CHAPTER XXV.

"A land whereon no shadow falls."

"A land whereon no shadow falls."

Yet as theAeropherswept onward her shadow could be seen drifting over cornfields, miles of rustling wheat and pastures where the cattle started and fled from the apparition in the sky.

We were admiring the beauty of the panorama beneath, when the sky became suddenly overcast with clouds, obscuring the light of the sun. This was so unexpected an occurrence that Lyone and myself looked at each other in alarm.

Captain Lavornal exclaimed: "Your holiness, I apprehend these clouds are the couriers of a hurricane!"

"Do you mean that we shall be overtaken by the storm?" asked Lyone.

"Most certainly," said the captain, "and I tremble lest anything should happen to your holiness."

"Do not fear for me," said Lyone; "even a storm is not insurmountable."

"Shall I descend, your holiness, or keep to our course?" inquired the captain with some trepidation.

"Keep to your course," replied Lyone.

Just then a hollow booming was heard, and then a fierce explosion in which the darkened sky became enveloped in a sheet of flame.

In a moment the cyclone struck the ship!

Some of the terrified voyagers shrieked and others remained silent, but all held tightly on to the nearest thing they could get hold of.

The ship lay at an angle of forty-five degrees from the plane of the rotating storm, having been caught by the wind with a fearful shock, snapping several of the cables that bound cabins and decks together. Strangely enough, the ship did not become a wreck, but was blown out of its course, the toy of the wind. We lost sight of the other ship containing the sailors, and could certainly only care for ourselves.

The cyclone proved to be a storm five hundred miles in diameter. The currents of air most remote from the centre did not sweep round in the same uniform plane. The entire circumference of wind was composed of two enormous waves eachseven hundred and fifty miles in length and four miles in perpendicular height. It was as if the rings of Saturn had suddenly assumed a vertical as well as a spinning motion, and both movements of the storm produced an appalling splendor of flight hitherto unknown to human sensation. Can theAerophersurvive the roaring storm? was the thought of every heart. Bravery was of no avail with the destroying force that had so suddenly overwhelmed us.

The ship, lifting her prow, would spring into the sky upon the bosom of the whirling waste of air. The sun was completely obscured by dense masses of flying clouds and we were deluged with torrents of water. The terror of the situation obliterated all thoughts of country or home or friends. All worldly consciousness had evaporated from the pale beings that in despair held on to the ship for life or death.

The ravages of the storm on the earth beneath could be heard with startling distinctness. We heard at times the roaring of forests and saw the shrieking, whirling branches in every earth-illuminating flash of lightning.

The goddess stood holding on to the outer rail of the deck, the incarnation of courage. She had risen to meet the danger at its worst.

TheAeropherhaving risen to an enormous height, being thrown completely out of the tempest as if shot from a catapult, turned to descend again. It flew downward like an arrow, filling every soul, save perhaps that of Lyone, with fear. All were resigned for death; there could be no escape from the destruction that threatened us.

All this time the centre of the storm had been travelling to the southeast, or about forty-five degrees out of our proper course. Suddenly the ship shot downward from the southeastern limb of the storm, which almost reached the earth at this point. Gazing below, we discovered a fearful chasm in the face of the earth toward which we were rapidly flying. It was thecañon of the river Savagil, a merciless abyss ten thousand feet in depth.

Frightful as was the scene, it might yet prove our salvation if the ship could escape colliding with the precipitous walls. Were there no abyss we would certainly be dashed to pieces on the earth itself.

Suddenly the ship heeled over fifty degrees, flinging its living freight violently against the houses on deck and the lower rail. But we were saved! One side of the deck grazed the precipice as it plunged into the cañon. We had passed through the danger before knowing what had happened.

Lyone was stunned, but safe, the captain had a dislocated wrist, and others had broken limbs, but none was fatally hurt.

It was a terrible experience.

As the cañon of the river led in a northeasterly direction we did not emerge from the shelter it gave us to seek fresh conflict with the cyclone, but kept flying between the formidable walls. We soon knew by the returning sunlight and the silver clouds that the hurricane had died away.

The damage done to theAeropherwas quickly repaired. The ceaseless humming of the fans revolving on axles of hollow steel lulled our senses once more into dreamy repose.

"Ah," said Lyone, "this is life. I feel as though I were a bird or disembodied spirit. This aerial navigation is the realization of those aspirations of men that they might like birds possess the sky. Some have wished to enjoy submarine travel, to explore those frightful abysses of ocean where sea-monsters dwell; to behold the conflict of sharks in their native element, to see the swordfish bury his spear in the colossal whale. I prefer this upper sphere of sunlight and the dome of forests, mountains, and valleys of the dear old earth."

"You are right," said I; "the world into which we are born is our true habitat."

The walls of the cañon grew wider apart until we floated in a valley two miles wide. The meadow land below us was carpeted with grass and covered with clumps of forest trees, down the middle of which ran the river, green and swift. The walls of the valley here rose twelve thousand feet in perpendicular height, prodigies of stone, stained in barbaric colors by the brushes of the ages. Here and there triumphant cataracts flashed from the heights and fell in torrents of foam to the valley below.Sometimes a tributary of the river dashed furiously from the battlements above us into the abyss, flinging clouds of spray on the tops of the trees beneath.

THE GODDESS STOOD HOLDING THE OUTER RAIL OF THE DECK, THE INCARNATION OF COURAGE.THE GODDESS STOOD HOLDING THE OUTER RAIL OF THE DECK, THE INCARNATION OF COURAGE.

TheAerophermaintained a uniform height of five thousand feet, sufficiently high to give us the exultation of a bird, yet sufficiently deep to allow the sublimity of the scene to fully impress us.

The musicians, who had hitherto remained in abeyance, now broke the silence of our progress with a swelling refrain. The music rolled echoing from granite to jasper walls in strains of divine pathos. We seemed to sail through the fabled realms of enchantment. In that little moving heaven, ceremony was dissolved into a thrilling friendship; the harmonious surroundings created a closer union of souls.

Above where I sat with Lyone there floated a flag of yellow silk a hundred feet in length. As it floated on the wind it assumed a varying series of poetic shapes, very beautiful to witness.

Sometimes there was a long sinuous fold, then a number of rippling waves, then a second fold only shorter than the first, then more rippling waves. It was a symbol of the soul and of the goddess, and represented the fascination and poetry that belongs to the adepts of Harikar. Its folds changed momentarily. At times there would be one large central curve like a Moorish arch, flanked on either side by a number of lesser arches. Again the flag streamed in throbbing waves, frequently blown by an intense breath of wind straight as a spear, crackling and shivering like a soul in pain. It responded not only to the motion of the ship, but had an independent life of its own.

"You see," said Lyone, "that the spiritual part of our creed is but the development of this independent life of the soul. The spiritual nature responds to the opportunity worthy of its recognition."

"That is but the mechanical law of cause and effect," I ventured; "where does self-sacrifice come in?"

"I do not quite understand," she replied; "self-sacrifice is the first law of the soul."

"What I mean," I said, "is this—having discovered your counterpart, do you adore despite the circumstances of fortune?"

"Most certainly," she replied; "there is the divinest self-sacrifice on both sides as far as the fortunes of each will permit. Ideally, the sacrifice is unlimited, but practically is limited as to time, opportunity and other circumstances."

"Is the counterpart soul loved in spite of disparity of circumstances, or is an equality of circumstances, such as rank, wealth and nationality, etc., a factor in the case?" I inquired.

"Outward circumstances have nothing whatever to do with the matter," said Lyone. "Friends, wealth, rank, everything is thrown aside in favor of the inward circumstance that the two souls are one."

"But," I urged, "you expose your spiritual creed to very violent shocks at times. The king of to-day may be a beggar to-morrow, and, besides, one or both of two souls may before they have known each other have been freighted with lifelong responsibilities. How, then, do you prevent a catastrophe to some one?"

"I admit," she said, "that as far as the every-day world is concerned, there are serious difficulties to contend with. But we avoid these by creating a little world of our own, exclusively for the cultivation of the spiritual soul. Just as some people apply themselves to physical culture to become athletes and show how grand the physical man may become, so we set apart a number of people as soul-priests to develop spirituality, or power over themselves and others and power over matter. It was for this object that Egyplosis was founded, to form a fitting environment for those who have achieved the ideal life. This life fully ripened, with its fresh and glorious enjoyment, can be maintained for a hundred years without diminution or loss of ecstasy."

"And do you mean that, after living one hundred years, beginning with your twentieth birthday, you are still only commencing your twenty-first year?"

"That is exactly what I mean," said Lyone. "I myself have lived ten years of Nirvana, and am yet only twenty years old."

I could well believe that such glorious freshness and beauty as hers was quite as young as she had represented it; but it was a strange idea—this achievement of an earthly Nirvana.

"Do you believe in the independent life of the soul after death?" I inquired.

"I believe that, as our bodies when they die become reabsorbedinto the bosom of nature, to become in part or whole reincarnated in other forms of life, so also our souls are reabsorbed into the great ocean of existence, to also dwell, in time, wholly or in part in some other form of life or love."

The saloon, which was also thesalle à manger, was situated in the centre of the ship. Thus the entire travellers could assemble together without disturbing the centre of gravity of the structure.

The saloon was composed of woven cane, and ornamented with a dado of sage-green silk, on which were embroidered storks, pheasants and eagles flying through space. An elongated table, also of wicker work, contained a sumptuous repast.

The goddess congratulated the guests on their safety, which proved that the skill that produced theAeropherhad successfully grappled with the difficult problem of aerial navigation.

The inventor of theAerophersaid it was the apex of mechanical skill. Invention had raised humanity from the depths of slavery, ignorance, and weakness to a height of empire undreamed of in earlier ages. Such material greatness expands the soul with godlike attributes. The ideal, inventive soul, the typical soul, was a god.

The poet said that theAeropherwas the symbol of that kind of poetry in which energy and art were in equipoise. It glorified mechanical skill. It had been prophesied that as civilization advanced poetry would decline. There was a period in the history of Atvatabar in which matters of taste, imagination and intellectual emotion had been utterly neglected by a universal preference for scientific and mechanical pursuits. The country was overrun with reasoners, debaters, metaphysicians, scientists and mechanical artists, but there were no poets. Such mechanical civilization was unfavorable to their development. The founding of such institutions as the art palace of Gnaphisthasia and the spiritual palace of Egyplosis had grafted on their modern life the soul life of more ancient times, until soul-worship had become the universal religion.

The goddess said that the aerial ship was the symbol of an ideal and passionate temperament resolved on discovering new spheres of spiritual beauty, so as to spiritualize the race. Such a soul ought to be free to surround itself with that atmosphere from which it absorbs life. It must choose its own weapons and armor, so as to be adequately equipped for the battle. In its eagerness to climb on discovering wings it must be accompanied by its own retinue of spirits, by enthusiastic and lasting friendships so consoling to its nature. Such was the idea of Egyplosis.

Captain Lavornal at this point stated that when the company regained the deck he would put the rotating wheel, placed at the stern of the ship, in motion, so as to produce the combination of a revolving as well as an onward flight.

"These wheels," said he, "will spin us around, and by means of our double rudder we produce both vertical and lateral undulations, which, combined with the rotary movement of the deck, will produce a delirious sensation. All the abandon of great and strong birds are ours. We can imitate the sonorous sweep of the seemorgh, who plunges with supreme majesty in the abyss of air."

"These elaborations of flight," said Lyone, "are not pursued merely for physical pleasure, but in a mysterious way they are the moulders of the soul itself. That essence, re-enforced with such subtle and powerful enthusiasm, develops sensibility and assumes a grandeur and ecstasy unknown to those who merely travel on the earth. Each gesture of flight is a stride nearer omnipotence, an attribute more godlike by reason of its supremacy over those obstacles that crush and overwhelm."

I shared the same seat with Lyone at the prow of the vessel.

The scenery had in our absence developed into more marked grandeur. Under the spell of an eternal morning, of such light as poets only dream of, there rose on either side of us consummate rocks and cataracts that signalled heaven. The swinging pillars of incredible streams leaped thousands of feet into the gulf beneath. They charmed us like glittering serpents. The gorge, the rocks, the cataracts, the heavens of the earth above us were a prodigal feast to which nature had bidden us.

THEN THE SHIP ROSE AGAIN TOWARD THE MAMMOTH ROCKS, ADORNED WITH THE TAPESTRIES OF FALLING WAVE.THEN THE SHIP ROSE AGAIN TOWARD THE MAMMOTH ROCKS, ADORNED WITH THE TAPESTRIES OF FALLING WAVE.

As we explored the depths of the gulf theAeropherassumed an undulating motion. For several miles the vessel kept descending,until we swept through an overwhelming jungle of wild flowers. There were acres of roses riotous in bloom, there was the trailing of wild peas sweet as honey, the blue of larkspurs, the fragrance of musk flowers, and the swaying cups of scarlet poppies.

Then the ship rose again toward the mammoth rocks that shimmered in the sunlight adorned with the tapestries of falling wave. Still upward we rose into the spell-bound sky, feeding on the savage sweets of nature, the rhythm of the golden cliffs, the echoes of the waterfalls. We were the associates of mighty pines that on the Theban peaks spread incomparable solaces for mind and heart. Then, as we descended from our extreme altitude, we began also to revolve with a splendid sweep of motion, until the landscape swam around us like a dream.

It was a delirious phantasy of airy clouds, fluttering leaves, songs of birds, milky avalanches, balsamic forests, and the awe-inspiring silences of revolving walls!

The intoxication of such wheeling flight filled us with a strange joy. Our journey became wistful, eager, breathless. We became poets, and the soul of a poet is a chameleon that takes its glow and color from the surrounding infection. The motion that bore us in daring circles produced a euthanasia of mind and an exaltation of soul. The jugglery of flight under such conditions produced a Nirvana of soul and a Dharana of body. An exquisitely sweet whirlwind of emotion swept through I know not how many souls on theAeropher, but certainly through the souls of Lyone and myself.

We both flew round and round like birds in intoxicating converse. During the progress of the flight, intellect, will and memory slumbered. I was deprived of the use of all external faculties, while those of the soul were correspondingly increased. Imagination and emotion were excited with rapturous energy. Lyone's eyes sparkled with a celestial joy. She was again the goddess in her ecstasy!

When I recovered my every-day senses the revolving motion of theAeropherhad ceased and our flight was confined to an undulating movement. I was holding the hand of the goddess, who had been in a hyperæsthetic condition herself during the gyrations of the ship, and when feeling her senses leaving her she had involuntarily grasped my hand. Our souls had been the recipients of the same rapturous joy.

When we were once more ourselves, Lyone was anxious to know something of the character of the women of the outer world. I talked to her about such women as resembled herself in spiritual fervor.

I described the Egyptian legend of Isis, the goddess of love, of life, of nature. I told her of St. Theresa, that blessed visionary, whose soul frequently experienced those voluptuous sensations, such as might be experienced when expiring in raptures on the bosom of God. I spoke also of pearly Eve, to whom, ere she had eaten of the fatal fruit, every moment was a delight, every blossom a wilderness of sweets. I spoke of Cleopatra, the haughty daughter of the Nile, the fervor of whose passion thickened into lust and death.

My story was interrupted by the arrival of the captain, who said: "Your holiness, we will reach Egyplosis in an hour."

"So soon," murmured the goddess.

"Is it the pleasure of your holiness that we alight at the private sanctuary or at the grand gate?" inquired the captain.

"At the grand gate, of course," said the goddess; "we must give our friends a royal welcome."

The captain bowed in obedience and disappeared.

The charms of our journey grew more and more interesting. In addition to the delights of discovery, I felt the rising ambition of a great joy in connection with Lyone. It was a daring thought, that I might possibly partake of a gloriouscamaraderiewith the goddess, but when I thought that no stranger could possibly share a heart that belonged only to her own people, only to Atvatabar, I felt that Lyone was very far off indeed.

In a land where spiritual love was the prerogative of the priestly caste, strictly limited to the members of that caste, any priestly condescension or favor given to those outside the pale of the priesthood could have no meaning and was forbidden under penalty of death. Of course human nature is liable to err always, and it came to pass that the records of the legal tribunals of Atvatabar proved that many departures in soul fellowship took place between the most loyal inmates of Egyplosis and the outer inhabitants. The punishment for such offence to the most sacred law of Atvatabar, although terrible, was powerless to prevent suchmésalliancesof souls.

I knew that a spark of what might prove a mighty conflagration was already kindled in the bosom of the goddess. It thrilled me to know it, but only as the laws and customs of this strange country became known to me did I realize the tremendous risk in Lyone allowing her heart to betray any kinship, however remote, with mine. The greater the dignity, the greater the offence. The crime was sacrilege, and the punishment was death by the magnic fluid.

The goddess already belonged to her faith. She was love'sreligieuse. It was a cruel thing to seek her love when I knew it would perhaps bring her to an untimely end and stamp her name with everlasting disgrace. On the other hand, if the goddess, knowing much better than I the result of loving one not only outside of the sacred caste, but an "outer barbarian" as well, was brave enough to incur even the risk of death on behalf of her love, would I be so cowardly as not to follow her supreme soul even to martyrdom itself? And it might be that we might even raise a following large enough to defeat our enemies, and end in a greater triumph than either of us ever yet experienced.

Such were the thoughts that filled me when the aerial ship suddenly shot out of the chasm in which we had so long travelled and emerged upon the wide circular basin of the mountains about one hundred miles in diameter. In the centre of the high valley lay an immense lake, in whose centre stood a large island, everywhere visible from the shores, whereon stood the sacred palace of Egyplosis, the many-templed college of souls. We saw its pale green, gleaming walls rising from a tropical forest of dark green trees. Its gold and crystal domes reflected the sunlight dazzlingly, making the palace plainly visible all over that wide valley.

Egyplosis was a little city composed of an immense quadrangle, the supernal palace together with the subterranean infernal palace. The supernal palace was of enormous dimensions, being a square mile in extent, and was composed of over a hundred temples and palaces rising high in the air, the chief seat of soul worship in Atvatabar, and the home of twice ten thousand priests and priestesses.

The infernal palace consisted of one hundred subterranean temples and labyrinths, all sculptured, like the supernal palace, out of the living rock, and situated directly underneath it.

Our course lay in a direct line across the noble valley. It was the most diversified part of the country we had yet crossed, being broken up into hills and valleys, glens and precipices, fields and forests, lakes, islands and gardens, all composing a region of bewildering beauty.

The emotions awakened by my near approach to this strange place were keen and exciting. Now for the first time in history its mystery was about to be disclosed to alien eyes from the outer world.

Soon after entering the park we saw, some fifty miles to the north, the ship containing the sailors rapidly approaching Egyplosis. It had also escaped destruction by the cyclone, having doubtless followed us down the cañon we sought refuge in.

It was a new sensation to float bird-like over the enchanted fields in this most mysterious of worlds, toward a spot that has no prototype on earth.

A multitude of domes and crenelated walls grew into immense proportions beneath the boundless light. Egyplosis possessed in its palaces the enchanted calm of Hindoo and Greek architecture, together with the thrilling ecstasy of Gothic shrines. Blended with these precious qualities there was a poetic generalization of the mighty activities of modern civilization. It was the home of spiritual and physical empire.

I wondered greatly what Eleusinian mysteries its courts contained. I was indeed another Hercules visiting the realms of Pluto and the garden of Proserpine in quest of the immortal fruits of knowledge. Would I be successful in my quest, and bear back to the outer world some magical secret its nations would be glad to know?

Finally, we saw the clear and marvellous palace close at hand.

LYONE WAS BORNE ON A LITTER FROM THE AERIAL SHIP TO THE PALACE.LYONE WAS BORNE ON A LITTER FROM THE AERIAL SHIP TO THE PALACE.

A hundred banners floated from its walls, and music from an army of neophytes on its towers saluted us.

TheAeropherswept over the lake, and, reaching the island, alighted on a marble causeway leading to the grand entrance of the palace. A thousand wayleals stood ranged on either side as a guard of honor. We had left the forest that largely covers the island, and on either hand stretched gardens of rainbow-colored flowers, and here and there fountains sparkled in the sunny air.

Lyone seemed the impersonation of divine loveliness as she was borne in a litter from the aerial ship to the palace. On her head sparkled the bird of yearning, typical of hopeless love.

The high priest Hushnoly and the priestess Zooly-Soase of the supernal palace and the grand sorcerer Charka and the grand sorceress Thoubool of the infernal palace, surrounded by the chief priests and priestesses, magicians, sorcerers, wizards, theosophists, spiritualists, etc., gave us a royal welcome, and were jubilant at the return of the supreme goddess to Egyplosis.

Twelve of the most handsome priests and priestesses constituted the guard of twin-souls in waiting to the goddess, and these escorted her into the grand court of the temple palace. Over a gigantic archway were sculptured the words "Dya Pateis omt Ami Cair," which meant "Two Bodies and One Soul." This was the motto of Egyplosis, the expression of ideal friendship and indicative of a system of life the reverse of that of the outer world of Atvatabar, which had for its motto, "One Body and Two Souls."

The architecture of the supernal palace was of amazing proportions and solid grandeur. Its aggregation of temples was sculptured out of one mighty block of pale green marble. The vast quadrangle seemed a tempest of imagination and art, whose temples, terraces and towers were the expression of the infinite souls that formed them. The color of the stone was beautifullyrelieved by broad bands of the vermilion metal terrelium, that plated the walls with several parallel friezes, which lent an amazing splendor to the scene, and made us feel as though we were entering some palace of eternity, where magnificence has no end.

We had no time to examine the marvels spread before our delighted eyes, for, on the conclusion of our reception by the great officers of the palace, we were conducted to chambers set apart for our use, to rest and refresh ourselves to witness the exercises attending the installation of a twin-soul on the following day.

The chief temple at Egyplosis was interiorly of semi-circular shape, like a Greek theatre, five hundred feet in width. It was covered like the pantheon with a sculptured roof and dome of many-colored glass. The roof was one hundred and thirty feet above the lowest tier of seats beneath or one hundred feet above the level of the highest seats beneath. The walls were laboriously sculptured dado and field and frieze, with bas-reliefs of the same character as the golden throne of the gods that stood at the centre of the semi-circle.

The dado was thirty-two feet in height, on which were carved the emblems of every possible machine, implement or invention that conferred supremacy over nature in idealized grandeur. Battles of flying wayleals and races of bockhockids were carved in grand confusion. It was a splendid reunion of science and art.

Higher up the field space, which was fifty feet in height, was broken by a gallery or cloister behind a tier of splendid pillars, themselves carved with the emblems of art. The hidden wall, as well as those portions above and below the cloister between dado and frieze, were covered with endless representations of the creations of art. Heroic eurythmic figures representing poetry, music, painting, architecture, etc., formed a mighty symposium.

Highest of all, the enormous frieze, fully sixteen feet in width, was one mighty band of solid terrelium. This had been cast in plates having sculptured symbols in high relief of the sublime emblems of Harikar, and portrayed scenes from the idealities and mysteries of Egyplosis.

There were represented the fine and perfect figures of magicians in the midst of their incantations, of sorcerers raisingsouls to life again; there were visions of the sorcery of love in all its moods, and of the rapt practices of twin-souls generating a creative force in batteries of spirit power.

Above all rose the dome whose lights were fadeless. The pavement of the temple had been chiselled in the form of a longitudinal hollow basin, containing a series of wide terraces of polished stone, whereon were placed divans of the richest upholstery. In each divan sat a winged twin-soul, priest and priestess, the devotees of hopeless love. On the throne itself sat Lyone, the supreme goddess, in the semi-nude splendor of the pantheon, arranged with tiara and jewelled belt and flowing skirt of sea-green aquelium lace. She made a picture divinely entrancing and noble. Supporting the throne was an immense pedestal of polished marble, fully one hundred feet in diameter and twenty feet in height, which stood upon a wide and elevated pavement of solid silver, whereon the priests and priestesses officiated in the services to the goddess. On crimson couches sat their majesties the king and queen of Atvatabar, together with the great officers of the realm. Next to the royal group myself and the officers and seamen of thePolar Kingoccupied seats of honor. Behind, around and above us, filling the immense temple, rose the concave mass of twin-souls numbering ten thousand individuals, each seated with counterpart soul.

As I gazed on those happy terraces of life, youth, love and beauty, I felt exhilarated with the sensations the scene gave rise to.

The garments of both priests and priestesses were fashioned in a style somewhat resembling the decorative dresses seen on Greek and Japanese vases, yet wholly original in design. In many cases the priestesses were swathed in transparent tissues that revealed figures like pale olive gold within.

The grand sorcerer Charka and the grand sorceress Thoubool occupied a conspicuous divan upholstered with cloth of gold. The sorceress was a grand beauty, neither blond nor brunette, but her complexion would, chameleon-like, change from a rosy white to a clear golden hue. Her hair was bright copper, gleaming like strands of metal. Her eyes changed color incessantly, being successively blue and black.

Her robe was a pale green silk, bound at the waist with a heavy cincture of gold. She wore a necklace of many-colored gems.

The grand sorcerer wore a robe of moss-green velvet embroidered with appliqued white silk lace, resembling lotus bloom. Both wore diadems of emeralds. Other twin-souls were arrayed in equally splendid attire, and seated on couches whose upholstery accentuated or harmonized with their fair occupants. Whatever the color selected, I observed that each twin-soul priest and priestess wore robes of a consanguineous hue, however the individual stuffs might vary in texture or quality. I also observed that in no case were the laws of taste in color violated, and unerring instinct had guided every priest and priestess in achieving the most piquant harmonies of color. With garments in simultaneous contrast each twin-soul sat on a couch upholstered in fabrics in pure contrast of color.

How I wished some great painter of the outer world could transfer to canvas that conflagration of beauty.

Several twin-souls, with garments that seemed beaten gold, reclined on black velvet couches beside us. On an immense divan of white velvet near by sat a group of priests and priestesses arrayed in stuffs that were the strangest tones of purple, brown, violet, green, and red. A twin-soul in golden maize sat on a dark purple couch. A twin-soul in écru sat on a salmon-colored couch, while a twin-soul in myosotis blue reposed on a couch of the color of Australian gold. Celibates and vestals in russet robes luxuriated on couches of magnolia green.

It was evident their artists possessed a happy skill in creating such harmonies of costume. Sculptor, upholsterer andcouturièreformed the trinity of genius that wrought marvels of form and color.

Harikar, the Holy Soul, was the deity, who was symbolized by the goddess, and ministered to by such a retinue of souls. No doubt Harikar was mightily pleased at such a tribute of wealth, love and beauty. As far as an individual could appreciate such splendor, I must testify it was an eminently thrilling oblation.

The votaries themselves were no solitary ascetics who practised heroic mortifications to obtain dominion over life or nature. Instead of the pale devotee who in other creed cultivates the desire to get away from all things earthly, and whose every effort is to extinguish pleasure in life, every theopath of Harikar cultivated a Greek perfection of body, as well as a Gothic intensity of soul. By what powerful incantation were the priestsof Egyplosis able to overcome the law of the outer world, that all joy must be paid for in pain, and that the joy was nearly always too dear at the price given?

The sacred musicians of the temple surrounded the throne in solid circles each arrayed in lordly attire.

They flourished instruments of gold, that rang out music of such depth and clearness of tone as to melt every soul in that vast audience into one thrilling whole. The sounding song was the incarnation of all things majestic and glorious. In its breathless measures were born the spirits of conquest, pride, inspiration, love and sympathy. The thrilling climax was wrought of passages eloquent of love, tenderness, reverence, joy, adoration and poetry.

Again, with the music becoming more refined, a choir of singers in the high cloister in the walls sang as they walked a refrain of purifying sweetness. It was a wail of fidelity and love, and both song and music moved in perfect accord.

Thereafter music alone was heard, when the high priest Hushnoly, and the high priestess Zooly-Soase stood before us on the silver pavement beneath the throne.

The blue-black hair of the high priestess fell around her olive face and shoulders like a cloud of darkness. She wore a robe of coral-red silken gossamer, that with its foldings shivered like quicksilver, revealing a figure of olive marble beneath. Her shoulders, arms and breasts, soft and heavy in mould, were dimly seen beneath their coral veil. Her profile was perfect. Her eyes were jewels of swart fire. Her eyebrows made perfect arches above them, enhancing the beauty of her face. Her mouth was fine and tender, and her lips red with kisses. The high priest, whose noble features were olive-green in hue, wore a splendid opaque silk burnous of camellia-red, of heavier texture than that of the priestess. He wore boots of scarlet lacquered leather. Both wore diadems of kragon, the precious stone.

A stone altar curiously carved, on which stood a green bronzeturtle of large size, occupied one side of the front of the pavement. The turtle held its head stretched upward, and through its open mouth a thin stream of blue smoke ascended. On the wide flat back of the turtle lay an open volume, the sacred book of Egyplosis.

The priest and priestess stood beside the altar, each reading an alternate stanza from the ritual of the goddess. While reading, the priests with loud voice followed the intoning of the high priest, and the priestesses that of the high priestess, as follows:

THE RITUAL OF HOPELESS LOVE.PRIESTS.Harikar is the supreme soul, and the goddess Lyone his supreme incarnation. Equally free from asceticism and indulgence, she treads the golden path.PRIESTESSES.Let us joyfully obey our adorable goddess, who commands us in all manner of spiritual joys; let us follow her glorious example, preserving purity of heart and life.PRIESTS.Let us adore a cupid agonized, worshipping the goddess of hopeless, tender, romantic love. Let us, with our counterparts, the most lovely of maidens, become twin-souls for evermore.PRIESTESSES.Let us love the shapely and active youths, the young men of soul and intellect, likewise those of courage and daring, whose hearts and minds are in complete unity.PRIESTS.Let us add splendor of body to greatness of soul. May we excel in the chase, the dance and the race. Let us drink ambrosial wine, and eat the juiciest of meats, and clothe ourselves with the finest and strongest of tissues.

THE RITUAL OF HOPELESS LOVE.

PRIESTS.

Harikar is the supreme soul, and the goddess Lyone his supreme incarnation. Equally free from asceticism and indulgence, she treads the golden path.

PRIESTESSES.

Let us joyfully obey our adorable goddess, who commands us in all manner of spiritual joys; let us follow her glorious example, preserving purity of heart and life.

PRIESTS.

Let us adore a cupid agonized, worshipping the goddess of hopeless, tender, romantic love. Let us, with our counterparts, the most lovely of maidens, become twin-souls for evermore.

PRIESTESSES.

Let us love the shapely and active youths, the young men of soul and intellect, likewise those of courage and daring, whose hearts and minds are in complete unity.

PRIESTS.

Let us add splendor of body to greatness of soul. May we excel in the chase, the dance and the race. Let us drink ambrosial wine, and eat the juiciest of meats, and clothe ourselves with the finest and strongest of tissues.

THE PRIEST AND PRIESTESS STOOD BESIDE THE ALTAR, EACH READING AN ALTERNATE STANZA FROM THE RITUAL OF THE GODDESS.THE PRIEST AND PRIESTESS STOOD BESIDE THE ALTAR, EACH READING AN ALTERNATE STANZA FROM THE RITUAL OF THE GODDESS.

PRIESTESSES.Let us have a beautiful companionship with our counterpart souls. Let us rejoice in the sun, in the free winds of the sky, in the glory of flowers, in the pride of horses and elephants richly caparisoned. Let us treasure jewels. Let us possess emeralds,turquoises, diamonds and rubies. Let us array ourselves with marvellous stuffs, dyed with the richest colorings.PRIESTS.Let us here in search of the ideal find an ever-increasing Nirvana of blessedness. Goddess of souls, lead us to imagine higher and holier exaltations; keener and more blessed raptures!PRIESTESSES.Sweet mother of souls! teach us to cultivate consoling friendships with sympathetic hearts. Give us longings for the utmost depths of love and tenderness; let us possess fervid and impassioned souls.PRIESTS.Let us create a paradise wherein life is one long intoxication of love, beauty and soul-culture, found in the fascinating converse of soul with soul and intellect with intellect.PRIESTESSES.May rapturous energies spring from hopeless loves! May the yearning for inaccessible pleasures fill us with blessed extravagance and holy madness.PRIESTS.May we, firmly poised on virtue, become possessed of noble, delicate, enormous souls. May the meeting of spirit with spirit be too ecstatic for words to express. May vows be written in each other's hearts. May the jewelled ring bind soul and soul, and in the commingled life may the holy compact be known, that a perfect circle of souls has been consummated.PRIESTESSES.Secure by our compact and our vows from tasting of the forbidden fruit, may we always possess the happy intemperance of never-satiated souls.PRIESTS.May the sorcery of love procure for us the shuddering sensibility of sorrow, without its agony, as we possess the perfect delight of day without the cold and lugubrious shadows of the night.PRIESTESSES.Contact with life begets love, and love begets sensation, and sensation desire, but reason and culture control desire and so preserve the endless sweetness of our joy.PRIESTS.The real mortal, the ideal divine. The real awakens desire, the ideal feeds it. The real is the maimed, the halt and the blind; it is the sepulchre of faith; the poor, the tawdry, the miserable, it is the measure of our imperfect attainment of the ideal.The ideal is the supreme made possible by love and charity. It is wide as imagination, perfect as love, calm as death. It is the unchangeable and the immortal.The real with its disappointments is soul shattering, but the ideal is perennial life.The more inaccessible the pleasure, the keener the delight in its pursuit.In love, accessibility is death.PRIESTESSES.By losing the real we obtain the ideal. What others strive for we possess. Praise to Harikar for the most glorious of men, for precious viands, odoriferous wines, rare and costly jewels, marvellous stuffs, and the hundred temples and gardens of Egyplosis! Praise to Harikar for our counterpart souls!PRIESTS.Praise to Harikar for the loveliest of women, noble, cultured and tender, with whom Nirvana is ecstasy.PRIESTESSES.Nirvana is the consummate gift of Harikar, the one everlasting sweetness!

PRIESTESSES.

Let us have a beautiful companionship with our counterpart souls. Let us rejoice in the sun, in the free winds of the sky, in the glory of flowers, in the pride of horses and elephants richly caparisoned. Let us treasure jewels. Let us possess emeralds,turquoises, diamonds and rubies. Let us array ourselves with marvellous stuffs, dyed with the richest colorings.

PRIESTS.

Let us here in search of the ideal find an ever-increasing Nirvana of blessedness. Goddess of souls, lead us to imagine higher and holier exaltations; keener and more blessed raptures!

PRIESTESSES.

Sweet mother of souls! teach us to cultivate consoling friendships with sympathetic hearts. Give us longings for the utmost depths of love and tenderness; let us possess fervid and impassioned souls.

PRIESTS.

Let us create a paradise wherein life is one long intoxication of love, beauty and soul-culture, found in the fascinating converse of soul with soul and intellect with intellect.

PRIESTESSES.

May rapturous energies spring from hopeless loves! May the yearning for inaccessible pleasures fill us with blessed extravagance and holy madness.

PRIESTS.

May we, firmly poised on virtue, become possessed of noble, delicate, enormous souls. May the meeting of spirit with spirit be too ecstatic for words to express. May vows be written in each other's hearts. May the jewelled ring bind soul and soul, and in the commingled life may the holy compact be known, that a perfect circle of souls has been consummated.

PRIESTESSES.

Secure by our compact and our vows from tasting of the forbidden fruit, may we always possess the happy intemperance of never-satiated souls.

PRIESTS.

May the sorcery of love procure for us the shuddering sensibility of sorrow, without its agony, as we possess the perfect delight of day without the cold and lugubrious shadows of the night.

PRIESTESSES.

Contact with life begets love, and love begets sensation, and sensation desire, but reason and culture control desire and so preserve the endless sweetness of our joy.

PRIESTS.

The real mortal, the ideal divine. The real awakens desire, the ideal feeds it. The real is the maimed, the halt and the blind; it is the sepulchre of faith; the poor, the tawdry, the miserable, it is the measure of our imperfect attainment of the ideal.

The ideal is the supreme made possible by love and charity. It is wide as imagination, perfect as love, calm as death. It is the unchangeable and the immortal.

The real with its disappointments is soul shattering, but the ideal is perennial life.

The more inaccessible the pleasure, the keener the delight in its pursuit.

In love, accessibility is death.

PRIESTESSES.

By losing the real we obtain the ideal. What others strive for we possess. Praise to Harikar for the most glorious of men, for precious viands, odoriferous wines, rare and costly jewels, marvellous stuffs, and the hundred temples and gardens of Egyplosis! Praise to Harikar for our counterpart souls!

PRIESTS.

Praise to Harikar for the loveliest of women, noble, cultured and tender, with whom Nirvana is ecstasy.

PRIESTESSES.

Nirvana is the consummate gift of Harikar, the one everlasting sweetness!

During the intonation of the ritual, the twin-souls put into practice the manifestations of those endearments prayed for, and which they certainly seemed to possess.

Throughout the entire congregation, priest and priestess, enfolded in each other's arms, swayed caressingly together and rapturously kissed each other. The fondest sighs were heard amid the recitations, and the faces of lover and beloved wereflushed the color of rosy flame. A tempest of restrained passion shook the entire congregation.

What wonder, that, ruled by such a faith, each twin-soul splendidly apparelled, in such an edifice, should grow rich and strange, bold and delicate, and exhibit the intemperance of emotion excited by sensations so multiplied and extreme? I then saw a new meaning in the grandeur and efflorescence of the sculptures of the temple. I saw in the profuse decorations, in the arabesques so fantastically entangled and unrolled, a manifestation of the delicate sensibility that created them.

Not only were real or natural objects idealized in art, but also conventional art, or the record of what nature suggests, as well as how she appears, to the soul of the artist. And what must have been the infinite wealth of suggestion to such souls as these to account for such mouldings and traceries on wall and roof, and such wealth of color in attire, reflected and duplicated in the jewelled windows of the dome. Here were souls fitted by nature and art to fuse and create the suggestions of nature into shapes of eternal beauty. These flamboyant shapes and mystical colors presuppose the strange illuminations that had pierced tender and extravagant hearts.

While priest and priestess were folded with mutual emotion two of the loveliest souls took the place of the high priest and priestess on the silver pavement. The girl was young and tender, golden white in complexion with crimson lips. Her figure was swathed in a vermilion robe, on the breast of which was embroidered in outline a sea-green sun whose swaying rays reached the furthest parts of her garment. Her pale blue hair was crowned with a chaplet of daffodils. The youth wore a robe of scarlet silk embroidered with a golden sun similar in design to that of the priestess. His pose was singularly noble. These two souls were about to become priest and priestess, and, after having taken the vows of hopeless love in presence of the goddess, high priest and priestess and congregation of twin-souls, they sang the following anthem, accompanied by a wailing storm of music from several hundred violins, entitled:

THE TWIN-SOUL.

PRIEST.


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