The sloppy Sunday afternoon, which was the first opportunity Raphael had of profiting by Mr. Henry Goldsmith's general invitation to call and see Esther, happened to be that selected by the worthy couple for a round of formal visits.
Esther was left at home with a headache, little expecting pleasanter company. She hesitated about receiving Raphael, but on hearing that he had come to see her rather than her patrons, she smoothed her hair, put on a prettier frock, and went down into the drawing-room, where she found him striding restlessly in bespattered boots and moist overcoat. When he became aware of her presence, he went towards her eagerly, and shook her hand with jerky awkwardness.
'How are you?' he said heartily.
'Very well, thank you,' she replied automatically; then a twinge as of reproach at the falsehood darted across her brow, and she added: 'A trifle of the usual headache. I hope you are well?'
'Quite, thank you,' he rejoined.
His face rather contradicted him; it looked thin, pale, and weary. Journalism writes lines on the healthiest countenance. Esther looked at him disapprovingly; she had the woman's artistic instinct, if not the artist's, and Raphael, with his damp overcoat, everlastingly crumpled at the collar, was not an æsthetic object.
Whether in her pretty moods or her plain, Esther was always neat and dainty. There was a bit of ruffled lace at her throat, and the heliotrope of her gown contrasted agreeably with the dark skin of the vivid face.
'Do take off your overcoat and dry yourself at the fire,' she said.
While he was disposing of it, she poked the fire into a big cheerful blaze, seating herself opposite him in a capacious arm-chair, where the flame picked her out in bright tints upon the dusky background of the great dim room.
'And how is theFlag of Judah?' she said.
'Still waving,' he replied. 'It is about that that I have come.'
'About that?' she said wonderingly. 'Oh, I see; you want to know if the one person it is written at has read it. Well, make your mind easy. I have. I have read it religiously—no, I don't mean that—yes, I do; it's the appropriate word.'
'Really?'
He tried to penetrate behind the bantering tone.
'Yes, really. You put your side of the case eloquently and well. I look forward to Friday with interest. I hope the paper is selling.'
'So, so,' he said. 'It is uphill work. The Jewish public look on journalism as a branch of philanthropy, I fear, and Sidney suggests publishing our free list as a Jewish directory.'
She smiled.
'Mr. Graham is very amusing. Only he is too well aware of it. He has been here once since that dinner, and we discussed you. He says he can't understand how you came to be a cousin of his—even a second cousin. He says he isl'homme qui rit, and you arel'homme qui prie.'
'He has let that off on me already, supplemented by the explanation that every extensive Jewish family embraces a genius and a lunatic. He admits that he is the genius. The unfortunate part for me,' ended Raphael, laughing, 'is that heisa genius.'
'I saw two of his little things the other day at the Impressionist Exhibition in Piccadilly. They are very clever and dashing.'
'I am told he draws ballet-girls,' said Raphael moodily.
'Yes; he is a disciple of Degas.'
'You don't like that style of art?' he said, a shade of concern in his voice.
'I do not,' said Esther emphatically. 'I am a curious mixture. In art I have discovered in myself two conflicting tastes, and neither is for the modern realism, which I yet admire in literature. I like poetic pictures impregnated with vague romantic melancholy, and I like the white lucidity of classic statuary. I suppose the one taste is the offspring of temperament, the other of thought; for intellectually I admire the Greek ideals, and was glad to hear you correct Sidney's perversion of the adjective. I wonder,' she added reflectively, 'if one can worship the gods of the Greeks without believing in them.'
'But you wouldn't make a cult of Beauty?'
'Not if you take Beauty in the narrow sense in which I should fancy your cousin uses the word. But, in a higher and broader sense, is it not the one fine thing in life which is a certainty, the one ideal which is not illusion?'
'Nothing is illusion,' said Raphael earnestly. 'At least, not in your sense. Why should the Creator deceive us?'
'Oh, well, don't let us get into metaphysics. We argue from different platforms,' she said. 'Tell me what you really came about in connection with theFlag.'
'Mr. Goldsmith was kind enough to suggest that you might write for it.'
'What!' exclaimed Esther, sitting upright in her arm-chair. 'I—I write for an orthodox paper?'
'Yes; why not?'
'Do you mean I'm to take part in my own conversion?'
'The paper is not entirely religious,' he reminded her.
'No, there are the advertisements,' she said slyly.
'Pardon me,' he said. 'We don't insert any advertisement contrary to the principles of orthodoxy. Not that we are much tempted.'
'You advertise soap,' she murmured.
'Oh, please don't you go in for those cheap sarcasms!'
'Forgive me,' she said. 'Remember, my conceptions of orthodoxy are drawn mainly from the Ghetto, where cleanliness, so far from being next to godliness, is nowhere in the vicinity. But what can I do for you?'
'I don't know. At present the staff—theFlag-staff,as Sidney calls it—consists of myself and a sub-editor, who take it in turn to translate the only regular outside contributor's articles into English.'
'Who's that?'
'Melchitzedek Pinchas, the poet I told you of.'
'I suppose he writes in Hebrew?'
'No; if he did the translation would be plain-sailing enough. The trouble is that he will write in English. I must admit, though, he improves daily. Our correspondents, too, have the same weakness for the vernacular, and I grieve to add that when they do introduce a Hebrew word, they do not invariably spell it correctly.'
She smiled; her smile was never so fascinating as by firelight.
Raphael rose and paced the room nervously, flinging out his arms in uncouth fashion to emphasise his speech.
'I was thinking you might introduce a secular department of some sort which would brighten up the paper. My articles are so plaguy dull.'
'Not so dull—for religious articles,' she assured him.
'Could you treat Jewish matters from a social standpoint—gossipy sort of thing?'
She shook her head.
'I'm afraid to trust myself to write on Jewish subjects. I should be sure to tread on somebody's corns.'
'Oh, I have it!' he cried, bringing his arms in contact with a small Venetian vase, which Esther, with great presence of mind, just managed to catch ere it reached the ground.
'No, I have it!' she said, laughing. 'Do sit down, else nobody can answer for the consequences.'
She half pushed him into his chair, where he fell to warming his hands contemplatively.
'Well?' she said after a pause. 'I thought you had an idea.'
'Yes, yes,' he said, rousing himself. 'The subject we were just discussing—art.'
'But there is nothing Jewish about art.'
'All noble work has its religious aspects. Then there are Jewish artists.'
'Oh yes. Your contemporaries do notice their exhibits, and there seem to be more of them than the world ever hears of. But if I went to a gathering for you, how should I know which were Jews?'
'By their names, of course.'
'By no means of course. Some artistic Jews have forgotten their own names.'
'That's a dig at Sidney.'
'Really, I wasn't thinking of him for the moment,' she said a little sharply. 'However, in any case there's nothing worth doing till May, and that's some months ahead. I'll do the Academy for you, if you like.'
'Thank you. Won't Sidney stare if you pulverise him in theFlag of Judah? Some of the pictures have also Jewish subjects, you know.'
'Yes, but if I mistake not, they're invariably done by Christian artists.'
'Nearly always,' he admitted pensively. 'I wish we had a Jewish allegorical painter to express the high conceptions of our sages.'
'As he would probably not know what they are——' she murmured. Then, seeing him rise as if to go, she said: 'Won't you have a cup of tea?'
'No, don't trouble,' he answered.
'Oh yes! do,' she pleaded. 'Or else I shall think you're angry with me for not asking you before.' And she rang the bell.
She discovered, to her amusement, that Raphael took two pieces of sugar per cup, but that, if they were not inserted, he did not notice their absence. Over tea, too, Raphael had a new idea, this time fraught with peril to the Sèvres teapot.
'Why couldn't you write us a Jewish serial story?' he said suddenly. 'That would be a novelty in communal journalism.'
Esther looked startled by the proposition.
'How do you know I could?' she said after a silence.
'I don't know,' he replied. 'Only I fancy you could. Why not?' he said encouragingly. 'You don't know what you can do till you try. Besides, you write poetry.'
'The Jewish public doesn't like the looking-glass,' she answered him, shaking her head.
'Oh, you can't say that! They've only objected as yet to the distorting-mirror. You're thinking of the row over that man Armitage's book. Now, why not write an antidote to that book? There now, there's an idea for you!'
'Itisan idea,' said Esther, with overt sarcasm. 'You think art can be degraded into an antidote.'
'Art is not a fetish,' he urged. 'What degradation is there in art teaching a noble lesson?'
'Ah, that is what you religious people will never understand,' she said scathingly. 'You want everything to preach.'
'Everything does preach something,' he retorted. 'Why not have the sermon good?'
'I consider the original sermonwasgood,' she said defiantly. 'It doesn't need an antidote.'
'How can you say that? Surely, merely as one who was born a Jewess, you wouldn't care for the sombre picture drawn by this Armitage to stand as a portrait of your people.'
She shrugged her shoulders—the ungraceful shrug of the Ghetto.
'Why not? It is one-sided, but it is true.'
'I don't deny that; probably the man was sincerely indignant at certain aspects. I am ready to allow he did not even see he was one-sided. But ifyousee it, why not show the world the other side of the shield?'
She put her hand wearily to her brow.
'Do not ask me,' she said. 'To have my work appreciated merely because the moral tickled the reader's vanity would be a mockery. The suffrages of the Jewish public—I might have valued them once; now I despise them.'
She sank further back on the chair, pale and silent.
'Why, what harm have they done you?' he asked.
'They are so stupid,' she said, with a gesture of distaste.
'That is a new charge against the Jews.'
'Look at the way they have denounced this Armitage, saying his book is vulgar and wretched and written for gain, and all because it does not flatter them.'
'Can you wonder at it? To say "you're another" may not be criticism, but it is human nature.'
Esther smiled sadly.
'I cannot make you out at all,' she said.
'Why? What is there strange about me?'
'You say such shrewd, humorous things sometimes—I wonder how you can remain orthodox.'
'Now I can't understandyou,' he said, puzzled.
'Oh, well! Perhaps if you could, you wouldn't be orthodox. Let us remain mutual enigmas. And will you do me a favour?'
'With pleasure,' he said, his face lighting up.
'Don't mention Mr. Armitage's book to me again. I am sick of hearing about it.'
'So am I,' he said, rather disappointed. 'After that dinner I thought it only fair to read it; and although I detect considerable crude power in it, still I am very sorry it was ever published. The presentation of Judaism is most ignorant. All the mystical yearnings of the heroine might have found as much satisfaction in the faith of her own race as they find expression in its poetry.'
He rose to go.
'Well, I am to take it for granted you will not write that antidote?'
'I'm afraid it would be impossible for me to undertake it,' she said, more mildly than before, and pressed her hand again to her brow.
'Pardon me,' he said, in much concern. 'I am too selfish. I forgot you are not well. How is your head feeling now?'
'About the same, thank you,' she said, forcing a grateful smile. 'You may rely on me for art, yes; and music, too, if you like.'
'Thank you,' he said. 'You read a great deal, don't you?'
She nodded her head.
'Well, every week books are published of more or lessdirect Jewish interest; I should be glad of notes about such, to brighten up the paper.'
'For anything strictly unorthodox you may count on me. If that antidote turns up, I shall not fail to cackle over it in your columns. By-the-bye, are you going to review the poison? Excuse so many mixed metaphors,' she added, with a rather forced laugh.
'No, I shan't say anything about it. Why give it an extra advertisement by slating it?'
'Slating,' she repeated, with a faint smile. 'I see you have mastered all the slang of your profession.'
'Ah, that's the influence of my sub-editor,' he said, smiling in return. 'Well, good-bye.'
'You're forgetting your overcoat,' she said; and having smoothed out that crumpled collar, she accompanied him down the wide soft-carpeted staircase into the hall, with its rich bronzes and glistening statues.
'How are your people in America?' he bethought himself to ask on the way down.
'They are very well, thank you,' she said. 'I send my brother Solomon theFlag of Judah. He is also, I am afraid, one of the unregenerate. You see, I am doing my best to enlarge your congregation.'
He could not tell whether it was sarcasm or earnest.
'Well, good-bye,' he said, holding out his hand. 'Thank you for your promise.'
'Oh, that's not worth thanking me for,' she said, touching his long white fingers for an instant. 'Look at the glory of seeing myself in print. I hope you're not annoyed with me for refusing to contribute fiction?' she ended, growing suddenly remorseful at the moment of parting.
'Of course not. How could I be?'
'Couldn't your sister Adelaide do you a story?'
'Addie?' he repeated, laughing. 'Fancy Addie writing stories! Addie has no literary ability.'
'That's always the way with brothers. Solomon says——'
She paused suddenly.
'I don't remember for the moment that Solomon hasany proverb on the subject,' he said, still amused at the idea of Addie as an authoress.
'I was thinking of something else. Good-bye. Remember me to your sister, please.'
'Certainly,' he said; then he exclaimed: 'Oh, what a blockhead I am! I forgot to remember her to you. She says she would be so pleased if you would come and have tea and a chat with her some day. I should like you and Addie to know each other.'
'Thanks, I will. I will write to her some day. Good-bye once more.'
He shook hands with her and fumbled at the door.
'Allow me,' she said, and opened it upon the grey dulness of the dripping street. 'When may I hope for the honour of another visit from a real live editor?'
'I don't know,' he said, smiling; 'I'm awfully busy. I have to read a paper on Ibn Ezra at Jews' College to-day fortnight.'
'Outsiders admitted?' she asked.
'The lecturesarefor outsiders,' he said, 'to spread the knowledge of our literature—only they won't come. Have you never been to one?'
She shook her head.
'There!' he said. 'You complain of our want of culture, and you don't even know what's going on.'
She tried to take the reproof with a smile, but the corners of her mouth quivered.
He raised his hat and went down the steps.
She followed him a little way along the Terrace, with eyes growing dim with tears she could not account for. She went back to the drawing-room and threw herself into the arm-chair where he had sat, and made her headache worse by thinking of all her unhappiness. The great room was filling with dusk, and in the twilight pictures gathered and dissolved. What girlish dreams and revolts had gone to make that unfortunate book, which, after endless boomerang-like returns from the publishers, had appeared—only to be denounced by Jewry, ignored by its journals, and scantily noticed by outside criticism.Mordecai Josephshad fallen almost still-born from the press; thesweet secret she had hoped to tell her patroness had turned bitter, like that other secret of her dead love for Sidney, in the reaction from which she had written most of her book. How fortunate, at least, that her love had flickered out—had proved but the ephemeral sentiment of a romantic girl for the first brilliant man she had met. Sidney had fascinated her by his verbal audacities in a world of narrow conventions; he had for the moment laughed away spiritual aspirations and yearnings with a raillery that was almost like ozone to a young woman avid of martyrdom for the happiness of the world. How, indeed, could she have expected the handsome young artist to feel the magic that hovered about her talks with him, to know the thrill that lay in the formal hand-clasp, to be aware that he interpreted for her poems and pictures, and incarnated the undefined ideal of girlish day-dreams? How could he ever have had other than an intellectual thought of her—how could any man, even the religious Raphael, sickly, ugly little thing that she was? She got up and looked in the glass now to see herself thus, but the shadows had gathered too thickly. She snatched up a newspaper that lay on the couch, lit it, and held it before the glass. It flared up threateningly, and she beat it out—laughing hysterically and asking herself if she was mad. But she had seen the ugly little face—its expression frightened her. Yes, love was not for her; she could only love a man of brilliancy and culture, and she was nothing but a Petticoat Lane girl, after all. Its coarseness, its vulgarity, underlay all her veneer. They had got into her book—everybody said so, Raphael said so. How dared she write disdainfully of Raphael's people?—she, an upstart, an outsider!
She went to the library, lit the gas, got down a volume of Graetz'sHistory of the Jews, which she had latterly taken to reading, and turned over its wonderful pages. Then she wandered restlessly back to the great dim drawing-room, and played amateurish fantasias on the melancholy Polish melodies of her childhood, till Mr. and Mrs. Henry Goldsmith returned. They had captured the Rev. Joseph Strelitski, and brought him back to dinner. Esther would have excused herself from the meal, but Mrs.Goldsmith insisted the minister would think her absence intentionally discourteous. In point of fact, Mrs. Goldsmith—like all Jewesses, a born matchmaker—was not disinclined to think of the popular preacher as a sort of adopted son-in-law. She did not tell herself so, but she instinctively resented the idea of Esther marrying into the station of her patroness. Strelitski, though his position was one of distinction for a Jewish clergyman, was, like Esther, of humble origin. It would be a match which she could bless from her pedestal in genuine good-will towards both parties.
The fashionable minister was looking careworn and troubled. He had aged twice ten years since his outburst at the Holy Land League. The black curl hung disconsolately on his forehead. He sat at Esther's side, but rarely looking at her or addressing her, so that her taciturnity and scarcely-veiled dislike did not noticeably increase his gloom. He rallied now and again out of politeness to his hostess, flashing out a pregnant phrase or two. But prosperity did not seem to have brought happiness to the whilom poor Russian student, even though he had fought his way to it unaided.
The weeks went on and Passover drew nigh. The recurrence of the feast brought no thrill to Esther now. It was no longer a charmed time, with strange things to eat and drink, and a comparative plenty of them—stranger still. Lack of appetite was the chief dietary want now. Nobody had any best clothes to put on, in a world where everything was for the best in the way of clothes. Except for the speckled Passover cakes, there was hardly any external symptom of the sacred Festival. While the Ghetto was turning itself inside out, the Kensington Terrace was calm in the dignity of continuous cleanliness. Nor did Henry Goldsmith himself go prowling about the house in quest of vagrant crumbs. Mary O'Reilly attended to all that, and the Goldsmiths had implicit confidence in her fidelity to the traditions of their faith. Wherefore the evening of the day before Passover, instead of being devoted to frying fish and provisioning, was free for more secular occupations. Esther, for example, had arranged to go to see thedébutof a new Hamlet, with Addie. Addie had asked her to go, mentioning that Raphael, who was taking her, had suggested that she should bring her friend—for they had become great friends, had Addie and Esther, ever since Esther had gone to take that cup of tea, with the chat that is more essential than milk or sugar.
The girls met or wrote every week. Raphael Esther never met nor heard from directly. She found Addie a sweet, lovable girl, full of frank simplicity and unquestioning piety. Though dazzlingly beautiful, she had none of the coquetry which Esther, with a touch of jealousy, had been accustomed to associate with beauty, and she had little of the petty malice of girlish gossip. Esther summedher up as Raphael's heart without his head. It was unfair, for Addie's own head was by no means despicable. But Esther was not alone in taking eccentric opinions as the touchstone of intellectual vigour. Anyhow, she was distinctly happier since Addie had come into her life, and she admired her as a mountain torrent might admire a crystal pool, half envying her happier temperament.
The Goldsmiths were just finishing dinner when the expected ring came. To their surprise the ringer was Sidney. He was shown into the dining-room.
'Good-evening, all,' he said. 'I've come as a substitute for Raphael.'
Esther grew white.
'Why, what has happened to him?' she asked.
'Nothing. I had a wire to say he was unexpectedly detained in the City, and asking me to take Addie and to call for you.'
Esther turned from white to red. How rude of Raphael! How disappointing not to meet him after all! And did he think she could thus unceremoniously be handed over to somebody else? She was about to beg to be excused, when it struck her a refusal would look too pointed. Besides, she did not fear Sidney now. It would be a test of her indifference. So she murmured instead:
'What can detain him?'
'Charity, doubtless. Do you know that after he is fagged out with upholding theFlagfrom early morning till late eve, he devotes the later eve to gratuitous tuition, lecturing, and the like?'
'No,' said Esther, softened. 'I knew he came home late, but I thought he had to report communal meetings.'
'That too. But Addie tells me he never came home at all one night last week. He was sitting up with some wretched dying pauper.'
'He'll kill himself,' said Esther anxiously.
'People are right about him. He is quite hopeless,' said Percy Saville, the solitary guest, tapping his forehead significantly.
'Perhaps it is we who are hopeless,' said Esther sharply.
'I wish we were all as sensible,' said Mrs. HenryGoldsmith, turning on the unhappy stockbroker with her most superior air. 'Mr. Leon always reminds me of Judas Maccabæus.'
He shrank before the blaze of her mature beauty, the fulness of her charms revealed by her rich evening dress, her hair radiating strange subtle perfume. His eyes sought Mr. Goldsmith's for refuge and consolation.
'That is so,' said Mr. Goldsmith, rubbing his red chin. 'He is an excellent young man.'
'May I trouble you to put on your things at once, Miss Ansell?' said Sidney. 'I have left Addie in the carriage, and we are rather late. I believe it is usual for ladies to put on "things" even when in evening dress. I may mention that there is a bouquet for you in the carriage, and, however unworthy a substitute I may be for Raphael, I may at least claim he would have forgotten to bring you that.'
Esther smiled despite herself as she left the room to get her cloak. She was chagrined and disappointed, but she resolved not to inflict her ill-humour on her companions.
She had long since got used to carriages, and when they arrived at the theatre she took her seat in the box without heart-fluttering. It was an old discovery now that boxes had no connection with oranges nor stalls with costers' barrows.
The house was brilliant. The orchestra was playing the overture.
'I wish Mr. Shakespeare would write a new play,' grumbled Sidney. 'All these revivals make him lazy—heavens! what his fees must tot up to! If I were not sustained by the presence of you two girls, I should no more survive the fifth act than most of the characters. Why don't they brighten the piece up with ballet-girls?'
'Yes, I suppose you blessed Mr. Leon when you got his telegram,' said Esther. 'What a bore it must be to you to be saddled with his duties!'
'Awful!' admitted Sidney gravely. 'Besides, it interferes with my work.'
'Work?' said Addie. 'You know you only work by sunlight.'
'Yes, that's the best of my profession—in England. It gives you such opportunities of working—at other professions.'
'Why, what do you work at?' inquired Esther, laughing.
'Well, there's amusement—the most difficult of all things to achieve! Then there's poetry. You don't know what a dab I am at rondeaux and barcarolles. And I write music, too—lovely little serenades to my lady-loves, and reveries that are like dainty pastels.'
'All the talents!' said Addie, looking at him with a fond smile. 'But if you have any time to spare from the curling of your lovely silken moustache, which is entirely like a delicate pastel, will you kindly tell me what celebrities are present?'
'Yes, do,' added Esther. 'I have only been to two first-nights, and then I had nobody to point out the lions.'
'Well, first of all I see a very celebrated painter in a box—a man who has improved considerably on the weak draughtsmanship displayed by Nature in her human figures, and the amateurishness of her glaring sunsets.'
'Who's that?' inquired Addie and Esther eagerly.
'I think he calls himself Sidney Graham; but that, of course, is only anom de pinceau.'
'Oh!' said the girls, with a reproachful smile.
'Do be serious,' said Esther. 'Who is that stout gentleman with the bald head?' She peered down curiously at the stalls through her opera-glass.
'What, the lion without the mane? That's Tom Day, the dramatic critic of a dozen papers. A terrible Philistine! Lucky for Shakespeare he didn't flourish in Elizabethan times!'
He rattled on till the curtain rose, and the hushed audience settled down to the enjoyment of the tragedy.
'This looks as if it is going to be the true Hamlet,' said Esther, after the first act.
'What do you mean by the true Hamlet?' queried Sidney cynically.
'The Hamlet for whom life is at once too big and too little,' said Esther.
'And who was at once mad and sane,' laughed Sidney. 'The plain truth is that Shakespeare followed the old tale, and what you take for subtlety is but the blur of uncertain handling. Aha! you look shocked. Have I found your religion at last?'
'No; my reverence for our national bard is based on reason,' rejoined Esther seriously. 'To conceive Hamlet, the typical nineteenth-century intellect, in that bustling picturesque Elizabethan time was a creative feat bordering on the miraculous. And then look at the solemn, inexorable march of Destiny in his tragedies, awful as its advance in the Greek dramas. Just as the marvels of the old fairy-tales were an instinctive prevision of the miracles of modern science, so this idea of Destiny seems to me an instinctive anticipation of the formulas of modern science. What we want to-day is a dramatist who shall show us the great natural silent forces, working the weal and woe of human life through the illusions of consciousness and freewill.'
'What you want to-night, Miss Ansell, is black coffee,' said Sidney; 'and I'll tell the attendant to get you a cup, for I dragged you away from dinner before the crown and climax of the meal. I have always noticed myself that when I am interrupted in my meals all sorts of bugbears, scientific or otherwise, take possession of my mind.'
He called the attendant.
'Esther has the most nonsensical opinions,' said Addie gravely. 'As if people weren't responsible for their actions! Do good, and all shall be well with thee, is sound Bible teaching and sound common-sense.'
'Yes, but isn't it the Bible that says, "The fathers have eaten a sour grape, and the teeth of the children are set on edge"?' Esther retorted.
Addie looked perplexed. 'It sounds contradictory,' she said honestly.
'Not at all, Addie,' said Esther. 'The Bible is a literature, not a book. If you choose to bind Tennyson and Milton in one volume that doesn't make them a book. And you can't complain if you find contradictions in thetext. Don't you think the sour grape text the truer, Mr. Graham?'
'Don't ask me, please. I'm prejudiced against anything that appears in the Bible.'
In his flippant way Sidney spoke the truth. He had an almost physical repugnance for his fathers' ways of looking at things.
'I think you're the two most wicked people in the world,' exclaimed Addie gravely.
'We are,' said Sidney lightly. 'I wonder you consent to sit in the same box with us. How you can find my company endurable I can never make out.'
Addie's lovely face flushed; and her lip quivered a little.
'It's your friend who's the wickeder of the two,' pursued Sidney, 'for she's in earnest, and I'm not. Life's too short for us to take the world's troubles on our shoulders, not to speak of the unborn millions. A little light and joy, the flush of sunset or of a lovely woman's face, a fleeting strain of melody, the scent of a rose, the flavour of old wine, the flash of a jest, and, ah, yes, a cup of coffee—here's yours, Miss Ansell—that's the most we can hope for in life. Let us start a religion with one commandment, "Enjoy thyself."'
'That religion has too many disciples already,' said Esther, stirring her coffee.
'Then why not start it if you wish to reform the world?' asked Sidney. 'All religions survive merely by being broken. With only one commandment to break, everybody would jump at the chance. But so long as you tell people they mustn't enjoy themselves, they will. It's human nature, and you can't alter that by Act of Parliament or Confession of Faith. Christ ran amuck at human nature, and human nature celebrates his birthday with pantomimes.'
'Christ understood human nature better than the modern young man,' said Esther scathingly, 'and the proof lies in the almost limitless impress he has left on history.'
'Oh, that was a fluke,' said Sidney lightly. 'His realinfluence is only superficial. Scratch the Christian and you find the pagan—spoiled.'
'He divined by genius what science is slowly finding out,' said Esther, 'when he said, "Forgive them, for they know not what they do."'
Sidney laughed heartily. 'That seems to be your King Charles's head, seeing divinations of modern science in all the old ideas. Personally I honour him for discovering that the Sabbath was made for man, not man for the Sabbath. Strange he should have stopped half-way to the truth.'
'What is the truth?' asked Addie curiously.
'Why, that morality was made for man, not man for morality,' said Sidney. 'That chimera of meaningless virtue which the Hebrew has brought into the world is the last monster left to slay. The Hebrew view of life is too one-sided. The Bible is a literature without a laugh in it. Even Raphael thinks the great Radical of Galilee carried spirituality too far.'
'Yes, he thinks he would have been reconciled to the Jewish doctors, and would have understood them better,' said Addie, 'only he died so young.'
'That's a good way of putting it,' said Sidney admiringly. 'One can see Raphael is my cousin, despite his religious aberrations. It opens up new historical vistas. Only it is just like Raphael to find excuses for everybody, and Judaism in everything. I am sure he considers the devil a good Jew at heart. If he admits any moral obliquity in him, he puts it down to the climate.'
This made Esther laugh outright, even while there were tears for Raphael in the laugh. Sidney's intellectual fascination reasserted itself over her; there seemed something inspiring in standing with him on the free heights that left all the clogging vapours and fogs of moral problems somewhere below, where the sun shone and the clear wind blew, and talk was a game of bowls with Puritan ideals for ninepins. He went on amusing her till the curtain rose, with a pretended theory of Mohammedology which he was working at. Just as for the Christian apologist the Old Testament was full of hints of theNew, so he contended was the New Testament full of foreshadowings of the Koran, and he cited as a most convincing text, 'In heaven there shall be no marrying, nor giving in marriage.' He professed to think Mohammedanism was the dark horse that would come to the front in the race of religions, and win in the West, as it had won in the East.
'There's a man staring dreadfully at you, Esther,' said Addie, when the curtain fell on the second act.
'Nonsense,' said Esther, reluctantly returning from the realities of the play to the insipidities of actual life. 'Whoever it is, it must be at you.'
She looked affectionately at the great glorious creature at her side, tall and stately, with that winning gentleness of expression which spiritualises the most voluptuous beauty.
Addie wore pale sea-green, and there were lilies of the valley at her bosom, and a diamond star in her hair. No man could admire her more than Esther, who felt quite vain of her friend's beauty, and happy to bask in its reflected sunshine. Sidney followed her glance, and his cousin's charms struck him with almost novel freshness. He was so much with Addie that he always took her for granted. The semi-unconscious liking he had for her society was based on other than physical traits. He let his eyes rest upon her for a moment in half-surprised appreciation, figuring her as half-bud, half-blossom. Really, if Addie had not been his cousin—and a Jewess! She was not much of a cousin when he came to cipher it out, but then she was a good deal of a Jewess.
'I'm sure it's you he's staring at,' persisted Addie.
'Don't be ridiculous!' persisted Esther. 'Which man do you mean?'
'There! The fifth row of stalls, the one, two, four, seven—the seventh man from the end. He's been looking at you all through, but now he's gone in for a good long stare. There! next to that pretty girl in pink.'
'Do you mean the young man with the dyed carnation in his buttonhole and the crimson handkerchief in his bosom?'
'Yes, that's the one. Do you know him?'
'No,' said Esther, lowering her eyes and looking away. But when Addie informed her that the young man had renewed his attentions to the girl in pink, she levelled her opera-glass at him. Then she shook her head. 'There seems something familiar about his face, but I cannot for the life of me recall who it is.'
'The "something familiar about his face" is his nose,' said Addie, laughing, 'for it is emphatically Jewish.'
'At that rate,' said Sidney, 'nearly half the theatre would be familiar, including a goodly proportion of the critics, and Hamlet and Ophelia themselves. But I know the fellow.'
'You do? Who is he?' asked the girls eagerly.
'I don't know. He's one of the mashers of theFrivolity. I'm another, and so we often meet. But we never speak as we pass by. To tell the truth, I resent him.'
'It's wonderful how fond Jews are of the theatre,' said Esther, 'and how they resent other Jews going.'
'Thank you,' said Sidney. 'But as I am not a Jew, the arrow glances off.'
'Not a Jew?' repeated Esther in amaze.
'No. Not in the current sense. I always deny I'm a Jew.'
'How do you justify that?' said Addie incredulously.
'Because it would be a lie to say I was. It would be to produce a false impression. The conception of a Jew in the mind of the average Christian is a mixture of Fagin, Shylock, Rothschild, and the caricatures of the American comic papers. I am certainly not like that, and I'm not going to tell a lie and say I am. In conversation always think of your audience. It takes two to make a truth. If an honest man told an old lady he was an atheist, that would be a lie, for to her it would mean he was a dissolute reprobate. To call myself Abrahams would be to live a daily lie. I am not a bit like the picture called up by Abrahams. Graham is a far truer expression of myself.'
'Extremely ingenious,' said Esther, smiling. 'But ought you not rather to utilise yourself for the correction of the portrait of Abrahams?'
Sidney shrugged his shoulders.
'Why should I subject myself to petty martyrdom for the sake of an outworn creed and a decaying sect?'
'We are not decaying,' said Addie indignantly.
'Personally you are blossoming,' said Sidney, with a mock bow. 'But nobody can deny that our recent religious history has been a series of dissolving views. Look at that young masher there, who is still ogling your fascinating friend, rather, I suspect, to the annoyance of the young lady in pink, and compare him with the old hard-shell Jew. When I was a lad named Abrahams, painfully training in the way I wasn't going to go, I got an insight into the lives of my ancestors. Think of the people who built up the Jewish Prayer-Book, who added line to line and precept to precept, and whose whole thought was intertwined with religion; and then look at that young fellow with the dyed carnation and the crimson silk handkerchief, who probably drives a drag to the Derby, and for aught I know runs a music-hall. It seems almost incredible he should come of that Puritan old stock!'
'Not at all,' said Esther. 'If you knew more of our history, you would see it is quite normal. We were always hankering after the gods of the heathen, and we always loved magnificence—remember our Temples. In every land we have produced great merchants and rulers, prime ministers, viziers, nobles. We built castles in Spain (solid ones) and palaces in Venice. We have had saints and sinners, free-livers and ascetics, martyrs and money-lenders. "Polarity" Graetz calls the self-contradiction which runs through our history. I figure the Jew as the eldest-born of Time, touching the Creation and reaching forward into the Future, the trueblaséof the universe—the Wandering Jew who has been everywhere, seen everything, done everything, led everything, thought everything, and—suffered everything.'
'Bravo! Quite a bit of Beaconsfieldian fustian,' said Sidney, laughing yet astonished. 'One would think you were anxious to assert yourself against the ancient peerage of this mushroom realm!'
'It is the bare historical truth,' said Esther quietly. 'We are so ignorant of our own history—can we wonder at the world's ignorance of it? Think of the part the Jew has played: Moses giving the world its morality, Jesus its religion, Isaiah its millennial visions, Spinoza its cosmic philosophy, Ricardo its political economy, Karl Marx and Lassalle its Socialism, Heine its loveliest poetry, Mendelssohn its most restful music, Rachel its supreme acting; and then think of the stock Jew of the American comic papers! There lies the real comedy, too deep for laughter.'
'Yes; but most of the Jews you mention were outcasts or apostates,' retorted Sidney. 'There lies the real tragedy, too deep for tears. Ah! Heine summed it up best: "Judaism is not a religion—it is a misfortune." But do you wonder at the intolerance of every nation towards its Jews? It is a form of homage. Tolerate them, and they spell "Success"—and patriotism is an ineradicable prejudice. Since when have you developed this extraordinary enthusiasm for Jewish history? I always thought you were an anti-Semite.'
Esther blushed, and meditatively sniffed at her bouquet, but fortunately the rise of the curtain relieved her of the necessity for a reply. It was only a temporary relief, however, for the quizzical young artist returned to the subject immediately the act was over.
'I know you're in charge of the æsthetic department of theFlag,' he said. 'I had no idea you wrote the leaders.'
'Don't be absurd!' murmured Esther.
'I always told Addie Raphael could never write so eloquently—didn't I, Addie? Ah, I see you're blushing to find it fame, Miss Ansell.'
Esther laughed, though a bit annoyed.
'How can you suspect me of writing orthodox leaders?' she asked.
'Well, who else is there?' urged Sidney with mocknaïveté. 'I went down there once and saw the shanty. The editorial sanctum was crowded. Poor Raphael was surrounded by the queerest-looking set of creatures Iever clapped eyes on. There was a quaint lunatic in a check suit, describing his apocalyptic visions; a dragoman with sore eyes and a grievance against the Board of Guardians; a venerable son of Jerusalem, with a most artistic white beard, who had covered the editorial table with carved nick-nacks in olive and sandalwood; an inventor who had squared the circle and the problem of perpetual motion, but could not support himself; a Roumanian exile with a scheme for fertilising Palestine; and a wild-eyed, hatchet-faced Hebrew poet who told me I was a famous patron of learning, and sent me his book soon after with a Hebrew inscription which I couldn't read, and a request for a cheque, which I didn't write. I thought I just capped the company of oddities, when in came a sallow, red-haired chap, with the extraordinary name of Karlkammer, and kicked up a deuce of a shine with Raphael for altering his letter. Raphael mildly hinted that the letter was written in such unintelligible English that he had to grapple with it for an hour before he could reduce it to the coherence demanded of print. But it was no use—it seems Raphael had made him say something heterodox he didn't mean, and he insisted on being allowed to reply to his own letter! He had brought the counterblast with him—six sheets of foolscap, with all thet'suncrossed—and insisted on signing it with his own name. I said: "Why not? Set a Karlkammer to answer to a Karlkammer." But Raphael said it would make the paper a laughing-stock, and between the dread of that and the consciousness of having done the man a wrong, he was quite unhappy. He treats all his visitors with angelic consideration, when in another newspaper office the very office-boy would snub them. Of course, nobody has a bit of consideration for him, or his time, or his purse.'
'Poor Raphael!' murmured Esther, smiling sadly at the grotesque images conjured up by Sidney's description.
'I go down there now whenever I want models,' concluded Sidney gravely.
'Well, it is only right to hear what these poor peoplehave to say,' Addie observed. 'What is the paper for, except to right wrongs?'
'Primitive person!' said Sidney. 'A paper exists to make a profit.'
'Raphael's doesn't,' retorted Addie.
'Of course not,' laughed Sidney. 'It never will so long as there's a conscientious editor at the helm. Raphael flatters nobody, and reserves his praises for people with no control of the communal advertisements. Why, it quite preys upon his mind to think that he is linked to an advertisement canvasser with a gorgeous imagination, who goes about representing to the unwary Christian that theFlaghas a circulation of fifteen hundred.'
'Dear me!' said Addie, a smile of humour lighting up her beautiful features.
'Yes,' said Sidney, 'I think he salves his conscience by an extra hour's slumming in the evening. Most religious folks do their moral book-keeping by double entry. Probably that's why he's not here to-night.'
'It's too bad!' said Addie, her face growing grave again. 'He comes home so late and so tired that he always falls asleep over his books.'
'I don't wonder,' laughed Sidney. 'Look what he reads! Once I found him nodding peacefully over Thomas à Kempis.'
'Oh, but he often reads that,' said Addie. 'When we wake him up and tell him to go to bed, he says indignantly he wasn't sleeping, but thinking, turns over a page and falls asleep again.'
They all laughed.
'Oh, he's a famous sleeper,' Addie continued. 'It's as difficult to get him out of bed as into it. He says himself he's an awful lounger, and used to idle away whole days before he invented time-tables. Now he has every hour cut and dried—he says his salvation lies in regular hours.'
'Addie, Addie, don't tell tales out of school!' said Sidney.
'Why, what tales?' asked Addie, astonished. 'Isn't it rather to his credit that he has conquered his bad habits?'
'Undoubtedly; but it dissipates the poetry in which Iam sure Miss Ansell was enshrouding him. It shears a man of his heroic proportions to hear he has to be dragged out of bed. These things should be kept in the family.'
Esther stared hard at the house. Her cheeks glowed as if the limelight man had turned his red rays on them. Sidney chuckled mentally over his insight. Addie smiled.
'Oh, nonsense! I'm sure Esther doesn't think less of him because he keeps a time-table.'
'You forget your friend has what you haven't—artistic instinct. It's ugly. A man should be a man, not a railway system. If I were you, Addie, I'd capture that time-table, erase "lecturing," and substitute "cricketing." Raphael would never know, and every afternoon, say at 2P.M., he'd consult his time-table, and, seeing he had to cricket, he'd take up his stumps and walk to Regent's Park.'
'Yes, but he can't play cricket!' said Esther, laughing, and glad of the opportunity.
'Oh, can't he?' Sidney whistled. 'Don't insult him by telling him that. Why, he was in the Harrow eleven, and scored his century in the match with Eton—those long arms of his sent the ball flying as if it were a drawing-room ornament.'
'Oh yes,' affirmed Addie. 'Even now cricket is his one temptation.'
Esther was silent. Her Raphael seemed toppling to pieces. The silence seemed to communicate itself to her companions. Addie broke it by sending Sidney to smoke a cigarette in the lobby.
'Or else I shall feel quite too selfish,' she said. 'I know you're just dying to talk to some sensible people.—Oh, I beg your pardon, Esther!'
The squire of dames smiled but hesitated.
'Yes, do go,' said Esther. 'There's six or seven minutes' more interval. This is the longest wait.'
'Ladies' will is my law,' said Sidney gallantly, and taking a cigarette-case from his cloak, which was hung on a peg at the back of the box, he strolled out. 'Perhaps,' he said, 'I shall skip some Shakespeare if I meet a congenial intellectual soul to gossip with.'
He had scarce been gone two minutes when there came a gentle tapping at the door, and the visitor being invited to come in, the girls were astonished to behold the young gentleman with the dyed carnation and the crimson silk handkerchief. He looked at Esther with an affable smile.
'Don't you remember me?' he said. The ring of his voice woke some far-off echo in her brain. But no recollection came to her.
'I remembered you almost at once,' he went on, in a half-reproachful tone, 'though I didn't care about coming up while you had another fellow in the box. Look at me carefully, Esther.'
The sound of her name on the stranger's lips set all the chords of memory vibrating—she looked again at the dark oval face with the aquiline nose, the glittering eyes, the neat black moustache, the close-shaved cheeks and chin, and in a flash the past resurged, and she murmured almost incredulously, 'Levi!'
The young man got rather red.
'Ye-e-es!' he stammered. 'Allow me to present you my card.'
He took it out of a little ivory case and handed it to her. It read: 'Mr. Leonard James.'
An amused smile flitted over Esther's face, passing into one of welcome. She was not at all displeased to see him.
'Addie,' she said, 'this is Mr. Leonard James, a friend I used to know in my girlhood.'
'Yes, we were boys together, as the song says,' said Leonard James, smiling facetiously.
Addie inclined her head in the stately fashion which accorded so well with her beauty, and resumed her investigation of the stalls. Presently she became absorbed in a tender reverie induced by the passionate waltz music, and she forgot all about Esther's strange visitor, whose words fell as insensibly on her ears as the ticking of a familiar clock. But to Esther Leonard James's conversation was full of interest. The two ugly ducklings of the back-pond had become to all appearance swans of the ornamental water, and it was natural that they should gabble of auldlang syne and the devious routes by which they had come together again.
'You see, I'm like you, Esther,' explained the young man; 'I'm not fitted for the narrow life which suits my father and mother and my sister. They've got no ideas beyond the house and religion, and all that sort of thing. What do you think my father wanted me to be? A minister! Think of it—ha! ha! ha! Me a minister! I actually did go for a couple of terms to Jews' College. Oh yes, you remember! Why, I was there when you were a school-teacher and got taken up by the swells. But our stroke of fortune came soon after yours. Did you never hear of it? My! you must have dropped all your old acquaintances if no one ever told you that. Why, father came in for a couple of thousand pounds! I thought I'd make you stare. Guess who from!'
'I give it up,' said Esther.
'Thank you. It was never yours to give,' said Leonard, laughing jovially at his wit. 'Old Steinwein—you remember his death. It was in all the papers—the eccentric old buffer who was touched in the upper story, and used to give so much time and money to Jewish affairs, setting up lazy old Rabbis in Jerusalem to shake themselves over their Talmuds. You remember his gifts to the poor—six and sevenpence each, because he was seventy-nine years old, and all that. Well, he used to send the pater a basket of fruit everyYomtov; but he used to do that to every Rabbi all round, and my old man had not the least idea he was the object of special regard till the old chap pegged out. Ah, there's nothing like Torah, after all.'
'You don't know what you may have lost through not becoming a minister,' suggested Esther slyly.
'Ah, but I know what I've gained. Do you think I could stand having my hands and feet tied—with phylacteries?' asked Leonard, becoming vividly metaphoric in the intensity of his repugnance to the galling bonds of orthodoxy. 'Now I do as I like, go where I please, eat what I please. Just fancy not being able to join fellows at supper because you mustn't eat oysters or steak!Might as well go into a monastery at once. All very well in ancient Jerusalem, where everybody was rowing in the same boat. Have you ever tasted pork, Esther?'
'No,' said Esther, with a faint smile.
'I have,' said Leonard. 'I don't say it to boast, but I have had it times without number. I didn't like it the first time—thought it would choke me, you know; but that soon wears off. Now I breakfast off ham and eggs regularly. I go the whole hog, you see. Ha! ha! ha!'
'If I didn't see from your card you're not living at home, that would have apprised me of it,' said Esther.
'Of course I couldn't live at home. Why, the guv'nor couldn't bear to let me shave. Ha! ha! ha! Fancy a religion that makes you keep your hair on unless you use a depilatory. I was articled to a swell solicitor. The old man resisted a long time, but he gave in at last and let me live near the office.'
'Ah, then I presume you came in for some of the two thousand, despite your non-connection with Torah.'
'There isn't much left of it now,' said Leonard, laughing. 'What's two thousand in seven years in London? There were over four hundred guineas swallowed up by the premium and the fees and all that.'
'Well, let us hope it'll all come back in costs.'
'Well, between you and me,' said Leonard seriously, 'I should be surprised if it does. You see, I haven't yet scraped through the Final—they're making the beastly exam. stiffer every year. No, it isn't to that quarter I look to recoup myself for the outlay on my education.'
'No?' said Esther.
'No. Fact is—between you and me—I'm going to be an actor.'
'Oh!' said Esther.
'Yes. I've played several times in private theatricals—you know we Jews have a knack for the stage; you'd be surprised to know how many pros. are Jews. There's heaps of money to be made nowadays on the boards. I'm in with lots of 'em, and ought to know. It's the only profession where you don't want any training, and these law books are as dry as theMishnahthe old man used tomake me study. Why, they say to-night's Hamlet was in a counting-house four years ago.'
'I wish you success,' said Esther somewhat dubiously. 'And how is your sister Hannah? Is she married yet?'
'Married! Not she! She's got no money, and you know what our Jewish young men are. Mother wanted her to have the two thousand pounds for a dowry, but fortunately Hannah had the sense to see that it's the man that's got to make his way in the world. Hannah is always certain of her bread-and-butter, which is a good deal in these hard times. Besides, she's naturally grumpy, and she doesn't go out of her way to make herself agreeable to young men. It's my belief she'll die an old maid. Well, there's no accounting for tastes.'
'And your mother and father?'
'They are all right, I believe. I shall see them to-morrow night—Passover, you know. I haven't missed a singleSederat home,' he said with conscious virtue. 'It's an awful bore, you know. I often laugh to think of the chappies' faces if they could see me leaning on a pillow and gravely asking the old man why we eat Passover cakes.' He laughed now to think of it. 'But I never miss—they'd cut up rough, I expect, if I did.'
'Well, that's something in your favour,' murmured Esther gravely.
He looked at her sharply, suddenly suspecting that his auditor was not perfectly sympathetic. She smiled a little at the images passing through her mind, and Leonard, taking her remark for badinage, allowed his own features to relax to their original amiability.
'You're not married, either, I suppose,' he remarked.
'No,' said Esther. 'I'm like your sister Hannah.'
He shook his head sceptically.
'Ah, I expect you'll be looking very high,' he said.
'Nonsense!' murmured Esther, playing with her bouquet.
A flash passed across his face, but he went on in the same tone.
'Ah, don't tell me! Why shouldn't you? Why, you're looking perfectly charming to-night.'
'Please don't,' said Esther. 'Every girl looks perfectly charming when she's nicely dressed. Who and what am I? Nothing. Let us drop the subject.'
'All right; but youmusthave grand ideas, else you'd have sometimes gone to see my people, as in the old days.'
'When did I visit your people? You used to come and see me sometimes.' A shadow of a smile hovered about the tremulous lips. 'Believe me, I didn't consciously drop any of my old acquaintances. My life changed—my family went to America—later on I travelled. It is the currents of life, not their wills, that bear old acquaintances asunder.'
He seemed pleased with her sentiments, and was about to say something, but she added:
'The curtain's going up. Hadn't you better go down to your friend? She's been looking up at us impatiently.'
'Oh no, don't bother about her,' said Leonard, reddening a little. 'She—she won't mind. She's only—only an actress, you know. I have to keep in with the profession in case any opening should turn up. You never know. An actress may become a lessee at any moment. Hark! The orchestra is striking up again—the scene isn't set yet. Of course I'll go if you want me to!'
'No, stay by all means, if you want to,' murmured Esther. 'We have a chair unoccupied.'
'Do you expect that fellow Sidney Graham back?'
'Yes, sooner or later. But how do you know his name?' queried Esther in surprise.
'Everybody about town knows Sidney Graham, the artist. Why, we belong to the same club, the Flamingo, though he only turns up for the great glove-fights. Beastly cad, with all due respect to your friends, Esther. I was introduced to him once, but he stared at me next time so haughtily that I cut him dead. Do you know, ever since then I've suspected he's one of us; perhaps you can tell me, Esther? I dare say he's no more Sidney Graham than I am.'
'Hush!' said Esther, glancing warningly towards Addie, who, however, betrayed no sign of attention.
'Sister?' asked Leonard, lowering his voice to a whisper.
Esther shook her head.
'Cousin. But Mr. Graham is a friend of mine as well, and you mustn't talk of him like that.'
'Ripping fine girl!' murmured Leonard irrelevantly. 'Wonder at his taste!'
He took a long stare at the abstracted Addie.
'What do you mean?' said Esther, her annoyance increasing.
Her old friend's tone jarred upon her.
'Well, I don't know what he could see in the girl he's engaged to.'
Esther's face became white. She looked anxiously towards the unconscious Addie.
'You are talking nonsense,' she said in a low, cautious tone. 'Mr. Graham is too fond of his liberty to engage himself to any girl.'
'Oho!' said Leonard, with a subdued whistle. 'I hope you're not sweet on him yourself.'
Esther gave an impatient gesture of denial. She resented Leonard's rapid resumption of his old familiarity.
'Then take care not to be,' he said. 'He's engaged privately to Miss Hannibal, a daughter of the M.P. Tom Sledge, the sub-editor of theCormorant, told me. You know they collect items about everybody, and publish them at what they call the psychological moment. Graham goes to the Hannibals' every Saturday afternoon. They're very strict people; the father, you know, is a prominent Wesleyan, and she's not the sort of girl to be played with.'
'For Heaven's sake speak more softly!' said Esther, though the orchestra was playingfortissimonow, and they had spoken so quietly all along that Addie could scarcely have heard without a special effort. 'It can't be true. You are repeating mere idle gossip.'
'Why, they know everything at theCormorant,' said Leonard indignantly. 'Do you suppose a man can take such a step as that without its getting known? Why, I shall be chaffed—enviously—about you two to-morrow! Many a thing the world little dreams of is an open secret in club smoking-rooms. Generally more discreditablethan Graham's, which must be made public of itself sooner or later.'
To Esther's relief the curtain rose. Addie woke up and looked round, but seeing that Sidney had not returned, and that Esther was still in colloquy with the invader, she gave her attention to the stage. Esther could no longer bend her eye on the mimic tragedy; her eyes rested pityingly upon Addie's face, and Leonard's eyes rested admiringly upon Esther's. Thus Sidney found the group, when he returned in the middle of the act, to his surprise and displeasure. He stood silently at the back of the box till the act was over. Leonard James was the first to perceive him; knowing he had been telling tales about him, he felt uneasy under his supercilious gaze. He bade Esther good-bye, asking and receiving permission to call upon her. When he was gone, constraint fell upon the party. Sidney was moody; Addie pensive; Esther full of stifled wrath and anxiety. At the close of the performance Sidney took down the girls' wrappings from the pegs. He helped Esther courteously, then hovered over his cousin with a solicitude that brought a look of calm happiness into Addie's face, and an expression of pain into Esther's. As they moved slowly along the crowded corridors, he allowed Addie to get a few paces in advance. It was his last opportunity of saying a word to Esther alone.
'If I were you, Miss Ansell, I wouldn't allow that cad to presume on any acquaintance he may have——'
All the latent irritation in Esther's breast burst into a flame at the idea of Sidney's constituting himself a judge. 'If I had not cultivated his acquaintance I should not have had the pleasure of congratulating you on your engagement,' she replied, almost in a whisper.
To Sidney it sounded like a shout. His colour heightened; he was visibly taken aback.
'What are you talking about?' he murmured automatically.
'About your engagement to Miss Hannibal.'
'That blackguard told you!' he whispered angrily, half to himself. 'Well, what of it? I am not bound to advertise it, am I? It's my private business, isn't it?You don't expect me to hang a placard round my breast like those on concert-room chairs, "Engaged"?'
'Certainly not,' said Esther. 'But you might have told your friends, so as to enable them to rejoice sympathetically.'
'You turn your sarcasm prettily,' he said mildly; 'but the sympathetic rejoicing was just what I wanted to avoid. You know what a Jewish engagement is—how the news spreads like wildfire from Piccadilly to Petticoat Lane, and the whole house of Israel gathers together to discuss the income and the prospects of the happy pair. I object to sympathetic rejoicing from the slums, especially as in this case it would probably be exchanged for curses. Miss Hannibal is a Christian, and for a Jew to embrace a Christian is, I believe, the next worst thing to his embracing Christianity, even when the Jew is a pagan.'