One reported that his carriage, thinking it had got to the Pont de la Concorde had circled three times round the Invalides, another that his, in trying to make its way down the Avenue des Champs-Élysées, had driven into a clump of trees at the Rond Point, from which it had taken him three quarters of an hour to get clear. Then followed lamentations upon the fog, the cold, the deathly stillness of the streets, uttered and received with the same exceptionally jovial air, which was accounted for by the pleasant atmosphere of the room which, except where I sat, was warm, the dazzling light which set blinking eyes already accustomed to not seeing, and the buzz of talk which restored their activity to deafened ears.
It was all the newcomers could do to keep silenceThe singularity of the mishaps which each of them thought unique burned their tongues, and their eyes roved in search of some one to engage in conversation. The proprietor himself lost all sense of social distinction. “M. le Prince de Foix lost his way three times coming from the Porte Saint-Martin,” he was not afraid to say with a laugh, actually pointing out, as though introducing one to the other, the illustrious nobleman to an Israelite barrister, who, on any evening but this, would have been divided from him by a barrier far harder to surmount than the ledge of greenery. “Three times—fancy that!” said the barrister, touching his hat. This note of personal interest was not at all to the Prince’s liking. He formed one of an aristocratic group for whom the practice of impertinence, even at the expense of their fellow-nobles when these were not of the very highest rank, seemed the sole possible occupation. Not to acknowledge a bow, and, if the polite stranger repeated the offence, to titter with sneering contempt or fling back one’s head with a look of fury, to pretend not to know some elderly man who might have done them a service, to reserve their handclasp for dukes and the really intimate friends of dukes whom the latter introduced to them, such was the attitude of these young men, and especially of the Prince de Foix. Such an attitude was encouraged by the ill-balanced mentality of early manhood (a period in which, even in the middle class, one appears ungrateful and behaves like a cad because, having forgotten for months to write to a benefactor after he has lost his wife, one then ceases to nod to him in the street so as to simplify matters), but it was inspired above all by an over-acute caste snobbishness. It is true that, after the fashion ofcertain nervous affections the symptoms of which grow less pronounced in later life, this snobbishness was on the whole to cease to express itself in so offensive a form in these men who had been so intolerable when young. Once youth is outgrown, it is seldom that anyone remains hidebound by insolence. He had supposed it to be the only thing in the world; suddenly he discovers, for all the Prince that he is, that there also are such things as music, literature, even standing for parliament. The scale of human values is correspondingly altered and he joins in conversation with people whom at one time he would have slain with a glare of lightning. Which is fortunate for those of the latter who have had the patience to wait, and whose character is sufficiently formed—if one may so put it—for them to feel pleasure in receiving in their forties the civility and welcome that had been coldly withheld from them at twenty.
As I have mentioned the Prince de Foix, it may not be inconsequent here to add that he belonged to a set of a dozen or fifteen young men and to an inner group of four. The dozen or fifteen shared this characteristic (which the Prince lacked, I fancy) that each of them faced the world in a dual aspect. Up to their own eyes in debt, they were of no account in those of their tradesmen, notwithstanding the pleasure these took in addressing them as “Monsieur le Comte,” “Monsieur le Marquis,” “Monsieur le Duc.” They hoped to retrieve their fortunes by means of the famous rich marriage (“money-bags” as the expression still was) and, as the fat dowries which they coveted numbered at the most four or five, several of them would be silently training their batteries on the same damsel. And the secret would be so wellkept that when one of them, on arriving at the café, announced: “My dear fellows, I am too fond of you all not to tell you of my engagement to Mlle. d’Ambresac,” there was a general outburst, more than one of the others imagining that the marriage was as good as settled already between Mlle. d’Ambresac and himself, and not having enough self-control to stifle a spontaneous cry of stupefaction and rage. “So you like the idea of marriage, do you, Bibi?” the Prince de Châtellerault could not help exclaiming, letting his fork drop in his surprise and despair, for he had been fully expecting the engagement of this identical Mlle. d’Ambresac to be announced, but with himself, Châtellerault, as her bridegroom. And heaven only knew all that his father had cunningly hinted to the Ambresacs against Bibi’s mother. “So you think it’ll be fun, being married, do you?” he was impelled to repeat his question to Bibi, who, better prepared to meet it, for he had had plenty of time to decide on the right attitude to adopt since the engagement had reached the semi-official stage, replied with a smile: “What pleases me is not the idea of marriage, which never appealed much to me, but marrying Daisy d’Ambresac, whom I think charming.” In the time taken up by this response M. de Châtellerault had recovered his composure, but he was thinking that he must at the earliest possible moment execute a change of front in the direction of Mlle. de la Canourque or Miss Foster, numbers two and three on the list of heiresses, pacify somehow the creditors who were expecting the Ambresac marriage and finally explain to the people to whom he too had declared that Mlle. d’Ambresac was charming that this marriage was all very well for Bibi, but that he himself wouldhave had all his family down on him like a ton of bricks if he had married her. Mme. Soléon (he decided to say) had actually announced that she would not have them in her house.
But if in the eyes of tradesmen, proprietors of restaurants and the like they seemed of little account, conversely, being creatures of dual personality, the moment they appeared in society they ceased to be judged by the decay of their fortunes and the sordid occupations by which they sought to repair them. They became once more M. le Prince this, M. le Duc that, and were reckoned only in terms of their quarterings. A duke who was practically a multi-millionaire and seemed to combine in his own person every possible distinction gave precedence to them because, the heads of their various houses, they were by descent sovereign princes of minute territories in which they were entitled to coin money and so forth. Often in this café one of them lowered his eyes when another came in so as not to oblige the newcomer to greet him. This was because in his imaginative pursuit of riches he had invited a banker to dine. Every time that a man about town enters into relations, on this footing, with a banker, the latter leaves him the poorer by a hundred thousand francs, which does not prevent the man about town from at once repeating the process with another. We continue to burn candles in churches and to consult doctors.
But the Prince de Foix, who was rich already, belonged not only to this fashionable set of fifteen or so young men, but to a more exclusive and inseparable group of four which included Saint-Loup. These were never asked anywhere separately, they were known as the fourgigolos,they were always to be seen riding together, in country houses their hostesses gave them communicating bedrooms, with the result that, especially as they were all four extremely good looking, rumours were current as to the extent of their intimacy. I was in a position to give these the lie direct so far as Saint-Loup was concerned. But the curious thing is that if, later on, one was to learn that these rumours were true of all four, each of the quartet had been entirely in the dark as to the other three. And yet each of them had done his utmost to find out about the others, to gratify a desire or (more probably) a resentment, to prevent a marriage or to secure a hold over the friend whose secret he discovered. A fifth (for in these groups of four there are never four only) had joined this Platonic party who was more so than any of the others. But religious scruples restrained him until long after the group had broken up, and he himself was a married man, the father of a family, fervently praying at Lourdes that the next baby might be a boy or a girl, and spending the intervals of procreation in the pursuit of soldiers.
Despite the Prince’s code of manners, the fact that the barrister’s comment, though uttered in his hearing, had not been directly addressed to him made him less angry than he would otherwise have been. Besides, this evening was somewhat exceptional. Finally, the barrister had no more prospect of coming to know the Prince de Foix than the cabman who had driven that noble lord to the restaurant. The Prince felt, accordingly, that he might allow himself to reply, in an arrogant tone, as though speaking to some one “off stage”, to this stranger who, thanks to the fog, was in the position of a travellingcompanion whom one meets at some seaside place at the ends of the earth, scoured by all the winds of heaven or shrouded in mist: “Losing your way’s nothing; the trouble is, you can’t find it again.” The wisdom of this aphorism impressed the proprietor, for he had already heard it several times in the course of the evening.
He was, in fact, in the habit of always comparing what he heard or read with an already familiar canon, and felt his admiration aroused if he could detect no difference. This state of mind is by no means to be ignored, for, applied to political conversations, to the reading of newspapers, it forms public opinion and thereby makes possible the greatest events in history. An aggregation of German landlords, simply by being impressed by a customer or a newspaper when he or it said that France, England and Russia were “out to crush” Germany, made war, at the time of Agadir, possible, even if no war occurred. Historians, if they have not been wrong to abandon the practice of attributing the actions of peoples to the will of kings, ought to substitute for the latter the psychology of the person of no importance.
In politics the proprietor of this particular café had for some time now concentrated his pupil-teacher’s mind on certain particular details of the Dreyfus case. If he did not find the terms that were familiar to him in the conversation of a customer or the columns of a newspaper he would pronounce the article boring or the speaker insincere. The Prince de Foix, however, impressed him so forcibly that he barely gave him time to finish what he was saying. “That’s right, Prince, that’s right,” (which meant neither more nor less than “repeated without a mistake”) “that’s exactly how it is!” he exclaimed,expanding, like people in the Arabian Nights “to the limit of repletion”. But the Prince had by this time vanished into the smaller room. Then, as life resumes its normal course after even the most sensational happenings, those who had emerged from the sea of fog began to order whatever they wanted to eat or drink; among them a party of young men from the Jockey Club who, in view of the abnormality of the situation, had no hesitation in taking their places at a couple of tables in the big room, and were thus quite close to me. So the cataclysm had established even between the smaller room and the bigger, among all these people stimulated by the comfort of the restaurant after their long wanderings across the ocean of fog, a familiarity from which I alone was excluded, not unlike the spirit that must have prevailed in Noah’s ark. Suddenly I saw the landlord’s body whipped into a series of bows, the head waiters hurrying to support him in a full muster which drew every eye towards the door. “Quick, send Cyprien here, lay a table for M. le Marquis de Saint-Loup,” cried the proprietor, for whom Robert was not merely a great nobleman possessing a real importance even in the eyes of the Prince de Foix, but a client who drove through life four-in-hand, so to speak, and spent a great deal of money in this restaurant. The customers in the big room looked on with interest, those in the small room shouted simultaneous greetings to their friend as he finished wiping his shoes. But just as he was about to make his way into the small room he caught sight of me in the big one. “Good God,” he exclaimed, “what on earth are you doing there? And with the door wide open too?” he went on, with an angry glance at the proprietor, who ran toshut it, throwing the blame on his staff: “I’m always telling them to keep it shut.”
I had been obliged to shift my own table and to disturb others which stood in the way in order to reach him. “Why did you move? Would you sooner dine here than in the little room? Why, my poor fellow, you’re freezing. You will oblige me by keeping that door locked;” he turned to the proprietor. “This very instant, M. le Marquis; the gentlemen will have to go out of this room through the other, that is all.” And the better to shew his zeal he detailed for this operation a head waiter and several satellites, vociferating the most terrible threats of punishment were it not properly carried out. He began to shew me exaggerated marks of respect, so as to make me forget that these had begun not upon my arrival but only after that of Saint-Loup, while, lest I should think them to have been prompted by the friendliness shewn me by his rich and noble client, he gave me now and again a surreptitious little smile which seemed to indicate a regard that was wholly personal.
Something said by one of the diners behind me made me turn my head for a moment. I had caught, instead of the words: “Wing of chicken, excellent; and a glass of champagne, only not too dry,” the unexpected: “I should prefer glycerine. Yes, hot, excellent.” I wanted to see who the ascetic was that was inflicting upon himself such a diet. I turned quickly back to Saint-Loup so as not to be recognised by the man of strange appetite. It was simply a doctor, whom I happened to know; and of whom another customer, taking advantage of the fog to buttonhole him here in the café, was asking his professional advice. Like stockbrokers,doctors employ the first person singular.
Meanwhile I was studying Saint-Loup, and my thoughts took a line of their own. There were in this café, I had myself known at other timesplentyplentyof foreigners, intellectuals, budding geniuses of all sorts, resigned to the laughter excited by their pretentious capes, their 1830 neckties and still more by the clumsiness of their movements, going so far as to provoke that laughter in order to shew that they paid no heed to it, who yet were men of real intellectual and moral worth, of an extreme sensibility. They repelled—the Jews among them principally, the unassimilated Jews, that is to say, for with the other kind we are not concerned—those who could not endure any oddity or eccentricity of appearance (as Bloch repelled Albertine). Generally speaking, one realised afterwards that if they had against them hair worn too long, noses and eyes that were too big, stilted theatrical gestures, it was puerile to judge them by these only, they had plenty of intelligence and spirit and were men to whom, in the long run, one could become closely attached. Among the Jews especially there were few whose parents and kinsfolk had not a warmth of heart, a breadth of mind in comparison with which Saint-Loup’s mother and the Duc de Guermantes cut the poorest of figures by their sereness, their skin-deep religiosity which denounced only the most open scandals, their apology for a Christianity which led invariably (by the unexpected channel of a purely calculating mind) to an enormously wealthy marriage. But in Saint-Loup, when all was said, however the faults of his relatives might be combined in a fresh creation of character, there reigned the most charming openness of mind and heart. And whenever (it must befrankly admitted, to the undying glory of France) these qualities are found in a man who is purely French, be he noble or plebeian, they flower—flourish would be too strong a word, for a sense of proportion persists and also a certain restraint—with a grace which the foreign visitor, however estimable he may be, does not present to us. Of these intellectual and moral qualities others undoubtedly have their share, and if we have first to overcome what repels us and what makes us smile they remain no less precious. But it is all the same a pleasant thing, and one which is perhaps exclusively French that what is fine from the standpoint of equity, what is of value to the heart and mind should be first of all attractive to the eyes, charmingly coloured, consummately chiselled, should express outwardly as well in substance as in form an inward perfection. I studied Saint-Loup’s features and said to myself that it is a thing to be glad of when there is no lack of bodily grace to prepare one for the graces within, and when the winged nostrils are spread as delicately and with as perfect a design as the wings of the little butterflies that hover over the field-flowers round Combray; and that the trueopus francigenum, the secret of which was not lost in the thirteenth century, the beauty of which would not be lost with the destruction of our churches, consists not so much in the stone angels of Saint-André-des-Champs as in the young sons of France, noble, citizen or peasant, whose faces are carved with that delicacy and boldness which have remained as traditional there as on the famous porch, but are creative still as well.
After leaving us for a moment in order to supervise personally the barring of the door and the ordering ofour dinner (he laid great stress on our choosing “butcher’s meat”, the fowls being presumably nothing to boast of) the proprietor came back to inform us that M. le Prince de Foix would esteem it a favour if M. le Marquis would allow him to dine at a table next to ours. “But they are all taken,” objected Robert, casting an eye over the tables which blocked the way to mine. “That doesn’t matter in the least, if M. le Marquis would like it, I can easily ask these people to move to another table. It is always a pleasure to do anything for M. le Marquis!” “But you must decide,” said Saint-Loup to me. “Foix is a good fellow, he may bore you or he may not; anyhow he’s not such a fool as most of them.” I told Robert that of course I should like to meet his friend but that now that I was for once in a way dining with him and was so entirely happy, I should be just as well pleased to have him all to myself. “He’s got a very fine cloak, the Prince has,” the proprietor broke in upon our deliberation. “Yes, I know,” said Saint-Loup. I wanted to tell Robert that M. de Charlus had disclaimed all knowledge of me to his sister-in-law, and to ask him what could be the reason of this, but was prevented by the arrival of M. de Foix. Come to see whether his request had been favourably received, we caught sight of him standing beside our table. Robert introduced us, but did not hide from his friend that as we had things to talk about he would prefer not to be disturbed. The Prince withdrew, adding to the farewell bow which he made me a smile which, pointed at Saint-Loup, seemed to transfer to him the responsibility for the shortness of a meeting which the Prince himself would have liked to see prolonged. As he turned to go, Robert,struck, it appeared, by a sudden idea, dashed off after his friend, with a “Stay where you are and get on with your dinner, I shall be back in a moment,” to me; and vanished into the smaller room. I was pained to hear the smart young men sitting near me, whom I did not know, repeat the most absurd and malicious stories about the young Hereditary Grand Duke of Luxembourg (formerly Comte de Nassau) whom I had met at Balbec and who had shewn me such delicate marks of sympathy at the time of my grandmother’s illness. According to one of these young men, he had said to the Duchesse de Guermantes: “I expect everyone to get up when my wife passes,” to which the Duchess had retorted (with as little truth, had she said any such thing, as humour, the grandmother of the young Princess having always been the very pink of propriety): “Get up when your wife passes, do they? Well, that’s a change from her grandmother’s day. She expected the gentlemen to lie down.” Then some one alleged that, having gone down to see his aunt the Princesse de Luxembourg at Balbec, and put up at the Grand Hotel, he had complained to the manager there (my friend) that the royal standard of Luxembourg was not flown in front of the hotel, over the sea. And that this flag being less familiar and less generally in use than the British or Italian, it had taken him several days to procure one, greatly to the young Grand Duke’s annoyance. I did not believe a word of this story, but made up my mind, as soon as I went to Balbec, to inquire of the manager, so as to make certain that it was a pure invention. While waiting for Saint-Loup to return I asked the proprietor to get me some bread. “Certainly, Monsieur le Baron!” “I amnot a Baron,” I told him. “Oh, beg pardon, Monsieur le Comte!” I had no time to lodge a second protest which would certainly have promoted me to the rank of marquis; faithful to his promise of an immediate return, Saint-Loup reappeared in the doorway carrying over his arm the thick vicuna cloak of the Prince de Foix, from whom I guessed that he had borrowed it in order to keep me warm. He signed to me not to get up, and came towards me, but either my table would have to be moved again or I must change my seat if he was to get to his. Entering the big room he sprang lightly on to one of the red plush benches which ran round its walls and on which, apart from myself, there were sitting only three or four of the young men from the Jockey Club, friends of his own, who had not managed to find places in the other room. Between the tables and the wall electric wires were stretched at a certain height; without the least hesitation Saint-Loup jumped nimbly over them like a horse in a steeplechase; embarrassed that it should be done wholly for my benefit and to save me the trouble of a slight movement, I was at the same time amazed at the precision with which my friend performed this exercise in levitation; and in this I was not alone; for, albeit they would probably have had but little admiration for a similar display on the part of a more humbly born and less generous client, the proprietor and his staff stood fascinated, like race-goers in the enclosure; one underling, apparently rooted to the ground, stood there gaping with a dish in his hand for which a party close beside him were waiting; and when Saint-Loup, having to get past his friends, climbed on the narrow ledge behind them and ran along it, balancinghimself with his arms, discreet applause broke from the body of the room. On coming to where I was sitting he stopped short in his advance with the precision of a tributary chieftain before the throne of a sovereign, and, stooping down, handed to me with an air of courtesy and submission the vicuna cloak which, a moment later, having taken his place beside me, without my having to make a single movement he arranged as a light but warm shawl about my shoulders.
“By the way, while I think of it, my uncle Charlus has something to say to you. I promised I’ld send you round to him to-morrow evening.”
“I was just going to speak to you about him. But to-morrow evening I am dining with your aunt Guermantes.”
“Yes there’s a regular beanfeast to-morrow at Oriane’s. I’m not asked. But my uncle Palamède don’t want you to go there. You can’t get out of it, I suppose? Well, anyhow, go on to my uncle’s afterwards. I’m sure he really does want to see you. Look here, you can easily manage to get there by eleven. Eleven o’clock; don’t forget; I’ll let him know. He’s very touchy. If you don’t turn up he’ll never forgive you. And Oriane’s parties are always over quite early. If you are only going to dine there you can quite easily be at my uncle’s by eleven. I ought really to go and see Oriane, about getting shifted from Morocco; I want an exchange. She is so nice about all that sort of thing, and she can get anything she likes out of General de Saint-Joseph, who runs that branch. But don’t say anything about it to her. I’ve mentioned it to the Princesse de Parme, everything will be all right. Interesting place, Morocco. I could tell you all sorts ofthings. Very fine lot of men out there. One feels they’re on one’s own level, mentally.”
“You don’t think the Germans are going to go to war about it?”
“No; they’re annoyed with us, as after all they have every right to be. But the Emperor is out for peace. They are always making us think they want war, to force us to give in. Pure bluff, you know, like poker. The Prince of Monaco, one of Wilhelm’s agents, comes and tells us in confidence that Germany will attack us. Then we give way. But if we didn’t give way, there wouldn’t be war in any shape or form. You have only to think what a comic spectacle a war would be in these days. It’ld be a bigger catastrophe than the Flood and theGötterdämmerungrolled in one. Only it wouldn’t last so long.”
He spoke to me of friendship, affection, regret, albeit like all visitors of his sort he was going off the next morning for some months, which he was to spend in the country, and would only be staying a couple of nights in Paris on his way back to Morocco (or elsewhere); but the words which he thus let fall into the heated furnace which my heart was this evening kindled a pleasant glow there. Our infrequent meetings, this one in particular, have since formed a distinct episode in my memories. For him, as for me, this was the evening of friendship. And yet the friendship that I felt for him at this moment was scarcely, I feared (and felt therefore some remorse at the thought), what he would have liked to inspire. Filled still with the pleasure that I had had in seeing him come bounding towards me and gracefully pause on arriving at his goal, I felt that this pleasure layin my recognising that each of the series of movements which he had developed against the wall, along the bench, had its meaning, its cause in Saint-Loup’s own personal nature, possibly, but even more in that which by birth and upbringing he had inherited from his race.
A certainty of taste in the region not of beauty but manners, which when he was faced by a novel combination of circumstances enabled the man of breeding to grasp at once—like a musician who has been asked to play a piece he has never seen—the feeling, the motions that were required, and to apply the appropriate mechanism and technique; which then allowed this taste to display itself without the constraint of any other consideration, by which the average young man of the middle class would have been paralysed, from fear as well of making himself ridiculous in the eyes of strangers by his disregard of convention as of appearing too deferential in the eyes of his friends; the place of this constraint being taken in Robert by a lofty disdain which certainly he had never felt in his heart but which he had received by inheritance in his body, and which had moulded the attitudes of his ancestors to a familiarity with their inferiors which, they imagined, could only flatter and enchant those to whom it was displayed; lastly, a noble liberality which, taking no account of his boundless natural advantages (lavish expenditure in this restaurant had succeeded in making him, here as elsewhere, the most fashionable customer and the general favourite, a position which was underlined by the deference shewn him throughout the place not only by the waiters but by all its most exclusive young patrons), led him to trample them underfoot, just as he had, actually and symbolically,trodden upon those benches decked with purple, like a triumphal way which pleased my friend only because it enabled him more gracefully and swiftly to arrive at my side; such were the qualities, essential to aristocracy, which through the husk of this body, not opaque and vague as mine would have been, but significant and limpid, transmitted as through a work of art the industrious, energetic force which had created it and rendered the movements of this lightfoot course which Robert had pursued along the wall intelligible and charming as those of a row of knights upon a marble frieze. “Alas!” Robert might have thought, “was it worth while to have grown up despising birth, honouring only justice and intellect, choosing outside the ranks of the friends provided for me companions who were awkward and ill-dressed, provided they had the gift of eloquence, only for the sole personality apparent in me, which is to remain a treasured memory, to be not that which my will, with the most praiseworthy effort, has fashioned in my likeness, but one which is not of my making, which is not even myself, which I have always disliked and striven to overcome; was it worth while to love my chosen friend as I have loved him, for the greatest pleasure that he can find in me to be that of discovering something far more general than myself, a pleasure which is not in the least (as he says, though he cannot seriously believe it) one of the pleasures of friendship, but an intellectual and detached, a sort of artistic pleasure?” This is what I am now afraid that Saint-Loup may at times have thought. If so, he was mistaken. If he had not (as he steadfastly had) cherished something more lofty than the suppleness innate in his body, if he had not keptaloof for so long from the pride that goes with noble birth, there would have been something more studied, a certain heaviness in his very agility, a self-important vulgarity in his manners. As with Mme. de Villeparisis a strong vein of seriousness had been necessary for her to give in her conversation and in her Memoirs a sense of the frivolous, which is intellectual, so, in order that Saint-Loup’s body might be indwelt by so much nobility, the latter had first to desert a mind that was aiming at higher things, and, reabsorbed into his body, to be fixed there in unconscious, noble lines. In this way his distinction of mind was not absent from a bodily distinction which otherwise would not have been complete. An artist has no need to express his mind directly in his work for it to express the quality of that mind; it has indeed been said that the highest praise of God consists in the denial of Him by the atheist, who finds creation so perfect that it can dispense with a creator. And I was quite well aware that it was not merely a work of art that I was admiring in this young man unfolding along the wall the frieze of his flying course; the young Prince (a descendant of Catherine de Foix, Queen of Navarre and grand-daughter of Charles VII) whom he had just left for my sake, the endowments, by birth and fortune, which he was laying at my feet, the proud and shapely ancestors who survived in the assurance, the agility, the courtesy with which he now arranged about my shivering body the warm woollen cloak, were not all these like friends of longer standing in his life, by whom I might have expected that we should be permanently kept apart, and whom, on the contrary, he was sacrificing to me by a choice which one can make only in the loftiest placesof the mind, with that sovereign liberty of which Robert’s movements were the presentment and in which is realised perfect friendship?
How much familiar intercourse with a Guermantes—in place of the distinction that it had in Robert, because there the inherited scorn of humanity was but the outer garment, become an unconscious charm, of a real moral humility—could disclose of vulgar arrogance I had had an opportunity of seeing, not in M. de Charlus, in whom certain characteristic faults, for which I had been unable, so far, to account, were overlaid upon his aristocratic habits, but in the Duc de Guermantes. And yet he too, in the general impression of commonness which had so strongly repelled my grandmother when she had met him once, years earlier, at Mme. de Villeparisis’s, included glimpses of historic grandeur of which I became conscious when I went to dine in his house, on the evening following that which I had spent with Saint-Loup.
They had not been apparent to me either in himself or in the Duchess when I had met them first in their aunt’s drawing-room, any more than I had discerned, on first seeing her, the differences that set Berma apart from her fellow-players, all the more that in her the individuality was infinitely more striking than in any social celebrity, such distinctions becoming more marked in proportion as the objects are more real, more conceivable by the intellect. And yet, however slight the shades of social distinction may be (and so slight are they that when an accurate portrayer like Sainte-Beuve tries to indicate the shades of difference between the salons of Mme. Geoffrin, Mme. Récamier and Mme. de Boigne, they appear so much alike that the cardinaltruth which, unknown to the author, emerges from his investigations is the vacuity of that form of life), with them, and for the same reason as with Berma, when the Guermantes had ceased to impress me and the tiny drop of their originality was no longer vaporised by my imagination, I was able to distil and analyse it, imponderable as it was.
The Duchess having made no reference to her husband when she talked to me at her aunt’s party, I wondered whether, in view of the rumours of a divorce that were current, he would be present at the dinner. But my doubts were speedily set at rest, for through the crowd of footmen who stood about in the hall and who (since they must until then have regarded me much as they regarded the children of the evicted cabinet-maker, that is to say with more fellow-feeling perhaps than their master but as a person incapable of being admitted to his house) must have been asking themselves to what this social revolution could be due, I saw slip towards me M. de Guermantes himself, who had been watching for my arrival so as to receive me upon his threshold and take off my greatcoat with his own hands.
“Mme. de Guermantes will be as pleased as punch,” he greeted me in a glibly persuasive tone. “Let me help you off with your duds.” (He felt it to be at once companionable and comic to employ the speech of the people.) “My wife was just the least bit afraid you might fail us, although you had fixed a date. We’ve been saying to each other all day long: ‘Depend upon it, he’ll never turn up.’ I am bound to say, Mme. de Guermantes was a better prophet than I was. You are not an easy man to get hold of, and I was quite sure you were going to playus false.” And the Duke was so bad a husband, so brutal even (people said), that one felt grateful to him, as one feels grateful to wicked people for their occasional kindness of heart, for those words “Mme. de Guermantes” with which he appeared to be spreading out over the Duchess a protecting wing, that she might be but one flesh with him. Meanwhile, taking me familiarly by the hand, he began to lead the way, to introduce me into his household. Just as some casual phrase may delight us coming from the lips of a peasant if it points to the survival of a local tradition, shews the trace of some historic event unknown, it may be, to him who thus alludes to it; so this politeness on the part of M. de Guermantes, which, moreover, he was to continue to shew me throughout the evening, charmed me as a survival of habits of many centuries’ growth, habits of the seventeenth century in particular. The people of bygone ages seem to us infinitely remote. We do not feel justified in ascribing to them any underlying intention apart from those to which they give formal expression; we are amazed when we come upon a sentiment more or less akin to what we are feeling to-day in a Homeric hero, or upon a skilful tactical feint in Hannibal, during the battle of Cannae, where he let his flank be driven back in order to take the enemy by surprise and surround him; it would seem that we imagined the epic poet and the Punic general as being as remote from ourselves as an animal seen in a zoological garden. Even in certain personages of the court of Louis XIV, when we find signs of courtesy in the letters written by them to some man of inferior rank who could be of no service to them whatever, they leave us bewildered because they reveal to us suddenly, as existing among thesegreat gentlemen, a whole world of beliefs to which they never give any direct expression but which govern their conduct, and especially the belief that they are bound in politeness to feign certain sentiments and to carry out with the most scrupulous care certain obligations of friendship.
This imagined remoteness of the past is perhaps one of the things that enable us to understand how even great writers have found an inspired beauty in the works of mediocre mystifiers, such as Macpherson’sOssian. We so little expected to learn that bards long dead could have modern ideas that we marvel if in what we believe to be an ancient Gaelic ode we come upon one which we should have thought, at the most, ingenious in a contemporary. A translator of talent has simply to add to an ancient writer whom he presents to us more or less faithfully reproduced fragments which, signed with a contemporary name and published separately, would seem entertaining only; at once he imparts a moving grandeur to his poet, who is thus made to play upon the keyboards of several ages at once. This translator was capable only of a mediocre book, if that book had been published as his original work. Given out as a translation, it seems that of a masterpiece. The past not merely is not fugitive, it remains present. It is not within a few months only after the outbreak of a war that laws passed without haste can effectively influence its course, it is not within fifteen years only after a crime which has remained obscure that a magistrate can still find the vital evidence which will throw a light on it; after hundreds and thousands of years the scholar who has been studying in a distant land the place-names, the customs of the inhabitants, may stillextract from them some legend long anterior to the Christian era, already unintelligible, if not actually forgotten, at the time of Herodotus, which in the name given to a rock, in a religious rite, dwells surrounded by the present, like an emanation of greater density, immemorial and stable. There was similarly an emanation, though far less ancient, of the life of the court, if not in the manners of M. de Guermantes, which were often vulgar, at least in the mind that controlled them. I was to breathe this again, like the odour of antiquity, when I joined him a little later in the drawing-room. For I did not go there at once.
As we left the outer hall, I had mentioned to M. de Guermantes that I was extremely anxious to see his Elstirs. “I am at your service. Is M. Elstir a friend of yours, then? If so, it is most vexing, for I know him slightly; he is a pleasant fellow, what our fathers used to call an ‘honest fellow’, I might have asked him to honour us with his company, and to dine to-night. I am sure he would have been highly flattered at being invited to spend the evening in your society.” Very little suggestive of the old order when he tried thus to assume its manner, the Duke relapsed unconsciously into it. After inquiring whether I wished him to shew me the pictures, he conducted me to them, gracefully standing aside for me at each door, apologising when, to shew me the way, he was obliged to precede me, a little scene which (since the days when Saint-Simon relates that an ancestor of the Guermantes did him the honours of his town house with the same punctilious exactitude in the performance of the frivolous duties of a gentleman) must, before coming gradually down to us, have been enacted by many otherGuermantes for numberless other visitors. And as I had said to the Duke that I would like very much to be left alone for a few minutes with the pictures, he discreetly withdrew, telling me that I should find him in the drawing-room when I was ready.
Only, once I was face to face with the Elstirs, I completely forgot about dinner and the time; here again as at Balbec I had before me fragments of that strangely coloured world which was no more than the projection, the way of seeing things peculiar to that great painter, which his speech in no way expressed. The parts of the walls that were covered by paintings from his brush, all homogeneous with one another, were like the luminous images of a magic lantern, which would have been in this instance the brain of the artist, and the strangeness of which one could never have suspected so long as one had known only the man, which was like seeing the iron lantern boxing its lamp before any coloured slide had been slid into its groove. Among these pictures several of the kind that seemed most absurd to ordinary people interested me more than the rest because they recreated those optical illusions which prove to us that we should never succeed in identifying objects if we did not make some process of reasoning intervene. How often, when driving in the dark, do we not come upon a long, lighted street which begins a few feet away from us, when what we have actually before our eyes is nothing but a rectangular patch of wall with a bright light falling on it, which has given us the mirage of depth. In view of which is it not logical, not by any artifice of symbolism but by a sincere return to the very root of the impression, to represent one thing by that other for which, in the flash of a firstillusion, we mistook it? Surfaces and volumes are in reality independent of the names of objects which our memory imposes on them after we have recognised them. Elstir attempted to wrest from what he had just felt what he already knew, his effort had often been to break up that aggregate of impressions which we call vision.
The people who detested these “horrors” were astonished to find that Elstir admired Chardin, Perroneau, any number of painters whom they, the ordinary men and women of society, liked. They did not take into account that Elstir had had to make, for his own part, in striving to reproduce reality (with the particular index of his taste for certain lines of approach), the same effort as a Chardin or a Perroneau and that consequently, when he ceased to work for himself, he admired in them attempts of the same order, fragments anticipatory so to speak of works of his own. Nor did these society people include in their conception of Elstir’s work that temporal perspective which enabled them to like, or at least to look without discomfort at Chardin’s painting. And yet the older among them might have reminded themselves that in the course of their lives they had seen gradually, as the years bore them away from it, the unbridgeable gulf between what they considered a masterpiece by Ingres and what, they had supposed, must remain for ever a “horror” (Manet’sOlympia, for example) shrink until the two canvases seemed like twins. But we learn nothing from any lesson because we have not the wisdom to work backwards from the particular to the general, and imagine ourselves always to be going through an experience which is without precedents in the past.
I was moved by the discovery in two of the pictures(more realistic, these, and in an earlier manner) of the same person, in one in evening dress in his own drawing-room, in the other wearing a frock coat and tall hat at some popular regatta where he had evidently no business to be, which proved that for Elstir he was not only a regular sitter but a friend, perhaps a patron whom it pleased him (just as Carpaccio used to introduce prominent figures, and in speaking likenesses, from contemporary life in Venice) to introduce into his pictures, just as Beethoven, too, found pleasure in inscribing at the top of a favourite work the beloved name of the Archduke Rudolph. There was something enchanting about this waterside carnival. The river, the women’s dresses, the sails of the boats, the innumerable reflexions of one thing and another came crowding into this little square panel of beauty which Elstir had cut out of a marvellous afternoon. What delighted one in the dress of a woman who had stopped for a moment in the dance because it was hot and she was out of breath was irresistible also in the same way in the canvas of a motionless sail, in the water of the little harbour, in the wooden bridge, in the leaves of the trees and in the sky. As in one of the pictures that I had seen at Balbec, the hospital, as beautiful beneath its sky of lapis lazuli as the cathedral itself, seemed (more bold than Elstir the theorician, than Elstir the man of taste, the lover of things mediaeval) to be intoning: “There is no such thing as gothic, there is no such thing as a masterpiece; this tasteless hospital is just as good as the glorious porch,” so I now heard: “The slightly vulgar lady at whom a man of discernment would refrain from glancing as he passed her by, would except from the poetical composition which nature has set before him—herdress is receiving the same light as the sail of that boat, and there are no degrees of value and beauty; the commonplace dress and the sail, beautiful in itself, are two mirrors reflecting the same gleam; the value is all in the painter’s eye.” This eye had had the skill to arrest for all time the motion of the hours at this luminous instant, when the lady had felt hot and had stopped dancing, when the tree was fringed with a belt of shadow, when the sails seemed to be slipping over a golden glaze. But just because the depicted moment pressed on one with so much force, this so permanent canvas gave one the most fleeting impression, one felt that the lady would presently move out of it, the boats drift away, the night draw on, that pleasure comes to an end, that life passes and that the moments illuminated by the convergence, at once, of so many lights do not recur. I recognised yet another aspect, quite different it is true, of what the moment means in a series of water-colours of mythological subjects, dating from Elstir’s first period, which also adorned this room. Society people who held “advanced” views on art went “as far as” this earliest manner, but no farther. These were certainly not the best work that he had done, but already the sincerity with which the subject had been thought out melted its natural coldness. Thus the Muses, for instance, were represented as it might be creatures belonging to a species now fossilised, but creatures which it would not have been surprising in mythological times to see pass in the evening, in twos or threes, along some mountain path. Here and there a poet, of a race that had also a peculiar interest for the zoologist (characterised by a certain sexlessness) strolled with a Muse, as one sees in nature creatures of different but of kindred species consorttogether. In one of these water-colours one saw a poet wearied by long wanderings on the mountains, whom a Centaur, meeting him and moved to pity by his weakness, had taken on his back and was carrying home. In more than one other, the vast landscape (in which the mythical scene, the fabulous heroes occupied a minute place and were almost lost) was rendered, from the mountain tops to the sea, with an exactitude which told one more than the hour, told one to the very minute what time of day it was, thanks to the precise angle of the setting sun, to the fleeting fidelity of the shadows. In this way the artist managed to give, by making it instantaneous, a sort of historical reality, as of a thing actually lived, to the symbol of his fable, painted it and set it at a definite point in the past.
While I was examining Elstir’s paintings the bell, rung by arriving guests, had been pealing uninterruptedly, and had lulled me into a pleasing unconsciousness. But the silence which followed its clangour and had already lasted for some time succeeded—less rapidly, it is true—in awakening me from my dream, as the silence that follows Lindor’s music arouses Bartolo from his sleep. I was afraid that I had been forgotten, that they had sat down to dinner, and hurried to the drawing-room. At the door of the Elstir gallery I found a servant waiting for me, white-haired, though whether with age or powder I cannot say, with the air of a Spanish Minister, but treating me with the same respect that he would have shewn to a King. I felt from his manner that he must have been waiting for at least an hour, and I thought with alarm of the delay I had caused in the service of dinner, especially as I had promised to be at M. de Charlus’s by eleven.
The Spanish Minister (though I also met on the way the footman persecuted by the porter, who, radiant with delight when I inquired after his girl, told me that the very next day they were both to be off duty, so that he would be able to spend the whole day with her, and extolled the generosity of Madame la Duchesse) conducted me to the drawing-room, where I was afraid of finding M. de Guermantes in an ill humour. He welcomed me, on the contrary, with a joy that was evidently to a certain extent artificial and dictated by politeness, but was also sincere, prompted both by his stomach which so long a delay had begun to famish, and his consciousness of a similar impatience in all his other guests, who completely filled the room. Indeed I heard afterwards that I had kept them waiting for nearly three-quarters of an hour. The Duc de Guermantes probably thought that to prolong the general torment for two minutes more would not intensify it and that, politeness having driven him to postpone for so long the moment of moving into the dining-room, this politeness would be more complete if, by not having dinner announced immediately, he could succeed in persuading me that I was not late, and that they had not been waiting for me. And so he asked me, as if we had still an hour before dinner and some of the party had not yet arrived, what I thought of his Elstirs. But at the same time, and without letting the cravings of his stomach become apparent, so as not to lose another moment, he, in concert with the Duchess, proceeded to the ceremony of introduction. Then only I perceived that there had occurred round about me, me who until this evening, save for my novitiate in Mme. Swann’s drawing-room, had been accustomed, in my mother’s homes, atCombray and in Paris, to the manners, either protecting or defensive, of the grim ladies of our middle-world, who treated me as a child, a change of surroundings comparable to that which introduces Parsifal suddenly into the midst of the Flower-Maidens. Those who surrounded me now, their bosoms entirely bare (the naked flesh appeared on either side of a sinuous spray of mimosa or behind the broad petals of a rose) could not murmur a word of greeting without at the same time bathing me in long, caressing glances, as though shyness alone restrained them from kissing me. Many of them were nevertheless highly respectable from the moral standpoint; many, not all, for the most virtuous had not for those of a lighter vein the same repulsion that my mother would have felt. The caprices of one’s conduct, denied by saintlier friends, in the face of the evidence, seemed in the Guermantes world to matter far less than the relations which one had been able to maintain. One pretended not to know that the body of one’s hostess was at the disposal of all comers, provided that her visiting list showed no gaps. As the Duke put himself out not at all for his other guests (of whom he had long known everything that there was to know, and they of him) but quite markedly for me, whose kind of superiority, being outside his experience, inspired in him something akin to the respect which the great noblemen of the court of Louis XIV used to feel for his plebeian Ministers, he evidently considered that the fact of my not knowing his other guests mattered not at all—to me at least, though it might to them—and while I was anxious, on his account, as to the impression that I was going to make on them he was thinking only of how his friends would impress me.
At the very outset I found myself completely bewildered. No sooner had I entered the drawing-room than M. de Guermantes, without even allowing me time to shake hands with the Duchess, had led me, as though I were a delightful surprise to the person in question to whom he seemed to be saying: “Here’s your friend! You see, I’m bringing him to you by the scruff of his neck,” towards a lady of smallish stature. Whereupon, long before, thrust forward by the Duke, I had reached her chair, the lady had begun to flash at me continuously from her large, soft, dark eyes the thousand smiles of understanding which we address to an old friend who perhaps has not recognised us. As this was precisely my case and I could not succeed in calling to mind who she was I averted my eyes from her as I approached so as not to have to respond until our introduction should have released me from my predicament. Meanwhile the lady continued to maintain in unstable equilibrium the smile intended for myself. She looked as though she were anxious to be relieved of it and to hear me say: “Oh, but this is a pleasure! Mamma will be pleased when I tell her I’ve met you!” I was as impatient to learn her name as she was to see that I did finally greet her, fully aware of what I was doing, so that the smile which she was holding on indefinitely, like the note of a tuning-fork, might at length be let go. But M. de Guermantes managed things so badly (to my mind, at least) that I seemed to have heard only my own name uttered and was given no clue to the identity of my unknown friend, to whom it never occurred to tell me herself what her name was, so obvious did the grounds of our intimacy, which baffled me completely, seem to her. Indeed, as soon as Ihad come within reach, she did not offer me her hand, but took mine in a familiar clasp, and spoke to me exactly as though I had been equally conscious with herself of the pleasant memories to which her mind reverted. She told me how sorry Albert (who, I gathered, was her son) would be to have missed seeing me. I tried to remember who, among the people I had known as boys, was called Albert, and could think only of Bloch, but this could not be Bloch’s mother that I saw before me since she had been dead for some time. In vain I struggled to identify the past experience common to herself and me to which her thoughts had been carried back. But I could no more distinguish it through the translucent jet of her large, soft pupils which allowed only her smile to pierce their surface than one can distinguish a landscape that lies on the other side of a smoked glass, even when the sun is blazing on it. She asked me whether my father was not working too hard, if I would not come to the theatre some evening with Albert, if I was stronger now, and as my replies, stumbling through the mental darkness in which I was plunged, became distinct only to explain that I was not feeling well that evening, she pushed forward a chair for me herself, going to all sorts of trouble which I was not accustomed to see taken by my parents’ friends. At length the clue to the riddle was furnished me by the Duke: “She thinks you’re charming,” he murmured in my ear, which felt somehow that it had heard these words before. They were what Mme. de Villeparisis had said to my grandmother and myself after we had made the acquaintance of the Princesse de Luxembourg. Everything became clear; the lady I now saw had nothing in common with Mme. de Luxembourg, but from the language ofhim who thus served me with her I could discern the nature of the animal. It was a Royalty. She had never before heard of either my family or myself, but, a scion of the noblest race and endowed with the greatest fortune in the world (for, a daughter of the Prince de Parme, she had married a cousin of equal princelihood), she sought always, in gratitude to her Creator, to testify to her neighbour, however poor or lowly he might be, that she did not look down upon him. Really, I might have guessed this from her smile. I had seen the Princesse de Luxembourg buy little rye-cakes on the beach at Balbec to give to my grandmother, as though to a caged deer in the zoological gardens. But this was only the second Princess of the Blood Royal to whom I had been presented, and I might be excused my failure to discern in her the common factors of the friendliness of the great. Besides, had not they themselves gone out of their way to warn me not to count too much on this friendliness, since the Duchesse de Guermantes, who had waved me so effusive a greeting with her gloved hand at the Opéra-Comique, had appeared furious when I bowed to her in the street, like people who, having once given somebody a sovereign, feel that this has set them free from any further obligation towards him. As for M. de Charlus, his ups and downs were even more sharply contrasted. While in the sequel I have known, as the reader will learn, Highnesses and Majesties of another sort altogether, Queens who play the Queen and speak not after the conventions of their kind but like the Queens in Sardou’s plays.
If M. de Guermantes had been in such haste to present me, it was because the presence at a party of anyone not personally known to a Royal Personage is an intolerablestate of things which must not be prolonged for a single instant. It was similar to the haste which Saint-Loup had shewn in making me introduce him to my grandmother. By the same token, by a fragmentary survival of the old life of the court which is called social courtesy and is not superficial, in which, rather, by a centripetal reversion, it is the surface that becomes essential and profound, the Duc and Duchesse de Guermantes regarded as a duty more essential than those (which one at least of the pair neglected often enough) of charity, chastity, pity and justice, as a more unalterable law that of never addressing the Princesse de Parme save in the third person.
Having never yet in my life been to Parma (a pilgrimage I had been anxious to make ever since certain Easter holidays long ago), to meet its Princess, who, I knew, owned the finest palace in that matchless city, where, moreover, everything must be in keeping, isolated as it was from the rest of the world, within the polished walls, in the atmosphere, stifling as a breathless summer evening on the Piazza of a small town in Italy, of its compact and almost cloying name, would surely have substituted in a flash for what I had so often tried to imagine all that did really exist at Parma in a sort of partial arrival there, without my having to stir from Paris, of myself; it was in the algebraical expression of a journey to the city of Correggio a simple equation, so to speak, of that unknown quantity. But if I had for many years past—like a perfumer impregnating a solid mass of grease with scent—made this name, Princesse de Parme, absorb the fragrance of thousands of violets, in return, when I set eyes on the Princess, who, until then I should have sworn, must be the Sanseverina herself, a second processbegan which was not, I may say, completed until several months had passed, and consisted in expelling, by means of fresh chemical combinations, all the essential oil of violets and all the Stendhalian fragrance from the name of the Princess, and in implanting there, in their place, the image of a little dark woman, taken up with good works, of a friendliness so humble that one felt at once in how exalted a pride that friendliness had its roots. Moreover, while, barring a few points of difference, she was exactly like any other great lady, she was as little Stendhalian as is, for example, in Paris, in the Europe quarter, the Rue de Parme, which bears far less resemblance to the name of Parma than to any or all of the neighbouring streets, and reminds one not nearly so much of the Charterhouse in which Fabrice ends his days as of the waiting room in the Saint-Lazare station.
Her friendliness sprang from two causes. The first and more general was the education which this daughter of Kings had received. Her mother (not merely allied by blood to all the royal families of Europe but furthermore—in contrast to the Ducal House of Parma—richer than any reigning Princess) had instilled into her from her earliest childhood the arrogantly humble precepts of an evangelical snobbery; and to-day every line of the daughter’s face, the curve of her shoulders, the movements of her arms seemed to repeat the lesson: “Remember that if God has caused you to be born on the steps of a throne you ought not to make that a reason for looking down upon those to whom Divine Providence has willed (wherefore His Name be praised) that you should be superior by birth and fortune. On the contrary, you must suffer the little ones. Your ancestors were Princes of Treves andJuliers from the year 647: God has decreed in His bounty that you should hold practically all the shares in the Suez Canal and three times as many Royal Dutch as Edmond de Rothschild; your pedigree in a direct line has been established by genealogists from the year 63 of the Christian Era; you have as sisters-in-law two Empresses. Therefore never seem, in your speech, to be recalling these great privileges, not that they are precarious (for nothing can alter antiquity of race, while the world will always need petrol), but because it is useless to point out that you are better born than other people or that your investments are all gilt-edged, since everyone knows these facts already. Be helpful to the needy. Furnish to all those whom the bounty of heaven has done you the favour of placing beneath you as much as you can give them without forfeiture of your rank, that is to say help in the form of money, even your personal service by their sickbeds, but never (bear well in mind) invite them to your parties, which would do them no possible good and, by weakening your own position, would diminish the efficacy of your benevolent activities.”
And so even at the moments when she could not do good the Princess endeavoured to shew, or rather to let it be thought, by all the external signs of dumb language, that she did not consider herself superior to the people among whom she found herself thrown. She treated each of them with that charming courtesy with which well-bred people treat their inferiors and was continually, to make herself useful, pushing back her chair so as to leave more room, holding my gloves offering me all those services which would demean the proud spirit of a commoner but are very willingly rendered by sovereign ladiesor, instinctively and by force of professional habit, by retired servants.
But already the Duke, who seemed in a hurry to complete the round of introduction, had led me off to another of the flower-maidens. On hearing her name I told her that I had passed by her country house, not far from Balbec. “Oh, I should have been so pleased to take you over it,” she informed me, almost in a whisper, to enhance her modesty, but in a tone of deep feeling, steeped in regret for the loss of an opportunity to enjoy a quite exceptional pleasure; and went on, with a meaning glance: “I do hope you will come again some day. But I must say that what would interest you more still would be my aunt Brancas’s place. It was built by Mansard; it is the jewel of the province.” It was not only she herself who would have been glad to shew me over her house, but her aunt Brancas would have been no less delighted to do me the honours of hers, or so I was assured by this lady who thought evidently that, especially at a time when the land shewed a tendency to pass into the hands of financiers who had no knowledge of the world, it was important that the great should keep up the exalted traditions of lordly hospitality, by speeches which involved them in nothing. It was also because she sought, like everyone in her world, to say the things which would give most pleasure to the person she was addressing, to give him the highest idea of himself, to make him think that he flattered people by writing to them, that he honoured those who entertained him, that everyone was burning to know him. The desire to give other people this comforting idea of themselves does, it must be admitted, exist even among the middle classes. We find there that kindly disposition,in the form of an individual merit compensating for some other defect, not alas among the most trusty male friends but at any rate among the most agreeable female companions. But there anyhow it blooms only in isolated patches. In an important section of the aristocracy, on the other hand, this characteristic has ceased to be individual; cultivated by education, sustained by the idea of a personal greatness which can fear no humiliation, which knows no rival, is aware that by being pleasant it can make people happy and delights in doing so, it has become the generic feature of a class. And even those whom personal defects of too incompatible a kind prevent from keeping it in their hearts bear the unconscious trace of it in their vocabulary or their gesticulation.
“She is a very good creature,” said the Duc de Guermantes, of the Princesse de Parme, “and she can play the ‘great lady’ when she likes, better than anyone.”
While I was being introduced to the ladies, one of the gentlemen of the party had been shewing various signs of agitation: this was Comte Hannibal de Bréauté-Consalvi. Arriving late, he had not had time to investigate the composition of the party, and when I entered the room, seeing in me a guest who was not one of the Duchess’s regular circle and must therefore have some quite extraordinary claim to admission, installed his monocle beneath the groined arch of his eyebrow, thinking that this would be a great help to him in discovering what manner of man I was. He knew that Mme. de Guermantes possessed (the priceless appanage of truly superior women) what was called a “salon”, that is to say added occasionally to the people of her own set some celebrity who had recently come into prominence by the discoveryof a new cure for something or the production of a masterpiece. The Faubourg Saint-Germain had not yet recovered from the shock of learning that, to the reception which she had given to meet the King and Queen of England, the Duchess had not been afraid to invite M. Detaille. The clever women of the Faubourg who had not been invited were inconsolable, so deliciously thrilling would it have been to come into contact with that strange genius. Mme. de Courvoisier made out that M. Ribot had been there as well, but this was a pure invention, designed to make people believe that Oriane was aiming at an Embassy for her husband. Finally, a last straw of scandal, M. de Guermantes, with a gallantry that would have done credit to Marshal Saxe, had repaired to the green-room of the Comédie Française, and had begged Mlle. Reichemberg to come and recite before the King, which having come to pass constituted an event without precedent in the annals of routs. Remembering all these surprises, which, moreover, had his entire approval, his own presence being not merely an ornament but, in the same way as that of the Duchesse de Guermantes, a consecration to any drawing-room, M. de Bréauté, when he asked himself who I could be, felt that the field of exploration was very wide. For a moment the name of M. Widor flashed before his mind, but he decided that I was not old enough to be an organist, and M. Widor not striking enough to be “asked out”. It seemed on the whole more plausible to regard me simply as the new Attaché at the Swedish Legation of whom he had heard, and he was preparing to ask me for the latest news of King Oscar, by whom he had several times been very hospitably received; but when the Duke, in introducingme, had mentioned my name to M. de Bréauté, the latter, finding that name to be completely unknown to him, had no longer any doubt that, being where I was, I must be a celebrity of some sort. Oriane would certainly never invite anyone who was not, and had the art of attracting men who were in the public eye to her house, in a ratio that of course never exceeded one per cent, otherwise she would have lowered its tone. M. de Bréauté began, therefore, to lick his chops and to sniff the air greedily, his appetite whetted not only by the good dinner upon which he could count, but by the character of the party, which my presence could not fail to make interesting, and which would furnish him with a topic for brilliant conversation next day at the Duc de Chartres’s luncheon-table. He had not yet settled in his own mind whether I was the man who had just been making those experiments with a serum to cure cancer, or the author of the new “curtain-raiser” then in rehearsal at the Théâtre Français; but, a great intellectual, a great collector of “travellers’ tales”, he continued an ever increasing display of reverences, signs of mutual understanding, smiles filtered through the glass of his monocle; either in the mistaken idea that a man of my standing would esteem him more highly if he could manage to instil into me the illusion that for him, the Comte de Bréauté-Consalvi, the privileges of the mind were no less deserving of respect than those of birth; or simply from the need to express and difficulty of expressing his satisfaction, in his ignorance of the language in which he ought to address me, just as if, in fact, he had found himself face to face with one of the “natives” of an undiscovered country on which his keel had grounded, natives from whom, in the hope of ultimate profit, hewould endeavour, observing with interest the while their quaint customs and without interrupting his demonstrations of friendship, or like them uttering loud cries, to obtain ostrich eggs and spices in exchange for his glass beads. Having responded as best I could to his joy, I shook hands next with the Duc de Châtellerault, whom I had already met at Mme. de Villeparisis’s, who, he informed me, was “as cunning as they made ’em”. He was typically Guermantes in the fairness of his hair, his arched profile, the points where the skin of his cheeks lost colour, all of which may be seen in the portraits of that family which have come down to us from the sixteenth and seventeenth centuries. But, as I was no longer in love with the Duchess, her reincarnation in the person of a young man offered me no attraction. I interpreted the hook made by the Duc de Châtellerault’s nose, as if it had been the signature of a painter whose work I had long studied but who no longer interested me in the least. Next, I said good evening also to the Prince de Foix, and to the detriment of my knuckles, which emerged crushed and mangled, let them be caught in a vice which was the German handclasp, accompanied by an ironical or good-natured smile, of the Prince von Faffenheim, M. de Norpois’s friend, who, by virtue of the mania for nicknames which prevailed in this set, was known so universally as Prince Von that he himself used to sign his letters “Prince Von”, or, when he wrote to his intimates, “Von”. And yet this abbreviation was understandable, in view of his triple-barrelled name. It was less easy to grasp the reasons which made “Elizabeth” be replaced, now by “Lili”, now by “Bebeth”, just as another world swarmed with “Kikis”. One can realise that these people, albeit in mostrespects idle and light-minded enough, might have come to adopt “Quiou” in order not to waste the precious time that it would have taken them to pronounce “Montesquiou”. But it is not so easy to see what they saved by naming one of their cousins “Dinand” instead of “Ferdinand”. It must not be thought, however, that in the invention of nicknames the Guermantes invariably proceed to curtail or reduplicate syllables. Thus two sisters, the Comtesse de Montpeyroux and the Vicomtesse de Vélude, who were both of them enormously stout, invariably heard themselves addressed, without the least trace of annoyance on their part or of amusement on other people’s, so long established was the custom, as “Petite” and “Mignonne”. Mme. de Guermantes, who adored Mme. de Montpeyroux, would, if her friend had been seriously ill, have flown to the sister with tears in her eyes and exclaimed: “I hear Petite is dreadfully bad!” Mme. de l’Eclin, who wore her hair in bands that entirely hid her ears, was never called anything but “The Empty Stomach”; in some cases people simply added an ‘a’ to the last or first name of the husband to indicate the wife. The most miserly, most sordid, most inhuman man in the Faubourg having been christened Raphael, his charmer, his flower springing also from the rock always signed herself “Raphaela”—but these are merely a few specimens taken from innumerable rules, to which we can always return later on, if the occasion offers, and explain some of them. I then asked the Duke to present me to the Prince d’Agrigente. “What! Do you mean to say you don’t know our excellent Gri-gri!” cried M. de Guermantes, and gave M. d’Agrigente my name. His own, so often quoted by Françoise, had always appeared to melike a transparent sheet of coloured glass through which I beheld, struck, on the shore of the violet sea, by the slanting rays of a golden sun, the rosy marble cubes of an ancient city of which I had not the least doubt that the Prince—happening for a miraculous moment to be passing through Paris—was himself, as luminously Sicilian and gloriously mellowed, the absolute sovereign. Alas, the vulgar drone to whom I was introduced, and who wheeled round to bid me good evening with a ponderous ease which he considered elegant, was as independent of his name as of any work of art that he might have owned without bearing upon his person any trace of its beauty, without, perhaps, ever having stopped to examine it. The Prince d’Agrigente was so entirely devoid of anything princely, anything that might make one think of Girgenti that one was led to suppose that his name, entirely distinct from himself, bound by no ties to his person, had had the power of attracting to itself the whole of whatever vague poetical element there might have been in this man as in any other, and isolating it, after the operation, in the enchanted syllables. If any such operation had been performed, it had certainly been done most efficiently, for there remained not an atom of charm to be drawn from this kinsman of the Guermantes. With the result that he found himself at one and the same time the only man in the world who was Prince d’Agrigente and the man who, of all the men in the world was, perhaps, least so. He was, for all that, very glad to be what he was, but as a banker is glad to hold a number of shares in a mine without caring whether the said mine answers to the charming name of Ivanhoe or Primrose, or is called merely the Premier. Meanwhile, as these introductions, which it hastaken me so long to recount but which, beginning as I entered the room, had lasted only a few seconds, were coming to an end, and Mme. de Guermantes, in an almost suppliant tone, was saying to me: “I am sure Basin is tiring you, dragging you round like that; we are anxious for you to know our friends, but we are a great deal more anxious not to tire you, so that you may come again often,” the Duke, with a somewhat awkward and timid wave of the hand, gave (as he would gladly have given it at any time during the last hour, filled for me by the contemplation of his Elstirs) the signal that dinner might now be served.