LETTERS FROM A LAWYER.
The Temple.
My dear Dorothy,—As you are one of the members of the committee for the bazaar in aid of the Nursing Home for Old People, I may be able to give you a few useful hints to avoid certain illegalities which beset the path of the unwary promoters of such charitable entertainments.
The great feature of a big bazaar should consist in having as many side shows as possible, so that people may be able, by the expenditure of a shilling or two, to escape from the importunities of the stall-holders into a concert-room, waxwork show, or other attraction, and not be driven out of the bazaar altogether.
If you want to have anything in the nature of a farce, operetta or comedietta played in the building, you ought to inquire if the hall which you are going to hire for the bazaar has a licence for stage-plays. If it has not such a licence, the performers and those responsible for the entertainment will render themselves liable to a fine, unless the proper licence is secured.
Fish-ponds, bran-pies, lucky tubs, and similar contrivances, are doubtless, strictly speaking, illegal, but are always tolerated at bazaars, where people do not expect to get the value of their money; but it is advisable to draw the line at roulette tables or anything in the nature of a real gamble or a lottery.
On the last day of the bazaar, it is often the custom to sell off the undisposed-of stock of the stalls by auction. The person who holds the auction should be a person having an auctioneer’s licence to sell by auction, otherwise trouble may ensue, as the auctioneers have recently made a determined stand against unqualified persons acting as auctioneers.
I think that these are the principal errors into which people who get up bazaars are liable to fall; but perhaps I ought to enlarge a little more upon stage-plays and the necessity for having a licence for their performance.
It is almost impossible to give any kind of a variety concert without unwittingly performing what is the legal equivalent of a stage-play; any song with dramatic action is a stage-play, and so are duologues and monologues, as distinguished from recitations.
Some people have an idea that so long as they do not take any money at the doors, they are quite safe and within the law in giving a performance in the cause of charity, but such is not the case. When money or other reward is taken or charged, directly or indirectly, or when the purchase of any article is made a condition for admission, the performers and the owner or occupier of the building render themselves liable to a fine.
This may sound very alarming, and would, no doubt, considerably startle those good ladies who lend their houses for performances for charitable objects in the season; but every time they do so, and anything in the nature of a stage-play is performed, they may be prosecuted and fined, although personally they take no benefit from such performances. The fact that they frequently do so with impunity does not affect the law on the matter, which is perfectly clear. Why it has not been altered before now, I am unable to say; hardly a day passes without its being broken, exemplifying the old proverb that “one man may steal a horse from a stable, and another may not look over the hedge.”
I know of a case where a gentleman who had turned part of his house into the Theatre Royal back drawing-room, and who permitted a performance of a play to be given on two occasions, to which admission was by ticket only, which could be obtained beforehand on payment of a fixed sum, in aid of the funds of a charity, was convicted and fined under the Act. The gentleman appealed against the conviction, but without success; the conviction was confirmed by the Court of the Queen’s Bench. So be warned, my dear Dorothy, and do not allow your friends to disregard my advice, and be assured that it is much better to avoid these risky entertainments altogether.
Your affectionate cousin,Bob Briefless.