THE GHOST-DANCE RELIGIONByJames MooneyINTRODUCTION
THE GHOST-DANCE RELIGION
ByJames Mooney
In the fall of 1890 the author was preparing to go to Indian Territory, under the auspices of the Bureau of Ethnology, to continue researches among the Cherokee, when the Ghost dance began to attract attention, and permission was asked and received to investigate that subject also among the wilder tribes in the western part of the territory. Proceeding directly to the Cheyenne and Arapaho, it soon became evident that there was more in the Ghost dance than had been suspected, with the result that the investigation, to which it had been intended to devote only a few weeks, has extended over a period of more than three years, and might be continued indefinitely, as the dance still exists (in 1896) and is developing new features at every performance. The uprising among the Sioux in the meantime made necessary also the examination of a mass of documentary material in the files of the Indian Office and the War Department bearing on the outbreak, in addition to the study in the field of the strictly religious features of the dance.
The first visit of about four months (December, 1890–April, 1891) was made to the Arapaho, Cheyenne, Kiowa, Comanche, Apache, Caddo, and Wichita, all living near together in the western part of what was then Indian Territory, but is now Oklahoma. These tribes were all more or less under the influence of the new religion. The principal study was made among the Arapaho, who were the most active propagators of the “Messiah” doctrine among the southern tribes and are especially friendly and cordial in disposition.
On returning to Washington, the author received a commission to make an ethnologic collection for the World’s Columbian Exposition, and, selecting the Kiowa for that purpose as a representative prairie tribe, started out again almost immediately to the same field. This trip, lasting three months, gave further opportunity for study of the Ghost dance among the same tribes. After returning and attending to the labeling and arranging of the collection, a study was made of all documents bearing on the subject in possession of the Indian Office andthe War Department. Another trip was then made to the field for the purpose of investigating the dance among the Sioux, where it had attracted most attention, and among the Paiute, where it originated. On this journey the author visited the Omaha, Winnebago, Sioux of Pine Ridge, Paiute, Cheyenne, and Arapaho; met and talked with the messiah himself, and afterward, on the strength of this fact, obtained from the Cheyenne the original letter containing his message and instructions to the southern tribes. This trip occupied about three months.
A few months later, in the summer of 1892, another journey was made to the West, in the course of which the southern tribes and the Sioux were revisited, and some time was spent in Wyoming with the Shoshoni and northern Arapaho, the latter of whom were perhaps the most earnest followers of the messiah in the north. This trip consumed four months. After some time spent in Washington in elaborating notes already obtained, a winter trip (1892–93) was made under another commission from the World’s Fair to the Navaho and the Hopi or Moki, of New Mexico and Arizona. Although these tribes were not directly concerned in the Ghost dance, they had been visited by apostles of the new doctrine, and were able to give some account of the ceremony as it existed among the Havasupai or Cohonino and others farther to the west. On the return journey another short stay was made among the Kiowa and Arapaho. In the summer of 1893 a final visit, covering a period of five months, was made to the western tribes of Oklahoma, bringing the personal observation and study of the Ghost dance down to the beginning of 1894.
The field investigation therefore occupied twenty-two months, involving nearly 32,000 miles of travel and more or less time spent with about twenty tribes. To obtain exact knowledge of the ceremony, the author took part in the dance among the Arapaho and Cheyenne. He also carried a kodak and a tripod camera, with which he made photographs of the dance and the trance both without and within the circle. Several months were spent in consulting manuscript documents and printed sources of information in the departments and libraries at Washington, and correspondence was carried on with persons in various parts of the country who might be able to give additional facts. From the beginning every effort was made to get a correct statement of the subject. Beyond this, the work must speak for itself.
As the Ghost dance doctrine is only the latest of a series of Indian religious revivals, and as the idea on which it is founded is a hope common to all humanity, considerable space has been given to a discussion of the primitive messiah belief and of the teachings of the various Indian prophets who have preceded Wovoka, together with brief sketches of several Indian wars belonging to the same periods.
In the songs the effort has been to give the spirit and exact rendering, without going into analytic details. The main purpose of the workis not linguistic, and as nearly every tribe concerned speaks a different language from all the others, any close linguistic study must be left to the philologist who can afford to devote a year or more to an individual tribe. The only one of these tribes of which the author claims intimate knowledge is the Kiowa.
Acknowledgments are due the officers and members of the Office of Indian Affairs and the War Department for courteous assistance in obtaining documentary information and in replying to letters of inquiry; to Mr De Lancey W. Gill and Mr J. K. Hillers and their assistants of the art and photographic divisions of the United States Geological Survey; to Mr A. R. Spofford, Librarian of Congress; to Mr F. V. Coville, botanist, Agricultural Department; Honorable T. J. Morgan, former Commissioner of Indian Affairs; Major J. W. MacMurray, first artillery, United States Army; Dr Washington Matthews, surgeon, United States Army; Captain H. L. Scott, seventh cavalry, United States Army; Captain J. M. Lee, ninth infantry, United States Army; Captain E. L. Huggins, second cavalry, United States Army, of the staff of General Miles; the late Captain J. G. Bourke, third cavalry, United States Army; Captain H. G. Browne, twelfth infantry, United States Army; Judge James Wickersham, Tacoma, Washington; Dr George Bird Grinnell, editor of “Forest and Stream,” New York city; Mr Thomas V. Keam and the late A. M. Stephen, Keams Canyon, Arizona; Rev. H. R. Voth, Oraibi, Arizona; General L. W. Colby, Washington, District of Columbia; Mr D. B. Dyer, Augusta, Georgia; Rev. Myron Eells, Tacoma, Washington; Mr Emile Berliner and the Berliner Gramophone Company, for recording, and Professors John Philip Sousa and F. W. V. Gaisberg, for arranging the Indian music; W. S. Godbe, Bullionville, Nevada; Miss L. McLain, Washington City; Addison Cooper, Nashville, Tennessee; Miss Emma C. Sickels, Chicago; Professor A. H. Thompson, United States Geological Survey, Washington; Mrs L. B. Arnold, Standing Rock, North Dakota; Mr C. H. Bartlett, South Bend, Indiana; Dr T. P. Martin, Taos, New Mexico, and to the following Indian informants and interpreters: Philip Wells, Louis Menard, Ellis Standing Bear, American Horse, George Sword, and Fire Thunder, of Pine Ridge, South Dakota; Henry Reid, Rev. Sherman Coolidge, Norcok, Sage, and Sharp Nose, of Fort Washakie, Wyoming; Charley Sheep of Walker river, Nevada; Black Coyote, Sitting Bull, Black Short Nose, George Bent, Paul Boynton, Robert Burns, Jesse Bent, Clever Warden, Grant Left-hand, and the Arapaho police at Darlington, Oklahoma; Andres Martinez, Belo Cozad, Paul Setkopti, Henry Poloi, Little Bow, William Tivis, George Parton, Towakoni Jim, Robert Dunlap, Kichai, John Wilson, Tama, Igiagyahona, Deoñ, Mary Zotom, and Eliza Parton of Anadarko, Oklahoma.