THE END.
LONDON: R. CLAY, SONS, AND TAYLOR, PRINTERS.
FOOTNOTES:[1]John Milton the father of the poet was the author of a six-part madrigal, "Fayre Oriane in the Morne," printed in 1601, of four motets in Leighton's "Tears or Lamentacions" (1614), and of several Psalm tunes. He also composed an "In Nomine" in forty parts, for which he received a gold medal and chain from a Polish prince.[2]In a room behind Rutland House, Aldersgate Street.[3]"Instrumental and Cathedral music I have ever been wilfully ignorant of, because I have dearly loved them, and if I had learnt them to a perfection, this satiety might have bred a nauseous distaste and surfeit, as in other things, and then I had nothing to delight in. But alas! this conceit hath failed me,for now all church music my highest terrene content is abandoned amongst us."—Philip King's"Surfeit," 1656.[4]They acted together in "The Siege of Rhodes" in 1656.[5]His name appears in the cheque-book of the Chapel Royal as HenryPurcill, and from the same source we learn that he, in common with the other gentlemen of the Chapel, received (each of them), four yards of fine scarlet cloth for a gown to wear at the coronation.[6]George Dalham, a well-known organ builder. Dr. Rimbault says Father Smith built the organ erected in WestrAbbey at the Restoration, but this payment would suggest a doubt as to his accuracy.[7]Hill played the treble parts on the cornet in consequence of the difficulty previously mentioned, of obtaining efficient boys. He was buried in the cloisters of W. A., in 1667.[8]Christopher Gibbons, son of the celebrated Orlando Gibbons, was organist of Winchester Cathedral in the reign of Charles I., but on the breaking out of the civil war he became a soldier. He was admitted Doctor of Music at Oxford, by the special desire of Charles II.[9]Where the word "nil" now stands in the MS. there has evidently been an erasure of some figure or figures.[10]Harl. MSS. 1911.[11]Cooke performed the part of "Solyman" inThe Siege of Rhodes, in 1656, and also composed the music for the second and third acts of the opera.[12]Wood, M.S. Ashmole, 8568.[13]A copy of this birthday Ode, in the handwriting of Pelham Humphreys, was in the possession of the late Dr. Rimbault.[14]In my own library.—W. H. C.[15]Johnson's music is printed in Stafford Smith'sMusica Antiqua.[16]Spelt variously, Humfrey, Humphrey, Humphries.[17]The following entries are from the account of Secret Service moneys kept by Sir John Shaw:—"1664. To Pelham Humphreys, to defray the charge of his journey to France and Italy, 200l.""1665. To Pelham Humphreys, bounty 100l.""1666. To Pelham Humphreys, bounty 150l."[18]Louis Grabut.[19]Dr. Burney is particularly severe in condemning Blow's "crudites and violations of rule," and prints four pages of examples of Blow's sins; but there can be little doubt that a musician of the present day would regard the faults as mere spots on the sun of Blow's splendid music. Those who care to see what Blow could write should look at the anthems, "I was in the Spirit," and "I beheld, and lo."[20]For a list of Copyists of Westminster Abbey, see p. 112.[21]I am indebted to the late Dr. Rimbault for a copy of this letter.[22]He was succeeded by the Rev. William Tucker, Minor Canon of the Abbey, and Priest of the Chapel Royal, an excellent composer, who died in 1689. The following entry refers to his work:—"In moneys recd. and paid for secret services of Charles II.""To Eliza Tucker, widorelict of Wm. Tucker, for her husband's writing in 15 books, the anthems with symphonies for King Charles the 2ndsuse in his Chappell Royal, 15l."[23]The original of this letter is in my possession.—W. H. C.[24]1678 by the old style, but 1679 by the new.[25]The music was published in a collection calledThe Catch Club; or, Merry Companions.[26]For a list of the Organists of Westminster Abbey, see p. 111.[27]In 1794 S. Harding published a portrait of "Henry Purcell, musician and actor," copied from the original in Dulwich College. I have made diligent search for the painting without success.—W. H. C.[28]Know all men by these presents that I, Thomas Purcell, of the Parish of St. Martin's-in-the-Fields, in the County of Middx., one of the gentlemen of his MatsChappell Royall, and servant to his Matle, have assign'd, ordain'd, and made, by these presents doe assigne, ordayne, and make my trusty and well beloved son, Mathew Purcell, my true and lawful Attorney for me and in my name, and to my use to aske, take, and receive all such arrears and summes of money as are due, and hereafter will become due and payable to me the said Thomas Purcell out of his MatsTreasury, ChambrExchequer, Coffery office, or any other place or office whatsomever, giving, and by these presents granting unto my sdAttorney my whole Power and authority in and about the premisses, and upon Rectof any such summes of money aforesaid, Acquittance, or other discharges for me and in my name to make and give, and for me and in my name to doe and performe as fully and largely in every respect to all intents and purposes as I myself might or could doe if I were there personally present, ratifying, confirming, and allowing all and whatsomever my said Attorney shall lawfully do or cause to be done in and about the premisses aforesaid by Vertue of these presents. In witness whereof I have hereunto set my hand and seale, this 15th day of May in the three-and-thirtieth yeare of King Charles the Second over England, &c. Annoq. Domini 1681.T. Purcell.Sealed and delivered in thepresence ofF. Purcell.Witt.Walley.[29]Giovanni Baptista Draghi, born in Italy, came to England about the middle of the 17th century, and at the death of Matthew Locke he obtained the appointment of organist to Catherine of Braganza, wife of Charles II. Draghi was in great request as a performer and teacher of the harpsichord; amongst his pupils were the Princess Anne and probably her sister Mary. He was a good composer, and had by diligent study made himself well acquainted with the compositions of the best English masters whose manner of composing he adopted. He set to music an Ode written by Dryden for St. Cecilia's day, 1687, and in contemporary copies of the words we find his name anglicised to John Baptist Draghi.[30]This we learn from several advertisements of later date, where it is stated, "At John Carr's shop may be had the musical entertainment for last St. Cecilia's Day. The words made by Mr. Christopher Fishburn, and set to music in two, three, four, and six parts by Mr. Henry Purcell, Composer in Ordinary to His Sacred Majesty, and one of the Organists of His Majesty's Chappel Royal."[31]Smith was organist of St. Margaret, Westminster.[32]So spelt in the registers of Westminster Abbey, but "Banester" on his monument.[33]See No. 15 ofThe Ancient Vocal Music of England, by E. F. Rimbault, published by Novello & Co.[34]SeeConcordia, April 15 and 22, 1876.[35]Apology for the Life of Colley Cibber.[36]History of Music, Novello's Edition, vol. ii. p. 743.[37]"The Songs in Amphitryon, with the Musick.Composed by Mr. Henry Purcell. London: printed by J. Heptinstall for Jacob Tonson, at the Judge's Head in Chancery Lane. MDCXC."[38]Dioclesian.[39]North, in theMemoires of Musick, 1728, mentions Purcell'sKing Arthuras at that time "unhappily lost."[40]Round about Piccadilly, by Wheatley, p. 294.[41]Hawkins'sHistory of Music, vol. ii. p. 753.[42]See Sir Walter Scott'sLife of Dryden.[43]Hogarth'sMemoirs of the Musical Drama, 1838.[44]Reading and Pate some three years afterwards figured in another kind of Duo; thePost-Boy, June 20th, 1695, has the following paragraph:—"I am informed that the Lord Chamberlain hath been pleased to displace Mr. Pate and Mr. Reading from their places in the Playhouse for being in the late riot at Drury Lane." The riot had occurred at the "Dog Tavern," and in consequence several persons were prosecuted and found guilty; some were fined 500 marks each, but Reading and Pate were fined only twenty marks each; probably their fines were reduced in consideration of their dismissal by the Lord Chamberlain. They were, however, soon afterwards reinstated in their previous appointments.[45]Nichol's Select Collection of Poems.[46]In the thirteenth edition published in 1697, the third part has the following heading:—"The art of Descant, or composing musick in parts; made very plain and easie by the late Mr. Henry Purcell."[47]The last piece Dryden wrote for the stage.[48]The music was published by Walsh with the following new title, "Te Deum et Jubilate for voices and instruments perform'd before theSons of the Clergyat the Cathedral Church of St. Paul. Composed by the late Mr. Henry Purcel." This led to a notion that the music had been composed for the "Sons of the Clergy" festival.[49]This third part is so scarce that probably only one or two perfect copies now exist.[50]In my own library.[51]It is evident from this will that Purcell's youngest child, Mary Peters, had died since her father's decease.[52]Anecdotes, Biographical Sketches, by Letitia Matilda Hawkins.[53]"The English affect more the Italian than the French music, and their own compositions are between the gravity of the first and the levity of the other. They have had several great masters of their own.Henry Purcell'sworks in that kind are esteemed beyondLully'severywhere, and they have now a good many very eminent masters; but the taste of the town being at this day all Italian, it is a great discouragement to them."—Mackay's Journey Through England, 1722-3.[54]Dr. King'sBibliotheca, 1712.[55]The flute of Purcell's day was blown at the extreme end like a flageolet, the modernflauto traversowas unknown.[56]Stafford Smith'sCollection of English Songs, 1779.[57]Purcell is named as one of the possessors of property in a map of Ireland made about the middle of the seventeenth century.[58]Cosyn usually meant nephew.[59]Meaning buried in the Church.[60]The autograph score is in the British Museum.[61]"On Wednesday next will be performed at York Buildings Mr. Daniel Purcell's musick, made for last St. Cecilia's Feast, for the benefit of Mr. Howel and Mr. Shore, with an addition of new vocal and instrumental musick."—London Gazette, December 29, 1698.[62]1700 according to the new style.[63]A pupil of Henry Purcell.[64]"A Song sung by Mr. Mason inMagbeth, sett by Mr. D. Purcell, 'Cease, gentle Swain,' in the Queen's library, Buckingham Palace."[65]Vol. ii. p. 759, new Edition. Novello & Co.[66]Extracted from the Vestry books of St. Andrew's, Holborn.[67]Baker'sHistory of Northamptonshire, vol. i. p. 17.[68]"Frances, daughter of Leonard Welsted, Gent, and Frances his wife."[69]1750.[70]The master was Bernard Gates.[71]Mr. Turle having retired from active duty, Dr. J. F. Bridge is now appointed permanent deputy organist.
[1]John Milton the father of the poet was the author of a six-part madrigal, "Fayre Oriane in the Morne," printed in 1601, of four motets in Leighton's "Tears or Lamentacions" (1614), and of several Psalm tunes. He also composed an "In Nomine" in forty parts, for which he received a gold medal and chain from a Polish prince.
[1]John Milton the father of the poet was the author of a six-part madrigal, "Fayre Oriane in the Morne," printed in 1601, of four motets in Leighton's "Tears or Lamentacions" (1614), and of several Psalm tunes. He also composed an "In Nomine" in forty parts, for which he received a gold medal and chain from a Polish prince.
[2]In a room behind Rutland House, Aldersgate Street.
[2]In a room behind Rutland House, Aldersgate Street.
[3]"Instrumental and Cathedral music I have ever been wilfully ignorant of, because I have dearly loved them, and if I had learnt them to a perfection, this satiety might have bred a nauseous distaste and surfeit, as in other things, and then I had nothing to delight in. But alas! this conceit hath failed me,for now all church music my highest terrene content is abandoned amongst us."—Philip King's"Surfeit," 1656.
[3]"Instrumental and Cathedral music I have ever been wilfully ignorant of, because I have dearly loved them, and if I had learnt them to a perfection, this satiety might have bred a nauseous distaste and surfeit, as in other things, and then I had nothing to delight in. But alas! this conceit hath failed me,for now all church music my highest terrene content is abandoned amongst us."—Philip King's"Surfeit," 1656.
[4]They acted together in "The Siege of Rhodes" in 1656.
[4]They acted together in "The Siege of Rhodes" in 1656.
[5]His name appears in the cheque-book of the Chapel Royal as HenryPurcill, and from the same source we learn that he, in common with the other gentlemen of the Chapel, received (each of them), four yards of fine scarlet cloth for a gown to wear at the coronation.
[5]His name appears in the cheque-book of the Chapel Royal as HenryPurcill, and from the same source we learn that he, in common with the other gentlemen of the Chapel, received (each of them), four yards of fine scarlet cloth for a gown to wear at the coronation.
[6]George Dalham, a well-known organ builder. Dr. Rimbault says Father Smith built the organ erected in WestrAbbey at the Restoration, but this payment would suggest a doubt as to his accuracy.
[6]George Dalham, a well-known organ builder. Dr. Rimbault says Father Smith built the organ erected in WestrAbbey at the Restoration, but this payment would suggest a doubt as to his accuracy.
[7]Hill played the treble parts on the cornet in consequence of the difficulty previously mentioned, of obtaining efficient boys. He was buried in the cloisters of W. A., in 1667.
[7]Hill played the treble parts on the cornet in consequence of the difficulty previously mentioned, of obtaining efficient boys. He was buried in the cloisters of W. A., in 1667.
[8]Christopher Gibbons, son of the celebrated Orlando Gibbons, was organist of Winchester Cathedral in the reign of Charles I., but on the breaking out of the civil war he became a soldier. He was admitted Doctor of Music at Oxford, by the special desire of Charles II.
[8]Christopher Gibbons, son of the celebrated Orlando Gibbons, was organist of Winchester Cathedral in the reign of Charles I., but on the breaking out of the civil war he became a soldier. He was admitted Doctor of Music at Oxford, by the special desire of Charles II.
[9]Where the word "nil" now stands in the MS. there has evidently been an erasure of some figure or figures.
[9]Where the word "nil" now stands in the MS. there has evidently been an erasure of some figure or figures.
[10]Harl. MSS. 1911.
[10]Harl. MSS. 1911.
[11]Cooke performed the part of "Solyman" inThe Siege of Rhodes, in 1656, and also composed the music for the second and third acts of the opera.
[11]Cooke performed the part of "Solyman" inThe Siege of Rhodes, in 1656, and also composed the music for the second and third acts of the opera.
[12]Wood, M.S. Ashmole, 8568.
[12]Wood, M.S. Ashmole, 8568.
[13]A copy of this birthday Ode, in the handwriting of Pelham Humphreys, was in the possession of the late Dr. Rimbault.
[13]A copy of this birthday Ode, in the handwriting of Pelham Humphreys, was in the possession of the late Dr. Rimbault.
[14]In my own library.—W. H. C.
[14]In my own library.—W. H. C.
[15]Johnson's music is printed in Stafford Smith'sMusica Antiqua.
[15]Johnson's music is printed in Stafford Smith'sMusica Antiqua.
[16]Spelt variously, Humfrey, Humphrey, Humphries.
[16]Spelt variously, Humfrey, Humphrey, Humphries.
[17]The following entries are from the account of Secret Service moneys kept by Sir John Shaw:—"1664. To Pelham Humphreys, to defray the charge of his journey to France and Italy, 200l.""1665. To Pelham Humphreys, bounty 100l.""1666. To Pelham Humphreys, bounty 150l."
[17]The following entries are from the account of Secret Service moneys kept by Sir John Shaw:—
"1664. To Pelham Humphreys, to defray the charge of his journey to France and Italy, 200l.""1665. To Pelham Humphreys, bounty 100l.""1666. To Pelham Humphreys, bounty 150l."
"1664. To Pelham Humphreys, to defray the charge of his journey to France and Italy, 200l."
"1665. To Pelham Humphreys, bounty 100l."
"1666. To Pelham Humphreys, bounty 150l."
[18]Louis Grabut.
[18]Louis Grabut.
[19]Dr. Burney is particularly severe in condemning Blow's "crudites and violations of rule," and prints four pages of examples of Blow's sins; but there can be little doubt that a musician of the present day would regard the faults as mere spots on the sun of Blow's splendid music. Those who care to see what Blow could write should look at the anthems, "I was in the Spirit," and "I beheld, and lo."
[19]Dr. Burney is particularly severe in condemning Blow's "crudites and violations of rule," and prints four pages of examples of Blow's sins; but there can be little doubt that a musician of the present day would regard the faults as mere spots on the sun of Blow's splendid music. Those who care to see what Blow could write should look at the anthems, "I was in the Spirit," and "I beheld, and lo."
[20]For a list of Copyists of Westminster Abbey, see p. 112.
[20]For a list of Copyists of Westminster Abbey, see p. 112.
[21]I am indebted to the late Dr. Rimbault for a copy of this letter.
[21]I am indebted to the late Dr. Rimbault for a copy of this letter.
[22]He was succeeded by the Rev. William Tucker, Minor Canon of the Abbey, and Priest of the Chapel Royal, an excellent composer, who died in 1689. The following entry refers to his work:—"In moneys recd. and paid for secret services of Charles II.""To Eliza Tucker, widorelict of Wm. Tucker, for her husband's writing in 15 books, the anthems with symphonies for King Charles the 2ndsuse in his Chappell Royal, 15l."
[22]He was succeeded by the Rev. William Tucker, Minor Canon of the Abbey, and Priest of the Chapel Royal, an excellent composer, who died in 1689. The following entry refers to his work:—
"In moneys recd. and paid for secret services of Charles II."
"To Eliza Tucker, widorelict of Wm. Tucker, for her husband's writing in 15 books, the anthems with symphonies for King Charles the 2ndsuse in his Chappell Royal, 15l."
[23]The original of this letter is in my possession.—W. H. C.
[23]The original of this letter is in my possession.—W. H. C.
[24]1678 by the old style, but 1679 by the new.
[24]1678 by the old style, but 1679 by the new.
[25]The music was published in a collection calledThe Catch Club; or, Merry Companions.
[25]The music was published in a collection calledThe Catch Club; or, Merry Companions.
[26]For a list of the Organists of Westminster Abbey, see p. 111.
[26]For a list of the Organists of Westminster Abbey, see p. 111.
[27]In 1794 S. Harding published a portrait of "Henry Purcell, musician and actor," copied from the original in Dulwich College. I have made diligent search for the painting without success.—W. H. C.
[27]In 1794 S. Harding published a portrait of "Henry Purcell, musician and actor," copied from the original in Dulwich College. I have made diligent search for the painting without success.—W. H. C.
[28]Know all men by these presents that I, Thomas Purcell, of the Parish of St. Martin's-in-the-Fields, in the County of Middx., one of the gentlemen of his MatsChappell Royall, and servant to his Matle, have assign'd, ordain'd, and made, by these presents doe assigne, ordayne, and make my trusty and well beloved son, Mathew Purcell, my true and lawful Attorney for me and in my name, and to my use to aske, take, and receive all such arrears and summes of money as are due, and hereafter will become due and payable to me the said Thomas Purcell out of his MatsTreasury, ChambrExchequer, Coffery office, or any other place or office whatsomever, giving, and by these presents granting unto my sdAttorney my whole Power and authority in and about the premisses, and upon Rectof any such summes of money aforesaid, Acquittance, or other discharges for me and in my name to make and give, and for me and in my name to doe and performe as fully and largely in every respect to all intents and purposes as I myself might or could doe if I were there personally present, ratifying, confirming, and allowing all and whatsomever my said Attorney shall lawfully do or cause to be done in and about the premisses aforesaid by Vertue of these presents. In witness whereof I have hereunto set my hand and seale, this 15th day of May in the three-and-thirtieth yeare of King Charles the Second over England, &c. Annoq. Domini 1681.T. Purcell.Sealed and delivered in thepresence ofF. Purcell.Witt.Walley.
[28]Know all men by these presents that I, Thomas Purcell, of the Parish of St. Martin's-in-the-Fields, in the County of Middx., one of the gentlemen of his MatsChappell Royall, and servant to his Matle, have assign'd, ordain'd, and made, by these presents doe assigne, ordayne, and make my trusty and well beloved son, Mathew Purcell, my true and lawful Attorney for me and in my name, and to my use to aske, take, and receive all such arrears and summes of money as are due, and hereafter will become due and payable to me the said Thomas Purcell out of his MatsTreasury, ChambrExchequer, Coffery office, or any other place or office whatsomever, giving, and by these presents granting unto my sdAttorney my whole Power and authority in and about the premisses, and upon Rectof any such summes of money aforesaid, Acquittance, or other discharges for me and in my name to make and give, and for me and in my name to doe and performe as fully and largely in every respect to all intents and purposes as I myself might or could doe if I were there personally present, ratifying, confirming, and allowing all and whatsomever my said Attorney shall lawfully do or cause to be done in and about the premisses aforesaid by Vertue of these presents. In witness whereof I have hereunto set my hand and seale, this 15th day of May in the three-and-thirtieth yeare of King Charles the Second over England, &c. Annoq. Domini 1681.T. Purcell.
Sealed and delivered in thepresence ofF. Purcell.Witt.Walley.
Sealed and delivered in thepresence of
F. Purcell.Witt.Walley.
[29]Giovanni Baptista Draghi, born in Italy, came to England about the middle of the 17th century, and at the death of Matthew Locke he obtained the appointment of organist to Catherine of Braganza, wife of Charles II. Draghi was in great request as a performer and teacher of the harpsichord; amongst his pupils were the Princess Anne and probably her sister Mary. He was a good composer, and had by diligent study made himself well acquainted with the compositions of the best English masters whose manner of composing he adopted. He set to music an Ode written by Dryden for St. Cecilia's day, 1687, and in contemporary copies of the words we find his name anglicised to John Baptist Draghi.
[29]Giovanni Baptista Draghi, born in Italy, came to England about the middle of the 17th century, and at the death of Matthew Locke he obtained the appointment of organist to Catherine of Braganza, wife of Charles II. Draghi was in great request as a performer and teacher of the harpsichord; amongst his pupils were the Princess Anne and probably her sister Mary. He was a good composer, and had by diligent study made himself well acquainted with the compositions of the best English masters whose manner of composing he adopted. He set to music an Ode written by Dryden for St. Cecilia's day, 1687, and in contemporary copies of the words we find his name anglicised to John Baptist Draghi.
[30]This we learn from several advertisements of later date, where it is stated, "At John Carr's shop may be had the musical entertainment for last St. Cecilia's Day. The words made by Mr. Christopher Fishburn, and set to music in two, three, four, and six parts by Mr. Henry Purcell, Composer in Ordinary to His Sacred Majesty, and one of the Organists of His Majesty's Chappel Royal."
[30]This we learn from several advertisements of later date, where it is stated, "At John Carr's shop may be had the musical entertainment for last St. Cecilia's Day. The words made by Mr. Christopher Fishburn, and set to music in two, three, four, and six parts by Mr. Henry Purcell, Composer in Ordinary to His Sacred Majesty, and one of the Organists of His Majesty's Chappel Royal."
[31]Smith was organist of St. Margaret, Westminster.
[31]Smith was organist of St. Margaret, Westminster.
[32]So spelt in the registers of Westminster Abbey, but "Banester" on his monument.
[32]So spelt in the registers of Westminster Abbey, but "Banester" on his monument.
[33]See No. 15 ofThe Ancient Vocal Music of England, by E. F. Rimbault, published by Novello & Co.
[33]See No. 15 ofThe Ancient Vocal Music of England, by E. F. Rimbault, published by Novello & Co.
[34]SeeConcordia, April 15 and 22, 1876.
[34]SeeConcordia, April 15 and 22, 1876.
[35]Apology for the Life of Colley Cibber.
[35]Apology for the Life of Colley Cibber.
[36]History of Music, Novello's Edition, vol. ii. p. 743.
[36]History of Music, Novello's Edition, vol. ii. p. 743.
[37]"The Songs in Amphitryon, with the Musick.Composed by Mr. Henry Purcell. London: printed by J. Heptinstall for Jacob Tonson, at the Judge's Head in Chancery Lane. MDCXC."
[37]"The Songs in Amphitryon, with the Musick.Composed by Mr. Henry Purcell. London: printed by J. Heptinstall for Jacob Tonson, at the Judge's Head in Chancery Lane. MDCXC."
[38]Dioclesian.
[38]Dioclesian.
[39]North, in theMemoires of Musick, 1728, mentions Purcell'sKing Arthuras at that time "unhappily lost."
[39]North, in theMemoires of Musick, 1728, mentions Purcell'sKing Arthuras at that time "unhappily lost."
[40]Round about Piccadilly, by Wheatley, p. 294.
[40]Round about Piccadilly, by Wheatley, p. 294.
[41]Hawkins'sHistory of Music, vol. ii. p. 753.
[41]Hawkins'sHistory of Music, vol. ii. p. 753.
[42]See Sir Walter Scott'sLife of Dryden.
[42]See Sir Walter Scott'sLife of Dryden.
[43]Hogarth'sMemoirs of the Musical Drama, 1838.
[43]Hogarth'sMemoirs of the Musical Drama, 1838.
[44]Reading and Pate some three years afterwards figured in another kind of Duo; thePost-Boy, June 20th, 1695, has the following paragraph:—"I am informed that the Lord Chamberlain hath been pleased to displace Mr. Pate and Mr. Reading from their places in the Playhouse for being in the late riot at Drury Lane." The riot had occurred at the "Dog Tavern," and in consequence several persons were prosecuted and found guilty; some were fined 500 marks each, but Reading and Pate were fined only twenty marks each; probably their fines were reduced in consideration of their dismissal by the Lord Chamberlain. They were, however, soon afterwards reinstated in their previous appointments.
[44]Reading and Pate some three years afterwards figured in another kind of Duo; thePost-Boy, June 20th, 1695, has the following paragraph:—"I am informed that the Lord Chamberlain hath been pleased to displace Mr. Pate and Mr. Reading from their places in the Playhouse for being in the late riot at Drury Lane." The riot had occurred at the "Dog Tavern," and in consequence several persons were prosecuted and found guilty; some were fined 500 marks each, but Reading and Pate were fined only twenty marks each; probably their fines were reduced in consideration of their dismissal by the Lord Chamberlain. They were, however, soon afterwards reinstated in their previous appointments.
[45]Nichol's Select Collection of Poems.
[45]Nichol's Select Collection of Poems.
[46]In the thirteenth edition published in 1697, the third part has the following heading:—"The art of Descant, or composing musick in parts; made very plain and easie by the late Mr. Henry Purcell."
[46]In the thirteenth edition published in 1697, the third part has the following heading:—"The art of Descant, or composing musick in parts; made very plain and easie by the late Mr. Henry Purcell."
[47]The last piece Dryden wrote for the stage.
[47]The last piece Dryden wrote for the stage.
[48]The music was published by Walsh with the following new title, "Te Deum et Jubilate for voices and instruments perform'd before theSons of the Clergyat the Cathedral Church of St. Paul. Composed by the late Mr. Henry Purcel." This led to a notion that the music had been composed for the "Sons of the Clergy" festival.
[48]The music was published by Walsh with the following new title, "Te Deum et Jubilate for voices and instruments perform'd before theSons of the Clergyat the Cathedral Church of St. Paul. Composed by the late Mr. Henry Purcel." This led to a notion that the music had been composed for the "Sons of the Clergy" festival.
[49]This third part is so scarce that probably only one or two perfect copies now exist.
[49]This third part is so scarce that probably only one or two perfect copies now exist.
[50]In my own library.
[50]In my own library.
[51]It is evident from this will that Purcell's youngest child, Mary Peters, had died since her father's decease.
[51]It is evident from this will that Purcell's youngest child, Mary Peters, had died since her father's decease.
[52]Anecdotes, Biographical Sketches, by Letitia Matilda Hawkins.
[52]Anecdotes, Biographical Sketches, by Letitia Matilda Hawkins.
[53]"The English affect more the Italian than the French music, and their own compositions are between the gravity of the first and the levity of the other. They have had several great masters of their own.Henry Purcell'sworks in that kind are esteemed beyondLully'severywhere, and they have now a good many very eminent masters; but the taste of the town being at this day all Italian, it is a great discouragement to them."—Mackay's Journey Through England, 1722-3.
[53]"The English affect more the Italian than the French music, and their own compositions are between the gravity of the first and the levity of the other. They have had several great masters of their own.Henry Purcell'sworks in that kind are esteemed beyondLully'severywhere, and they have now a good many very eminent masters; but the taste of the town being at this day all Italian, it is a great discouragement to them."—Mackay's Journey Through England, 1722-3.
[54]Dr. King'sBibliotheca, 1712.
[54]Dr. King'sBibliotheca, 1712.
[55]The flute of Purcell's day was blown at the extreme end like a flageolet, the modernflauto traversowas unknown.
[55]The flute of Purcell's day was blown at the extreme end like a flageolet, the modernflauto traversowas unknown.
[56]Stafford Smith'sCollection of English Songs, 1779.
[56]Stafford Smith'sCollection of English Songs, 1779.
[57]Purcell is named as one of the possessors of property in a map of Ireland made about the middle of the seventeenth century.
[57]Purcell is named as one of the possessors of property in a map of Ireland made about the middle of the seventeenth century.
[58]Cosyn usually meant nephew.
[58]Cosyn usually meant nephew.
[59]Meaning buried in the Church.
[59]Meaning buried in the Church.
[60]The autograph score is in the British Museum.
[60]The autograph score is in the British Museum.
[61]"On Wednesday next will be performed at York Buildings Mr. Daniel Purcell's musick, made for last St. Cecilia's Feast, for the benefit of Mr. Howel and Mr. Shore, with an addition of new vocal and instrumental musick."—London Gazette, December 29, 1698.
[61]"On Wednesday next will be performed at York Buildings Mr. Daniel Purcell's musick, made for last St. Cecilia's Feast, for the benefit of Mr. Howel and Mr. Shore, with an addition of new vocal and instrumental musick."—London Gazette, December 29, 1698.
[62]1700 according to the new style.
[62]1700 according to the new style.
[63]A pupil of Henry Purcell.
[63]A pupil of Henry Purcell.
[64]"A Song sung by Mr. Mason inMagbeth, sett by Mr. D. Purcell, 'Cease, gentle Swain,' in the Queen's library, Buckingham Palace."
[64]"A Song sung by Mr. Mason inMagbeth, sett by Mr. D. Purcell, 'Cease, gentle Swain,' in the Queen's library, Buckingham Palace."
[65]Vol. ii. p. 759, new Edition. Novello & Co.
[65]Vol. ii. p. 759, new Edition. Novello & Co.
[66]Extracted from the Vestry books of St. Andrew's, Holborn.
[66]Extracted from the Vestry books of St. Andrew's, Holborn.
[67]Baker'sHistory of Northamptonshire, vol. i. p. 17.
[67]Baker'sHistory of Northamptonshire, vol. i. p. 17.
[68]"Frances, daughter of Leonard Welsted, Gent, and Frances his wife."
[68]"Frances, daughter of Leonard Welsted, Gent, and Frances his wife."
[69]1750.
[69]1750.
[70]The master was Bernard Gates.
[70]The master was Bernard Gates.
[71]Mr. Turle having retired from active duty, Dr. J. F. Bridge is now appointed permanent deputy organist.
[71]Mr. Turle having retired from active duty, Dr. J. F. Bridge is now appointed permanent deputy organist.
TRANSCRIBER NOTES:P.2. 'set in on fire' changed to 'set it on fire'.P.36. 'Harpsecord' changed to 'Harpsichord'.P.37. 'he complete' changed to 'the completed'.P.69. Added footnote anchor.P.77. 'permaturely' changed to 'prematurely'.P.95. 'genuises' changed to 'geniuses'.Footnote 29. 'harpischord' changed to 'harpsichord'.P.107. 'founders of he' changed to founders of the'.Index: Wood, 4, 91Corrected various punctuation.
TRANSCRIBER NOTES:
P.2. 'set in on fire' changed to 'set it on fire'.
P.36. 'Harpsecord' changed to 'Harpsichord'.
P.37. 'he complete' changed to 'the completed'.
P.69. Added footnote anchor.
P.77. 'permaturely' changed to 'prematurely'.
P.95. 'genuises' changed to 'geniuses'.
Footnote 29. 'harpischord' changed to 'harpsichord'.
P.107. 'founders of he' changed to founders of the'.
Index: Wood, 4, 91