June 7th, 1830

[11][M. de Peyronnet was the Garde des Sceaux in the Polignac Cabinet: he was considered one of the most reactionary members of that ill-fated Administration.]

When La Ferronays told Polignac his opinion of the course he was beginning, the other only said, ‘Mon cher, tu ne connais pas le pays.’ The King told Dalberg himself that he would rather labour for his bread than be King of England; that it was not being a king. In his presence, too, he asked General ——, the Governor of Paris, what was the disposition of the troops, and he answered, ‘Excellent, sir; I have been in all thecasernes, and they desire nothing so much as to fight for your Majesty;’ and such words as these the King swallows and acts upon. Their confidence, audacity, and presumption are certainly admirable, disdaining any art and management, and apparently anxious to bring about a crisis with the least possible delay.

Drove about yesterday taking leave of people and places, the former of which I probably shall, and the latter shall not, see again. I have seen almost everything, but leave Rome with great regret, principally because I amPOLIGNAC AND VILLÈLEafraid I shall never come again. If I was sure of returning I should not mind it.

Three o’clock.—Have determined to stay till after the Corpus Domini. Called on the Cardinal, who received meà bras ouverts, was full of civilities, and reconducted me to the outward room; talked of the Catholics and of the anxiety of his Government to see relations established with ours. I was obliged to go and take leave of him, for Bruti brought me a message full of politeness and a letter to convey to the Nuncio at Paris. Then to La Ferronays, who says, as does Dalberg, that he is persuaded it will end by the recall of Villèle to the Ministry, a compromise that all parties will be glad to make—that he has had the prudence to decline being a party to Polignac’s Administration, and when he is called to form one he will have nothing to say to Polignac.[12]It certainly will be curious if Villèle, after being driven from the Government with universal execration, and almost proscribed, should in two years be recalled by the general voice as the only man who can save France from anarchy and civil war. La Ferronays says that Villèle is not a great Minister, but a clever man, with great ingenuity and the art of management. He wishes to be thought like Pitt, who was also obliged to quit the Ministry, and afterwards resumed it; and he considers Polignac as his Addington, not that the resemblance holds good in any of the particulars, either of the men, or the times, or the circumstances.

[12][M. de Villèle had come to Paris from his country seat in April, and a secret attempt had been made to bring him back to power. Prince Polignac offered him a seat in the Cabinet, but showed no disposition to make way for him. The King feared Villèle and preferred Polignac. Yet if M. de Villèle had then returned to power, he would probably have saved the monarchy and changed the course of events in Europe. (See Duvergier de Hauranne, ‘Histoire du Gouvernement parlementaire en France,’ tome x. p. 468; for a narration of these transactions.)]

Last night to the La Ferronays’, when the Princess Aldobrandini was so delighted with the anecdote of my horse-shoe that she is gone off to the Pantheon to look at it. It was a full moon and a clear night, so I went to the Coliseum, and passed an hour there. I never saw it sowell; the moon rode above without a cloud, but with a brilliant planet close to her; there was not a breath of air, not a human being near but the soldiers at the gates below, and the monk above with me; not a sound was heard but those occasional noises of the night, the bark of a dog, the chimes from churches and convents, the chirp of a bird, which only served to make silence audible. Though I have seen the Coliseum a dozen times before, I never was so delighted with its beauty and grandeur as to-night. No description in poetry or painting can do it justice; it is a ‘wreck of ruinous perfection,’ whose charm must be felt, and on such a night as this. The measures which the Government have taken to save the Coliseum from destruction will certainly accomplish that end, but its picturesque appearance will be greatly damaged. There is no part of the ruin which is not already supported by some modern brickwork, and they are building a wall which will nearly surround it. If they had been more selfish they would have left it to moulder away, and posterity to grumble over their stinginess or indifference. I am always tossed backwards and forwards between admiration of the Coliseum and St. Peter’s, and admire most that which I see last. They are certainly ‘magis pares quam similes,’ but worth everything else in Italy put together, except Pæstum.

To-day the spiritual arms of the Church are to be fulminated against a sinner in a case which is rather curious. There are two brothers who live at a place called Genezzano, in two adjoining houses, which formerly formed but one, belonging to the Colonna family, of whom the progenitors of these men bought it. A short time ago a man came to the brothers, and told them that in a particular spot on the premises there was a treasure concealed, the particulars of which he had learned from a memorandum in the papers of the Colonna family, to which he had got access, and he proposed to discover the same to them, if they would give him a part of it. They agreed, when he told them that under a little column built against a wall they would find a flat brick, covering a hole, in which was an earthen potEXCOMMUNICATION OF A THIEFcontaining 2,000 ducats in gold. The column was there, so at night the brothers set to work to take it down, and beneath it they found the flat stone as described. When one of them (an apothecary) said to the other that, after all, it was probably an invention, that they should be laughed at for their pains, and he thought they had better give up the search, the other (who must be a great flat) said, ‘Very well,’ and they retired to bed. In the morning the apothecary told the other that in the night he could not help thinking of this business, and that his curiosity had induced him to get up and dig on, and that he had actually found the pot, but nothing in it. The other, flat as he was, could not stand this, and, on examining the pot, he found marks which, on further investigation, turned out to be indications of coin having been in it. The thief stuck to his story, so the dupe complained, and, as the presumption is considered to be strongly against him, they are going to try what excommunication will do. It is remarkable that they asked this man if he would swear upon the Host that he had not found any money, and this he refused to do, though he continued to deny it and to decline restitution. He was accounted a very religious man, and these were religious scruples, which, however, were not incompatible with robbery and fraud. His refusal to swear was taken as a moral evidence of guilt, and he was to be excommunicated to-day.

Saw Torlonia’s house; very fine, and the only one in Rome which is comfortably furnished, and looks as if it was inhabited. A great many good pictures, and Canova’s Hercules and Lycus, which I do not admire. In the evening to the Convent of SS. Giovanni e Paolo, which is remarkably clean and well kept. There are forty-five friars (Passionisti), whose vows were not irrevocable, and, though the cases do not often occur, they can lay aside the habit if they please. They live on charity. In their garden is a beautiful palm, one of three which grow in Rome. They have several apartments for strangers who may like to retire to the convent for a few days, which are very decently furnished, clean, and not uncomfortable. They were atsupper when I got there, so I went to look at them. They eat in silence at two long tables like those in our college halls, and instead of conversation they were entertained by some passages of the life of St. Ignatius, which a friar was reading from a pulpit. Their supper seemed by no means despicable, for I met a smokingfritturawhich looked and smelt very good, and the table was covered with bread, fruit, vegetables, and wine. But they fast absolutely three times a week, and whip themselves (la disciplina) three others. They teach theology andla dogmatica, and there is a library containing (they told me) books of all sorts, though their binding (for I only saw them through a trellis) looked desperately theological. At night to a very finefeu d’artificein the Piazza San Lorenzo, which ended the festivities in honour of San Francisco Caraccioli, whose name appeared emblazoned amidst rockets and squibs and crackers, and the uproarious delight of the mob. Afterwards to the Pantheon to see it by moonlight, but the moon was not exactly over the roof, so it failed, but the effect of the partial light and the stars above was fine with the torches below half hid behind the columns.

I thought I had seen everything here worth seeing, yet, though I have been several times to the Capitol, I have somehow missed seeing the Palazzo dei Conservatori, containing the famous wolf that suckled Romulus and Remus, in bronze, said to have been struck by lightning (of which it bears all the marks) the day Julius Cæsar was killed; the boy picking the thorn from his foot; the statue of the first Brutus; the geese of the Capitol (which are more like ducks); and the Fasti Consulares. It just occurred to me in time, and I went there yesterday morning. After dinner to the Villa Ludovisi with the Dalbergs and Aldobrandinis, which must owe its celebrity principally to the difficulty of getting access to it. I was extremely disappointed; Guercino’s ‘Aurora’ is not to be compared to Guido’s; his ‘Day’ and ‘Night’ are very fine, and the ‘Fame’ magnificent, but the ladies bustled through so rapidly that it was not possible to examine anything. The gardens are large, but all straightPROCESSION OF THE CORPUS CHRISTIwalks and clipped hedges. The gallery of statues contains three or four fine things, but they are huddled together and their effect spoilt.

Whilst the carriage is getting ready I may as well scribble the last day at Rome. And this morning went at eight to the Palazzo Accoramboni, to see the procession of the Corpus Domini, and was disappointed. This Palazzo Accoramboni, in which we were accommodated, belonged to a very rich old man, who was married to a young and pretty wife. He died and left her all his fortune, but, suspecting that she was attached to a young man who used to frequent the house, he made the bequest conditional upon her not marrying again, and if she did the whole property was to go to some religious order. She was fool enough (and the man too) to marry, but clandestinely. She had two children, and this brought the marriage to light. They therefore lost the property, amounting to 10,000ℓ. or 12,000ℓ. a year; but the Pope, in his vast generosity, allows her out of it 300 piastres (about 65ℓ.) a year, and gives a portion of 1,000 piastres (200ℓ.) to each of the little girls. It is supposed that she consulted some priest, who urged her to marry secretly, and then revealed the fact to the order interested. Otherwise it is difficult to account for their folly.

The magnificence of ceremonies and processions here depends upon the locality, and the awnings and flowers round the piazza spoilt it all. It was long and rather tiresome—all the monks and religious orders in Rome, the cardinals and the Pope, plenty of wax-lights, banners, and crosses, the crosses of Constantine and Charlemagne. The former is not genuine; that of Charlemagne is really the one he gave to the See. The Pope looks as if he was huddled into a short bed, and his throne, or whatever it is called, is ill managed. He is supposed to be in the act of adoration of the Host, which is raised before him, but as he cannot kneel for such a length of time, he sits covered with drapery, and with a pair of false legs stuck out behind to give his figure the appearance of kneeling. Before him are borne the triple crown and other Pontifical ornaments. The Guardia Nobile,commanded by Prince Barberini, looked very handsome, and all the troopsen très-belle tenue. All the Ambassadors and foreigners were in this palace, and from it we flocked to St. Peter’s, which is always a curious sight on these occasions from the multitudes in it and the variety of their appearance and occupation—cardinals, princes, princesses, mixed up with footmen, pilgrims, and peasants. Here, Mass going on at an altar, and crowds kneeling round it; there, the Host deposited amidst a peal of music at another; in several corners, cardinals dressing or undressing, for they all take off the costume they wore in the procession and resume their scarlet robes in the church; men hurrying about with feathers, banners, and other paraphernalia of the day, the peasantry in their holiday attire, and crowds of curious idlers staring about. All this is wonderfully amusing, and is a scene which presents itself in continual variety. Went afterwards and took leave of all my friends—La Ferronays, Dalbergs, Bunsens, Lovaines, &c.—and at seven, to my great sorrow, left Rome. But as I do all that superstition dictates, I drank in the morning a glass of water at the Fountain of Trevi, for they say that nobody ever drinks of the Fountain of Trevi without returning to Rome.

The road about Narni and Augustus’s Bridge is beautifully picturesque. I set off directly to the cascade, with which I was as much delighted as I was disappointed with that of Tivoli. It is difficult to conceive anything more magnificent than the whole of this scenery.

The horses were announced, and I was obliged to break off my account of Terni and resume it here, where I arrived after a tedious journey of forty hours, from Rome.

Most people are dragged up the mountain bybovi, see the upper part of the fall, and walk down. But as theboviwere not at hand, I reversed the usual order, walked to the bottom, and then toiled to the top. The walk, which is lovely, lies through the grounds of a count, who has a house close to the Nera (the Nera (Nar) is the river into which the Velino runs, and in which there is very good trout fishing), whereFALLS OF TERNIthe Queen of England once lived for a month. At the different points of view are little cabins (which would be very picturesque if they were less rudely constructed) for the accommodation of artists and other travellers. This gentleman has got a house which he reserves for the use of artists, of which there are always several on the spot during the summer. They pay nothing for the accommodation, but each is obliged to leave a drawing when he goes away; and by this means he has got an interesting collection, of the scenery of Terni. Nothing can be more accurate, as well as beautiful, than Byron’s description of the cascade, and it is wonderful in his magnificent poetry, how he has kept his imagination within the bounds of truth, and neither added a circumstance nor lavished an epithet to which it is not entitled.

Horribly beautiful! but on the vergeFrom side to side, beneath the glittering morn,An Iris sits amidst the infernal surge,Like Hope upon a death-bed, and, unwornIts steady dyes, while all around is tornBy the distracted waters, bears sereneIts brilliant hues with all their beams unshorn:Resembling, ’mid the torture of the scene,Love watching Madness with unalterable mien.

The rainbows are very various, seen from different points: from the middle, where the river rushes from the vortex of the great fall to plunge into another, the stream appears to be painted with a broad layer of divers colours, never broken or mixed till they are tossed up in the cloud of spray, and mingled with it in a thousand variegated sparkles. Above, an iris bestrides the moist green hill which rises by the side of the fall; and, as the spray is whirled up in greater or less abundance, it perpetually and rapidly changes its colours, now disappearing altogether, and now beaming with the utmost vividness. The man told me that at night the moon forms a white rainbow on the hill. There is a delicious but dangerous coolness all about the cascade. All the scenery about is as beautiful as possible. Just above the great fall is the Velinus tearing along in the samechannel, which was first made for him by the Roman Consul 2,200 years ago—

Velino cleaves the wave-worn precipice—

and there, the guide told me, some years ago a man threw in a young and beautiful wife of whom he was jealous. He took her to see the cascade, and when he got to this part (which is at the end of a narrow path overhung with brushwood) he got rid of the boys who always follow visitors, and after some delay returned alone, and said the woman had fallen in. One scream had been heard, but there was nobody to witness the truth. The mangled body was found in the stream below. Jealousy is probably common here. As I was walking a man passed me, going in great haste to the mountain, but I paid no attention to him. When I got back I heard that he was escaping from justice (into the Abruzzi, which are in the Neapolitan dominions), having stabbed his brother-in-law a few moments before out of jealousy of his wife. The wounded man was still alive, but badly hurt. The murderer wasun bravo mechanico.

The mountain and the river have undergone many revolutions. The rock through which the present path is cut has been formed entirely by petrified deposits, and there are marks in various parts of former cascades, from which the water has been turned away. Clement VIII. (Aldobrandini) turned the water into its present course. At the bottom the old outlet of the Romans is dry, but is marked with that solidity which defies time, like all their works of this kind. Great part of the road from Terni is beautiful, and the Papal towns and villages appear to be in much better condition than on the other road. Some of them perched on the mountains are remarkably picturesque.

I went yesterday morning to Pratolino to see the statue of the genius of the Apennines, by John of Bologna, six miles from Florence. Pratolino was the favourite residence of the famous Bianca Capello. The house has been pulled down. It is in a very pretty English garden belonging to the Grand Duke, and, I think, amazinglyMEZZOFANTIgrand, but disgraced by presiding over a duck pond. They told me that if he stood up (and he looks as if he could if he would) he would be thirtybracciain height. I went into his head, and surveyed him on all sides. He ought to be placed over some torrent, or on the side of a mountain; but as he is, from a little distance (whence the ducks and their pond are not visible) he is sublime. Myriads of fire-flies sparkled in every bush; they are beautiful in a night journey, flitting about like meteors and glittering like shooting stars.

Dined with Lady Normanby at Sesto, set off at half-past eight, and arrived here at nine this morning. The first thing I did was to present my letter to Madame de Marescalchi from her sister, the Duchesse de Dalberg, who received me graciously and asked me to dinner; the next to call on Mezzofanti at the public library, whom I found at his desk in the great room, surrounded by a great many people reading. He received me very civilly, and almost immediately took me into another room, where I had a long conversation with him. He seems to be between fifty and sixty years of age, short, pale, and thin, and not at all remarkable in countenance or manner. He spoke English with extraordinary fluency and correctness, and with a very slight accent. I endeavoured to detect some inaccuracy of expression, but could not, though perhaps his phraseology was occasionally more stiff than that of an Englishman would be. He gave me an account of his beginning to study languages, which he did not do till he was of a mature age. The first he mastered were the Greek and Hebrew, the latter on account of divinity, and afterwards he began the modern languages, acquiring the idioms of each as he became acquainted with the parent tongue. He said that he had no particular disposition that way when a child, and I was surprised when he said that the knowledge of several languages was of no assistance to him in mastering others; on the contrary, that when he set to work at a fresh language he tried to put out of his head all others. I asked him of all modern languages which he preferred, and which he considered therichest in literature. He said, ‘Without doubt the Italian.’ He then discussed the genius of the English language, and the merits of our poets and historians, read, and made me read, a passage of an English book, and then examined the etymology and pronunciation of several words. He has never been out of Italy, or further in it than Leghorn, talks of going to Rome, but says it is so difficult to leave his library. He is very pleasing, simple, and communicative, and it is extraordinary, with his wonderful knowledge, that he should never have written and published any work upon languages. He asked me to return if I stayed at Bologna. The library has a tolerable suite of apartments, and the books, amounting to about 80,000 volumes, are in excellent order. One thousand crowns a year are allowed for the purchase of new books.

The Bolognese jargon is unintelligible. A man came and asked him some questions while I was there in a language that was quite strange to me, and when I asked Mezzofanti what it was, he said Bolognese, and that, though not harmonious, it was forcible and expressive. Afterwards to the gallery, which contains the finest pictures in Italy, though only a few: the Guidos and Domenichinos are splendid. I think Domenichino the finest painter that ever existed.

Dined yesterday with Madame de Marescalchi, who lives in a great palace, looking dirty and uncomfortable, except one or two rooms which they occupy. There is a gallery of pictures, all of which are for sale. Seven or eight Italians came to dinner, whose names I never discovered. After dinner she took me to the Certosa, to see the Campo Santo, which is a remarkably pretty spot, and the dead appear to be more agreeably lodged at Bologna than the living. I had much rather die here than live here. It is very unlike the Campo Santo at Pisa, entirely modern, and looks exceedingly cheerful. Guido’s skull is kept here.

Went again to the gallery, and the Zambeccari Palace, where there are a few good pictures, but not many. All the pictures in all the palaces are for sale.

FERRARAIn the ferry, crossing the Po(i.e. written in the ferry).—Called on Madame de Marescalchi to take leave. Set off at half-past one, and in clouds of dust arrived at Ferrara. It is curious to see this town, so large, deserted, and melancholy. A pestilence might have swept over it, for there seems no life in it, and hardly a soul is to be seen in the streets. It is eight and a half miles round, and contains 24,000 inhabitants, of which 3,000 are Jews, and their quarter is the only part of the town which seems alive. They are, as usual, crammed into a corner, five streets being allotted to them, at each end of which is a gate that is closed at nine o’clock, when the Jews are shut in for the night. The houses are filthy, stinking, and out of repair. The Corso is like a street in an English town, broad, long, the houses low, and with atrottoiron both sides. The Castle, surrounded by a moat, stands in the middle of the town, a gloomy place. In it lives the Cardinal Legate. I went to see the dungeon in which Tasso was confined; and the library, where they show Ariosto’s chair and inkstand, a medal found upon his body when his tomb was opened, two books of his manuscript poetry; also the manuscript of the ‘Gerusalemme,’ with the alterations which Tasso made in it while in prison, and the original manuscript of Guarini’s ‘Pastor Fido.’ Thecustodetold me that in the morning the library was full of readers, which I did not believe. There are some illuminated Missals, said to be the finest in Italy. Though the idea of gaiety seems inconsistent with Ferrara, they have an opera, corso, and the same round of festivals and merriment as other Italian towns, but I never saw so dismal a place.

We crossed the Po, and afterwards the Adige, in boats. The country is flat, and reminded me of the Netherlands. I was asleep all night, but awoke in time to see some of the villas on the banks of the Brenta. Of Padua I was unconscious. Embarked in a gondola at Fusina, and arrived at this remarkable city under the bad auspices of a dark, gloomy, and very cold day. It is Venice, but living Venice no more. In my progress to the inn Isaw nothing but signs of ruin and blasted grandeur, palaces half decayed, and the windows boarded up. The approach to the city is certainly as curious as possible, so totally unlike everything else, and on entering the Great Canal, and finding

The death-like silence and the dread repose

of a place which was once the gayest and most brilliant in the world, a little pang shoots across the imagination, recollecting its strange and romantic history and its poetical associations.

Two o’clock.—I am just driven in by a regular rainy day, and have the prospect of shivering through the rest of it in a room with marble floor and hardly any furniture. However, it is the only bad day there has been since the beginning of my expedition. The most striking thing in Venice (at least in such weather as this) is the unbroken silence. The gondolas glide along without noise or motion, and, except other gondolas, one may traverse the city without perceiving a sign of life. I went first to the Church of Santa Maria dei Frati, which is fine, old, and adorned with painting and sculpture. At Santa Maria dei Frati Titian was buried. Canova intended a monument for him, but after his death his design was executed and put up in this church, but for him, and not for Titian, the reverse of ‘sic vos non vobis.’ Here are tombs of several Doges, of Francis Foscari, with a pompous inscription. The body of Carmagnola lies here in a wooden coffin; his head is under the stone on which it was cut off in the Piazza di San Marco. He was beheaded by one of those pieces of iniquity and treachery which the Venetian Government never scrupled to use when it suited them. Then to the Scuola di San Rocco, containing a splendid apartment and staircase, all richly gilded, painted by Tintoret, and with bronze doors. To the Church of Santa Maria della Salute, containing a very rich altar-piece of precious stones, which is locked up, and produced on great occasions; and in the sacristy three fine pictures by Titian. To the Church of St. Mark and the Doge’s Palace—all very interesting, antique, and splendid. But the Austrians have modernised some of the rooms, and consequently spoilt them. TheyVENICEhave also blocked up the Bridge of Sighs, and the reason (they told me) is that all the foreigners who come here are so curious to walk over it, which seems an odd one for shutting it up. The halls of audience and of the different councils are magnificently gilded, and contain some very fine pictures.

The Hall of the Council of Ten (the most powerful and the most abominable tribunal that ever existed) has been partly modernised. In the Chamber of the Inquisitors of State is still the hole in the wall which was called the ‘Lion’s Mouth,’ through which written communications were made; and the box into which they fell, which the Inquisitors alone could open. There were ‘Bocche di Lioni’ in several places at the head of the Giant’s Staircase, and in others. The mouths are gone, but the holes remain. Though the interior of the Ponte di Sospiri is no longer visible, the prisons are horrible places, twenty-four in number, besides three others under water which the French had closed up. They are about fourteen feet long, seven wide, and seven high, with one hole to admit air, a wooden bed, which was covered with straw, and a shelf. In one of the prisons are several inscriptions, scrawled on the wall and ceiling.

Di chi mi fido, mi guardi Iddio,Di chi non mi fido, mi guardo io.Un parlar pocho, un negar pronto,Un pensar in fine può dar la vitaA noi altri meschini.Non fida d’alcuno, pensi e tacciSe fuggir vuoi di spioni, insidie e lacci.Il pentirti, il pentirti, nulla giovaMa ben del valor tuo far vera prova.

Di chi mi fido, mi guardi Iddio,Di chi non mi fido, mi guardo io.

Un parlar pocho, un negar pronto,Un pensar in fine può dar la vitaA noi altri meschini.

Non fida d’alcuno, pensi e tacciSe fuggir vuoi di spioni, insidie e lacci.Il pentirti, il pentirti, nulla giovaMa ben del valor tuo far vera prova.

There are two places in which criminals, or prisoners, were secretly executed; they were strangled, and without seeing their executioner, for a cord was passed through an opening, which he twisted till the victim was dead. This was the mode pursued with the prisoners of the Inquisitors; those of the Council were often placed in a cell to whichthere was a thickly grated window, through which the executioner did his office, and if they resisted he stabbed them in the throat. The wall is still covered with the blood of those who have thus suffered. From the time of their erection, 800 years ago, to the destruction of the Republic nobody was ever allowed to see these prisons, till the French came and threw them open, when the people set fire to them and burnt all the woodwork; the stone was too solid to be destroyed. One or two escaped, and they remain as memorials of the horrors that were perpetrated in them.

This morning was fine again, and everything looks gayer than yesterday. From the Rialto to the Piazza di San Marco there is plenty of life and movement, and it is exactly like Cranbourne Alley and the other alleys out of Leicester Square. While Venice was prosperous St. Mark’s must have been very brilliant, but everything is decayed. All round the piazza are coffee houses, which used to be open and crowded all night, and some of them are still open, but never crowded. They used to be illuminated with lamps all round, but most of these are gone. One sees a few Turks smoking and drinking their coffee here, but they are all obliged to dine and sleep in one house, which is on the Grand Canal, and called the Casa dei Turchi. I went this morning to the Chiesa Scalzi, San Georgio Meggiore, Redentore, SS. Giovanni e Paolo, and the Gesuiti. The latter is the most beautiful church I ever saw, the whole of it adorned with white marble inlaid with verd antique in a regular pattern. SS. Giovanni e Paolo has no marble or gilding, but is full of monuments of Doges and generals. To the Manfrini Palace for the pictures. The finest picture in the palace is Titian’s ‘Deposition from the Cross,’ for which the Marchese Manfrini refused 10,000 ducats. A Guido (Lucretia) and some others. Tintoret was no doubt a great genius, but his large pictures I cannot admire, and Bassano’s still less. Titian’s portrait of Ariosto is the most interesting in the collection. To the Arsenal, which is three miles in circumference, and a prodigious establishment. In the time of the Republic there were nearly 6,000 men employed in it,VENICEin that of the French 4,000, now 800. The old armoury is very curious, full of ancient weapons, the armour of Henry IV. of France, and of several Doges, Turkish spoils, and instruments of torture. The Austrians have made the French much regretted here. It is since the last peace that the population of Venice has diminished a fourth, and the palaces of the nobles have been abandoned. There is no commerce; the Government spend no money, and do nothing to enliven or benefit the town (there has not yet been time to see the effect of making it a free port). The French employed the people, and spent money and embellished the place. They covered over a wide canal and turned it into a fine street, and adjoining it they formed a large public garden, which is a delightful addition to the town. Till the French came the bridges were dangerous; there was no balustrade on either side, and people often fell into the water. They built side walls to all of them, which was the most useful gift they could bestow upon the Venetians.

This morning I asked for the newspapers which came by the post yesterday, and found that they had not yet returned from the police, and would not be till to-morrow. Before anybody is allowed to read their newspapers they must undergo examination, and if they contain anything which the censor deems objectionable they detain them altogether. After dinner I went to the public gardens, and into a theatre which is in them; there is no roof to it, and the acting is all by daylight, and in the open air. I only arrived at the end, just in time to see the deliverance of a Christian heroine and a very truculent-looking Turk crammed down a trap-door, but I could not understand the dialogue. Nothing certainly can be more extraordinary or more beautiful than Venice with her adjacent islands, and nothing more luxurious than throwing oneself into a gondola and smoothly gliding about the whole day, without noise, motion, or dust. At night I went to a dirty, ill-lit theatre, to see the ‘Barbiere di Seviglia,’ which was very ill performed. There was a ballet, but I did not stay for it.

To the Church of St. Mark, and examinedit. It is not large, but very curious, so loaded with ornament within and without, and so unlike any other church. The pavement, instead of being flat, is made to undulate like the waves of the sea. All the sides are marble, all the top mosaic, all the pavement coloured marble in exquisite patterns. There is not a single tomb in it, but it wants no ornament that the wealth and skill of ages could supply. Climbed up the tower to see Venice and the islands; a man is posted here day and night to strike the hours and quarters on a great bell, to ring the alarm in case of fire in any part of the city. It is a very curious panorama, and the only spot from which this strange place can be completely seen. In the Grimani Palace there are some Titians (not very good) of Grimani Doges, and others of the family; the famous statue of Agrippa, which Cardinal Grimani brought from Home, and a ceiling by Salviati of Neptune and Minerva contending to give a name to Athens. In the Pisani Palace, a fine picture of P. Veronese, ‘Darius’s Family at the Feet of Alexander.’[13]The Barbarigo Palace has never been modernised, has kept all its original form and decorations. It is full of Titians, all very dirty and spoiling. The finest is the ‘Magdalen,’ which is famous. The Royal Academy, called the Scuola della Carità, contains a magnificent collection of the Venetian school.

[13][This fine work is now in the National Gallery, London.]

In I forget which church is the ‘Martyrdom of St. Peter’ by Titian, so like in composition the same subject by Domenichino at Bologna that the one is certainly an imitation of the other (Titian died in 1576; Domenichino was born in 1581). There is the same sort of landscape, same number of figures, and in the same respective attitudes and actions, and even the same dress to each. In the hall of the Academy are preserved Canova’s right hand in an urn, and underneath it his chisel, with these words inscribed: ‘Quod amoris monumentum idem gloriæ instrumentum fuit.’ There is also a collection of drawings and sketches by various masters; some by M. Angelo and some by Raphael.

VINCENZA AND PADUAThis morning went again to St. Mark’s to examine the library and the palace, which I could hardly see the other day, it was such, gloomy weather. The library is open to everybody, but with a long list of rules, among which silence is particularly enjoined. Thecustos librorumis a thorough Venetian; talked with fond regret of the splendour of the Republic, and is very angry with Daru for his history. The Hall of the Great Council, containing the portraits of the Doges (and Marino Faliero’s black curtain), is splendid, and adorned with paintings of Paul Veronese, Bassano, Tintoret, and Palma Giovane. At twelve o’clock I got into the gondola and left Venice without the least regret or desire to return there. The banks of the Brenta would be very gay if the villas were inhabited, but most of them are shut up, like the palaces at Venice. There is one magnificent building, formerly a Pisani palace, which belongs to the Viceroy, the Archduke Rainer.

Padua is a large and rather gloomy town. They say it is beginning to flourish, having been ruined by the French, and that, since their downfall, the population has increased immensely. The University contains 1,400 scholars. It contained 52,500 in the time of the French, and in the great days of Padua 18,000. I went to look at the outside of the building, which is not large, but handsome. The old palace of the Carraras is half ruined, and what remains is tenanted by the commandant of the place. The old Sala di Giustizia, which, is very ancient, is now a lumber room, and they were painting scenes in it. Still it is undamaged, and they call it the finest room in Europe, and perhaps it is. It is 300 feet long, 100 wide, and 100 high. At one end of it is the monument and bust of Livy, the latter of which they pretend to have found here; they also talk of his house and the marbles, &c., that have been dug up in it, which they may believe who can. The Cathedral has nothing to boast of, except that Petrarch was one of its canons, and in it is his bust, put up by a brother canon. I had not time to go to the churches.

The whole road from Fusina to this place is as flat asthe paper on which I am writing. I really don’t believe there is a molehill, but it is extremely gay from the variety of habitations and the prodigious cultivation of all sorts. Vicenza is one of the most agreeable towns I ever saw, and I would rather live in it than in any place I have seen since Rome. It is spacious and clean, full of Palladio’s architecture; besides the Palazzo della Ragione, a very fine building, there are twenty-two palaces built by him in various parts of the town. They show the house in which he lived. From the Church of Santa Maria del Monte, a mile from the town, there is a magnificent view, and the town itself, under the mountains of the Tyrol, and the end of a vast cultivated plain, looks very inviting and gay. There is a Campo di Marte, a public walk and drive, and from it a covered walk (colonnade) half a mile long up to the church on the hill. One of the most remarkable things here is the Olympic Theatre, which was begun by Palladio and finished by his son. It is a small Grecian theatre, exactly as he supposes those ancient theatres to have been, with the same proscenium, scenes, decorations, and seats for the audience. There appeared to me to be some material variations from the theatre at Pompeii. In the latter the seats go down to the level of the orchestra, which they do not here, and at Pompeii there is no depth behind the proscenium, whereas here there is very considerable. It is, however, a beautiful model. The air and the water are good, and there is shooting, so that I really think it would be possible to live here. They talk with horror of the French, and of the two seem to prefer the Austrians, but peace is better than war,cæteris paribus.

This is a particularly nice town, airy, spacious, and clean, and in my life I never saw so many good-looking women. There is a drive and walk on the ramparts, where I found all the beauty and fashion of Brescia, a string of carriages not quite so numerous as in Hyde Park, but a very decent display. The women are excessively dressed, and almost all wear black lace veils, thrown over the back of the head, which are very becoming. TheBRESCIA AND MILANwalks on the ramparts are shaded by double rows of trees, and command a very pretty view of the mountains and country round. This inn is execrable. I stopped at Verona to see the Amphitheatre, which is only perfect in the inside, and has been kept so by repeated repairs. It is hardly worth seeing after the Flavian and the Pompeiian. There is a wooden theatre in it, where they act, and the spectators occupy the ancient seats. The tombs of the Scaligeri are admirable, the most beautiful and graceful Gothic; their castle (now the Castle Vecchio) a gloomy old building in a moat, but with a very curious bridge over the Po. The Church of St. Zeno is remarkable from its Gothic antiquity and the profusion of ornament about it of a strange sort. Here is the tomb of Pepin, erected by Charlemagne, but empty; for the French, in one of their invasions, carried the body to France. In the Cathedral is a fine picture of the ‘Assumption of the Virgin’ by Titian. I saw many Veronese beauties in their balconies, but none quite like Juliet. Her tomb (or, as they would say at Rome, ‘sepolcro detto di Giulietta’) I did not see, for it was too far off. I was in a hurry to be off, and there was nobody to detain me with a tender ‘Wilt thou be gone? It is not yet near’night. The road, which is excellent, runs in sight of the Alps all the way, and the Lago di Garda is excessively pretty.

Milan is a very fine town, without much to see in it. The Duomo, Amphitheatre, Arch of the Simplon, Brera (pictures). There are a few fine pictures in the Brera; among others Guido’s famous ‘St. Peter and St. Paul,’ Guercino’s ‘Hagar and Abraham;’ a row of old columns which were broken and lying about till the French set them upon their legs; Leonardo da Vinci’s fresco, which is entirely spoilt. The view from the top of the Duomo is superb, over the boundless plain of Lombardy with the range of the Alps, and the Apennines in the distance. I like the Duomo, but I know my taste is execrable in architecture. I don’t, however, like the mixture of Italian with the Gothic—balustrades over the door, for instance—but I admire its tracery and laborious magnificence. Buonaparte wenton with it (for it was never finished), and this Government are completing it by degrees; there will be 7,000 statues on different parts of the outside, and there are already 4,500. St. Charles Borromeo’s tomb is very splendid, and for five francs they offered to uncover the glass case in which his much esteemed carcase reposes, and show me the venerable mummy, but I could not afford it. The entrance to Milan from Venice, and the Corso, are as handsome as can be. The Opera is very bad, but the Scala is not open, and none of the good singers are here.

Left Milan at six o’clock on the 24th, and got to Como after dark. Embarked in the steam boat at eight yesterday morning, went as far as Cadenebbia, where I got out, saw the Villa Sommariva, then crossed over and went round the point of Bellagio to see the opening of the Lake of Lecco, turned back to the Villa Melzi, saw the house and gardens, and then went back to dine at Cadenebbia, and waited for the steam boat, which returned at four, and got back to Como at half-past six. Nothing can surpass the beauty of all this scenery, or the luxury of the villas, particularly Melzi, which is the best house, and contains abundance of shade, flowers, statues, and shrubberies. The owners live very little there, and principally in winter, when, they say, it is seldom cold in this sheltered spot. The late Count Melzi was Governor of Milan under Napoleon, and used to feast the Viceroy here. He once gave him afête, and had all the mountain tops illuminated, of which the effect must have been superb.

Evening. Top of the Simplon.—Set off at five from Varese, travelled very slowly through a very pretty road to Navero, where I crossed the Lago Maggiore in a boat, and landed at the Isola Bella, which is very fine in its way, though rather flattered in its pictures. The house is large and handsome, and there is a curious suite of apartments fitted up with pebbles, spars, and marble, a suite of habitable grottoes. The garden and terraces are good specimens of formal grandeur, and as the Count Borromeo’s son is a botanist, they are full of flowers and shrubs of all sorts and climates.RETURN TO ENGLAND

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