were content if they had but bread."
In former times the parish schoolmasters did not receive so much as they now do; but then they were clerks of the parish, frequentlyprecentorsin the church, and received a multitude of little perquisites. Their support has been made quite ample, having an average salary of a hundred pounds, with a free house.
But the sight of that school-house brings back the days of "lang syne." Well do I remember the old parish school—a long thatched building, at the "Kirk of Shotts," where I received my preparationfor college, under the free and easy, but most efficient, administration of 'Dominie Meuross,' famed through all the country for his great classical attainments, his facetious disposition, his kind-heartedness, and his love of the pure 'Glenlivet.' Those were not the days of temperance societies, and the Dominie had so much to do with christenings and weddings, parish difficulties, "roups" and law-suits, that he was greatly tempted by the bottle. But he was a worthy man, and an enthusiastic teacher, especially of the classics. Teaching A, B, C, was rather a dull business to the Dominie; but oh, howmerrilyhe would construe the Odes of Horace, what jokes he would crack over our lessons, and what effulgent light he would cast upon the classic page! Yet Dominie Meuross was a dignified man—no one more so. The boys, indeed, enjoyed considerable latitude, especially at that end of the school opposite the one in which the Dominie sat, and many facetious tricks were played upon the duller boys, the "sumphs," as we used to call them. But the Dominie had only to pull down his glasses from his forehead, where they were usually perched, and direct a keen glance to "the other end," instantly to bring us all to perfect order. Dear old man! he has long ago "gone to the yird," but his memory is green as the grass which waves upon his grave.
The school and the church, the light of learning, and the light of religion, form the glory of Scotland. These have twined around her rustic brow a wreath of fadeless glory. These have given her stability and worth, beauty and renown.
But we have reached Dalhousie Castle, with its charming and romantic grounds, situated on a branch of the South Esk, a stream similar to the North Esk, and running in the same direction. These streams, after passing through scenery the most picturesque and beautiful, and watering a hundred spots consecrated by song and story, as if by a mutual attraction, unite a little above Dalkeith, and fall near the old town of Musselburgh into the Firth of Forth. Behind us, at the distance of a few miles, are the celebrated ruins of Borthwick and Crichtoun castles, the one on a branch of the South Esk, the other somewhat to the right, in the vale of Tyne. It was into Borthwick Castle that Queen Mary retired after the death of Darnley, and her unhappy marriage with Bothwell, and from which she was obliged, a few days afterwards, to flee to Dunbar in the guise of a page. Crichtoun Castle is beautifully described by Sir Walter Scott, in Marmion, and as we cannot visit this interesting ruin, take his description of it as the best substitute.
"That castle rises on a steepOf the green vale of Tyne;And far beneath, where slow they creepFrom pool to eddy, dark and deep,Where alders moist, and willows weep,You hear her streams repine.The towers in different ages rose;Their various architecture showsThe builders' various hands;A mighty mass, that could oppose,When deadliest hatred fired its foes,The vengeful Douglas' bands."Crichtoun! though now thy miry courtBut pens the lazy steer and sheep,Thy turrets rude and tottered Keep,Have been the minstrel's loved resort.Oft have I traced within thy fort,Of mouldering shields the mystic sense,Scutcheons of honor or pretence,Quartered in old armorial sort,Remains of rude magnificence.Nor wholly yet hath time defacedThy lordly gallery fair;Nor yet the stony cord unbraced,Whose twisted knots with roses laced,Adorn thy ruined stair.Still rises unimpaired below,The court-yard's graceful portico:Above its cornice, row and row,Of fair hewn facets richly show,Their pointed diamond form,Though there but houseless cattle go,To shield them from the storm.And shuddering still may we explore,Where oft whilom were captives pent,The darkness of thy Massy More;[84]Or from thy grass-grown battlement.May trace, in undulating line,The sluggish mazes of the Tyne."
"That castle rises on a steepOf the green vale of Tyne;And far beneath, where slow they creepFrom pool to eddy, dark and deep,Where alders moist, and willows weep,You hear her streams repine.The towers in different ages rose;Their various architecture showsThe builders' various hands;A mighty mass, that could oppose,When deadliest hatred fired its foes,The vengeful Douglas' bands.
"Crichtoun! though now thy miry courtBut pens the lazy steer and sheep,Thy turrets rude and tottered Keep,Have been the minstrel's loved resort.Oft have I traced within thy fort,Of mouldering shields the mystic sense,Scutcheons of honor or pretence,Quartered in old armorial sort,Remains of rude magnificence.Nor wholly yet hath time defacedThy lordly gallery fair;Nor yet the stony cord unbraced,Whose twisted knots with roses laced,Adorn thy ruined stair.Still rises unimpaired below,The court-yard's graceful portico:Above its cornice, row and row,Of fair hewn facets richly show,Their pointed diamond form,Though there but houseless cattle go,To shield them from the storm.And shuddering still may we explore,Where oft whilom were captives pent,The darkness of thy Massy More;[84]Or from thy grass-grown battlement.May trace, in undulating line,The sluggish mazes of the Tyne."
Proceeding along the stream, we pass Cockpen, reminding us of the Laird of Cockpen and his amusing courtship, when
"Dumb-founder'd was he,But nae word did he gae;He mounted his mare,And he rade cannilie.But aften he thought,As he gaed through the glen,She's a fule to refuseThe Laird o' Cockpen."
"Dumb-founder'd was he,But nae word did he gae;He mounted his mare,And he rade cannilie.
But aften he thought,As he gaed through the glen,She's a fule to refuseThe Laird o' Cockpen."
We linger a few minutes by Newbattle Abbey, founded by David I., for a community of Cistercian monks, brought hither from Melrose, but now the residence of the Marquis of Lothian; and soon after reach the old "burgh town" of Dalkeith, most delightfully situated between the two Esks, and reminding us forcibly of "Mansie Waugh," thepawkie tailorof Dalkeith, whose amusing history we read in our boyhood. Dalkeith is a considerable place, and has many elegant residences. In its immediate vicinity is Dalkeith Palace, seat of the Duke of Buccleugh, standing on an overhanging bank of the North Esk. Here too, in earlier times, lived the Grahams, and the Douglases; and into this strong retreat, then called the "Lion's den," retired the celebrated Regent Morton, who was subsequently beheaded. We might enter the house, as this favor is often granted to strangers, but we will not now; though it boasts the possession of some fine old paintings, and some exquisite pieces of furniture. But the grounds around it are infinitely more attractive, adorned, as they are, with magnificent trees and shrubbery, and the serpentine windings of the two Esks, whose waters unite in the park, a little distance below the house. How placidly the stream glides through the verdant meadows, and mirrors the green foliage of the overhanging trees, or the branching horns of some deer, bent to drink its clear waters! How softly and delicately the pencil rays of green and yellow light glimmerthrough those shady retreats to the right. See the startled deer bounding through the woods! How softly and lovingly sleeps the sunshine on that wide pool at the bottom of the green slope, adorned with flowers and honeysuckles! And see, through that shady vista the open sky in the distance, "so darkly, deeply, beautifully blue." The birds too, mavis, lintie, and bulfinch, are caroling among the trees, as if their little hearts were filled with boundless joy.
The cottage of "Jeanie Gairlace," supposed to be conferred upon her by the Duchess of Buccleugh, is placed by Macneil, the author of "Scotland's Skaith," in this beautiful vicinity. As we have yet to wait some time for the rail cars that are to take us to Edinburgh, let us sit down on this rustic seat, and I will give you some account of Macneil, and his touching poem of "Will and Jean."
Hector Macneil was born in 1746, and died in 1818. He was brought up to mercantile pursuits, but did not succeed in business. He cultivated in secret his passion for the muses, and published at intervals several poetical effusions, among which were "The Harp, a Legendary Poem,"—"The Links of the Forth, or a Parting Peep at the Carse of Sterling," and "Scotland's Skaith, or the History of Will and Jean," his most natural and successful production. Though not successful in lyrical effusions, or in song writing, he is the author, we believe, of that exquisite ballad, "Bonny Wee Mary o' Castlecary." He also wrote some prose tales, in which he laments the effects of modern changes and improvements. In the latter years ofhis life, he resided in comparative comfort, at Edinburgh, enjoying the congenial society of its refined and literary circles.
"Scotland's Skaith (curse) or the History of Will and Jean," is intended to depict the ruinous effects of intemperance, and the possibility of reform, with the happiness thence resulting. A happy couple, in humble life are gradually drawn into the vortex of intemperance, and at last are reduced to the deepest extremities. The husband enlists as a soldier, and the wife is compelled, with her children, to beg her bread. In the commencement of the poem Willie is represented as passing a rustic alehouse, whose attractions prove too much for him. The situation of the alehouse, and the commencement of Willie's career as a drunkard, are admirably described. The rhythm of the poem is peculiarly harmonious and lively.
In a howm[85]whose bonnie burnie,Whimpering rowed its crystal flood,Near the road where travellers turn aye,Neat and bield[86]a cot house stood.White the wa's, wi' roof new theckit,[87]Window broads[88]just painted red;Lown[89]'mang trees and braes it reekit,[90]Hafflins[91]seen and hafflins hid.Up the gavel[92]end thick spreading,Crap the clasping ivy green,Back owre firs the high craigs cleadin,[93]Raised around a cosey screen.Down below a flowery meadow;Joined the burnies rambling line,Here it was that Howe the widowThat same day set up her sign.Brattling[94]down the brae, and near itsBottom, Will first marvelling sees'Porter, ale, and British spirits,'Painted bright between twa trees.'Godsake Tam! here's walth for drinking!Wha can this new-comer be?''Hout,' quo Tam, 'there's drouth in thinking—Let's in Will, and syne[95]we'll see.'
In a howm[85]whose bonnie burnie,Whimpering rowed its crystal flood,Near the road where travellers turn aye,Neat and bield[86]a cot house stood.
White the wa's, wi' roof new theckit,[87]Window broads[88]just painted red;Lown[89]'mang trees and braes it reekit,[90]Hafflins[91]seen and hafflins hid.
Up the gavel[92]end thick spreading,Crap the clasping ivy green,Back owre firs the high craigs cleadin,[93]Raised around a cosey screen.
Down below a flowery meadow;Joined the burnies rambling line,Here it was that Howe the widowThat same day set up her sign.
Brattling[94]down the brae, and near itsBottom, Will first marvelling sees'Porter, ale, and British spirits,'Painted bright between twa trees.
'Godsake Tam! here's walth for drinking!Wha can this new-comer be?''Hout,' quo Tam, 'there's drouth in thinking—Let's in Will, and syne[95]we'll see.'
The two thoughtless friends have "a jolly meeting," and do not break up till "'tween twa and three" next morning. A weekly club is set up at the alehouse, a newspaper is procured, and things move on bravely. Willie becomes a "pot-house politician," and a hard drinker, the consequence of which is that he speedily goes to ruin. His wife also, to drown her sorrows, takes to drinking. The contrast between their past and present condition is touchingly described by the poet.
Wha was ance like Willie Gairlace?Wha in neeboring town or farm?Beauty's bloom shone in his fair face,Deadly strength was in his arm.When he first saw Jeanie Miller,Wha wi' Jeanie could compare?Thousands had mair braws and siller.[96]But war ony half so fair?See them now! how chang'd wi' drinking!A' their youthfu' beauty gane!Davered,[97]doited,[98]dazed[99]and blinking—Worn to perfect skin and bane.In the cauld month o' November,(Claise,[100]and cash, and credit out,)Cowering o'er a dying ember,Wi' ilk face as white's a clout.[101]Bond and bill, and debts a' stoppit,Ilka sheaf selt[102]on the bent;[103]Cattle, beds, and blankets roupit,[104]Now to pay the laird his rent.No anither night to lodge here—No a friend their cause to plead!He's ta'en[105]on to be a sodger,She wi' weans[106]to beg her bread!
Wha was ance like Willie Gairlace?Wha in neeboring town or farm?Beauty's bloom shone in his fair face,Deadly strength was in his arm.
When he first saw Jeanie Miller,Wha wi' Jeanie could compare?Thousands had mair braws and siller.[96]But war ony half so fair?
See them now! how chang'd wi' drinking!A' their youthfu' beauty gane!Davered,[97]doited,[98]dazed[99]and blinking—Worn to perfect skin and bane.
In the cauld month o' November,(Claise,[100]and cash, and credit out,)Cowering o'er a dying ember,Wi' ilk face as white's a clout.[101]
Bond and bill, and debts a' stoppit,Ilka sheaf selt[102]on the bent;[103]Cattle, beds, and blankets roupit,[104]Now to pay the laird his rent.
No anither night to lodge here—No a friend their cause to plead!He's ta'en[105]on to be a sodger,She wi' weans[106]to beg her bread!
Fortunately, Jeanie attracts the attention of the Duchess of Buccleugh, and obtains from her a pretty cottage, rent free, and such aid and protection as her circumstances demand. Willie loses a leg in battle, and returns a changed man, with a pension from government. Finding his wife and family, he is received to their embrace. The soldier's return, and the situation of the cottage are beautifully depicted.
Sometimes briskly, sometimes flaggin',Sometimes helpit, Will gat forth;On a cart or in a wagon,Hirplin[107]aye towards the north.Tired ae e'ening, stepping hooly,[108]Pondering on his thraward[109]fate,In the bonny month o' July,Willie, heedless, tent[110]his gate.[111]Saft the southland breeze was blowing,Sweetly sughed[112]the green oak wood;Loud the din o' streams fast fa'ing,Strack the ear with thundering thud.Ewes and lambs on braes ran bleating;Linties chirped on ilka tree;Frae the west the sun near setting,Flamed on Roslin's towers sae hie.[113]Roslin's towers and braes sae bonny!Craigs and water, woods and glen!Roslin's banks unpeered by ony,Save the Muses' Hawthornden!Ilka sound and charm delighting,Will (though hardly fit to gang,)[114]Wandered on through scenes inviting,Listening to the mavis' sang.Faint at length, the day fast closing,On a fragrant strawberry steep,Esk's sweet dream to rest composing,Wearied nature drapt asleep.'Soldier, rise!—the dews o' e'ening,Gathering fa' wi' deadly skaith!—Wounded soldier! if complaining,Sleep na here, and catch your death.'
Sometimes briskly, sometimes flaggin',Sometimes helpit, Will gat forth;On a cart or in a wagon,Hirplin[107]aye towards the north.
Tired ae e'ening, stepping hooly,[108]Pondering on his thraward[109]fate,In the bonny month o' July,Willie, heedless, tent[110]his gate.[111]
Saft the southland breeze was blowing,Sweetly sughed[112]the green oak wood;Loud the din o' streams fast fa'ing,Strack the ear with thundering thud.
Ewes and lambs on braes ran bleating;Linties chirped on ilka tree;Frae the west the sun near setting,Flamed on Roslin's towers sae hie.[113]
Roslin's towers and braes sae bonny!Craigs and water, woods and glen!Roslin's banks unpeered by ony,Save the Muses' Hawthornden!
Ilka sound and charm delighting,Will (though hardly fit to gang,)[114]Wandered on through scenes inviting,Listening to the mavis' sang.
Faint at length, the day fast closing,On a fragrant strawberry steep,Esk's sweet dream to rest composing,Wearied nature drapt asleep.
'Soldier, rise!—the dews o' e'ening,Gathering fa' wi' deadly skaith!—Wounded soldier! if complaining,Sleep na here, and catch your death.'
Accepting an invitation to take shelter in a neighboring cottage, slowfully and painfully he followed his guide.
Silent stept he on, poor fellow!Listening to his guide before,O'er green knowe, and flowery hollow,Till they reached the cot-house door.Laigh[115]it was, yet sweet and humble:Decked wi' honeysuckle round;Clear below Esk's waters rumble,Deep glens murmuring back the sound.Melville's towers sae white and stately,Dim by gloaming glint[116]to view;Through Lasswade's dark woods keek[117]sweetly,Skies sae red and lift sae blue.Entering now in transport mingle,Mother fond, and happy wean,[118]Smiling round a canty[119]ingle,Bleezing on a clean hearth-stane.'Soldier, welcome! Come, be cheery!Here ye'se[120]rest, and tak' your bed—Faint, waes me! ye seem and weary,Pale's your cheek, sae lately red!''Changed I am,' sighed Willie till[121]her;'Changed nae doubt, as changed[122]can be;Yet, alas! does Jeanie MillerNaught o' Willie Gairlace see?'Hae ye mark'd the dews o' morning,Glittering in the sunny ray,Quickly fa' when, without warning,Rough blasts came and shook the spray?Hae ye seen the bird fast fleeing,Drap when pierced by death mair fleet?Then see Jean, wi' color deeing,[123]Senseless drap at Willie's feet.After three lang years' affliction,A' their waes now hush'd to rest,Jean ance mair, in fond affection,Clasps her Willie to her breast.
Silent stept he on, poor fellow!Listening to his guide before,O'er green knowe, and flowery hollow,Till they reached the cot-house door.
Laigh[115]it was, yet sweet and humble:Decked wi' honeysuckle round;Clear below Esk's waters rumble,Deep glens murmuring back the sound.
Melville's towers sae white and stately,Dim by gloaming glint[116]to view;Through Lasswade's dark woods keek[117]sweetly,Skies sae red and lift sae blue.
Entering now in transport mingle,Mother fond, and happy wean,[118]Smiling round a canty[119]ingle,Bleezing on a clean hearth-stane.
'Soldier, welcome! Come, be cheery!Here ye'se[120]rest, and tak' your bed—Faint, waes me! ye seem and weary,Pale's your cheek, sae lately red!'
'Changed I am,' sighed Willie till[121]her;'Changed nae doubt, as changed[122]can be;Yet, alas! does Jeanie MillerNaught o' Willie Gairlace see?'
Hae ye mark'd the dews o' morning,Glittering in the sunny ray,Quickly fa' when, without warning,Rough blasts came and shook the spray?
Hae ye seen the bird fast fleeing,Drap when pierced by death mair fleet?Then see Jean, wi' color deeing,[123]Senseless drap at Willie's feet.
After three lang years' affliction,A' their waes now hush'd to rest,Jean ance mair, in fond affection,Clasps her Willie to her breast.
But hark! the first bell rings for the cars; so let us be off, and get our places. The sun has slippeddown behind the trees yonder, and it will be gloaming, if not ''tween and supper time,' before we get to Edinburgh.
All is right, and off we go, whirring through the quiet and beautiful scenery of these highly cultivated regions. We pass through "Samson's ribs," that is, the granite rocks of Duddingston, by means of a tunnel, glide along the base of Arthur's Seat, on whose summit linger the last rays of evening; and land at the upper end of the city, well prepared to relish a Scottish supper of substantial edibles, and after that, "tired nature's sweet restorer, balmy sleep."
City of Glasgow—Spirit of the place—Trade and Manufactures—The Broomielaw—Steam—George's Square—Monuments to Sir Walter Scott, Sir John Moore, and James Watt—Sketch of the Life of Watt—Glasgow University—Reminiscences—Brougham—Sir D. K. Sandford—Professor Nichol and others—High Kirk, or Glasgow Cathedral—Martyrdom of Jerome Russel and John Kennedy.
City of Glasgow—Spirit of the place—Trade and Manufactures—The Broomielaw—Steam—George's Square—Monuments to Sir Walter Scott, Sir John Moore, and James Watt—Sketch of the Life of Watt—Glasgow University—Reminiscences—Brougham—Sir D. K. Sandford—Professor Nichol and others—High Kirk, or Glasgow Cathedral—Martyrdom of Jerome Russel and John Kennedy.
Taking the steam-cars from Edinburgh, we arrive at Glasgow, a distance of forty-four miles, in a couple of hours. As Edinburgh is the representative of Scottish literature and refinement, Glasgow is the representative of its commerce and manufactures. It is an immense city, and contains a prodigious number of inhabitants. At the period of the Union it had a population of only twelve thousand: since which time it has doubled this number twelve or thirteen times, and now contains nearly three hundred thousand inhabitants. It owes this unprecedented increase to its trade, domestic and foreign, which is almost unparalleled in its extent. There is probably not a single inland town in Great Britain, with the exception of London, which can show such a shipping list.
Glasgow has ever been distinguished for its mechanical ingenuity, its industry and enterprise. Its situation doubtless is highly favorable, but withoutan intelligent, ingenious and active population, it could never have reached such a height of prosperity.
But it is not our intention to visit this commercial city as tourists. There are enough such to describe her agreeable situation, and handsome public edifices, her long and elegant streets, her beautiful "green," and magnificent river. At present we shall not fatigue ourselves with visiting the Royal Exchange, the Royal Bank, the Tontine and the Assembly Rooms. Neither shall we trouble our readers to go with us through Queen street, St. Vincent street, Greenhill Place, or Woodside Crescent.
It might be worth while however, to look into some of those immense factories; from which rise innumerable huge chimnies, some of which overtop the steeples and towers of the churches, and reach far up into the heavens.[124]Thousands and thousands of spindles and power looms, with thousands and thousands of human hands and heads are moving there from morn to night, and from night to morn. What masses of complicated and beautiful machinery! What prodigious steam-engines, great hearts of power in the centres of little worlds, giving life energy and motion to the whole. Here is a single warehouse, as it is called, for the sale of manufactured goods, containing no less than two hundred clerks. What piles of silks and shawls, cottons and calicoes! The productions of Glasgow reach every part of the world. You will find them in India, China, and the United States, in the wilds of Africaand the jungles of Burmah, amid the snows of Labrador, and the savannahs of Georgia.
But let us go down to the Broomielaw, and take a look at the river Clyde. That mile of masts, and those immense steamers, plying up and down the river, connect Glasgow with every part of the British Empire and the world.
What grand agency has accomplished all this? Steam!—steam, under the guidance and control of genius and enterprise. The extended prosperity of Glasgow commenced with the inventions of Watt, the greatest mechanical genius of the age, and the first man that constructed a steam-engine of much practical use. Steam has raised all those huge factories which we have been admiring, and keeps their innumerable wheels and pistons, spindles and power looms in motion. Steam it is which brings untold masses of coal and iron from the bowels of the earth, and converts them into machinery and motive power. Yonder it comes, rolling and dashing, in a long train of cars and carriages filled with the produce and population of the land. Here it gives life and energy to a cotton mill with a thousand looms! There it casts off, from day to day, the myriads of printed sheets which spread intelligence through the country. All around us it moves the cranks and pullies, ropes and wires, wheels and tools, which work such wonders in beating and grinding, cutting and carving, polishing and dyeing. Steam has added thousands, nay millions to the annual income of Glasgow. It has augmented the resources of Great Britain to such an extent that it savesseventy millions of dollars annually in the matter of motive power alone! No pen can describe the additions which it has made in other parts of the world to their manufactures and commerce. It has brought all nations into more intimate relations, and is yet destined, in many respects, to revolutionize the world.
Let us go then to George's Square, near the centre of the city, and look at Chantrey's monument of the man who has done so much to bring about such a change. The Square contains also a fine monument of Sir Walter Scott, in the form of a fluted Doric column, about eighty feet high, surmounted by a colossal statue of "the great magician of the north." He is represented standing in an easy attitude, with a shepherd's plaid thrown half around his body. The likeness is said to be remarkably good. It has that expression of shrewdness, honesty and good nature for which he was distinguished, but none of that ideal elevation which graces the countenances of Schiller, Goethe and Shakspeare. Immediately in front of this monument, is a beautiful pedestrian statue in bronze, by Flaxman, of Sir John Moore, the subject of Wolfe's exquisite lyric,—