FROCKS FOR TO-MORROW.

FROCKS FOR TO-MORROW.By“THE LADY DRESSMAKER.”Nowthat the sales are proceeding, there is always a lull in the production of novelties; and the shopkeepers set themselves to the work of disposing of their heaped-up stock, which, however, does not appear to me to be as plentiful as usual. This fact tends to prove that the past season, with its sunshine and brightness, was a good one, so far as they were concerned. While wending my way through several of the crowded shops, I gathered together, however, a few notes for my dress article, which show how ideas may trend in the coming days of early spring.TWO WARM GOWNS.I am inclined to think that the reign of the shaped flounce is perhaps nearly over. Never have its inconveniences been more shown than during the present winter, when those who wore them cut long enough to be in the fashion have been really encumbered by them, and wretched from the impossibility of holding them up. Certainly there were many who never even attempted to raise them and just simply let them drag in the dust or mud, and one shudders to think of what their feet and undergarments must have looked like, apart from the dress itself. Frenchwomen held their dresses up in the style of long ago, taking a good grip one hand on each side, the effect being most odd and funny.Just as many blouses have been worn as ever this winter underneath the ever-fashionable coat and skirt; and at the sales there has been quite as great a rush for the remnants of silk, which are always prepared for those occasions. Nothing can be more ornate than some of the blouses and fancy tea-jackets; and there seems to be a very generally united opinion that, having a proper skirt to wear with them, they are not an extravagant purchase, as they perform so many parts and are suitable for a variety of occasions.There are two new basques which, however, remind one more of the coat-tails of the ordinary dress-coat than of anything else. They go by the name of the “swallow tail” basque, and lie extremely flat; by no means could one wear any such thing as gathers beneath them on this particular account. They may be very long, or they may only measure about half a yard in length. The basques nearly meet in front, and are cut in one with the swallow tails; but when it is so cut, it is called by many people the “spoon-shaped basque.” However, I find in many of the French papers, as well as the English ones, that both are called by the all-covering name ofDirectoire—an epoch of time which describes many articles of dress of late years. I should not be surprised if these basques were much worn when the spring appears.The fancy for wearing tan shoes has been very remarkable this winter. Rather a dark wood-shade is worn—not too dark, but darker than was in vogue last season. Both glacé kid and calf are used; and, in any case, they should be of an extra good quality, as, otherwise, they will not stand the winter’s hard wear.I have not seen anyone “wearing the green” in walking shoes, and do not think they would be popular. The shoes and boots most liked seem to be of American make, which are said to be excellent in cut and fit, and, what is better still, to wear well; at any rate, it is the smart thing to wear them. I think the toes are smaller and sharper than ever; and the more pointed, the more stylish. One never hardly sees a small foot, for no one can wear anything but shoes far too long for them; as they really cannot become like Chinese ladies and obliterate their full-grown toes immediately!So far as millinery is concerned, the favourite hat or toque seems to be that turned up immediately in front over the forehead, and ornamented with a rosette, andgenerally a paste or steel buckle, or brooch. All the very smartest toques are trimmed with some kind of fur—sable, of course, for those who can manage it, then mink, and—perhaps the most fashionable of all—chinchilla, which, however, is rather a perishable fur. All of them are trimmed in the same way, with a big bunch of violets on one side, and some feathers. But I have just seen a sable-trimmed toque with a huge spray of moss-roses or buds, having their leaves mounted in front. This admixture of flowers and fur is one of the things our grandmothers would have shivered at.The fashionable flower of the season seems to be the violet as usual; and, next to that, quantities of roses are worn, both most unwintry flowers. The flame-coloured roses are very fine in their colouring, but do not seem to me to be becoming; the colour, though so fine, is a little hard. Very beautiful ostrich feathers are worn in the larger hats, but are laid on in such a light and airy manner as to make one feel they will be blown off in the first gale of wind.I notice numbers of Eton and other similar jackets, which the fine mild weather, so far, enables people to wear, and which look rather chilly. White veils and white lace ties are all worn, and also give the idea of summer rather than winter. However, it is as well to get out of our rather gloomy ideas of clothing, for, as it is, we wear far too much black; and the use of so much red this winter has been quite refreshing.The first illustration consists of a group of two seated figures. That on the left side has a grey cloth gown, with an orange-velvet yoke, much pointed in front and braided all over with ivory braid. Pointed epaulettes on the shoulders to match, and orange-coloured tabs, turned over at the collar. The dress is braided with grey braid of a darker shade in long and narrow points. The figure on the right side wears a gown of a very bright rose-crimson, with narrow astrachan edging on the bodice and the skirt. The sleeves are much tucked, the pointed space in front is filled in with white satin and ivory lace over it, points of white satin at the collar, and a band of black satin ribbon at the neck.A CRIMSON COAT.The group of two figures standing up inout-of-door apparel shows one of the pretty bright-crimson jackets that have been so much worn this winter. It is braided with black scrolls, and has revers of black astrachan, and a collar of the same. The hat is crimson and black, and the skirt is black, with a band of crimson heading the flounce. On the right side the figure wears a straight-cut jacket, with the ever-popular horizontal tucks, which compose the whole bodice of the jacket, and appear again on the top of the sleeve, in rather narrower form. The colour of this gown is the fashionable blue cloth, and the collar and edging of the revers are of Caracul, while the centres are of black velvet, braided with black. Several rows of tucks edge the skirt, and the hat is of grey velvet, trimmed with grey feathers, and turned up with blue velvet.One of the new arrivals in the trimming line is fringes of different widths and in colours to match the dresses for which they are required. I have also seen some new ribbons which are fringed at both edges. Although I say “fringes of different widths,” I must remark that I have not seen any wide ones—they are mostly narrow.Perhaps, before I conclude, I may say a few words about the dressing of the hair, which never was more prettily done. It is waved in large waves, and is dressed fairly high for the evening; but I have seen a tendency to wear it lower in the day. At any rate, we have much more liberty accorded to us just now, and we take the liberty of dressing our hair very much as it is becoming to ourselves individually; and this has led to its being much lowered.For young people, I notice that the hair is no longer permitted to stray wildly about, but it is tied at the back, at the nape of the neck; and for the evening it is tied in a Catogan loop, the hair at the top of the head being waved in large flutings. A very slight amount of what the Americans call “bangs” are allowed for young girls.Our third drawing presents one figure only, and it is dressed in a tailor-made bodice and skirt, which make of dresses is rising in favour day by day. The material of which it is made is a dark green cloth, which is cut at the edges of the short coat and sleeves into rounded scallops and machine-stitched, a green gimp being placed below; a white lace ruff is round the neck, and the hat—or, rather, toque—is of dark green velvet, with green feathers, and large posies of violets. The machine stitching applied to gowns this year is singularly perfect, and cannot be done at home. I am told that it is all accomplished by a single expert hand at the large and fashionable ladies’ tailors, as no inexpert person could be trusted with it.The latest fashionable fancy about the long gold chain is to wear it hanging down to its fullest length in front, and depending from it are a pencil, pen, or any such useful articles that the wearer may like to have at hand. The watered silk ribbons, with steel buckles or slides, have been more used than metal chains this winter for the muff, and they look far better and more ladylike.DARK GREEN CLOTH GOWN.

By“THE LADY DRESSMAKER.”

Nowthat the sales are proceeding, there is always a lull in the production of novelties; and the shopkeepers set themselves to the work of disposing of their heaped-up stock, which, however, does not appear to me to be as plentiful as usual. This fact tends to prove that the past season, with its sunshine and brightness, was a good one, so far as they were concerned. While wending my way through several of the crowded shops, I gathered together, however, a few notes for my dress article, which show how ideas may trend in the coming days of early spring.

TWO WARM GOWNS.

TWO WARM GOWNS.

TWO WARM GOWNS.

I am inclined to think that the reign of the shaped flounce is perhaps nearly over. Never have its inconveniences been more shown than during the present winter, when those who wore them cut long enough to be in the fashion have been really encumbered by them, and wretched from the impossibility of holding them up. Certainly there were many who never even attempted to raise them and just simply let them drag in the dust or mud, and one shudders to think of what their feet and undergarments must have looked like, apart from the dress itself. Frenchwomen held their dresses up in the style of long ago, taking a good grip one hand on each side, the effect being most odd and funny.

Just as many blouses have been worn as ever this winter underneath the ever-fashionable coat and skirt; and at the sales there has been quite as great a rush for the remnants of silk, which are always prepared for those occasions. Nothing can be more ornate than some of the blouses and fancy tea-jackets; and there seems to be a very generally united opinion that, having a proper skirt to wear with them, they are not an extravagant purchase, as they perform so many parts and are suitable for a variety of occasions.

There are two new basques which, however, remind one more of the coat-tails of the ordinary dress-coat than of anything else. They go by the name of the “swallow tail” basque, and lie extremely flat; by no means could one wear any such thing as gathers beneath them on this particular account. They may be very long, or they may only measure about half a yard in length. The basques nearly meet in front, and are cut in one with the swallow tails; but when it is so cut, it is called by many people the “spoon-shaped basque.” However, I find in many of the French papers, as well as the English ones, that both are called by the all-covering name ofDirectoire—an epoch of time which describes many articles of dress of late years. I should not be surprised if these basques were much worn when the spring appears.

The fancy for wearing tan shoes has been very remarkable this winter. Rather a dark wood-shade is worn—not too dark, but darker than was in vogue last season. Both glacé kid and calf are used; and, in any case, they should be of an extra good quality, as, otherwise, they will not stand the winter’s hard wear.

I have not seen anyone “wearing the green” in walking shoes, and do not think they would be popular. The shoes and boots most liked seem to be of American make, which are said to be excellent in cut and fit, and, what is better still, to wear well; at any rate, it is the smart thing to wear them. I think the toes are smaller and sharper than ever; and the more pointed, the more stylish. One never hardly sees a small foot, for no one can wear anything but shoes far too long for them; as they really cannot become like Chinese ladies and obliterate their full-grown toes immediately!

So far as millinery is concerned, the favourite hat or toque seems to be that turned up immediately in front over the forehead, and ornamented with a rosette, andgenerally a paste or steel buckle, or brooch. All the very smartest toques are trimmed with some kind of fur—sable, of course, for those who can manage it, then mink, and—perhaps the most fashionable of all—chinchilla, which, however, is rather a perishable fur. All of them are trimmed in the same way, with a big bunch of violets on one side, and some feathers. But I have just seen a sable-trimmed toque with a huge spray of moss-roses or buds, having their leaves mounted in front. This admixture of flowers and fur is one of the things our grandmothers would have shivered at.

The fashionable flower of the season seems to be the violet as usual; and, next to that, quantities of roses are worn, both most unwintry flowers. The flame-coloured roses are very fine in their colouring, but do not seem to me to be becoming; the colour, though so fine, is a little hard. Very beautiful ostrich feathers are worn in the larger hats, but are laid on in such a light and airy manner as to make one feel they will be blown off in the first gale of wind.

I notice numbers of Eton and other similar jackets, which the fine mild weather, so far, enables people to wear, and which look rather chilly. White veils and white lace ties are all worn, and also give the idea of summer rather than winter. However, it is as well to get out of our rather gloomy ideas of clothing, for, as it is, we wear far too much black; and the use of so much red this winter has been quite refreshing.

The first illustration consists of a group of two seated figures. That on the left side has a grey cloth gown, with an orange-velvet yoke, much pointed in front and braided all over with ivory braid. Pointed epaulettes on the shoulders to match, and orange-coloured tabs, turned over at the collar. The dress is braided with grey braid of a darker shade in long and narrow points. The figure on the right side wears a gown of a very bright rose-crimson, with narrow astrachan edging on the bodice and the skirt. The sleeves are much tucked, the pointed space in front is filled in with white satin and ivory lace over it, points of white satin at the collar, and a band of black satin ribbon at the neck.

A CRIMSON COAT.

A CRIMSON COAT.

A CRIMSON COAT.

The group of two figures standing up inout-of-door apparel shows one of the pretty bright-crimson jackets that have been so much worn this winter. It is braided with black scrolls, and has revers of black astrachan, and a collar of the same. The hat is crimson and black, and the skirt is black, with a band of crimson heading the flounce. On the right side the figure wears a straight-cut jacket, with the ever-popular horizontal tucks, which compose the whole bodice of the jacket, and appear again on the top of the sleeve, in rather narrower form. The colour of this gown is the fashionable blue cloth, and the collar and edging of the revers are of Caracul, while the centres are of black velvet, braided with black. Several rows of tucks edge the skirt, and the hat is of grey velvet, trimmed with grey feathers, and turned up with blue velvet.

One of the new arrivals in the trimming line is fringes of different widths and in colours to match the dresses for which they are required. I have also seen some new ribbons which are fringed at both edges. Although I say “fringes of different widths,” I must remark that I have not seen any wide ones—they are mostly narrow.

Perhaps, before I conclude, I may say a few words about the dressing of the hair, which never was more prettily done. It is waved in large waves, and is dressed fairly high for the evening; but I have seen a tendency to wear it lower in the day. At any rate, we have much more liberty accorded to us just now, and we take the liberty of dressing our hair very much as it is becoming to ourselves individually; and this has led to its being much lowered.

For young people, I notice that the hair is no longer permitted to stray wildly about, but it is tied at the back, at the nape of the neck; and for the evening it is tied in a Catogan loop, the hair at the top of the head being waved in large flutings. A very slight amount of what the Americans call “bangs” are allowed for young girls.

Our third drawing presents one figure only, and it is dressed in a tailor-made bodice and skirt, which make of dresses is rising in favour day by day. The material of which it is made is a dark green cloth, which is cut at the edges of the short coat and sleeves into rounded scallops and machine-stitched, a green gimp being placed below; a white lace ruff is round the neck, and the hat—or, rather, toque—is of dark green velvet, with green feathers, and large posies of violets. The machine stitching applied to gowns this year is singularly perfect, and cannot be done at home. I am told that it is all accomplished by a single expert hand at the large and fashionable ladies’ tailors, as no inexpert person could be trusted with it.

The latest fashionable fancy about the long gold chain is to wear it hanging down to its fullest length in front, and depending from it are a pencil, pen, or any such useful articles that the wearer may like to have at hand. The watered silk ribbons, with steel buckles or slides, have been more used than metal chains this winter for the muff, and they look far better and more ladylike.

DARK GREEN CLOTH GOWN.

DARK GREEN CLOTH GOWN.

DARK GREEN CLOTH GOWN.

ABOUT PEGGY SAVILLE.ByJESSIE MANSERGH (Mrs. G. de Horne Vaizey), Author of “Sisters Three,” etc.CHAPTER XX.Thenext morning, immediately after breakfast, Peggy went up to her own room to pack for her visit to the Larches. The long dress box, which had been stored away ever since its arrival, was brought out and its contents displayed to an admiring audience, consisting of Mrs. Asplin, Esther, Mellicent, and Mary the housemaid.Everything was there that the heart of girl could desire, and a mother’s forethought provide for her darling’s use when she was far away. A dress of cobweb Indian muslin embroidered in silk, a fan of curling feathers, a dear little satin pocket in which to keep the lace handkerchief, rolls of ribbons, dainty white shoes, with straggly silk stockings rolled into the toes.Peggy displayed one article after another, while Mellicent groaned and gurgled with delight, Mary exclaimed, “My, Miss Peggy, but you will be smart!” and Mrs. Asplin stifled a sigh at the thought of her own inferior preparations.Punctually at ten o’clock the carriage drove up to the door, and off Peggy drove, not altogether unwillingly, now that it had come to the pinch, for after all itispleasant to be appreciated, and when a great excitement is taking place in the neighbourhood, it is only human to wish to be in the thick of the fray.Lady Darcy welcomed her guest with gracious kindness, and as soon as she had taken off her hat and jacket in the dressing-room which was allotted to her use, she was taken straight away to the chief room, where the work of decoration was being carried briskly forward. The village joiner was fitting mirrors into the corners and hammering with deafening persistence, a couple of gardeners were arranging banks of flowers andpalms, and Rosalind stood in the midst of a bower of greenery, covered from head to foot in a smock of blue linen and with a pair of gardening gloves drawn over her hands.She gave a little cry of relief and satisfaction as Peggy entered.“Oh, Mawiquita, so glad you have come! Mother is so busy that she can’t be with me at all, and these wretched bwanches pwick my fingers! Do look wound, and say how it looks! This is really the servants’ hall, you know, as we have not a pwoper ballroom, and it is so square and high that it is perfectly dweadful to decowate! A long, narrow woom is so much better!”Peggy thought the arrangements tasteful and pretty; but she could not gush over the effect, which, in truth, was in no way original or striking. There seemed little to be done in the room itself, so she suggested an adjournment into the outer hall, which seemed to offer unique opportunities.“That space underneath the staircase!” she cried eagerly. “Oh, Rosalind, we could make it look perfectly sweet with all the beautiful Eastern things that you have brought home from your travels! Let us make a little harem, with cushions to sit on, and hanging lamps, and Oriental curtains for drapery. We could do it while the men are finishing this room, and be ready to come back to it after lunch.”“Oh, what a sweet idea! Mawiquita, you are quite too clever!” cried Rosalind, aglow with pleasure. “Let us begin at once. It will be ever so much more intewesting than hanging about here.”She thrust her hand through Peggy’s arm as she spoke, and the two girls went off on a tour through the house to select the most suitable articles for their decoration of the “harem.” There was no lack of choice, for the long suite of reception rooms was full of treasures, and Peggy stopped every few minutes to point with a small forefinger and say, “That screen, please! That table! That stool!” to the servants who had been summoned in attendance. The smaller things, such as ornaments, table-cloths, and lamps she carried herself, while Rosalind murmured sweetly, “Oh, don’t twouble! You mustn’t, weally! Let me help you!” and stood with her arms hanging by her side, without showing the faintest sign of giving the offered help.As the morning passed away, Peggy found indeed that the Honourable Miss Darcy was a broken reed to lean upon in the way of assistance. She sat on a stool and looked on while the other workers hammered, and pinned, and stitched—so that Peggy’s prophecy as to her own subordinate position was exactly reversed, and the work of supervision was given entirely into her hands.It took nearly two hours to complete the decorations of the “harem,” but, when all was finished, the big, ugly space beneath the staircase was transformed into as charming a nook as it is possible to imagine. Pieces of brilliant flag embroidery from Cairo draped the further wall, a screen of carved work shut out the end of the passage, gauzy curtains of gold and blue depended in festoons from the ascending staircase and stopped just in time to leave a safe place for a hanging lamp of wrought iron and richly-coloured glass. On the floor were spread valuable rugs and piles of bright silken cushions, while on an inlaid table stood a real Turkish hookah and a brass tray with the little egg-shaped cups out of which travellers in the East are accustomed to sip the strong black coffee of the natives.Peggy lifted the ends of her apron in her hands and executed a dance of triumph on her own account when all was finished, and Rosalind said, “Weally, we have been clever! I think we may be proud of ourselves!” in amiable effusion.The two girls went off to luncheon in a state of halcyon amiability which was new indeed in the history of their acquaintance, and Lady Darcy listened with an amused smile to their rhapsodies on the subject of the morning’s work, promising faithfully not to look at anything until the right moment should arrive and she should be summoned to gaze and admire.By the time that the workers were ready to return to the room, the men had finished the arrangements at which they had been at work before lunch, and were beginning to tack festoons of evergreens along the walls, the dull paper of which had been covered with fluting of soft pink muslin. The effect was heavy and clumsy in the extreme, and Rosalind stamped her foot with an outburst of fretful anger.“Stop putting up those wreaths! Stop at once! They are simply hideous! It weminds me of a penny weading in the village school-woom! You might as well put up ‘God save the Queen’ and ‘A Mewwy Chwistmas’ at once! Take them down this minute, Jackson! I won’t have them!”The man touched his forehead, and began pulling out the nails in half-hearted fashion.“Very well, miss, as you wish. Seems a pity, though, not to use ’em, for it took me all yesterday to put ’em together. It’s a sin to throw ’em away.”“I won’t have them in the house if they took you a week!” Rosalind replied sharply, and she turned on her heel and looked appealingly in Peggy’s face. “It’s a howwid failure! The woom looks so stiff and stwaight—like a pink box with nothing in it! Mother won’t like it a bit. What can we do to make it better?”Peggy scowled, pursed up her lips, pressed her hand to her forehead, and strode up and down the room, rolling her eyes from side to side, and going through all the grimaces of one in search of inspiration. Rosalind was right; unless some device were found by which the shape of the room could be disfigured, the decorations must be pronounced more or less a failure. She craned her head to the ceiling, and suddenly beamed in triumph.“I have it! The very thing! We will fasten the garlands to that middle beam, and loop up the ends at intervals all round the walls. That will break the squareness and make the room look like a tent, with a ceiling of flowers.”“Ah-h!” cried Rosalind; and clasped her hands with a gesture of relief. “Of course! The vewy thing! We ought to have thought of it at the beginning. Get the ladder at once, Jackson, and put in a hook or wing, or something to hold the ends, and be sure that it is strong enough. What a good thing that the weaths are weady. You see, your work will not be wasted after all.”She was quite gracious in her satisfaction, and for the next two hours she and Peggy were busily occupied superintending the hanging of the evergreen wreaths and in arranging bunches of flowers to be placed at each point where the wreaths were fastened to the wall. At the end of this time, Rosalind was summoned to welcome the distinguished visitors who had arrived by the afternoon train. She invited Peggy to accompany her to the drawing-room, but in a hesitating fashion, and with a glance round the disordered room, which said, as plainly as words could do, that she would be disappointed if the invitation were accepted, and Peggy, transformed in a moment into a poker of pride and dignity, declared that she would prefer to remain where she was until all was finished.“Well, it weally would be better, wouldn’t it? I will have a tway sent in to you here, and do, Mawiquita, see that evewything is swept up and made tidy at once, for I shall bring them in to look wound diwectly after tea, and we must have the wooms tidy!”Rosalind tripped away, and Peggy was left to herself for a lonely and troublesome hour. The tea-tray was brought in and she was just seating herself before an impromptu table, when up came a gardener to say that one of “these ’ere wreaths seemed to hang uncommon near the gas bracket. It didn’t seem safe like.” And off she went in a panic of consternation to see what could be done. There was nothing for it but to move the wreath some inches further away, which involved moving the next also, and the next, and the next, so as to equalise the distances as much as possible, and by the time that they were settled to Peggy’s satisfaction, lo, table and tray had been whisked out of sight by some busy pair of hands, and only a bare space met her eyes. This was blow number one, for after working hard all afternoon, tea and cake come as a refreshment which one would not readily miss. She cheered herself, however, by putting dainty finishing touches here and there, seeing that the lamp was lighted in the “harem” outside, and was busy placing fairy lamps among the shrubs which were to screen the band, when a babel of voices from outside warned her that the visitors were approaching. Footsteps came nearer and nearer, and a chorus of exclamations greeted the sight of the “harem.” The door stood open, Peggy waited for Rosalind’s voice to call and bid her share the honours,but no summons came. She heard Lady Darcy’s exclamation, and the quick, strong tones of the strange Countess.“Charming, charming; quite a stroke of genius! I never saw a more artistic little nook. What made you think of it, my dear?”“Ha!” said Peggy to herself, and took a step forward, only to draw back in dismay, as a light laugh reached her ear, followed by Rosalind’s careless—“Oh, I don’t know; I wanted to make it pwetty, don’t you know; it was so dweadfully bare, and there seemed no other way.”Then there was a rustle of silk skirts, and the two ladies entered the room, followed by their respective daughters, Rosalind beautiful and radiant, and the Ladies Berkhampton with their chins poked forward, and their elbows thrust out in ungainly fashion. They paused on the threshold and every eye travelled up to the wreath-decked ceiling. A flush of pleasure came into Lady Darcy’s pale cheeks, and she listened to the Countess’s compliments with sparkling eyes.“It is all the work of this clever child,” she said, laying her hand fondly on Rosalind’s shoulder. “I have had practically nothing to do with the decorations. This is the first time I have been in the room to-day, and I had no idea that the garlands were to be used in this way. I thought they were for the walls.”“I congratulate you, Rosalind! You are certainly very happy in your arrangements,” said the Countess cordially. Then she put up her eyeglass and stared inquiringly at Peggy, who stood by with her hair fastened back in its usual pig-tail, and a big white apron pinned over her dress.“She thinks I am the kitchen-maid!” said Peggy savagely to herself; but there was little fear of such a mistake, and the moment that Lady Darcy noticed the girl’s presence, she introduced her kindly enough, if with somewhat of a condescending air.“This is a little friend of Rosalind’s who has come up to help. She is fond of this sort of work,” she said; then, before any of the strangers had time to acknowledge the introduction, she added hastily, “And now I am sure you must all be tired after your journey, and will be glad to go to your rooms and rest. It is quite wicked of me to keep you standing. Let me take you upstairs at once!”They sailed away with the same rustle of garments, the same babel of high-toned voices, and Peggy stood alone in the middle of the deserted room. No one had asked her to rest, or suggested that she might be tired; she had been overlooked and forgotten in the presence of the distinguished visitor. She was only a little girl who was “fond” of this sort of work, and, it might be supposed, was only too thankful to be allowed to help. The house sank into silence. She waited for half an hour longer in the hope that someone would remember her presence, and then, tired, hungry, and burning with repressed anger, crept upstairs to her own little room and fell asleep upon the couch.(To be continued.)

ByJESSIE MANSERGH (Mrs. G. de Horne Vaizey), Author of “Sisters Three,” etc.

Thenext morning, immediately after breakfast, Peggy went up to her own room to pack for her visit to the Larches. The long dress box, which had been stored away ever since its arrival, was brought out and its contents displayed to an admiring audience, consisting of Mrs. Asplin, Esther, Mellicent, and Mary the housemaid.

Everything was there that the heart of girl could desire, and a mother’s forethought provide for her darling’s use when she was far away. A dress of cobweb Indian muslin embroidered in silk, a fan of curling feathers, a dear little satin pocket in which to keep the lace handkerchief, rolls of ribbons, dainty white shoes, with straggly silk stockings rolled into the toes.

Peggy displayed one article after another, while Mellicent groaned and gurgled with delight, Mary exclaimed, “My, Miss Peggy, but you will be smart!” and Mrs. Asplin stifled a sigh at the thought of her own inferior preparations.

Punctually at ten o’clock the carriage drove up to the door, and off Peggy drove, not altogether unwillingly, now that it had come to the pinch, for after all itispleasant to be appreciated, and when a great excitement is taking place in the neighbourhood, it is only human to wish to be in the thick of the fray.

Lady Darcy welcomed her guest with gracious kindness, and as soon as she had taken off her hat and jacket in the dressing-room which was allotted to her use, she was taken straight away to the chief room, where the work of decoration was being carried briskly forward. The village joiner was fitting mirrors into the corners and hammering with deafening persistence, a couple of gardeners were arranging banks of flowers andpalms, and Rosalind stood in the midst of a bower of greenery, covered from head to foot in a smock of blue linen and with a pair of gardening gloves drawn over her hands.

She gave a little cry of relief and satisfaction as Peggy entered.

“Oh, Mawiquita, so glad you have come! Mother is so busy that she can’t be with me at all, and these wretched bwanches pwick my fingers! Do look wound, and say how it looks! This is really the servants’ hall, you know, as we have not a pwoper ballroom, and it is so square and high that it is perfectly dweadful to decowate! A long, narrow woom is so much better!”

Peggy thought the arrangements tasteful and pretty; but she could not gush over the effect, which, in truth, was in no way original or striking. There seemed little to be done in the room itself, so she suggested an adjournment into the outer hall, which seemed to offer unique opportunities.

“That space underneath the staircase!” she cried eagerly. “Oh, Rosalind, we could make it look perfectly sweet with all the beautiful Eastern things that you have brought home from your travels! Let us make a little harem, with cushions to sit on, and hanging lamps, and Oriental curtains for drapery. We could do it while the men are finishing this room, and be ready to come back to it after lunch.”

“Oh, what a sweet idea! Mawiquita, you are quite too clever!” cried Rosalind, aglow with pleasure. “Let us begin at once. It will be ever so much more intewesting than hanging about here.”

She thrust her hand through Peggy’s arm as she spoke, and the two girls went off on a tour through the house to select the most suitable articles for their decoration of the “harem.” There was no lack of choice, for the long suite of reception rooms was full of treasures, and Peggy stopped every few minutes to point with a small forefinger and say, “That screen, please! That table! That stool!” to the servants who had been summoned in attendance. The smaller things, such as ornaments, table-cloths, and lamps she carried herself, while Rosalind murmured sweetly, “Oh, don’t twouble! You mustn’t, weally! Let me help you!” and stood with her arms hanging by her side, without showing the faintest sign of giving the offered help.

As the morning passed away, Peggy found indeed that the Honourable Miss Darcy was a broken reed to lean upon in the way of assistance. She sat on a stool and looked on while the other workers hammered, and pinned, and stitched—so that Peggy’s prophecy as to her own subordinate position was exactly reversed, and the work of supervision was given entirely into her hands.

It took nearly two hours to complete the decorations of the “harem,” but, when all was finished, the big, ugly space beneath the staircase was transformed into as charming a nook as it is possible to imagine. Pieces of brilliant flag embroidery from Cairo draped the further wall, a screen of carved work shut out the end of the passage, gauzy curtains of gold and blue depended in festoons from the ascending staircase and stopped just in time to leave a safe place for a hanging lamp of wrought iron and richly-coloured glass. On the floor were spread valuable rugs and piles of bright silken cushions, while on an inlaid table stood a real Turkish hookah and a brass tray with the little egg-shaped cups out of which travellers in the East are accustomed to sip the strong black coffee of the natives.

Peggy lifted the ends of her apron in her hands and executed a dance of triumph on her own account when all was finished, and Rosalind said, “Weally, we have been clever! I think we may be proud of ourselves!” in amiable effusion.

The two girls went off to luncheon in a state of halcyon amiability which was new indeed in the history of their acquaintance, and Lady Darcy listened with an amused smile to their rhapsodies on the subject of the morning’s work, promising faithfully not to look at anything until the right moment should arrive and she should be summoned to gaze and admire.

By the time that the workers were ready to return to the room, the men had finished the arrangements at which they had been at work before lunch, and were beginning to tack festoons of evergreens along the walls, the dull paper of which had been covered with fluting of soft pink muslin. The effect was heavy and clumsy in the extreme, and Rosalind stamped her foot with an outburst of fretful anger.

“Stop putting up those wreaths! Stop at once! They are simply hideous! It weminds me of a penny weading in the village school-woom! You might as well put up ‘God save the Queen’ and ‘A Mewwy Chwistmas’ at once! Take them down this minute, Jackson! I won’t have them!”

The man touched his forehead, and began pulling out the nails in half-hearted fashion.

“Very well, miss, as you wish. Seems a pity, though, not to use ’em, for it took me all yesterday to put ’em together. It’s a sin to throw ’em away.”

“I won’t have them in the house if they took you a week!” Rosalind replied sharply, and she turned on her heel and looked appealingly in Peggy’s face. “It’s a howwid failure! The woom looks so stiff and stwaight—like a pink box with nothing in it! Mother won’t like it a bit. What can we do to make it better?”

Peggy scowled, pursed up her lips, pressed her hand to her forehead, and strode up and down the room, rolling her eyes from side to side, and going through all the grimaces of one in search of inspiration. Rosalind was right; unless some device were found by which the shape of the room could be disfigured, the decorations must be pronounced more or less a failure. She craned her head to the ceiling, and suddenly beamed in triumph.

“I have it! The very thing! We will fasten the garlands to that middle beam, and loop up the ends at intervals all round the walls. That will break the squareness and make the room look like a tent, with a ceiling of flowers.”

“Ah-h!” cried Rosalind; and clasped her hands with a gesture of relief. “Of course! The vewy thing! We ought to have thought of it at the beginning. Get the ladder at once, Jackson, and put in a hook or wing, or something to hold the ends, and be sure that it is strong enough. What a good thing that the weaths are weady. You see, your work will not be wasted after all.”

She was quite gracious in her satisfaction, and for the next two hours she and Peggy were busily occupied superintending the hanging of the evergreen wreaths and in arranging bunches of flowers to be placed at each point where the wreaths were fastened to the wall. At the end of this time, Rosalind was summoned to welcome the distinguished visitors who had arrived by the afternoon train. She invited Peggy to accompany her to the drawing-room, but in a hesitating fashion, and with a glance round the disordered room, which said, as plainly as words could do, that she would be disappointed if the invitation were accepted, and Peggy, transformed in a moment into a poker of pride and dignity, declared that she would prefer to remain where she was until all was finished.

“Well, it weally would be better, wouldn’t it? I will have a tway sent in to you here, and do, Mawiquita, see that evewything is swept up and made tidy at once, for I shall bring them in to look wound diwectly after tea, and we must have the wooms tidy!”

Rosalind tripped away, and Peggy was left to herself for a lonely and troublesome hour. The tea-tray was brought in and she was just seating herself before an impromptu table, when up came a gardener to say that one of “these ’ere wreaths seemed to hang uncommon near the gas bracket. It didn’t seem safe like.” And off she went in a panic of consternation to see what could be done. There was nothing for it but to move the wreath some inches further away, which involved moving the next also, and the next, and the next, so as to equalise the distances as much as possible, and by the time that they were settled to Peggy’s satisfaction, lo, table and tray had been whisked out of sight by some busy pair of hands, and only a bare space met her eyes. This was blow number one, for after working hard all afternoon, tea and cake come as a refreshment which one would not readily miss. She cheered herself, however, by putting dainty finishing touches here and there, seeing that the lamp was lighted in the “harem” outside, and was busy placing fairy lamps among the shrubs which were to screen the band, when a babel of voices from outside warned her that the visitors were approaching. Footsteps came nearer and nearer, and a chorus of exclamations greeted the sight of the “harem.” The door stood open, Peggy waited for Rosalind’s voice to call and bid her share the honours,but no summons came. She heard Lady Darcy’s exclamation, and the quick, strong tones of the strange Countess.

“Charming, charming; quite a stroke of genius! I never saw a more artistic little nook. What made you think of it, my dear?”

“Ha!” said Peggy to herself, and took a step forward, only to draw back in dismay, as a light laugh reached her ear, followed by Rosalind’s careless—

“Oh, I don’t know; I wanted to make it pwetty, don’t you know; it was so dweadfully bare, and there seemed no other way.”

Then there was a rustle of silk skirts, and the two ladies entered the room, followed by their respective daughters, Rosalind beautiful and radiant, and the Ladies Berkhampton with their chins poked forward, and their elbows thrust out in ungainly fashion. They paused on the threshold and every eye travelled up to the wreath-decked ceiling. A flush of pleasure came into Lady Darcy’s pale cheeks, and she listened to the Countess’s compliments with sparkling eyes.

“It is all the work of this clever child,” she said, laying her hand fondly on Rosalind’s shoulder. “I have had practically nothing to do with the decorations. This is the first time I have been in the room to-day, and I had no idea that the garlands were to be used in this way. I thought they were for the walls.”

“I congratulate you, Rosalind! You are certainly very happy in your arrangements,” said the Countess cordially. Then she put up her eyeglass and stared inquiringly at Peggy, who stood by with her hair fastened back in its usual pig-tail, and a big white apron pinned over her dress.

“She thinks I am the kitchen-maid!” said Peggy savagely to herself; but there was little fear of such a mistake, and the moment that Lady Darcy noticed the girl’s presence, she introduced her kindly enough, if with somewhat of a condescending air.

“This is a little friend of Rosalind’s who has come up to help. She is fond of this sort of work,” she said; then, before any of the strangers had time to acknowledge the introduction, she added hastily, “And now I am sure you must all be tired after your journey, and will be glad to go to your rooms and rest. It is quite wicked of me to keep you standing. Let me take you upstairs at once!”

They sailed away with the same rustle of garments, the same babel of high-toned voices, and Peggy stood alone in the middle of the deserted room. No one had asked her to rest, or suggested that she might be tired; she had been overlooked and forgotten in the presence of the distinguished visitor. She was only a little girl who was “fond” of this sort of work, and, it might be supposed, was only too thankful to be allowed to help. The house sank into silence. She waited for half an hour longer in the hope that someone would remember her presence, and then, tired, hungry, and burning with repressed anger, crept upstairs to her own little room and fell asleep upon the couch.

(To be continued.)

OUR LILY GARDEN.PRACTICAL AIDS TO THE CULTURE OF LILIES.ByCHARLES PETERS.Thefirst group of lilies, “Cardiocrinum,” contains but two lilies. These two plants strongly resemble each other but are both totally different from any other species.Many years ago, long before we ever dreamed of growing lilies ourselves, we first made acquaintance with the magnificentLilium Giganteum.We had been walking all day in the south of Hertfordshire, and as evening was approaching we turned to retrace our steps. But the district was new to us, and we found that we had wandered many miles from our path. We looked about us for someone of whom to ask our way, but the road was deserted save for ourselves. We trudged onwards for about a mile, and seeing a cottage a short way ahead, we determined to ask our way of one of its inhabitants.It was about eight o’clock in the evening of a broiling hot day in the beginning of July. We opened the gate, approached the house, and knocked at the door. But the house was apparently empty, for our knock was unheeded and there was no sign nor sound of any person in the house. We knocked again, but this summons also being futile, we walked round the house and entered the back garden. It was a beautiful garden, one of those old gardens in which flowers have been cultivated for centuries, and in which the most beautiful of garden-plants seem as much at home as do the weeds in our country lanes.But it was not the flowers, nor the well-kept lawn, which arrested our attention. On turning round the house we had become aware of an intense fragrance not unlike that of the lily of the valley, but many times more powerful. We glanced around to discover what plant it was which exhaled this perfume, and for a few minutes we were unable to discover it. But on turning our gaze towards the opposite corner of the garden, we saw a magnificent clump of the giant lily under the shade of three tall lime-trees. There were five spikes, the shortest of which was over five feet high, each surmounted with from ten to twelve blossoms like bells of shining wax.We approached the spot and stood admiring this glorious plant for many minutes. But the remembrance that we had lost our way was gradually forced upon us, and we left the lilies, filled with an admiration for them which will never tarnish. We found no one in the garden, but eventually we discovered the right way home.The next year we tried to find this cottage and revisit the lilies, but we have never to this day been able to find it.We did not again behold this wonderful lily till July, 1898, when we flowered a single one in our own garden. This specimen did not exceed four feet in height, but it matured nine perfect blossoms.TheLilium Giganteum, the giant lily of the Himalayas may well stand at the head of the genus. Its blossoms are perhaps not so fine as those of some other species, but in foliage, in growth and in fragrance it is second to none.The bulb of this species is about the size of a very large cocoa-nut, but varies considerably in size according to whether it is going to flower the next season or not. The bulb consists of few scales, which are large, fibrous, and of a dark russet hue. The tops of the scales have a rotten-looking appearance. The bulb is very compact, hard and heavy.About the middle of March the plant begins to show above ground. Its appearance after this varies considerably. If it is not going to flower it puts up a large mass of fine, deep, glossy green leaves, which somewhat resemble those of the White Arum. These leaves are heart-shaped, very glossy, many-nerved and distinctly stalked. The lily will probably repeat this process next year, and perhaps the next too; but if it has been well attended to, in the third or fourth year it will put up a flower-spike. When the stem first shows it has an appearance very similar to a small lettuce. It grows very rapidly and attains its full height about the beginning of July.When full grown this lily has a very noble appearance. Its stem is from four to fourteen feet high, perfectly straight and gradually tapering from its base, where it is one to three inches in diameter, to its top, which narrows almost to a point.Three distinct forms of leaves are borne on this stem. The lower ones resemble the leaves sent up in the non-flowering years. The upper leaves are smaller, less heart-shaped and with stalks. The third set of leaves, the bracts, enclose the flower buds. These are simple sessile leaves which fall off when the flowers open.The flowers vary in number from four to twenty. They are borne directly on the stem, without separate stalks. They are from six to nine inches long, of a pure white externally, slightly tinged with green near their attachments. Inside they are creamy white, with a broad streak of a rich claret colour down the centre of each petal. The pollen is yellow. The scent of this lily is intensely fragrant and almost overpowering. The seeds are flat and triangular with broad membranous wings.The tips of the perianth are very slightly reflexed. In most drawings of this lily the flowers are made to look like those ofL. Longiflorum, but they are quite different, being long and narrow, with very slightly reflexed petals and sepals.It is often said in books that the bulb of this lily dies after once flowering, but this is not correct. The central part of the bulb does rot, but two or three small bulblets are left at its margin, which will in favourable circumstances grow and eventually flower.This lily is a native of the Himalayas growing at a height of five to ten thousand feet above the sea-level.The cultivation of this lily presents some difficulties, but surely it is worth while to givea little trouble to grow such a superb plant? We very rarely see it in cultivation, but in our garden it shall always find a home.A plant growing in such a robust manner as this lily is not suitable for a flower-bed. It should be grown by itself in a shady nook. A clump of two or three looks very lovely, and it is possible to arrange matters so as to have at least one flowering spike every year.It is not quite hardy, except in our southern counties, but it rarely needs more protection than a heap of bracken or other litter thrown over it in the winter.If you wish to grow this lily, choose a suitable spot and dig out the earth to the depth of four feet. Fill in with a mixture of strong loam, decayed leaf mould and the remains of a hot-bed. To this add a little peat and plenty of sharp sand. The plant is a gross feeder and literally revels in “muck.” An occasional drenching with liquid manure is often very helpful. It requires large quantities of water during the growing period.ResemblingL. Giganteumso closely that formerly it was considered as a variety of that plant, but vastly inferior in every way,L. Cordifoliumis the only other lily possessing heart-shaped leaves.The bulb ofL. Cordifoliumis like that ofL. Giganteum, but is scarcely a fourth the size.Its leaves also resemble those ofL. Giganteum, but the base leaves are not so numerous, and the lower ones are congregated into a whorl. The upper leaves are irregularly scattered. The lowest leaves are curiously marked with a deep mahogany hue, which is never present in those ofL. Giganteum, and which helps to distinguish between the two plants. The leaves are even more cordate than are those ofL. Giganteum, especially the lower ones which form a very tolerable image of the “artistic” heart.The stem grows to about three or four feet high, and bears at its summit from two to six flowers somewhat like those ofL. Giganteum, but smaller, poorer, and marked on the inside with brown rather than claret-colour. The flowers open wider than do those ofL. Giganteum, and are incomparably less beautiful. This lily is a native of Japan and China.It is decidedly a scarce lily, and is exceedingly difficult to flower. We have not succeeded in flowering it ourselves, but a solitary bulb that we possess sent up last summer a fair crop of its curious leaves.This plant would look well in a mass grown in much the same way asL. Giganteum, but we have never tried it in the ground, and so cannot speak from experience in this particular.Altogether it is so far inferior toL. Giganteum, more difficult to grow and much less effective that we do not recommend its culture to any but enthusiasts. It is not a hardy lily and requires some protection in winter. It begins to send up its leaves very early in spring, and these must be protected at this season from frosts, and later from the wind and sun.BothL. GiganteumandL. Cordifoliumcan be grown in pots, but the great size of the former and comparative poorness of the latter render both unsuitable for this form of culture.Eulirion—beautiful lily! What an appropriate name for the superb plants contained in this group! Beautiful lilies they are indeed, beautiful in shape, in colour and in scent! What flowers will you compare with the members of this group? None of the priceless orchids or choice stove plants are anything like so beautiful as these misunderstood and grossly neglected lilies!Lilium Henryi.First among theEulirionsstandsL. Longiflorumand its many varieties. This together withL. Formosanum,L. Philippinense,L. WallichianumandL. Neilgherrenseform a group of plants having many characteristics in common, and all very different from the rest of the genus.The lilies of this group are all low-growing, rarely exceeding four feet in height. The flowers which are white or pale yellow are usually solitary, but some varieties ofLilium Longiflorumbear as many as five or six blossoms on each stem. The leaves are linear, smooth and numerous, scattered and are all similar. These lilies are natives of Western Asia.L. Longiflorum, the most important member of the group named after it, is one of the best known and highly appreciated members of the genus. It is usually grown as a pot plant. But why? Why do we so rarely see this plant in the garden? Oh, it is so tender! It will not stand our winters! It dwindles so when grown in the open! Nonsense! This lily is perfectly hardy and is admirably suited to the open ground. But you do notdo well with this plant because you will choose the only variety of it which cannot stand our climate.To most personsL. Longiflorumis synonymous withL. Harrisii. But the latter plant is only one form, and is a rather unsatisfactory form ofL. Longiflorum.L. Harrisiiis a variety ofL. Longiflorumaltered by having been grown in the tropical climate of Bermuda. It is a hardy lily rendered tender by coddling. It is undoubtedly a fine variety for the greenhouse, but it is nothing like so fine as some of the other forms ofL. Longiflorum.Although this lily is undoubtedly “long-flowered,” it hardly deserves the specific title ofLongiflorum, for it is the least long-flowered of the five plants placed in the same group as itself.The bulb of this lily presents no deviation from the typical bulb. Indeed it is the typical lily-bulb.The great number of varieties of this lily, though all are somewhat similar, yet possess considerable differences in regard to their growth, the size and number of their flowers and their period of blossoming.The varietyHarrisiiis very fine. It flowers very early and produces three or four blossoms on each stem. The individual flowers are large and finely curved, but they are a little thin and green. When grown in the open, this variety sends up its shoots in February, and they are almost invariably killed by late frosts.Another variety, calledPraecoxis similar toHarrisii, but more hardy. It flowers in the open in June and July.The majority ofLongiflorumbulbs received from Japan belong to the variety called, “Giganteum,” but the name is hardly appropriate, for this variety is not so large or fine as some others. For the flower-garden this variety is the most generally valuable. It is tall, robust, free-flowering, perfectly hardy and exceedingly cheap.Last year we had a small hill-side covered with these lilies, and the effect was delightful. Although we cut several the bed was always gay with blossoms. They flowered in the beginning of August, producing from two to five flowers each, of a pure rich white, not greenish like the flowers ofHarrisii, very large and sweet scented. They were not injured by a spell of three days’ rain which occurred in the middle of their flowering-time.L. Takesimais a late floweringLongiflorum. It can readily be distinguished from the other varieties by the purple tint of its stem and flower buds. It is very free-flowering; one of our spikes contained six blossoms, all of which were matured.Of all the varieties ofLongiflorumnone other is to be compared with that known as “Wilsoni” or “Eximium.” This is a perfectly lovely plant. As we are writing there is a specimen of this lily on the table before us. It is in a pot and is the result of a single bulb. There are eight blossoms, not one of which is aught but perfect. The blossoms are very long and possess the scent of lilac.Among the other varieties ofL. Longiflorumwhich we have grown there is one which, as far as we are aware, is unnamed. We bought ten bulbs of “Lilium Longiflorum, New Variety,” at an auction for half-a-crown. Most of the bulbs produced fair but ordinary results; but one which was grown in a pot was quite different from any variety that we know. This bulb sent up two spikes, each bearing two blossoms, but unfortunately one spike was spoilt by green fly. The other matured its two flowers. They were very long, almost as long as those ofL. Philippinense, that is, about nine inches long. They were pure white at their open end, but greenish towards their attachment. The petals were much longer than the sepals, but not so strongly curved. Whether this is the “new variety,” or is a bulb ofL. FormosanumorPhilippinenseout of place, we cannot tell.One of the finest plants for the table that we know, both when in flower and previously, is the variety ofL. Longiflorumwith white-margined leaves. In this plant the centres of the leaves are an opaque pale green, and the margins are pure white. The buds show a similar colouration. Unlike most plants with variegated foliage, this lily has very fine blossoms of a dead white colour, but with curious transparent edges. Each bulb usually produces two flowers.We cannot too strongly emphasise the extreme beauty of this species. Whether as cut flowers, in pots or in the garden, it is one of the loveliest of natural objects.All lilies make good cut flowers and last well in water, but theL. Longiflorumispar excellencethe lily for cutting. For all forms of floral decoration it is unrivalled, and of all flowers it is most suitable for church decoration.During last July, on the occasion of an organ recital at our village church, we gathered a bunch of our lilies for decoration. There were about thirty flowers in all, chieflyL. LongiflorumandL. Brownii. The effect of them was exceedingly pure and beautiful, and many persons, both cottagers and those possessing gardens far larger than our own, remarked upon the grace and elegance of the lilies. Yet every person in that church could have grown those lilies, and for a few shillings’ outlay the church could be decorated with lilies throughout the summer.London florists have a pernicious habit of removing the anthers from their lilies, because they say that the pollen gets rubbed off and dirties the petals. It is a great mistake to disfigure a lily in this way. It utterly ruins the appearance of white lilies, for it robs them of the one particle of colour which is so much needed to set off the white of their perianth. If you are afraid of the pollen injuring the appearance of the lily, you can wrap the floral organs in tissue paper when the plants are being moved from one place to another. But do not spoil the flower. Anybody with the smallest appreciation for this plant would far rather see the white leaves covered with yellow dust than the lily mutilated by having its centre removed.The cultivation ofL. Longiflorumpresents but few difficulties. In the ground it needs a well-drained spot, but is not particular as to soil. A fairly rich soil is really the best for this lily, for in such soil it does not dwindle so much as it does in a light soil.In some places where it is otherwise impossible to flower this plant, success may be obtained by growing it in a mixture of sand, peat, and leaf-mould, so light that the hand can easily be forced below the bulbs.This lily is more often grown in pots than in the ground. In this case do not put three large bulbs into one small pot, as is so often done. The lilies must starve in such a prison, and though they may flower one year, they will not do so again.You must grow lilies in large pots. It is often said that bulbs are smaller when they have grown a year in pots than they were when first planted. This is not true if plenty of room be given to the bulb to develop. It is only true when two or three bulbs have been cramped in a small pot not sufficiently large to grow one bulb properly. OurLongiflorumbulbs grown in pots increase in size and produce numerous small bulblets.It is unfortunately true that whether grown in pots or in the ground,L. Longiflorumtends to degenerate. It blossoms well the first year, produces a wretched show the second year, and after that it fails to come up at all.Now we think that the reasons for this are not beyond our powers to grapple with. In the first place the hardier varieties should be chosen.L. Harrisiialways dwindles because it is a tropical plant and will not grow in our cold clime. In the second place the bulbs should be dug up every second year, separated, and replanted in fresh soil.After all, it is no great matter if this lily will not flower more than twice, for the bulbs are exceedingly cheap and readily procurable.Last year we obtained some bulbs of a species of lily much resemblingL. Longiflorum, from the island of Formosa. We planted one in a pot and the rest in the ground.Unfortunately the former came to nothing, and as our garden is so full of lilies, we were rather at a loss to identify some species. One spike which we came to the conclusion belonged to this species was intermediate in form between theTakesimavariety ofL. LongiflorumandL. Philippinense, but its blossoms were smaller than those of either. If this is the trueL. Formosanum, it is certainly but a variety ofL. Longiflorum, and not a distinct species.On the mountain slopes of the north of the Philippine Islands is found a lily of very great beauty and elegance. It has not long been cultivated in England, and even at the present day it is exceedingly rarely seen in this country. We have never possessed this lily; indeed we have only once seen it in flower, but the sight of it was sufficient to engender a determination to possess it at the earliest possibility.L. Philippinenseis a low-growing lily, barely exceeding a foot in height. It never, to our knowledge, bears more than a solitary blossom, but that one blossom is so fine that its beauty makes ample recompense for the paucity of flowers.The flower resembles that ofL. Longiflorum, but is much longer and more tube-like. The specimen that we saw was eleven inches long. It is a very pale greenish-white, the apex of the tube being yellow. The petals are about an inch and a half longer than the sepals, and both petals and sepals are equally re-curved.This lily, although a native of the tropics, should prove hardy in our southern countries, but it would be unwise to trust this rare lily out-of-doors. It is usually grown in a greenhouse, in a light sandy soil.Of its cultivation we know nothing, as we have never ourselves possessed the plant.The next lily is one of the most magnificent of the whole genus. It was discovered in the Himalayas by Hamilton in 1802, and twenty years later it was named in honour of Mr. Wallich, a great authority on lilies.Lilium Wallichianumis the finest of the long-flowered lilies. It grows to the height of four to six feet, with a brown glossy stem and numerous lanceolate leaves. It starts growing very late in the year, the shoots rarely appearing before July.The flowers of this species are always solitary in the wild state; but in cultivation two blossoms are occasionally produced. The flowers are very large and long, the tubes slightly curved and the mouth widely dilated. Its colour is a rich cream, the interior of the tube being pale yellow. It is very fragrant.This is one of the latest lilies to bloom, flowering usually towards the middle of October. It is hardy in our climate, but the flowers, owing to their lateness to open, are sometimes injured by early frosts. It forms a fine pot-plant and is an admirable occupant for the conservatory. But why do we so very rarely see this plant in the conservatory?Why cannot we have a change from the eternalL. Harrisii, the only lily people grow in their greenhouses?L. Wallichianumis an infinitely finer plant, but it is almost totally neglected.There is a variety ofL. Wallichianumin which the flowers are larger and of a pale primrose colour. It is known to gardeners by the name ofL. Wallichianum superbumorsulphureum. As we write this, we have before us a plant which bears two buds, but we rarely see more than a single flower on each stem.This plant should be grown likeL. Longiflorum, but it likes a somewhat richer soil. It must be watered. In its native land it has hot rain all through its growing season. In our climate, a dry July or August, the two months in which the plant grows most rapidly, kills it, and this is the reason why this lily is so very seldom grown. Be this lily in the ground or in a pot, it must be thoroughly saturated every day from the time that it first shows its spike, till the buds change from green to white. When this latter change has occurred, a copious drenching with liquid manure is of great service.The last of the long-flowered lilies isL. Neilgherrensefrom the Neilgherry hills. This plant resembles the last, but its flowers are longer and larger though not so fine in colour. This plant bears the longest flowers of any lily, extra fine examples being upwards of a foot long. This lily will not grow well out of doors and should be grown in a conservatory. It is a very difficult plant to manage. Amongst other things, it has a creeping stem, and if grown in a pot it often sends up a shoot which meanders about beneath the soil, and eventually visits the light through a drainage hole, totally exhausted by its subterranean peregrinations.It is said that this lily should be grown in a black heavy loam and should be watered but sparingly; but we have not grown the plant ourselves, and so we cannot say if this treatment is likely to be successful.The price of the bulbs of the last four lilies is very variable. All are rather difficult to obtain and are very rarely to be met with in good condition. If you can, you should get bulbs of established plants, for those imported are often ruined by their journey from the tropics. These lilies, though natives of tropical parts of India and Western Asia, grow upon the mountains, and are killed by the heat of the plains.(To be continued.)

PRACTICAL AIDS TO THE CULTURE OF LILIES.

ByCHARLES PETERS.

Thefirst group of lilies, “Cardiocrinum,” contains but two lilies. These two plants strongly resemble each other but are both totally different from any other species.

Many years ago, long before we ever dreamed of growing lilies ourselves, we first made acquaintance with the magnificentLilium Giganteum.

We had been walking all day in the south of Hertfordshire, and as evening was approaching we turned to retrace our steps. But the district was new to us, and we found that we had wandered many miles from our path. We looked about us for someone of whom to ask our way, but the road was deserted save for ourselves. We trudged onwards for about a mile, and seeing a cottage a short way ahead, we determined to ask our way of one of its inhabitants.

It was about eight o’clock in the evening of a broiling hot day in the beginning of July. We opened the gate, approached the house, and knocked at the door. But the house was apparently empty, for our knock was unheeded and there was no sign nor sound of any person in the house. We knocked again, but this summons also being futile, we walked round the house and entered the back garden. It was a beautiful garden, one of those old gardens in which flowers have been cultivated for centuries, and in which the most beautiful of garden-plants seem as much at home as do the weeds in our country lanes.

But it was not the flowers, nor the well-kept lawn, which arrested our attention. On turning round the house we had become aware of an intense fragrance not unlike that of the lily of the valley, but many times more powerful. We glanced around to discover what plant it was which exhaled this perfume, and for a few minutes we were unable to discover it. But on turning our gaze towards the opposite corner of the garden, we saw a magnificent clump of the giant lily under the shade of three tall lime-trees. There were five spikes, the shortest of which was over five feet high, each surmounted with from ten to twelve blossoms like bells of shining wax.

We approached the spot and stood admiring this glorious plant for many minutes. But the remembrance that we had lost our way was gradually forced upon us, and we left the lilies, filled with an admiration for them which will never tarnish. We found no one in the garden, but eventually we discovered the right way home.

The next year we tried to find this cottage and revisit the lilies, but we have never to this day been able to find it.

We did not again behold this wonderful lily till July, 1898, when we flowered a single one in our own garden. This specimen did not exceed four feet in height, but it matured nine perfect blossoms.

TheLilium Giganteum, the giant lily of the Himalayas may well stand at the head of the genus. Its blossoms are perhaps not so fine as those of some other species, but in foliage, in growth and in fragrance it is second to none.

The bulb of this species is about the size of a very large cocoa-nut, but varies considerably in size according to whether it is going to flower the next season or not. The bulb consists of few scales, which are large, fibrous, and of a dark russet hue. The tops of the scales have a rotten-looking appearance. The bulb is very compact, hard and heavy.

About the middle of March the plant begins to show above ground. Its appearance after this varies considerably. If it is not going to flower it puts up a large mass of fine, deep, glossy green leaves, which somewhat resemble those of the White Arum. These leaves are heart-shaped, very glossy, many-nerved and distinctly stalked. The lily will probably repeat this process next year, and perhaps the next too; but if it has been well attended to, in the third or fourth year it will put up a flower-spike. When the stem first shows it has an appearance very similar to a small lettuce. It grows very rapidly and attains its full height about the beginning of July.

When full grown this lily has a very noble appearance. Its stem is from four to fourteen feet high, perfectly straight and gradually tapering from its base, where it is one to three inches in diameter, to its top, which narrows almost to a point.

Three distinct forms of leaves are borne on this stem. The lower ones resemble the leaves sent up in the non-flowering years. The upper leaves are smaller, less heart-shaped and with stalks. The third set of leaves, the bracts, enclose the flower buds. These are simple sessile leaves which fall off when the flowers open.

The flowers vary in number from four to twenty. They are borne directly on the stem, without separate stalks. They are from six to nine inches long, of a pure white externally, slightly tinged with green near their attachments. Inside they are creamy white, with a broad streak of a rich claret colour down the centre of each petal. The pollen is yellow. The scent of this lily is intensely fragrant and almost overpowering. The seeds are flat and triangular with broad membranous wings.

The tips of the perianth are very slightly reflexed. In most drawings of this lily the flowers are made to look like those ofL. Longiflorum, but they are quite different, being long and narrow, with very slightly reflexed petals and sepals.

It is often said in books that the bulb of this lily dies after once flowering, but this is not correct. The central part of the bulb does rot, but two or three small bulblets are left at its margin, which will in favourable circumstances grow and eventually flower.

This lily is a native of the Himalayas growing at a height of five to ten thousand feet above the sea-level.

The cultivation of this lily presents some difficulties, but surely it is worth while to givea little trouble to grow such a superb plant? We very rarely see it in cultivation, but in our garden it shall always find a home.

A plant growing in such a robust manner as this lily is not suitable for a flower-bed. It should be grown by itself in a shady nook. A clump of two or three looks very lovely, and it is possible to arrange matters so as to have at least one flowering spike every year.

It is not quite hardy, except in our southern counties, but it rarely needs more protection than a heap of bracken or other litter thrown over it in the winter.

If you wish to grow this lily, choose a suitable spot and dig out the earth to the depth of four feet. Fill in with a mixture of strong loam, decayed leaf mould and the remains of a hot-bed. To this add a little peat and plenty of sharp sand. The plant is a gross feeder and literally revels in “muck.” An occasional drenching with liquid manure is often very helpful. It requires large quantities of water during the growing period.

ResemblingL. Giganteumso closely that formerly it was considered as a variety of that plant, but vastly inferior in every way,L. Cordifoliumis the only other lily possessing heart-shaped leaves.

The bulb ofL. Cordifoliumis like that ofL. Giganteum, but is scarcely a fourth the size.

Its leaves also resemble those ofL. Giganteum, but the base leaves are not so numerous, and the lower ones are congregated into a whorl. The upper leaves are irregularly scattered. The lowest leaves are curiously marked with a deep mahogany hue, which is never present in those ofL. Giganteum, and which helps to distinguish between the two plants. The leaves are even more cordate than are those ofL. Giganteum, especially the lower ones which form a very tolerable image of the “artistic” heart.

The stem grows to about three or four feet high, and bears at its summit from two to six flowers somewhat like those ofL. Giganteum, but smaller, poorer, and marked on the inside with brown rather than claret-colour. The flowers open wider than do those ofL. Giganteum, and are incomparably less beautiful. This lily is a native of Japan and China.

It is decidedly a scarce lily, and is exceedingly difficult to flower. We have not succeeded in flowering it ourselves, but a solitary bulb that we possess sent up last summer a fair crop of its curious leaves.

This plant would look well in a mass grown in much the same way asL. Giganteum, but we have never tried it in the ground, and so cannot speak from experience in this particular.

Altogether it is so far inferior toL. Giganteum, more difficult to grow and much less effective that we do not recommend its culture to any but enthusiasts. It is not a hardy lily and requires some protection in winter. It begins to send up its leaves very early in spring, and these must be protected at this season from frosts, and later from the wind and sun.

BothL. GiganteumandL. Cordifoliumcan be grown in pots, but the great size of the former and comparative poorness of the latter render both unsuitable for this form of culture.

Eulirion—beautiful lily! What an appropriate name for the superb plants contained in this group! Beautiful lilies they are indeed, beautiful in shape, in colour and in scent! What flowers will you compare with the members of this group? None of the priceless orchids or choice stove plants are anything like so beautiful as these misunderstood and grossly neglected lilies!

Lilium Henryi.

Lilium Henryi.

Lilium Henryi.

First among theEulirionsstandsL. Longiflorumand its many varieties. This together withL. Formosanum,L. Philippinense,L. WallichianumandL. Neilgherrenseform a group of plants having many characteristics in common, and all very different from the rest of the genus.

The lilies of this group are all low-growing, rarely exceeding four feet in height. The flowers which are white or pale yellow are usually solitary, but some varieties ofLilium Longiflorumbear as many as five or six blossoms on each stem. The leaves are linear, smooth and numerous, scattered and are all similar. These lilies are natives of Western Asia.

L. Longiflorum, the most important member of the group named after it, is one of the best known and highly appreciated members of the genus. It is usually grown as a pot plant. But why? Why do we so rarely see this plant in the garden? Oh, it is so tender! It will not stand our winters! It dwindles so when grown in the open! Nonsense! This lily is perfectly hardy and is admirably suited to the open ground. But you do notdo well with this plant because you will choose the only variety of it which cannot stand our climate.

To most personsL. Longiflorumis synonymous withL. Harrisii. But the latter plant is only one form, and is a rather unsatisfactory form ofL. Longiflorum.L. Harrisiiis a variety ofL. Longiflorumaltered by having been grown in the tropical climate of Bermuda. It is a hardy lily rendered tender by coddling. It is undoubtedly a fine variety for the greenhouse, but it is nothing like so fine as some of the other forms ofL. Longiflorum.

Although this lily is undoubtedly “long-flowered,” it hardly deserves the specific title ofLongiflorum, for it is the least long-flowered of the five plants placed in the same group as itself.

The bulb of this lily presents no deviation from the typical bulb. Indeed it is the typical lily-bulb.

The great number of varieties of this lily, though all are somewhat similar, yet possess considerable differences in regard to their growth, the size and number of their flowers and their period of blossoming.

The varietyHarrisiiis very fine. It flowers very early and produces three or four blossoms on each stem. The individual flowers are large and finely curved, but they are a little thin and green. When grown in the open, this variety sends up its shoots in February, and they are almost invariably killed by late frosts.

Another variety, calledPraecoxis similar toHarrisii, but more hardy. It flowers in the open in June and July.

The majority ofLongiflorumbulbs received from Japan belong to the variety called, “Giganteum,” but the name is hardly appropriate, for this variety is not so large or fine as some others. For the flower-garden this variety is the most generally valuable. It is tall, robust, free-flowering, perfectly hardy and exceedingly cheap.

Last year we had a small hill-side covered with these lilies, and the effect was delightful. Although we cut several the bed was always gay with blossoms. They flowered in the beginning of August, producing from two to five flowers each, of a pure rich white, not greenish like the flowers ofHarrisii, very large and sweet scented. They were not injured by a spell of three days’ rain which occurred in the middle of their flowering-time.

L. Takesimais a late floweringLongiflorum. It can readily be distinguished from the other varieties by the purple tint of its stem and flower buds. It is very free-flowering; one of our spikes contained six blossoms, all of which were matured.

Of all the varieties ofLongiflorumnone other is to be compared with that known as “Wilsoni” or “Eximium.” This is a perfectly lovely plant. As we are writing there is a specimen of this lily on the table before us. It is in a pot and is the result of a single bulb. There are eight blossoms, not one of which is aught but perfect. The blossoms are very long and possess the scent of lilac.

Among the other varieties ofL. Longiflorumwhich we have grown there is one which, as far as we are aware, is unnamed. We bought ten bulbs of “Lilium Longiflorum, New Variety,” at an auction for half-a-crown. Most of the bulbs produced fair but ordinary results; but one which was grown in a pot was quite different from any variety that we know. This bulb sent up two spikes, each bearing two blossoms, but unfortunately one spike was spoilt by green fly. The other matured its two flowers. They were very long, almost as long as those ofL. Philippinense, that is, about nine inches long. They were pure white at their open end, but greenish towards their attachment. The petals were much longer than the sepals, but not so strongly curved. Whether this is the “new variety,” or is a bulb ofL. FormosanumorPhilippinenseout of place, we cannot tell.

One of the finest plants for the table that we know, both when in flower and previously, is the variety ofL. Longiflorumwith white-margined leaves. In this plant the centres of the leaves are an opaque pale green, and the margins are pure white. The buds show a similar colouration. Unlike most plants with variegated foliage, this lily has very fine blossoms of a dead white colour, but with curious transparent edges. Each bulb usually produces two flowers.

We cannot too strongly emphasise the extreme beauty of this species. Whether as cut flowers, in pots or in the garden, it is one of the loveliest of natural objects.

All lilies make good cut flowers and last well in water, but theL. Longiflorumispar excellencethe lily for cutting. For all forms of floral decoration it is unrivalled, and of all flowers it is most suitable for church decoration.

During last July, on the occasion of an organ recital at our village church, we gathered a bunch of our lilies for decoration. There were about thirty flowers in all, chieflyL. LongiflorumandL. Brownii. The effect of them was exceedingly pure and beautiful, and many persons, both cottagers and those possessing gardens far larger than our own, remarked upon the grace and elegance of the lilies. Yet every person in that church could have grown those lilies, and for a few shillings’ outlay the church could be decorated with lilies throughout the summer.

London florists have a pernicious habit of removing the anthers from their lilies, because they say that the pollen gets rubbed off and dirties the petals. It is a great mistake to disfigure a lily in this way. It utterly ruins the appearance of white lilies, for it robs them of the one particle of colour which is so much needed to set off the white of their perianth. If you are afraid of the pollen injuring the appearance of the lily, you can wrap the floral organs in tissue paper when the plants are being moved from one place to another. But do not spoil the flower. Anybody with the smallest appreciation for this plant would far rather see the white leaves covered with yellow dust than the lily mutilated by having its centre removed.

The cultivation ofL. Longiflorumpresents but few difficulties. In the ground it needs a well-drained spot, but is not particular as to soil. A fairly rich soil is really the best for this lily, for in such soil it does not dwindle so much as it does in a light soil.

In some places where it is otherwise impossible to flower this plant, success may be obtained by growing it in a mixture of sand, peat, and leaf-mould, so light that the hand can easily be forced below the bulbs.

This lily is more often grown in pots than in the ground. In this case do not put three large bulbs into one small pot, as is so often done. The lilies must starve in such a prison, and though they may flower one year, they will not do so again.

You must grow lilies in large pots. It is often said that bulbs are smaller when they have grown a year in pots than they were when first planted. This is not true if plenty of room be given to the bulb to develop. It is only true when two or three bulbs have been cramped in a small pot not sufficiently large to grow one bulb properly. OurLongiflorumbulbs grown in pots increase in size and produce numerous small bulblets.

It is unfortunately true that whether grown in pots or in the ground,L. Longiflorumtends to degenerate. It blossoms well the first year, produces a wretched show the second year, and after that it fails to come up at all.

Now we think that the reasons for this are not beyond our powers to grapple with. In the first place the hardier varieties should be chosen.L. Harrisiialways dwindles because it is a tropical plant and will not grow in our cold clime. In the second place the bulbs should be dug up every second year, separated, and replanted in fresh soil.

After all, it is no great matter if this lily will not flower more than twice, for the bulbs are exceedingly cheap and readily procurable.

Last year we obtained some bulbs of a species of lily much resemblingL. Longiflorum, from the island of Formosa. We planted one in a pot and the rest in the ground.

Unfortunately the former came to nothing, and as our garden is so full of lilies, we were rather at a loss to identify some species. One spike which we came to the conclusion belonged to this species was intermediate in form between theTakesimavariety ofL. LongiflorumandL. Philippinense, but its blossoms were smaller than those of either. If this is the trueL. Formosanum, it is certainly but a variety ofL. Longiflorum, and not a distinct species.

On the mountain slopes of the north of the Philippine Islands is found a lily of very great beauty and elegance. It has not long been cultivated in England, and even at the present day it is exceedingly rarely seen in this country. We have never possessed this lily; indeed we have only once seen it in flower, but the sight of it was sufficient to engender a determination to possess it at the earliest possibility.

L. Philippinenseis a low-growing lily, barely exceeding a foot in height. It never, to our knowledge, bears more than a solitary blossom, but that one blossom is so fine that its beauty makes ample recompense for the paucity of flowers.

The flower resembles that ofL. Longiflorum, but is much longer and more tube-like. The specimen that we saw was eleven inches long. It is a very pale greenish-white, the apex of the tube being yellow. The petals are about an inch and a half longer than the sepals, and both petals and sepals are equally re-curved.

This lily, although a native of the tropics, should prove hardy in our southern countries, but it would be unwise to trust this rare lily out-of-doors. It is usually grown in a greenhouse, in a light sandy soil.

Of its cultivation we know nothing, as we have never ourselves possessed the plant.

The next lily is one of the most magnificent of the whole genus. It was discovered in the Himalayas by Hamilton in 1802, and twenty years later it was named in honour of Mr. Wallich, a great authority on lilies.

Lilium Wallichianumis the finest of the long-flowered lilies. It grows to the height of four to six feet, with a brown glossy stem and numerous lanceolate leaves. It starts growing very late in the year, the shoots rarely appearing before July.

The flowers of this species are always solitary in the wild state; but in cultivation two blossoms are occasionally produced. The flowers are very large and long, the tubes slightly curved and the mouth widely dilated. Its colour is a rich cream, the interior of the tube being pale yellow. It is very fragrant.

This is one of the latest lilies to bloom, flowering usually towards the middle of October. It is hardy in our climate, but the flowers, owing to their lateness to open, are sometimes injured by early frosts. It forms a fine pot-plant and is an admirable occupant for the conservatory. But why do we so very rarely see this plant in the conservatory?Why cannot we have a change from the eternalL. Harrisii, the only lily people grow in their greenhouses?L. Wallichianumis an infinitely finer plant, but it is almost totally neglected.

There is a variety ofL. Wallichianumin which the flowers are larger and of a pale primrose colour. It is known to gardeners by the name ofL. Wallichianum superbumorsulphureum. As we write this, we have before us a plant which bears two buds, but we rarely see more than a single flower on each stem.

This plant should be grown likeL. Longiflorum, but it likes a somewhat richer soil. It must be watered. In its native land it has hot rain all through its growing season. In our climate, a dry July or August, the two months in which the plant grows most rapidly, kills it, and this is the reason why this lily is so very seldom grown. Be this lily in the ground or in a pot, it must be thoroughly saturated every day from the time that it first shows its spike, till the buds change from green to white. When this latter change has occurred, a copious drenching with liquid manure is of great service.

The last of the long-flowered lilies isL. Neilgherrensefrom the Neilgherry hills. This plant resembles the last, but its flowers are longer and larger though not so fine in colour. This plant bears the longest flowers of any lily, extra fine examples being upwards of a foot long. This lily will not grow well out of doors and should be grown in a conservatory. It is a very difficult plant to manage. Amongst other things, it has a creeping stem, and if grown in a pot it often sends up a shoot which meanders about beneath the soil, and eventually visits the light through a drainage hole, totally exhausted by its subterranean peregrinations.

It is said that this lily should be grown in a black heavy loam and should be watered but sparingly; but we have not grown the plant ourselves, and so we cannot say if this treatment is likely to be successful.

The price of the bulbs of the last four lilies is very variable. All are rather difficult to obtain and are very rarely to be met with in good condition. If you can, you should get bulbs of established plants, for those imported are often ruined by their journey from the tropics. These lilies, though natives of tropical parts of India and Western Asia, grow upon the mountains, and are killed by the heat of the plains.

(To be continued.)

ANSWERS TO CORRESPONDENTS.STUDY AND STUDIO.Clem.—We have just received from Miss Porter (author of an article, “How to Help the Deaf,” in the February Part ofThe Girl’s Own Paper, 1898,) details of an interesting scheme. She has compiled a system of classes, which teach the art of lip-reading by correspondence; a new and, she ventures to think, an original idea, which has obtained the approval of distinguished medical men. As you wish to learn the art, we should advise you to write for full particulars, enclosing a stamped addressed envelope, to Miss Porter, Normandy Villa, Chapel Allerton, Leeds.Miss Porter.—We regret that we cannot print your article in full; but as you will observe in the preceding answer, we advise our readers to send to you direct if they are interested in obtaining particulars of your scheme.Nemo.—The tune you enclose is very sweet and pleasing. It contains a few technical errors,e.g., the consecutive bass octaves in the first line, and the omission of the third in the chord (last bar but two) which gives a thin sound. You ought certainly to cultivate your talent by taking lessons in harmony.Geisha.—We have read the first chapter of your story. It is graphic, but you need to study the art of composition. Take this sentence—“The gentle breeze fluttering the ribbons of her pretty morning dress; the raven black hair, loosely coiled at the back of the well shaped head: her features were regular and delicately chiselled, and her eyes, which of deepest blue, were shaded by long black lashes.” The first two clauses of the sentence need a verb, though your third omission may be an oversight. The art of writing for the press needs study and practice, without which no one can hope to succeed.Lover of Literature.—Your letter is written in rather a stiff and childish hand, and you use bad ink. You will improve if you take pains.Anxious.—1. Your letter is a type of many that we are constantly receiving, and we refer you to a series of articles on “Self-Culture for Girls,” by Lily Watson, which will give some help. In a case such as yours, we should think it would be very desirable to join the National Home Reading Union (address, The Secretary, Surrey House, Victoria Embankment). And why should you not, as you suggest, study for some examination? Write for particulars to Dr. Keynes, Syndicate Buildings, Cambridge, or H. I. Gerrans, Esq., Clarendon Buildings, Oxford. We find it difficult to recommend you special books, as we know nothing of your age or attainments. Have you read Ruskin’s “Sesame and Lilies”; Tennyson’s “Idylls of the King”; Scott’s novels; histories of your own country and of English literature? This suggestion may do to begin with.—2. We think powders for the skin are best left alone. Prepared oatmeal is the least objectionable, and can be dusted off after use.Laura.—We should not consider the guitar too difficult an instrument for one with a fair knowledge of music to learn alone.Onyx.—There is a Greek Correspondence Class which we have occasionally mentioned in this column. Address Miss Lilian Masters, Mount Avenue, Ealing. As for studying the language unaided, it is certainly a difficult task, yet it has been accomplished by others, and is worth attempting. Dr. W. Smith’sInitia Græca, Part I., is a good grammar; but if cheapness is an object, you will probably find a selection of Greek grammars for sale at a mere trifle in any second-hand book shop. A knowledge of Latin is not essential. Many thanks for your kind letter.

Clem.—We have just received from Miss Porter (author of an article, “How to Help the Deaf,” in the February Part ofThe Girl’s Own Paper, 1898,) details of an interesting scheme. She has compiled a system of classes, which teach the art of lip-reading by correspondence; a new and, she ventures to think, an original idea, which has obtained the approval of distinguished medical men. As you wish to learn the art, we should advise you to write for full particulars, enclosing a stamped addressed envelope, to Miss Porter, Normandy Villa, Chapel Allerton, Leeds.Miss Porter.—We regret that we cannot print your article in full; but as you will observe in the preceding answer, we advise our readers to send to you direct if they are interested in obtaining particulars of your scheme.Nemo.—The tune you enclose is very sweet and pleasing. It contains a few technical errors,e.g., the consecutive bass octaves in the first line, and the omission of the third in the chord (last bar but two) which gives a thin sound. You ought certainly to cultivate your talent by taking lessons in harmony.Geisha.—We have read the first chapter of your story. It is graphic, but you need to study the art of composition. Take this sentence—“The gentle breeze fluttering the ribbons of her pretty morning dress; the raven black hair, loosely coiled at the back of the well shaped head: her features were regular and delicately chiselled, and her eyes, which of deepest blue, were shaded by long black lashes.” The first two clauses of the sentence need a verb, though your third omission may be an oversight. The art of writing for the press needs study and practice, without which no one can hope to succeed.Lover of Literature.—Your letter is written in rather a stiff and childish hand, and you use bad ink. You will improve if you take pains.Anxious.—1. Your letter is a type of many that we are constantly receiving, and we refer you to a series of articles on “Self-Culture for Girls,” by Lily Watson, which will give some help. In a case such as yours, we should think it would be very desirable to join the National Home Reading Union (address, The Secretary, Surrey House, Victoria Embankment). And why should you not, as you suggest, study for some examination? Write for particulars to Dr. Keynes, Syndicate Buildings, Cambridge, or H. I. Gerrans, Esq., Clarendon Buildings, Oxford. We find it difficult to recommend you special books, as we know nothing of your age or attainments. Have you read Ruskin’s “Sesame and Lilies”; Tennyson’s “Idylls of the King”; Scott’s novels; histories of your own country and of English literature? This suggestion may do to begin with.—2. We think powders for the skin are best left alone. Prepared oatmeal is the least objectionable, and can be dusted off after use.Laura.—We should not consider the guitar too difficult an instrument for one with a fair knowledge of music to learn alone.Onyx.—There is a Greek Correspondence Class which we have occasionally mentioned in this column. Address Miss Lilian Masters, Mount Avenue, Ealing. As for studying the language unaided, it is certainly a difficult task, yet it has been accomplished by others, and is worth attempting. Dr. W. Smith’sInitia Græca, Part I., is a good grammar; but if cheapness is an object, you will probably find a selection of Greek grammars for sale at a mere trifle in any second-hand book shop. A knowledge of Latin is not essential. Many thanks for your kind letter.

Clem.—We have just received from Miss Porter (author of an article, “How to Help the Deaf,” in the February Part ofThe Girl’s Own Paper, 1898,) details of an interesting scheme. She has compiled a system of classes, which teach the art of lip-reading by correspondence; a new and, she ventures to think, an original idea, which has obtained the approval of distinguished medical men. As you wish to learn the art, we should advise you to write for full particulars, enclosing a stamped addressed envelope, to Miss Porter, Normandy Villa, Chapel Allerton, Leeds.

Miss Porter.—We regret that we cannot print your article in full; but as you will observe in the preceding answer, we advise our readers to send to you direct if they are interested in obtaining particulars of your scheme.

Nemo.—The tune you enclose is very sweet and pleasing. It contains a few technical errors,e.g., the consecutive bass octaves in the first line, and the omission of the third in the chord (last bar but two) which gives a thin sound. You ought certainly to cultivate your talent by taking lessons in harmony.

Geisha.—We have read the first chapter of your story. It is graphic, but you need to study the art of composition. Take this sentence—“The gentle breeze fluttering the ribbons of her pretty morning dress; the raven black hair, loosely coiled at the back of the well shaped head: her features were regular and delicately chiselled, and her eyes, which of deepest blue, were shaded by long black lashes.” The first two clauses of the sentence need a verb, though your third omission may be an oversight. The art of writing for the press needs study and practice, without which no one can hope to succeed.

Lover of Literature.—Your letter is written in rather a stiff and childish hand, and you use bad ink. You will improve if you take pains.

Anxious.—1. Your letter is a type of many that we are constantly receiving, and we refer you to a series of articles on “Self-Culture for Girls,” by Lily Watson, which will give some help. In a case such as yours, we should think it would be very desirable to join the National Home Reading Union (address, The Secretary, Surrey House, Victoria Embankment). And why should you not, as you suggest, study for some examination? Write for particulars to Dr. Keynes, Syndicate Buildings, Cambridge, or H. I. Gerrans, Esq., Clarendon Buildings, Oxford. We find it difficult to recommend you special books, as we know nothing of your age or attainments. Have you read Ruskin’s “Sesame and Lilies”; Tennyson’s “Idylls of the King”; Scott’s novels; histories of your own country and of English literature? This suggestion may do to begin with.—2. We think powders for the skin are best left alone. Prepared oatmeal is the least objectionable, and can be dusted off after use.

Laura.—We should not consider the guitar too difficult an instrument for one with a fair knowledge of music to learn alone.

Onyx.—There is a Greek Correspondence Class which we have occasionally mentioned in this column. Address Miss Lilian Masters, Mount Avenue, Ealing. As for studying the language unaided, it is certainly a difficult task, yet it has been accomplished by others, and is worth attempting. Dr. W. Smith’sInitia Græca, Part I., is a good grammar; but if cheapness is an object, you will probably find a selection of Greek grammars for sale at a mere trifle in any second-hand book shop. A knowledge of Latin is not essential. Many thanks for your kind letter.

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