To return now to those last hours, “You heard about the telegram her sisters sent us?” my grandfather asked the cousin.
“Yes, Beethoven, they told me about it, it’s worth framing; still, I’m not surprised.”
“My poor wife, who was so fond of them, too,” said my grandfather, wiping away a tear. “We mustn’t blame them. They’re stark mad, both of them, as I’ve always said. What’s the matter now; aren’t you going on with the oxygen?”
My mother spoke: “Oh, but then Mamma will be having more trouble with her breathing.”
The doctor reassured her: “Oh, no! The effect of the oxygen will last a good while yet; we can begin it again presently.”
It seemed to me that he would not have said this of a dying woman, that if this good effect were to last it meant that we could still do something to keep her alive. The hiss of the oxygen ceased for a few moments. But the happy plaint of her breathing poured out steadily, light, troubled, unfinished, without end, beginning afresh. Now and then it seemed that all was over, her breath stopped, whether owing to one of those transpositions to another octave that occur in the breathing of a sleeper, or else from a natural interruption, an effect of unconsciousness, the progress of asphyxia, some failure of the heart. The doctor stooped to feel my grandmother’s pulse, but already, as if a tributary were pouring its current into the dried river-bed, a fresh chant broke out from the interrupted measure. And the first was resumed in anotherpitch with the same inexhaustible force. Who knows whether, without indeed my grandmother’s being conscious of them, a countless throng of happy and tender memories compressed by suffering were not escaping from her now, like those lighter gases which had long been compressed in the cylinders? One would have said that everything that she had to tell us was pouring out, that it was to us that she was addressing herself with this prolixity, this earnestness, this effusion. At the foot of the bed, convulsed by every gasp of this agony, not weeping but now and then drenched with tears, my mother presented the unreasoning desolation of a leaf which the rain lashes and the wind twirls on its stem. They made me dry my eyes before I went up to kiss my grandmother.
“But I thought she couldn’t see anything now?” said my father.
“One can never be sure,” replied the doctor.
When my lips touched her face, my grandmother’s hands quivered, a long shudder ran through her whole body, reflex perhaps, perhaps because certain affections have their hyperaesthesia which recognises through the veil of unconsciousness what they barely need senses to enable them to love. Suddenly my grandmother half rose, made a violent effort, as though struggling to resist an attempt on her life. Françoise could not endure this sight and burst out sobbing. Remembering what the doctor had just said I tried to make her leave the room. At that moment my grandmother opened her eyes. I thrust myself hurriedly in front of Françoise to hide her tears, while my parents were speaking to the sufferer. The sound of the oxygen had ceased; the doctor moved away from the bedside. My grandmother was dead.
An hour or two later Françoise was able for the last time, and without causing them any pain, to comb those beautiful tresses which had only begun to turn grey and hitherto had seemed not so old as my grandmother herself. But now on the contrary it was they alone that set the crown of age on a face grown young again, from which had vanished the wrinkles, the contractions, the swellings, the strains, the hollows which in the long course of years had been carved on it by suffering. As at the far-off time when her parents had chosen for her a bridegroom, she had the features delicately traced by purity and submission, the cheeks glowing with a chaste expectation, with a vision of happiness, with an innocent gaiety even, which the years had gradually destroyed. Life in withdrawing from her had taken with it the disillusionments of life. A smile seemed to be hovering on my grandmother’s lips. On that funeral couch, death, like a sculptor of the middle ages, had laid her in the form of a young maiden.
CHAPTER TWO
Albeit it was simply a Sunday in autumn, I had been born again, life lay intact before me, for that morning, after a succession of mild days, there had been a cold mist which had not cleared until nearly midday. A change in the weather is sufficient to create the world and oneself anew. Formerly, when the wind howled in my chimney, I would listen to the blows which it struck on the iron trap with as keen an emotion as if, like the famous bow-taps with which the C Minor Symphony opens, they had been the irresistible appeal of a mysterious destiny. Every change in the aspect of nature offers us a similar transformation by adapting our desires so as to harmonise with the new form of things. The mist, from the moment of my awakening, had made of me, instead of the centrifugal being which one is on fine days, a self-centred man, longing for the chimney corner and the nuptial couch, a shivering Adam in quest of a sedentary Eve, in this different world.
Between the soft grey tint of a morning landscape and the taste of a cup of chocolate I tried to account for all the originality of the physical, intellectual and moral life which I had taken with me, about a year earlier, to Doncières, and which, blazoned with the oblong form of a bare hillside—always present even when it was invisible—formed in me a series of pleasures entirely distinct from all others, incommunicable to my friends, in the sense that the impressions, richly interwoven with one another, which gave them their orchestral accompaniment were a great deal more characteristic of them, to my subconscious mind, than any facts that I might have related. Fromthis point of view the new world in which the mist of this morning had immersed me was a world already known to me (which only made it more real) and forgotten for some time (which restored all its novelty). And I was able to look at several of the pictures of misty landscapes which my memory had acquired, notably a series of “Mornings at Doncières”, including my first morning there in barracks and another, in a neighbouring country house, where I had gone with Saint-Loup to spend the night: in which from the windows, whose curtains I had drawn back at daybreak, before getting into bed again, in the first a trooper, in the second (on the thin margin of a pond and a wood all the rest of which was engulfed in the uniform and liquid softness of the mist) a coachman busy polishing a strap had appeared to me like those rare figures, scarcely visible to the eye obliged to adapt itself to the mysterious vagueness of their half-lights, which emerge from an obliterated fresco.
It was from my bed that I was looking this afternoon at these pictorial memories, for I had gone back to bed to wait until the hour came at which, taking advantage of the absence of my parents, who had gone for a few days to Combray, I proposed to get up and go to a little play which was being given that evening in Mme. de Villeparisis’s drawing-room. Had they been at home I should perhaps not have ventured to go out; my mother, in the delicacy of her respect for my grandmother’s memory, wished the tokens of regret that were paid to it to be freely and sincerely given; she would not have forbidden me this outing, she would have disapproved of it. From Combray, on the other hand, had I consulted her wishes, she would not have replied in a melancholy: “Do just asyou like; you are old enough now to know what is right or wrong,” but, reproaching herself for having left me alone in Paris, and measuring my grief by her own would have wished for it distractions of a sort which she would have refused to herself, and which she persuaded herself that my grandmother, solicitous above all things for my health and the preservation of my nervous balance, would have advised me to take.
That morning the furnace of the new steam heater had for the first time been lighted. Its disagreeable sound—an intermittent hiccough—had no part whatsoever in my memories of Doncières. But its prolonged encounter, in me this afternoon, with them was to give it so lasting an affinity with them that whenever, after succeeding more or less in forgetting it, I heard the central heater hiccough again it reminded me of them.
There was no one else in the house but Françoise. The grey light, falling like a fine rain on the earth, wove without ceasing a transparent web through which the Sunday holiday-makers appeared in a silvery sheen. I had flung to the foot of my bed theFigaro, for which I had been sending out religiously every morning, ever since I had sent in an article which it had not yet printed; despite the absence of the sun, the intensity of the daylight was an indication that we were still only half-way through the afternoon. The tulle window-curtains, vaporous and friable as they would not have been on a fine day, had that same blend of beauty and fragility that dragon-flies’ wings have, and Venetian glass. It depressed me all the more that I should be spending this Sunday by myself because I had sent a note that morning to Mlle. de Stermaria. Robert de Saint-Loup, whom his mother had at lengthsucceeded in parting—after painful and abortive attempts—from his mistress, and who immediately afterwards had been sent to Morocco in the hope of his there forgetting one whom he had already for some little time ceased to love, had sent me a line, which had reached me the day before, announcing his arrival, presently, in France for a short spell of leave. As he would only be passing through Paris (where his family were doubtless afraid of seeing him renew relations with Rachel), he informed me, to shew me that he had been thinking of me, that he had met at Tangier Mlle. or rather Mme. (for she had divorced her husband three months after their marriage) de Stermaria. And Robert, remembering what I had told him at Balbec, had asked her, on my behalf, to arrange a meeting. She would be delighted to dine with me, she had told him, on one of the evenings which, before her return to Brittany, she would be spending in Paris. He warned me to lose no time in writing to Mme. de Stermaria, for she would certainly have arrived before I got his letter. This had come as no surprise to me, even although I had had no news of him since, at the time of my grandmother’s last illness, he had accused me of perfidy and treachery. It had then been quite easy to see what must have happened. Rachel, who liked to provoke his jealousy—she had other reasons also for wishing me harm—had persuaded her lover that I had made a dastardly attempt to have relations with her in his absence. It is probable that he continued to believe in the truth of this allegation, but he had ceased to be in love with her, which meant that its truth or falsehood had become a matter of complete indifference to him, and our friendship alone remained. When, on meeting him again, I attempted tospeak to him about his attack on me his sole answer was a cordial and friendly smile, which gave him the air of begging my pardon; then he turned the conversation to something else. All this was not to say that he did not, a little later, see Rachel occasionally when he was in Paris. The fellow-creatures who have played a leading part in one’s life very rarely disappear from it suddenly with any finality. They return to take their old place in it at odd moments (so much so as to lead people to believe in a renewal of old love) before leaving it for ever. Saint-Loup’s breach with Rachel had very soon become less painful to him, thanks to the soothing pleasure that was given him by her incessant demands for money. Jealousy, which prolongs the course of love, is not capable of containing many more ingredients than are the other forms of imagination. If one takes with one, when one starts on a journey, three or four images which incidentally one is sure to lose on the way (such as the lilies and anemones heaped on the Ponte Vecchio, or the Persian church shrouded in mist), one’s trunk is already pretty full. When one parts from a mistress one would be just as glad, until one has begun to forget her, that she should not become the property of three or four potential protectors whom one has in one’s mind’s eye, of whom, that is to say, one is jealous: all those whom one does not so picture count for nothing. Now frequent demands for money from a cast-off mistress no more give one a complete idea of her life than charts shewing a high temperature would of her illness. But the latter would at any rate be an indication that she was ill, and the former furnish a presumption, vague enough, it is true, that the forsaken one, or forsaker (whichever she be) cannot have found anything very remarkablein the way of rich protectors. And so each demand is welcomed with the joy which a lull produces in the jealous one’s sufferings, while he responds to it at once by dispatching money, for naturally he does not like to think of her being in want of anything, except lovers (one of the three lovers he has in his mind’s eye), until time has enabled him to regain his composure and he can learn without the slightest emotion the name of his successor. Sometimes Rachel came in so late at night that she could ask her former lover’s permission to lie down beside him until the morning. This was a great comfort to Robert, for it refreshed his memory of how they had, after all, lived in intimacy together merely to see that even if he took the greater part of the bed for himself it did not in the least interfere with her sleep. He realised that she was more comfortable, lying close to his body, than she would have been elsewhere, that she felt herself, by his side—even in an hotel—to be in a bedroom known of old, in which the force of habit prevails and one sleeps better. He felt that his shoulders, his limbs, all of him were for her, even when he was unduly restless, from sleeplessness or from having to get up in the night, things so entirely usual that they could not disturb her, and that the perception of them added still further to her sense of repose.
To revert to where we were, I had been all the more disquieted by Robert’s letter in that I could read between the lines what he had not ventured to write more explicitly. “You can most certainly ask her to dine in a private room,” he told me. “She is a charming young person, a delightful nature, you will get on splendidly with her, and I am sure you will have a capital eveningtogether.” As my parents were returning at the end of the week, on Saturday or Sunday, and as after that I should be forced to dine every evening at home, I had written at once to Mme. de Stermaria, proposing any evening that might suit her, up to Friday. A message was brought back that I should hear from her in writing the same evening, about eight o’clock. The time would have passed quickly enough if I had had, during the afternoon that separated me from her letter, the help of a visit from anyone else. When the hours pass wrapped in conversation one ceases to count, or indeed to notice them, they vanish, and suddenly it is a long way beyond the point at which it escaped you that there reappears the nimble truant time. But if we are alone, our preoccupation, by bringing before us the still distant and incessantly awaited moment with the frequency and uniformity of a ticking pendulum, divides, or rather multiplies the hours by all the minutes which, had we been with friends, we should not have counted. And confronted, by the incessant return of my desire, with the ardent pleasure which I was going to taste—not for some days though, alas!—in Mme. de Stermaria’s company, this afternoon, which I should have to spend by myself, seemed to me very empty and very melancholy.
Every now and then I heard the sound of the lift coming up, but it was followed by a second sound, not that for which I was hoping, namely the sound of its coming to a halt at our landing, but another very different sound which the lift made in continuing its progress to the floors above and which, because it so often meant the desertion of my floor when I was expecting a visitor, remained for me at other times, even when I had no wish to see anyone,a sound lugubrious in itself, in which there echoed, as it were, a sentence of solitary confinement. Weary, resigned, busy for several hours still over its immemorial task, the grey day stitched its shimmering needlework of light and shade, and it saddened me to think that I was to be left alone with a thing that knew me no more than would a seamstress who, installed by the window so as to see better while she finished her work, paid no attention to the person present with her in the room. Suddenly, although I had heard no bell, Françoise opened the door to let in Albertine, who came forward smiling, silent, plump, containing in the fulness of her body, made ready so that I might continue living them, come in search of me, the days we had spent together at that Balbec to which I had never since returned. No doubt, whenever we see again a person with whom our relations—however trivial they may have been—are altered, it is like a juxtaposition of two different periods. For this, we do not require that a former mistress should come to call upon us as a friend, all that we need is the visit to Paris of a person whom we had known in the daily round of some particular kind of life, and that this life should have ceased for us, were it no more than a week ago. On each of Albertine’s smiling, questioning, blushing features I could read the questions: “And Madame de Villeparisis? And the dancing-master? And the pastry-cook?” When she sat down her back seemed to be saying: “Gracious! There’s no cliff here; you don’t mind if I sit down beside you, all the same, as I used to do at Balbec?” She was like an enchantress handing me a mirror that reflected time. In this she was like all the people whom we seldom see now but with whom at one time we lived on more intimate terms. With Albertine,however, there was something more than this. Certainly, even at Balbec, in our daily encounters, I had always been surprised when she came in sight, so variable was her appearance from day to day. But now it was difficult to recognise her. Cleared of the pink vapour that used to bathe them, her features had emerged like those of a statue. She had another face, or rather she had a face at last; her body too had grown. There remained scarcely anything now of the shell in which she had been enclosed and on the surface of which, at Balbec, her future outline had been barely visible.
This time, Albertine had returned to Paris earlier than usual. As a rule she came only in the spring, which meant that, already disturbed for some weeks past by the storms that were beating down the first flowers, I did not distinguish, in the elements of the pleasure that I felt, the return of Albertine from that of the fine weather. It was enough that I should be told that she was in Paris and that she had called at the house, for me to see her again like a rose flowering by the sea. I cannot say whether it was the desire for Balbec or for herself that overcame me at such moments; possibly my desire for her was itself a lazy, cowardly, and incomplete method of possessing Balbec, as if to possess a thing materially, to take up one’s abode in a town, were equivalent to possessing it spiritually. Besides, even materially, when she was no longer posed by my imagination before a horizon of sea, but sitting still in a room with me, she seemed to me often a very poor specimen of a rose, so poor, indeed, that I would gladly have shut my eyes in order not to observe this or that blemish of its petals, and to imagine instead that I was inhaling the salt air on the beach.
I must say it at this point, albeit I was not then aware of what was to happen only later on. Certainly, it is more reasonable to devote one’s life to women than to postage stamps or old snuff-boxes, even to pictures or statues. Only the example of other collectors should be a warning to us to make changes, to have not one woman only but several. Those charming suggestions in which a girl abounds of a sea-beach, of the braided hair of a statue in church, of an old print, of everything that makes one see and admire in her, whenever she appears, a charming composition, those suggestions are not very stable. Live with a woman altogether and you will soon cease to see any of the things that made you love her; though I must add that these two sundered elements can be reunited by jealousy. If, after a long period of life in common, I was to end by seeing nothing more in Albertine than an ordinary woman, an intrigue between her and some person whom she had loved at Balbec would still suffice, perhaps, to reincorporate in her, to amalgamate the beach and the unrolling of the tide. Only, as these secondary suggestions no longer captivate our eyes, it is to the heart that they are perceptible and fatal. We cannot, under so dangerous a form, regard the repetition of the miracle as a thing to be desired. But I am anticipating the course of years. And here I need only state my regret that I did not have the sense simply to have kept my collection of women as people keep their collections of old quizzing glasses, never so complete, in their cabinet, that there is not room always for another and rarer still.
Departing from the customary order of her holiday movements, this year she had come straight from Balbec, where furthermore she had not stayed nearly so late asusual. It was a long time since I had seen her, and as I did not know even by name the people with whom she was in the habit of mixing in Paris, I could form no impression of her during the periods in which she abstained from coming to see me. These lasted often for quite a time. Then, one fine day, in would burst Albertine whose rosy apparitions and silent visits left me little if any better informed as to what she might have been doing in an interval which remained plunged in that darkness of her hidden life which my eyes felt little anxiety to pierce.
This time, however, certain signs seemed to indicate that some new experience must have entered into that life. And yet, perhaps, all that one was entitled to conclude from them was that girls change very rapidly at the age which Albertine had now reached. For instance, her intellect was now more in evidence, and on my reminding her of the day when she had insisted with so much ardour on the superiority of her idea of making Sophocles write: “My dear Racine,” she was the first to laugh, quite whole-heartedly, at her own stupidity. “Andrée was quite right; it was stupid of me,” she admitted. “Sophocles ought to have begun: ‘Sir.’” I replied that the “Sir,” and “Dear Sir,” of Andrée were no less comic than her own “My dear Racine,” or Gisèle’s “My dear Friend,” but that after all the really stupid people were the Professors who still went on making Sophocles write letters to Racine. Here, however, Albertine was unable to follow me. She could not see in what the silliness consisted; her intelligence was dawning, but had not fully developed. There were other more attractive novelties in her; I felt, in this same pretty girl who had just sat down by my bed, something that was different; and in those lines which, inone’s eyes and other features, express one’s general attitude towards life, a change of front, a partial conversion, as though there had now been shattered those resistances against which I had hurled my strength in vain at Balbec, one evening, now remote in time, on which we formed a couple symmetrical with but the converse of our present arrangement, since then it had been she who was lying down and I who sat by her bedside. Wishing and not venturing to make certain whether now she would let herself be kissed, every time that she rose to go I asked her to stay beside me a little longer. This was a concession not very easy to obtain, for albeit she had nothing to do (otherwise she would have rushed from the house) she was a person methodical in her habits and moreover not very gracious towards me, seeming scarcely to be at ease in my company, and yet each time, after looking at her watch, she sat down again at my request until finally she had spent several hours with me without my having asked her for anything; the things I was saying to her followed logically those that I had said during the hours before, and bore no relation to what I was thinking about, what I desired from her, remained indefinitely parallel. There is nothing like desire for preventing the thing one says from bearing any resemblance to what one has in one’s mind. Time presses, and yet it seems as though we were seeking to gain time by speaking of subjects absolutely alien to that by which we are obsessed. We then arrange that the sentence which we should like to utter shall be accompanied, or rather preluded by a gesture, supposing that is to say that we have not to give ourself the pleasure of an immediate demonstration and to gratify the curiosity we feel as to the reactions which will follow it, withouta word said, without even a “By your leave,” already made this gesture. Certainly I was not in the least in love with Albertine; child of the mists outside, she could merely content the imaginative desire which the change of weather had awakened in me and which was midway between the desires that are satisfied by the arts of the kitchen and of monumental sculpture respectively, for it made me dream simultaneously of mingling with my flesh a substance different and warm, and of attaching at some point to my outstretched body a body divergent, as the body of Eve barely holds by the feet to the side of Adam, to whose body hers is almost perpendicular, in those romanesque bas-reliefs on the church at Balbec which represent in so noble and so reposeful a fashion, still almost like a classical frieze, the Creation of Woman; God in them is everywhere followed, as by two ministers, by two little angels in whom the visitor recognises—like winged, swarming summer creatures which winter has surprised and spared—cupids from Herculaneum, still surviving well into the thirteenth century, and winging their last slow flight, weary but never failing in the grace that might be expected of them, over the whole front of the porch.
As for this pleasure which by accomplishing my desire would have set me free from these meditations and which I should have sought quite as readily from any other pretty woman, had I been asked upon what—in the course of this endless flow of talk throughout which I took care to keep from Albertine the one thing that was in my mind—was based my optimistic hypothesis with regard to her possible complaisances, I should perhaps have answered that this hypothesis was due (while the forgotten outlinesof Albertine’s voice retraced for me the contour of her personality) to the apparition of certain words which did not form part of her vocabulary, or at least not in the acceptation which she now gave them. Thus she said to me that Elstir was stupid, and, on my protesting:
“You don’t understand,” she replied, smiling, “I mean that it was stupid of him to behave like that; of course I know he’s quite a distinguished person, really.”
Similarly, wishing to say of the Fontainebleau golf club that it was smart, she declared: “They are quite a selection.”
Speaking of a duel that I had fought, she said of my seconds: “What very choice seconds,” and looking at my face confessed that she would like to see me “wear a moustache”. She even went so far (and my chances appeared then enormous) as to announce, in a phrase of which I would have sworn that she was ignorant a year earlier, that since she had last seen Gisèle there had passed a certain “lapse of time”. This was not to say that Albertine had not already possessed, when I was at Balbec, a quite adequate assortment of those expressions which reveal at once that one’s people are in easy circumstances, and which, year by year, a mother passes on to her daughter just as she bestows on her, gradually, as the girl grows up, on important occasions, her own jewels. It was evident that Albertine had ceased to be a little girl when one day, to express her thanks for a present which a strange lady had given her, she had said: “I am quite confused.” Mme. Bontemps could not help looking across at her husband, whose comment was:
“Gad, she’s old for fourteen.”
The approach of nubility had been more stronglymarked still when Albertine, speaking of another girl whose tone was bad, said: “One can’t even tell whether she’s pretty, she paints her face a foot thick.” Finally, though still a schoolgirl, she already displayed the manner of a grown woman of her upbringing and station when she said, of some one whose face twitched: “I can’t look at him, because it makes me want to do the same,” or, if some one else were being imitated: “The absurd thing about it is that when you imitate her voice you look exactly like her.” All these are drawn from the social treasury. But it did not seem to me possible that Albertine’s natural environment could have supplied her with “distinguished”, used in the sense in which my father would say of a colleague whom he had not actually met, but whose intellectual attainments he had heard praised: “It appears he’s quite a distinguished person.” “Selection”, even when used of a golf club, seemed to me as incompatible with the Simonet family as it would be, if preceded by the adjective “Natural”, with a text published centuries before the researches of Darwin. “Lapse of time” struck me as being of better augury still. Finally there appeared the evidence of certain upheavals, the nature of which was unknown to me, but sufficient to justify me in all my hopes when Albertine announced, with the satisfaction of a person whose opinion is by no means to be despised:
“To my mind, that is the best thing that could possibly happen. I regard it as the best solution, the stylish way out.”
This was so novel, so manifestly an alluvial deposit giving one to suspect such capricious wanderings over soil hitherto unknown to her, that on hearing the words“to my mind” I drew Albertine towards me, and at “I regard” made her sit on the side of my bed.
No doubt it does happen that women of moderate culture, on marrying well-read men, receive such expressions as part of their paraphernalia. And shortly after the metamorphosis which follows the wedding night, when they begin to pay calls, and talk shyly to the friends of their girlhood, one notices with surprise that they have turned into matrons if, in deciding that some person is intelligent, they sound both ‘l’s in the word; but that is precisely the sign of a change of state, and I could see a difference when I thought of the vocabulary of the Albertine I had known of old—a vocabulary in which the most daring flights were to say of any unusual person: “He’s a type,” or, if you suggested a game of cards to her: “I’ve no money to lose,” or again, if any of her friends were to reproach her, in terms which she felt to be undeserved: “That really is magnificent!” an expression dictated in such cases by a sort of middle-class tradition almost as old as theMagnificatitself, and one which a girl slightly out of temper and confident that she is in the right employs, as the saying is, “quite naturally”, that is to say because she has learned the words from her mother, just as she has learned to say her prayers or to greet a friend. All these expressions Mme. Bontemps had imparted to her at the same time as her hatred of the Jews and her feeling for black, which was always suitable and becoming, indeed without any formal instruction, but as the piping of the parent goldfinches serves as a model for that of the young ones, recently hatched, so that they in turn grow into true goldfinches also. But when all was said,“selection” appeared to me of alien growth and “I regard” encouraging. Albertine was no longer the same; which meant that she would not perhaps act, would not react in the same way.
Not only did I no longer feel any love for her, but I had no longer to consider, as I should have had at Balbec, the risk of shattering in her an affection for myself, which no longer existed. There could be no doubt that she had long since become quite indifferent to me. I was well aware that to her I was in no sense a member now of the “little band” into which I had at one time so anxiously sought and had then been so happy to have secured admission. Besides, as she had no longer even, as in Balbec days, an air of frank good nature, I felt no serious scruples: still I believe that what made me finally decide was another philological discovery. As, continuing to add fresh links to the external chain of talk behind which I hid my intimate desire, I spoke, having Albertine secure now on the corner of my bed, of one of the girls of the little band, one smaller than the rest, whom, nevertheless, I had thought quite pretty, “Yes,” answered Albertine, “she reminds me of a littlemousmé.”There had been nothing in the world to shew, when I first knew Albertine, that she had ever heard the wordmousmé. It was probable that, had things followed their normal course, she would never have learned it, and for my part I should have seen no cause for regret in that, for there is no more horrible word in the language. The mere sound of it makes one’s teeth ache as they do when one has put too large a spoonful of ice in one’s mouth. But coming from Albertine, as she sat there looking so pretty, noteven“mousmé”could strike me as unpleasant. On the contrary, I felt it to be a revelation, if not of an outward initiation, at any rate of an inward evolution. Unfortunately it was now time for me to bid her good-bye if I wished her to reach home in time for her dinner, and myself to be out of bed and dressed in time for my own. It was Françoise who was getting it ready; she did not like having to keep it back, and must already have found it an infringement of one of the articles of her code that Albertine, in the absence of my parents, should be paying me so prolonged a visit, and one which was going to make everything late. But before“mousmé”all these arguments fell to the ground and I hastened to say:
“Just fancy; I’m not in the least ticklish; you can go on tickling me for an hour on end and I won’t even feel it.”
“Really?”
“I assure you.”
She understood, doubtless, that this was the awkward expression of a desire on my part, for, like a person who offers to give you an introduction for which you have not ventured to ask him, though what you have said has shewn him that it would be of great service to you:
“Would you like me to try?” she inquired, with womanly meekness.
“Just as you like, but you would be more comfortable if you lay down properly on the bed.”
“Like that?”
“No; get right on top.”
“You’re sure I’m not too heavy?”
As she uttered these words the door opened andFrançoise, carrying a lamp, came in. Albertine had just time to fling herself back upon her chair. Perhaps Françoise had chosen this moment to confound us, having been listening at the door or even peeping through the keyhole. But there was no need to suppose anything of the sort; she might have scorned to assure herself, by the use of her eyes, of what her instinct must plainly enough have detected, for by dint of living with me and my parents her fears, her prudence, her alertness, her cunning had ended by giving her that instinctive and almost prophetic knowledge of us all that the mariner has of the sea, the quarry of the hunter, and, of the malady, if not the physician, often at any rate the patient. The amount of knowledge that she managed to acquire would have astounded a stranger, and with as good reason as does the advanced state of certain arts and sciences among the ancients, seeing that there was practically no source of information open to them. (Her sources were no larger. They were a few casual remarks forming barely a twentieth part of our conversation at dinner, caught on the wing by the butler and inaccurately transmitted to the kitchen.) Again, her mistakes were due, like theirs, like the fables in which Plato believed, rather to a false conception of the world and to preconceived ideas than to the insufficiency of the materials at her disposal. Only the other day, has it not been possible for the most important discoveries as to the habits of insects to be made by a scientist who had access to no laboratory and used no instruments of any sort? But if the drawbacks arising from her menial position had not prevented her from acquiring a stock of learning indispensable to the art which was its ultimate goal—andwhich consisted in putting us to confusion by communicating to us the results of her discoveries—the limitations under which she worked had done more; in this case the impediment, not content with merely not paralysing the flight of her imagination, had greatly strengthened it. Of course Françoise never let slip any artificial device, those for example of diction and attitude. Since (if she never believed what we said to her, hoping that she would believe it) she admitted without any shadow of doubt the truth of anything that any person of her own condition in life might tell her, however absurd, which might at the same time prove shocking to our ideas, just as her way of listening to our assertions bore witness to her incredulity, so the accents in which she reported (the use of indirect speech enabling her to hurl the most deadly insults at us with impunity) the narrative of a cook who had told her how she had threatened her employers, and won from them, by treating them before all the world like dirt, any number of privileges and concessions, shewed that the story was to her as gospel. Françoise went so far as to add: “I’m sure, if I had been the mistress I should have been quite vexed.” In vain might we, despite our scant sympathy at first with the lady on the fourth floor, shrug our shoulders, as though at an unlikely fable, at this report of so shocking an example; in making it the teller was able to speak with the crushing, the lacerating force of the most unquestionable, most irritating affirmation.
But above all, just as great writers often attain to a power of concentration from which they would have been dispensed under a system of political liberty or literary anarchy, when they are bound by the tyranny of amonarch or of a school of poetry, by the severity of prosodic laws or of a state religion, so Françoise, not being able to reply to us in an explicit fashion, spoke like Tiresias and would have written like Tacitus. She managed to embody everything that she could not express directly in a sentence for which we could not find fault with her without accusing ourselves, indeed in less than a sentence, in a silence, in the way in which she placed a thing in a room.
Thus when I happened to leave, by accident, on my table, among a pile of other letters, one which it was imperative that she should not see, because, let us say, it referred to her with a dislike which afforded a presumption of the same feeling towards her in the recipient as in the writer, that evening, if I came home with a troubled conscience and went straight to my room, there on top of my letters, neatly arranged in a symmetrical pile, the compromising document caught my eye as it could not possibly have failed to catch the eye of Françoise, placed by her right at the top, almost separated from the rest, in a prominence that was a form of speech, that had an eloquence all its own, and, as I stood in the doorway, made me shudder like a cry. She excelled in the preparation of these scenic effects, intended so to enlighten the spectator, in her absence, that he already knew that she knew everything when in due course she made her appearance. She possessed, for thus making an inanimate object speak, the art, at once inspired and painstaking, of Irving or Frédéric Lemaître. On this occasion, holding over Albertine and myself the lighted lamp whose searching beams missed none of the still visible depressions which the girl’s bodyhad hollowed in the counterpane, Françoise made one think of a picture of “Justice throwing light upon Crime.” Albertine’s face did not suffer by this illumination. It revealed on her cheeks the same sunny burnish that had charmed me at Balbec. This face of Albertine, the general effect of which sometimes was, out of doors, a sort of milky pallor, now shewed, according as the lamp shone on them, surfaces so dazzlingly, so uniformly coloured, so firm, so glowing that one might have compared them to the sustained flesh tints of certain flowers. Taken aback meanwhile by the unexpected entry of Françoise, I exclaimed:
“What? The lamp already? I say, the light is strong!”
My object, as may be imagined, was by the second of these ejaculations to account for my confusion, by the first to excuse my lateness in rising. Françoise replied with a cruel ambiguity:
“Do you want me to extinglish it?”
“—guish!” Albertine slipped into my ear, leaving me charmed by the familiar vivacity with which, taking me at once for teacher and for accomplice, she insinuated this psychological affirmation as though asking a grammatical question.
When Françoise had left the room and Albertine was seated once again on my bed:
“Do you know what I’m afraid of?” I asked her. “It is that if we go on like this I may not be able to resist the temptation to kissyou.”you.”
“That would be a fine pity.”
I did not respond at once to this invitation, which another man might even have found superfluous, for Albertine’s way of pronouncing her words was so carnal,so seductive that merely in speaking to you she seemed to be caressing you. A word from her was a favour, and her conversation covered you with kisses. And yet it was highly attractive to me, this invitation. It would have been so, indeed, coming from any pretty girl of Albertine’s age; but that Albertine should be now so accessible to me gave me more than pleasure, brought before my eyes a series of images that bore the stamp of beauty. I recalled the original Albertine standing between me and the beach, almost painted upon a background of sea, having for me no more real existence than those figures seen on the stage, when one knows not whether one is looking at the actress herself who is supposed to appear, at an understudy who for the moment is taking her principal’s part, or at a mere projection from a lantern. Then the real woman had detached herself from the luminous mass, had come towards me, with the sole result that I had been able to see that she had nothing in real life of that amorous facility which one supposed to be stamped upon her in the magic pictures. I had learned that it was not possible to touch her, to embrace her, that one might only talk to her, that for me she was no more a woman than the jade grapes, an inedible decoration at one time in fashion on dinner tables, are really fruit. And now she was appearing to me in a third plane, real as in the second experience that I had had of her but facile as in the first; facile, and all the more deliciously so in that I had so long imagined that she was not. My surplus knowledge of life (of a life less uniform, less simple than I had at first supposed it to be) inclined me provisionally towards agnosticism. What can one positively affirm,when the thing that one thought probable at first has then shewn itself to be false and in the third instance turns out true? And alas, I was not yet at the end of my discoveries with regard to Albertine. In any case, even if there had not been the romantic attraction of this disclosure of a greater wealth of planes revealed one after another by life (an attraction the opposite of that which Saint-Loup had felt during our dinners at Rivebelle on recognising beneath the mask with which the course of existence had overlaid them, in a calm face, features to which his lips had once been pressed), the knowledge that to kiss Albertine’s cheeks was a possible thing was a pleasure perhaps greater even than that of kissing them. What a difference between possessing a woman to whom one applies one’s body alone, because she is no more than a piece of flesh, and possessing the girl whom one used to see on the beach with her friends on certain days without even knowing why one saw her on those days and not on others, which made one tremble to think that one might not see her again. Life had obligingly revealed to one in its whole extent the romance of this little girl, had lent one, for the study of her, first one optical instrument, then another, and had added to one’s carnal desire an accompaniment which multiplied it an hundredfold and diversified it with those other desires, more spiritual and less easily assuaged, which do not emerge from their torpor, leaving carnal desire to move by itself, when it aims only at the conquest of a piece of flesh, but which to gain possession of a whole tract of memories, whence they have felt the wretchedness of exile, rise in a tempest round about it, enlarge, extend it, are unable to followit to the accomplishment, the assimilation, impossible in the form in which it is looked for, of an immaterial reality, but wait for this desire half way and at the moment of recollection, of return furnish it afresh with their escort; to kiss, instead of the cheeks of the first comer, however cool and fresh they might be, but anonymous, with no secret, with no distinction, those of which I had so long been dreaming, would be to know the taste, the savour of a colour on which I had endlessly gazed. One has seen a woman, a mere image in the decorative setting of life, like Albertine, outlined against the sea, and then one has been able to take that image, to detach it, to bring it close to oneself, gradually to discern its solidity, its colours, as though one had placed it behind the glasses of a stereoscope. It is for this reason that the women who are a little difficult, whose resistance one does not at once overcome, of whom one does not indeed know at first whether one ever will overcome it, are alone interesting. For to know them, to approach them, to conquer them is to make fluctuate in form, in dimensions, in relief the human image, is an example of relativity in the appreciation of an image which it is delightful to see afresh when it has resumed the slender proportions of a silhouette in the setting of one’s life. The women one meets first of all in a brothel are of no interest because they remain invariable.
In addition, Albertine preserved, inseparably attached to her, all my impressions of a series of seascapes of which I was particularly fond. I felt that it was possible for me, on the girl’s two cheeks, to kiss the whole of the beach at Balbec.
“If you really don’t mind my kissing you, I wouldrather put it off for a little and choose a good moment. Only you mustn’t forget that you’ve said I may. I shall want a voucher: ‘Valid for one kiss.’”
“Shall I have to sign it?”
“But if I took it now, should I be entitled to another later on?”
“You do make me laugh with your vouchers; I shall issue a new one every now and then.”
“Tell me; just one thing more. You know, at Balbec, before I had been introduced to you, you used often to have a hard, calculating look; you can’t tell me what you were thinking about when you looked like that?”
“No; I don’t remember at all.”
“Wait; this may remind you: one day your friend Gisèle put her feet together and jumped over the chair an old gentleman was sitting in. Try to remember what was in your mind at that moment.”
“Gisèle was the one we saw least of; she did belong to the band, I suppose, but not properly. I expect I thought that she was very ill-bred and common.”
“Oh, is that all?”
I should certainly have liked, before kissing her, to be able to fill her afresh with the mystery which she had had for me on the beach before I knew her, to find latent in her the place in which she had lived earlier still; for that, at any rate, if I knew nothing of it, I could substitute all my memories of our life at Balbec, the sound of the waves rolling up and breaking beneath my window, the shouts of the children. But when I let my eyes glide over the charming pink globe of her cheeks, the gently curving surfaces of which ran up to expire beneath the first foothills of her piled black tresses whichran in undulating mountain chains, thrust out escarped ramparts and moulded the hollows of deep valleys, I could not help saying to myself: “Now at last, after failing at Balbec, I am going to learn the fragrance of the secret rose that blooms in Albertine’s cheeks, and since the cycles through which we are able to make things and people pass in the course of our existence are comparatively few, perhaps I ought now to regard mine as nearing its end when, having made to emerge from its remoteness the flowering face that I had chosen from among all others, I shall have brought it into this new plane in which I shall at last acquire a tactual experience of it with my lips.” I told myself this because I believed that there was such a thing as knowledge acquired by the lips; I told myself that I was going to know the taste of this fleshly rose, because I had never stopped to think that man, a creature obviously less rudimentary in structure than the sea-urchin or even the whale, is nevertheless still unprovided with a certain number of essential organs, and notably possesses none that will serve for kissing. The place of this absent organ he supplies with his lips, and thereby arrives perhaps at a slightly more satisfying result than if he were reduced to caressing the beloved with a horny tusk. But a pair of lips, designed to convey to the palate the taste of whatever whets the appetite, must be content, without ever realising their mistake or admitting their disappointment, with roaming over the surface and with coming to a halt at the barrier of the impenetrable but irresistible cheek. Besides, at such moments at the actual contact between flesh and flesh, the lips, even supposing them to become more expert and betterendowed, could taste no better probably the savour which nature prevents their ever actually grasping, for in that desolate zone in which they are unable to find their proper nourishment, they are alone; the sense of sight, then that of smell have long since deserted them. To begin with, as my mouth began gradually to approach the cheeks which my eyes had suggested to it that it should kiss, my eyes, changing their position, saw a different pair of cheeks; the throat, studied at closer range and as though through a magnifying glass shewed in its coarse grain a robustness which modified the character of the face.
Apart from the most recent applications of the art of photography—which set crouching at the foot of a cathedral all the houses which, time and again, when we stood near them, have appeared to us to reach almost to the height of the towers, drill and deploy like a regiment, in file, in open order, in mass, the same famous and familiar structures, bring into actual contact the two columns on the Piazzetta which a moment ago were so far apart, thrust away the adjoining dome of the Salute, and in a pale and toneless background manage to include a whole immense horizon within the span of a bridge, in the embrasure of a window, among the leaves of a tree that stands in the foreground and is portrayed in a more vigorous tone, give successively as setting to the same church the arched walls of all the others—I can think of nothing that can so effectively as a kiss evoke from what we believe to be a thing with one definite aspect, the hundred other things which it may equally well be since each is related to a view of it no less legitimate. In short, just as at Balbec Albertine had oftenappeared to me different, so now, as if, wildly accelerating the speed of the changes of aspect and changes of colouring which a person presents to us in the course of our various encounters, I had sought to contain them all in the space of a few seconds so as to reproduce experimentally the phenomenon which diversifies the individuality of a fellow creature, and to draw out one from another, like a nest of boxes, all the possibilities that it contains, in this brief passage of my lips towards her cheek it was ten Albertines that I saw; this single girl being like a goddess with several heads, that which I had last seen, if I tried to approach it, gave place to another. At least so long as I had not touched it, that head, I could still see it, a faint perfume reached me from it. But alas—for in this matter of kissing our nostrils and eyes are as ill placed as our lips are shaped—suddenly my eyes ceased to see; next, my nose, crushed by the collision, no longer perceived any fragrance, and, without thereby gaining any clearer idea of the taste of the rose of my desire, I learned, from these unpleasant signs, that at last I was in the act of kissing Albertine’s cheek.
Was it because we were enacting—as may be illustrated by the rotation of a solid body—the converse of our scene together at Balbec, because it was I, now, who was lying in bed and she who sat beside me, capable of evading any brutal attack and of dictating her pleasure to me, that she allowed me to take so easily now what she had refused me on the former occasion with so forbidding a frown? (No doubt from that same frown the voluptuous expression which her face assumed now at the approach of my lips differed only by a deviation of its lines immeasurably minute but one in which may becontained all the disparity that there is between the gesture of “finishing off” a wounded man and that of bringing him relief, between a sublime and a hideous portrait.) Not knowing whether I had to give the credit, and to feel grateful for this change of attitude to some unwitting benefactor who in these last months, in Paris or at Balbec, had been working on my behalf, I supposed that the respective positions in which we were now placed might account for it. It was quite another explanation, however, that Albertine offered me; this, in short: “Oh, well, you see, that time at Balbec I didn’t know you properly. For all I knew, you might have meant mischief.” This argument left me in perplexity. Albertine was no doubt sincere in advancing it. So difficult is it for a woman to recognise in the movements of her limbs, in the sensations felt by her body in the course of an intimate conversation with a friend, the unknown sin into which she would tremble to think that a stranger was planning her fall.
In any case, whatever the modifications that had occurred at some recent time in her life, which might perhaps have explained why it was that she now readily accorded to my momentary and purely physical desire what at Balbec she had with horror refused to allow to my love, another far more surprising manifested itself in Albertine that same evening as soon as her caresses had procured in me the satisfaction which she could not have failed to notice, which, indeed, I had been afraid might provoke in her the instinctive movement of revulsion and offended modesty which Gilberte had given at a corresponding moment behind the laurel shrubbery in the Champs-Elysées.
The exact opposite happened. Already, when I had first made her lie on my bed and had begun to fondle her, Albertine had assumed an air which I did not remember in her, of docile good will, of an almost childish simplicity. Obliterating every trace of her customary anxieties and interests, the moment preceding pleasure, similar in this respect to the moment after death, had restored to her rejuvenated features what seemed like the innocence of earliest childhood. And no doubt everyone whose special talent is suddenly brought into play becomes modest, devoted, charming; especially if by this talent he knows that he is giving us a great pleasure, he is himself happy in the display of it, anxious to present it to us in as complete a form as possible. But in this new expression on Albertine’s face there was more than a mere profession of disinterestedness, conscience, generosity, a sort of conventional and unexpected devotion; and it was farther than to her own childhood, it was to the infancy of the race that she had reverted. Very different from myself who had looked for nothing more than a physical alleviation, which I had finally secured, Albertine seemed to feel that it would indicate a certain coarseness on her part were she to seem to believe that this material pleasure could be unaccompanied by a moral sentiment or was to be regarded as terminating anything. She, who had been in so great a hurry a moment ago, now, presumably because she felt that kisses implied love and that love took precedence of all other duties, said when I reminded her of her dinner:
“Oh, but that doesn’t matter in the least; I have plenty of time.”
She seemed embarrassed by the idea of getting up andgoing immediately after what had happened, embarrassed by good manners, just as Françoise when, without feeling thirsty, she had felt herself bound to accept with a seemly gaiety the glass of wine which Jupien offered her, would never have dared to leave him as soon as the last drops were drained, however urgent the call of duty. Albertine—and this was perhaps, with another which the reader will learn in due course, one of the reasons which had made me unconsciously desire her—was one of the incarnations of the little French peasant whose type may be seen in stone at Saint-André-des-Champs. As in Françoise, who presently nevertheless was to become her deadly enemy, I recognised in her a courtesy towards friend and stranger, a sense of decency, of respect for the bedside.
Françoise who, after the death of my aunt, felt obliged to speak only in a plaintive tone, would, in the months that preceded her daughter’s marriage, have been quite shocked if, when the young couple walked out together, the girl had not taken her lover’s arm. Albertine lying motionless beside me said:
“What nice hair you have; what nice eyes; you are a dear boy.”
When, after pointing out to her that it was getting late, I added: “You don’t believe me?” she replied, what was perhaps true but could be so only since the minute before and for the next few hours:
“I always believe you.”
She spoke to me of myself, my family, my social position. She said: “Oh, I know your parents know some very nice people. You are a friend of Robert Forestier and Suzanne Delage.” For the moment these names conveyedabsolutely nothing to me. But suddenly I remembered that I had indeed played as a child in the Champs-Elysées with Robert Forestier, whom I had never seen since then. As for Suzanne Delage, she was the great-niece of Mme. Blatin, and I had once been going to a dancing lesson, and had even promised to take a small part in a play that was being acted in her mother’s drawing-room. But the fear of being sent into fits of laughter, and of a bleeding nose, had made me decline, so that I had never set eyes on her. I had at the most a vague idea that I had once heard that the Swanns’ governess with the feather in her hat had at one time been with the Delages, but perhaps it was only a sister of this governess, or a friend. I protested to Albertine that Robert Forestier and Suzanne Delage occupied a very small place in my life. “That may be; but your mothers are friends, I can place you by that. I often pass Suzanne Delage in the Avenue de Messine, I admire her style.” Our mothers were acquainted only in the imagination of Mme. Bontemps, who having heard that I had at one time played with Robert Forestier, to whom, it appeared, I used to recite poetry, had concluded from that that we were bound by family ties. She could never, I gathered, hear my mother’s name mentioned without observing: “Oh yes, she is in the Delage Forestier set,” giving my parents a good mark which they had done nothing to deserve.
Apart from this, Albertine’s social ideas were fatuous in the extreme. She regarded the Simonnets with a double ‘n’ as inferior not only to the Simonets with a single ‘n’ but to everyone in the world. That some one else should bear the same name as yourself without belonging toyour family is an excellent reason for despising him. Of course there are exceptions. It may happen that two Simonnets (introduced to one another at one of those gatherings where one feels the need to converse, no matter on what subject, and where moreover one is instinctively well disposed towards strangers, for instance in a funeral procession on its way to the cemetery), finding that they have the same name, will seek with a mutual friendliness though without success to discover a possible connexion. But that is only an exception. Plenty of people are of dubious character, but we either know nothing or care nothing about them. If, however, a similarity of names brings to our door letters addressed to them, or vice versa, we at once feel a mistrust, often justified, as to their moral worth. We are afraid of being confused with them, we forestall the mistake by a grimace of disgust when anyone refers to them in our hearing. When we read our own name, as borne by them, in the newspaper, they seem to have usurped it. The transgressions of other members of the social organism leave us cold. We lay the burden of them more heavily upon our namesakes. The hatred which we bear towards the other Simonnets is all the stronger in that it is not a personal feeling but has beentransmittedtransmittedby heredity. After the second generation we remember only the expression of disgust with which our grandparents used to refer to the other Simonnets, we know nothing of the reason, we should not be surprised to learn that it had begun with a murder. Until, as is not uncommon, the time comes when a male and female Simonnet, who are not related in any way, are joined together in matrimony and so repair the breach.
Not only did Albertine speak to me of Robert Forestier and Suzanne Delage, but spontaneously, with that impulse to confide which the approximation of two human bodies creates, that is to say at first, before it has engendered a special duplicity and reticence in one person towards the other, she told me a story about her own family and one of Andrée’s uncles, as to which, at Balbec, she had refused to utter a word; thinking that now she ought not to appear to have any secrets in which I might not share. From this moment, had her dearest friend said anything to her against me, she would have made it her duty to inform me. I insisted upon her going home, and finally she did go, but so ashamed on my account at my discourtesy that she laughed almost as though to apologise for me, as a hostess to whose party you have gone without dressing makes the best of you but is offended nevertheless.
“Are you laughing at me?” I inquired.
“I am not laughing, I am smiling at you,” she replied lovingly. “When am I going to see you again?” she went on, as though declining to admit that what had just happened between us, since it is generally the crowning consummation, might not be at least the prelude to a great friendship, a friendship already existing which we should have to discover, to confess, and which alone could account for the surrender we had made of ourselves.
“Since you give me leave, I shall send for you when I can.” I dared not let her know that I was subordinating everything else to the chance of seeing Mme. de Stermaria. “It will have to be at short notice, unfortunately,” I went on, “I never know beforehand. Would it bepossible for me to send round for you in the evenings, when I am free?”
“It will be quite possible in a little while, I am going to have a latch-key of my own. But just at present it can’t be done. Anyhow I shall come round to-morrow or next day in the afternoon. You needn’t see me if you’re busy.”
On reaching the door, surprised that I had not anticipated her, she offered me her cheek, feeling that there was no need now for any coarse physical desire to prompt us to kiss one another. The brief relations in which we had just indulged being of the sort to which an absolute intimacy and a heartfelt choice often tend, Albertine had felt it incumbent upon her to improvise and add provisionally to the kisses which we had exchanged on my bed the sentiment of which those kisses would have been the symbol for a knight and his lady such as they might have been conceived in the mind of a gothic minstrel.
When she had left me, this young Picard, who might have been carved on his porch by the image-maker of Saint-André-des-Champs, Françoise brought me a letter which filled me with joy, for it was from Mme. de Stermaria, who accepted my invitation to dinner. From Mme. de Stermaria, that was to say for me not so much from the real Mme. de Stermaria as from her of whom I had been thinking all day before Albertine’s arrival. It is the terrible deception of love that it begins by engaging us in play not with a woman of the external world but with a puppet fashioned and kept in our brain, the only form of her moreover that we have always at our disposal, the only one that we shall ever possess, one which the arbitrary power of memory, almost asabsolute as that of imagination, may have made as different from the real woman as had been from the real Balbec the Balbec of my dreams; an artificial creation to which by degrees, and to our own hurt, we shall force the real woman into resemblance.
Albertine had made me so late that the play had just finished when I entered Mme. de Villeparisis’s drawing-room; and having little desire to be caught in the stream of guests who were pouring out, discussing the great piece of news, the separation, said to be already effected, of the Duc de Guermantes from his wife, I had, until I should have an opportunity of shaking hands with my hostess, taken my seat on an empty sofa in the outer room, when from the other, in which she had no doubt had her chair in the very front row of all, I saw emerging, majestic, ample and tall in a flowing gown of yellow satin upon which stood out in relief huge black poppies, the Duchess herself. The sight of her no longer disturbed me in the least. There had been a day when, laying her hands on my forehead (as was her habit when she was afraid of hurting my feelings) and saying: “You really must stop hanging about trying to meet Mme. de Guermantes. All the neighbours are talking about you. Besides, look how ill your grandmother is, you really have something more serious to think about than waylaying a woman who only laughs at you,” in a moment, like a hypnotist who brings one back from the distant country in which one imagined oneself to be, and opens one’s eyes for one, or like the doctor who, by recalling one to a sense of duty and reality, cures one of an imaginary disease in which one has been indulging one’s fancy, my mother had awakened me from an undulyprotracted dream. The rest of the day had been consecrated to a last farewell to this malady which I was renouncing; I had sung, for hours on end and weeping as I sang, the sad words of Schubert’sAdieu: