“She moves a goddess and she looks a queen.”Pope’s Homer’sIliad.
“She moves a goddess and she looks a queen.”Pope’s Homer’sIliad.
“She moves a goddess and she looks a queen.”
Pope’s Homer’sIliad.
“Age cannot wither her, nor custom staleHer infinite variety.”—Shakespeare.
“Age cannot wither her, nor custom staleHer infinite variety.”—Shakespeare.
“Age cannot wither her, nor custom stale
Her infinite variety.”—Shakespeare.
THE river shone like burnished silver, resplendent in the rays of the midday sun, as Osiris drove his shining chariot of day across high heaven’s arch. The city lay along its banks in calm repose and beauty. Its palaces and villas were shaded with palms and groves of olives and clusters of stately pomegranate-trees, while flowers and fountains adorned its many stately avenues.
In his costly palace the great Roman Triumvir gave public audience to some important tribunal of state.
But now, above the noise of city sounds, arose the strains of distant music. So faint and yet so sweet it was wafted on the air, that all who heard must needs, perforce, be led to seek its source, as though directed by some secret spell which could not be resisted. The notes seemed floating o’er the river’s shining waves; and all the people crowded on its banks, with wistful curiosity, striving to catch the first glimpse of the mysterious cause of such unwonted melody.
Then flashes, with sudden glory, before their eyes a wondrous sight, which holds them spellbound in o’erwhelming admiration. From round a curve in the undulating bank, glides swiftly before their vision a gorgeousbarge, the poop of which was beaten gold. The silken sails were royal purple, embroidered with silver lotus-blossoms; and as they swelled in the light breeze, a fragrance floated from their perfumed folds so exquisitely delicious, that the winds seemed love-sick with their odorous sweetness. The silver oars, gleaming in the sunshine, kept stroke with tune of flutes and lyres and cymbals; and the limpid water, parted by their glistening blades, followed each stroke with amorous touch and sweet caressing, as though loath to break away in rainbow-tinted showers of shining drops.
But how describe the matchless vision of womanly and goddess-like perfection which entranced the eyes of all beholders, as the gorgeous barge drew nearer to the city, moving with stately gliding motion, harmonious with the ear-enchanting melodies played by seeming sirens, nymphs, and mermaids, on silver lutes and jewelled flutes and shining cymbals.
Under a pavilion of cloth of gold and priceless tissues, upon a couch, gorgeous with costliest draperies, in picturesque repose, yet studied attitude of queenliest grace and goddess-like abandon, appeared a form and face most radiantly fair and bountifully beautiful; though orientally voluptuous yet exquisitely attractive; seemingly divine, like some heavenly goddess; and yet, in truth, so like a human woman, with warm, soft flesh and tender eyes, and deep, rich heart’s blood thrilling through every vein, e’en to the end of her fair, tapering finger-tips. This radiant being was attired as Venus, Goddess of Beauty; and around her stood young pretty boys, decked out as Cupids, rosy-tinted, and with soft white wings expanded; and they gently fanned her glowing cheeks with feathers, odorous with most intoxicating perfumes; while lovelymaidens, costumed as mermaids, plied the silver oars in unison with the notes struck from the lyres of gayly decorated nymphs; while charming muses and bewitching graces with rosy lips caressed the silver flutes, or clasped with jewelled fingers the golden cymbals.
It was indeed a vision of enchantment. Whence came these radiant beings? Had the great goddess, in truth, descended from high Olympus, attended by her heavenly train? or did fair Isis, the queen of Egypt,—worshipped both as deity and nature,—thus clothe herself with mortal likeness, and deign to become visible to mortal eyes?
Thus questioned the people, and pondered of the meaning of this o’erwhelming scene of gorgeous majesty and irresistible loveliness, according as their beliefs partook of Grecian mythology or Egyptian lore.
Such was the scene of Cleopatra’s sail in her magnificent barge, up the river Cydnus to the city of Tarsus. That we may understand more clearly the life of this famous queen, we must turn back the pages of Egyptian history. Nor can we stop there. To clearly define her origin, the fair land of Greece must also be visited; and the gorgeous pageants of Rome, at the time of her greatest glory, have a place in the story of this illustrious Queen of Egypt, Daughter of Greece, Magic Sorceress of the Nile.
Would that we could think of the fascinating Cleopatra only as this vision of perfect loveliness which she presents in this enchanting scene upon the river Cydnus; but there are dark and bloody deeds and savage barbarities and revolting vices, which loom up in the background of this fair picture, with huge and horrid forms, and make the telling of Cleopatra’s story, fascinating as it is in some respects, often an unpleasant recital of vice and crime,even though we endeavor to touch these dark shadows ever so lightly. For as we write of history, not of fiction, we cannot always avoid these hideous facts.
Why is Cleopatra so fair of skin, though an Egyptian by birth? Her attendant maidens on this fairy-like barge stand round her like dusky figures cut from bronze; but her fair face and limbs gleam with pale ivory-tints, and the sunshine even glimmers in her dark tresses, now coiled in the Grecian knot behind her shell-like ears.
Though Egypt was her birthplace, Grecian blood flows through her veins, and whitens her skin, and lightens the dusky shadows in her hair, and gives the brown shadings to her lustrous eyes; and Grecian culture gives her voice its oft-narrated magic charm of melting sweetness; and a spark of Grecian genius quickens her powers of mind, and gives her the enchanting fascination of brilliant wit, and a native aptitude of acquiring knowledge, and all the polite arts and sciences; and her Grecian free-born grace lends to her form its perfect pose of queenly stateliness, together with an irresistible charm in every easy motion of rounded limb, and unstudied naturalness of action. The agile litheness of the Greek is combined with the oriental voluptuous indolence of the Egyptian; which combination explains the otherwise unaccountable, weird, and subtle allurements of face and form which history, romance, and poetry have acceded to her. Shakespeare calls her “the serpent of old Nile,” “this great fairy,” “great Egypt”; and Horace gives to her the name of “fatal prodigy.” Leigh Hunt describes her as
“. . . That southern beam,The laughing queen that caught the world’s great hands.”
“. . . That southern beam,The laughing queen that caught the world’s great hands.”
“. . . That southern beam,
The laughing queen that caught the world’s great hands.”
Another writer says of her: “She was born a princess,reigned a queen, won an emperor, swayed a hero, and defeated a conqueror. We think of her as the queen of enslavers more than as queen of Egypt. Cleopatra is enthroned enchantress of the world. She, of all her sex, in her person, gave to the unworthy art of coquetry a something magnificent and lustrous in its so potent exercise. Hers was the poetry of coquetry.”
Even the scene of Cleopatra in her gorgeous barge upon the river Cydnus does not give a complete picture of this wonderful story. In the background we must paint the Mediterranean Sea, which she has crossed in her journey thither; and then beyond looms up the city of Alexandria, on the further side; and by it flows the marvellous river Nile, through the fertile valley irrigated yearly by its overflowing waters; and high in the background, towering over all else in the picture, stand the majestic pyramids, like huge sentinels, guarding the unknown secrets of Egypt’s wondrous history.
Yes, to rightly comprehend the significance of the life of the famous Cleopatra, a panorama of changing scenes, covering centuries of time, would be needed. But we can only take a bird’s-eye view of those old lands of weird and endless enchantment.
“Cleopatra was by birth an Egyptian; by ancestry and descent she was a Greek. Thus, while Alexandria and the delta of the Nile formed the scene of the most important events and incidents of her history, it was the blood of Macedon which flowed in her veins. Her character and action are marked by the genius, the courage, the originality, and the impulsiveness pertaining to the stock from which she sprang. The events of her history, on the other hand, and the peculiar character of her adventures, her sufferings, and her sins, were determined by thecircumstances by which she was surrounded, and the influences which were brought to bear upon her, in the soft and voluptuous clime where the scenes of her early life were laid.”
Let us look for one moment at Egypt as a country, and then take a passing glance at the peculiar characteristics and customs of that ancient people.
Egypt is situated in the midst of the most extensive and remarkable rainless district in the world. The Red Sea divides this tract, and the eastern portion forms the Arabian desert, while the western African tract has received the name of Sahara. Through the African desert flows the Nile; rising in the region of the Mountains of the Moon, and flowing northward, it empties into the Mediterranean Sea. These mountains, being near the equator, are subject to vast and continued torrents of rain in certain seasons of the year. The river created by these streams is the Nile, which at times expands over the entire valley, forming an immense lake, five to ten miles wide and a thousand miles long. The rains in the mountains gradually cease, but it requires months for the water to subside and leave the valley dry. As soon as the water disappears, a rank and luxurious vegetation springs up from the entire surface of the earth which has been submerged. This most extraordinary valley seems specially preserved by nature for man. The yearly inundation prevents impassable forests, and also the presence of wild beasts. Egypt being thus wholly shut in by deserts on every side, by land, and shoals, and sandbars, making the approach difficult by sea, remained for many ages under the rule of its ancient kings. The people were peaceful and industrious, and its scholars were famed throughout the world for their learning, science, and philosophy.
It was during this period of isolation that the famous pyramids were built, and the huge monoliths were carved, and the silent Sphinx was reared, and those vast temples constructed whose ruined columns are now the wonder of mankind.
As Egypt was always fertile, when famine existed elsewhere, corn would be plentiful there. Thus neighboring tribes from Arabia, Palestine, and Syria, when driven by want and starvation, crossed the barren deserts on the eastern side, and found this fertile and marvellous country, already old in learning and the arts, and a certain kind of civilization far superior to their neighbors.
At length the Persian monarchs conquered the country. About two hundred and seventy years before the time of Cleopatra, Alexander the Great, in his wars with Darius, had taken possession of Egypt; and at his death, in the division of his empire amongst his generals, Egypt fell to the share of one of them named Ptolemy. This was the commencement of the dynasty of the Ptolemies, who were Greek princes, reigning over this Egyptian empire, formerly governed by a long line of native kings, reaching back in history to the year 3000B.C., and including the famous lines of Cheops, Thotmosis, Rameses, and others, known under the general name of the Pharaohs.
We cannot give any particulars of these reigns in this sketch, and will only mention some of the customs of the ancient Egyptians previous to the time of Cleopatra.
Egypt contained about five millions of people, who were divided into various castes. Plato tells us that in Egypt not only were the priests, the soldiers, and artisans habitually separated, but that every particular trade and manufacture was carried on by its own craftsmen, who handed down the trade from father to son.
The entire cultivated land of Egypt was about twelve millions of acres. The clothing of the Egyptians consisted mostly of linen, made from the flax which grew abundantly in the delta of the Nile. Wool was but little employed, as the soil was not fitted for grazing sheep. Cotton was first mentioned in the reign of Amasis, about 566B.C.It was also this Amasis who allowed his wife, the Egyptian queen, to receive the large income from the royal fishery at the flood-gates to the lake of Moeris, to meet the expenses of her toilet; and a century later the reigning monarch added the taxes of the city of Anthylla to the former income to keep his queen in sandal-strings; the sum obtained from the fisheries being a talent a day, or upwards of 70,700 pounds a year: and when this formed only a portion of the pin-money of the Egyptian queens, to whom the revenues of the city of Anthylla, famous for its wines, were also given, it will be seen that the Egyptian kings were at least very generous to their wives in this respect, even though they were not very particular about cutting off their heads or giving them a cup of poison if they failed to please their royal lords.
Although wool and cotton were sometimes employed as articles of clothing, the preference was given to linen. Herodotus mentions some Egyptian dresses of linen, bordered with a fringe, over which was worn a cloak of white wool, similar to thebornouseworn at the present day in Egypt and Barbary.
The dresses of the priests and persons of rank consisted of an under-garment in the form of an apron, and a loose upper-robe with full sleeves, secured by a girdle around the waist; or of an apron, and a shirt with short, tight sleeves, over which was thrown a loose robe, leaving the right arm exposed. Princes wore a dress very likethat of the priests; but their distinguishing mark was a peculiar badge, at the side of the head, descending to the shoulder, and frequently adorned with golden fringe.
This ornament contained the lock of hair indicative of youth; for though the Egyptians shaved their heads and wore wigs, certain locks of hair were left upon the heads of children.
Therefore this badge was always attached to the head-dress worn by princes as an emblem of their rank, as they were not supposed to have arrived atkinghoodduring the life of their father, on the same principle that a Spanish prince is styled aninfant.
The robes of a sovereign varied according to his present occupation. As all the kings were also priests, when they were engaged in the office of high-priest their garments resembled those worn by the sacerdotal order, with the exception of the apron and head-dress, which were of peculiar form, and belonged exclusively to the rank of king. This apron was richly ornamented in front with lions’ heads and other devices, and bordered with rows of asps, which were the emblems of royalty. After the union of Lower and Upper Egypt the sovereign wore a double crown. Egyptian men always shaved the entire head, and wore wigs, both within the house and out of doors. The women, however, wore their own hair, and were not shaved even in times of mourning or after death. Ladies wore their hair long and plaited in a great number of braids. The hair was plaited in the triple plait, the ends being left loose. Around the head was bound an ornamental fillet, with a lotus-bud falling over the forehead. The ear-rings worn by Egyptian ladies were large, round, single hoops of gold, sometimes over two inches in diameter, or made of six rings soldered together. Often an asp, whose bodywas of gold set with precious stones, was worn by persons of rank. Some few were of silver. Women wore many rings, sometimes three and four upon the same finger, and even the thumb was decorated with a single ring. Rings were ornamented with the scarabæus, or sacred beetle, or an engraved stone. They were occasionally in the form of a knot, or snail, or snake. Two cats, with an emblem of the goddess Athor between them, seems to have been a favorite device for rings. Egyptians also wore large gold anklets, or bangles, armlets, and bracelets, frequently inlaid with precious stones. Richly ornamented necklaces were a principal part of the dress of both men and women.
Great attention was paid by ladies and men of rank to the beauty of their sandals, which were sometimes richly ornamented. Shoes were also common in Egypt, many of them having been found at Thebes. But they are supposed to have been of late date, and belonged to the Greeks. The dresses of the women consisted of a loose robe or shirt, reaching to the ankles, fastened round the neck with a string, over which they wore a petticoat, secured at the waist by a girdle. This petticoat or gown, among ladies of rank, was made of richly colored stuff in a great variety of patterns. The most elegant of these figured materials were reserved for the robes of the deities and queens. Slaves and servants were not allowed to wear the same costumes as ladies, and their mode of dressing the hair was also different.
Egyptian ladies seem to have been given to the little tricks and arts of the toilet as well as more modern beauties. Of the various articles of the toilet found among the ancient remains, the principal are bottles, or vases, for holding ointment, and thekohl, or paint for the eyes;also mirrors, combs, and small boxes, spoons, and saucers. The custom of anointing the body is usual in hot climates, and contributes greatly to comfort. Their chief care was bestowed upon the anointing of the hair. The Egyptian combs were usually of wood, and double, and frequently carved and ornamented. The custom of staining the eyelids and brows with a moistened powder of a black color was of the most ancient date. It was thought to increase the beauty of the appearance of the eye, by making it seem larger by this external black ring around it. Many of thesekohl-bottles have been found in the tombs, together with the bodkin employed in applying the black cosmetic.
Some of these bottles are ornamented with the figure of an ape, or monster, supposed to assist in holding the bottle between his arms while the fair beauty dipped her dainty bodkin into the much-prized beautifier. Pins and needles have also been found among the articles of the toilet. Some of these pins are of gold, and similar in size to those now employed by ladies as hat-pins and fancy hair-pins. Metal mirrors are also found richly ornamented and highly polished. It will be remembered that the brazen laver made by Moses for the tabernacle was formed of the “looking-glasses of the women,” who doubtless brought them from Egypt at the time of the exodus of the Israelites. The Egyptian dandies were also not without the highly prized canes. Many of these have been found at Thebes; some having a carved lotus-blossom for the head. It was customary, on entering a house, to leave their canes or sticks in the hall or at the door; and poor men were often employed to hold the canes of guests during a party, by the master of the house, who rewarded them with money or food. We have littleknowledge of the nature of their baths; but as they were forbidden in deep mourning to indulge in them, they were probably considered a luxury as well as a necessity. The priests were remarkable for their love of cleanliness, shaving the whole body every three days, and bathing twice every day and twice during the night. So great an abhorrence did an Egyptian feel for an unshaven person, that Herodotus says, “No Egyptian of either sex would on any account kiss the lips of a Greek, make use of his knife, his spit and cauldron, or taste the meat of an animal which had been slaughtered by his hand.”
This shaving of the head among the Egyptians is given as a reason by Herodotus for the remarkable hardness of the Egyptian sculls, as compared with those of other people. The most singular custom of the Egyptians was that of tying a false beard upon the chin, which was plaited and shaped according to the rank of the person. The beards on the figures of the gods were distinguished by the turning up of the ends. No man ventured to assume the beard of a deity. But after death, kings were accorded the honor of having their statues thus distinguished.
The art of painting common boards to imitate costly varieties, now so often employed, was practised by the ancient Egyptians. Boxes, chairs, tables, sofas, and other pieces of furniture were frequently made of ebony inlaid with ivory, and articles of sycamore and acacia were ornamented with rare woods.
The Egyptians displayed much taste in their gold, silver, porcelain, and glass vases. Glass was known from the earliest times, and glass-blowing was employed by them twenty-five hundred years ago. It is also stated that their dead were sometimes enclosed in glass coffins,or a crystal sarcophagus was made by covering the granite with a coating of vitrified matter, usually of a deep green color, which by its transparency allowed the hieroglyphics engraved upon the stone beneath to be plainly visible.
Emeralds, rubies, amethysts, and other expensive gems were most successfully imitated by the jewellers of Thebes. Pliny states that glass-cutting was known to the ancients, and that the diamond was employed for that purpose, as at present, even if they were ignorant of the art of cutting the diamond itself with its own dust. “Diamonds,” says Pliny, “are eagerly sought by lapidaries who set them in iron handles, for they have the power of penetrating anything, however hard it may be.”
The art of embroidery was commonly practised in Egypt, and gold and silver threads were used for this purpose. The loom was also employed by them, both in weaving linen, cotton, and wool, and also for the production of very rich stuffs, in which various colors were worked in innumerable patterns by the loom.
The Egyptians were also famed for their manufacture of paper, which was in the form of parchments made from the plant papyrus, which grew in the marshy regions of the Nile in great profusion. Leather was also prepared by them with great skill for various purposes, and the knife employed by them in the process, between three and four thousand years ago, is precisely similar to that used by modern curriers. Fullers, potters, carpenters, and cabinet-makers formed a large class of Egyptian workmen. The Egyptians were skilled in the working of metals; and gold, silver, brass, tin, iron, and lead were known in those days.
The art of embalming the dead was practised by the Egyptians with a perfection never since equalled.
Egyptian paintings were very primitive, and their sculptures were more remarkable for huge grotesqueness than any perfection of art, as their artists were limited to such a conventional mode of drawing. After the accession of the Ptolemies, Greek art became well known in Egypt, but their artists still continued to adhere to the Egyptian models prescribed.
The Egyptians appear to have possessed some secret for hardening or tempering bronze, with which we are totally ignorant; for the wonderful skill with which they engraved their granite obelisks with hieroglyphics, for which purpose they used implements of bronze, cannot be equalled by any process in modern times.
The walls and ceilings of the houses of the Egyptians of high rank were richly painted, as well as their tombs. The ceilings were laid out in compartments, each having peculiar pattern and border. The favorite forms were the lotus, the square, the diamond, and the succession of scrolls.
The mode of laying out the house and grounds varied according to the means of the owner. Some villas were of considerable extent, with large gardens surrounding them. Some of the large mansions were ornamented with obelisks, like the temples. About the centre of the outer wall was the main entrance leading to an open walk shaded by rows of trees. Here were large tanks of water, and between them a wide avenue led to the centre of the mansion. Their gardens were well tended, particularly their vineyards.
Monkeys were trained to assist in gathering the fruit of the sycamore and other trees.
Many animals were tamed in Egypt for various purposes, as the lion, leopard, gazelle, baboon, crocodile, and others.
Among the fruit-trees cultivated by the Egyptians were the palm, date, dôm-nut tree, sycamore, fig, pomegranate, olive, peach, almond, persea, locust tree, and others. The Egyptians were exceedingly fond of flowers, and they were profusely employed on all festive occasions. The lotus was the favorite flower, and was more often preferred for house decoration and personal adornment. Among other flowers cultivated by them were the chrysanthemum, acinon, acacia, anemone, convolvulus, olive, amaricus, and others.
The deity whom they believed presided over the garden, was Khem, corresponding to the Grecian Pan. Ranno, a goddess sometimes represented in the form of an asp, or with a human body and the head of a serpent, was considered the protecting genius of a vineyard, and also of a young prince.
This goddess Ranno, or the sacred asp, appears in many remarkable connections with royalty, and the name Uræus, which was applied to that snake, has been derived by Champollion, fromouro, the Coptic word signifying “king,” as its appellation of basilisk originated in thebasiliscosof the Greeks.
Ancient Egypt was a religious community in which the palace was a temple, the people worshippers at the gate, and the monarch the chief priest. “The equal treatment which the women received in Egypt was shown in other circumstances beside their being allowed to sit on the throne. In their mythology, the goddess Isis held rank above her husband. We see also on the mummy-cases that the priestly and noble families traced their pedigree as often through the female line as through the male, and records were sometimes dated by the names of priestesses.”
The Egyptians worshipped many gods. Among them wereRa, the “sun-god,” sailing in a golden boat across the heavens;Shu, meaning “air”;Tafnut, the “dew”;Seb, the “earth”; andNut, the “heaven.”Osiriswas the “sun,” andIsis, his wife and sister, the “dawn”;Horus, the “rising sun”;Set, the destroyer of Osiris, was the “darkness”; and the resurrection of Osiris was the rising of the sun after the darkness of the night had been overcome and dispelled.Nepthyswas the “sunset”;Anubis, the “twilight” or “dusk.”Neithcorresponded to the Greek Athêné, and was supposed to be a personification of the wisdom or intellect of God,—which is a significant thought, Neith being agoddess, not a god. She was the Egyptian goddess of Saïs. Originally the worship of Ammon was distinct from that of Ra, god of the sun; but after the eighteenth dynasty a union took place, and he was worshipped as Ammon-Ra. Thoth, the god of letters, had various characters, according to the functions he was supposed to fulfil. In one of his characters he corresponded to the moon; in the other, to Mercury. “In the former, he was the beneficent property of that luminary, the regulator and dispenser of time, who presided over the fate of man and the events of his life; in the latter, the god of letters and the patron of learning and the means of communication between the gods and mankind.”
The Egyptians related many allegories concerning their various deities, but we have space only to narrate the story regarding Osiris and Isis, god of the sun and the goddess of dawn. As their gods were supposed to assume many different characters and attributes, this story represents Osiris as the river Nile, Isis as the land of Egypt, and Typho as the sea.
The allegory is thus given:—
“Osiris, having become king of Egypt, applied himself towards civilizing his countrymen by turning them from their former barbarous course of life, teaching them, moreover, to cultivate and improve the fruits of the earth. With the same good disposition he afterwards travelled over the rest of the world, inducing the people everywhere to submit to his discipline, by the mildest persuasion. During his absence from his kingdom, Typho had no opportunity of making any innovations in the state, Isis being extremely vigilant in the government and always on her guard. After the return of Osiris, however, Typho, having persuaded seventy-two other persons to join him in the conspiracy, together with a certain queen of Æthiopia, named Aso, who chanced to be in Egypt at the time, contrived a proper stratagem to execute his base designs. For, having privately taken a measure of Osiris’s body, he caused a chest to be made exactly of that size, as beautiful as possible, and set off with all the ornaments of art. This chest he brought into the banqueting-room, where, after it had been much admired by all present, Typho, as if in jest, promised to give it to any one of them whose body upon trial it might be found to fit. Upon this the whole company, one after the other, got into it; but as it did not fit any of them, last of all Osiris laid himself down in it, upon which the conspirators immediately ran together, clapped on the cover, and then, fastening it on the outside with nails, poured melted lead over it.
“After this, having carried it away to the riverside, they conveyed it to the sea by the Tanaïtic mouth of the Nile, which for this reason is still held in the utmost abhorrence by the Egyptians, and never named by them but with proper marks of detestation.
“These things happened on the 17th day of the month Athor, when the sun was in Scorpio, in the 28th year of Osiris’s reign, though others say he was no more than twenty-eight years old at the time.
“The first who knew the accident that had befallen their king were the Pans and Satyrs, who lived about Chemmis; and they, immediately acquainting the people with the news, gave the first occasion to the name ofPanic terrors.... Isis, as soon as the report reached her, cut off one of the locks of her hair and put on mourning.
“At length she received more particular news of the chest. It had been carried by the waves of the sea to the coast of Byblos, and there gently lodged in the branches of a tamarisk bush, which in a short time had shot up into a large tree, growing round the chest and enclosing it on every side, so that it could not be seen; and the king of the country, having cut down the tree, had made the part of the trunk wherein the chest was concealed a pillar to support the roof of his house. Isis, having gone to Byblos, obtained possession of this pillar, and then set sail with the chest for Egypt. But intending a visit to her son Horus, who was brought up at Butus, she deposited the chest in the meantime in a remote and unfrequented place. Typho, however, as he was one night hunting by the light of the moon, accidentally met with it; and knowing the body enclosed in it, tore it into fourteen pieces, disposing them up and down in different parts of the country.
“Being acquainted with this event, Isis set out once more in search of the scattered members of her husband’s body, using a boat made of the papyrus rush in order the more easily to pass through the lower and fenny parts ofthe country. And one reason assigned for the many different sepulchres of Osiris shown in Egypt is, that wherever any one of his scattered limbs was discovered, she buried it in that spot; though others suppose that it was owing to an artifice of the queen, who presented each of those cities with an image of her husband, in order that, if Typho should overcome Horus in the approaching conquest, he might be unable to find the real sepulchre. Isis succeeded in recovering all the different members, with the exception of one, which had been devoured by the lepidotus, the phagrus, and the oxyrhinchus; for which reason these fish are held in abhorrence by the Egyptians. To make amends, therefore, for this loss, she consecrated the phallus, and instituted a solemn festival to its memory.
“A battle at length took place between Horus and Typho, in which the latter was taken prisoner. Isis, however, to whose custody he was committed, so far from putting him to death, set him at liberty; which so incensed Horus that he tore off the royal diadem she wore; but Hermes substituted in its stead a helmet made in the shape of an ox’s head. At length two other battles were fought, in which Typho was defeated.”
This allegory is thus explained:—
“Osiris means the inundation of the Nile.
“Isis, the irrigated portion of the land of Egypt.
“Horus, their offspring, the vapors and exhalations reproducing rain.
“Butus, the marshy lands of Lower Egypt, where those vapors were nourished.
“Typho, the sea which swallowed up the Nile water.
“The conspirators, the drought overcoming the moisture, from which the increase of the Nile proceeds.
“The chest in which Osiris’s body was confined, the banks of the river, within which it retired after the inundation.
“The Tanaïtic mouth, the lake and barren lands about it, which were held in abhorrence from their being overflowed by the river without producing any benefit to the country.
“The twenty-eight years of his life, the twenty-eight cubits to which the Nile rises at Elephantina, its greatest height.
“The 17th of Athor, the period when the river retires within its banks.
“The queen of Æthiopia, the southern winds preventing the clouds being carried southward.
“The different members of Osiris’s body, the main channels and canals by which the inundation passed into the interior of the country, where each was said to be afterwards buried. That one which could not be recovered was the generative power of the Nile, which still continued in the stream itself.
“The victory of Horus, the power possessed by the clouds in causing the successive inundations of the Nile.”
Many animals, insects, and plants were considered sacred by the Egyptians: among them were the cynocephalus ape, sacred to Thoth; shrew-mouse, sacred to Mant; dog, sacred to Anubis; cat, sacred to Pashtor Bubastis; lion, sacred to Gom, or Hercules; hippopotamus, sacred to Mars; pig and ass, emblems of Typho; goat, sacred to Mendes; cow, sacred to Athor.
The sacred oxen were Apis, Mnevis, and Basis, sacred to Osiris, Apollo, and Onuphis.
The sacred birds of Egypt were the vulture, eagle, hawk, white and saffron-colored cocks, little egret, sacredto Osiris; ibis, sacred to Thoth; goose, emblem of Seb. Fabulous and unknown sacred birds were the phœnix, sacred to Osiris; the “pure soul” of the king (a bird with man’s head and arms), emblem of the soul; vulture with a snake’s head; hawk with man’s and ram’s head.
The sacred reptiles were the tortoise, crocodile, asp, and frog. The fabulous serpents were snakes with human heads, with hawk’s head, and with lion’s head.
The sacred fishes of Egypt were the oxyrhinchus, the eel, the lepidotus, satus, and mæotes. The scorpion was the emblem of the goddess Selk. Different species of beetles were held sacred to the sun, and adopted as an emblem of the world.
Foremost amongst the sacred plants of the East, being not merely a symbol, but frequently the object of worship in itself, was the undying lotus, which, from the throne of Osiris, Isis, and Nepthys, rises in the midst of the waters, bearing on the margin of its blossom the four genii.
“The Persians represent the sun as ‘rob’d with light, with lotus crown’d.’ Among the Chinese it symbolized Buddha, and is the emblem of female beauty. The Japanese deem it the emblem of purity, since it is not sullied by the muddy waters in which it often grows. With the flowers of the motherwort, it is borne before the body in their funeral processions. The Hindoo deities are often represented seated upon a lotus flower. Kamadeva, or Cupid, is depicted as floating down the blue Ganges—
‘Upon a rosy lotus wreath,Catching new lustre from the tideThat with his image shone beneath.’”
‘Upon a rosy lotus wreath,Catching new lustre from the tideThat with his image shone beneath.’”
‘Upon a rosy lotus wreath,
Catching new lustre from the tide
That with his image shone beneath.’”
The consort of Vishnu, Laksmi, was also called the “Lotus-born,” because she was said to have ascended from the ocean on its blossom.
Brahma was believed to have sprung from Narayana,—that is, “the Spirit of God moving on the waters,”—and he is thus described in a Hindoo poem:—
“A form cerulean fluttered o’er the deep;Brightest of beings, greatest of the great,Who, not as mortals steepTheir eyes in dewy sleep,But heavenly pensive on the lotus lay,That blossom’d at his touch, and shed a golden ray.”
“A form cerulean fluttered o’er the deep;Brightest of beings, greatest of the great,Who, not as mortals steepTheir eyes in dewy sleep,But heavenly pensive on the lotus lay,That blossom’d at his touch, and shed a golden ray.”
“A form cerulean fluttered o’er the deep;
Brightest of beings, greatest of the great,
Who, not as mortals steep
Their eyes in dewy sleep,
But heavenly pensive on the lotus lay,
That blossom’d at his touch, and shed a golden ray.”
An ancient prayer, common to the inhabitants of Tibet and the slopes of the Himalayas, consists of unceasing repetitions of the words,Om mane padne haun, meaning, “Oh, the jewel in the lotus! Amen.”
“The Grecian god of silence, Harpocrates, who was the Egyptian Aurora, or Dayspring, and was the son of Isis, was often represented on the lotus. The god Nofre Atmoo also bore the lotus on his head.”
The lotus is regarded in Egyptian delineations as signifying the creation of the world. In the gallery of Egyptian antiquities in the British Museum there are several statues bearing sceptres formed of the lotus; and also a mummy holding in each hand of his crossed arms a lotus flower. There was also brought to England, some years ago, a bust of Isis emerging from a lotus flower, which has frequently been mistaken for one of Clytie changing into a sunflower.
Three species of nymphæceæ, called lotus, were cultivated in Egypt. One of these still grows in immense quantities in Lower Egypt. This lotus has fragrant white blossoms, and fruit the size of that of the poppy, filled with small seeds, used as an article of food. It closely resembles our white water-lily. “It was the ‘rose of ancient Egypt,’ the favorite flower of the country, andwas made into wreaths and garlands. With the blue lotus of the Nile (Nymphæa cœrulea), it formed models for many works of art. But the sacred lotus is the Nelumbo. This is the sacred bean of Egypt, the ‘rose lily of the Nile’ of Herodotus, the lotuspar excellence. Its blossoms are larger than those of the white or blue lotus; they are of a brilliant red color sometimes, but rarely white, and hang over broad peltated leaves, resembling, in their magnificent beauty, those—
‘Eastern flowers large,Some dropping low their crimson bellsHalf closed; others studded wideWith disks and tears, that fed the timeWith odor, in the prime of goodHaroun Alraschid.’
‘Eastern flowers large,Some dropping low their crimson bellsHalf closed; others studded wideWith disks and tears, that fed the timeWith odor, in the prime of goodHaroun Alraschid.’
‘Eastern flowers large,
Some dropping low their crimson bells
Half closed; others studded wide
With disks and tears, that fed the time
With odor, in the prime of good
Haroun Alraschid.’
“The Nelumbo was cultivated as much for its usefulness as an article of food, as for its beauty. Its roots, seeds, and leaf-stalks are all edible. The fruit is formed of many valves, each containing a nut about the size of a filbert, with a taste more delicate than that of almonds. The use of the seeds in making bread, and the mode of sowing them,—by enclosing each seed in a ball of clay, and throwing it into the water,—may probably be alluded to in the text, ‘Cast thy bread upon the waters, for thou shalt find it after many days.’ The Nelumbo is a native of the north of Africa, of India, China, Japan, Persia, and Asiatic Russia, and in all these countries maintains its sacred character. The fable of the nymph Lotis, who was transformed into a tree bearing her name, is supposed to be of Eastern origin. It was under the lote-tree, beyond which there is no passing, that Mohammed was said to have met the angel Gabriel. This lotis or lotus tree must not be confounded with the sacred bean, or lotusflower, which is a totally distinct plant. The lotus-tree is a moderate-sized thorny tree, with broad leaves, fruit as large as an olive, of a reddish color, containing the nut, the taste of which is sweetish, resembling that of a fig or date. It was this lotus-tree which Homer refers to, when he describes the charm of certain fruit which Ulysses dreaded would lure his companions to give up home and friends forever, as the fable was, that whosoever ate of its fruit would never leave the enchanted land.”
On account of these numerous stories connected with the far-famed lotus of the East, it has become one of the most illustrious flowers of romance and poetry. Its praises have been sung in all the languages of Eastern climes, until its very name has become the synonyme for oriental splendor and goddess-like attractions.
The asp appeared to be one of the favorite emblems of deity, and also of royalty, and many strange stories are told of different species of asps. The following is related to show the extreme veneration paid to sacred animals.
“A sacred serpent of Melite had priests and ministers, a table, and a bowl. It was kept in a tower, and fed by the priests with cakes made of flour and of honey, which they placed there in the bowl. Having done this, they retired. The next day, on returning to the apartment, the food was found to be eaten, and the same quantity was again put into the bowl, for it was not lawful for any one to see the sacred reptile. On one occasion, one of the priests being anxious to behold it, went in alone, and having deposited the cake, withdrew, until the moment when he supposed the serpent had come forth to its repast. He then entered, throwing open the door with great violence, upon which the serpent withdrew in evident indignation, and the priest shortly after became frantic, and having confessed his crime, expired.”
The Egyptian asp is a species of cobra de capello, and is still very common in Egypt. As our story of Cleopatra is connected with the asp, the following facts will be interesting. It is called Nashir, a word signifying “spreading,” from its dilating its breast when angry. The snake-players of modern days use this same serpent in their juggling tricks, taking care first to extract its fangs, or to burn out the poison-bag with a hot iron. The asp is generally about three or four feet long; they are easily tamed; their food consists of mice, frogs, and other reptiles. They are accustomed to live in gardens during the warm weather, where they are of great use. It is supposed that the asp employed by Cleopatra was a kind of poisonous snake much smaller than the common variety; and the name, like that of viper, may have been applied to venomous serpents of different species. Mummies of the asp have been discovered in Thebes.
We have not space to describe the marvellous monuments and pyramids of ancient Egypt, and will only give one statement of Herodotus in connection with them. Herodotus says, that each of the two great pyramids near Memphis required twenty years in building; and that one hundred thousand men were unceasingly employed on the work, who were relieved every three months; and that only sixteen hundred talents of silver were spent on the radishes, onions, and garlic for the workmen, which was probably their only pay, making about eighteen pence a year of our money, for each man.
A slight sketch of an Egyptian house and dinner party will aid us in obtaining a more definite idea of the manners and customs of those times. The apartments appropriated to the reception of guests in Egyptian houses were sometimes on the ground floor, sometimes in the firststory; though from the size, beauty, and arrangement of their gardens it is supposed that they often entertained their friends in the cool and shady retreats there. These reception rooms were provided with handsome chairs, fauteuils, stools, and low seats. While conversing, they did not recline on divans or couches, though ottomans and richly covered couches formed part of the furniture in Egyptian apartments of state. Egyptian tables were round, square, or oblong; the common people sat cross-legged or crouched on the ground. Little is known of the furniture of their bedrooms, but numerous wooden pillows have been found with grooved places for the head. Those for the rich were made of alabaster. In their entertainments they made lavish display and provided various amusements. Songs, music, dancing, buffoonery, feats of agility, and games of chance were introduced. The guests arrived in chariots or in palanquins borne by their servants on foot. Sometimes their attendants held over them parasols to protect them from the sun, and one slave carried a stool to enable his master to alight with ease, while another bore his writing-tablet, or whatever article of apparel he might need. To those who arrived from a journey, water was brought in a golden ewer to wash their feet before entering the reception-room. It was also customary for each guest to be anointed with ointment by a servant, as he seated himself; then a lotus flower was presented to each visitor, who held it in his hand during the entertainment. Servants also brought necklaces of the same or other flowers, and hung them around the neck of each person, and placed garlands of flowers on their heads with a single lotus bud so arranged that it would fall over the forehead. Wreaths and other devices of flowers were laid around the room on stands,while servants constantly brought fresh blossoms from the gardens to replace those which had faded. After the floral decorations, wine was offered to the guests. While the dinner was being prepared, the company were entertained by music by a band of musicians, who performed upon the harp, lyre, guitar, tambourine, double and single pipe, flute, and other instruments. The Egyptians paid great attention to the study of music. The father of Cleopatra received the name of Auletes from his skill in playing on the flute. Long before the lyre was known in Greece the Egyptians had attained great perfection in the form of their stringed instruments, and Greek sages visited Egypt to study music among the other sciences for which it was renowned. Harps of fourteen, and lyres of seventeen, strings are found to have been used by ordinary Egyptian musicians 1570B.C.The strings of the Egyptian harp were of catgut, and some discovered at Thebes in 1823 were so well preserved that they emitted a sound on being touched. Apollodorus relates the following story of the supposed invention of the lyre:—
“The Nile having overflowed the whole country of Egypt, when it returned within its natural bounds, left on the shore a great number of animals of various kinds, and among the rest a tortoise, the flesh of which being dried and wasted by the sun, nothing remained within the shell but nerves and cartilages, and these being braced and contracted by the drying heat became sonorous. Mercury, walking along the banks of the river, happened to strike his foot against this shell, and was so pleased with the sound produced that the idea of a lyre presented itself to his imagination. He therefore constructed the instrument in the form of a tortoise and strung it with the dried sinews of dead animals.”
It was not customary for the upper classes of the Egyptians to indulge in dancing, and hired dancers were employed on all festive occasions. Grace in posture and movement was the chief object of those skilled in the dance. Many of their postures and steps resembled those of the modern ballet; and thepirouetteenlivened an Egyptian party more than thirty-five hundred years ago.
Having given this outline of the manners and customs of ancient Egypt, we will take up the more immediate history of Cleopatra. It will be remembered that Alexander the Great, after his conquest of Egypt, founded the magnificent city of Alexandria situated at the mouth of the river Nile. One of the most expensive and famous of all edifices erected by the Ptolemies was the light-house on the island of Pharos, opposite to the city, and at some distance from it a pier was subsequently built connecting the island with the mainland. This light-house was a lofty tower constructed of white marble. This great edifice was erected by Ptolemy Philadelphus, the second monarch in that line. It was regarded as one of the seven wonders of the world. The architect of this light-house was a man named Sostratus. Ptolemy ordered that a marble tablet should be placed in the wall of the tower, bearing his name as the builder of this wonder. Sostratus seemingly obeyed, but he outwitted the haughty monarch. Sostratus secretly engraved his own name upon the marble tablet, and then covered it with an artificial cement similar in appearance to the marble. On this outer surface he cut the name of the king, and the tablet was placed in the wall without detection. In process of time the cement mouldered away as the architect had calculated upon, and the king’s name disappeared, while that of Sostratus remained as long as the building endured.
The city of Alexandria was also world-renowned for its immense library and museum established by the Ptolemies. The museum was not a collection of curiosities, but an institution of learning where sages congregated to devote their time to the study of philosophy and science. The institution was richly endowed, and very magnificent buildings were erected for its use. The most valuable books from all parts of the world were collected here, the king buying, borrowing, or even stealing, these rare treasures, when they could not be otherwise obtained from neighboring nations; and scribes were kept constantly employed in copying these works on parchment by handwriting, as printing was then unknown, so far as can be discovered; though it is hardly safe to assert that any thing was unknown to those ancient Egyptians, for new discoveries amongst the remains of their ruined cities are continually revealing some hitherto unimagined fact regarding the knowledge and civilization of that strange and powerful nation. After copies were made of all these valuable volumes, or scrolls, the original was always kept in the Alexandrine museum and library, while the copy was graciously returned to the owners, whether individuals or nations. At length the library collected in the museum increased to four hundred thousand volumes. No more could be stored in the museum, and so a wonderful temple, called the Serapion, situated in another part of the city, was used as a depository for additional volumes. Three hundred thousand volumes were afterwards accumulated in this temple. The strange history of this Serapion must not be omitted. One of the ancient gods of the Egyptians was a deity named Serapis. He was the particular divinity of seamen. A statue of this god existed in the town of Sinope, in AsiaMinor. The Ptolemy kings of Egypt were desirous of making Alexandria the most important seaport and naval station in the world, and they thought this could not be accomplished without the presence of this sacred statue of the god Serapis, as his worship would bring to their city all the seamen who made pilgrimages to the shrine of their god. The king of Sinope was unwilling to part with the statue, and refused all offers of the Egyptian king to purchase this venerated image of the deity. At length, however, a famine fell upon the land of Sinope, and the people in their distress were forced to part with their sacred idol in order to obtain corn from the Egyptians, who would furnish none without this condition. The statue of the god Serapis was accordingly brought to Alexandria, where a magnificent temple was erected to contain the idol. This temple was called the Serapion.
It was owing to the desire of the Ptolemies to make the Alexandrine library the wonder of the world, that the Old Testament of the Scriptures came to be translated into Greek, which had previously been written only in the Hebrew language, and was known only to the Jews. This King Ptolemy having learned that the Jews at Jerusalem possessed sacred writings which were guarded in their synagogue there, was very anxious to obtain a copy of them. As the Egyptians then held many of the Jews in slavery, who had been taken prisoners in war, Ptolemy rightly imagined that it would be difficult to accomplish his purpose. He accordingly first bought all the Jewish captives from their masters, at a cost of six hundred thousand dollars, and sent the liberated Jews home to Jerusalem. Deeming that he could now make his request of the Jewish authorities with some hopes of success afterthis generous treatment of their countrymen, Ptolemy sent a splendid embassage to Jerusalem, with respectful letters to the high-priest, and very magnificent presents. The request of Ptolemy was granted. The Jewish priests made very fine copies of their sacred writings, illuminating them with letters of gold. These were presented to Ptolemy, and seventy-two learned Jews were chosen from the twelve tribes and sent to Alexandria; and there they translated the Hebrew Scriptures into Greek. This translation is called the Septuagint, from the Latin words,septuaginta duo, meaning “seventy-two.” A copy of the Septuagint Bible may now be obtained for two days’ wages of a common laborer; but to secure the original translation the Egyptian king expended, it is said, over a million of dollars. Thus an Egyptian king gave to the world the first Greek translation of the Old Testament.
Having given this glimpse of Egyptian history as a background to our picture, we will confine the remainder of this sketch to the immediate history of Cleopatra and her family. Having shown the bright side of the picture of the reign of the Ptolemies, we are forced to look for a moment upon dark and bloody scenes. The early sovereigns in the line of the Ptolemies were distinguished for wise government and the advancement of their people in arts, sciences, and literature. The first Ptolemy was Ptolemy Soter, who, together with his son and successor, Ptolemy Philadelphus, were the most illustrious of the line. So greatly was Ptolemy Soter, the founder of the dynasty, venerated by his subjects, that divine honors were paid to his memory after his death. But the succeeding Ptolemies grew more and more vicious, weak, and sensuous, until the great-grandfather of Cleopatrastands forth in history merely as a horrid monster of all vice and crime. He was Ptolemy Physcon, the seventh in the line. The name Physcon was given him in derision, on account of his grotesque appearance. Being very small of stature, his gluttony and dissipation had increased his rotundity of figure to enormous proportions, making him more of a monster than man in appearance. His brother, who was king before him, dying, left a wife, who was also his sister, named Cleopatra, this name being common in the family of the Ptolemies. Queen Cleopatra had a little son, and a daughter, also called Cleopatra, a beautiful girl of about fifteen years of age. The son of this queen was really heir to the throne; but the friends of Physcon succeeded in persuading Queen Cleopatra to marry him, under the conditions that he should be king, but that Cleopatra’s son, the child of Physcon’s brother, should be heir to the throne. Physcon agreed to this; but no sooner had he married the queen, who was also his sister, when he brutally killed her son, while in her own arms, and upon the very bridal day. This inhuman monster then fell in love with the young Cleopatra, his niece, and soon divorced the queen and married her daughter. But so great were his cruelties and crimes that the people rose against him, and he was forced to flee for his life. He took with him a beautiful boy, who was his own son, and also the child of the Queen Cleopatra whom he had divorced. The people then reinstated Queen Cleopatra upon the throne. When the queen’s birthday arrived, it was celebrated with great magnificence, and many guests were assembled at the palace; at which time a large box was brought in as a present to the queen. It was opened in the presence of the guests, as all supposed that some neighboring monarchhad sent some costly gift. As the cover was lifted, what was the horror of the queen and her friends to behold the head and hands of her beautiful boy, whom Physcon had taken with him! These bloody relics were placed amid a heap of the fragments of the body in such manner that the mother might recognize her son, and the fiend-like monster, in sending this ghastly gift, had commanded that it should be presented to his former wife as a birthday token, and that it should only be opened in the presence of her guests. Such were some of the shocking deeds performed by members of the family of the famous Cleopatra. No wonder that her nature, inherited from such inhuman monsters, was not free from barbarous instincts.
The father of the illustrious Cleopatra was little better than his revolting predecessors. Blood, murder, and intrigue, and all crimes and vices formed his inheritance, handed down by his grandfather, the fiendish Physcon. The younger Cleopatra, whom Physcon married for his second wife, became such an inhuman being of atrocity and crime that she was put to death by one of her sons, whose destruction she had planned in order to seize the throne. The mother of Auletes, the father of the great Cleopatra, was merciless and wicked, like the rest of the line, disregarding every virtuous principle and family tie. Her daughters were worthy followers of her atrocious example, and at length one murdered the other in jealous hate. Such was the bloody and shocking family record which the world-renowned Cleopatra inherited, together with the throne of one of the most powerful and remarkable nations of the earth. Her father followed in the same bloody footsteps. Having been dethroned by his subjects, who hated him on account of his atrociousvices,—for this Ptolemy Auletes was one of the most dissipated and corrupt of all the sovereigns of that dynasty,—he fled to Rome to obtain aid to recover his throne. The Egyptian people, meanwhile, had made his eldest daughter, Berenice, queen. Auletes, having at length raised an army with the help of Pompey, the Roman general, who espoused his cause, returned to Alexandria, defeated the Egyptians, and recovered his throne; and immediately thereupon put his eldest daughter, Berenice, to death. When Cleopatra was about eighteen years of age, her father died, having left a will by which the throne of Egypt was to be held by Cleopatra and her younger brother Ptolemy, who were to marry each other and reign conjointly.
This terrible deed, which is regarded with just abhorrence as a dreadful and revolting crime in our days, was a customary practice among Egyptian monarchs; and in their mythology their gods and goddesses were also represented as marrying brothers and sisters. As both Cleopatra and her brother were too young to govern Egypt, they only reigned in name, while the government was administered by two ministers, named Pothinus and Achillas. As these statesmen, one of whom was also general-in-chief of the army, desired to obtain complete control of the empire, they espoused the cause of Ptolemy, Cleopatra’s brother and so-called husband, who was so young that they imagined they could manage him as they wished. They accordingly deposed Cleopatra, placing Ptolemy alone on the throne; though in reality they were the sovereigns themselves.
Cleopatra, who early displayed a dauntless courage and a resistless self-reliance, fled to Syria to raise troops, that she might secure by force her rightful inheritance. Cleopatraobtained an army, and commenced her march back into Egypt. Pothinus and Achillas went forth to meet her, accompanied by a large body of troops, taking the young Ptolemy with them as the nominal sovereign. The two armies encamped near Pelusium. But no battle was fought, owing to unexpected circumstances.
It was at this time that the conflict was waging in Rome between Julius Cæsar and Pompey. As Pompey had given aid to Ptolemy Auletes, the father of Cleopatra, in recovering his throne, Pompey fled to Egypt, hoping to find succor there. But he was treacherously invited to land by the Egyptian ministers, Pothinus and Achillas, and then barbarously murdered while stepping on shore. Julius Cæsar soon after arrived at Alexandria; and when this news reached the camps of the Egyptian armies, the two ministers, with the young king, Ptolemy, hastily returned to Alexandria; and, hoping to propitiate Cæsar, they sent to him the head of the murdered Pompey. Cæsar, far from being pleased, was greatly shocked, and ordered the head of his late enemy to be buried with imposing ceremonies.
Cæsar had landed at Alexandria with only a few troops, and had established himself in the royal palace. He demanded the six thousand talents which Ptolemy Auletes had promised for securing the alliance of Rome, which had never been entirely paid. Cæsar also claimed that, by the will of Auletes, the Roman people had been made his executors; and he declared that, as consul of the Roman people, it was for him to decide the dispute between Cleopatra and her brother Ptolemy.
While matters were in this state, Cleopatra determined to use stratagem in gaining her own cause.
She therefore sent a message to Cæsar, asking permissionto appear before him. Cæsar thereupon urged her to come.
Cleopatra then took a single boat, and with but few attendants left the army secretly; and arriving at Alexandria, she waited until nightfall, and then advanced with a single servant to the wall of the citadel. This servant, named Apollodorus, at the bidding of Cleopatra, rolled her up in a bundle of carpeting, and, covering the package in such a manner as to resemble a bale of merchandise, he lifted it over his shoulder and carried it into the city, and arrived unmolested at the palace. In answer to the questions of the guards stationed at the gates of the palace, he replied that he carried a present to Cæsar. Whereupon he obtained access to Cæsar’s apartments; and when his mysterious bundle was unrolled, even the stern Roman general was fascinated by the vision of loveliness which met his wondering gaze. Cleopatra was at this time about twenty-one years of age. She was of slender and graceful form, and renowned, not so much for her regularity of features, as for an indescribable charm and witchery of manner and expression. As she pleaded her cause before the great conqueror, with lively intelligence and quick wit and winning sweetness, the conqueror became the conquered; and Julius Cæsar’s heart became a toy in the hands of this fair young girl, and her wishes became his law. He who had conquered the known world was led captive by the charms of this wilful, fascinating, star-eyed beauty of the Nile.
Cæsar immediately espoused Cleopatra’s cause with great fervor. He sent for the young king, Ptolemy, and urged upon him the expediency of restoring Cleopatra to her rights as joint sovereign with himself. But the young Ptolemy had now arrived at the age of wilfulness, and refusedto give his sister her place as queen. He was, moreover, very much vexed that Cleopatra had delivered herself into the power of Cæsar. He left the palace in a rage, tearing the diadem from his head, in his indignation, and declaring to the people that he was betrayed.
Ptolemy and his officers did not have a large body of troops in the city of Alexandria; for the main army was still stationed at Pelusium, where Cleopatra’s army was also encamped.
The populace were so inflamed by the representations of Ptolemy and his ministers, who declared that Cæsar had seized and imprisoned Cleopatra, that the excited people rushed to make an attack upon the palace. Cæsar had but a small force to guard the palace; but he boldly sent out a detachment of his soldiers, with orders to seize Ptolemy, and bring him as a prisoner. This was accomplished, to the great astonishment of the people at such unheard-of daring. Then Cæsar mounted to a high window in the tower, and made signs to the mob below that he wished to speak with them. Quiet being restored, Cæsar told the people that, as he was a representative of the Roman nation, whom Auletes had made the executors of his will, he would endeavor to decide justly the questions concerning Cleopatra and Ptolemy; and he recommended them to retire without further riot. Accordingly the mob dispersed, and Ptolemy and Cleopatra remained under Cæsar’s guardianship.
The next day an assembly of the chief men of Alexandria was convened by Cæsar; and the will of Auletes having been publicly read in their hearing, the decision announced by Cæsar, that Cleopatra was entitled to reign with Ptolemy, was not openly opposed. Thereupon Cleopatra was reinstated by Cæsar; and he proposed thather younger sister, Arsinoë, with a still younger brother, also named Ptolemy, should receive the island of Cyprus as a joint realm. Cyprus being at this time a Roman possession, this provision would be a royal gift, which Cæsar thought would help to appease the Egyptian people.
A grand festival was held to celebrate this reconciliation; and during the feast one of the servants of Cæsar overheard some remarks, which led to the discovery of a plot which had been formed against Cæsar by the Egyptian ministers, Pothinus and Achillas. Cæsar being informed of the plan, set a guard at the door where the feast was held, and Pothinus was killed. Achillas fled to the Egyptian army, and assuming command, he marched against Cæsar.
The war which now ensued is known as the Alexandrine war. Achillas had at first the advantage in this contest, as his army was large, while Cæsar had brought but few soldiers with him to Alexandria, and his reinforcements had not arrived. Cæsar, knowing the importance of holding control of all the approaches to the city by sea, sent out an expedition to burn all the shipping in the harbor, and to take possession of a fort upon the island of Pharos, which commanded the entrance to the port. This undertaking was successful; but in its accomplishment an irretrievable loss was sustained, not only by the city of Alexandria, but by the entire world. This was the burning of the famous library already described.
After various minor conflicts, a great battle was fought, in which the Egyptians were defeated. Ptolemy, who had previously joined the Egyptian army, was afterwards drowned in the Nile.
The younger sister of Cleopatra, Arsinoë, who had escaped from the palace with her guardian, called Ganymedes,and had taken refuge with the Egyptian army, was captured by Cæsar’s soldiers, and brought to him as a prisoner. The war being ended by the victory of Cæsar, Cleopatra was placed upon the throne of Egypt, in conjunction with her youngest brother, Ptolemy, as the elder was dead; and after two years Cæsar returned to Rome, taking Arsinoë with him as his prisoner. In his grand triumphal celebrations this Egyptian princess was forced to walk before the chariot of Cæsar, bound with golden chains. Cæsar had become so infatuated with Cleopatra that he had taken her as his wife, while in Egypt, although he was already married to a Roman lady. And after Cæsar’s return to Rome, Cleopatra followed him with their infant son, named Cæsario, and her younger brother, Ptolemy, who reigned with her as king of Egypt.
Upon the death of Cæsar, which occurred about four years after, Cleopatra endeavored to get her child acknowledged by the Roman senate as her colleague on the throne of Egypt. She was living in Rome in Cæsar’s villa when he met his death at the hands of the conspirators. She thereupon applied to Cicero to use his influence in behalf of her son Cæsario, and offered him some rare books and works of art. But Cicero was offended at her haughtiness, and refused to espouse her cause. Cleopatra, fearing that her own life was in danger,—for the Roman people were much incensed against her on account of her influence over Cæsar,—then fled secretly to Egypt with her son Cæsario. As Ptolemy, her youngest brother, had now arrived at the age of fifteen years, at which time he was allowed to assume all the royal prerogatives of a sovereign, Cleopatra contrived to have him poisoned, that she might reign sole monarch. She had then reigned four years with her elder brother and four with the younger Ptolemy, and from that time she reigned alone.
This shocking murder of her own brother reveals the savage instincts which she had inherited from her ancestors, who were guilty of the most atrocious crimes. She had seen her own father murder her eldest sister out of cruel revenge, and her childhood had been passed amidst scenes of profligacy and vice. For a time her nobler impulses had obtained the ascendancy over her; but from this time forward all the marvellous fascinations of mind and manner, which enslaved all who came within their magic spell, were debased by evil motives, and became the instruments of accomplishing the ruin of all who were so unfortunate as to become infatuated with her alluring beauty, melodious voice, and brilliant mind.
After the famous battle of Philippi and the death of Brutus and Cassius, Octavius Cæsar and Mark Antony and a Roman general named Lepidus formed the celebratedtriumvirate, which continued for some time afterwards to wield the supreme power over the Roman world. The battle of Philippi established the ascendancy of Antony, and made him the most conspicuous man, as Cleopatra was the most conspicuous woman, in the world.
After the murder of Cæsar, Cleopatra did not openly declare herself a partisan of either his friends or enemies. But as some suspicious circumstances occurred, Antony afterwards summoned her to appear before him on a charge of aiding Cassius. Antony was then at Tarsus, and the famous sail of Cleopatra up the river Cydnus took place at that time. The description of this gorgeous scene we have already narrated. The name of the messenger sent by Antony to summon Cleopatra to his presence was Dellius. This officer had proceeded to Egypt on this errand, but having beheld the far-famed Egyptian queen, he was so astonished at her beauty andcaptivated by her fascinations of voice and manner, that he told her she need have no fears of Antony, for he was sure her matchless charms would speedily overwhelm him. He advised her to proceed to Tarsus with as much pomp and magnificence as possible, arrayed in her best attire, and displaying all the gorgeous luxury of her court.